BottleRock taps Imagine Dragons, Neil Young and Mumford & Sons to headline 2019 edition

BottleRock - 2019 lineup

BottleRock Napa Valley //
Napa Valley Expo – Napa, CA
May 24th-26th, 2019 //

If you didn’t hear, festival season is officially back.

With Coachella releasing its 2019 lineup last week just two days into the New Year, many other large-scale music festivals are gearing up to unveil their rosters. Up in Napa Valley, BottleRock has done just that with Imagine Dragons, Neil Young and Mumford & Sons topping the bill for its seventh edition this Memorial Day weekend after Bruno Mars, The Killers and Muse led the way for the 2018 installment. For the 73-year-old Young, it will mark his first date in California with Lukas Nelson & Promise of the Real backing him since their headlining performance last June at Arroyo Seco Weekend (read our review here).

More than 80 artists and bands will once again hit downtown Napa to perform at the three-day event in late May, including Logic, Pharrell Williams, Santana, OneRepublic, Nathaniel Rateliff & the Night Sweats, Tash Sultana, Sylvan Esso, Gary Clark Jr., Lord Huron, Flogging Molly, Juanes, Michael Franti & Spearhead, AJR, Cypress Hill, Big Boi and many more. Plus, live cooking demonstrations between a variety of celebrity chefs and Hollywood stars, from musicians to athletes, will return to BottleRock’s beloved Williams-Sonoma Culinary Stage.

Tickets go on sale this Tuesday, January 8th at 10 a.m. PT here and start at $359 for a three-day GA pass (or $159 for a one-day). Both three-day VIP and platinum passes are already sold out, but you can buy a one-day VIP pass for $349 and a three-day skydeck pass for an eye-popping $1,599 if you really want to go big.

BottleRock Napa Valley 2016 - The Struts

Outside Lands 2018: A return to form in Year 11

Outside Lands 2018Photos by Norm de Veyra // Written by Kevin Quandt //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 10th-12th, 2018 //

As another summer festival season winds down, we look back at the 2018 edition of Outside Lands with highlights, thoughts, musings and enough images to make you nostalgic for the Bay Area’s banner music festival. With the Superfly, Another Planet Entertainment and Starr Hill event celebrating its 11th edition, this incarnation of the annual Golden Gate Park soirée saw more of a return to form over the past year while also experiencing a notable shift in the sound that could be heard emanating through the eucalyptus and other flora.

While cancellations left a slightly sour taste in the mouths of last year’s attendees, this year only saw limited lineup hiccups. However, the bigger story at hand surrounds the changing tides of popular music. Sure, you’ve heard folks state “rock is dead,” but is a once-amusing quip starting to take greater shape as the youth clamor for a different sound and aesthetic? Though it was pretty evident on the 2018 lineup poster when it dropped in April, this query started to take greater shape once you were on the grounds and bouncing between sets. So, let’s jump straight into this now.

Outside Lands 2018 - Billie Eilish


Billie Eilish

Friday

Day 1 at Outside Lands tends to be a slow trickle of fans entering the park as some are able to play hooky, bounce from the office early or only show up for the headliners. Sure, some folks had to deal with longer-than-expected box office lines and others even had to bear the fest’s new bag policies, but luckily those in attendance were blessed with some clear skies instead of the usual August dread of the Outer Lands.

While Billie Eilish was relishing in her rising appeal on the Lands End stage, covering Drake and running through the majority of her singles, Rex Orange County was trying his hand at something a bit new and terrifying. The UK wunderkind was forced to play his first-ever solo festival set as his band and their gear ran into transit issues on the way to SF from the Pacific Northwest. The young crooner seemed a bit nervous about this predicament but competently knocked out a solid, eight-song performance that included “Sunflower” and closer “Loving Is Easy”.

N.E.R.D., meanwhile, played their first SF show in many years to a raucous crowd, opening with “Anti Matter” as a hyped Pharrell Williams feverishly worked every corner of the huge Lands End stage. The set featured a massive medley of tracks by The Neptunes, a cover of “Seven Nation Army” and a double dose of “Lemon” to send us on our way to the next set.

Simultaneously, Carly Rae Jepsen was apparently throwing down one of Outside Lands’ most enjoyable performances in front of a rather large crowd. While the pop sensation pleased the masses with a rendition of her breakout hit “Call Me Maybe”, she also performed more recent songs like “Emotion”.

ODESZA obviously drew a large crowd for their main stage afternoon showcase, putting the spotlight on the changing tides and tastes of the youth music market. That kind of youthful angst and energy seemed to be danced out to ODESZA, DJ Snake and Big Gigantic compared to the pits of rock bands from the 2000’s, be it Queens of the Stone Age, System of a Down or Deftones.

With the under-25 crowd predominantly stationed at Lands End, you could say there was a more intimate feeling at Twin Peaks for Father John Misty. Touting his expanded band that featured a string section and dialing back his quirky stage banter, Josh Tillman’s latest tour has been pretty much about presenting his music as faithfully as he can. “Nancy From Now On” opened his career-spanning performance as the shadows began to drape the park.

While FJM’s attendance was noticeably a bit small for a rock act, the king of “jizz jazz,” aka Mac DeMarco, was able to attract a rowdy crowd for his closing set on the Sutro stage. When the synth sections of “On the Level” opened DeMarco’s set, a certain air of relaxation swept the crowd as various smokeables were consumed in honor of indie-slacker royalty onstage.

Abel Tesfaye, popularly known as The Weeknd, enjoyed a sort of victory lap as he headlined the festival’s first day with an onslaught of hits such as “Starboy”, “Can’t Feel My Face” and “The Hills”, along with a few select covers of Future, Belly, Drake and Ty Dolla $ign. Though Tesfaye’s current large-scale show is nothing new to the live music circuit, he still threw one helluva party before sending the masses into the wilds of the City.

Outside Lands 2018 - Florence + the Machine


Florence + the Machine

Saturday

It has been a couple of years since Outside Lands was fortunate enough to have a truly clear, sunny Saturday — and not just for a few hours, but the whole damn day. Plus, it was topped off with another insanely gorgeous sunset, but let’s not jump the gun here.

As the day got underway, New York indie artist Amen Dunes performed an extremely tight set, showcasing his wavy take on psychedelic rock/folk. Led by Damon McMahon, the trio played heavy off its most recent release Freedom while also not completely ignoring its back catalog. Moreover, McMahon’s stage presence was infectious and somewhat akin to R.E.M.’s Michael Stipe, as his slender build moved to the emotive nature of his craft.

On the opposite end of the spectrum, Lizzo was bringing down the early-afternoon house as she decimated the Lands End stage. “Fitness” opened her 10-song set as her pair of dancers, as well as Lizzo herself, left everything on the stage for the sizable crowd that was yearning for her energy, and some even yearned for a shot of tequila from her bottle of Patrón as she entered the photo pit for an up-close appearance during closing song “Good as Hell”.

When the Lizzo crowd dispersed, Broken Social Scene fans got prime real estate to catch the Canadian indie-rock demigods perform a blistering set of guitar-heavy tunes like opener “KC Accidental” and closer “Anthems for a Seventeen Year-Old Girl”. Even in such a large setting, the massive band was able to cook up a sense of intimacy and really engage.

While OSL this year leaned more toward R&B, electronic pop and other hip genres, UK jazz purveyors GoGo Penguin delivered a stunning set of avant-garde-leaning jazz. This punchy trio showed their chops over tracks like “One Percent” and set closer “Window” and could easily be compared to The Bad Plus. GoGo were a perfect palate cleanser before heading to more current stylings from either SOB X RBE or CHVRCHES.

Local legend Tycho performed to an enthusiastic crowd while Scott Hansen stated this would be the last incarnation of this phase for the group (we look forward to the next chapter). Back over at Lands End, Bon Iver delivered a prototypically powerful set as the sunlight dwindled, simultaneously providing a seriously stunning sunset.

As the limited amount of darkness fell over the park, one-third of The xx was preparing to hold court as the Sutro crowd swelled, moving their dancing feet to the new-school dance pioneer known as Jamie xx (born James Smith). Even as Jamie xx eased into his intro (The Animals’ “San Francisco Nights”) and more fans pushed in, it was rather evident that the Sutro’s sound system wasn’t able to fully reach the volume many were looking for. But an Above & Beyond nod (“Sun in Your Eyes”) eventually led straight into Smith’s mix of “On Hold” and all was right in the world, if only for about eight minutes.

There was a bit of controversy surrounding Saturday’s main slot as Florence + the Machine officially made the move to full-blown festival headliner. Some festivalgoers had their own doubts after FYF Fest 2018 was canceled with a near-identical top billing, but Florence and her bandmates proved, many times over, that she is more than capable of commanding any stage as her energy is unlike many others. She debuted a brand-new show, which featured “June” in the opening slot and was book-ended by “Big God” and “Shake It Out” for a two-song encore.

Outside Lands 2018 - Janelle Monáe


Janelle Monáe

Sunday

On the final day, the weather was back on track; by that, I mean it was cold, blustery and generally moist. Most were thankful for the two previous days as opposed to three days of “Karl the Fog,” as has been tradition for a good 3-4 years now.

The early afternoon of Sunday bore witness to some very lively performances from up-and-comers like Rainbow Kitten Surprise and Hobo Johnson & the Lovemakers, both of who are primed to make moves in the festival circuit over the next year if they play their cards right.

Continuing with the trend of electro-leaning acts playing to some big crowds, BØRNS fully commanded a youthful contingent with hits such as “10,000 Emerald Pools” and set closer “Electric Love”.

The incomparable Janelle Monáe was a tad late to take the stage, as she was fighting off a stomach bug, but when she did, she captivated the masses with a suite of tracks from her most recent release Dirty Computer and tossed in a fair amount of costume changes over a nearly hour-long set. Monáe proved that she’s easily one of the best in the business at the moment and will only continue to climb upwards.

Over at the Twin Peaks stage, The Internet was trying to hash out some sort of technical difficulties before beginning their abbreviated performance, which seemed to be a little lopsided and uneven as they did their best to deal with the 30 minutes that they had left. Fortunately, “Girl” got the majority who stuck around swaying to Syd’s sultry vocals and generally chilled demeanor.

Portugal. The Man held a fleeting rock slot on the main stage, putting their quirky brand of psych-leaning pop rock on display. Moreover, they tossed in some oddly placed Pink Floyd and Beatles covers before closing with their breakthrough hit “Feel It Still”.

Aussie newcomer Tash Sultana, meanwhile, was putting on a masterclass in instrumentation and looping. Sultana has really had one of the biggest breakout years in independent music, and it was clearly evident as she had a carefree stage presence backed by some truly unique, solo-delivered music ripe with psychedelic and world elements. The 23-year-old is certainly a name to watch over the next year and beyond.

As the last set of OSL artists got ready to play, James Blake brought us to church for this year’s final performance on the Sutro stage, failing to disappoint while the fog grew slightly thicker in Lindley Meadow. Highlights from Blake’s dreamy set were easily his take on Untold’s track “Stop What You’re Doing” and a semi-rare rendition of “Modern Soul”.

Some say Janet Jackson couldn’t pull in big crowds amid the current shifting landscape of large-scale music festivals, and although she didn’t pull in record-breaking numbers on a rugged SF night, it was clearly evident that those fans who stayed to watch her were all-in. Jackson’s career-spanning show touched on more than 35 songs and was accompanied by some fierce choreography and production elements. Sure, she wasn’t singing much of the time, but that didn’t stop a wide range of fans from showering Jackson with affection. Her closing performance was highlighted by “That’s the Way Love Goes” and later on, the MJ collaboration “Scream” that transitioned into “Rhythm Nation”.

As the music festival industry continues to deal with a shifting crowd and demand, Outside Lands regained its stride after a few hiccups in 2017. And while this year’s lineup might not have appealed to the core demographic from its incarnation, the event still offers something for everyone.

Outside Lands 2018: Don’t miss these performances

Outside LandsPhoto by Marc Fong // Written by Kevin Quandt //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 10th-12th, 2018 //

Well, another year of Outside Lands descends upon our foggy metropolis once again, packing a varied, even genre-shifting bill of up-and-coming acts across three days and a multitude of stages. And as the music festival celebrates its 11th year in Golden Gate Park, Another Planet Entertainment and Superfly continue to stack on new and exciting elements. Some changes that attendees should be in store for include a slightly updated location for the Gastromagic stage and the addition of a cannabis-centric installation, appropriately named Grass Lands. In the meanwhile, let’s dig into what this event is all about … the music.

Also, don’t forget to create your own schedule here.


Outside Lands 2018 - Carly Rae Jepsen

This is ladies’ night … oh, what a night

Artist: Carly Rae Jepsen
Set date/time: Friday, 5:15-6:05 p.m.
Location: Twin Peaks

The “Call Me Maybe” star has shifted her sound over the past few years, and while she has traded in some of her pop sentiment for something more akin to indie dance, she has held steadfast to her popularity. Her Outside Lands Night Show at The Independent sold out in record time, but those shut out will still be able to see her on Day 1. While we haven’t seen much new music from CRJ, clamoring fans can hope to hear a new track or two.

Artist: Florence + the Machine
Set date/time: Saturday, 8:25-9:55 p.m.
Location: Lands End

It has been a long three years for Florence Welch fans as they patiently awaited the follow-up to 2015’s How Big, How Blue, How Beautiful. Alas, the indie-rock queen has returned, making the jump to festival headliner with her beauty-meets-power stage presence. While Florence + the Machine might not seem like top-billing material, her live show will definitely command your attention. Plus, this set will also be a tad more special now with the cancellation of FYF, making this her first U.S. performance since the release of her fourth LP High as Hope as well as the debut of her brand-new stage setup.

Artist: Tash Sultana
Set date/time: Sunday, 6:15-7:05 p.m.
Location: Sutro

While the two aforementioned female artists have become household names over the last half decade, it’s 23-year-old Tash Sultana who is poised to make the larger splash at Outside Lands in 2018. This Australian export has been turning heads in big ways for the past year or so and is on the cusp of stardom. While Sultana’s true calling is the guitar, this multi-instrumentalist weaves psych-leaning rock with reggae flare through a multitude of loops. Her artistry is hard to deny and will easily pull you in on Day 3.


Outside Lands 2018 - Florence + the Machine

For the indie heads

Artist: Father John Misty
Set date/time: Friday, 6:50-7:50 p.m.
Location: Twin Peaks

The return of Josh Tillman to Golden Gate Park took a solid six years to come to fruition, and boy how things have changed since those early Fear Fun days. Long gone are the days of LSD-slogan shirts and kitschy, from-the-pulpit rants, which he has traded in for a slick new, no-BS style that’s truly refreshing. The release of his fourth studio album God’s Favorite Customer in June, with its string flourishes and lush organ arrangements, has given fans a multifaceted LP to dig into as Tillman still strives to provide lyrics that are part reflection, part meta. Expect at Outside Lands a largely expanded live band, coupled with less witty banter.

Artist: Jamie xx
Set date/time: Saturday, 7:35-8:50 p.m.
Location: Sutro

Even though some might claim that this year’s Outside Lands lineup looks a tad homogenized on paper, there are luckily a few rare treats that make a fest vet perk up, and in 2018, Jamie xx (born James Smith) holds that title. Other banner dance names such as DJ Snake and ODESZA may pull larger crowds, but the purists will surely congregate for one-third of The xx as Smith lays down far-out selections as well as tracks from his 2015 banner release In Colour. Jamie xx live sets have become increasingly rare nowadays, so this performance will likely serve as the best jumping off point for your Day 2 closer, whether you go with Future or Florence.

Artist: James Blake
Set date/time: Sunday, 7:35-8:45 p.m.
Location: Sutro

SF was treated to a handful of James Blake shows in December at the Herbst Theatre, but we’ll certainly take another appearance from this UK dubstepper-gone-crooner. Some new material has trickled out over the last year with his next record on the horizon … somewhere. However, the main reason we included him in this list has more to do with location, time and vibe. With the Sutro stage hosting a more electronic lineup in 2018 (i.e. Jamie xx, Big Gigantic and Tycho) than in years past, the thought and likelihood of a thick fog rolling through GGP’s eucalyptus grove as the final light dwindles gives us those sought-after music chills. If he plays “Modern Soul” though, we’ll have to upgrade that status to full-blown goose pimples.


Outside Lands 2018 - James Blake

Rising to the top

Artist: Cuco
Set date/time: Saturday, 2:20-3:05 p.m.
Location: Sutro

This LA native has recently captured the attention of music lovers both young and old with his blend of jizz jazz, downtempo beats and multilingual singles. Fans of Mac DeMarco and The Internet should plan to be in attendance for this one as Omar Banos’ lo-fi song crafting will unequivocally get you swaying on a Saturday afternoon at Outside Lands. Moreover, his super-fresh collaborative track titled “Drown” that he dropped with fellow heatseeker Clairo should soon send his stock flying through the roof.

Artist: Hobo Johnson & the Lovemakers
Set date/time: Sunday, 1:10-1:55 p.m.
Location: Sutro

Frank Lopes, aka Hobo Johnson, arrived in 2018 out of nowhere due to the popularity of his breakout single “Peach Scone” along with its viral music video for NPR’s Tiny Desk Contest. This quirky collective whips up a musical style that’s unlike any other and what some might label as spoken word and/or alternative hip-hop. Sure, there’s a layer of novelty to Johnson’s select tracks, but he’s simply lovable and so easy to root for, much like his contemporary Rex Orange County.

Outside Lands - 2018 lineup

Outside Lands releases its 2018 schedule

Outside Lands - 2018 schedule

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 10th-12th, 2018 //

With Outside Lands just a little more than two weeks away, the three-day music festival has revealed what many fans have been waiting for since this year’s lineup dropped: set times!

Check out the fest’s schedule for its 11th edition here and start making your plans for which artists you’ll be seeing at Golden Gate Park this August.

As usual, there are enough scheduling conflicts to sort through in 2018. Friday’s action will see festivalgoers choosing between Rex Orange County/Perfume Genius, N.E.R.D./Chicano Batman/Carly Rae Jepsen, ODESZA/The Growlers/Father John Misty and The Weeknd/Mac DeMarco/Beck, while Saturday offers its own assortment of difficult decisions with Broken Social Scene, Poolside and Daniel Caesar pitted up against one another. Of course, there’s also CHVRCHES vs. Big Gigantic, Bon Iver vs. Tycho and Florence + the Machine vs. Future that the masses will have to consider on Day 2.

Outside Lands 2018 - daily lineups

Sunday’s slate offers even more, with Janelle Monáe and LP scheduled only 15 minutes apart and The Internet on 10 minutes later. Portugal. The Man’s and Tash Sultana’s performances, meanwhile, are only separated by five minutes, and to close out the weekend, attendees will have to choose between Janet Jackson and DJ Snake, which presents quite a dichotomy.

Trying to decide who to see might feel a little overwhelming right now, but just remember you really can’t go wrong with whatever you choose. Much like every year, there are so many good options at Outside Lands that it’s not worth stressing over in the long run. Just be sure to wear a comfortable pair of shoes and download the mobile app here before you head to the park.

Overjoyed for Outside Lands’ return? Take a peek at our coverage from 2017 here.

Outside Lands - 2018 lineup

Coachella drops 2018 set times & map changes

Coachella 2018

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 13th-15th & April 20th-22nd, 2018 //

Breathe easy, Coachellans. All of your scheduling conflicts have finally arrived.

The three-day, two-weekend music and arts festival has delivered this year’s set times just after 7 p.m. PT (7:02 p.m. to be exact), precisely one hour later than it did in 2017.

Part of going to Coachella is having to make some tough decisions when it comes to choosing which artists to see, and veterans like ourselves have become quite used to experiencing this #FirstWorldProblem over the years.

But now that the cat is out of the bag, you can start mapping out your 2018 schedule if you’re headed to the Empire Polo Club this weekend.

So, what’s your biggest conflict on this year’s schedule and who are you most excited to see?

WEEKEND 1 SET TIMES

Coachella 2018 - Friday set times

Coachella 2018 - Saturday set times

Coachella 2018 - Sunday set times

WEEKEND 2 SET TIMES

Coachella 2018 - Friday set times

Coachella 2018 - Saturday set times

Coachella 2018 - Sunday set times

Over the last several years, it has become more common to see the folks at Goldenvoice make some slight tweaks to Coachella’s Weekend 2 set times after the first weekend ends (the most notable might have been in 2015 when Florence Welch broke her foot during her performance Sunday on the main stage), and the same has proven to be the case in 2018, starting on Day 1 with Benjamin Clementine’s set being moved from the Gobi Tent to the Coachella Stage. Rick G., meanwhile, has been moved into Clementine’s 1:30 p.m. slot in the Gobi Tent, with DMM no longer preceding it at 12:30 p.m.

Some other noteworthy changes for Friday are Fisher, who didn’t perform during Weekend 1 but will replace B.Traits in the Yuma Tent, and Late Night Laggers, who were the first act to perform in the Sahara Tent on Day 1 but won’t be back for Weekend 2. Absent from Friday’s Mojave Tent lineup is Smiles Davis, which consequently has pushed Francesa Harding’s set back to 12:25 p.m., and Chulita Vinyl Club has replaced Jim Smith.

On Saturday, hip-hop producer Ahwlee will fill in for Salami Rose and Joe Lewis in the Mojave Tent, while Ron Gallo has been moved from the Gobi Tent, which lost Birdtastique and added Loboman, to the Sonora Stage, where Bane’s World, Otoboke Beaver and Mild High Club have all moved back one hour and five minutes to make up for the loss of R.O.C. Furthermore, Feel Good Green has replaced Palm Desert DJ Alf Alpha at the Outdoor Theatre, and Mexico City’s N.A.A.F.I. has been added to the Sahara Tent lineup in place of Jimbo Jenkins. The Coachella Stage also now has an eighth performer, with Gabe Real + Juicewon kicking things off at 1:25 p.m. on Day 2.

The third and final day of the festival’s second weekend sees the removal of Gabe Real from the Coachella Stage, leaving LION BABE as its first act to perform, while Los Angeles-based producer nostradahm will fill in for Juice won at the Outdoor Theatre. In the meantime, the Gobi, Mojave and Sahara Tents will each have new openers on Sunday: mr. rotu (replacing Phantom Thrett), VNSSA (replacing Pax) and EMME (replacing CVSS), respectively. And we couldn’t not mention that Jessie Ware’s set at the Outdoor Theatre has been moved back 15 minutes (as well as MAGIC GIANT’s by 10 to 2:25 p.m.), meaning that Weekend 2 attendees will have to settle for only 35 minutes from the UK singer-songwriter rather than 50.

Coachella 2018 - Weekend 2 set time updates

UPDATE (April 20th): Weekend 2 changes! Goldenvoice has announced some more tweaks to the schedule, with Jessie Ware moving from the Outdoor Theatre at 5:55 p.m. on Sunday to the Coachella Stage at 2:50 p.m. on Saturday (we have to think it has something to do with Cardi B performing around the same time after she drew one of the biggest crowds during Weekend 1). The other alterations are related to Sunday’s set times in the Sahara Tent, as Illenium (now at 6:35 p.m.) and French Montana (now at 8:05 p.m.) have switched places. Petit Biscuit will still precede both at 5:10 p.m., while chart-topping hip-hop trio Migos are expected to hit the stage at 9:30 p.m., although we’ll see if they’re a little more punctual this time compared to the first weekend of the festival, technical difficulties and all. Of course, we recommend downloading the Coachella app on your mobile device to receive the latest updates if you’re out in Indio for the festivities.

MAP

Several hours before revealing its Weekend 1 set times, the festival unveiled this year’s map, and it looks quite a bit different in comparison to some of Coachella’s past editions.

Last year, Coachella made some notable changes to its map, with the Mojave and Gobi Tents switching places and the addition of a third VIP section named “Hacienda Del Toro” that sat in between the Gobi and Sahara Tents. Goldenvoice even offered an updated location for the GA beer garden on that side of the polo field, which was supposed to improve the traffic flow behind the Sahara Tent, though we’re not sure it totally worked to be honest.

Now, the Mojave Tent has been moved far away from the Gobi Tent and into the same area that the Sahara Tent once occupied (next to the VIP Rose Garden). In its place will be the Sonora Stage, which Coachella introduced last year, with the third VIP section (no longer named “Hacienda Del Toro”) directly behind it rather than off to the side. The Gobi Tent, meanwhile, has moved back to its old confines closer to the Outdoor Theatre, where the Mojave Tent was located just a year ago.

Coachella - 2018 map

Another brand-new addition for Goldenvoice’s signature event is the Indio Central Market, a covered food hall that will feature 15 different restaurants and be situated behind the Sonora Stage. Inside will not only be New York City burger chain Shake Shack for the very first time, but also street food stand Cena, Moby’s vegan restaurant Little Pine and David Chang’s fried chicken sandwich shop Fuku. So, make sure to come hungry if you’re going to Coachella this year — we know we will.

But the biggest modification to the fest’s layout has to be the Sahara Tent’s new home after seeing the massive stage outgrow its longstanding location over the last decade. Positioned next to the main entrance, it will sit just in front of the Cantina and Beer Barn with the iconic ferris wheel and The Do LaB Stage nearby. And from what we can decipher by looking at the map, it appears that the Sahara Tent will be not as long as it used to be, but instead wider, a structural adjustment that was likely made to fit the space within the grounds.

We’ll make sure to give our two cents about these changes and much more when we return from the desert to share our favorite moments from this year’s installment, but as we often like to say around this time … Happy Coachella!

Outside Lands taps The Weeknd, Florence + the Machine, Janet Jackson to lead 2018 lineup

Outside Lands - 2018 lineup

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 10th-12th, 2018 //

Outside Lands is bringing some heavy hitters to Golden Gate Park this August.

The three-day music festival, which celebrated its 10th anniversary last year, has inked The Weeknd, Florence + the Machine and Janet Jackson to headline its 2018 edition, and we had good reason to believe that the latter, who was already confirmed for FYF Fest in July, would come true as early as a few days ago.

Last week, Ranger Dave started releasing lineup clues via Twitter, including one in particular that indicated Jackson would be on the bill as well as others hinting that Bon Iver, Huey Lewis and the News, Mac DeMarco, Jessie Ware, Big Gigantic, BØRNS, Rex Orange County, SOBxRBE and to get things started, Portugal. The Man, would perform.

Now, we have this year’s complete roster that also boasts Future, Beck, ODESZA, DJ Snake, N.E.R.D., CHVRCHES, James Blake, Jamie xx, Illenium, Tycho, Father John Misty, Carly Rae Jepsen, Chromeo, The Internet, Gryffin, The Growlers, Tash Sultana, Broken Social Scene, Rainbow Kitten Surprise, Daniel Caesar, Perfume Genius, Goldlink, Chicano Batman, Jessie Reyez, LP, Sabrina Claudio, Margo Price, Kelela, Claptone, The Mountain Goats, Lauv, Lizzo, Whethan, Smokepurpp, Quinn XCII, Poolside, Bahamas, CUCO, Amen Dunes, Shannon and the Clams, Aquilo and many more.

The festival’s culinary program, meanwhile, will continue to expand in 2018, with access to more than 200 menu items from some of the Bay Area’s top restaurants that you’ll be able to pair with hundreds of Northern Californian wines and beers and a collection of the region’s best cocktail bars. Taste of the Bay Area, Wine Lands, Beer Lands, The Back Wine, Cocktail Magic and GastroMagic are all back as well, so there’s plenty to be excited about in regard to the unique food and drink experiences that Outside Lands has to offer (and stayed tuned for the full food and drink lineup coming soon).

Moreover, adding to the overall experience will be Outsider Art, Eco Lands and The Barbary, which is named in honor of SF’s Barbary Coast district and features some of the best comedy and cabaret around. The environment has long been an important cause for Outside Lands, and its organizers aren’t afraid to say that after contributing more than $20 million to the SF Recreation & Park Department and rather remarkably turning 91 percent of 2017’s waste into reusable, recyclable and compostable materials.

Outside Lands has delivered seven consecutive sellouts since 2011, so you won’t want to wait on getting your tickets when they go on sale here this Thursday, April 5th at 10 a.m. PT. Plus, for the first time ever, the fest is offering fans the option for a three-day GA and VIP layaway plan that will allow them to pay for their passes in four installments. After last year saw an increase in ticket prices, three-day GA passes will start once again at $375 while VIP passes will be available for $795.

UPDATE (June 5th): Outside Lands has revealed its daily lineups for 2018, with The Weeknd gracing the stage Friday, Florence + the Machine playing Saturday and Janet Jackson closing down the festival Sunday. See the daily schedules below before single-day tickets go on sale for $149.50 (GA) and $345 (VIP) this Thursday, June 7th at 10 a.m. PT here.

Outside Lands 2018 - daily lineups

If you’re excited for Outside Lands now, make sure to check out our coverage from 2017 here.

Outside Lands 2017

Goldenvoice announces 2018 Coachella sideshows

Goldenvoice Presents: April 2018

It’s Valentine’s Day, so what could be a better way to celebrate love — or least your love for live music — than with a whole slew of newly announced shows?

Well, with Coachella’s 19th edition just a couple of months away, Goldenvoice has done it again, assembling another massive list of April sideshows at various venues all across the greater Los Angeles landscape, including some in Orange County (at The Observatory and Constellation Room), Santa Barbara County (at the Santa Barbara Bowl and The Arlington Theatre) and the desert (at Pappy & Harriet’s).

Sister trio HAIM kick off the festivities with their headlining performance at arguably our favorite Southern California venue, the Santa Barbara Bowl, on Saturday, April 7th before things ramp up the ensuing week with Kali Uchis, Chromeo, Tyler, the Creator, St. Vincent, Portugal. The Man (with Cherry Glazerr), Perfume Genius (with Big Thief), Princess Nokia, PVRIS, Marian Hill, Fleet Foxes, Carpenter Brut, Tash Sultana, The Drums & Alvvays (with Fazerdaze), alt-J (with BØRNS), Migos, The Bronx, Greta Van Fleet, A Perfect Circle, Yaeji, Angel Olsen, Jessie Ware, BROCKHAMPTON, First Aid Kit, Japanese Breakfast (with Snail Mail), Kelela, Rolling Blackouts Coastal Fever, Buscabulla (with The Marías), Priests, MØ, Jorja Smith & Tom Misch, ODESZA, Miguel, Boogarins (with B Boys & Señor Kino), Ron Gallo, Moon Boots (Live), The War on Drugs, Jungle, Soulwax, Petit Biscuit, 6lack, Aurora, Motor City Drum Ensemble (with Talaboman), Los Ángeles Azules, The Drums, Hayley Kiyoko and Elohim all playing — some even more than once — inside and/or outside of LA’s city limits.

Unlike last year’s sideshows, which included a special showcase at the Palm Springs Air Museum the night before Coachella’s first weekend featuring several artists from British independent record label Young Turks, Goldenvoice has opted not to go down that route again. The two gigs that mirror that mini festival the closest both take place on Thursday, April 19th, as Motor City Drum Ensemble performs at the Palm Springs Air Museum with Talaboman and Los Ángeles Azules invades the Riverside County Fairgrounds with Cuco, Helado Negro and Ocho Ojos just one day before Coachella Weekend 2 commences at the Empire Polo Club. Check out the full list of sideshows in the poster above.

Year after year, Goldenvoice seemingly continues to outdo itself with more and more shows in and around Coachella, and this April the renowned concert promoter has done its best to give music fans in Southern California a little bit of everything, from electro funk and indie folk to hip-hop and alternative R&B. But at first glance, the 2018 sideshows that stick out the most to us include the following: Chromeo at the El Rey Theatre, St. Vincent at The Orpheum Theatre, Perfume Genius (with Big Thief) at The Mayan, Fleet Foxes at the Warner Grand Theater, Tash Sultana at the Fox Theater Pomona, The Drums & Alvvays co-headlining (with Fazerdaze) at Pappy & Harriet’s, alt-J (with BØRNS) at the Santa Barbara Bowl, Migos at The Observatory, A Perfect Circle at The Arlington Theatre, Japanese Breakfast (with Snail Mail) at The Roxy, The War on Drugs at the Fox Theater Pomona, Jungle at Pappy & Harriet’s, Soulwax at The Fonda Theatre, 6lack at The Novo and Portugal. The Man (with Chicano Batman and Deap Vally) at the Santa Barbara Bowl.

Tickets for most of the sideshows go on sale here this Friday, February 16th at Noon PT with the rest of them available on Friday, February 23rd at Noon PT or Friday, March 2nd at Noon PT.

Goldenvoice

Coachella wastes no time, revealing 2018 lineup headlined by The Weeknd, Beyoncé & Eminem

Coachella - 2018 lineup

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 13th-15th & April 20th-22nd, 2018 //

Well, that didn’t take long.

Just one day into the New Year, and Coachella has already revealed its 2018 lineup, signaling to music fans worldwide that festival season isn’t far off.

After it was reported almost two weeks ago that this year’s headliners would be The Weeknd, Beyoncé and Eminem, that indeed will be the scenario, marking the first time in all 19 years that the three-day, two-weekend event won’t have a rock act topping its bill (a real sign of the times as some might say). Coachella’s 2018 edition will also serve as Beyoncé’s official debut after being forced to cancel last year due to pregnancy, as well as Eminem’s (the only time he has appeared was as a guest back in 2012 during Snoop Dogg’s and Dr. Dre’s headlining set). The Weeknd will be back on the polo fields for the first time since 2015, when the R&B singer closed the main stage on Saturday night as a sub-headliner after Jack White’s headlining slot.

Other notable names listed on the festival’s famed poster this year include HAIM, ODESZA, Kygo, Jamiroquai, Portugal. The Man, David Byrne, St. Vincent, The War on Drugs, alt-J, A Perfect Circle, Fleet Foxes, Chromeo, MØ, Chic feat. Nile Rodgers, Kamasi Washington and Jungle. The undercard, meanwhile, does feature some buzzworthy indie-rock acts such as Perfume Genius, BØRNS and King Krule, but as was the case in 2017, there continues to be more of a focus on hip-hop and R&B, as evidenced by this year’s headliner selections along with the second-line poster placement of SZA, Tyler, the Creator, Migos, Vince Staples, Post Malone, Cardi B and Miguel.

Coachella’s first weekend is scheduled for April 13th-15th, with its second weekend slated for April 20th-22nd. All tickets will go on sale for both weekends this Friday, January 5th at Noon PT here.

Got your sights set on the California desert this April? Relive our five favorite moments, from Radiohead to Kendrick Lamar, after last year’s festival.

Coachella 2017

Our favorite performances from 2017

Best live shows of 2017 - The xx, Miguel, Moderat & Coldplay

2017, where the hell did you go? It just felt like the other day that we were ringing in a new year, and yet, here we are again as we plow straight ahead into 2018.

But before we officially put a bow on 2017, it’s time for us to revisit the past 12 months at Showbams. This year, we had the opportunity to capture many amazing moments in live music, and while we couldn’t pay homage to every single performance we witnessed, we made a conscious effort to include a wide range of talent spread across the industry.

Whittling down our list, though, was not that easy. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order) whom we either covered at their own show and/or at a music festival this year:

21 Savage, The Accidentals, Action Bronson, Alice Cooper, Alina Baraz, alt-J, Amber Mark, Andrew McMahon in the Wilderness, Animal Collective, Atlas Genius, The Avalanches, The Band Perry, Beach Slang, Belle and Sebastian, Black Moth Super Rainbow, Bleachers, Blonde Redhead, Bob Moses, Car Seat Headrest, Cate Le Bon, Cigarettes After Sex, Circles Around the Sun, City of Caterpillar, The Coathangers, Claude VonStroke, Chris Robinson, Con Brio, Conor Oberst, Courtney Barnett & Kurt Vile, Crystal Castles, The Crystal Method, Daniel Caesar, Dawes, Dead Meadow, Deafheaven, Deep Purple, Diet Cig, DIIV, Dirty Dozen Brass Band, Dr. Dog, Dr. Octagon, Duke Dumont, Eagles of Death Metal, Electric Guest, Emancipator, Emily King, Empire of the Sun, Foxygen, Future Islands, Gabriel Garzón-Montano, Gatecreeper, Girl Talk, Gone Is Gone, Grizzly Bear, Gucci Mane, Hamilton Leithauser, Hazel English, Hinds, The Hip Replacements, Hiss Golden Messenger, How to Dress Well, Iggy Pop, Isaiah Rashad, Jack Johnson, Jagwar Ma, Jamestown Revival, Jamie Isaac, Jay 305, Jen Cloher, Jessica Hernandez & The Deltas, Jessie Ware, Jim James, JR JR, Julie Byrne, Julien Baker, Justice, Karen Elson, Karl Denson’s Tiny Universe, KAYTRANADA, Kelis, K. Flay, Khalid, Khruangbin, Kilo Kish, King Gizzard and the Lizard Wizard, Kurt Vile, La Femme, LANY, Lauv, L.A. Witch, Lettuce, Lil Yachty, Little Dragon, Lo Moon, Lorde, Lord Huron, Miike Snow, Milky Chance, Minus the Bear, Mister Heavenly, MØ, Mondo Cozmo, Neon Indian, Nicki Bluhm, Norah Jones, North Mississippi Allstars, NVO, Oh Sees, OK Go, Once and Future Band, Pallbearer, The Palms, Passion Pit, Peaches, Perfume Genius, Petit Biscuit, Phoebe Bridgers, Playboi Carti, Pond, Porcelain Raft, PRAYERS, The Radio Dept., Real Estate, The Revivalists, Royal Blood, Sampha, ScHoolboy Q, Sheer Mag, serpentwithfeet, Silversun Pickups, Sleep, Sleigh Bells, SOFI TUKKER, Solange, Spiritualized, Styles P, Sunflower Beam, Talib Kweli, Tank and The Bangas, Tash Sultana, Tei Shi, Temples, Tennis, Tennyson, Thou, Thundercat, TOBACCO, Touché Amoré, Tool, Tove Lo, Travis Scott, Twin Peaks, Ty Segall, Unknown Mortal Orchestra, Vagabon, Vance Joy, Vic Mensa, Warpaint, Weezer, White Fence, Woods, YG, Young the Giant.

Now, it’s time for The Bam Team to present our favorite performances from 2017.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2017

Listen to The Bam Team’s favorite songs of 2017:


Best of 2017 - Run the Jewels

Run the Jewels

Date: February 1st
Location: Shrine Expo Hall – Los Angeles

Yet, in just four years, Run the Jewels have already reached hip-hop’s mountaintop with their politically charged lyrics and hard-hitting beats. Just take last Wednesday’s sold-out show in LA for example. With the duo’s third studio album still only a few weeks old, 5,000 or so fans poured into the spacious Shrine Expo Hall to watch El-P and Killer Mike fuck shit up (for lack of a better term). And that’s exactly what they did after opening sets from The Gaslamp Killer, Nick Hook, Gangasta Boo and CUZ. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - BADBADNOTGOOD

BADBADNOTGOOD

Date: February 23rd
Location: The Fillmore – San Francisco

As one of the bands to take the coveted headlining spot for NoisePop25, BADBADNOTGOOD seemed as — perhaps more — excited as all of the fans who made it to their sold-out show at The Fillmore. Combining consummate instrumentation with classic MC-style showmanship led by drummer Alexander Sowinski, the Canadian jazz-rock quartet has mastered the art of keeping the audience guessing where they’re going. -Brett Ruffenach, photo by James Pawlish


Best of 2017 - Spoon

Spoon

Date: March 7th
Location: Apogee Studio – Santa Monica, CA

In total, Spoon performed five songs from the new record, including “First Caress” to open a brief encore that left us eager for more. But as the five-piece rocked “Rainy Taxi” from 2014’s They Want My Soul to close, I couldn’t help but think to myself that this is one band I never should have slept on. -Josh Herwitt, photo by Larry Hirshowitz


Best of 2017 - Sigur Rós

Sigur Rós

Date: April 8th
Location: Greek Theatre – Berkeley, CA

Now a trio, Sigur Rós have been delivering goosebumps for over two decades — and it’s a delight to hear Jónsi’s voice-as-an-instrument this clear, this powerful and as confident as ever. It would be a wonderful treat to check in on this outfit every 5-10 years going forward and realize they are still going strong. -Mike Frash, photo by James Nagel


Best of 2017 - DREAMCAR

DREAMCAR

Date: April 9th
Location: Great American Music Hall – San Francisco

Fresh off a stop at Berkeley’s Hearst Greek Theatre the night before, Adams showcased some older favorites and a slew of new tunes from his 16th and latest studio album Prisoner, which came out in February. SoCal fans were treated to some extended full-band jamming, a couple of solo acoustic performances and Adams’ usual witty banter over the course of the evening.
-Jared Stossel, photo by Jared Stossel


Best of 2017 - A Perfect Circle

A Perfect Circle

Date: April 13th
Location: Bill Graham Civic Auditorium – San Francisco

In the world of rock supergroups, there are few that have sprung up in the last few decades that can hold a candle to A Perfect Circle. From the onset, APC have been a powerhouse on the senses, combining members from bands such as Tool, The Smashing Pumpkins, Failure, Primus and more over the years. Their body of work has been met with high praise across the board, and they have been able to solidify themselves as one of the most unique and tenured groupings out there, as opposed to bands like Zwan and Velvet Revolver. -Andrew Pohl, photo by Mike Rosati


Best of 2017 - Radiohead

Radiohead

Date: April 14th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Yes, the sound problems (all three instances) put a real damper on what was easily one of the most anticipated performances of the weekend. This was the third time Goldenvoice called on Radiohead to headline Coachella, and for one of rock’s most important bands over the last 30 years, it certainly wasn’t a charm as the saying goes. In that moment, it was pretty hard not to feel bad for Thom Yorke, who could only make light of the situation by cracking a joke even if it wasn’t supposed to be one — or so he claimed. But Radiohead more than made up for it with a masterful setlist that opened with A Moon Shaped Pool cuts “Daydreaming”, “Desert Island Disk” and “Ful Stop” before circling back to older hits such as “Everything in Its Right Place”, “There There”, “Idioteque” and even “Creep”. -Josh Herwitt, photo courtesy of Coachella


Best of 2017 - Kendrick Lamar

Kendrick Lamar

Date: April 16th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

All hail, King Kendrick! Or should we say “Kung Fu Kenny?” The Compton rapper reached hip-hop’s mountaintop more than two years ago with his Grammy-winning masterpiece To Pimp a Butterfly, but headlining Coachella was still on his to-do list. In fact, it was only the second time he had ever been booked to perform at Coachella after being listed on the last line of the 2012 poster. Closing out the fest is no short order for any artist, let alone one who dropped his new album less than 48 hours before taking the stage, but K-Dot lived up to the billing with a show that provoked as much thought as it entertained. -Josh Herwitt, photo courtesy of Coachella


Best of 2017 - The xx

The xx

Date: April 17th
Location: Bill Graham Civic Auditorium – San Francisco

Playfully alluding to their material’s emotional sentiment, Romy Madley Croft (vocals, guitar) and Oliver Sim (bass, vocals) managed to entrance all of us with their tension-filled gazes and syncopated dance moves. Prolonging vocal arrangements, especially during their accelerated live interpretation of “Infinity”, were also stunning to witness. About halfway through the set, Jamie Smith (beats, MPC, production), aka Jamie xx, took the lead and transformed the room into a giant disco party thanks to an onslaught of consecutive dance hits before finishing with “Loud Places” from his 2015 solo LP In Colour. -Molly Kish, photo by Norm de Veyra


Best of 2017 - Moderat

Moderat

Date: April 20th
Location: Mayan Theater – Los Angeles

Moderat subsequently circled back to III, performing “Intruder” before exiting the stage to a rousing applause. Yet, when the house lights didn’t come on right away, the suspense began to build once again. Less than a minute later, the three-piece reemerged, giving the audience more than its money’s worth. Two-encore shows are usually reserved for high-profile groups with extensive catalogs like Radiohead, but Moderat have never played by any rules. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - The Flaming Lips

The Flaming Lips

Date: May 9th
Location: The Theatre at Ace Hotel – Los Angeles

The Lips, of course, made sure to play that song, and even though it was without Watts, it still proved to be an unforgettable moment due to the fact that Coyne rode a life-size unicorn from one end of the stage to the other as he belted out lines like “Yeah, there should be unicorns / The ones with the purple eyes / It should be loud as fuck / Hope the swans don’t die” to open the tune while wearing a big smile across his face. If that’s not psychedelic to you, then I don’t know what is. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - Ryan Adams

Ryan Adams

Date: June 3rd
Location: Greek Theatre – Los Angeles

Fresh off a stop at Berkeley’s Hearst Greek Theatre the night before, Adams showcased some older favorites and a slew of new tunes from his 16th and latest studio album Prisoner, which came out in February. SoCal fans were treated to some extended full-band jamming, a couple of solo acoustic performances and Adams’ usual witty banter over the course of the evening.
-Stephanie Port, photo by Stephanie Port


Best of 2017 - Jay Som

Jay Som

Date: June 17th
Location: Potrero del Sol Park – San Francisco

Melina Duterte’s band goes by the name Jay Som and hails from Oakland. Do yourself a favor and remember this name: Jay Som. The Polyvinyl-signed songstress bathed the crowd at the Potrero Stage in her dreamy vocals and inanely catchy tunes that appeal to a wide-range of music fan; her songs could feel just as viable in the 90’s college rock area as they do today. Highlights from the set included a vibe-soaked rendition of “Baybee” as well as “The Bus Song”, arguably the artist’s first real “hit.” -Kevin Quandt, photo by Emmeline Munson


Best of 2017- AIR

AIR

Date: June 23rd
Location: The Masonic – San Francisco

AIR’s live performances focus on capturing the crisp, detailed production style that the duo has honed over two decades. It’s a vibrant, textured sound. Centered around acoustic guitar, synthesizers and the breathy timbre of the duo’s immaculate harmonized vocals, the use of live drums helped round out the contrast between both the artificial and acoustic sounds in songs like “Cherry Blossom Girl”. -Brett Ruffenach, photo by Steve Carlson


Best of 2017 - PLANETARIUM

PLANETARIUM

Date: July 21st
Location: Fox Theater Oakland – Oakland

PLANETARIUM’s music, which channels Stevens’ reflections on astronomy, science and even the intricacies of human consciousness, is a fusion of styles from all four band members that evokes feelings of unity. The group’s performance was accompanied by otherworldly visuals that filled the backdrop as it traversed the Solar System with quite a few emotionally charged songs inspired by the planets and other celestial bodies like “Neptune” and “Jupiter”. -Norm de Veyra, photo by Norm de Veyra


Best of 2017 - The Drums

The Drums

Date: July 21st
Location: The Fillmore – San Francisco

By the time The Drums took the stage, the intimate venue was packed to the brim with fans. The Brooklyn outfit made as much of an impression as it did when frontman Jonathan Pierce and company exploded onto the scene in 2009 with their initial EP Summertime! From then on, it became glaringly obvious with their eccentric band members and seemingly effortless style that they possessed an energetic presence. And at their SF show, it didn’t take long for the capacity crowd to fall into a groove as the venue’s whole atmosphere lit up. -Jacqueline Moore, photo by Jacqueline Moore


Best of 2017 - Miguel

Miguel

Date: July 23rd
Location: Annenberg Space for Photography – Los Angeles

Once the sun set and Miguel stepped onstage, the audience was transported somewhere else entirely. Born and raised in LA, the 31-year-old’s silky-smooth voice floated through the cool evening breeze over the twinkle lights in the trees, giving the impression of an island retreat rather than a concert in the park. -Rochelle Shipman, photo by Rochelle Shipman


Best of 2017 - The War on Drugs

The War on Drugs

Date: August 5th
Location: Apogee Studio – Santa Monica, CA

Granduciel’s raspy voice, as well as his driving (no pun intended) guitar rhythms and reverb-laden riffs, are largely what separates The War on Drugs from the rest in a crowded indie-rock scene, but the sum of the band’s parts — Charlie Hall (drums), David Hartley (bass), Anthony LaMarca (guitar, keyboards), Robbie Bennett (keyboards) and finally Jon Natchez (saxophone, keyboards) — also creates a sound that while familiar, still feels uniquely different. -Josh Herwitt, photo by Larry Hirshowitz


Best of 2017 - Gorillaz

Gorillaz

Date: August 11th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

Easily one of the most anticipated acts of the weekend, Gorillaz’s Humanz tour made its West Coast debut on Day 1 at OSL. After a six-year hiatus, expectations ran extremely high for this headlining performance. On previous tours, the band’s members had played second fiddle to the cartoon projections of their alter egos onstage, but everyone was visible this time around. Several collaborators from Gorillaz’s previous albums, including Kali Uchis, Yukimi Nagano and Del the Funky Homosapien, came out to join them, and the Damon Albarn-led group still pulled some even bigger surprises with cameos appearances from De la Soul and Pusha T. -Molly Kish, photo by James Pawlish


Best of 2017 - Cage the Elephant

Cage the Elephant

Date: August 12th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

While the cancellation of Queens of the Stone Age was a blow a week prior to the event, the replacement that was lined up more than delivered a blistering set of rock ‘n’ roll. Cage the Elephant are now being widely considered festival-headliner material, and frontman Matt Shultz is making a strong claim for that accolade as he continues to elevate his stage act to near-Mick Jagger levels of pomp and energy. “Come a Little Closer” and “Ain’t No Rest for the Wicked” received hearty sing-alongs from a decidedly youthful crowd as Cage have become a favorite of Generation Z. -Kevin Quandt, photo by Marc Fong


Best of 2017 - J.I.D

J.I.D

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

While the headliners thrilled as expected, it was at the side “Day” and “Night” stages where the festival’s biggest highlights were generated. J.I.D, the rising Atlanta rapper who is signed to J. Cole’s Dreamville imprint, absolutely thrilled during his set. Dazzling with his rapid-fire and agile flow, J.I.D showed off his ability to command a crowd with songs such as “General” and “EdEddnEddy” before jumping into the crowd for the tempo-changing hit “Never” that left the crowd chanting for “one more song!” -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman


Best of 2017 - SZA

SZA

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

Saturday, meanwhile, featured the vintage gospel spirit and warm vibes that have elevated Chicago emcee Chance the Rapper to superstardom. Earlier in the day, SZA, this summer’s breakout star, delivered her first festival performance since the release of her well-received debut album Ctrl. Swaying, spinning and singing her raw emotions and shortcomings while coming of age, the Top Dawg Entertainment songstress didn’t disappoint. -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman


Best of 2017 - Bonobo

Bonobo (Live)

Date: September 27th
Location: Greek Theatre – Los Angeles

The real reason things felt different this time around, though, was the music. Extending and reimagining his tracks for easily one of the largest crowds he has ever performed in front of, Bonobo followed an uplifting opening set from Canadian electronic duo Bob Moses with an array of soothing sounds that paired beautifully with his lighting setup and entrancing stage production in the same way Scott Hansen (aka Tycho) creates an awe-inspiring audio-visual experience during his live-band performances. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - Coldplay

Coldplay

Date: October 4th
Location: Levi’s Stadium – Santa Clara, CA

Coldplay took the stage shortly before 9 p.m. as a video montage of fans who introduced them as “the biggest band in the world” played onstage. While I’m pretty sure there are a few other artists or groups from their side of the pond (ehem, U2) who might take issue with that claim, they certainly did nothing during their electric, almost two-hour performance to dissuade that sort of thinking. Chris Martin and company, in fact, wasted no time getting down to business, flooding the stadium with confetti and firing off pyrotechnics at a steady clip while opening with “A Head Full of Dreams” and subsequently all throughout the night. -Steve Carlson, photo by Steve Carlson


Best of 2017 - Broken Social Scene

Broken Social Scene

Date: October 26th
Location: Fox Theater Oakland – Oakland

Here’s the thing about BSS — after 15 years, the web of musicians that makes up the collective have created their own individual projects, from Metric to Stars to Feist to Do Make Say Think to Emily Haines & The Soft Skeleton. And while many of the band’s members who have gone on to find success in their own solo careers didn’t happen to join the group on this particular tour, the sense of professionalism built into the BSS live experience remains prevalent. Every person who stepped onstage demonstrated consummate abilities in their own realms, never missing a beat or a note. -Brett Ruffenach, photo by Norm de Veyra

Best of 2017 - Jim James

Showbams_Sticker_Rectangle2

Noise Pop 2017: Our top moments from the festival

Noise Pop 2017 - Temples


Temples

Photos by Norm de Veyra, James Pawlish, Kory Thibeault, Laura Tsu, Lisette Worster, Geoff Hong, Karen Goldman, Sarah Felker, Christopher Vigue & Jacqueline Moore //

Noise Pop //
Bay Area venues – San Francisco & Oakland
February 17th–27th, 2017 //

Over the last 25 years, Noise Pop has gone from being the axis of arts and entertainment in the Bay Area to an iconic celebration of independent culture worldwide. Expanding each year to include a film program, photography retrospectives and live podcasts, the festival continued to cover more new ground this year with the introduction of a day-long event that featured a yoga program, dramatic readings, live performances and a record fair.

Spanning 11 days, Noise Pop 25 drew record crowds, selling out shows and festival badges faster than ever before with several intimate, one-off performances that gave its headliners carte blanche to demo their impending festival sets for this spring and summer. Noise Pop kept the lineup eclectic and fans on their toes; we never truly knew what to expect from the 2017 roster of talent.

In a matter of almost two weeks, The Bam Team frequented many Bay Area venues to catch a number of Noise Pop performances. Find out below which were our favorites, and make sure to tell us which ones were yours in the comments section.


Noise Pop 2017 - Dawes

Dawes

One of the first things Dawes frontman Taylor Goldsmith said when he came out onstage was, “We’re trying to be the hardest working band in America, and we’re going to prove that to you right now.” Sure, it was a bold statement, but from a band that has set out on a tour playing both its opening and main set, it was also logical. Dawes’ latest release We’re All Gonna Live, a live album follow-up to their 2016 LP We’re All Gonna Die, was a perfect lead-in to an all-out, balls-to-the-walls tour. Some bands you just have to see live to really appreciate, and Dawes is one of those bands. The real showstopper, though, was a surprise guest appearance by Lenny Goldsmith, as the show ended with the crowd finishing out the last verse of “All Your Favorite Bands” a capella to close out a three-hour set. I got the sense that everyone would have gladly taken another three hours, and if there was no curfew at The Fillmore, Dawes probably would have happily played another three hours as well. – Keeley Pedersen


Noise Pop 2017 - Electric Guest

Electric Guest

Performing one of the most sold-out Noise Pop shows this year at The Independent, Electric Guest played a soulful set that covered both of their studio albums as frontman Asa Taccone, the Berkeley native, intermittently took time between songs to give praise to the SF audience. He mentioned how it was sort of a homecoming for him and that he always enjoyed engaging such responsive audiences and at venues that allowed him to “bring life” to the band’s body of work. Though it was the first show with new touring members of Electric Guest, the crowd welcomed the novice arrangement with open arms. Kicking off the festival with a mid-week groove, the lineup kept audience members dancing and pumped them up for the marathon week ahead. – Molly Kish


Noise Pop 2017 - Hazel English

Hazel English

Hazel English is not your everyday rocker chick with loud, pungent sounds. She’s smooth, delicate, powerful and poised. She is also a whirlwind with either very loyal fans or those looking to discover her. But it was easy to make out in the crowd at Rickshaw Stop who the true fans were as they swayed to her music, gently singing her songs word for word without overpowering her sense of stride. Whether attendees knew of her before the show or came to discover some new music, she pulled them into her calmness and radiated a ghostly sound. Unveiling both of these qualities, English brought a mid-week breath of fresh air. Feet on the floor and eyes half closed, everyone looked like they were there to liberate themselves with her drifty sound. – Jacqueline Moore


Noise Pop 2017 - JJUUJJUU


JJUUJJUU

Desert Daze Caravan

After attending Desert Daze last year, it was a sheer delight to see the event and its organizers grow to a point where they could bring a hand-selected group of artists to SF and other West Coast cities. While JJUUJJUU and Froth warmed up the crowd at The Chapel, it wasn’t until Deap Vally began to pummel us with their thick, blues-rock fuzz that the evening started to truly take shape. Who Sold My Generation was a highlight release in 2016 from Night Beats, and on this night, the Seattle upstarts certainly won over more fans as their infectious stage presence, coupled with their weighty take on garage rock, could be akin to acts such as Black Angels and even Black Rebel Motorcycle Club. Temples closed the show out, taking the daring route by opening their set with new material from their upcoming sophomore release Volcano. Though the capacity crowd was receptive to the handful of fresh tracks, it was songs such as “A Question Isn’t Answered” that ignited some vicious headbanging. – Kevin Quandt


Noise Pop 2017 - Diet Cig

Diet Cig

For their Noise Pop show at Brick & Mortar Music Hall that came in the middle of the work week, Diet Cig put on a hyperactive, energetic performance. The New York indie-rock duo got the sold-out crowd properly pumped up as they blazed through tracks from their forthcoming debut LP after local outfits Shutups, Joyride and Plush kicked off the evening with great sets. – Norm de Veyra


Noise Pop 2017 - The Palms

The Palms

A lineup featuring California-based talent from both the north and south ends came to SF’s Rickshaw Stop for one night during Noise Pop 25. Local act Nyre got things started with their reverberating brand of garage rock echoing throughout the venue, and LA outfit Warbly Jets followed by delivering their catchy alt-rock songs. The Young Wild, meanwhile, amplified the crowd’s enthusiasm with their upbeat, indie-pop tunes. As the evening drew to a close, The Palms took the stage, showcasing their poignant songwriting and frontman Ben Rothbard’s irreproducible voice. – Laura Tsu


Noise Pop 2017 - Kelis

Kelis

Seeing Kelis at Noise Pop proved to be something special. Even though it ended up being an early night at 1015 Folsom, it felt like any other late event that I’ve been to there. What was surprising was how many mashups she did with her own songs as DJ Nikki Beatnik and DJ Rashida had the room shaking, literally. Amid magical mashups featuring Migos, Daft Punk and more, the highlight of the night was definitely a remix of Gorillaz feeding into a couple verses and loops of “my milkshake brings all the boys to the yard” before hearing the James Bond theme song. My biggest question going into the night was why someone would tattoo a portrait of someone else on their body (Kelis was married to Nas, who infamously tattooed her face on his arm). But walking out of 1015, I realized that she had me singing along and pulled in by her energy, dancing like crazy during her entire set. I guess I get it now. – Lisette Worster


Noise Pop 2017 - Tash Sultana

Tash Sultana

For one of its Noise Pop shows, Swedish American Hall played host to 21-year-old Australian native Tash Sultana, best known for her musical multi-tasking, dynamic vocals and her story. At just 17, she slipped into a drug-induced psychosis. From there, she began busking, finding her way back to reality through music. It has been said that Sultana’s ultimate musical goal is to teach herself to “play every instrument ever made,” and the sold-out crowd certainly got a taste of her wide range of instrumental talent as Tash incorporated guitar, trumpet, mandolin and pan flute into her set, beautifully laid over her self-generated beats. This is a one-woman show reminiscent of the most talented street musicians you’ve ever seen — the kind that make you sit and watch for a while, the kind that compels you to throw $20 into their guitar case as you walk by. That raw presence has not left her to this day as she steps onto stages around the country and soaks in praise of her completely engaged audiences. – Hailey Hosler


Noise Pop 2017 - Deafheaven

Deafheaven

As one of the strongest Noise Pop bills with Emma Ruth Bundle, This Will Destroy You and Deafhaven, the three acts combined to make for a perfect sequence of post-rock into black metal that few tours are able to accomplish. This Will Destroy You, a band that commands silence as well as it does noise, found the right kind of audience for a Friday night, as fans stood entranced by the constantly inflating and deflating sense of space that their sound occupied. “Dustism”, in particular, made for a breathtaking performance by the five-piece from SF. Following TWDY, Deafheaven kicked the energy into high gear. From New Bermuda track “Baby Blue” to the title track on their 2013 LP Sunbather, the Deafhaven experience live is chaotic and calm, melodic and cacophonous all at once. Led by vocalist/conductor/hype man George Clark, the band has a remarkable ability for creating the loudest, fastest noise and melding it with beautiful guitar melodies and fascinating song compositions. After a week of live music, this night was a real highlight of Noise Pop 25. – Brett Ruffenach


Noise Pop 2017 - Julien Baker

Julien Baker

It’s pretty cool to see a musician take the stage alone and draw the kind of intense attention from an audience that Julien Baker can. I can’t recall a time when I’ve seen so few cell phones out and so little chatter in the crowd. After we got warmed up with brief sets from Bobey and Miserable, Baker stepped onstage and immediately had every eye and ear in the room locked on her. Opening with “Blacktop”, Baker’s set was mostly comprised of material from her 2015 release Sprained Ankle, though she peppered in a couple of new tracks from her upcoming album much to the delight of the audience. When someone in the audience shouted “YOU ROCK!!!”, she keenly replied, “Oh good. I’m always nervous that I have lost my punk cred,” which got a good laugh. She claimed that she was nervous to see such a large crowd (which was also confirmed by a friend of mine who spoke with her backstage), but that didn’t stop her from putting on a powerful performance, showcasing her prowess as a guitar player and her range as a vocalist. – Andrew Pohl


Noise Pop 2017 - Crocodiles

Crocodiles

NRVS LVRS, a band originating from SF with a powerful sound, turned enough heads to fill up the floor at Bottom of the Hill and were followed by another SF outfit in Hot Flash Heat Wave, maintained their strong sound and keeping fans stoked. AJ Dávila subsequently energized the crowd even more with the help of some members from Crocodiles, the San Diego-based band who headlined the night and kept the good vibes rolling. – Christopher Vigue


Noise Pop 2017 - Tennyson

Tennyson

Luke and Tess Pretty, the sibling duo behind Tennyson, delivered an electrifying performance at the Brick & Mortar Music Hall for Noise Pop. Opening support came from Qrion, Julia Lewis and Starfari, who brought out rapper Niko Brahman. However, the young Canadian electronic duo absolutely stole the show with their upbeat and bouncy performance. Tess crushed it on the drums while Luke displayed his talents on the keys and synthesizer. Those in attendance were lucky to witness Luke show off his live vocals, which he hasn’t done on previous tour stops due to illness. The performance was chock full of fun samples that fans have come to expect from Tennyson: dripping water, animal noises and the instantly recognizable alarm clock sound on their popular track “Lay-by”. Tennyson truly did not disappoint, delivering one of the most high-energy sets of Noise Pop 25. – Geoff Hong


Noise Pop 2017 - Matt Pond PA

Matt Pond PA

It’s funny when one single person or band can have control over an entire crowd. And This is exactly what Matt Pond PA did so perfectly. Not only have I never experienced a band play six rather slow, soft songs in a row while keeping the crowd at a hush, but have full awareness of each breath, stroke of a cello or pluck of a guitar. He delivered such intensity that you could actually see it in the eyes of crowd members. People were there for Matt Pond PA, and it was so evident in the way the audience danced, sang and laughed along with his entire set. This crowd knew him, and if they didn’t, they were a fan by the end of the night. ‘Specks’ was the crowd’s absolute favorite song of the night. The energy was high and bodies were moving! – Jacqueline Moore


Noise Pop 2017 - The Family Crest

The Family Crest

There may be few things that are more enjoyable than a good ol’ fashioned, foot-stomping dance party on a Saturday night. Those who made it to the Swedish American Hall for The Family Crest’s headlining show were in for a treat. The SF seven-piece kept the energy and spirits high as the crowd enthusiastically roared its approval during an hour-long set. Even though it felt short, the band delivered a fun and loose performance. – Norm de Veyra


Noise Pop 2017 - The Frights

The Frights

If you weren’t present for The Frights’ show at The Chapel, you were certainly missing out. Four indie bands played for an eclectic group of fans that ranged from the grungiest of teens to the hippest of dads. SF’s Dinosaurs opened the show and were followed by The Regrettes from SoCal. The Garden, hailing from Orange County, kept things going with a strange blend of what fans call “vada vada,” and the drummer took the opportunity to front flip twice into the crowd of ecstatic kids. To complete the night, The Frights hit the stage, performing a good number of their pop-rock songs and even taking the time to bust out a sick cover of Metallica’s “Enter Sandman”. Safe to say, the show had something for everyone during what was a great night for celebrating music and genre diversity. – Courtney Blodgett


Noise Pop 2017 - The Radio Dept.

The Radio Dept.

Tickets to see Swedish band The Radio Dept. at Noise Pop sold out swiftly once their first U.S. tour since 2011 was announced last year, which also included the release of their follow-up to 2010’s Clinging to a Scheme. Their show at The Independent showcased plenty of new songs from Running Out of Love along with their beloved back catalog. Playing precisely, their set flowed organically with fully robust sentiment. With SF-based bands Future Shapes and The Bilinda Butchers opening things up in addition to the spunky duo that is Germans, it was a night to remember. – Laura Tsu


Noise Pop 2017 - BADBADNOTGOOD

BADBADNOTGOOD

As one of the bands to take the coveted headlining spot for NoisePop25, BADBADNOTGOOD seemed as — perhaps more — excited as all of the fans who made it to their sold-out show at The Fillmore. Combining consummate instrumentation with classic MC-style showmanship led by drummer Alexander Sowinski, the Canadian jazz-rock quartet has mastered the art of keeping the audience guessing where they’re going. Their setlist covered some older tracks but mostly focused on their latest album IV, including a dizzying rendition of “Lavender”, a track that was made in collaboration with electronic producer Kaytranada. Throughout the set, it was clear that the audience shared just as much enthusiasm as the band did in sharing an evening at the storied SF venue as one member in the crowd earnestly yelled, “Hey, you’re doing a great job!” in between songs — and a great job they did. As I grabbed my apple and poster on the way out, it reminded me why we should be so thankful for nights like these at The Fillmore. – Brett Ruffenach


Noise Pop 2017 - The Hip Replacements

The Hip Replacements

The Mother Hips are one of those acts who have been a Bay Area staple, having shared their indie-folk tunes for 27 years since forming in 1990. Due to an ongoing injury, frontman Tim Bluhm was unable to perform, so to switch things up, Greg Loiacono, John Hofer and Scott Thunes invited Bob Reed (Overwhelming Colorfast, Oranger), Johnny Irion and Dave Zirbel (San Geronimo) to join them. They played a mixture of songs by The Mother Hips and The Replacements, calling themselves The Hip Replacements on this night, which also featured an opening set from Scary Little Friends, the psychedelic-rock trio comprised of Chris Jones, Jon Payne and Charlie Knote. Since they formed in early 2013, the band has been recognized by KQED Arts and The Deli Magazine SF. – Karen Goldman


Noise Pop 2017 - Tennis

Tennis

The anticipation and excitement was high at the Great American Music Hall for the return of Denver indie-pop outfit Tennis. Just weeks before the release of the husband-and-wife duo’s fourth LP, the sold-out crowd was offered a glimpse of what is to come as Alaina Moore and Patrick Wiley performed the newest singles from their forthcoming Yours Conditionally. Also, props must go to twin-brother duo The Mattson 2. The late addition to the Noise Pop lineup made the most of their time by delivering a wildly entertaining and raucous set just prior to Tennis taking the stage. – Norm de Veyra


Noise Pop 2017 - Radical Face

Radical Face

This was by the best performance I saw at Noise Pop. The crowd was so excited before Radical Face even walked onstage, and my jaw was left wide open by the end. The band knew how to build up each song and slow them down in just seconds. The entire show felt like a cinematic adventure, as if lyrics were unneeded and all that the crowd wanted was the beautiful sounds they were making. Conversations about suicide, domestic abuse, loneliness and depression were some of the issues discussed in between songs, which made this show truly remarkable because the band was able to share so much with us. But they also counteracted these serious issues with jokes and laughter. You could tell that Radical Face are a brotherhood. Needless to say, everyone in the audience left The Fillmore with a radiance on their face and I know that I wasn’t the only one leaving with a warm feeling inside. – Jacqueline Moore