By Josh Herwitt //

Primus with Ty Segall //
Greek Theatre – Los Angeles
August 6th, 2025 //

If you are a fan of live music and have been following the current rock landscape lately, you probably already know the last few months have been a rough time for drummers.

Legendary bands like The Who, Guns N’ Roses, Iron Maiden, Pearl Jam and Foo Fighters have all experienced changes behind the drum kit recently while well-established mainstays in the jam scene such as Umphrey’s McGee and Goose have also had to find new blood on the skins.

But another rock-leaning act that saw its timekeeper step off the stage — and rather abruptly — was Primus, the 90’s alt-metal group led by bassist, vocalist and founding member Les Claypool that has cycled through its share of drummers since first forming under the name Primate more than 40 years ago in the Bay Area.

Whether it has been Vince Parker, Mark Edgar, Peter Libby, Robbie Bean, Tim “Curveball” Wright, Jay “Jayski” Lane, Bryan “Brain” Mantia or Tim “Herb” Alexander laying it down, Claypool and guitarist Larry “Ler” LaLonde have seen the drum throne become a revolving door for the majority of their careers. So with Alexander leaving the band unexpectedly for a third time in October and revealing that he “lost his passion for playing,” Claypool and LaLonde were once again faced with the unfortunate reality the two close friends would become accustomed to after leaving their former band Blind Illusion and reforming Primus at the end of 1988.

Rather than going back to the well or only accepting referrals for the role, they decided to open up the process to anyone and everyone in their search for “the greatest drummer on Earth.” What came as a result was at least 6,200 submissions followed by a multi-week audition process at Claypool’s studio in Northern California that the band would coin the “Primus Interstellar Drum Derby.” The competition was stiff, with an All-Star cast that included Thomas Pridgen, Nikki Glaspie and Thomas Lang in the mix, but the honor ultimately went to John Hoffman, a relatively unknown from Shreveport, La., whose style and impeccable chops blended perfectly with what Claypool and LaLonde like to cook up when they plug in.

Primus are one of those rare bands that can bring jam fans and metalheads together into the same space. As we have said before after witnessing his Fearless Frog Brigade mark their first tour in two decades with a sold-out gig at The Wiltern a couple years ago (see more photos from the show here), Claypool remains among rare company as a one-of-a-kind musician who has made his living at the intersection of the alt-metal and jam scenes. When you hear a song by Primus, you can tell almost immediately it’s them. Much of that has to do with Claypool’s unmistakable spoken-word vocals of course, though the way he continues to captivate listeners with his innovative bass playing still has Primus sounding like nothing else out there to this day.

It has been nearly eight years since Primus have dropped an album, and there’s a sense with Hoffman officially in the fold now that new material can be expected at some point. But the first order of business for Claypool and LaLonde had to be getting back on the road with their new comrade since performing Rush’s A Tribute to Kings in 46 North American cities on their last headlining tour.

Ty Segall

That’s not to say Primus haven’t been active. We have actually caught them each of the last two years, first at the Hollywood Bowl with Puscifer and A Perfect Circle for Sessanta (read our show review here) and then at Acrisure Arena out in the desert for Sessanta V2.0 (read our show review here).

With the “Onward & Upward” tour this summer providing 25 more opportunities for Claypool, LaLonde and Hoffman to continue building their chemistry onstage, we can tell that Primus are beginning to hit their stride as they introduce fans to “Hoffer.” On a weeknight at LA’s charming Greek Theatre, things began with an onslaught of noise from prolific garage rocker Ty Segall, whose 45-minute opening set was highlighted by a cover of Pink Floyd’s “Interstellar Overdrive”. The singer-songwriter from Laguna Beach put out his 17th studio album Possession in May and his penchant for honoring the greats, from Bob Dylan to T. Rex, is no secret to those who are familiar with his music. While his overall energy this time didn’t quite match what we remember being impressed by back in 2016 at the Teragram Ballroom (read our show review here), Segall’s ability to shred at a moment’s notice is always evident when he takes the stage. Coincidentally enough, his hometown friends were actually sitting beside me and they were definitely feeling it as enough chunky riffs filled our earholes to make us wish that “Sloppo” would tour with San Jose stoner/doom metal duo Sleep in the future.

The sonic similarities between Segall and Primus remain few and far between, but that didn’t take away from what proved to be a magical evening under the stars … and there were plenty of them at the Greek in addition to Claypool, LaLonde and Hoffman. The three-piece opened with two tracks off 1997’s Brown Album, and although this wouldn’t be the same sort of exhibition Primus staged last month at Red Rocks Amphitheatre when seven songs from it were performed, the surprises that ensued could give any fan of 90’s music instant FOMO.

It had come to my attention last spring when I attended Queens of the Stone Age leader Josh Homme’s benefit show that comedian Bill Burr can hold his own on the drums, and even after noticing him outside the venue before entering, it somehow didn’t dawn on me that he was anything other than a spectator. A colleague had mentioned to some of us between sets that he spotted Tool drummer Danny Carey, who had previously filled in for Alexander, and as soon as I saw two kits set up on the stage, I knew we were in for something special. So when Burr walked out with Tool bassist Justin Chancellor after “Bob’s Party Time Lounge” and broke into “Too Many Puppies” on Frizzle Fry, the crowd essentially lost its collective mind and we would have as well if we weren’t busy trying to capture it from behind the camera. What’s more is that Burr totally nailed his part, locking in from the start while Chancellor came equipped with a gift that just so happened to be one of Claypool’s beautiful Pachyderm bass guitars.

Surprises as such are often reserved for the encore, yet considering this was only the third song and we were in one of the biggest entertainment capitals in the world, more were likely in store. The details were certainly unknown, but my Black Sabbath Vol. 4 T-shirt did draw a comment from one of the band’s crew members, which made me believe that a cover might be forthcoming after seeing on social media that Primus uncorked “N.I.B.” in New Orleans with Puddles Pity Party offering his best Ozzy impersonation. My inclination would eventually be proven true after Primus dove into some Oysterhead before crushing King Crimson staple “Thela Hun Ginjeet” with South Park co-creator Matt Stone on the drums, except this time it was Segall manning the mic and sending the place into an absolute frenzy as the Prince of Darkness’ maniacal face was projected on the video screen.

And if that wasn’t enough, Primus gifted us a “DMV” tease prior to launching into “The Ol’ Diamondback Sturgeon (Fisherman’s Chronicles, Part 3)” and followed it up with “Jerry Was a Race Car Driver” that received a roar of applause. Not every Primus setlist will feature the lead singles on 1991’s Sailing the Seas of Cheese and 1993’s Pork Soda, but this rendition of “My Name Is Mud” was extra dirty — in a good way — with Carey finally taking his place stage right to Hoffman and unleashing a dual drum solo that had Claypool slapping his strings in unison, creating a double-bass effect that you could feel in your chest and down to your bones.

How could a Primus show be complete without a bass solo or better yet, a bass off? From solely our perspective, it really couldn’t be. So after a brief encore break, Claypool did what only a bass master would do and brought out MonoNeon, who’s well-known for his work with Prince, for Tales from the Punchbowl single “Southbound Pachyderm” and one of our personal favorites. As the two low-end wizards traded licks down the finish line, it wasn’t very hard to consider this one of the best Primus shows I have ever caught and there have been many. Their recipe of swamp funk mixed with metal might not be everyone’s cup of tea. For us as well as anyone in attendance who found themselves chanting the band’s paradoxical inside joke “Primus Sucks!” — because if you know, you know — however, it never seems to get old no matter what age any of us are.

PRIMUS

Setlist:
Restin’ Bones
Bob’s Party Time Lounge
Too Many Puppies (with Bill Burr) (and Justin Chancellor)
Dirty Drowning Man
Groundhog’s Day (>)
Polka Dot Rose (Oysterhead cover) (partial) (> “Groundhog’s Day” reprise)
Thela Hun Ginjeet (King Crimson cover) (with Matt Stone) (with “Dueling Banjos” tease)
Over the Falls
John the Fisherman
N.I.B. (Black Sabbath cover) (with Ty Segall) (with “Bassically” intro)
The Ol’ Diamondback Sturgeon (Fisherman’s Chronicles, Part 3) (preceded by “DMV” tease)
Jerry Was a Race Car Driver
Welcome to This World (>)
My Name Is Mud (with Danny Carey)

Encore:
Southbound Pachyderm (with MonoNeon)

Editors’ Note: “Amos Moses” and “Mrs. Blaileen” were on the written setlist, but “John the Fisherman” and “Jerry Was a Race Car Driver” were played instead.

TY SEGALL

Setlist:
Void
Interstellar Overdrive (Pink Floyd cover)
Candy Sam
Buildings
Possession
Feel
Wave Goodbye (Ty Segall Band song)
Love Fuzz (slowed down)