Lightning in a Bottle 2019 boasts Disclosure (DJ set), Big Gigantic, Flying Lotus & more at a new location

Lightning in a Bottle - 2019 lineup

Lightning in a Bottle //
Buena Vista Aquatic Recreation Area – Bakersfield, CA
May 8th-13th, 2019 //

After a longer-than-expected wait, Lightning in a Bottle has finally given us the goods.

The “transformational festival,” which has become an excellent hangover cure for West Coast music fans shortly after Coachella, usually drops its lineup sometime in mid-January, but with new dates and a new location in Kern County holding things up, it took an extra month before we could learn more about who will be performing in 2019.

And boy, did The Do LaB go big for the 14th edition of its signature event, booking Disclosure (DJ set), Big Gigantic, Flying Lotus (3D) and Santigold to lead another outstanding lineup that comes to Buena Vista Aquatic Recreation Area in Bakersfield this May.

Let’s just hope leaving on Monday morning doesn’t take a mind-numbing five hours like it did once at San Antonio Recreation Area, the festival’s previous site in Bradley from 2014-18.

Now a staple in California’s expansive music festival scene, LIB took some more steps toward the mainstream a year ago after securing Anderson .Paak & The Free Nationals, Zhu, Griz and Fever Ray to play its 2018 installlment, and it appears to have continued down that same path with Gramatik, Toro y Moi and Khruangbin on board for this go-around, which will not occur over Memorial Day weekend as has been the tradition.

Lightning in a Bottle 2019 - Phase 2 lineup

Other acts earning a spot on the Phase 1 roster include Rising Appalachia, Masego, ELOHIM, Cautious Clay, Jan Bloomqvist & Band, Channel Tres, Framworks, ÌFÉ, LUM, Mobley, Lane 8, DJ Koze, Damian Lazarus, Shiba San, Bedouin, Recondite (Live), Escapade (Walker & Royce + Ardalan), G Jones, The Polish Ambassador, OPIUO, CloZee, Shades, 1788-L and more.

UPDATE (March 5th): The Do LaB has announced the Phase 2 lineup for LIB 2019 with Ozomatli, Rising Appalachia, My Baby, Swingrowers, Próxima Parada, The Fungineers, Frameworks, Vokab Company, Balkan Bump and more all slated to perform across four stages. Check out the poster above for the rest of the bill.

LIB has received praise as one of the nation’s premier boutique festivals over the years, but that label has been called into question as sold-out crowds have become more of the norm. Meanwhile, prior mainstays like Lucent Dossier Experience and William Close & The Earth Harp Collective have also been recently absent as the fest’s organizers look to branch out.

Four- and five-day passes to LIB can be purchased here for $335 and $395, respectively, this Saturday, February 16th at 10 a.m. PT. As attendees have come to expect over the years, The Do LaB will also continue to promote the ideals of sustainability, social cohesion, personal health and creative expression through art, yoga, workshops and speakers.

Itching to attend LIB? Take a peek at our past coverage here.

Outside Lands 2018: A return to form in Year 11

Outside Lands 2018Photos by Norm de Veyra // Written by Kevin Quandt //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 10th-12th, 2018 //

As another summer festival season winds down, we look back at the 2018 edition of Outside Lands with highlights, thoughts, musings and enough images to make you nostalgic for the Bay Area’s banner music festival. With the Superfly, Another Planet Entertainment and Starr Hill event celebrating its 11th edition, this incarnation of the annual Golden Gate Park soirée saw more of a return to form over the past year while also experiencing a notable shift in the sound that could be heard emanating through the eucalyptus and other flora.

While cancellations left a slightly sour taste in the mouths of last year’s attendees, this year only saw limited lineup hiccups. However, the bigger story at hand surrounds the changing tides of popular music. Sure, you’ve heard folks state “rock is dead,” but is a once-amusing quip starting to take greater shape as the youth clamor for a different sound and aesthetic? Though it was pretty evident on the 2018 lineup poster when it dropped in April, this query started to take greater shape once you were on the grounds and bouncing between sets. So, let’s jump straight into this now.

Outside Lands 2018 - Billie Eilish


Billie Eilish

Friday

Day 1 at Outside Lands tends to be a slow trickle of fans entering the park as some are able to play hooky, bounce from the office early or only show up for the headliners. Sure, some folks had to deal with longer-than-expected box office lines and others even had to bear the fest’s new bag policies, but luckily those in attendance were blessed with some clear skies instead of the usual August dread of the Outer Lands.

While Billie Eilish was relishing in her rising appeal on the Lands End stage, covering Drake and running through the majority of her singles, Rex Orange County was trying his hand at something a bit new and terrifying. The UK wunderkind was forced to play his first-ever solo festival set as his band and their gear ran into transit issues on the way to SF from the Pacific Northwest. The young crooner seemed a bit nervous about this predicament but competently knocked out a solid, eight-song performance that included “Sunflower” and closer “Loving Is Easy”.

N.E.R.D., meanwhile, played their first SF show in many years to a raucous crowd, opening with “Anti Matter” as a hyped Pharrell Williams feverishly worked every corner of the huge Lands End stage. The set featured a massive medley of tracks by The Neptunes, a cover of “Seven Nation Army” and a double dose of “Lemon” to send us on our way to the next set.

Simultaneously, Carly Rae Jepsen was apparently throwing down one of Outside Lands’ most enjoyable performances in front of a rather large crowd. While the pop sensation pleased the masses with a rendition of her breakout hit “Call Me Maybe”, she also performed more recent songs like “Emotion”.

ODESZA obviously drew a large crowd for their main stage afternoon showcase, putting the spotlight on the changing tides and tastes of the youth music market. That kind of youthful angst and energy seemed to be danced out to ODESZA, DJ Snake and Big Gigantic compared to the pits of rock bands from the 2000’s, be it Queens of the Stone Age, System of a Down or Deftones.

With the under-25 crowd predominantly stationed at Lands End, you could say there was a more intimate feeling at Twin Peaks for Father John Misty. Touting his expanded band that featured a string section and dialing back his quirky stage banter, Josh Tillman’s latest tour has been pretty much about presenting his music as faithfully as he can. “Nancy From Now On” opened his career-spanning performance as the shadows began to drape the park.

While FJM’s attendance was noticeably a bit small for a rock act, the king of “jizz jazz,” aka Mac DeMarco, was able to attract a rowdy crowd for his closing set on the Sutro stage. When the synth sections of “On the Level” opened DeMarco’s set, a certain air of relaxation swept the crowd as various smokeables were consumed in honor of indie-slacker royalty onstage.

Abel Tesfaye, popularly known as The Weeknd, enjoyed a sort of victory lap as he headlined the festival’s first day with an onslaught of hits such as “Starboy”, “Can’t Feel My Face” and “The Hills”, along with a few select covers of Future, Belly, Drake and Ty Dolla $ign. Though Tesfaye’s current large-scale show is nothing new to the live music circuit, he still threw one helluva party before sending the masses into the wilds of the City.

Outside Lands 2018 - Florence + the Machine


Florence + the Machine

Saturday

It has been a couple of years since Outside Lands was fortunate enough to have a truly clear, sunny Saturday — and not just for a few hours, but the whole damn day. Plus, it was topped off with another insanely gorgeous sunset, but let’s not jump the gun here.

As the day got underway, New York indie artist Amen Dunes performed an extremely tight set, showcasing his wavy take on psychedelic rock/folk. Led by Damon McMahon, the trio played heavy off its most recent release Freedom while also not completely ignoring its back catalog. Moreover, McMahon’s stage presence was infectious and somewhat akin to R.E.M.’s Michael Stipe, as his slender build moved to the emotive nature of his craft.

On the opposite end of the spectrum, Lizzo was bringing down the early-afternoon house as she decimated the Lands End stage. “Fitness” opened her 10-song set as her pair of dancers, as well as Lizzo herself, left everything on the stage for the sizable crowd that was yearning for her energy, and some even yearned for a shot of tequila from her bottle of Patrón as she entered the photo pit for an up-close appearance during closing song “Good as Hell”.

When the Lizzo crowd dispersed, Broken Social Scene fans got prime real estate to catch the Canadian indie-rock demigods perform a blistering set of guitar-heavy tunes like opener “KC Accidental” and closer “Anthems for a Seventeen Year-Old Girl”. Even in such a large setting, the massive band was able to cook up a sense of intimacy and really engage.

While OSL this year leaned more toward R&B, electronic pop and other hip genres, UK jazz purveyors GoGo Penguin delivered a stunning set of avant-garde-leaning jazz. This punchy trio showed their chops over tracks like “One Percent” and set closer “Window” and could easily be compared to The Bad Plus. GoGo were a perfect palate cleanser before heading to more current stylings from either SOB X RBE or CHVRCHES.

Local legend Tycho performed to an enthusiastic crowd while Scott Hansen stated this would be the last incarnation of this phase for the group (we look forward to the next chapter). Back over at Lands End, Bon Iver delivered a prototypically powerful set as the sunlight dwindled, simultaneously providing a seriously stunning sunset.

As the limited amount of darkness fell over the park, one-third of The xx was preparing to hold court as the Sutro crowd swelled, moving their dancing feet to the new-school dance pioneer known as Jamie xx (born James Smith). Even as Jamie xx eased into his intro (The Animals’ “San Francisco Nights”) and more fans pushed in, it was rather evident that the Sutro’s sound system wasn’t able to fully reach the volume many were looking for. But an Above & Beyond nod (“Sun in Your Eyes”) eventually led straight into Smith’s mix of “On Hold” and all was right in the world, if only for about eight minutes.

There was a bit of controversy surrounding Saturday’s main slot as Florence + the Machine officially made the move to full-blown festival headliner. Some festivalgoers had their own doubts after FYF Fest 2018 was canceled with a near-identical top billing, but Florence and her bandmates proved, many times over, that she is more than capable of commanding any stage as her energy is unlike many others. She debuted a brand-new show, which featured “June” in the opening slot and was book-ended by “Big God” and “Shake It Out” for a two-song encore.

Outside Lands 2018 - Janelle Monáe


Janelle Monáe

Sunday

On the final day, the weather was back on track; by that, I mean it was cold, blustery and generally moist. Most were thankful for the two previous days as opposed to three days of “Karl the Fog,” as has been tradition for a good 3-4 years now.

The early afternoon of Sunday bore witness to some very lively performances from up-and-comers like Rainbow Kitten Surprise and Hobo Johnson & the Lovemakers, both of who are primed to make moves in the festival circuit over the next year if they play their cards right.

Continuing with the trend of electro-leaning acts playing to some big crowds, BØRNS fully commanded a youthful contingent with hits such as “10,000 Emerald Pools” and set closer “Electric Love”.

The incomparable Janelle Monáe was a tad late to take the stage, as she was fighting off a stomach bug, but when she did, she captivated the masses with a suite of tracks from her most recent release Dirty Computer and tossed in a fair amount of costume changes over a nearly hour-long set. Monáe proved that she’s easily one of the best in the business at the moment and will only continue to climb upwards.

Over at the Twin Peaks stage, The Internet was trying to hash out some sort of technical difficulties before beginning their abbreviated performance, which seemed to be a little lopsided and uneven as they did their best to deal with the 30 minutes that they had left. Fortunately, “Girl” got the majority who stuck around swaying to Syd’s sultry vocals and generally chilled demeanor.

Portugal. The Man held a fleeting rock slot on the main stage, putting their quirky brand of psych-leaning pop rock on display. Moreover, they tossed in some oddly placed Pink Floyd and Beatles covers before closing with their breakthrough hit “Feel It Still”.

Aussie newcomer Tash Sultana, meanwhile, was putting on a masterclass in instrumentation and looping. Sultana has really had one of the biggest breakout years in independent music, and it was clearly evident as she had a carefree stage presence backed by some truly unique, solo-delivered music ripe with psychedelic and world elements. The 23-year-old is certainly a name to watch over the next year and beyond.

As the last set of OSL artists got ready to play, James Blake brought us to church for this year’s final performance on the Sutro stage, failing to disappoint while the fog grew slightly thicker in Lindley Meadow. Highlights from Blake’s dreamy set were easily his take on Untold’s track “Stop What You’re Doing” and a semi-rare rendition of “Modern Soul”.

Some say Janet Jackson couldn’t pull in big crowds amid the current shifting landscape of large-scale music festivals, and although she didn’t pull in record-breaking numbers on a rugged SF night, it was clearly evident that those fans who stayed to watch her were all-in. Jackson’s career-spanning show touched on more than 35 songs and was accompanied by some fierce choreography and production elements. Sure, she wasn’t singing much of the time, but that didn’t stop a wide range of fans from showering Jackson with affection. Her closing performance was highlighted by “That’s the Way Love Goes” and later on, the MJ collaboration “Scream” that transitioned into “Rhythm Nation”.

As the music festival industry continues to deal with a shifting crowd and demand, Outside Lands regained its stride after a few hiccups in 2017. And while this year’s lineup might not have appealed to the core demographic from its incarnation, the event still offers something for everyone.

Outside Lands releases its 2018 schedule

Outside Lands - 2018 schedule

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 10th-12th, 2018 //

With Outside Lands just a little more than two weeks away, the three-day music festival has revealed what many fans have been waiting for since this year’s lineup dropped: set times!

Check out the fest’s schedule for its 11th edition here and start making your plans for which artists you’ll be seeing at Golden Gate Park this August.

As usual, there are enough scheduling conflicts to sort through in 2018. Friday’s action will see festivalgoers choosing between Rex Orange County/Perfume Genius, N.E.R.D./Chicano Batman/Carly Rae Jepsen, ODESZA/The Growlers/Father John Misty and The Weeknd/Mac DeMarco/Beck, while Saturday offers its own assortment of difficult decisions with Broken Social Scene, Poolside and Daniel Caesar pitted up against one another. Of course, there’s also CHVRCHES vs. Big Gigantic, Bon Iver vs. Tycho and Florence + the Machine vs. Future that the masses will have to consider on Day 2.

Outside Lands 2018 - daily lineups

Sunday’s slate offers even more, with Janelle Monáe and LP scheduled only 15 minutes apart and The Internet on 10 minutes later. Portugal. The Man’s and Tash Sultana’s performances, meanwhile, are only separated by five minutes, and to close out the weekend, attendees will have to choose between Janet Jackson and DJ Snake, which presents quite a dichotomy.

Trying to decide who to see might feel a little overwhelming right now, but just remember you really can’t go wrong with whatever you choose. Much like every year, there are so many good options at Outside Lands that it’s not worth stressing over in the long run. Just be sure to wear a comfortable pair of shoes and download the mobile app here before you head to the park.

Overjoyed for Outside Lands’ return? Take a peek at our coverage from 2017 here.

Outside Lands - 2018 lineup

Outside Lands taps The Weeknd, Florence + the Machine, Janet Jackson to lead 2018 lineup

Outside Lands - 2018 lineup

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 10th-12th, 2018 //

Outside Lands is bringing some heavy hitters to Golden Gate Park this August.

The three-day music festival, which celebrated its 10th anniversary last year, has inked The Weeknd, Florence + the Machine and Janet Jackson to headline its 2018 edition, and we had good reason to believe that the latter, who was already confirmed for FYF Fest in July, would come true as early as a few days ago.

Last week, Ranger Dave started releasing lineup clues via Twitter, including one in particular that indicated Jackson would be on the bill as well as others hinting that Bon Iver, Huey Lewis and the News, Mac DeMarco, Jessie Ware, Big Gigantic, BØRNS, Rex Orange County, SOBxRBE and to get things started, Portugal. The Man, would perform.

Now, we have this year’s complete roster that also boasts Future, Beck, ODESZA, DJ Snake, N.E.R.D., CHVRCHES, James Blake, Jamie xx, Illenium, Tycho, Father John Misty, Carly Rae Jepsen, Chromeo, The Internet, Gryffin, The Growlers, Tash Sultana, Broken Social Scene, Rainbow Kitten Surprise, Daniel Caesar, Perfume Genius, Goldlink, Chicano Batman, Jessie Reyez, LP, Sabrina Claudio, Margo Price, Kelela, Claptone, The Mountain Goats, Lauv, Lizzo, Whethan, Smokepurpp, Quinn XCII, Poolside, Bahamas, CUCO, Amen Dunes, Shannon and the Clams, Aquilo and many more.

The festival’s culinary program, meanwhile, will continue to expand in 2018, with access to more than 200 menu items from some of the Bay Area’s top restaurants that you’ll be able to pair with hundreds of Northern Californian wines and beers and a collection of the region’s best cocktail bars. Taste of the Bay Area, Wine Lands, Beer Lands, The Back Wine, Cocktail Magic and GastroMagic are all back as well, so there’s plenty to be excited about in regard to the unique food and drink experiences that Outside Lands has to offer (and stayed tuned for the full food and drink lineup coming soon).

Moreover, adding to the overall experience will be Outsider Art, Eco Lands and The Barbary, which is named in honor of SF’s Barbary Coast district and features some of the best comedy and cabaret around. The environment has long been an important cause for Outside Lands, and its organizers aren’t afraid to say that after contributing more than $20 million to the SF Recreation & Park Department and rather remarkably turning 91 percent of 2017’s waste into reusable, recyclable and compostable materials.

Outside Lands has delivered seven consecutive sellouts since 2011, so you won’t want to wait on getting your tickets when they go on sale here this Thursday, April 5th at 10 a.m. PT. Plus, for the first time ever, the fest is offering fans the option for a three-day GA and VIP layaway plan that will allow them to pay for their passes in four installments. After last year saw an increase in ticket prices, three-day GA passes will start once again at $375 while VIP passes will be available for $795.

UPDATE (June 5th): Outside Lands has revealed its daily lineups for 2018, with The Weeknd gracing the stage Friday, Florence + the Machine playing Saturday and Janet Jackson closing down the festival Sunday. See the daily schedules below before single-day tickets go on sale for $149.50 (GA) and $345 (VIP) this Thursday, June 7th at 10 a.m. PT here.

Outside Lands 2018 - daily lineups

If you’re excited for Outside Lands now, make sure to check out our coverage from 2017 here.

Outside Lands 2017

The 25 best live music acts of 2016

Best live music acts of 2016

As we officially place 2016 in the history books, it’s time to look back at all the live music we experienced this year. Last year we shared our 25 favorite live performers of 2015, so this year we thought we would do it again while excluding any artists we named in 2015. After all, who really wants to see the same acts listed two years in a row? That said, now that we’re two years removed, our 25 favorite live performers of 2014 were once again fair game.

After covering many excellent bands, musicians and DJs over the past 12 months, trimming our list down to 25 wasn’t easy and as usual, some difficult decisions had to be made. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order) whom we either covered at their own show and/or at a music festival this year:

Adrian Younge, Air, Alessia Cara, Alina Baraz, AlunaGeorge, Alvvays, The Arcs, A$AP Ferg, Atlas Genius, Aubrie Sellers, The Avett Brothers, Bag Raiders, Baio, Banks & Steelz, Bas, Battles, Beats Antique, Beach House, Best Coast, Big Freedia, Big Gigantic, Big Grams, Big Wild, Bloc Party, Bob Mould, The Boxer Rebellion, Brand New, Brett Dennen, The California Honeydrops, Capital Cities, Cate Le Bon, Chairlift, Chelsea Wolfe, !!! (Chk Chk Chk), Chris Robinson Brotherhood, Chuck Mosley, Chromeo, Claude VonStroke, The Claypool Lennon Delirium, Cold War Kids, The Crux, Dan Deacon, Danny Brown, Deftones, The Devil Makes Three, Dirtwire, Disclosure, DMA’s, DMX, Drew Holcomb and The Neighbors, Duran Duran, Every Time I Die, Emancipator Ensemble, Ezra Furman, Faith No More, The Faint, Fantastic Negrito, Femi Kuti, Florence + the Machine, Flume, Fruition, The Gaslamp Killer, Geographer, Glass Animals, Gorgon City, Grimes, Halsey, The Head and the Heart, Heartwatch, The Heavy, Highly Suspect, Hippie Sabotage, Holy Fuck, How to Dress Well, Hudson Mohawke, Hundred Waters, IAMX, Ibeyi, Ice Cube, Iggy Pop, The Infamous Stringdusters, Jack Beats, Jack Garratt, Jack Ü, James Bay, Jamie xx, J. Cole, Jimmie Vaughn, Jhené Aiko, The Joy Formidable, Joywave, Julia Holter, Julien Baker, Kaki King, Kamaiyah, Kamasi Washington, Kehlani, K.Flay, The Kills, Kurt Vile, Lafa Taylor, Lana Del Rey, Låpsley, Les Sins, Lettuce, Lionel Richie, Lord Huron, Little Scream, Lucius, M83, Major Lazer, Marian Hill, Mayer Hawthorne, MC YOGI, Methyl Ethel, Metric, Miami Horror, Mick Jenkins, Midi Matilda, Miguel Migs, Modest Mouse, Moon Taxi, M. Ward, Nahko & Medicine for the People, The Naked and Famous, Nas, Nathaniel Rateliff & The Night Sweats, Neon Indian, Nick Murphy (fka Chet Faker), Nite Jewel, Panic! at the Disco, Parliament-Funkadelic, Peaches, Petite Noir, The Pharcyde, The Polish Ambassador, Porches, Prince Rama, Purity Ring, Pusha T, Radiohead, Ra Ra Riot, The Regrettes, The Revivalists, RJD2, Rodrigo y Gabriela, Rogue Wave, Rubblebucket, Run the Jewels, The Russ Liquid Test, Ryan Adams, The Sam Chase & The Untraditional, Saosin, Sarah Neufeld, The Seshen, Shabazz Palaces, Shlohmo, Silversun Pickups, Snakehips, Solange, Son Little, St. Lucia, Stormzy, The Struts, STS9, Sturgill Simpson, Sufjan Stevens, Summer Cannibals, Sunflower Bean, Sigur Rós, St. Germain, Sylvan Esso, Tacocat, Taking Back Sunday, Tedeschi Trucks Band, Thao & the Get Down Stay Down, This Will Destroy You, Thomas Jack, Thundercat, Toro y Moi, Tortoise, Tory Lanez, Tourist, The Trims, Troye Sivan, Umphrey’s McGee, Viceroy, Vince Staples, Vokab Company, Walk the Moon, Warpaint, Wavves, Weezer, Wheeler Walker Jr., White Denim, Wild Belle, Wild Nothing, Years & Years, Yeasayer, YG, Young Fathers, Yuck, ZHU, Ziggy Marley.

Now, it’s time for The Bam Team to present our 25 favorite live performers of 2016.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2016

Listen to The Bam Team’s favorite songs of 2016:


Best Live Music Acts of 2015 #25 - Tycho

25. Tycho

For as much as Epoch was a surprise, so were Tycho’s two most recent shows in LA last week. It was the first time Hansen and company had played The Fonda Theatre since the Awake tour back in 2014, and Thursday’s sellout, which was announced less than a week before the show, along with the subsequent need to add a second date the next night, made it clear that more than ever, Angelinos have a strong appetite for what Hansen is doing on both a musical and visual level. It helps, too, that KCRW Music Director Jason Bentley, who opened the shows at The Fonda with a DJ set, has helped expose Tycho to a broader audience, whether through the “Morning Becomes Eclectic” theme song or live, in-studio performances by the band. Even nowadays with an abundance of streaming sites, you can’t underestimate the power of radio in a city with a driving culture as large as LA’s. And truth be told, Tycho is some of the best music to drive to, especially when you’re surrounded by nature. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #24 - Isaiah Rashad

24. Isaiah Rashad

And when it did, Rashad torpedoed onto stage and turned the restlessness in the room on its head with “Smile”, the apropos homecoming banger he released after years of uncertainty that followed his 2014 EP Cilvia Demo. It was fitting because prior to his reemergence, which was sparked by the song, Rashad admitted to being addicted to Xanax and alcohol, and it almost led to him being dropped from his West Coast record label on several occasions. From his issues with substance abuse to the tears he shed while listening to Kid Cudi’s music and his open-book thoughts on the humanizing of mental-health issues, Rashad’s journey from being the contemplative unknown in superstar Kendrick Lamar’s crew to a complete artist deserving of your attention has been steeped in honesty. -Joseph Gray, photo by Joseph Gray


Best Live Music Acts of 2015 #23 - Bob Moses

23. Bob Moses

Needless to say, worn-out axioms failed to apply in this scenario. Bob Moses silenced anyone attempting to pass them off as yet another contrived electropop outfit aiming to please the masses. At Mezzanine, both Howie and Vallance proved their prowess as EDM innovators, bringing more to the stage than a couple of laptops and a pretty light show. Surprising those unfamiliar with their work or expecting to be underwhelmed, Bob Moses have elevated the live electronic game for their respective contemporaries and succeeded in defining a new chapter for the genre — an innovative sound standard that’s all their own. -Molly Kish, photo by Lisette Worster


Best Live Music Acts of 2015 #22 - Floating Points

22. Floating Points

The band continued building on its rhythms and melodies, creating a hypnotic feeling that was filled with textured synthesizers, guitar pedals and consummate percussion, as laser patterns reflected each rise and fall during its lengthy jam sessions. As Sheppard and his sidekicks progressed through each track, the complexity of the laser projections grew into optical illusions that, almost like another musical instrument onstage, intertwined with the style and progression of the band’s production perfectly. With each song reaching a climax and eventual denouement, the artwork remained untouched for a few minutes so that fans could observe each piece before their very own eyes. -Brett Ruffenach, photo by Alister Mori


Best Live Music Acts of 2015 #21 - Ty Segall

21. Ty Segall

But Segall is no doubt a showman himself, and you’d be hard-pressed to find someone who expends as much energy onstage as he does in merely 90 minutes. His passion simply rubs off on his fans, who wasted little time climbing onstage and taking the plunge into a sea of hands for a couple of minutes. Segall, of course, also got in on the action at one point, as his shows are often known to feature crowd surfing from both band and audience members, and he made sure to take the mic stand with him while he horizontally slithered across the room. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #20 - Dr. Teeth and The Electric Mayhem

20. Dr. Teeth and The Electric Mayhem

One of the biggest questions on everyone’s mind coming into Outside Lands was, “Who were Dr. Teeth and The Electric Mayhem?” For those who knew, it was, “How in the hell were the Muppets going to fill a Sunday slot on the main stage?” Because the band had never played a show of such magnitude or outside the context of a TV/film studio, no one had any clue what to expect during this early-afternoon slot. Though some festivalgoers (mistakenly) decided to forego the experience altogether, those present will not forget the incredible feat that Another Planet Entertainment and Jim Henson Enterprises were able to pull off for what was one of the most emotionally nostalgic, blissfully complex and once-in-a-lifetime festival performances maybe ever. The Muppet house band both effortlessly managed to pluck the heartstrings of multiple generations of fans while delivering the most conceptually beautiful “love letter” to the city of SF, blanketing the grounds in a sea of love and collective euphoria for a brief, yet unforgettable moment. -Molly Kish, photo by Rochelle Shipman


Best Live Music Acts of 2015 #19 - RÜFÜS DU SOL

19. RÜFÜS DU SOL

By the time RÜFÜS made their entrance, the excitement in the room was at a fever pitch. The crowd was ready to dance from the very first beat (thanks to the excellent warm-up from Kllo and Yuma X), and they did just that. Lead singer Tyrone Lindqvist took center stage with great energy and proceeded to do the customary water bottle toss shortly after. Lindqvist set the tone right from the get-go for a high-energy, high-audience-participation set. The crowd responded in kind by getting down much harder than expected for a Wednesday night. Notably, there were surprisingly very few phones out as most attendees put away their cameras to make the most of every song. The intimate setting of The Fillmore could almost have been mistaken for the polo grounds of Coachella, given how many girls-on-shoulders could be seen around the venue. -Geoff Hong, photo by Josh Herwitt


Best Live Music Acts of 2015 #18 - Rudimental

18. Rudimental

Through Rudimental tracks like “Not Giving In”, “Free” and “Waiting All Night”, the most unique element of the group’s live production was their charisma. Simply put, they look like they’re having fun. These aren’t tortured artists or cathartic performers — Rudimental are a band that loves the music they make. Even the band’s drummer, Beanie, easily one of the hardest working rhythmists on tour right now, managed to keep a smile on his face, racing through Rudimental’s repertoire of songs that were anywhere from 145 to 160 BPMs. The septet’s de-facto leader, DJ Locksmith, was surprisingly more in the background than you would expect from a typical DnB hype man. As Rudimental wrapped up their set with their chart-topping hit “Feel the Love”, the crowd joined in as the song ended, creating a shared moment at The Fox that perfectly reflected the intention of Rudimental — to spread the love. -Brett Ruffenach, photo by Marc Fong


Best Live Music Acts of 2015 #17 - BØRNS

17. BØRNS

On this night, that proverbial phrase seemingly rang true. It wasn’t just that BØRNS most likely amassed the largest attendance in the history of the Twilight Concert Series, but also the fact that it was easily one of the best shows I’ve ever witnessed at the Santa Monica Pier. One could certainly point to the opening of the Expo Line extension as a reason for the larger crowds so far this summer, which wasn’t all that noticeable during the series’ opening night with Mayer Hawthorne just the week prior, but that would simply be underestimating the exponential rise of Garrett Borns’ eponymous project. Since he relocated to Los Angeles in 2013 and signed with Interscope Records, the Michigan native has gone from supporting modest indie bands like MisterWives to selling out shows as a headliner in a matter of a year. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #16 - Flying Lotus

16. Flying Lotus

Brainfeeder founder, producer and unapologetic cultural mouthpiece Flying Lotus (born Steven Ellison) ended the night with a mildly controversial headlining set. Walking onstage and making what any FlyLo fan would recognize as an off-colored comment on the current presidential race may have proven too brazen for those not used to his brand. He let Captain Murphy out of the box a little early and road the wave of confusion into a heady, bass-driven assault on the conflicted crowd, providing the distinct audio punctuation point for the night’s bill of artists. Playing several tracks off of his 2014 LP You’re Dead! as well as various hits from high-profile hip-hop emcees like Travis Scott and Kendrick Lamar that he has produced over the years, Ellison stunned us all with his double-screen, audio-visual stage setup and plenty of bone-rattling bass drops. -Molly Kish, photo by Marc Fong


Best Live Music Acts of 2015 #15 - The Last Shadow Puppets

15. The Last Shadow Puppets

TLSP brought a strings section to their show, an added element that helped keep things fresh and new. The show began with the beautiful sounds of violins and cellos, but the moment TLSP got onstage, the whole floor at The Fillmore lit up in billows of smoke. I’m sure the band was stoned by the end of the show if it hadn’t been already, appearing beyond excited to be playing on a Sunday night in SF. Turner and Kane must have yelled out something about SF every few minutes and incorporated SF into some of their songs. They were so incredibly tight, and I felt their set in some ways was a bit better than what I had witnessed years ago — the mix and order of the songs felt more succinct at The Fillmore. -Rachel Goodman, photo by Diana Cordero


Best Live Music Acts of 2015 #14 - Miike Snow

14. Miike Snow

Sunday’s roster at Coachella last year was significantly weaker in comparison to Friday’s and Saturday’s. This year was much of the same, though Calvin Harris somehow proved to be an even worse headliner than Drake (we didn’t know that was possible). But one of the bright spots on Day 3 was no doubt Miike Snow’s 9:45 p.m. slot in the Mojave Tent, the same place where I discovered the Swedish trio back in 2010 during my first Coachella. Andrew Wyatt, Christian Karlsson and Pontus Winnberg have come a long way since then, and with three studio albums in their catalog, including their latest effort iii, they have more than enough material to fill out a 50-minute set and leave you wanting to hear more. -Josh Herwitt, photo by Norm de Veyra


Best Live Music Acts of 2015 #13 - Young Thug

13. Young Thug

Fresh off releasing the latest — and final — installment of his Slime Season mixtape trilogy, Young Thug took his place on the stage. Arriving in a white blouse, multicolored sequined jacket, dark shades, a polka-dot head scarf and remarkably slim, golden pants, he aligned such a rangy and vibrant uniform with his performance. There wouldn’t be any towering LED lights, stunts or stage diving. However, Young Thug, who for the majority of his roughly hour-long set played the lone wolf, delighted the crowd with his animated and bright delivery while running through thundering Slime Season 3 favorites like “With Them”, “Digits” and “Slime Shit”. The audience, ranging from high school seniors to seasoned workers likely with mortgages, strikingly recited every uncanny, controversial lyric and Ric Flair-esque “Woo!” like they had been analyzing them for years. -Joseph Gray, photo by Joseph Gray


Best Live Music Acts of 2015 #12 - Pretty Lights

12. Pretty Lights

Touring with a live band for the first time in 2013 — something that few other EDM artists have done to this day — he quickly changed the way electronic music can be experienced live. Fast forward to last Thursday, and we were once again treated to an electrifying Pretty Lights show that was more than just Smith behind a pair of Macbook Pros and two Akai MPD32s. Making his debut at the majestic Santa Barbara Bowl, he once again showed why he isn’t your typical EDM act. With Chris Karns and Big Wild providing support, Smith hit the stage at 8 p.m. with his bandmates — Karns, Borham Lee, Brandon Butler and Alvin Ford, Jr. — and put on a show that dazzled both sonically and visually. What was most impressive, though, was seeing how much of the performance was improvised, as the band transitioned from one jam to another while dropping in a number of remixes here and there. And as I looked on from my seat in the stands, I couldn’t help but think about how much the show reminded me of all the times I’ve seen STS9 perform live. It only seemed fitting considering that the livetronia band helped give Smith his start back in the day, and with the “EDM bubble” about to burst (that is, if it hasn’t already), it’s hopefully an approach more electronic artists will gravitate toward in the future. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #11 - Mac DeMarco

11. Mac DeMarco

The 26-year-old king of slacker rock, who over the past few years has become a fan favorite of many Bay Area audiophiles, never seems to hold back when he comes to town. His first night in SF last week saw him jump from The Indy’s balcony into an awaiting crowd (a feat that was later imitated by a female audience member at The Warfield the next night), run around half naked while playing new songs and perform a 25-minute cover of Eric Clapton’s 1971 hit single “Layla” with fart solos sprinkled throughout. -James Pawlish, photo by James Pawlish


Best Live Music Acts of 2015 #10 - Moderat

10. Moderat

Easily the most anticipated set of the weekend from this spectator’s vantage point, Moderat hadn’t toured since dropping a pair of EPs in 2014. But with the release of its third full-length album, aptly titled III, the Berlin-based supergroup comprised of Apparat’s Sascha Ring and Modeselektor members Gernot Bronsert and Sebastian Szary were primed to make their mark on the final day of LIB — and that they did. Beginning with “Ghostmother” off their latest LP, Moderat ran through a good chunk of new material, but nothing ignited the crowd more than their new single “Reminder”, which remains one of our favorite songs of the year so far. As we witnessed a few days earlier at The Fonda Theatre in LA, the group’s dark, minimalist stage setup with psychedelic flourishes paired nicely with Ring’s ethereal vocals. Of all the other performances throughout the weekend, Moderat’s 90-minute set undoubtedly stood as one of the brightest moments of LIB 2016. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #9 - Foals

9. Foals

Foals closed out their rambunctious set with a killer take on the title track “What Went Down” that brought lead singer/guitarist Yannis Philippakis diving into the crowd, giving fans one hell of a selfie and proving their rock credentials for good. After all, any band that can unite 20-something bros with 50-something grandparents gets a gold star in our book. Rock brings people together, and those who made it out to see this unicorn of a band won’t live to regret it. -Zach Bourque, photo by Steve Carlson


Best Live Music Acts of 2015 #9 - Tame Impala

8. Tame Impala

As they opened with the dream-inducing interlude “Nangs” from their latest studio album Currents, Tame Impala gave the crowd an ample minute and a half to commit to the spatial surroundings before jumping full throttle into an explosive rendition of lead single “Let It Happen,” playing the tracks in reverse order than they are on the LP. By the third song (as promised), the sky, having just turned black, was filled with a stadium’s worth of rainbow confetti as the band played the opening chords of 2012’s psuedo love ballad “Mind Mischief”. Followed by a rare performance — only the second time in three years — of “Music to Walk Home By” from 2012’s Lonerism, Tame Impala played a wide range of emotive classics while scrambling the brains of more than 8,500 audience members with their intense onslaught of sensory-overloading imagery and hypnotic light show. -Molly Kish, photo by James Pawlish


Best Live Music Acts of 2015 #7 - Jim James

7. Jim James

James is in rare company these days, amid a dying breed of guitar-rock gods like Jack White and Josh Homme who are not only capable of playing anything on six strings, but also on a myriad of instruments. And while Eternally Even feels in some ways like an opportunity for him to finally experiment more with keyboards, James made sure to remind his fans at the 90-year-old Orpheum Theatre last Friday that shredding is still a priority. Performing in his new hometown after officially moving to LA this year, he assumed the role of lead singer for much of the show as he and his bandmates from Twin Limb (also opening for James on this tour) played all of Eternally Even and half of Regions. But propped up by a stand onstage the whole time was James’ black Gibson axe, and you knew at some point during a two-hour set that he was going to unload some sick riffs like we have become accustomed to seeing from him at Jacket shows. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #6 - The National

6. The National

The real headline from The National’s performance was hands down the new material that was debuted, pretty much across their entire set, encore included. A rather standard opening of “Don’t Swallow the Cap” and “I Should Live in Salt” led into our first taste of the band’s upcoming LP in the form of “Checking Out”. Though many locals likely recognized this track from last year’s Treasure Island Music Festival (read our review here), it has tightened up over the past year and even begins to sound familiar as the Brooklyn-based five-piece begins to weave in more electronic, synth-like elements. -Kevin Quandt, photo by Steve Carlson


Coachella 2016 - Guns 'N Roses

5. Guns N’ Roses

There may have been no more talked-about act in Coachella’s 17-year history than Saturday’s headliner — and for good reason. Going back to 1993, it had been 23 years since Axl Rose and Slash last performed on the same stage together, and though some of that allure had worn off by the time they reached Indio thanks to a surprise show in LA and back-to-back nights in Las Vegas in prior weeks, Guns N’ Roses were still the talk of the town leading up to Coachella. In fact, all you had to do was look around on Saturday and see just how many GNR T-shirts were traversing the polo field before their 10:30 p.m. set. When it came time to deliver, the original trio of Axl, Slash and bassist Duff McKagan most certainly did, while rhythm guitarist Richard Fortus and drummer Frank Ferrer proved to be more than suitable fill-ins for Izzy Stradlin and Steven Adler/Matt Sorum. Meanwhile, the surprise appearance by Angus Young couldn’t have come at a much better time after the announcement was made minutes before GNR’s set that Rose will be filling in for Brian Johnson on AC/DC’s remaining tour dates this year. GNR have always been one of my biggest bucket-list bands, and even if a broken leg prevented Axl from strutting and slithering across the stage like he once did as a brash, slender 21-year-old rock star, seeing one of my favorite childhood bands perform for two and a half hours felt all too surreal as I left the Empire Polo Club that night. -Josh Herwitt, photo courtesy of Coachella


Coachella 2016 - Sia

4. Sia

From the very beginning, Sia set herself apart from every other artist who took the Coachella Stage this year. With the Australian artist standing in the back of the stage, her set was more performance art than it was pop music. While her face was hidden thanks to her trademark wig, Sia’s voice stood front and center as she belted out every note to hits like “Diamonds”, “Bird Set Free” and “Titanium”. Throughout it all, different dancers and actors would come on stage, abstractly embodying the themes her songwriting often conveys: fear, anticipation, stress, anger, joy, love and most of all, doubt. As Kristen Wiig and Paul Dano contributed to the overall performance, the height of Sia’s conceptual masterpiece reached its peak with a breathtaking rendition of “Breathe Me”, bringing some of the audience to tears. It was the true headliner of Sunday night and among the top performances of the entire weekend. -Brett Ruffenach, photo courtesy of Coachella


Best Live Music Acts of 2015 #3 - Chance the Rapper

3. Chance the Rapper

In one of the few transcendent moments of the weekend, a set that had everyone throughout the fairgrounds hyped into an anticipatory frenzy, Chance the Rapper performed at the Lands End stage on Sunday afternoon for easily the largest crowd of the entire weekend. Even those who stood their ground through Third Eye Blind’s preceding set felt the drastic change in both crowd size and personal space as the Polo Fields flooded and temperatures rose. Even though Chance could have used this to his advantage and conducted an explosive show, igniting the tightly configured crowd into a combustive state, he instead took his fans “to church” with a spiritually centered gospel set, making sure everyone was attentive and of course, that “his part” resonated among the masses. -Molly Kish, photo by Norm de Veyra


Best Live Music Acts of 2015 #2 - LCD Soundsystem

2. LCD Soundsystem

Over the last couple of years, it’s hard to think of a band I have wanted to see more than LCD Soundsystem. Deeply tied to my formative years in college, the Brooklyn outfit’s return after a five-year hiatus was nothing short of stunning. Opening with the undeniably groovy “Us vs. Them” and covering a good chunk of their catalog over almost two hours, LCD certainly met the expectations of an eager crowd. James Murphy kept the banter between songs fairly short, and these indie heavyweights demonstrated a true dedication to their craft, starting fast with songs like “Movements” and “Yeah” before moving to more deep, tightly wound rhythms on “Someone Great” and “Home”. Though “Losing My Edge” was written more than 10 years ago, Murphy’s part-improvised, part-proclamation, part-perfectly-delivered rendition of the track seemed to really capture the attention of more casual LCD fans. Nearing the end of its set, the band covered “Heroes” by late collaborator David Bowie. I have seen many concerts as well as attended many festivals in my life, but this was truly among the most beautiful moments in live music I have ever experienced. Wrapping up their headlining performance with “All My Friends”, LCD Soundsystem proved to be among the top artists to ever grace the festival’s main stage. -Brett Ruffenach, photo by Norm de Veyra


Best Live Music Acts of 2015 #1 - Anderson .Paak

1. Anderson .Paak

I’m going to be completely honest: I went to SXSW this year to see .Paak because I knew once he played it, tickets to his shows would be impossible to get. Six months later, $30 tickets to his show in San Francisco at The Fillmore resold for upwards of $400. If you didn’t have another way to get into that show or rent to pay, it was worth it. The energy that comes out of .Paak while he’s performing is charming, infectious and unmatched. He splits his time roaming every inch of the stage and behind his drum set, often singing and rapping without missing a beat. At .Paak’s December show at the Hollywood Palladium in LA, Stevie Wonder came out not to sing, but to tell the crowd what a big fan he is. So basically, Stevie Wonder dropped by. OK, Anderson … we see you. -Rochelle Shipman, photo by Norm de Veyra

Outside Lands 2016

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The best and worst of Lightning in a Bottle 2016

Lightning in a Bottle 2016Photos by Josh Herwitt & Melissa Hebeler // Written by Josh Herwitt //

Lightning in a Bottle //
San Antonio Recreation Area – Bradley, CA
May 25th-30th, 2016 //

Lightning in a Bottle (LIB) returned to San Antonio Recreation Area for a third straight year over Memorial Day weekend, serving as that perfect hangover cure for those still suffering from their post-Coachella blues.

Last year, we asked whether the “transformational” festival was undergoing a transformation of its own by shedding its boutique label to go mainstream (read the review here). Now, after paying another visit to Bradley, Calif., the answer to that question appears to be even clearer than before with LIB selling out once again, this time more than a week in advance. Vanessa Hudgens, no less, showed up!

But for as strong as this year’s artist lineup was, not everything went off without a hitch. In fact, there were enough logistical nightmares and bad vibes — believe it or not — to keep us from coming back next year.

So, with another edition of LIB in the books, here are our best and worst moments from 2016:


Lightning in a Bottle 2016 - Emancipator

Best: Emancipator Ensemble

Portland-based musician Douglas Appling, better known by his stage name Emancipator, has been fusing hip-hop-flavored beats with downtempo electronica ever since he started writing his debut LP Soon It Will Be Cold Enough while attending the College of William & Mary. And in many ways, he’s still cooking up that same sonic recipe that borders on post-trip-hop with violinist Ilya Goldberg by his side, although it’s with his ensemble members that we get to see Appling serve as more than just an electronic music producer. At his Friday evening set on the festival’s main stage, Emancipator set the tone for the rest of the weekend, grooving to tracks from his latest studio album Seven Seas with a guitar in hand and a full band at his disposal, much like we saw at The Regency Ballroom last fall (see more photos from that show here).

Lightning in a Bottle 2016

Worst: The weather

Sitting more than 200 miles north of Los Angeles, San Antonio Recreation Area once again proved to bring hot days and cold nights to LIB. With temperatures peaking in the mid-80’s during the day and dipping into the low 50’s at night, adjusting to such a drastic change in climate is never easy, especially when you’re forced to brave the outdoors by camping in a dried-up lakebed. Whether you were sweating profusely or shivering in your sleep, it was nearly impossible to ever feel comfortable with the weather at LIB.

Lightning in a Bottle 2016 - Rubblebucket

Best: Rubblebucket

LIB has always leaned heavily on electronic music while assembling its lineup, but in more recent years, the festival has also found room to include eclectic, female-fronted indie bands. Last year’s example was Poliça, the Minneapolis five-piece led by vocalist Channy Leaneagh. This year’s case in point was Rubblebucket, the more obscure, yet upbeat Brooklyn alt-dance outfit fronted by Annakalmia Traver. Playing very close to the same time slot on the Lightning Stage as Poliça did the year before, Rubblebucket, nevertheless, got festivalgoers moving after a scorchingly hot day in the sun, setting the bar for the rest of Saturday’s lineup as day turned to night. What makes Rubblebucket such a catch is their horns section that’s made up by Alex Toth (trumpet), Adam Dotson (trombone) and Traver (saxophone), who knows how to charm a crowd with her quirky stage banter.

Lightning in a Bottle 2016 - The Russ Liquid Test

Best: The Russ Liquid Test

Russ Liquid (born Russell Scott) broke onto the scene back in 2013 with his debut LP Foreign Frequency on STS9’s 1320 Records, fusing jazzy saxophone lines over dance beats much like Colorado livetronica duo Big Gigantic, who also performed at LIB this year, do for a living. But his “Test” set on Sunday at LIB was particularly special, as he stepped on the main stage with guitarist Andrew Block and drummer Nick Mercadel flanked on either side of him. The New Orleans trio laid down one funky groove after another for an hour and a half, at times sounding reminiscent of GRiZ, another electronic producer now based in Colorado who has featured Russ Liquid on his record label’s mix series titled “All Good Radio.” We weren’t all that familiar with Russ Liquid’s work prior to arriving at LIB, but his performance certainly intrigued us enough to want to hear more.

Lightning in a Bottle 2016

Worst: Crowds

With another sellout bringing more than 20,000 people to Bradley, LIB felt just as crowded as last year — something we never experienced at previous locations like Oak Canyon Park and Lake Skinner Recreational Area. After all, it’s no secret that part of the reason why The Do LaB settled on San Antonio Recreation Area was the fact that it could accommodate more “festies” and therefore, could sell more tickets as a result. But from a consumer’s standpoint, there are obvious drawbacks to that philosophy. Waiting for a shower, for instance, took as long as 2-3 hours depending on what time you got in line. Many of the food vendors had significant lines, taking as long as 15 minutes just to place your order. No one likes waiting in line in 85-degree heat, especially when your phone can’t get service. Part of what made LIB such a nice change-of-pace from Coachella was the sheer lack of crowds, but it was only a matter of time before big business won out, right?

Lightning in a Bottle 2016 - Moderat

Best: Moderat

Easily the most anticipated set of the weekend from this spectator’s vantage point, Moderat hadn’t toured since dropping a pair of EPs in 2014. But with the release of its third full-length album, aptly titled III, the Berlin-based supergroup comprised of Apparat’s Sascha Ring and Modeselektor members Gernot Bronsert and Sebastian Szary were primed to make their mark on the final day of LIB — and that they did. Beginning with “Ghostmother” off their latest LP, Moderat ran through a good chunk of new material, but nothing ignited the crowd more than their new single “Reminder”, which remains one of our favorite songs of the year so far. As we witnessed a few days earlier in Los Angeles at The Fonda Theatre (read our show review here), the group’s dark, minimalist stage setup with psychedelic flourishes paired nicely with Ring’s ethereal vocals. Of all the other performances throughout the weekend, Moderat’s 90-minute set undoubtedly stood as one of the brightest moments of LIB 2016.

Lightning in a Bottle 2016

Worst: Trash

LIB has been tabbed as the “Greenest Festival in America” over the last five years, though you might not have known it while looking at the grounds this year. With the festival’s attendance numbers reaching an all-time high, trash has increasingly become a bigger issue at LIB. Sure, it’s easy to blame a bunch of inconsiderate festivalgoers for littering and not picking up after themselves, but a big part of the problem is simply a lack of trash cans and dumpsters near the stages and in the camping areas. Furthermore, LIB’s “pack it in, pack it out” motto just isn’t realistic at this point with the amount of attendees. Maybe that’s the reason why after leaving the festival, trash was spewed all over the street. We’re glad The Do LaB tried their best as they told us on the way out, but sometimes trying your best, especially after you’ve been running the same festival for more than a decade, just isn’t good enough.

Lightning in a Bottle 2016 - Chet Faker

Best: Chet Faker

I remember first learning of Chet Faker more than a couple years ago while researching the 2014 LIB lineup for this preview. At the time, the electronic-leaning singer-songwriter from Australia had yet to release a full-length album, which makes it all the more crazy to think that he has already reached festival headliner status in a little more than 24 months since then. But over that stretch, from his two-night run in LA at The Roxy Theatre to last year’s performance at FYF Fest, Nicholas James Murphy has grown his live show tremendously. There’s no question the full band setup has been the right call, affording the 27-year-old Melbourne native the opportunity to breathe new life into songs from his lone LP Built on Glass (read our review here), such as “Melt” and “Gold”. Yet, with only one studio album under his belt and a few festival headlining spots in 2016, including the spring edition of CRSSD Fest back in March, it’s just amazing to think where Murphy could go from here.

Lightning in a Bottle 2016

Worst: Leaving LIB

If the crowds and trash at LIB weren’t enough to leave a sour taste in your mouth by the end of the weekend, the disaster that ensued in the parking lot after the festival definitely was. Since I started attending concerts and music festivals years ago, I have never seen a bigger shitshow than the LIB parking lot by 9 a.m. on Monday. Taking five hours (yes, you read that right) just to leave San Antonio Recreation Area proved to be the ultimate test in patience for me as well as thousands of other festivalgoers. Of all the worst moments at LIB, this easily took the cake, so much so that after five times attending, this very well could have been my last.

Will Lightning in a Bottle continue its rise in 2016?

Lightning in a BottlePhotos courtesy of Juliana Bernstein // Written by Josh Herwitt //

Lightning in a Bottle //
San Antonio Recreation Area – Bradley, CA
May 25th-30th, 2016 //

So you’re all recovered from Coachella by now, and you’re feeling like you’re ready to get back out there pretty soon.

Sure, you could wait until Outside Lands returns to San Francisco this summer, but that’s not until the first weekend of August anyway. Three months between music festivals, after all, can be a long time for some passionate music fans.

If you’re itching to go to another fest in between Coachella and Outside Lands but also feeling a little more adventurous than usual, Lightning in a Bottle (LIB) might be just what the doctor ordered.

Geographically, the “transformational” festival remains perfectly located to tap into both the LA and SF markets since adopting San Antonio Recreation Area in Bradley, Calif., as its home for what will be the third straight year this Memorial Day weekend.

Lightning in a Bottle

But LIB has always been so much more than merely a music festival. In what has been The Do LaB’s crown jewel of all the events it puts on throughout the year, LIB offers its own unique melange of art, yoga, workshops and speakers that few other U.S. festivals have been able to replicate; Symbiosis Gathering in Northern California and Further Future near Las Vegas are the closest comparison to date in matching LIB’s Burning Man-esque vibe. Major corporate sponsors like Heineken, American Express, H&M or T-Mobile don’t exist. Instead, it has made lasting partnerships with small to mid-size companies like New Belgium, Reed’s, KIND and your favorite coconut water brand (LIB had partnerships with three different ones last year). For California’s music scene in particular, what has been dubbed the “Greenest Festival in America” the past five years continues to serve as a stopgap between the state’s two largest music festivals in its two largest geographic regions.

And for that very reason, we’ve noticed that LIB may be undergoing a bit of a transformation after selling out for the first time in 15 years last May (read our review here), with attendance numbers reaching as high as 20,000, roughly 5,000 more than in previous editions. But even at this juncture more than a decade since LIB started as a friend’s birthday party in the Santa Ynez Mountains outside of Santa Barbara, each year is just as critical as the last in shaping its identity. Of course, it remains to be seen whether the festival’s boutique roots can stay firmly planted in the ground, and as the music migrates further and further toward the mainstream with indie-electronic artists like Chet Faker, Grimes and Jamie xx topping this year’s lineup, toeing that line can start to look rather murky. In fact, it’s become fairly commonplace to see Coachella and LIB share artists who either played in Indio the year before (i.e. Jamie xx, Chet Faker and Cashmere Cat) or less than two months prior (i.e. Grimes, TOKiMONSTA and Lucent Dossier Experience). Who knows, you may even see LIB newcomers like Moderat and Tourist making their debuts in the desert next year, too.

Lightning in a Bottle

LIB has not officially sold out yet, but with 80 percent of its tickets already accounted for, you can bet that it will by the time we reach Memorial Day weekend. This year’s bill is as strong as its ever been, with an undercard that will see international acts like Cashmere Cat, Ibeyi, Four Tet and Guy Gerber perform on The Do LaB’s three innovatively designed stages.

That’s not to say the U.S. is not well-represented at LIB, however. Portland-based electronic producer Emancipator (born Douglas Appling) and Colorado “jazztronica” duo Big Gigantic are two of the bigger names to grace the festival’s poster this year, while Florida electro-rock trio Hundred Waters and Brooklyn indie-dance quartet Rubblebucket are two other domestic groups bolstering an already-impressive collection of artists.

It should be no surprise then why LIB has become one of California’s fastest-growing festivals over the last five years as the lineup steadily improves with each spring that passes. Yet, only time will tell what kind of impact it makes in what’s been one wild and crazy 2016 so far.

Lightning in a Bottle 2016 lineup

Win Tix // GO4FREE to Lightning in a Bottle 2016

Lightning in a Bottle 2016 lineup

Lightning in a Bottle //
San Antonio Recreation Area – Bradley, CA
May 25th-30th, 2016 //

Masterful event creators and production innovators The Do LaB are offering an incredible opportunity to win the ultimate VIP package for the 11th annual Lightning in a Bottle (LIB) music, arts, yoga and camping festival taking place Memorial Day weekend at San Antonio Recreation Area.

Widely considered as California’s premier camping, music and art boutique festival, LIB brings together a community of inspired individuals, internationally acclaimed musicians, enlightening speakers and illuminating workshops designed to expand the mind and open the heart.

This year’s festival features headliners Chet Faker, Jamie XX and Grimes while TOKiMONSTA, Guy Gerber, Cashmere Cat, Four Tet and many more are also scheduled to perform on The Do LaB’s multiple majestically structured stages. Furthermore, LIB features visionary artists and interactive zones, including The Village, the Grand Artique, Amori’s Cafe, Kid’s Village and the Lucent Temple of Consciousness, in addition to an expanded Learning Kitchen, Healing Sanctuary, Meditation Nest, Mystery School, Pineal Playground, two yoga tents and more.

For a peek inside the magic of LIB, watch the LIB 2016 official video below and learn more by visiting the festival’s website here.

Click here to purchase tickets if you know you want to go!

Lightning in a Bottle 2016 contest flyer


LIGHTNING IN A BOTTLE 2016 PRIZE PACKAGES

Grand Prize “Ultimate LIB VIP Package” (one winner)

• Two passes to LIB 2016
• Two early-arrival passes allowing entry into the festival when the gates open on May 25th
• LIB’s uber-great camping experience, which includes:

— One 16-foot-wide Luxury Canvas Bell tent with a 9-foot-8 interior height and 200 square feet of living space that includes one full-size, elevated bed complete with a real mattress, fresh linens, shower towels, indoor furniture, lighting, power outlets, a personal cooler with complimentary ice, an outdoor seating area and access to upgraded restroom suites with full-length mirrors
— Two keepsake Lightning in a Bottle water bottles
— Two lush lounge visitor wristbands for friends not staying in boutique
— On-site concierge service
— One welcome package from LIB sponsors

• Two tickets to a sit-down dinner at Amori’s Cafe, Giggle Juice Cafe or The Last Supper Club
• Two LIB 2016 official T-shirts

Second-Tier Prize (one winner)

• Two LIB festival tickets and one on-site car camping pass

Third-Tier Prizes (five winners)

• One free pizza from The Dough LaB on site at Lightning in a Bottle

Please read below for the list of rules before you enter the giveaway. The contest will end this Sunday, May 1st at 11:59 p.m. PT. Winners will be notified by email on Monday, May 2th.


CONTEST RULES

• Entries can be submitted until May 1st at 11:59 p.m. PT.

• Entries are handled through the Rafflecopter widget above. You may enter without any obligation to social media accounts, but you can gain extra entries through social media shares.

• Your email address is required so we can get in touch with you if you win, but it will not be given out to any third parties.

• Must be 18+ to enter. Contestants can come from anywhere in the world but need valid ID. Travel out to the Lightning in a Bottle festival will not covered.

• Winners will be chosen randomly. One (1) winner will receive VIP Prize Package, One (1) winner will win the Second Tier Prize, and Five (5) winners will receive the Third Tier Prize.

• Winners will be notified via email. Winners must respond within three days of being contacted to redeem prize. If you do not respond within that period, another winner will be chosen at random.

• Make sure that the email account you use to enter the contest includes your real name and a working email.

• Prize packages are part of a promotional giveaway and non-transferable.

CONTEST CLOSED.

Lightning in a Bottle unveils 2016 lineup

Lightning in a Bottle 2016 lineup

Lightning in a Bottle //
San Antonio Recreation Area – Bradley, CA
May 25th-30th, 2016 //

Returning to San Antonio Recreation Area for a third straight year, Lightning in a Bottle will once again take place over Memorial Day weekend — and this year’s bill is as strong as ever.

Led by headliners Chet Faker, Grimes and Jamie xx, the famed boutique festival that began more than 15 years ago as a birthday party among friends (and who would eventually start The Do LaB, a Los Angeles-based event production company) in the Santa Ynez Mountains will also feature performances from Big Gigantic, Moderat, Ibeyi, Emancipator Ensemble, Four Tet, Tourist, Cashmere Cat, Guy Gerber, Tokimonsta, The Polish Ambassador, Alina Baraz, Josh Wink, Hundred Waters, Lee Burridge, Minnesota and G Jones (B2B), Pimps of Joytime, Mija, Rubblebucket, PANTyRAiD, The Russ Liquid Test, AndHim and many more.

Furthermore, The Do LaB will welcome back the LA avant-garde circus act Lucent Dossier Experience and William Close & The Earth Harp Collective, which both have become LIB mainstays over the years. Check out the poster above for the rest of the lineup.

Tabbed as the “Greenest Festival in America” each of the last five years, LIB offers more than just live music on three different stages, with art, yoga, workshops and speakers all playing a crucial role in maintaining the festival’s identity, which centers around sustainability, social cohesion, personal health and creative expression. The word has certainly gotten out about LIB since its early beginnings, as last year’s festival, which boasted Australian DJ/producer Flume as its main headliner and included sets from SBTRKT, ODESZA, RL Grime and Tycho, was the first reported sellout in its longstanding history.

Weekend passes to LIB can be purchased here starting at $270, and the festival reports that 50 percent of them have already been sold, leaving us to believe another capacity crowd will be descending upon Bradley, Calif., this May. If you’re getting excited for LIB after reading this, make sure to check out our coverage from 2015.

Am I too old now to be going to Big Gigantic shows?

Big GiganticBy Josh Herwitt //

Big Gigantic //
Avalon Hollywood – Los Angeles
June 19th, 2015 //

It was more than five years ago when I first discovered Big Gigantic.

With its inclusion of the jazz, hip-hop and electronic worlds into their bass-heavy club bangers, the Boulder-based duo comprised of saxophonist/producer Dominic Lalli and drummer Jeremy Salken quickly captured my attention as one of music’s most intriguing up-and-coming acts amid America’s 21st-century EDM boom. There was no one else doing quite like what they were doing. Between Lalli’s sexy saxophone lines, Salken’s thundering hip-hop beats and the help of a laptop computer, Big Gigantic was already one of a kind. It was like they had created a new genre of music, or “jazztronica” as I like to call it.

A few months later, I got to witness Big G’s energy first hand when I saw them open for Sound Tribe Sector 9 (STS9) at a sold-out Red Rocks Amphitheatre. It was then and there that I started to understand how “big” their sound really was and could be.

Since then, Lalli and Salken have come a long way. They have released four full-length albums and played at nearly every major U.S. music festival out there, from Bonnaroo to Coachella to Firefly to Electric Forest. And this September, they will headline their fourth “Rowdytown” show at Red Rocks, a feat that Lalli and Salken can both be very proud of as current Colorado residents. It’s all resulted in a burgeoning fan base, one that continues to grow outside the 303 and 720 area codes.

Big Gigantic - Dominic Lalli


Big Gigantic’s Dominic Lalli

At this point, I have seen Big Gigantic perform more than 10 times — more times than I can remember, in fact. I have lost track of the number not because the shows were unsatisfying or unmemorable, but more because there have been so many in such a short amount of time. But after turning 31 this month, I realize I’m also no spring chicken anymore.

Which brings me to last Friday’s show at Avalon Hollywood, where Big Gigantic made their return to LA after appearing at HARD Day of the Dead a few months earlier (a Big G show in the local area that I actually didn’t attend). Having noticed over the past two years that the fans seem to get younger and younger with each show I’m at, I was fully prepared to see some recent high school graduates packing the dance floor when I arrived before Big G’s headlining set. Of course, it didn’t help that Avalon is well-known as an 18-and-over venue, but it’s certainly not the only one in LA either.

Big Gigantic - Jeremy Salken


Big Gigantic’s Jeremy Salken

Nevertheless, the audience on this night immediately made me feel old. Had I not run into a friend who is also in his fourth decade, I might have thought I was the only one in the room who was no longer living at home and going to school. I had felt this way at Big G shows in Colorado, but LA had yet to catch up. The real topper, though, came late in their set, when another male quite possibly 10 years my junior encouraged me to make a move on my girlfriend of more than three years. It wasn’t completely surprising knowing both my girlfriend and I share a rather youthful appearance that can often catch people off guard, so I simply chuckled and explained to him that we have lived together for almost two years now, a detail I could tell he was shocked to learn just by the expression on his face. It was a clear sign that I was no longer in the majority of the band’s fan base. I was and am simply an outlier now.

Big Gigantic, meanwhile, sounded as clean as ever. Taking the stage around 12:30 a.m. and running through a setlist highlighted by remixes of Macklemore & Ryan Lewis’ “Can’t Hold Us” and Jay-Z’s “Can I Get A …”, they had the Hollywood crowd ebbing and flowing until almost the 2 a.m. mark. Both Lalli and Salken have grown tremendously as performers, from Lalli’s production expertise and techniques to Salken’s timing and chemistry when it comes to the music’s improvised sections. And yet, they are still as funky as ever, which makes a lot of sense coming from Lalli, a formally trained saxophonist from the Manhattan School of Music who spent years playing with Colorado funk ensemble The Motet before founding Big Gigantic in 2008.

But as EDM’s sphere of influence continues to spread across the industry, so has Big G’s fan base, with many being of the younger variety. It’s left older fans like myself in a precarious position, one that feels unnatural even with so many shows under my belt. It’s why I can’t help but ask myself, “Have I exceeded the age demographic of a Big Gigantic show?”

Because even if I’m not too old yet, it’s sure starting to feel that way.

Is the Lightning in a Bottle lineup becoming a mini version of Coachella’s?

Lightning in a BottlePhoto courtesy of Daniel Zetterstrom // Written by Josh Herwitt //

Lightning in a Bottle //
San Antonio Recreation Area – Bradley, CA
May 21st-25th, 2015 //

For those who made the trek to Indio, this week officially signals the return to reality after witnessing some of the best live music you’ll likely see all year.

Coachella withdrawals, after all, don’t take long to set in, and the thought of having to wait 12 more months to experience what you just went through in three days is probably really bumming you out right now.

But fear not, because while it may not have the same name recognition that Coachella has come to garner, Lightning in a Bottle has slowly but surely started to share more and more of the same artists that have recently graced the polo fields.

Take this year’s LIB lineup, for example. SBTRKT, ODESZA, Tycho and Panda Bear all played at Coachella the past two weekends while newly anointed headliner Flume, RL Grime and AlunaGeorge made appearances last April. Other acts like John Digweed and Poliça have also performed at Coachella not that long ago, making this year’s LIB lineup one of the most appealing in its decade-long history.

With its own stage at Coachella for some time now, the artists collective and event creations company known as The Do LaB has continued to expand its reach, and as a result, LIB has grown more and more popular each year. Though the musical overlap might be just one reason for the boutique festival’s growing attendance, there are a numbe