Coachella reveals 2019 set times

Coachella 2019

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 12th-14th & April 19th-21st, 2019 //

It’s officially Coachella week, and we all know what that means: scheduling conflicts galore.

The three-day, two-weekend music and arts festival has revealed the set times for its 20th edition just after 11 a.m. PT (11:04 a.m. to be exact), about 16 hours later than it did in 2018.

Coachellans often have some tough decisions to make as to which artists they should see, and 2019 is no different in that respect. But if you’re headed to the desert this month, take a look at the set times below so you can survive all three days at the Empire Polo Club.

Tell us, though … what’s your biggest conflict this year and which performance are you most excited for?

WEEKEND 1 SET TIMES

Coachella 2019 - Weekend 1 - Friday set times

Coachella 2019 - Weekend 1 - Saturday set times

Coachella 2019 - Weekend 1 - Sunday set times

Coachella 2019 - Weekend 1 - Do LaB Stage set times

WEEKEND 2 SET TIMES

Coachella 2019 - Weekend 2 - Friday set times

Coachella 2019 - Weekend 2 - Saturday set times

Coachella 2019 - Weekend 2 - Sunday set times

Coachella 2019 - Weekend 2 - Do LaB Stage set times

There are a few minor schedule tweaks for Weekend 2, as Big Game takes Friday’s opening slot on the Outdoor Theatre at 3 p.m. for Jimbo Jenkins, who has been moved to the Sahara Tent on Saturday at 12:25 p.m. More Saturday changes include More Fire Mondays replacing Gabe Real on the Coachella Stage at 1:50 p.m., CPTN KIRK taking Fundido’s spot in the Gobi Tent at 12:45 p.m. and Lealani kicking things off in the Mojave Tent rather than Yeti Out at 12 p.m. bright and early (and hot, most likely).

On Sunday, Ugly Primo will now be the first act — instead of Alf Alpha — to take the Coachella Stage at 2:15 p.m. while Subsuelo gets things started in the Mojave Tent at 1:40 p.m., replacing Ericalandia, and Cre-8 has been moved in place of R3LL in the Sahara Tent at 1:50 p.m.

UPDATE (April 18th): Christine and the Queens has canceled her Weekend 2 performance at the Outdoor Theatre, sadly due to her mother’s death. Héloïse Letissier announced the news on Twitter in her native tongue of French (see below).

MAP

A little more than four hours after releasing its Weekend 1 set times, Coachella unveiled this year’s map and it looks fairly similar to what we saw in 2018.

One of most notable differences is the relocation of the Gobi Tent and Sonora Stage, which have traded places with the Indio Central Market and the Antarctica dome, the latter being one of the cooler (no pun intended) experiences that the festival has introduced in the past three years. The Heineken House, meanwhile, has also moved (next to Antarctica) and sits more tucked away from Coachella’s eight other stages than it ever used to be.

Coachella - 2019 map

The Mojave Tent will continue to remain in its same location, with a few new additions to the area, including the Calvin Klein, Pantene and Peet’s Cold Brew tents. Believe it or not, there’s even a designated place where you can pick up your Postmates order. Ah, corporate sponsors … because what would America’s most Instagrammed music festival be without them now?

Happy Coachella!

10 new songs that you should know about & hear

Top songs - Weezer, Hozier, Foals & Bad SunsWritten by Wes Severson //

I’ve combed through the list of recent songs that have been released by record labels big and small. These 10 fresh, new efforts certainly made a mark on me, and I’m pretty sure they will strike some kind of emotion in you.


10. Peter Bjorn and John – “Bones”

 

“Bones” is the first offering from Peter Bjorn and John’s new three-track EPBJ EP. It’s a super soft and mellow song, but the chorus delivers and also makes you think.


9. MØ – “Theme Song (I’m Far Away)”

 

The Danish singer-songwriter continues to use her amazing voice to dazzle our ears. But this time, MØ’s latest release goes beyond that and serves as the theme song for “Moominvalley,” a Finnish cartoon that she was fond of as a child.


8. John Mayer – “I Guess I Just Feel Like”

 

No surprise here … John Mayer goes soft and sentimental but also adds some country-western flare to his new tune “I Guess I Just Feel Like” he just released. The sad lyrical content is what we have come to know and love from Mayer. It’s definitely a solid release from the pop veteran who seems to never quit.


7. Weezer – “High as a Kite”

 

I haven’t been a huge fan of anything Weezer has put out in the last four years until this song dropped. But the new Weezer, which often includes meaningless lyrical content, has taken a back seat to the old Weezer, which was centered mostly around sensitive material. “High as a Kite” reminded me of what we heard on their debut album almost 25 years ago.


6. DREAMERS – “Die Happy”

 

This is the same tried-and-true script for the pop-rock trio as they’ve followed in the past. “Die Happy” is packed full of fun, and the groove is very accessible. It’s sure to make fans who will be attending DREAMERS’ upcoming shows, which includes four dates in California, excited.


5. Hozier – “Dinner & Diatribes”

 

Andrew Hozier-Byrne is known for having an incredible vocal range, and this third single on the Irish musician’s new sophomore LP Wasteland, Baby! conveys that to the absolute fullest. In classic Hozier fashion, the complicated lyrical matter comes in a tight, catchy package, yet it makes us want to know what was going through his head as he wrote it.


4. Foals – “On the Luna”

 

Foals haven’t been in the mainstream scene for too long, but this diverse track surely shows why they deserve major recognition. “On The Luna” explores new ground with its retro vibe and interesting quirks, making it an easy one to dance to as we await Everything Not Saved Will Be Lost – Part 1 next month.


3. Circa Waves – “Times Won’t Change Me”

 

Get ready to stomp your feet because this song’s groove is great and makes for a spooky, cool vibe. One of the melodies in it reminds me of Fleetwood Mac, and the rhythm’s driving nature as well as the constant repetition of the lyrics will have you singing along with it in no time.


2. Dennis Lloyd – “Never Go Back”

 

Israeli musician Dennis Lloyd made a huge splash with his 2016 single “Nevermind”, and his newest hit has the potential to take him to even greater heights. To me, “Never Go Back” is an even better effort more than three years later.


1. Bad Suns – “One Magic Moment”

 

“One Magic Moment” is the third single from Bad Suns’ new album Mystic Truth, which drops in March and explores a sea of uncharted water for the LA alt-rock quartet. There are so many new sounds to enjoy from these guys. They finish their tour this May with three straight dates in California, including one at The Fillmore in SF and a tour finale at The Wiltern in LA.


Which of these new songs do you like most? Tell us in the comments section below!

Coachella drops 2019 lineup with Childish Gambino, Tame Impala & Ariana Grande headlining 20th year

Coachella - 2019 lineup

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 12th-14th & April 19th-21st, 2019 //

Sorry, Kanye West fans.

Hours after TMZ reported that the rapper would not perform at Coachella due to negotiations over his stage setup falling through, the renowned three-day, two-weekend music festival has announced the lineup for its 20th edition.

Headlining Goldenvoice’s signature event in Indio this time around will be Childish Gambino, Tame Impala and Ariana Grande. While the first two acts had been previously rumored to top the 2019 bill with both expected to unveil new albums in the coming months, the inclusion of Grande comes as somewhat of a surprise (our guess is that she was likely tabbed to be West’s replacement). All three will headline Coachella for the first time, marking the second straight year that the festival has gone in that direction, although Tame Impala have performed on the polo fields several times in the past and as recently as 2015 (on the main stage before AC/DC). And for the record, Grande, at 25 years old, will be the youngest artist ever to headline.

The rest of Coachella’s 2019 roster, meanwhile, includes plenty of other household names, such as Janelle Monáe, Solange, Khalid, The 1975, Kid Cudi, Weezer, Bad Bunny, RÜFÜS DU SOL, J Balvin, Dillon Francis, BLACKPINK, Billie Eilish, CHVRCHES, Anderson .Paak & the Free Nationals, YG, Kacey Musgraves, Juice WRLD, Christine and the Queens, Playboi Carti, Ella Mai, Wiz Khalifa and H.E.R. As you can see, the focus continues to be on hip-hop, pop and R&B while straying away mostly from rock. But unlike in 2018, there seems to be more electronic music once again with Zedd, DJ Snake, Gesaffelstein, Diplo, Aphex Twin, Dillon Francis, Kaytranada, Bassnectar, Four Tet, Cirez D (aka Eric Prydz), Chris Lake, Bob Moses, Gryffin, Jon Hopkins, NGHTMRE, Gorgon City, Nina Kraviz and even 90’s progressive-house duo Deep Dish receiving fairly high placement on the fest’s famed poster.

Coachella’s first weekend is scheduled for April 12th-14th, with its second weekend slated for April 19th-21st. All tickets will go on sale for both weekends this Friday, January 4th at 11 a.m. PT here.

Ready to party in the California desert this April? Relive our five favorite moments, whether it was Jamiroquai or Eminem, from last year’s installment.

Coachella 2018

Our favorite performances from 2018

Best live shows of 2018 - Foo Fighters, NxWorries, Pusha T & Courtney Barnett

Holy smokes, 2018 … you were a blur. Maybe it’s just us, but this year really did fly right by.

Before we officially say hello to 2019 though, it’s time for us to revisit the past 12 months at Showbams. Every year we have the great privilege of witnessing some amazing moments in live music, and this year was no different. While we can’t touch upon every performance we covered in looking back at the year that was, we still managed to see a wide variety of talent over the course of 2018.

Whittling down our list is never easy. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order), all of whom we either covered at their own show and/or at a music festival this year:

Aaron Neville, A.CHAL, Alanis Morissette, Alina Baraz, Allen Stone, Amen Dunes, Aminé, A Perfect Circle, Ari Lennox, A$AP Rocky, Aquilo, BADBADNOTGOOD, The Bangles, Belle & Sebastian, The Beta Machine, Billie Eilish, BØRNS, Carly Rae Jepsen, Cashmere Cat, Childish Major, Chromeo, CHVRCHES, Cigarettes After Sex, Cloud Nothings, Cuco, Cut Snake, CyHi the Prynce, Daniel Caesar, Deap Vally, Destroyer, Diet Cig, Drab Majesty, DRAM, The Dustbowl Revival, Erykah Badu, Fantastic Negrito, Future, Garbage, George Fitzgerald, Gomez, Gov’t Mule, Great Grandpa, Griz, The Growlers, Gucci Mane, HAERTS, H.E.R., Hot Flash Heat Wave, Ibeyi, Iggy Pop, Irma Thomas, Isaiah Rashad, Jaira Burns, Jamie xx, Jeff Goldblum and the Mildred Snitzer Orchestra, Jhené Aiko, John Maus, Josh Ritter & The Royal City Band, Joywave, JPEGMAFIA, Jungle, Kailee Morgue, Kaitlyn Aurelia Smith, Kamasi Washington, Kauf, Kelela, Kikagaku Moyo, Kings of Leon, Kopps, Laff Trax, Lion Babe, Lizzo, Lophile, Lord Huron, Los Lobos, Lucy Dacus, Margo Price, Miguel, Mija, Milk Carton Kids, ModPods, Moses Sumney, The Mother Hips, Mura Masa, Neil Young, N.E.R.D, North Mississippi Allstars, ODESZA, Pale Waves, Paula Frazer and Tarnation, Phantogram, Pharoah Sanders, Pixies, Polo & Pan, POND, Portugal. The Man, The Pretenders, Quicksand, Ravyn Lenae, Rivers Cuomo, The Revolution, Robert Plant, Rory Phillips, RÜFÜS DU SOL, Sabrina Claudio, Salt-N-Pepa, Santigold, Sasha Sloan, Seu Jorge, Shakey Graves, Shame, Shana Falana, Sharon Van Etten, Silk City, Sleigh Bells, Snoh Aalegra, Soccer Mommy, The Specials, The Spook School, Stephen Malkmus & the Jicks, Tame Impala, Tenacious D, Third Eye Blind, Tinashe, together PANGEA, TV on the Radio, Tycho, Typhoon, Uniform, Wafia, Waxahatchee, The Weeknd, Wet, William Tyler, Will Varley, Yen Yen, Zedd

Now, it’s time for The Bam Team to present our favorite performances from 2018.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2018

Listen to The Bam Team’s favorite songs of 2018:


Best of 2018 - Cut Copy

Cut Copy

Date: March 3rd
Location: Exposition Park – Los Angeles

For those in LA who missed Cut Copy 10 months ago when they visited the Shrine Expo Hall with De Lux, Palmbomen II and Cooper Saver also on the bill, their headlining performance last Friday at The Wiltern was another chance to dance the night away upon hearing several classics such as “Need You Now”, “Free Your Mind”, “Future”, “Hearts on Fire” and to close, “Lights & Music”. In fact, the last time that we caught them back in March, a mini downpour erupted at Shaun White’s Air + Style (read our festival review here), but it didn’t phase them. Who said playing — and dancing — in the rain isn’t fun anyway? -Josh Herwitt, photo courtesy of Air + Style


Best of 2018 - Washed Out

Washed Out

Date: March 4th
Location: Exposition Park – Los Angeles

In what was easily the most visually stimulating (and pleasing) show we witnessed at Expo Park, Ernest Greene, who performs under the moniker Washed Out, entranced a completely packed crowd at the smaller Summer Stage with a slew of trippy visuals and his chilled-out tunes. We had been wanting to see Washed Out in SoCal for several months now, ever since Greene released the project’s third LP Mister Mellow last year, and after missing his gig with Nick Murphy at the Shrine Expo Hall in October, we were glad to finally hear him play “Hard to Say Goodbye” (one of our favorite songs of 2017) and “Feel It All Around” live as any loyal “Portlandia” fan would be. With Toro y Moi venturing away from the chillwave movement he helped pioneer, it’s up to Greene to lead the charge, and so far, he has done one hell of a job. -Josh Herwitt, photo courtesy of Air + Style


Best of 2018 - Phoenix

Phoenix

Date: March 4th
Location: Exposition Park – Los Angeles

After what we thought was an underwhelming way to wrap up Day 1, Air + Style closed with a bang thanks to Phoenix’s energizing, 16-song set. The French indie-pop outfit have headlined Coachella before, and it was more than worthy of that billing for this occasion. Kicking things off with the opening track “J-Boy” from their sixth studio album Ti Amo that dropped back in June, Thomas Mars and company gave us exactly what we wanted to hear: a hit-ladden show featuring singles like “Lisztomania”, “Trying to Be Cool”, “Too Young” and “1901”. No, there wasn’t a Daft Punk or R. Kelly appearance — not that we expected one — but Phoenix put an exclamation point on an otherwise successful weekend. We may not have known the quartet could rock that hard after the last time we saw them, but we definitely do now. -Josh Herwitt, photo courtesy of Air + Style


Best of 2018 - Moby

Moby

Date: March 26th
Location: Apogee Studio – Santa Monica, CA

His guitar playing, meanwhile, may be just as impressive, if not surprising to some. Less than two weeks before Moby stepped into Bob Clearmountain’s diminutive recording studio, I was fortunate enough to catch him the final of his three shows at The Echo, and it was there as he performed a variety of songs from Everything Was Beautiful, and Nothing Hurt, Play and a few other albums, that I fully realized just how talented he is with a black Gibson SG in his hands. He may be an electronic musician, but unlike a lot of them today, Moby is a musician in every sense of the word. While his vocals at times sound more like spoken word than actual singing, he has found more than capable sidekicks in Julie Mintz (keyboards, vocals) and Mindy Jones (vocals) to assist him in that department. Jones’ ranging voice, in particular, is one that suits his music well, and when you hear her sing, her pipes elevate the song to a whole new level. -Josh Herwitt, photo by Brian Feinzimer


Best of 2018 - The War on Drugs

The War on Drugs

Date: April 13th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Weeks before The War on Drugs released their fourth LP A Deeper Understanding last year, we were fortunate enough to hear Adam Granduciel and company perform a handful of cuts from the new album in an intimate setting for KCRW. It was then and there that we knew the follow-up to 2014’s Lost in a Dream was another masterpiece, and that impression was only validated when A Deeper Understanding won the Grammy for “Best Rock Album” just a few months ago. On Day 1 of Coachella, the Philadelphia band brought some of those same songs we witnessed at Apogee Studio to life, though sadly, this time “Holding On” wasn’t part of the setlist. But we did get to experience “An Ocean in Between the Waves” in all of its glory, and we still have yet to come across another piece of music in more recent years that will make you want to play air guitar as much as the seven-minute track from Lost in a Dream does. Who said rock was dead? -Josh Herwitt, photo courtesy of Goldenvoice


Best of 2018 - Jamiroquai

Jamiroquai

Date: April 13th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Thirteen years. That’s how long it has been since Jamiroquai last performed in the U.S. With that in mind, there was no way we were going to miss Jay Kay and the rest of his sidekicks in favor of The Weeknd’s headlining performance (sorry, Abel), and after what ended up being close to a 90-minute set from the London nu-funk/acid jazz group, we had no regrets about our decision. The only regret we have is that they ran out of time and didn’t get to play their smash hit “Virtual Insanity” in its entirety, and you could tell Jay Kay felt bad about it as he jumped down from the stage to greet some overjoyed fans after wrapping the show up with “Love Foolosophy” from 2001’s A Funk Odyssey. But while Weekend 2 attendees got the full version of the Travelling Without Moving single, we were treated to a massive surprise when Snoop Dogg came out to rap on “Dr. Buzz” with a huge blunt in his hand. It was the kind of collaboration you never expect to see, except at Coachella of all places. -Josh Herwitt, photo courtesy of Coachella


Best of 2018 - Eminem

Eminem

Date: April 15th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

While we can’t say that we were completely thrilled with Goldenvoice’s choices for this year’s headliners, we were excited to see Eminem finally play Coachella (he had never performed in an official capacity before) and close out the festival on Sunday night. Sure, his newest album Revival didn’t exactly receive rave reviews from critics when it dropped at the end of 2017, but watching one of hip-hop’s most talented emcees run through his hits all while bringing out 50 Cent and Dr. Dre was undoubtedly THE highlight from Day 3. For this “stan,” just crossing Em off my concert bucket list would have been enough to send me home with a smile. Fortunately for those of us who were there though, the real Slim Shady lived up to the hype and more. -Josh Herwitt, photo courtesy of Coachella


Best of 2018 - Big K.R.I.T.

Big K.R.I.T.

Date: April 19th
Location: Echoplex – Los Angeles

At Echoplex, we were treated to the “rapper” and the man himself as bass-heavy party starters like the title-track opener and “Confetti” from 4eva Is a Mighty Long Time got everyone hyped, while Atlanta’s T.I. came out to perform his verse on “Big Bank”. After singling out one excited fan, who was wearing a shirt with a giant picture of his face, during the easygoing “1999” and paying homage to Southern rap pioneers UGK, Big K.R.I.T. took the latter half of his hour-long set to connect with the crowd. -Joseph Gray, photo by Joseph Gray


Best of 2018 - Soulwax

Soulwax

Date: April 19th
Location: The Fonda Theatre – Los Angeles

While Soulwax’s recorded music has always been perfectly enjoyable, in person it becomes something else entirely. Their new, three-drummer lineup was the ideal format to hear new tracks like “Is It Always Binary” while giving older tracks such as “KracK” a newly textured and complex sound. Sitting stage right, drummer Victoria Smith, for one, offered the group some serious personality thanks to her animated facial expressions. -Zach Bourque, photo by Zach Bourque


Best of 2018 - NxWorries

NxWorries

Date: June 16th
Location: The Queen Mary – Long Beach, CA

I fall somewhere in the middle between those two age groups, so it was fitting that the uber-talented rapper/singer/drummer Anderson .Paak had just walked onto the “Free Your Mind” main stage when I showed up. .Paak, 32, wore a smile as expressive as his music, packaged with a bright nautical-themed ensemble. He effortlessly impressed with standouts “Suede”, “Another Time” and “What More Can I Say” off Yes Lawd!, his 2016 LP with Los Angeles hip-hop producer Knxwledge as part of their collaborative project NxWorries (pronounced “No Worries”). The duo’s set would eventually culminate in a playful dance-off between women, which fans showed their appreciation for before .Paak and Knxwledge said their goodbyes. -Joseph Gray, photo by Joseph Gray


Best of 2018 - The Roots

The Roots

Date: June 16th
Location: The Queen Mary – Long Beach, CA

However, anticipation for The Roots kept me at the main stage. It proved to be a wise decision, as their nearly hour-long performance reminded me why the Grammy-winning band is still so revered after more than three decades. Black Thought got the crowd riled up with a 10-minute barrage of lyrical proficiency that so many have come to know as his “Hot 97 Freestyle” after it hit the internet in December and quickly went viral, while his bandmates exuberantly jumped with sousaphones and guitars during “You Got Me” and a number of other hits. But providing a jolt like he only can, the one and only Busta Rhymes showed up for a quick-but-memorable performance of “Put Your Hands Where My Eyes Can See” and “Pass the Courvoisier, Part II”. -Joseph Gray, photo by Joseph Gray


Best of 2018 - Melvins

Melvins

Date: July 16th
Location: Great American Music Hall – San Francisco

I’m far from an expert on this kind of thing (because I’m not), but I didn’t expect to see the Melvins perform with the amount of energy that they showcased. For a band that has been touring and putting out new material for the past 35 years, they performed as if everything depended on it. You weren’t going to catch “King Buzzo” standing in one place for too long, with his signature fro whipping in the wind from the fans that were on the stage, McDonald and Pinkus holding it down on their own instruments, and Crover beating the living hell out of his drums. Fans were ready to receive the band and responded to the various sonic blasts coming from the amplifiers. During the thrashy songs, they formed a brutal pit, and during the sludgier songs, they lit up joints and bobbed their heads to the music. -Andrew Pohl, photo by Mike Rosati


Best of 2018 - Glassjaw

Glassjaw

Date: July 20th
Location: Observatory OC – Santa Ana, CA

Glassjaw’s show covered their entire discography, and very few fan favorites were left off the setlist. While it was to be expected that newer tunes like “Shira” and “New White Extremity” would rock, it was staggering how well their older songs held up in a live setting. Palumbo’s voice, though slightly less manic than it once was, is still unmatched in its vocal range and shear intensity. -Zach Bourque, photo by Zach Bourque


Best of 2018 - Weezer

Weezer

Date: August 8th
Location: The Forum – Inglewood, CA

That’s not to say that Cuomo isn’t a talented musician. In fact, quite the opposite is true. The Harvard grad shreds without question, something I never really realized until he uncorked a number of guitar solos, whether it was during “Buddy Holly” to open Weezer’s performance or “Say It Ain’t So” (with a snippet of Black Sabbath’s “Paranoid”) to put a bow on the show. And while there aren’t many lead singers who can do both, Cuomo certainly remains among some elite company, with Jack White, Trey Anastasio (Phish), Jim James (My Morning Jacket) and Josh Homme (Queens of the Stone Age) also immediately coming to mind. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Florence + the Machine

Florence + the Machine

Date: August 11th
Location: Golden Gate Park – San Francisco

There was a bit of controversy surrounding Saturday’s main slot as Florence + the Machine officially made the move to full-blown festival headliner. Some festivalgoers had their own doubts after FYF Fest 2018 was canceled with a near-identical top billing, but Florence and her bandmates proved, many times over, that she is more than capable of commanding any stage as her energy is unlike many others. She debuted a brand-new show, which featured “June” in the opening slot and was book-ended by “Big God” and “Shake It Out” for a two-song encore. -Kevin Quandt, photo by Norm de Veyra


Best of 2018 - Janelle Monáe

Janelle Monáe

Date: August 12th
Location: Golden Gate Park – San Francisco

The incomparable Janelle Monáe was a tad late to take the stage, as she was fighting off a stomach bug, but when she did, she captivated the masses with a suite of tracks from her most recent release Dirty Computer and tossed in a fair amount of costume changes over a nearly hour-long set. Monáe proved that she’s easily one of the best in the business at the moment and will only continue to climb upwards. -Kevin Quandt, photo by Norm de Veyra


Best of 2018 - Deafheaven

Deafheaven

Date: August 18th
Location: The Wiltern – Los Angeles

Fortunately, Deafheaven haven’t bowed to convention or criticism. Their fourth studio album Ordinary Corrupt Human Love, which ANTI‐ released last month, is their arguably their most experimental to date, spanning more than an hour over seven songs. There’s a sense of angst and nostalgia in the music that leans far more positive and hopeful than their previous work. There are still echoes of black metal at times, but you can feel this is a band that’s embracing its differences instead of defending them. -Zach Bourque, photo by Zach Bourque


Best of 2018 - Jack White

Jack White

Date: August 19th
Location: Santa Barbara Bowl – Santa Barbara, CA

Yet, for as eclectic and wide-ranging as White’s output has been over two decades, it’s the unpredictable nature of his live shows that makes them so intriguing to see. This time, we were treated to a rare cover of The Stooges’ “T.V. Eye” from their 1970 album Fun House, as well as a number of fan favorites, from set closer “Ball and Biscuit” to an eight-song encore that featured “Icky Thump” (with some amusing “Icky Trump” messaging), “Steady, as She Goes” (with a snippet of Richard Berry’s 1955 song “Louie Louie”), and of course, what has easily become the biggest stadium anthem in the world, “Seven Nation Army”. And though the show didn’t conclude without a few hiccups during some of White’s improvised playing between songs, he hasn’t lost his unique ability to surprise an audience — whether it means bringing out his mother in Detroit to perform “Hotel Yorba” with him or covering Pearl Jam’s “Daughter” in Seattle — at any given moment, especially when we all aren’t staring down at our phones. -Josh Herwitt, photo courtesy of Jack White


Best of 2018 - David Byrne

David Byrne

Date: August 22nd
Location: Bill Graham Civic Auditorium – San Francisco

As the show progressed into his songs “Here” and “Lazy”, Byrne’s band joined him onstage. The light changed and filled in the stage, giving the audience a happier tone and providing a seamless transition into a Talking Heads interlude. Then, later on during “Blind”, one of the more stunning visual elements was made possible by a simple lamp that was placed in front of the band, casting whirling shadows on the strands of beads hanging behind them. -Tim O’Shea, photo by Tim O’Shea


Best of 2018 - The National

The National

Date: September 20th
Location: Hollywood Palladium – Los Angeles

Right before that final aforementioned single, they brought out Phoebe Bridgers to help them perform “Sorrow” from 2010’s High Violet, as Berninger and the 24-year-old singer-songwriter, who said during her brief opening set that The National were her favorite band, traded vocals on the tune they once played 105 times in a row, with the performance at an art installation in New York lasting all of six hours. We weren’t quite as fortunate to get that kind of show in LA, as The National opted for one of their more traditional, two-hour events. But whether you’ve been a fan from the start or one like myself who arrived rather late to the party, The National continue to make some of the most compelling music in rock, expanding their fan base with each and every album they release. That’s the sign of any good band these days, and though there’s only a handful of others that could even say the same right now, The National should take comfort in knowing they’re one of those select few. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Grizzly Bear

Grizzly Bear

Date: September 23rd
Location: Hollywood Bowl – Los Angeles

Similarly, the gig also marked one of Grizzly Bear’s last performances in support of their fifth LP Painted Ruins, which they released last year on RCA Records, and having already played a two-night run at The Wiltern back in December, this was more of a victory lap than a coming-out party. Unfortunately for us, the five-piece had to cut things short due to the venue’s strict Sunday night curfew, ending on a rather sudden note. That’s just part of the deal at the Bowl, though. For those of us who have to work on Monday morning, it’s actually more of a blessing in disguise than a disservice to the overall concert experience as we’ve come to realize. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Courtney Barnett

Courtney Barnett

Date: October 5th
Location: Greek Theatre – Los Angeles

When she wasn’t sharing the spotlight with Waxahatchee, Barnett was sharing it equally with the rest of her stellar backing band, but it was mostly just difficult to take your eyes off of her. Everything she does feels casual, from her outfit to her guitar playing, slinging her instrument around like it was an extension of herself. Even her delivery of the wrenching reality that the 30-year-old Australian singer-songwriter articulates so well is casual, singing like the end of the world isn’t a mere 22 years away. -Rochelle Shipman, photo by Rochelle Shipman


Best of 2018 - Greta Van Fleet

Greta Van Fleet

Date: October 6th
Location: Glen Helen Regional Park & Festival Grounds – San Bernardino, CA

By the time we got through security and stepped inside the gates, Manchester Orchestra had just finished their 45-minute set on the main stage, which essentially was the 65,000-person Glen Helen Amphitheater that was constructed back in 1982 for the first US Festival. Next up was Greta Van Fleet, and boy, do these kids know how to rock. Zeppelin clearly runs deep in these four Michiganders’ veins, as they showcased songs off their forthcoming debut album Anthem of the Peaceful Army with frontman Josh Kiszka commanding the stage and offering his best Robert Plant impression. He even dresses the part, sporting some tight, white jeans with a water-colored blouse and necklace of feathers while his brothers Jake and Sam wore vests or shirts that looked like what you would find at a vintage clothing store. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Foo Fighters

Foo Fighters

Date: October 6th
Location: Glen Helen Regional Park & Festival Grounds – San Bernardino, CA

As the Foos left the stage for their encore break, we waited patiently for them to return. The crowd, by now, had been taken for a two-hour ride with Grohl firmly at the wheel, pumping adrenaline into our veins with every minute that passed as the Foo Fighters know how to do so well during their usual two-and-a-half-hour jaunts. The video screens on each side of the stage were black until suddenly some backstage footage appeared showing Grohl with Krist Novoselic and what looked like Joan Jett. All of that would end up coming true in the last 30 minutes of Cal Jam 18, but it was a six-song encore with Grohl on drums, Novoselic on bass, the Foo Fighters’ Pat Smear on guitar and Deer Tick frontman John McAuley on both vocals and guitar as Kurt Cobain’s fill-in who got us hyped. Nirvana fans have waited 25 years for a reunion since Cobain’s sudden passing, and when you put it in perspective, it will probably go down as one of the year’s biggest surprises, even at a time in music when many industry experts say that rock now stands in the shadows of hip-hop and EDM. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Pusha T

Pusha T

Date: October 13th
Location: Middle Harbor Shoreline Park – Oakland

But U.S. Girls were the highlight of the weekend for us. A nine-piece experimental pop act, they put on a stunning 45-minute set that culminated in an entrancing rendition of “Time”, the closing track on their critically acclaimed studio effort In a Poem Unlimited, that lasted more than 10 minutes. The energy, instrumentation and vocal capabilities were absolutely stunning. Easily one of this year’s most exciting new acts, and we can’t wait to catch them again soon. -Brett Ruffenach, photo by Brendan Mansfield


Best of 2018 - U.S. Girls

U.S. Girls

Date: October 14th
Location: Middle Harbor Shoreline Park – Oakland

But U.S. Girls were the highlight of the weekend for us. A nine-piece experimental pop act, they put on a stunning 45-minute set that culminated in an entrancing rendition of “Time”, the closing track on their critically acclaimed studio effort In a Poem Unlimited, that lasted more than 10 minutes. The energy, instrumentation and vocal capabilities were absolutely stunning. Easily one of this year’s most exciting new acts, and we can’t wait to catch them again soon. -Brett Ruffenach, photo by Josh Withers


Best of 2018 - Daniel Caesar

Showbams_Sticker_Rectangle2

Weezer show a sold-out crowd in their hometown that they can still be wildly entertaining

WeezerBy Josh Herwitt //

Weezer & Pixies with Sleigh Bells //
The Forum – Inglewood, CA
August 8th, 2018 //

It has always been hard for me to take Weezer completely seriously. Of course, when one of your oldest and biggest hits is called “Undone – The Sweater Song” while others like “Pork and Beans” and “(If You’re Wondering If I Want You to) I Want You to” have cultivated their own commercial success, it’s easy to think that the Los Angeles foursome must have shared the stage with Green Jellÿ, Tenacious D or “Weird Al” Yankovic at one point in time over the last 26 years.

Well, one of those whimsical pairings actually became a reality last Wednesday. With a sold-out audience at The Forum welcoming them home during their 30-date, North American co-headlining tour with the Pixies, frontman Rivers Cuomo (lead vocals, lead guitar, keyboards) and his cohorts — Patrick Wilson (drums), Brian Bell (guitar, backing vocals, keyboards) and Scott Shriner (bass, backing vocals) — gave many of us exactly what we wanted to hear near the end of a 20-song set: their now-viral cover of Toto’s single “Africa” from the group’s 1982 album Toto IV.

But what we didn’t expect to see midway through the tune was Cuomo introducing “Weird Al” Yankovic, who stepped onstage in one of his patented Hawaiian shirts and accordion in hand to perform the last half of it with the band. The crowd erupted upon the announcement, with many shocked by what they were witnessing. For me though, the surprise cameo only further validated some of those preconceptions I had about Weezer being one of rock’s goofiest acts.

Pixies


Pixies

That’s not to say that Cuomo isn’t a talented musician. In fact, quite the opposite is true. The Harvard grad shreds without question, something I never really realized until he uncorked a number of guitar solos, whether it was during “Buddy Holly” to open Weezer’s performance or “Say It Ain’t So” (with a snippet of Black Sabbath’s “Paranoid”) to put a bow on the show. And while there aren’t many lead singers who can do both, Cuomo certainly remains among some elite company, with Jack White, Trey Anastasio (Phish), Jim James (My Morning Jacket) and Josh Homme (Queens of the Stone Age) also immediately coming to mind.

Cuomo, however, might have all of them beat in one category: costumes. Appearing first in his preppy sweater-and-tie look, he eventually changed into a soccer jersey before later wearing a classic Nirvana T-shirt with the sleeves cut off. If anything, it was even more proof that Weezer don’t take themselves too seriously, considering that the only rock star who I’ve seen live with more costume changes than Cuomo is Axl Rose (and that shouldn’t be very surprising). It’s all part of the band’s playful attitude at the end of the day, and despite the political state that we currently find ourselves in, many of us could use a good laugh or at least a chuckle from time to time (I know I could).

After watching Cuomo and company do their thing for a little more than an hour, there’s no doubt that I have newfound respect for Weezer now. Selling out a 17,505-person arena in the middle of the week is no easy feat, even if the Pixies, who ripped through their own 22-song set in the same amount of time, were on the bill. But there’s a reason why Weezer have been performing second on this tour, and it’s simply because they’re still one of rock’s most wildy entertaining bands out there today — with or without Mr. Yankovic by their side.

WEEZER

Setlist:
Buddy Holly
Beverly Hills
Pork and Beans
Undone – The Sweater Song
Hash Pipe
Perfect Situation
My Name Is Jonas
El Scorcho
In the Garage
The Good Life
Happy Together (The Turtles cover) (with a snippet of “Longview” by Green Day)
Keep Fishin’ (Brian Bell on vocals)
Island in the Sun (Rivers Cuomo solo acoustic)
Take on Me (a‐ha cover) (Rivers Cuomo solo acoustic)
Burndt Jamb (Brian Bell on vocals; with lyrics from “Smells Like Teen Spirit” by Nirvana)
(If You’re Wondering If I Want You to) I Want You to
Feels Like Summer
Africa (Toto cover) (with “Weird Al” Yankovic)

Encore:
Susanne
Say It Ain’t So (with a snippet of “Paranoid” by Black Sabbath)

PIXIES

Setlist:
Gouge Away
Wave of Mutilation
U-Mass
Um Chagga Lagga
Isla de Encanta
Caribou
All the Saints
Cactus
Nimrod’s Son
Mr. Grieves
All I Think About Now
Debaser
Classic Masher
Monkey Gone to Heaven
I’ve Been Tired
Head On (The Jesus and Mary Chain cover)
Tame
Hey
Gigantic
Wave of Mutilation (UK Surf)
Where Is My Mind?
Vamos

Arroyo Seco Weekend 2018: Ringing in summer at Goldenvoice’s chilled-out Coachella for grown-ups

Arroyo Seco Weekend 2018Photos courtesy of Arroyo Seco Weekend // Written by Josh Herwitt //

Arroyo Seco Weekend //
Brookside at the Rose Bowl – Pasadena, CA
June 23rd-24th, 2018 //

No matter how old you are, going to a music festival can be a taxing and tiring affair. There’s a lot of walking, a lot of standing, a good amount of dancing and/or rocking out (depending, of course, on your energy level), and more walking and standing. If “festival shape” isn’t a catch phrase yet, it certainly should be. Because for some of us aging live music fans, being on your feet 8-10 hours and in the sun for two, three or four straight days isn’t as easy as it used to be.

Music festivals, in that regard, are designed primarily for the young and youthful, or at least for those who remain young at heart. So, when famed Southern California concert promoter Goldenvoice, best known for founding and organizing the world-renowned Coachella Valley Music and Arts Festival every April, announced last year that it would be launching a brand-new, two-day event in Pasadena focused on various forms of rock, funk, folk and country, it served as an opportunity for a different generation of live music fans to experience the same platform that has dominated the industry for the past decade (and for some who are parents, possibly understand why their kids like going to Coachella so much).

Arroyo Seco Weekend 2018 - Neil Young + Promise of the Real


Neil Young + Promise of the Real

With its second installment now in the books, Arroyo Seco Weekend has already carved out a solid niche in Los Angeles’ massive live music scene with a winning combination: great music and high-quality, top-notch local food and drink. It’s the same formula that has made Outside Lands Music Festival in San Francisco a huge success for longer than 10 years, but it’s still one that had also been largely absent from Southern California music festivals until four years ago when Goldenvoice started making a concerted effort to partner with top-notch LA eateries and restaurants for both weekends of Coachella. That’s where the comparisons end, though.

Arroyo Seco is really its own thing. There’s no denying, even after only a couple of years on the calendar, that it fosters a much different vibe than Coachella or Goldenvoice’s other LA area music festival, FYF Fest, which was surprisingly canceled five weeks after dropping its 2018 lineup due to reportedly poor ticket sales. But with a clear identity from the start, ASW stands more than a fighting chance at a time when music festivals are sadly a dime a dozen (except for the ticket price).

Arroyo Seco Weekend 2018 - Robert Plant and the Sensational Space Shifters


Robert Plant and the Sensational Space Shifters

Goldenvoice CEO Paul Tollett and his team, for one, came out of the gate swinging for ASW’s inaugural edition with a roster led by the late Tom Petty, which unfortunately ended up to be one of his final performances before his unexpected death, and British folk rockers Mumford and Sons, plus Alabama Shakes, Weezer, The Meters, The Shins, Dawes, Fitz & the Tantrums, Live, Andrew Bird, Broken Social Scene, Lukas Nelson & Promise of the Real, Charles Bradley & The Extraordinaires, Galactic and many more all making appearances. That didn’t mean, of course, it was void of suffering a letdown in Year 2, but such a thought was quickly put to rest when the fest’s 2018 bill came out and proved to be equally good, if not better than what 2017 offered. With rock legends like Neil Young and Robert Plant sharing the top of the poster with modern-day rock stars such as Jack White and Kings of Leon, ASW made sure to cater to more than four generations of live music fans, much like the longtime New Orleans Jazz & Heritage Festival — which White, Lukas Nelson + Promise of the Real (who also often serve as Young’s backing band), Irma Thomas and Aaron Neville, fittingly enough, all played this year — does each spring in The Big Easy. Throw in some nicer weather and some California-cool flavoring, and you’ve essentially got ASW. So, call it “#Dadchella” if you want, but that won’t stop those of us who are currently in our 30’s, 40’s, 50’s and 60’s from going again.

If rock is supposedly “dead” like so many say it is these days, you wouldn’t know it from the size of the crowd that descended upon the Brookside Golf Course adjacent to the Rose Bowl Stadium on a couple of hot summer days. ASW, rather, proved just the opposite, with even a few throwbacks, the Pretenders and Alanis Morrisette most notably, drawing large numbers over at the main stage. Then there were singer-songwriters Seu Jorge, Shakey Graves, Margo Price and Dwight Twilley, as well as blues savior Gary Clark Jr., pouring out their hearts and souls in what felt like a family-friendly environment (maybe the baby strollers helped). And how about Inglewood-bred jazz virtuoso Kamasi Washington mesmerizing with a powerful, mid-afternoon set? There were plenty of memories to be made at ASW in 2018, and we were just grateful to be there to bear witness to them.

Rivers Cuomo delights Weezer fans with a rare acoustic performance at Bottom of the Hill

Rivers CuomoPhotos by Mike Rosati // Written by David Skaff //

Rivers Cuomo //
Bottom of the Hill – San Francisco
May 9th, 2018 //

Weezer frontman Rivers Cuomo brought his solo acoustic show to Bottom of the Hill, located in SF’s Potrero Hill district and touted by Rolling Stone as “the best place to hear live music” in the city, as he was greeted by a sold-out crowd mid-week.

Cuomo delighted the packed room with acoustic renditions of Weezer cuts as well as covers of Mike Posner, Green Day, Smashing Pumpkins, REO Speedwagon and Poison, but he also gave Weezer’s “Pig” — a bonus track off the deluxe edition of 2008’s Weezer (“The Red Album”) — its live debut. The audience, thrilled by what it was witnessing, came alive and sang along to most of the tunes Cuomo played during a 27-song set that lasted more than two hours.

Surprisingly, the show also included a special guest in former Weezer guitarist and founding member Jason Cropper, who performed two songs with Cuomo. Afterward, he remarked, “To be in a room stuffed with Weezer fans for a Rivers Cuomo solo show … So fun!”

Rivers Cuomo with Jason Cropper


Rivers Cuomo with Jason Cropper

“This crowd was a smart, kind, polite community of people who are passionate about this man, his band and the songs — it’s amazing,” he added. “To be playing Weezer (“The Blue Album”) songs with Rivers again after a 25-year hiatus? Wow! Literally a dream come true.”

With Cuomo leading the way, Weezer are set to hit the road this summer for a 29-date, North American co-headlining tour with the Pixies that features three California dates at Shoreline Amphitheatre in Mountain View, The Forum in Los Angeles and Mattress Firm Amphitheatre in Chula Vista the second week of August following the release of the band’s 12th LP Weezer (“The Black Album”) this month.

Rivers, in the meantime, will also be performing another solo acoustic show, this time at a sold-out Troubadour in Los Angeles, less than four weeks before Weezer kick things off on June 23rd in Tampa.

Setlist:
I Took a Pill in Ibiza (Mike Posner cover)
El Scorcho (Weezer song)
Wonderwall (Oasis cover)
Buddy Holly (Weezer song)
Basket Case (Green Day cover)
Undone – The Sweater Song (Weezer song)
1979 (The Smashing Pumpkins cover)
Say It Ain’t So (Weezer song)
Happy Together (The Turtles cover) (with “Longview” snippet by Green Day)
Island in the Sun (Weezer song)
Can’t Fight This Feeling (REO Speedwagon cover)
Sober Up (AJR cover)
The Good Life (Weezer song)
Slob (Weezer song)
(Girl We Got a) Good Thing (Weezer song)
Pink Triangle (Weezer song)
Cardigan Disaster (New song; live debut)
Getchoo (Weezer song)
Pig (Weezer song) (Live debut)
Talk Dirty to Me (Poison cover)
No Other One (Weezer song)
Falling for You (Weezer song)
Today (The Smashing Pumpkins cover)
In the Garage (Weezer song) (with Jason Cropper) (preceded by a brief tease of “My Name Is Jonas” by Cropper)
No One Else (Weezer song) (with Jason Cropper)
Why Bother? (Weezer song)
Across the Sea (Weezer song)

Encore:
Tired of Sex (Weezer song)

Our favorite performances from 2017

Best live shows of 2017 - The xx, Miguel, Moderat & Coldplay

2017, where the hell did you go? It just felt like the other day that we were ringing in a new year, and yet, here we are again as we plow straight ahead into 2018.

But before we officially put a bow on 2017, it’s time for us to revisit the past 12 months at Showbams. This year, we had the opportunity to capture many amazing moments in live music, and while we couldn’t pay homage to every single performance we witnessed, we made a conscious effort to include a wide range of talent spread across the industry.

Whittling down our list, though, was not that easy. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order) whom we either covered at their own show and/or at a music festival this year:

21 Savage, The Accidentals, Action Bronson, Alice Cooper, Alina Baraz, alt-J, Amber Mark, Andrew McMahon in the Wilderness, Animal Collective, Atlas Genius, The Avalanches, The Band Perry, Beach Slang, Belle and Sebastian, Black Moth Super Rainbow, Bleachers, Blonde Redhead, Bob Moses, Car Seat Headrest, Cate Le Bon, Cigarettes After Sex, Circles Around the Sun, City of Caterpillar, The Coathangers, Claude VonStroke, Chris Robinson, Con Brio, Conor Oberst, Courtney Barnett & Kurt Vile, Crystal Castles, The Crystal Method, Daniel Caesar, Dawes, Dead Meadow, Deafheaven, Deep Purple, Diet Cig, DIIV, Dirty Dozen Brass Band, Dr. Dog, Dr. Octagon, Duke Dumont, Eagles of Death Metal, Electric Guest, Emancipator, Emily King, Empire of the Sun, Foxygen, Future Islands, Gabriel Garzón-Montano, Gatecreeper, Girl Talk, Gone Is Gone, Grizzly Bear, Gucci Mane, Hamilton Leithauser, Hazel English, Hinds, The Hip Replacements, Hiss Golden Messenger, How to Dress Well, Iggy Pop, Isaiah Rashad, Jack Johnson, Jagwar Ma, Jamestown Revival, Jamie Isaac, Jay 305, Jen Cloher, Jessica Hernandez & The Deltas, Jessie Ware, Jim James, JR JR, Julie Byrne, Julien Baker, Justice, Karen Elson, Karl Denson’s Tiny Universe, KAYTRANADA, Kelis, K. Flay, Khalid, Khruangbin, Kilo Kish, King Gizzard and the Lizard Wizard, Kurt Vile, La Femme, LANY, Lauv, L.A. Witch, Lettuce, Lil Yachty, Little Dragon, Lo Moon, Lorde, Lord Huron, Miike Snow, Milky Chance, Minus the Bear, Mister Heavenly, MØ, Mondo Cozmo, Neon Indian, Nicki Bluhm, Norah Jones, North Mississippi Allstars, NVO, Oh Sees, OK Go, Once and Future Band, Pallbearer, The Palms, Passion Pit, Peaches, Perfume Genius, Petit Biscuit, Phoebe Bridgers, Playboi Carti, Pond, Porcelain Raft, PRAYERS, The Radio Dept., Real Estate, The Revivalists, Royal Blood, Sampha, ScHoolboy Q, Sheer Mag, serpentwithfeet, Silversun Pickups, Sleep, Sleigh Bells, SOFI TUKKER, Solange, Spiritualized, Styles P, Sunflower Beam, Talib Kweli, Tank and The Bangas, Tash Sultana, Tei Shi, Temples, Tennis, Tennyson, Thou, Thundercat, TOBACCO, Touché Amoré, Tool, Tove Lo, Travis Scott, Twin Peaks, Ty Segall, Unknown Mortal Orchestra, Vagabon, Vance Joy, Vic Mensa, Warpaint, Weezer, White Fence, Woods, YG, Young the Giant.

Now, it’s time for The Bam Team to present our favorite performances from 2017.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2017

Listen to The Bam Team’s favorite songs of 2017:


Best of 2017 - Run the Jewels

Run the Jewels

Date: February 1st
Location: Shrine Expo Hall – Los Angeles

Yet, in just four years, Run the Jewels have already reached hip-hop’s mountaintop with their politically charged lyrics and hard-hitting beats. Just take last Wednesday’s sold-out show in LA for example. With the duo’s third studio album still only a few weeks old, 5,000 or so fans poured into the spacious Shrine Expo Hall to watch El-P and Killer Mike fuck shit up (for lack of a better term). And that’s exactly what they did after opening sets from The Gaslamp Killer, Nick Hook, Gangasta Boo and CUZ. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - BADBADNOTGOOD

BADBADNOTGOOD

Date: February 23rd
Location: The Fillmore – San Francisco

As one of the bands to take the coveted headlining spot for NoisePop25, BADBADNOTGOOD seemed as — perhaps more — excited as all of the fans who made it to their sold-out show at The Fillmore. Combining consummate instrumentation with classic MC-style showmanship led by drummer Alexander Sowinski, the Canadian jazz-rock quartet has mastered the art of keeping the audience guessing where they’re going. -Brett Ruffenach, photo by James Pawlish


Best of 2017 - Spoon

Spoon

Date: March 7th
Location: Apogee Studio – Santa Monica, CA

In total, Spoon performed five songs from the new record, including “First Caress” to open a brief encore that left us eager for more. But as the five-piece rocked “Rainy Taxi” from 2014’s They Want My Soul to close, I couldn’t help but think to myself that this is one band I never should have slept on. -Josh Herwitt, photo by Larry Hirshowitz


Best of 2017 - Sigur Rós

Sigur Rós

Date: April 8th
Location: Greek Theatre – Berkeley, CA

Now a trio, Sigur Rós have been delivering goosebumps for over two decades — and it’s a delight to hear Jónsi’s voice-as-an-instrument this clear, this powerful and as confident as ever. It would be a wonderful treat to check in on this outfit every 5-10 years going forward and realize they are still going strong. -Mike Frash, photo by James Nagel


Best of 2017 - DREAMCAR

DREAMCAR

Date: April 9th
Location: Great American Music Hall – San Francisco

Fresh off a stop at Berkeley’s Hearst Greek Theatre the night before, Adams showcased some older favorites and a slew of new tunes from his 16th and latest studio album Prisoner, which came out in February. SoCal fans were treated to some extended full-band jamming, a couple of solo acoustic performances and Adams’ usual witty banter over the course of the evening.
-Jared Stossel, photo by Jared Stossel


Best of 2017 - A Perfect Circle

A Perfect Circle

Date: April 13th
Location: Bill Graham Civic Auditorium – San Francisco

In the world of rock supergroups, there are few that have sprung up in the last few decades that can hold a candle to A Perfect Circle. From the onset, APC have been a powerhouse on the senses, combining members from bands such as Tool, The Smashing Pumpkins, Failure, Primus and more over the years. Their body of work has been met with high praise across the board, and they have been able to solidify themselves as one of the most unique and tenured groupings out there, as opposed to bands like Zwan and Velvet Revolver. -Andrew Pohl, photo by Mike Rosati


Best of 2017 - Radiohead

Radiohead

Date: April 14th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Yes, the sound problems (all three instances) put a real damper on what was easily one of the most anticipated performances of the weekend. This was the third time Goldenvoice called on Radiohead to headline Coachella, and for one of rock’s most important bands over the last 30 years, it certainly wasn’t a charm as the saying goes. In that moment, it was pretty hard not to feel bad for Thom Yorke, who could only make light of the situation by cracking a joke even if it wasn’t supposed to be one — or so he claimed. But Radiohead more than made up for it with a masterful setlist that opened with A Moon Shaped Pool cuts “Daydreaming”, “Desert Island Disk” and “Ful Stop” before circling back to older hits such as “Everything in Its Right Place”, “There There”, “Idioteque” and even “Creep”. -Josh Herwitt, photo courtesy of Coachella


Best of 2017 - Kendrick Lamar

Kendrick Lamar

Date: April 16th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

All hail, King Kendrick! Or should we say “Kung Fu Kenny?” The Compton rapper reached hip-hop’s mountaintop more than two years ago with his Grammy-winning masterpiece To Pimp a Butterfly, but headlining Coachella was still on his to-do list. In fact, it was only the second time he had ever been booked to perform at Coachella after being listed on the last line of the 2012 poster. Closing out the fest is no short order for any artist, let alone one who dropped his new album less than 48 hours before taking the stage, but K-Dot lived up to the billing with a show that provoked as much thought as it entertained. -Josh Herwitt, photo courtesy of Coachella


Best of 2017 - The xx

The xx

Date: April 17th
Location: Bill Graham Civic Auditorium – San Francisco

Playfully alluding to their material’s emotional sentiment, Romy Madley Croft (vocals, guitar) and Oliver Sim (bass, vocals) managed to entrance all of us with their tension-filled gazes and syncopated dance moves. Prolonging vocal arrangements, especially during their accelerated live interpretation of “Infinity”, were also stunning to witness. About halfway through the set, Jamie Smith (beats, MPC, production), aka Jamie xx, took the lead and transformed the room into a giant disco party thanks to an onslaught of consecutive dance hits before finishing with “Loud Places” from his 2015 solo LP In Colour. -Molly Kish, photo by Norm de Veyra


Best of 2017 - Moderat

Moderat

Date: April 20th
Location: Mayan Theater – Los Angeles

Moderat subsequently circled back to III, performing “Intruder” before exiting the stage to a rousing applause. Yet, when the house lights didn’t come on right away, the suspense began to build once again. Less than a minute later, the three-piece reemerged, giving the audience more than its money’s worth. Two-encore shows are usually reserved for high-profile groups with extensive catalogs like Radiohead, but Moderat have never played by any rules. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - The Flaming Lips

The Flaming Lips

Date: May 9th
Location: The Theatre at Ace Hotel – Los Angeles

The Lips, of course, made sure to play that song, and even though it was without Watts, it still proved to be an unforgettable moment due to the fact that Coyne rode a life-size unicorn from one end of the stage to the other as he belted out lines like “Yeah, there should be unicorns / The ones with the purple eyes / It should be loud as fuck / Hope the swans don’t die” to open the tune while wearing a big smile across his face. If that’s not psychedelic to you, then I don’t know what is. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - Ryan Adams

Ryan Adams

Date: June 3rd
Location: Greek Theatre – Los Angeles

Fresh off a stop at Berkeley’s Hearst Greek Theatre the night before, Adams showcased some older favorites and a slew of new tunes from his 16th and latest studio album Prisoner, which came out in February. SoCal fans were treated to some extended full-band jamming, a couple of solo acoustic performances and Adams’ usual witty banter over the course of the evening.
-Stephanie Port, photo by Stephanie Port


Best of 2017 - Jay Som

Jay Som

Date: June 17th
Location: Potrero del Sol Park – San Francisco

Melina Duterte’s band goes by the name Jay Som and hails from Oakland. Do yourself a favor and remember this name: Jay Som. The Polyvinyl-signed songstress bathed the crowd at the Potrero Stage in her dreamy vocals and inanely catchy tunes that appeal to a wide-range of music fan; her songs could feel just as viable in the 90’s college rock area as they do today. Highlights from the set included a vibe-soaked rendition of “Baybee” as well as “The Bus Song”, arguably the artist’s first real “hit.” -Kevin Quandt, photo by Emmeline Munson


Best of 2017- AIR

AIR

Date: June 23rd
Location: The Masonic – San Francisco

AIR’s live performances focus on capturing the crisp, detailed production style that the duo has honed over two decades. It’s a vibrant, textured sound. Centered around acoustic guitar, synthesizers and the breathy timbre of the duo’s immaculate harmonized vocals, the use of live drums helped round out the contrast between both the artificial and acoustic sounds in songs like “Cherry Blossom Girl”. -Brett Ruffenach, photo by Steve Carlson


Best of 2017 - PLANETARIUM

PLANETARIUM

Date: July 21st
Location: Fox Theater Oakland – Oakland

PLANETARIUM’s music, which channels Stevens’ reflections on astronomy, science and even the intricacies of human consciousness, is a fusion of styles from all four band members that evokes feelings of unity. The group’s performance was accompanied by otherworldly visuals that filled the backdrop as it traversed the Solar System with quite a few emotionally charged songs inspired by the planets and other celestial bodies like “Neptune” and “Jupiter”. -Norm de Veyra, photo by Norm de Veyra


Best of 2017 - The Drums

The Drums

Date: July 21st
Location: The Fillmore – San Francisco

By the time The Drums took the stage, the intimate venue was packed to the brim with fans. The Brooklyn outfit made as much of an impression as it did when frontman Jonathan Pierce and company exploded onto the scene in 2009 with their initial EP Summertime! From then on, it became glaringly obvious with their eccentric band members and seemingly effortless style that they possessed an energetic presence. And at their SF show, it didn’t take long for the capacity crowd to fall into a groove as the venue’s whole atmosphere lit up. -Jacqueline Moore, photo by Jacqueline Moore


Best of 2017 - Miguel

Miguel

Date: July 23rd
Location: Annenberg Space for Photography – Los Angeles

Once the sun set and Miguel stepped onstage, the audience was transported somewhere else entirely. Born and raised in LA, the 31-year-old’s silky-smooth voice floated through the cool evening breeze over the twinkle lights in the trees, giving the impression of an island retreat rather than a concert in the park. -Rochelle Shipman, photo by Rochelle Shipman


Best of 2017 - The War on Drugs

The War on Drugs

Date: August 5th
Location: Apogee Studio – Santa Monica, CA

Granduciel’s raspy voice, as well as his driving (no pun intended) guitar rhythms and reverb-laden riffs, are largely what separates The War on Drugs from the rest in a crowded indie-rock scene, but the sum of the band’s parts — Charlie Hall (drums), David Hartley (bass), Anthony LaMarca (guitar, keyboards), Robbie Bennett (keyboards) and finally Jon Natchez (saxophone, keyboards) — also creates a sound that while familiar, still feels uniquely different. -Josh Herwitt, photo by Larry Hirshowitz


Best of 2017 - Gorillaz

Gorillaz

Date: August 11th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

Easily one of the most anticipated acts of the weekend, Gorillaz’s Humanz tour made its West Coast debut on Day 1 at OSL. After a six-year hiatus, expectations ran extremely high for this headlining performance. On previous tours, the band’s members had played second fiddle to the cartoon projections of their alter egos onstage, but everyone was visible this time around. Several collaborators from Gorillaz’s previous albums, including Kali Uchis, Yukimi Nagano and Del the Funky Homosapien, came out to join them, and the Damon Albarn-led group still pulled some even bigger surprises with cameos appearances from De la Soul and Pusha T. -Molly Kish, photo by James Pawlish


Best of 2017 - Cage the Elephant

Cage the Elephant

Date: August 12th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

While the cancellation of Queens of the Stone Age was a blow a week prior to the event, the replacement that was lined up more than delivered a blistering set of rock ‘n’ roll. Cage the Elephant are now being widely considered festival-headliner material, and frontman Matt Shultz is making a strong claim for that accolade as he continues to elevate his stage act to near-Mick Jagger levels of pomp and energy. “Come a Little Closer” and “Ain’t No Rest for the Wicked” received hearty sing-alongs from a decidedly youthful crowd as Cage have become a favorite of Generation Z. -Kevin Quandt, photo by Marc Fong


Best of 2017 - J.I.D

J.I.D

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

While the headliners thrilled as expected, it was at the side “Day” and “Night” stages where the festival’s biggest highlights were generated. J.I.D, the rising Atlanta rapper who is signed to J. Cole’s Dreamville imprint, absolutely thrilled during his set. Dazzling with his rapid-fire and agile flow, J.I.D showed off his ability to command a crowd with songs such as “General” and “EdEddnEddy” before jumping into the crowd for the tempo-changing hit “Never” that left the crowd chanting for “one more song!” -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman


Best of 2017 - SZA

SZA

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

Saturday, meanwhile, featured the vintage gospel spirit and warm vibes that have elevated Chicago emcee Chance the Rapper to superstardom. Earlier in the day, SZA, this summer’s breakout star, delivered her first festival performance since the release of her well-received debut album Ctrl. Swaying, spinning and singing her raw emotions and shortcomings while coming of age, the Top Dawg Entertainment songstress didn’t disappoint. -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman


Best of 2017 - Bonobo

Bonobo (Live)

Date: September 27th
Location: Greek Theatre – Los Angeles

The real reason things felt different this time around, though, was the music. Extending and reimagining his tracks for easily one of the largest crowds he has ever performed in front of, Bonobo followed an uplifting opening set from Canadian electronic duo Bob Moses with an array of soothing sounds that paired beautifully with his lighting setup and entrancing stage production in the same way Scott Hansen (aka Tycho) creates an awe-inspiring audio-visual experience during his live-band performances. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - Coldplay

Coldplay

Date: October 4th
Location: Levi’s Stadium – Santa Clara, CA

Coldplay took the stage shortly before 9 p.m. as a video montage of fans who introduced them as “the biggest band in the world” played onstage. While I’m pretty sure there are a few other artists or groups from their side of the pond (ehem, U2) who might take issue with that claim, they certainly did nothing during their electric, almost two-hour performance to dissuade that sort of thinking. Chris Martin and company, in fact, wasted no time getting down to business, flooding the stadium with confetti and firing off pyrotechnics at a steady clip while opening with “A Head Full of Dreams” and subsequently all throughout the night. -Steve Carlson, photo by Steve Carlson


Best of 2017 - Broken Social Scene

Broken Social Scene

Date: October 26th
Location: Fox Theater Oakland – Oakland

Here’s the thing about BSS — after 15 years, the web of musicians that makes up the collective have created their own individual projects, from Metric to Stars to Feist to Do Make Say Think to Emily Haines & The Soft Skeleton. And while many of the band’s members who have gone on to find success in their own solo careers didn’t happen to join the group on this particular tour, the sense of professionalism built into the BSS live experience remains prevalent. Every person who stepped onstage demonstrated consummate abilities in their own realms, never missing a beat or a note. -Brett Ruffenach, photo by Norm de Veyra

Best of 2017 - Jim James

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ID10T Fest takes over the Silicon Valley tech bubble

ID10T Music Festival + Comic Conival 2017 - Girl Talk


Girl Talk

By Gina Lopez //

ID10T Music Festival + Comic Conival //
Shoreline Amphitheatre – Mountain View, CA
June 24th-25th, 2017 //

The tech bubble of Silicon Valley just got popped with the inaugural ID10T Music Festival and Comic Conival at Shoreline Amphitheatre last weekend. Because between music, comics and comedy, cosplay and clubbing, ID10T had it all.

So, who were the brains behind this festival phenomenon?

Actor, stand-up comedian, former KROQ DJ, musician, podcaster, television host, writer and Nerdist founder Chris Hardwick.

The comic conival element of ID10T included art/collectibles vendors, artist demonstrations and comic book creator panel discussions. During the panel on breaking into comics, comic artist and writer Phil Hester encouraged aspiring comic artists to “just get out there and get to work — don’t wait for anyone’s permission.” It was good advice for anyone who was hoping to make their dreams a reality. Other insight came from comic book artist and illustrator Morgan Beem, who explained to us that “it’s about telling good stories.”

Good stories were shared by the stars of “Stan Against Evil”, “Portlandia”, “Animaniacs” and more. Creator of “Stan Against Evil” and “The Simpsons” writer Dana Gould revealed that his favorite episode to write was “Goo Goo Gai Pan” from Season 16, in which the Simpson family travels to China to adopt a child because it is based on his experience adopting his own child.

Similarly, Portlandia star and producer Carrie Brownstein expressed her desire that through her work she is “connecting with people and doing something meaningful.” Brownstein and Portlandia co-star Fred Armisen announced that this upcoming season will wrap up the eight-year series. That’s right — you heard it first here on Showbams (or maybe somewhere else). A little fun fact from ID10T: Armisen’s favorite character to portray is the goth.

ID10T Music Festival + Comic Conival 2017 - Weezer


Weezer

Speaking of which, do you remember when goth was a trend back in the 90’s? Then perhaps you remember watching the cartoon “Animaniacs” on weekdays after school. “Animaniacs” voice actors Rob Paulsen and Maurice LaMarche, accompanied by “Anamaniacs” composer Randy Rogel, wowed festival guests at the panel stage tent as they performed the cartoon’s memorable songs, injecting a sense of youth into many ID10T guests.

As for the music, the dance stage featured Madeon, Zeds Dead and Jai Wolf as festivalgoers danced like they were at a dance club. The festival’s main stage boasted an eclectic mix of sounds from experimental pop and punk to funk and soul. Opening acts included Crystal Castles, Ron Gallo, Tank and the Bangas and others, and The Mowgli’s set was colorful … much like lead vocalist Katie Jayne Earl’s outfit.

During Car Seat Headrest’s set, there was no resting thanks to their headbanging tunes. Lord Huron, on the other hand, captivated fans with a hypnotizing set. Then OK GO led the crowd in a therapeutic sing-along during their performance of “This Too Shall Pass”. Experimental-pop band Animal Collective channeled a primal vibe throughout their show, performing with Dada and surrealist-inspired stage props, while TV on the Radio reminded their fans who put the “unk” in punk and funk.

Weezer headlined the festival on Saturday night, performing songs from their large catalog to a packed amphitheater of dancing fans who pledged their allegiance to the great “Flying W” as it was raised on Day 1.

Meanwhile, the second and final night of ID10T featured headliner Girl Talk. With a balloon drop and dance party featuring a group of fans onstage, it was a fitting conclusion to the two-day event.

For one weekend, ID10T turned Silicon Valley into Music and Comic Conival Valley. And with the festival’s success, this will surely be an annual event.