As his career continues to soar, Grammy winner Thundercat emits hypnotic joy in his hometown for a sold-out crowd at The Broad

ThundercatBy Rochelle Shipman //

Thundercat with Ginger Root //
The Broad – Los Angeles
July 21st, 2022 //

“Is this real?” I remember muttering out loud, squinting at the words “Thundercat plays The Broad.” Not a music venue but instead, a fancy art museum in downtown LA that’s so LA it might as well be located in Los Feliz and it may or may not be pronounced “The Brode.”

Of course it was real. This is LA. So despite my best attempts to spend last Thursday on my couch in solitude, I found myself going to a show on an otherwise-perfect couch night, standing on a grass plot amid a concrete jungle. It wasn’t a big space, with the stage tucked behind a thin line of bicycle racks and high-rise apartments towering over us on both sides of the designated performance area. But as part of its “Summer Happenings” series, the museum remained open to all attendees, offering a brief reprieve from the sold-out crowd and a prime opportunity to check out the exhibits without having to schedule another visit. I wasn’t expecting Thundercat to lead me to my first-ever Basquiats IRL, but what can I say? The man contains multitudes.

Psych-soul-pop trio Ginger Root took the stage before Thundercat, and the Huntington Beach natives had the crowd cheering before they struck their first note. Band leader and singer-songwriter Cameron Lew looked like he was born to be up there, directing touring members Matt Carney (drums) and Dylan Hovis (bass) as well as the audience with minimal effort while crooning into a bright red, upside down telephone. They were a perfect pairing with the main attraction on an ideal summer night, their bubbly tunes impeccably catchy and impossibly funky.

After that, the man himself — the coolest man I’ve ever seen — took the stage. A man who is truly more cat than human. No literally — peep the paw prints on his palms. Born Stephen Lee Bruner in his native LA, he even moves with the energy of a feline: swift and sleek, totally in control and always on his own terms. His fingers flew across the bass strings as quickly and naturally as he cracked the next joke in his songs. A handful of times throughout the night, his concentrated demeanor melted away and he blessed us with his brilliant child-like smile.

It’s really hard not to smile yourself when you’re at a Thundercat concert. It’s almost like his long fingers emit this hypnotic joy, electrifying his fans and spreading pure glee. Even when he isn’t grinning, the 37-year-old musician and actor has this air of amazement, as if he can’t believe how talented he is either.

After welcoming us a few songs into his set, he paused and said, “I’m in Star Wars.” Everyone cheered and he beamed, proudly repeating, “I’m in Star Wars. I can’t believe I get to say that. I’m in Star Wars.” The well-deserved applause intensified, and Thundercat smiled while closing his eyes, soaking in the tender moment.

Thundercat

Over the next hour or so, the lawn and the stage were enveloped in a mutual bliss, everyone forgetting they were smack in the middle of DTLA; Thundercat center stage showing us exactly why it’s OK — in fact, better — to just breathe in and go with the flow. The result will inevitably be beautiful, and if you’re lucky (or Thundercat), a straight jam. His bedazzled Gucci hair barrettes sparkled in the spotlight as he shredded, a constant glinting reminder that Thundercat is a star.

For a man who isn’t afraid to say what all of us are thinking (for example, “If you’re not bringing tacos, I suggest you turn and walk away” and “I may be covered in cat hair, but I still smell good”), Bruner was surprisingly demure onstage. He wasn’t exactly quiet, but when he did talk, he was intentional and he didn’t mince words. He spoke about how many friends he has lost lately, noting how the entire crowd has lost so many loved ones over the last two years, before dedicating a song to comedian Jak Knight.

“We just lost Michael Henderson, too. Do you know him?” Silence. “I assumed as much … He played with Miles Davis.”

Not so fast — he backtracked, noting that Michael Henderson also did way more than play with Miles Davis. As if that wasn’t enough. His tone was solid but somber.

“It is what it is,” he stated with a wistful, yet peaceful acceptance while directly referencing his Grammy-winning album It Is What It Is that dropped in 2020 at the beginning of the COVID-19 pandemic.

But the commonly used phrase isn’t just the title of Thundercat’s latest masterpiece. It’s also a lesson we could all benefit to keep in mind as we watch society disintegrate and our planet melt through the gaps in between our fingers. There’s only so much chaos and heartache we can stomach before we have to accept it for what it is. Not to roll over by any means but instead find acceptance and balance throughout life. Because why go down in a panic when we could enjoy the ride?

Primavera Sound LA reveals ‘Primavera In The City’ side shows for inaugural 2022 edition with GIVĒON, DARKSIDE, Stereolab & more

Primeravera Sound LA - Primavera In The City - 2022 side shows

Primavera In The City //
LA venues – Los Angeles
September 13th-20th, 2022 //

When Primavera Sound announced in 2019 that it would be coming to LA the following year before the COVID-19 pandemic turned life upside down, it marked the first time one of the world’s most renowned music-festival brands would stretch its wings outside of the small European empire founder Pablo Soler and his team have built since 2001 to finally touch down on U.S. soil.

But if Primavera Sound was looking to make a big splash for its first year in the City of Angels, look no further than the newly announced “Primavera In The City” side shows. Stretching across seven venues from Hollywood to Koreatown and Echo Park to DTLA, the 10 gigs over the course of a week will boast GIVĒON, Drain Gang, DARKSIDE, Stereolab, Little Jesus & Divino Niño, Bad Gyal, Jehnny Beth, CHAI, Tim Hecker and Special Interest.

Highlights from the poster certainly include GIVĒON and DARKSIDE taking the stage at the always-spooky Hollywood Forever Cemetery on back-to-back days, while Stereolab will play The Wiltern the night before their Friday set at the fest. But don’t sleep on also catching Savages singer Jehnny Beth rock Zebulon and Canadian electronic musician Tim Hecker at community center Pico Union Project that’s located in one of the city’s “most diverse and economically challenged neighborhoods.”

Tickets for the Primavera Sound LA side shows go on sale here this Friday, July 29th at 10 a.m. PT, but ticket holders have already been sent a special presale code via email to purchase them in advance so make sure to check your inboxes pronto!


Here is the schedule for the upcoming side shows with links to purchase tickets:

September 13th (TUE): Special Interest at The Echo, 7 p.m., $18, All Ages // BUY TICKETS

September 13th (TUE): Jehnny Beth at Zebulon, 8 p.m., $26.78, 21+ // BUY TICKETS

September 14th (WED): Tim Hecker at Pico Union Project, 8 p.m., $35, All Ages // BUY TICKETS

September 14th (WED): Little Jesus & Divino Niño at Echoplex, 7 p.m., $23, All Ages // BUY TICKETS

September 14th (WED): DARKSIDE at Hollywood Forever Cemetery, 8 p.m., $49.50, All Ages // BUY TICKETS

September 15th (THU): Drain Gang at Hollywood Palladium, 7 p.m., $35, All Ages // BUY TICKETS

September 15th (THU): Stereolab at The Wiltern, 7 p.m., $35, All Ages // BUY TICKETS

September 15th (THU): GIVĒON at Hollywood Forever Cemetery, 7 p.m., $69.50, All Ages // BUY TICKETS

September 16th (FRI): Bad Gyal at Echoplex, 10 p.m., $25, All Ages // BUY TICKETS

September 20th (TUE): CHAI at The Echo, 7 p.m., $25, All Ages // BUY TICKETS

Big Gigantic throw down at Hollywood Palladium with a host of special guests in support of their new album ‘Brighter Future 2’

Big GiganticBy Josh Herwitt //

Big Gigantic with Goldfish, Party Pupils, Covex //
Hollywood Palladium – Los Angeles
July 9th, 2022 //

You might not be aware, but Big Gigantic have been releasing new music consistently for more than a decade now.

The longest stretch between albums for the instrumental electronic/hip-hop/jazz act from Boulder, Colo., in fact, has been less than four years, and after dropping 2020’s Free Your Mind just before the COVID-19 pandemic took the world by storm, saxophonist/producer Dominic Lalli and drummer Jeremy Salken have already delivered another fresh set of tracks to tickle our earholes.

Hitting 18 U.S. cities this summer in support of an eighth LP entitled Brighter Future 2 that dropped last month, the duo took the stage at the Hollywood Palladium last Saturday for its first proper LA show in a while. The last time we caught Big G in the City of Angels (read our review here) ourselves, they were at another Tinseltown venue only a few blocks away and it was there that I began to wonder if I was too old to be attending their shows.

Big Gigantic - Dominic Lalli


Big Gigantic’s Dominic Lalli

Well, more than seven years have passed since then and I guess not much has changed for yours truly. Even though I didn’t happen to catch Lalli and Salken when they played The Novo in 2018, I have seen plenty of Big G performances from Avalon Hollywood to Red Rocks Amphitheatre. But this was the first tour I have witnessed that has included multiple special guests, and on this night a modest-sized crowd was treated to appearances by Covex, Party Pupils, Goldfish and ELOHIM — to name a few — during their roughly 90-minute set.

Lalli has always been at the center of things for Big G. The formally trained saxophonist who went to the Manhattan School of Music spent a few years touring with Colorado funk ensemble The Motet before he started making electronic music in 2008 but has become a seasoned veteran on the decks at this point. And with Salken laying the beat down on top of Lalli’s production, they had no problem filling the entire 4,000-person ballroom with their big (gigantic) sound.

As the years pass and I find myself listening to less and less EDM, I know there’s always Big G to bring me back to my more youthful days. Who knows when they’ll return to SoCal, and with coronavirus cases in California on the rise again, it’s hard to know when the next throwdown will be. Until then, we’ll make sure to savor every last moment of this one.

Fleet Foxes show a sold-out crowd at LA’s Greek Theatre why they are one of our most important indie bands over the past 15 years

Fleet FoxesBy Josh Herwitt //

Fleet Foxes with Tim Bernardes //
Greek Theatre – Los Angeles
July 8th, 2022 //

What is it about Fleet Foxes that makes them one of the most important indie bands over the past 15 years? Is it frontman Robin Pecknold’s golden baritenor and clever lyrics or is it the group’s lush vocal harmonies and eclectic instrumentation?

While the talent coming out of Pecknold’s mouth has been evident ever since the indie-folk act from the Seattle area dropped its debut EP in 2006, Fleet Foxes’ sound has continued to evolve and grow in that time past the Grizzly Bear comparisons, with 2020’s Grammy-nominated Shore exhibiting more of that sonic progression despite a three-year hiatus in the mid-2010’s and signing to their third record label in four albums.

None of those subplots seemed to have much effect on the final product, though. The gorgeous 15-track effort, if anything, represents another major step forward for Pecknold, and at the age of only 36, there’s no doubt that in a crowded landscape he has already proven to be one of the best songwriters out there after 2011’s Helplessness Blues and 2017’s Crack-Up cracked (no pun intended) the Top 10 on the U.S. Billboard 200.

But even though Shore didn’t quite reach the same level of commercial success after being intentionally released on the autumnal equinox, it boasts some of Fleet Foxes’ catchiest melodies. It also established Pecknold (vocals, guitar) as more than just the band’s primary songwriter and truly the project’s creative mastermind after making the record without any of the other full-time members’ involvement. He instead worked with a myriad of collaborators in the studio, from Christopher Bear and Daniel Rossen of Grizzly Bear to Kevin Morby and horn quartet The Westerlies, overseeing every step of the process right next to recording and mixing engineer Beatriz Artola. So in many ways, Shore is Pecknold’s baby and his baby alone after he was locked down for three months in his New York City apartment at the beginning of the COVID-19 pandemic.

Fleet Foxes

That said, you wouldn’t necessarily just know that by seeing one of Fleet Foxes’ shows on their current 28-date North American tour that included a sold-out stop in LA last Friday at the Greek Theatre, which Pecknold told us was his favorite venue in the country when he walked onstage to introduce opener Tim Bernardes, the Brazilian musician who also contributed vocals to “Going-to-the-Sun Road” on Shore. It was actually a surprising admission to hear from Pecknold, but considering that his parents don’t live far from the historic amphitheater and were in attendance this night, you could have thought Pecknold was just playing to the crowd early on. Or maybe it’s his admiration for The Beach Boys, who are scheduled to play the same stage later this summer, that has helped inform his opinion. Don’t get us wrong … the Greek is undeniably one of the best places in LA to witness live music, and it’s even in our Top 10 U.S. venues. We just can’t necessarily agree with Pecknold on this one as much as we admire and respect him. All differences aside, he did sound as good as he ever has — and maybe even better than on the last Fleet Foxes tour cycle when we caught them co-headline the Hollywood Bowl in 2017 with Beach House and perform at Coachella the following year — with his voice maturing like a fine wine.

For this run, Pecknold has been joined by more than just his usual four sidekicks in Skyler Skjelset (guitar, mandolin, backing vocals), Casey Wescott (keyboards, mandolin, backing vocals), Christian Wargo (bass, guitar, backing vocals) and Morgan Henderson (upright bass, guitar, woodwinds, violin, percussion, saxophone). Christopher Icasiano (drums, percussion) has come onboard this year as a touring member, and with likely a bigger budget than the last time, Pecknold made sure to bring three-fourths of The Westerlies on tour, too. There was even a call for “Post” … you know, as in the 27-year-old Post Malone, who has become friends with Pecknold in recent years and invited him in May to sing “Love/Hate Letter to Alcohol” with a choir during his “Saturday Night Live” performance. It’s too bad he was allegedly sick, according to Pecknold.

Fleet Foxes have been setting the tone for these latest gigs with the first three tracks off Shore before going all the way back to their self-titled debut LP to deliver “Ragged Wood”, “Your Protector” and “He Doesn’t Know Why” respectively. Of the 24 songs that we heard at the Greek, nine were from Shore, with “I’m Not My Season” earning the solo acoustic treatment midway through the set. Pecknold has been known, however, to accept song requests while engaging with fans, and he did his best to oblige us on at least a couple of occasions over the course of two hours while also issuing a few jokes about Gen Z culture. There was the second half of “The Shrine/An Argument” dedicated to Pecknold’s friend Kerwin Frost, who was sitting a few rows in front of us, and the live debut (albeit a partial performance) of “Young Man’s Game” that was prompted by the audience.

It’s not uncommon at any concert for folks to head home when a band walks offstage to take its encore break, but when Pecknold and company returned from theirs after a few minutes, they were greeted by a roaring applause. After all, these were no fair-weather fans, and in a city like LA that has been on the receiving end of such criticism, nothing felt further from the truth as Fleet Foxes sent us home with the Helplessness Blues title track. Maybe it was because Pecknold proclaimed within the first few songs of the evening that this was the best show he had ever played or because it was the first time in nearly 11 years that the band had played the Greek. Whatever the reason, it’s clear that there’s still plenty of love for Fleet Foxes in the City of Angels and far, far beyond.

Setlist:
Wading in Waist‐high Water
Sunblind
Can I Believe You
Ragged Wood
Your Protector (followed by joke with “Montezuma” tease)
He Doesn’t Know Why
Featherweight
Third of May/Ōdaigahara
White Winter Hymnal
Phoenix (Big Red Machine cover)
Mearcstapa
Mykonos
I’m Not My Season (solo acoustic)
Blue Spotted Tail (solo acoustic)
The Kiss (Judee Sill cover)
The Shrine/An Argument (“An Argument” only; dedicated to Kerwin Frost)
Drops in the River
A Long Way Past the Past
Young Man’s Game (Live debut – partial; audience request)
Blue Ridge Mountains
Grown Ocean

Encore:
For a Week or Two
Going-to-the-Sun Road (with Tim Bernardes)
Helplessness Blues

Outside Lands unleashes 2022 night shows with Pussy Riot, Phoebe Bridgers (acoustic), Mac DeMarco, TOKiMONSTA & more performing

Outside Lands 2022 night shows - lineup

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 5th-7th, 2022 //

With less than a month to go, Outside Lands is preparing for a triumphant return to its usual timing in early August for the first year since 2019.

Now after moving back more than two months to Halloween weekend (read our review here) in 2021 due to the COVID-19 pandemic, the three-day music festival has assembled another strong slate of night shows for its 14th installment next month to keep the party going past 10 p.m.

This year’s late-night run will include 13 performances across seven SF venues and feature must-see acts like Pussy Riot, Phoebe Bridgers (acoustic), Washed Out (DJ set), Franc Moody, Mac DeMarco, Best Coast, TOKiMONSTA and more.

Tickets for OSL’s 2022 night shows will go on sale to the public this Friday, July 15 at 10 a.m. PT with priority access for festival ticket holders beginning this week (look out for an email in your inboxes).


Here is the schedule for the upcoming night shows with links to purchase tickets:

August 4th (THU): Pussy Riot with ILOVEMAKONNEN, REI AMI, salem ilese at The Independent, 8 p.m., $25, 21+ // BUY TICKETS

August 5th (FRI): Phoebe Bridgers (acoustic) at The Independent, 10 p.m., $69.50-$70, 21+ // BUY TICKETS*

August 5th (FRI): Washed Out (DJ set) at 1015 Folsom, 10 p.m., $15-30, 21+ // BUY TICKETS

August 5th (FRI): Franc Moody at Bimbo’s 365 Club, 10 p.m., $29.50-$30, 21+ // BUY TICKETS

August 5th (FRI): ANNA at Public Works, 10 p.m., $15-40, 21+ // BUY TICKETS

August 5th (FRI): Cassian with Lucid D at Audio, 8 p.m., $15-20, 21+ // BUY TICKETS

August 5th (FRI): MICHELLE with DJ Aaron Axelsen at Rickshaw Stop, 10 p.m., $15-20, All Ages // BUY TICKETS

August 6th (SAT): Mac DeMarco at The Independent, 10 p.m., $45-50, 21+ // BUY TICKETS

August 6th (SAT): Ashe at Bimbo’s 365 Club, 10 p.m., $35, 18+ // BUY TICKETS

August 6th (SAT): Best Coast with Night School at The Independent, 10 p.m., $29.50-30, All Ages // BUY TICKETS

August 6th (SAT): Anna Lunoe b2b J. Worra at The Great Northern, 10 p.m., $21-35, 21+ // BUY TICKETS

August 7th (SUN): TOKiMONSTA at The Independent, 10 p.m., $35-$40, 21+ // BUY TICKETS

August 7th (SUN): L’Rain at Rickshaw Stop, 9 p.m., $15-17, All Ages // BUY TICKETS

*COVID-19 vaccinations required

Outside Lands 2022

With ‘Drillmatic’ delayed, The Game turns his album release show at The Novo into a hometown party alongside Kanye West & Lil Wayne

The GameBy Joseph Gray //

The Game //
The Novo – Los Angeles
July 8th, 2022 //

The Game always has a lot to say. Since the Compton native was introduced to the masses as Dr. Dre’s protégé ahead of The Documentary, his breakout debut album in 2005 that guided the West Coast back to mainstream hip-hop relevancy, the boisterous confidence which helped turn him into a star has never seemed to waver. And along those lines, he emphatically made his appearance in downtown LA under one condition: he would not be the only one in the building going home with a strained voice at the end of the night.

An eager crowd, which was sprinkled with fans hoisting their favorite pictures and vinyl copies, to fulfill the request piled into The Novo last Friday for what was billed as The Game’s album release show on the day his 10th studio effort Drillmatic was scheduled to be released. The 42-year-old emcee recently promised that the Hit-Boy-produced LP, which has yet to be unveiled due to sample clearance issues, will be the best of 2022 and his finest work ever while staking claim as the “best rapper alive” in a now-deleted Instagram post. Though certainly a lofty pledge, the brazen veteran would have it no other way.

The Game also previously wrote that controversy — the latest being his acknowledged hurt over not getting to perform during the Super Bowl LVI halftime show orchestrated by Dre, his relentless remarks about being far superior to Eminem and his surprising testimony earlier this year that Kanye West did more for him in two weeks than Dre did for him during his entire career — “has always stepped on my greatness.” Despite that, he says things will all change after we hear his first album in three years.

The Game - Lil Wayne


Lil Wayne

It’s typically wise not to count The Game out because no matter the controversies, he has been more than consistent when it’s time to demonstrate his talent. That history mixed with his self-assuredness helped set the stage in his hometown as he arrived in a plush silk shirt and polished shoes to the live instrumentation of “Violence”. The presumed track off of Drillmatic sees The Game at his best, mixing name-drops ranging from Beyoncé to the late John Madden and defiant wordplay over a climatic score with a chorus that tips it hat to Young Jeezy.

Soon after working his way through his first single “Westside Story”, he confirmed the reasoning behind the delay on Drillmatic. The crowd’s disappointment, however, was short-lived as he soon after jumped into “Eazy” — his most recent collaboration with West, who surprisingly joined The Game onstage in a ski mask without performing or saying much at all. Yet, the rare dead air from West was more than fine for the raucous audience on hand.

“He ain’t come to perform no songs,” a humbled Game said of West before a series of unexpected visits turned the whole performance into one big party. “He was clear about that. He came for his brother. He told me how he was coming, he told me was going to be three minutes late. He said he might show up in the middle of the verse ’cause he got shit to do. I said, ‘… you can come at the end of the show just to give me a hug … I love you.'”

The Game - Blueface


The Game & Blueface

Before The Game delivered Documentary classics “Higher”, “How We Do” and “Hate or Love It”, the contrasting modest side of an artist who has always considered himself a hip-hop historian took over. Almost like a kid watching his favorite superheroes, he took a step back from the mic and enjoyed the show at one point. As he offered some deliberate introspection via “My Life” on 2008’s LAX, Lil Wayne emerged to perform the song’s chorus and his own hit “A Milli” for another crowd-rocking moment. But surprise appearances by West and Wayne were just two of many over the course of the evening as we got subsequent jolts of Southern California energy from Kurupt, DJ Quik, Suga Free, Blueface, RJMrLA and O.T. Genasis.

“I couldn’t tell you what the game would be without The Game in this,” rapped Symba, the rising Bay Area lyricist whom The Game co-signed as his next rising star, to put a bow on a special night with a lighthearted, back-and-forth freestyle session between the duo. “I don’t think you get enough credit.”

No album yet? Well, no problem. But if it’s anything like The Game’s album release show at The Novo, my money is on the critics being pleasantly surprised when it’s finally here.