Our favorite performances from 2019

Best live shows of 2019 - Usher, Kacey Musgraves, Local Natives & Empire of the Sun

Ah yes, it’s that time again. Time to wave goodbye to another year, a hectic one that forced us to scale back our coverage toward the latter half of 2019. But before we officially ring in a new year and decade, it’s time for us to revisit the last 12 months at Showbams. For all intents and purposes, this space has provided us the access to witness so many amazing moments in live music, and even though we can’t show love to every performance we covered in 2019, we still managed to see some great ones.

Trimming down the list is never an easy task. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order), all of whom we either covered at their own show and/or at a music festival this year:

Albert Hammond Jr., Anderson .Paak & the Free Nationals, Ari Lennox, ASTU, AURORA, Bea Miller, Bebe Rexha, Beirut, Big Wild, Bobby, Bob Moses, Caroline Rose, Cherry Glazerr, Choker, The Claypool Lennon Delirium, Club Night, Coke, Counting Crows, Crumb, CupcakKe, Daniel Caesar, Denzel Curry, Derek Ted, DJ Koze, The-Dream, DREAMERS, Ella Mai, Film School, FITNESS, Foxtail Brigade, Ginger Root, Half Alive, Hozier, Illuminati Hotties, In the Valley Below, Judah & the Lion, Justin Martin, Kali Uchis, Kamaal Williams, Katzù Oso, KONGOS, Lapel, Leon Bridges, Leven Kali, The Lil Smokies, Lil Wayne, LPX, machineheart, The Marías, Max Frost, Melvins, Michigan Rattlers, Mikey Mike, Miserable, MNEK, Mother Mother, Nicotine, (((O))), ORB, Outer Embassy, Princess Nokia, Puddles Pity Party, Queens D.Light, Raveena, Ravyn Lenae, RL Grime, Robyn, Rose Droll, Santigold, Sea Moya, SOAR, Stonefield, Super Unison, Tia Nomore, Tony Danza, Toro y Moi, Twenty One Pilots, Uni, Winnetka Bowling League, You Me at Six, Yuna

Now, it’s time for The Bam Team to present our favorite performances from 2019.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2019

Listen to The Bam Team’s favorite songs of 2019:


Best of 2019 - MØ

Date: February 9th
Location: Fox Theater Oakland – Oakland

MØ’s performance, meanwhile, was even brighter than LPX’s with the colors just completely all over the place and smoke coming from behind her as the lights created larger shadows of the 30-year-old’s body against the back wall. Karen Marie Aagaard Ørsted Andersen went on to perform all five singles — “Imaginary Friend”, “Nostalgia”, “Sun in Our Eyes”, “Blur” and “Way Down” — off her sophomore album and even showcased her 2017 collaboration “Don’t Leave” with British electronic duo Snakehips. -Karina Kristensen, photo by Karina Kristensen


Best of 2019 - Bob Mould Band

Bob Mould Band

Date: March 2nd
Location: The Fillmore – San Francisco

Bob Mould has had a lengthy, fruitful relationship with Noise Pop and the packed Fillmore demonstrated that in spades after recently releasing his rather well-received, and 13th, solo album Sunshine Rock since disbanding Hüsker Dü and intersplicing Sugar releases. Mould is nearing the age of 60, but you’d be hard-pressed to think that when he frantically paces back and forth onstage while firing off his characteristic take of punk-leaning alternative rock. -Kevin Quandt, photo by Mike Rosati


Best of 2019 - Modeselektor

Modeselektor

Date: April 4th
Location: Echoplex – Los Angeles

At LA’s Echoplex last Thursday, we didn’t have the fortune of getting another surprise cameo from Yorke, but it was intriguing to see a sold-out crowd welcome Bronsert and Szary back to the City of Angels under the Modeselektor moniker for the first time in a long time (and on a school night no less). And considering they were only stopping through two U.S. cities — LA and NYC the night before at Elsewhere in Brooklyn — on this tour, the show felt a little extra special for those of us in attendance due to the circumstances. -Josh Herwitt, photo by Josh Herwitt


Best of 2019 - The Chemical Brothers

The Chemical Brothers

Date: May 15th
Location: Shrine Expo Hall – Los Angeles

Leading off with “Go” from their 2015 LP Born in the Echoes, The Chemical Brothers delivered a 24-song set that covered all nine studio albums, including their newest effort No Geography that dropped in April. They seamlessly transitioned from one banger to the next, keeping our spirits high and leaving us not a minute to rest our feet. The onstage production, meanwhile, was next level. With an arsenal full of lights and lasers as well as a massive projection screen mounted behind them, Rowlands and Simons created a scintillating audio-visual experience to remember and one of the best we’ve witnessed in a while. -Josh Herwitt, photo by Josh Herwitt


Best of 2019 - T-Pain

T-Pain

Date: June 15th
Location: The Queen Mary – Long Beach, CA

The sun finally came out for none other than T-Pain. Bouncing onstage like Tigger, T-Pain made a case for deserving a later set time (and was probably indirectly responsible for the wave of people passing out around 6 p.m.). The man is a party in a human body, and he’s aging like a fine wine — his music, his dance moves, all of it. It’s clear he belongs on that stage, whether it’s 2:15 or 10:15 p.m. -Rochelle Shipman, photo by Rochelle Shipman


Best of 2019 - Erykah Badu

Erykah Badu

Date: June 15th
Location: The Queen Mary – Long Beach, CA

As the sun set over the Pacific Ocean, the crowd swelled in front of the festival’s main stage, waiting for our lord and savior Erykah Badu. We waited. And we waited. Finally, 30 minutes later, Ms. Badu walked out and surveyed the scene before all was forgiven. Her shortened set was still probably more than the sun-dried fans could handle, with her vocals perfect and her vibe far-reaching and unmatched. As she threw her body left and right, jutting her limbs into the air and even jumping down to clasp a few lucky hands, you could feel a collective healing washing over the grounds. Before she left, she even thanked us for waiting for her, as though we had done her a favor. Psh. -Rochelle Shipman, photo by Rochelle Shipman


Best of 2019 - Usher

Usher

Date: June 15th
Location: The Queen Mary – Long Beach, CA

How do you follow Erykah Badu? I didn’t think it could be done until about five seconds into Usher’s performance. He came out swinging, energy and choreography at 110 percent, so fast and fierce that I yelped, “Holy shit!” I grew up listening to Usher and respect him for days, but I didn’t expect him to put on one of the most enjoyable shows I’ve witnessed in 2019 so far. To say “he’s still got it” wouldn’t nearly be enough. So, just trust me when I say “you’ve gotta get yourself to an Usher show.” -Rochelle Shipman, photo by Rochelle Shipman


Best of 2019 - Middle Kids

Middle Kids

Date: June 22nd
Location: Hollywood Palladium – Los Angeles

The Aussie rockers have been making a name for themselves on the festival circuit of late, and they did a fine job filling up the Palladium’s expansive floor. With Hannah Joy cementing the power trio’s sound on guitar and vocals, it was a performance that seemed to catch so many spectators off guard. Middle Kids’ songs possess the perfect amount of 90’s nostalgia to keep things catchy while remaining unpretentious and accessible, so expect big things from them in the future. -Zach Bourque, photo by Zach Bourque


Best of 2019 - Local Natives

Local Natives

Date: June 22nd
Location: Hollywood Palladium – Los Angeles

The band’s subdued lighting setup let the music do the talking and echoed its simple formula for success. Sometimes three amazing vocalists singing in harmony is all that you need to sell out a 5,000-person theater. While Local Natives haven’t taken a whole lot of risks over the last decade, including on the 10-track Violet Street, they still know how to hit you right in the feels every time. Nonetheless, time will tell which room they can sell out next. -Zach Bourque, photo by Zach Bourque


Best of 2019 - Empire of the Sun

Empire of the Sun

Date: June 25th
Location: The Regency Ballroom – San Francisco

We showed up for the second of three Bay Area performances only to find the crowd anxiously awaiting the group’s arrival onstage. When lead vocalist/guitarist Luke Steele finally emerged through all the smoke donning his usual headdress and face paint however, it quickly came to life. Complemented by a pair of backup dancers and plenty of eye-catching on-screen visuals, Empire of the Sun kicked things off appropriately with “Standing on the Shore” and between multiple costume changes and instrument swaps, completely blew us away before uncorking the LP’s title track to close their headlining set. -Karina Kristensen, photo by Karina Kristensen


Best of 2019 - Jim James

Jim James

Date: July 3rd
Location: The Wiltern – Los Angeles

That said, one could argue fairly easily that James’ songs are a bit more accessible than The CLD’s, and with that in mind, it wasn’t hard at all to understand why the man who has also put out music under the pseudonym Yim Yames assumed the closing duties for this tour. It became even more evident once James took the stage, shredding his way through tracks on Uniform Distortion like “Over and Over” and “You Get to Rome” before going to an acoustic guitar for “A New Life” from 2013’s Regions of Light and Sound of God. James would end up performing almost all of Uniform Distortion, but the real standouts of the show were in fact slightly altered versions of the Marvin Gaye-inspired “Here in Spirit” and the ever-haunting “Same Old Lie” to close what felt like a roller-coaster set full of peaks and valleys — and of course, plenty of screeches and squeals emanating from his Gibson ES-335, too. -Josh Herwitt, photo by Josh Herwitt


Best of 2019 - COMMON

COMMON

Date: July 25th
Location: Apogee Studio – Santa Monica, CA

That’s what COMMON does — he spreads love to each and every person his music reaches. As KCRW DJ Anthony Valadez pointed out during his sit-down interview with the emcee midway through the evening, COMMON has lots of songs about love, and you could quickly find more than enough evidence to assert that fact by looking at the setlist alone. Of the seven tracks he showcased off Let Love, five had the word “love” in its title, starting with “Show Me That You Love” that opened his set. The album, which is inspired by COMMON’s new memoir “Let Love Have the Last Word”, remains a departure from the political deliberations that dominated his 2016 LP Black America Again and spawned out of our most recent U.S. presidential election. I don’t think we need to revisit that moment in history right now, so let me stick to the script. -Josh Herwitt, photo by Brian Lowe


Best of 2019 - The Raconteurs

The Raconteurs

Date: July 27th
Location: Santa Barbara Bowl – Santa Barbara, CA

On a Saturday night at the picturesque Santa Barbara Bowl — which we’ll argue is the best music venue in Southern California and where we caught White’s first-ever show there last year — The Raconteurs brought those songs to life as they stormed onstage and unleashed total sonic bliss on our ears with a 90-minute performance highlighted by Consolers of the Lonely tracks “You Don’t Understand Me” and “Carolina Drama”, the latter of which came during an extended encore that was capped off by the quartet’s biggest hit “Steady, as She Goes” and what ultimately inspired White and Benson to form the group back in 2005 as a couple of longtime friends from Detroit. All of this, of course, without having access to our mobile phones after locking them in a Yondr pouch and Dean Fertita (Queens of the Stone Age, The Dead Weather) assisting on keyboards and guitar as a touring member. -Josh Herwitt, photo by David James Swanson


Best of 2019 - FKJ

FKJ

Date: August 5th
Location: Shrine Expo Hall – Los Angeles

2019 has already been a banner year for Venton in several ways. Besides making his debut at Coachella less than four months ago, he partnered with livestream media company Cercle to release this jaw-dropping live video that sees him performing on the world’s largest salt flat. Plus, he married Marieezy in March after previously working with the Filipino songstress. So with Marieezy by his side and fan bases in both Europe and North America now solidified, it appears that FKJ is ready to share his one-of-a-kind live show with the rest of the world. -Josh Herwitt, photo by Josh Herwitt


Best of 2019 - blink-182

blink-182

Date: August 9th
Location: Golden Gate Park – San Francisco

Though these 90’s pop-punk kings may be short an OG member, that didn’t stop them from a summer shed tour alongside Lil Wayne. Sure, we all miss Tom DeLonge, and yes, Matt Skiba of Alkaline Trio remains a considerably solid stand-in, but how effective is this nostalgia act in 2019? That’s a tricky question we won’t answer because at the end of the day, festivalgoers of all ages still love singing along to “What’s My Age Again?” and “All the Small Things”. It’s really as simple as that to be honest. Does frontman Mark Hoppus’ silly onstage banter work even as he approaches 50? That’s a whole other can of worms I won’t unpack here. -Kevin Quandt, photo by Marc Fong


Best of 2019 - Childish Gambino

Childish Gambino

Date: August 10th
Location: Golden Gate Park – San Francisco

As one of the most anticipated sets of the weekend, Childish Gambino (born Donald Glover) was an absolute highlight of OSL 2019 and it could very well go down as one of the best sets over the festival’s 12-year run. Minutes before making his grand entrance on the main stage, Glover was informed that he had induced the largest crowd in OSL history. When he finally dismounted from his disco platform in the middle of the polo fields, he shared the news and the audience’s energy from that point forward was palpable. Catching Childish Gambino on his current touring schedule is not only rare, but also few and far between. This year he has been mainly headlining festivals, and rumor has it that this cycle will be his final one billed under the “Childish Gambino” moniker, which made for an even more monumental event in SF. Glover dove straight into an aggressive set of songs from Because the Internet and notable cuts on 2016’s Awaken My Love while being accompanied by a backup band and rotating cast of creative support, including a full choir and crew of dancers/performance artists. More of a conceptual art piece than a typical headlining set, Childish’s masterpiece is one that we will remember for a long time. -Molly Kish, photo by Marc Fong


Best of 2019 - Kacey Musgraves

Kacey Musgraves

Date: August 11th
Location: Golden Gate Park – San Francisco

Kacey Musgraves is arguably one of 2019’s top artists. Her fourth LP Golden Hour has received incredible accolades since its release in 2018, eventually nabbing the highly coveted Grammy for Album of the Year. That said, it was little surprise that Musgraves was able to fill the main stage with fans. Her subtle, yet powerful opener “Slow Burn” could not have been more ideal as she took in the immense crowd. She cutely quipped about playing the Sutro stage in 2014, and you could tell she was well-aware of the moment’s gravity. She naturally leaned heavily on Golden Hour, making sure to include fan favorites such as “Butterflies” and “High Horse” during her set, and at this rate, it seems like it’s only a matter of time before this alt-country breakout star finds herself in big font at the top of festival posters. -Kevin Quandt, photo by Marc Fong


Best of 2019 - Paul Simon

Paul Simon

Date: August 11th
Location: Golden Gate Park – San Francisco

Now that OSL has casually cruised into its 12th year, some musical traditions appear to be in place. Sunday night has become the “legacy artist” slot for many years now, and while these may not be the highest-attended sets of the weekend, they have become a quintessential part of the event. Simon was no different in all circumstances referenced above. No one should be upset that his live retirement barely lasted a year, as the 77-year-old came out jubilant and as entertaining as ever. He quipped about his past musings and even invited a Bay Area legend onstage. As the sun began to set on a shockingly sunny August day, Simon waltzed out there and opened with “Late in the Evening”. Other classic hits like “50 Ways to Leave Your Lover” and “Me and Julio Down by the Schoolyard” were featured early. “Graceland” kicked off his encore, which saw the Grateful Dead’s Bob Weir join in on the Simon & Garfunkel tune “The Boxer”. Although Weir didn’t tackle any major vocals, it was a unique moment to see the two share the stage. And in a fitting way, “The Sound of Silence” served as Simon’s closing song before the masses strolled into SF’s Outerlands one last time. -Kevin Quandt, photo by Marc Fong


Best of 2019 - King Gizzard & The Lizard Wizard

King Gizzard & The Lizard Wizard

Date: August 13th
Location: Greek Theatre – Los Angeles

All jokes aside, as these Aussie weirdos continue to explore other creative avenues, catching a King Gizzard show remains a fairly unique experience in its own right. You can usually expect at least one mosh pit, if not more, to form, but with the Greek only having a small floor area at the front of the stage, the lively audience that showed up on a Tuesday night could only get so rowdy with most of it resigned to the venue’s seated sections. That, however, didn’t stop these mates from delivering the goods. Over the course of a 90-minute set, they touched upon seven of their 15 albums, including opening and closing with three straight tracks off Infest the Rats’ Nest. There was “People-Vultures” from 2016’s Nonagon Infinity, plus a version of “Wah Wah” that featured a snippet of “The River” at the performance’s midway point. I’m actually a little surprised that they didn’t throw us a couple of curveballs before saying goodbye to be honest, because for as prolific and unpredictable as they’ve become lately, King Gizzard might be one of the most versatile rock bands on Planet Earth, too. -Josh Herwitt, photo by Josh Herwitt


Best of 2019 - Maribou State

Maribou State

Date: October 16th
Location: The Regency Ballroom – San Francisco

When Maribou State walked off stage for their encore break, it was almost as if the crowd immediately expected an encore. But no one left until they came back out and performed “Turnmills” from Kingdoms in Colour in honor of the London club that closed in 2008. We really couldn’t have asked for a better way to spend a fall night in The City by the Bay. -Karina Kristensen, photo by Karina Kristensen


Outside Lands 2019

Showbams_Sticker_Rectangle2

10 new songs that you should know about & hear

Top songs - Weezer, Hozier, Foals & Bad SunsWritten by Wes Severson //

I’ve combed through the list of recent songs that have been released by record labels big and small. These 10 fresh, new efforts certainly made a mark on me, and I’m pretty sure they will strike some kind of emotion in you.


10. Peter Bjorn and John – “Bones”

 

“Bones” is the first offering from Peter Bjorn and John’s new three-track EPBJ EP. It’s a super soft and mellow song, but the chorus delivers and also makes you think.


9. MØ – “Theme Song (I’m Far Away)”

 

The Danish singer-songwriter continues to use her amazing voice to dazzle our ears. But this time, MØ’s latest release goes beyond that and serves as the theme song for “Moominvalley,” a Finnish cartoon that she was fond of as a child.


8. John Mayer – “I Guess I Just Feel Like”

 

No surprise here … John Mayer goes soft and sentimental but also adds some country-western flare to his new tune “I Guess I Just Feel Like” he just released. The sad lyrical content is what we have come to know and love from Mayer. It’s definitely a solid release from the pop veteran who seems to never quit.


7. Weezer – “High as a Kite”

 

I haven’t been a huge fan of anything Weezer has put out in the last four years until this song dropped. But the new Weezer, which often includes meaningless lyrical content, has taken a back seat to the old Weezer, which was centered mostly around sensitive material. “High as a Kite” reminded me of what we heard on their debut album almost 25 years ago.


6. DREAMERS – “Die Happy”

 

This is the same tried-and-true script for the pop-rock trio as they’ve followed in the past. “Die Happy” is packed full of fun, and the groove is very accessible. It’s sure to make fans who will be attending DREAMERS’ upcoming shows, which includes four dates in California, excited.


5. Hozier – “Dinner & Diatribes”

 

Andrew Hozier-Byrne is known for having an incredible vocal range, and this third single on the Irish musician’s new sophomore LP Wasteland, Baby! conveys that to the absolute fullest. In classic Hozier fashion, the complicated lyrical matter comes in a tight, catchy package, yet it makes us want to know what was going through his head as he wrote it.


4. Foals – “On the Luna”

 

Foals haven’t been in the mainstream scene for too long, but this diverse track surely shows why they deserve major recognition. “On The Luna” explores new ground with its retro vibe and interesting quirks, making it an easy one to dance to as we await Everything Not Saved Will Be Lost – Part 1 next month.


3. Circa Waves – “Times Won’t Change Me”

 

Get ready to stomp your feet because this song’s groove is great and makes for a spooky, cool vibe. One of the melodies in it reminds me of Fleetwood Mac, and the rhythm’s driving nature as well as the constant repetition of the lyrics will have you singing along with it in no time.


2. Dennis Lloyd – “Never Go Back”

 

Israeli musician Dennis Lloyd made a huge splash with his 2016 single “Nevermind”, and his newest hit has the potential to take him to even greater heights. To me, “Never Go Back” is an even better effort more than three years later.


1. Bad Suns – “One Magic Moment”

 

“One Magic Moment” is the third single from Bad Suns’ new album Mystic Truth, which drops in March and explores a sea of uncharted water for the LA alt-rock quartet. There are so many new sounds to enjoy from these guys. They finish their tour this May with three straight dates in California, including one at The Fillmore in SF and a tour finale at The Wiltern in LA.


Which of these new songs do you like most? Tell us in the comments section below!

MØ gets colorful & a bit personal at the Fox Theater Oakland after LPX’s energetic opening set

MØBy Karina Kristensen //

with LPX //
Fox Theater Oakland – Oakland
February 9th, 2019 //

On a Saturday night, the Bay Area had the pleasure of watching Danish singer-songwriter MØ conclude the North American leg of her world tour in support of last year’s Forever Neverland.

When we arrived at the Fox Theater Oakland, the venue was close to empty, but as soon as LPX stepped onstage, a crowd appeared. For seven years Lizzy Plapinger served as the lead vocalist of MS MR before the indie-pop duo announced that it was going on hiatus a couple years ago so she could focus on her solo project under the name LPX.

But after delivering her 2018 EP Bolt in the Blue more than a year ago, her set was incredibly energetic with lots of lights and smoke. Plus, Plapinger’s cow-patterned outfit and outgoing personality onstage was a great way to get things started.

LPX


LPX

MØ’s performance, meanwhile, was even brighter than LPX’s with the colors just completely all over the place and smoke coming from behind her as the lights created larger shadows of the 30-year-old’s body against the back wall. Karen Marie Aagaard Ørsted Andersen went on to perform all five singles — “Imaginary Friend”, “Nostalgia”, “Sun in Our Eyes”, “Blur” and “Way Down” — off her sophomore album and even showcased her 2017 collaboration “Don’t Leave” with British electronic duo Snakehips.

Also known for working with EDM juggernauts such as DJ Snake, Diplo and Cashmere Cat, MØ’s interaction with the crowd during her shows is something that not all artists do these days. She spoke to us, asked questions, stepped onto the platforms in front of the stage and held hands with her fans. There was nothing but smiles across the audience as MØ finished with her popular “Final Song” and took us on one last pass through Forever Neverland.

Because whenever MØ takes the stage in your town, be prepared for a wild ride.

Setlist:
Purple Like the Summer Rain
Imaginary Friend
I Want You
Kamikaze
Pilgrim
Get It Right
Red Wine
Trying to Be Good
Nostalgia
Nights With You
Sun in Our Eyes
Turn My Heart to Stone
Beautiful Wreck
Blur
Mercy
If It’s Over
Way Down
Lean On (Major Lazer cover)
West Hollywood
Don’t Leave (Snakehips & MØ cover)
Final Song

B2B sets highlight HARD Summer’s 2018 lineup

HARD Summer - 2018 lineup

HARD Summer Music Festival //
Auto Club Speedway – Fontana, CA
August 4th-5th, 2018 //

After two years at Auto Club Speedway, HARD Summer is finally settling into its Fontana digs.

The two-day, electronic-focused music festival struggled for several years to find a permanent home in Southern California, leaving Whittier Narrows Recreation Area in South El Monte for the Fairplex in Pomona at one point not that long ago (three years to be exact), though HARD founder and CEO Gary Richards appears to have found that the one NASCAR race track in the greater Los Angeles area works pretty well for his annual affair, which last August celebrated its 10th anniversary.

But after booking mostly EDM artists in its early years, HARD Summer has made a conscious effort since 2015 to feature some of hip-hop’s biggest names, and that same formula seems to have once again been used in assembling its 2018 roster. Leading the way will be Marshmello, Travis Scott, Yellow Mustard (Yellow Claw + DJ Mustard), Virtual Self (Porter Robinson’s new moniker), Louis the Child, MØ, Flosstradamus and Virgil Abloh, but it’s particularly the back-to-back sets — Zeds Dead B2B JAUZ, Diplo B2B Dillon Francis, Borgore B2B Getter and A-Trak B2B Baauer — that stand out from the fest’s past editions.

Meanwhile, others who will be performing at HARD Summer this year include TroyBoi, San Holo, Rick Ross, Trippie Redd, blackbear, Snakehips, Slushii, Kill the Snails (Kill the Noise + SNAILS), $UICIDEBOY$, Ekali, Petit Biscuit, Lil Skies, Hippie Sabotage, Valentino Khan, Big Wild, wifisfuneral and many more. Check out the poster above for the rest of the lineup.

Unlike the past two years, camping will not be offered in 2018, but HARD Summer organizers are promising a brand-new layout that will see all of the stages now positioned on the infield grass and expanded entry lanes for easier access into the grounds. Tickets to the 18-and-over event can be purchased here starting at $129 this Friday, April 29th at 9 a.m. PT.

Our 5 favorite moments from Coachella 2018

Coachella 2018 - EthereaPhotos courtesy of Coachella & Goldenvoice // Written by Josh Herwitt //

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 13th-15th, 2018 //

When Coachella dropped its 2018 lineup in the first week of January as it usually does every year now, there was a common perception among many veteran attendees that the Southern California music and arts festival’s latest roster was further proof of it trending in what some might call a more “mainstream” direction.

But signs of such really began more than a year ago, when Coachella revealed its 2017 lineup that saw Radiohead, Beyoncé and Kendrick Lamar atop the bill. It was the first time in nearly two decades that Goldenvoice had booked a pop star to headline the three-day, two-weekend event, and the renowned concert promoter’s commitment to the genre was cemented when it replaced Beyoncé with Lady Gaga just a few days after Queen Bey announced her pregnancy, forcing the 22-time Grammy winner to postpone her appearance until this April and marking the only instance to date when Coachella has confirmed a headliner in advance of its annual lineup announcement. Because when Beyoncé agrees to play your fest, you make exceptions for the Beyhive of course.

For longtime Coachellans such as ourselves though, the inclusion of a pop star for a second consecutive year wasn’t the only indicator that the festival’s curation process has started to evolve. In particular, a noticeable move away from EDM and an added emphasis placed on popular hip-hop acts like Post Malone, Migos, Cardi B and French Montana also signaled a change from past editions. That kind of music certainly isn’t the reason why we drive out to the desert each spring, but as is always the case, there are plenty of other artists and bands for us to discover and enjoy over three days in Indio.

In returning to Coachella for its first weekend, our ninth straight year at the Empire Polo Club was chock full of highlights. While we don’t have time to revisit all of them in this space, here are our five favorite moments — ordered chronologically — from 2018 (and no, Beyoncé, for as “inspiring” and “spectacular” as her performance was for many, didn’t make the cut).


Coachella 2018 - The War on Drugs

The War on Drugs

Weeks before The War on Drugs released their fourth LP A Deeper Understanding last year, we were fortunate enough to hear Adam Granduciel and company perform a handful of cuts from the new album in an intimate setting for KCRW. It was then and there that we knew the follow-up to 2014’s Lost in a Dream was another masterpiece, and that impression was only validated when A Deeper Understanding won the Grammy for “Best Rock Album” just a few months ago. On Day 1 of Coachella, the Philadelphia band brought some of those same songs we witnessed at Apogee Studio to life, though sadly, this time “Holding On” wasn’t part of the setlist. But we did get to experience “An Ocean in Between the Waves” in all of its glory, and we still have yet to come across another piece of music in more recent years that will make you want to play air guitar as much as the seven-minute track from Lost in a Dream does. Who said rock was dead?


Coachella 2018 - Soulwax

Soulwax

David Dewaele and Stephen Dewaele have drawn quite a bit of fanfare from the dance music community thanks to their successful side project 2manydjs, but the two brothers first broke ground when they put out Soulwax’s sophomore LP Much Against Everyone’s Advice back in 1998. The Belgian electronic outfit returned last March with its first album in nearly 12 years, and since 2016, it has been touring all over the world as the “Soulwax Transient Program for Drums and Machinery” with a lineup that consists of three drummers: Victoria Smith, Blake Davies and Igor Cavalera (formerly of Brazilian heavy metal group Sepultura). And while we remember being captivated by Soulwax’s performance at the 2010 version of HARD Summer, their Friday night set in the Mojave Tent was one for the ages. Showcasing tracks from 2017’s From Deewee and the rest of their catalog, Soulwax had the crowd pogoing up and down for the entire hour they were onstage. If one thing’s for sure, these guys still know how to bring the heat.


Coachella 2018 - Jamiroquai

Jamiroquai

Thirteen years. That’s how long it has been since Jamiroquai last performed in the U.S. With that in mind, there was no way we were going to miss Jay Kay and the rest of his sidekicks in favor of The Weeknd’s headlining performance (sorry, Abel), and after what ended up being close to a 90-minute set from the London nu-funk/acid jazz group, we had no regrets about our decision. The only regret we have is that they ran out of time and didn’t get to play their smash hit “Virtual Insanity” in its entirety, and you could tell Jay Kay felt bad about it as he jumped down from the stage to greet some overjoyed fans after wrapping the show up with “Love Foolosophy” from 2001’s A Funk Odyssey. But while Weekend 2 attendees got the full version of the Travelling Without Moving single, we were treated to a massive surprise when Snoop Dogg came out to rap on “Dr. Buzz” with a huge blunt in his hand. It was the kind of collaboration you never expect to see, except at Coachella of all places.


Coachella 2018 - David Byrne

David Byrne

One of the biggest eye-openers when Coachella’s 2018 lineup first hit the internet was seeing David Byrne listed on the festival’s iconic poster. The legendary Talking Heads frontman has been touring in support of his recently released solo album American Utopia, but at an event that’s made up of mostly 20-somethings, the Rock and Roll Hall of Famer almost seemed out of place with younger artists like MØ, Alina Baraz and BROCKHAMPTON performing around the same time on Day 2. In fact, with this being my first time watching the 65-year-old do his thing, the whole experience felt somewhat surreal. After all, I still remember a friend putting on “Stop Making Sense” in high school and wondering what the hell I was watching. Byrne’s set at Coachella may not have been as bizarre as Jonathan Demme’s 1984 concert film, but it definitely had its moments, like when he walked out with a prosthetic brain at the onset and proceeded to call us “people of the desert.” Frankly, I’m still giddy that I actually got to hear “Slippery People”, “This Must Be the Place (Naive Melody)”, “Once in a Lifetime” and lastly “Burning Down the House” all in an hour’s worth of time.


Coachella 2018 - Eminem

Eminem

While we can’t say that we were completely thrilled with Goldenvoice’s choices for this year’s headliners, we were excited to see Eminem finally play Coachella (he had never performed in an official capacity before) and close out the festival on Sunday night. Sure, his newest album Revival didn’t exactly receive rave reviews from critics when it dropped at the end of 2017, but watching one of hip-hop’s most talented emcees run through his hits all while bringing out 50 Cent and Dr. Dre was undoubtedly THE highlight from Day 3. For this “stan,” just crossing Em off my concert bucket list would have been enough to send me home with a smile. Fortunately for those of us who were there though, the real Slim Shady lived up to the hype and more.


Coachella 2018 - SUPERNOVA

Coachella drops 2018 set times & map changes

Coachella 2018

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 13th-15th & April 20th-22nd, 2018 //

Breathe easy, Coachellans. All of your scheduling conflicts have finally arrived.

The three-day, two-weekend music and arts festival has delivered this year’s set times just after 7 p.m. PT (7:02 p.m. to be exact), precisely one hour later than it did in 2017.

Part of going to Coachella is having to make some tough decisions when it comes to choosing which artists to see, and veterans like ourselves have become quite used to experiencing this #FirstWorldProblem over the years.

But now that the cat is out of the bag, you can start mapping out your 2018 schedule if you’re headed to the Empire Polo Club this weekend.

So, what’s your biggest conflict on this year’s schedule and who are you most excited to see?

WEEKEND 1 SET TIMES

Coachella 2018 - Friday set times

Coachella 2018 - Saturday set times

Coachella 2018 - Sunday set times

WEEKEND 2 SET TIMES

Coachella 2018 - Friday set times

Coachella 2018 - Saturday set times

Coachella 2018 - Sunday set times

Over the last several years, it has become more common to see the folks at Goldenvoice make some slight tweaks to Coachella’s Weekend 2 set times after the first weekend ends (the most notable might have been in 2015 when Florence Welch broke her foot during her performance Sunday on the main stage), and the same has proven to be the case in 2018, starting on Day 1 with Benjamin Clementine’s set being moved from the Gobi Tent to the Coachella Stage. Rick G., meanwhile, has been moved into Clementine’s 1:30 p.m. slot in the Gobi Tent, with DMM no longer preceding it at 12:30 p.m.

Some other noteworthy changes for Friday are Fisher, who didn’t perform during Weekend 1 but will replace B.Traits in the Yuma Tent, and Late Night Laggers, who were the first act to perform in the Sahara Tent on Day 1 but won’t be back for Weekend 2. Absent from Friday’s Mojave Tent lineup is Smiles Davis, which consequently has pushed Francesa Harding’s set back to 12:25 p.m., and Chulita Vinyl Club has replaced Jim Smith.

On Saturday, hip-hop producer Ahwlee will fill in for Salami Rose and Joe Lewis in the Mojave Tent, while Ron Gallo has been moved from the Gobi Tent, which lost Birdtastique and added Loboman, to the Sonora Stage, where Bane’s World, Otoboke Beaver and Mild High Club have all moved back one hour and five minutes to make up for the loss of R.O.C. Furthermore, Feel Good Green has replaced Palm Desert DJ Alf Alpha at the Outdoor Theatre, and Mexico City’s N.A.A.F.I. has been added to the Sahara Tent lineup in place of Jimbo Jenkins. The Coachella Stage also now has an eighth performer, with Gabe Real + Juicewon kicking things off at 1:25 p.m. on Day 2.

The third and final day of the festival’s second weekend sees the removal of Gabe Real from the Coachella Stage, leaving LION BABE as its first act to perform, while Los Angeles-based producer nostradahm will fill in for Juice won at the Outdoor Theatre. In the meantime, the Gobi, Mojave and Sahara Tents will each have new openers on Sunday: mr. rotu (replacing Phantom Thrett), VNSSA (replacing Pax) and EMME (replacing CVSS), respectively. And we couldn’t not mention that Jessie Ware’s set at the Outdoor Theatre has been moved back 15 minutes (as well as MAGIC GIANT’s by 10 to 2:25 p.m.), meaning that Weekend 2 attendees will have to settle for only 35 minutes from the UK singer-songwriter rather than 50.

Coachella 2018 - Weekend 2 set time updates

UPDATE (April 20th): Weekend 2 changes! Goldenvoice has announced some more tweaks to the schedule, with Jessie Ware moving from the Outdoor Theatre at 5:55 p.m. on Sunday to the Coachella Stage at 2:50 p.m. on Saturday (we have to think it has something to do with Cardi B performing around the same time after she drew one of the biggest crowds during Weekend 1). The other alterations are related to Sunday’s set times in the Sahara Tent, as Illenium (now at 6:35 p.m.) and French Montana (now at 8:05 p.m.) have switched places. Petit Biscuit will still precede both at 5:10 p.m., while chart-topping hip-hop trio Migos are expected to hit the stage at 9:30 p.m., although we’ll see if they’re a little more punctual this time compared to the first weekend of the festival, technical difficulties and all. Of course, we recommend downloading the Coachella app on your mobile device to receive the latest updates if you’re out in Indio for the festivities.

MAP

Several hours before revealing its Weekend 1 set times, the festival unveiled this year’s map, and it looks quite a bit different in comparison to some of Coachella’s past editions.

Last year, Coachella made some notable changes to its map, with the Mojave and Gobi Tents switching places and the addition of a third VIP section named “Hacienda Del Toro” that sat in between the Gobi and Sahara Tents. Goldenvoice even offered an updated location for the GA beer garden on that side of the polo field, which was supposed to improve the traffic flow behind the Sahara Tent, though we’re not sure it totally worked to be honest.

Now, the Mojave Tent has been moved far away from the Gobi Tent and into the same area that the Sahara Tent once occupied (next to the VIP Rose Garden). In its place will be the Sonora Stage, which Coachella introduced last year, with the third VIP section (no longer named “Hacienda Del Toro”) directly behind it rather than off to the side. The Gobi Tent, meanwhile, has moved back to its old confines closer to the Outdoor Theatre, where the Mojave Tent was located just a year ago.

Coachella - 2018 map

Another brand-new addition for Goldenvoice’s signature event is the Indio Central Market, a covered food hall that will feature 15 different restaurants and be situated behind the Sonora Stage. Inside will not only be New York City burger chain Shake Shack for the very first time, but also street food stand Cena, Moby’s vegan restaurant Little Pine and David Chang’s fried chicken sandwich shop Fuku. So, make sure to come hungry if you’re going to Coachella this year — we know we will.

But the biggest modification to the fest’s layout has to be the Sahara Tent’s new home after seeing the massive stage outgrow its longstanding location over the last decade. Positioned next to the main entrance, it will sit just in front of the Cantina and Beer Barn with the iconic ferris wheel and The Do LaB Stage nearby. And from what we can decipher by looking at the map, it appears that the Sahara Tent will be not as long as it used to be, but instead wider, a structural adjustment that was likely made to fit the space within the grounds.

We’ll make sure to give our two cents about these changes and much more when we return from the desert to share our favorite moments from this year’s installment, but as we often like to say around this time … Happy Coachella!

Goldenvoice announces 2018 Coachella sideshows

Goldenvoice Presents: April 2018

It’s Valentine’s Day, so what could be a better way to celebrate love — or least your love for live music — than with a whole slew of newly announced shows?

Well, with Coachella’s 19th edition just a couple of months away, Goldenvoice has done it again, assembling another massive list of April sideshows at various venues all across the greater Los Angeles landscape, including some in Orange County (at The Observatory and Constellation Room), Santa Barbara County (at the Santa Barbara Bowl and The Arlington Theatre) and the desert (at Pappy & Harriet’s).

Sister trio HAIM kick off the festivities with their headlining performance at arguably our favorite Southern California venue, the Santa Barbara Bowl, on Saturday, April 7th before things ramp up the ensuing week with Kali Uchis, Chromeo, Tyler, the Creator, St. Vincent, Portugal. The Man (with Cherry Glazerr), Perfume Genius (with Big Thief), Princess Nokia, PVRIS, Marian Hill, Fleet Foxes, Carpenter Brut, Tash Sultana, The Drums & Alvvays (with Fazerdaze), alt-J (with BØRNS), Migos, The Bronx, Greta Van Fleet, A Perfect Circle, Yaeji, Angel Olsen, Jessie Ware, BROCKHAMPTON, First Aid Kit, Japanese Breakfast (with Snail Mail), Kelela, Rolling Blackouts Coastal Fever, Buscabulla (with The Marías), Priests, MØ, Jorja Smith & Tom Misch, ODESZA, Miguel, Boogarins (with B Boys & Señor Kino), Ron Gallo, Moon Boots (Live), The War on Drugs, Jungle, Soulwax, Petit Biscuit, 6lack, Aurora, Motor City Drum Ensemble (with Talaboman), Los Ángeles Azules, The Drums, Hayley Kiyoko and Elohim all playing — some even more than once — inside and/or outside of LA’s city limits.

Unlike last year’s sideshows, which included a special showcase at the Palm Springs Air Museum the night before Coachella’s first weekend featuring several artists from British independent record label Young Turks, Goldenvoice has opted not to go down that route again. The two gigs that mirror that mini festival the closest both take place on Thursday, April 19th, as Motor City Drum Ensemble performs at the Palm Springs Air Museum with Talaboman and Los Ángeles Azules invades the Riverside County Fairgrounds with Cuco, Helado Negro and Ocho Ojos just one day before Coachella Weekend 2 commences at the Empire Polo Club. Check out the full list of sideshows in the poster above.

Year after year, Goldenvoice seemingly continues to outdo itself with more and more shows in and around Coachella, and this April the renowned concert promoter has done its best to give music fans in Southern California a little bit of everything, from electro funk and indie folk to hip-hop and alternative R&B. But at first glance, the 2018 sideshows that stick out the most to us include the following: Chromeo at the El Rey Theatre, St. Vincent at The Orpheum Theatre, Perfume Genius (with Big Thief) at The Mayan, Fleet Foxes at the Warner Grand Theater, Tash Sultana at the Fox Theater Pomona, The Drums & Alvvays co-headlining (with Fazerdaze) at Pappy & Harriet’s, alt-J (with BØRNS) at the Santa Barbara Bowl, Migos at The Observatory, A Perfect Circle at The Arlington Theatre, Japanese Breakfast (with Snail Mail) at The Roxy, The War on Drugs at the Fox Theater Pomona, Jungle at Pappy & Harriet’s, Soulwax at The Fonda Theatre, 6lack at The Novo and Portugal. The Man (with Chicano Batman and Deap Vally) at the Santa Barbara Bowl.

Tickets for most of the sideshows go on sale here this Friday, February 16th at Noon PT with the rest of them available on Friday, February 23rd at Noon PT or Friday, March 2nd at Noon PT.

Goldenvoice

Coachella wastes no time, revealing 2018 lineup headlined by The Weeknd, Beyoncé & Eminem

Coachella - 2018 lineup

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 13th-15th & April 20th-22nd, 2018 //

Well, that didn’t take long.

Just one day into the New Year, and Coachella has already revealed its 2018 lineup, signaling to music fans worldwide that festival season isn’t far off.

After it was reported almost two weeks ago that this year’s headliners would be The Weeknd, Beyoncé and Eminem, that indeed will be the scenario, marking the first time in all 19 years that the three-day, two-weekend event won’t have a rock act topping its bill (a real sign of the times as some might say). Coachella’s 2018 edition will also serve as Beyoncé’s official debut after being forced to cancel last year due to pregnancy, as well as Eminem’s (the only time he has appeared was as a guest back in 2012 during Snoop Dogg’s and Dr. Dre’s headlining set). The Weeknd will be back on the polo fields for the first time since 2015, when the R&B singer closed the main stage on Saturday night as a sub-headliner after Jack White’s headlining slot.

Other notable names listed on the festival’s famed poster this year include HAIM, ODESZA, Kygo, Jamiroquai, Portugal. The Man, David Byrne, St. Vincent, The War on Drugs, alt-J, A Perfect Circle, Fleet Foxes, Chromeo, MØ, Chic feat. Nile Rodgers, Kamasi Washington and Jungle. The undercard, meanwhile, does feature some buzzworthy indie-rock acts such as Perfume Genius, BØRNS and King Krule, but as was the case in 2017, there continues to be more of a focus on hip-hop and R&B, as evidenced by this year’s headliner selections along with the second-line poster placement of SZA, Tyler, the Creator, Migos, Vince Staples, Post Malone, Cardi B and Miguel.

Coachella’s first weekend is scheduled for April 13th-15th, with its second weekend slated for April 20th-22nd. All tickets will go on sale for both weekends this Friday, January 5th at Noon PT here.

Got your sights set on the California desert this April? Relive our five favorite moments, from Radiohead to Kendrick Lamar, after last year’s festival.

Coachella 2017

Our favorite performances from 2017

Best live shows of 2017 - The xx, Miguel, Moderat & Coldplay

2017, where the hell did you go? It just felt like the other day that we were ringing in a new year, and yet, here we are again as we plow straight ahead into 2018.

But before we officially put a bow on 2017, it’s time for us to revisit the past 12 months at Showbams. This year, we had the opportunity to capture many amazing moments in live music, and while we couldn’t pay homage to every single performance we witnessed, we made a conscious effort to include a wide range of talent spread across the industry.

Whittling down our list, though, was not that easy. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order) whom we either covered at their own show and/or at a music festival this year:

21 Savage, The Accidentals, Action Bronson, Alice Cooper, Alina Baraz, alt-J, Amber Mark, Andrew McMahon in the Wilderness, Animal Collective, Atlas Genius, The Avalanches, The Band Perry, Beach Slang, Belle and Sebastian, Black Moth Super Rainbow, Bleachers, Blonde Redhead, Bob Moses, Car Seat Headrest, Cate Le Bon, Cigarettes After Sex, Circles Around the Sun, City of Caterpillar, The Coathangers, Claude VonStroke, Chris Robinson, Con Brio, Conor Oberst, Courtney Barnett & Kurt Vile, Crystal Castles, The Crystal Method, Daniel Caesar, Dawes, Dead Meadow, Deafheaven, Deep Purple, Diet Cig, DIIV, Dirty Dozen Brass Band, Dr. Dog, Dr. Octagon, Duke Dumont, Eagles of Death Metal, Electric Guest, Emancipator, Emily King, Empire of the Sun, Foxygen, Future Islands, Gabriel Garzón-Montano, Gatecreeper, Girl Talk, Gone Is Gone, Grizzly Bear, Gucci Mane, Hamilton Leithauser, Hazel English, Hinds, The Hip Replacements, Hiss Golden Messenger, How to Dress Well, Iggy Pop, Isaiah Rashad, Jack Johnson, Jagwar Ma, Jamestown Revival, Jamie Isaac, Jay 305, Jen Cloher, Jessica Hernandez & The Deltas, Jessie Ware, Jim James, JR JR, Julie Byrne, Julien Baker, Justice, Karen Elson, Karl Denson’s Tiny Universe, KAYTRANADA, Kelis, K. Flay, Khalid, Khruangbin, Kilo Kish, King Gizzard and the Lizard Wizard, Kurt Vile, La Femme, LANY, Lauv, L.A. Witch, Lettuce, Lil Yachty, Little Dragon, Lo Moon, Lorde, Lord Huron, Miike Snow, Milky Chance, Minus the Bear, Mister Heavenly, MØ, Mondo Cozmo, Neon Indian, Nicki Bluhm, Norah Jones, North Mississippi Allstars, NVO, Oh Sees, OK Go, Once and Future Band, Pallbearer, The Palms, Passion Pit, Peaches, Perfume Genius, Petit Biscuit, Phoebe Bridgers, Playboi Carti, Pond, Porcelain Raft, PRAYERS, The Radio Dept., Real Estate, The Revivalists, Royal Blood, Sampha, ScHoolboy Q, Sheer Mag, serpentwithfeet, Silversun Pickups, Sleep, Sleigh Bells, SOFI TUKKER, Solange, Spiritualized, Styles P, Sunflower Beam, Talib Kweli, Tank and The Bangas, Tash Sultana, Tei Shi, Temples, Tennis, Tennyson, Thou, Thundercat, TOBACCO, Touché Amoré, Tool, Tove Lo, Travis Scott, Twin Peaks, Ty Segall, Unknown Mortal Orchestra, Vagabon, Vance Joy, Vic Mensa, Warpaint, Weezer, White Fence, Woods, YG, Young the Giant.

Now, it’s time for The Bam Team to present our favorite performances from 2017.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2017

Listen to The Bam Team’s favorite songs of 2017:


Best of 2017 - Run the Jewels

Run the Jewels

Date: February 1st
Location: Shrine Expo Hall – Los Angeles

Yet, in just four years, Run the Jewels have already reached hip-hop’s mountaintop with their politically charged lyrics and hard-hitting beats. Just take last Wednesday’s sold-out show in LA for example. With the duo’s third studio album still only a few weeks old, 5,000 or so fans poured into the spacious Shrine Expo Hall to watch El-P and Killer Mike fuck shit up (for lack of a better term). And that’s exactly what they did after opening sets from The Gaslamp Killer, Nick Hook, Gangasta Boo and CUZ. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - BADBADNOTGOOD

BADBADNOTGOOD

Date: February 23rd
Location: The Fillmore – San Francisco

As one of the bands to take the coveted headlining spot for NoisePop25, BADBADNOTGOOD seemed as — perhaps more — excited as all of the fans who made it to their sold-out show at The Fillmore. Combining consummate instrumentation with classic MC-style showmanship led by drummer Alexander Sowinski, the Canadian jazz-rock quartet has mastered the art of keeping the audience guessing where they’re going. -Brett Ruffenach, photo by James Pawlish


Best of 2017 - Spoon

Spoon

Date: March 7th
Location: Apogee Studio – Santa Monica, CA

In total, Spoon performed five songs from the new record, including “First Caress” to open a brief encore that left us eager for more. But as the five-piece rocked “Rainy Taxi” from 2014’s They Want My Soul to close, I couldn’t help but think to myself that this is one band I never should have slept on. -Josh Herwitt, photo by Larry Hirshowitz


Best of 2017 - Sigur Rós

Sigur Rós

Date: April 8th
Location: Greek Theatre – Berkeley, CA

Now a trio, Sigur Rós have been delivering goosebumps for over two decades — and it’s a delight to hear Jónsi’s voice-as-an-instrument this clear, this powerful and as confident as ever. It would be a wonderful treat to check in on this outfit every 5-10 years going forward and realize they are still going strong. -Mike Frash, photo by James Nagel


Best of 2017 - DREAMCAR

DREAMCAR

Date: April 9th
Location: Great American Music Hall – San Francisco

Fresh off a stop at Berkeley’s Hearst Greek Theatre the night before, Adams showcased some older favorites and a slew of new tunes from his 16th and latest studio album Prisoner, which came out in February. SoCal fans were treated to some extended full-band jamming, a couple of solo acoustic performances and Adams’ usual witty banter over the course of the evening.
-Jared Stossel, photo by Jared Stossel


Best of 2017 - A Perfect Circle

A Perfect Circle

Date: April 13th
Location: Bill Graham Civic Auditorium – San Francisco

In the world of rock supergroups, there are few that have sprung up in the last few decades that can hold a candle to A Perfect Circle. From the onset, APC have been a powerhouse on the senses, combining members from bands such as Tool, The Smashing Pumpkins, Failure, Primus and more over the years. Their body of work has been met with high praise across the board, and they have been able to solidify themselves as one of the most unique and tenured groupings out there, as opposed to bands like Zwan and Velvet Revolver. -Andrew Pohl, photo by Mike Rosati


Best of 2017 - Radiohead

Radiohead

Date: April 14th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Yes, the sound problems (all three instances) put a real damper on what was easily one of the most anticipated performances of the weekend. This was the third time Goldenvoice called on Radiohead to headline Coachella, and for one of rock’s most important bands over the last 30 years, it certainly wasn’t a charm as the saying goes. In that moment, it was pretty hard not to feel bad for Thom Yorke, who could only make light of the situation by cracking a joke even if it wasn’t supposed to be one — or so he claimed. But Radiohead more than made up for it with a masterful setlist that opened with A Moon Shaped Pool cuts “Daydreaming”, “Desert Island Disk” and “Ful Stop” before circling back to older hits such as “Everything in Its Right Place”, “There There”, “Idioteque” and even “Creep”. -Josh Herwitt, photo courtesy of Coachella


Best of 2017 - Kendrick Lamar

Kendrick Lamar

Date: April 16th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

All hail, King Kendrick! Or should we say “Kung Fu Kenny?” The Compton rapper reached hip-hop’s mountaintop more than two years ago with his Grammy-winning masterpiece To Pimp a Butterfly, but headlining Coachella was still on his to-do list. In fact, it was only the second time he had ever been booked to perform at Coachella after being listed on the last line of the 2012 poster. Closing out the fest is no short order for any artist, let alone one who dropped his new album less than 48 hours before taking the stage, but K-Dot lived up to the billing with a show that provoked as much thought as it entertained. -Josh Herwitt, photo courtesy of Coachella


Best of 2017 - The xx

The xx

Date: April 17th
Location: Bill Graham Civic Auditorium – San Francisco

Playfully alluding to their material’s emotional sentiment, Romy Madley Croft (vocals, guitar) and Oliver Sim (bass, vocals) managed to entrance all of us with their tension-filled gazes and syncopated dance moves. Prolonging vocal arrangements, especially during their accelerated live interpretation of “Infinity”, were also stunning to witness. About halfway through the set, Jamie Smith (beats, MPC, production), aka Jamie xx, took the lead and transformed the room into a giant disco party thanks to an onslaught of consecutive dance hits before finishing with “Loud Places” from his 2015 solo LP In Colour. -Molly Kish, photo by Norm de Veyra


Best of 2017 - Moderat

Moderat

Date: April 20th
Location: Mayan Theater – Los Angeles

Moderat subsequently circled back to III, performing “Intruder” before exiting the stage to a rousing applause. Yet, when the house lights didn’t come on right away, the suspense began to build once again. Less than a minute later, the three-piece reemerged, giving the audience more than its money’s worth. Two-encore shows are usually reserved for high-profile groups with extensive catalogs like Radiohead, but Moderat have never played by any rules. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - The Flaming Lips

The Flaming Lips

Date: May 9th
Location: The Theatre at Ace Hotel – Los Angeles

The Lips, of course, made sure to play that song, and even though it was without Watts, it still proved to be an unforgettable moment due to the fact that Coyne rode a life-size unicorn from one end of the stage to the other as he belted out lines like “Yeah, there should be unicorns / The ones with the purple eyes / It should be loud as fuck / Hope the swans don’t die” to open the tune while wearing a big smile across his face. If that’s not psychedelic to you, then I don’t know what is. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - Ryan Adams

Ryan Adams

Date: June 3rd
Location: Greek Theatre – Los Angeles

Fresh off a stop at Berkeley’s Hearst Greek Theatre the night before, Adams showcased some older favorites and a slew of new tunes from his 16th and latest studio album Prisoner, which came out in February. SoCal fans were treated to some extended full-band jamming, a couple of solo acoustic performances and Adams’ usual witty banter over the course of the evening.
-Stephanie Port, photo by Stephanie Port


Best of 2017 - Jay Som

Jay Som

Date: June 17th
Location: Potrero del Sol Park – San Francisco

Melina Duterte’s band goes by the name Jay Som and hails from Oakland. Do yourself a favor and remember this name: Jay Som. The Polyvinyl-signed songstress bathed the crowd at the Potrero Stage in her dreamy vocals and inanely catchy tunes that appeal to a wide-range of music fan; her songs could feel just as viable in the 90’s college rock area as they do today. Highlights from the set included a vibe-soaked rendition of “Baybee” as well as “The Bus Song”, arguably the artist’s first real “hit.” -Kevin Quandt, photo by Emmeline Munson


Best of 2017- AIR

AIR

Date: June 23rd
Location: The Masonic – San Francisco

AIR’s live performances focus on capturing the crisp, detailed production style that the duo has honed over two decades. It’s a vibrant, textured sound. Centered around acoustic guitar, synthesizers and the breathy timbre of the duo’s immaculate harmonized vocals, the use of live drums helped round out the contrast between both the artificial and acoustic sounds in songs like “Cherry Blossom Girl”. -Brett Ruffenach, photo by Steve Carlson


Best of 2017 - PLANETARIUM

PLANETARIUM

Date: July 21st
Location: Fox Theater Oakland – Oakland

PLANETARIUM’s music, which channels Stevens’ reflections on astronomy, science and even the intricacies of human consciousness, is a fusion of styles from all four band members that evokes feelings of unity. The group’s performance was accompanied by otherworldly visuals that filled the backdrop as it traversed the Solar System with quite a few emotionally charged songs inspired by the planets and other celestial bodies like “Neptune” and “Jupiter”. -Norm de Veyra, photo by Norm de Veyra


Best of 2017 - The Drums

The Drums

Date: July 21st
Location: The Fillmore – San Francisco

By the time The Drums took the stage, the intimate venue was packed to the brim with fans. The Brooklyn outfit made as much of an impression as it did when frontman Jonathan Pierce and company exploded onto the scene in 2009 with their initial EP Summertime! From then on, it became glaringly obvious with their eccentric band members and seemingly effortless style that they possessed an energetic presence. And at their SF show, it didn’t take long for the capacity crowd to fall into a groove as the venue’s whole atmosphere lit up. -Jacqueline Moore, photo by Jacqueline Moore


Best of 2017 - Miguel

Miguel

Date: July 23rd
Location: Annenberg Space for Photography – Los Angeles

Once the sun set and Miguel stepped onstage, the audience was transported somewhere else entirely. Born and raised in LA, the 31-year-old’s silky-smooth voice floated through the cool evening breeze over the twinkle lights in the trees, giving the impression of an island retreat rather than a concert in the park. -Rochelle Shipman, photo by Rochelle Shipman


Best of 2017 - The War on Drugs

The War on Drugs

Date: August 5th
Location: Apogee Studio – Santa Monica, CA

Granduciel’s raspy voice, as well as his driving (no pun intended) guitar rhythms and reverb-laden riffs, are largely what separates The War on Drugs from the rest in a crowded indie-rock scene, but the sum of the band’s parts — Charlie Hall (drums), David Hartley (bass), Anthony LaMarca (guitar, keyboards), Robbie Bennett (keyboards) and finally Jon Natchez (saxophone, keyboards) — also creates a sound that while familiar, still feels uniquely different. -Josh Herwitt, photo by Larry Hirshowitz


Best of 2017 - Gorillaz

Gorillaz

Date: August 11th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

Easily one of the most anticipated acts of the weekend, Gorillaz’s Humanz tour made its West Coast debut on Day 1 at OSL. After a six-year hiatus, expectations ran extremely high for this headlining performance. On previous tours, the band’s members had played second fiddle to the cartoon projections of their alter egos onstage, but everyone was visible this time around. Several collaborators from Gorillaz’s previous albums, including Kali Uchis, Yukimi Nagano and Del the Funky Homosapien, came out to join them, and the Damon Albarn-led group still pulled some even bigger surprises with cameos appearances from De la Soul and Pusha T. -Molly Kish, photo by James Pawlish


Best of 2017 - Cage the Elephant

Cage the Elephant

Date: August 12th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

While the cancellation of Queens of the Stone Age was a blow a week prior to the event, the replacement that was lined up more than delivered a blistering set of rock ‘n’ roll. Cage the Elephant are now being widely considered festival-headliner material, and frontman Matt Shultz is making a strong claim for that accolade as he continues to elevate his stage act to near-Mick Jagger levels of pomp and energy. “Come a Little Closer” and “Ain’t No Rest for the Wicked” received hearty sing-alongs from a decidedly youthful crowd as Cage have become a favorite of Generation Z. -Kevin Quandt, photo by Marc Fong


Best of 2017 - J.I.D

J.I.D

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

While the headliners thrilled as expected, it was at the side “Day” and “Night” stages where the festival’s biggest highlights were generated. J.I.D, the rising Atlanta rapper who is signed to J. Cole’s Dreamville imprint, absolutely thrilled during his set. Dazzling with his rapid-fire and agile flow, J.I.D showed off his ability to command a crowd with songs such as “General” and “EdEddnEddy” before jumping into the crowd for the tempo-changing hit “Never” that left the crowd chanting for “one more song!” -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman


Best of 2017 - SZA

SZA

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

Saturday, meanwhile, featured the vintage gospel spirit and warm vibes that have elevated Chicago emcee Chance the Rapper to superstardom. Earlier in the day, SZA, this summer’s breakout star, delivered her first festival performance since the release of her well-received debut album Ctrl. Swaying, spinning and singing her raw emotions and shortcomings while coming of age, the Top Dawg Entertainment songstress didn’t disappoint. -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman


Best of 2017 - Bonobo

Bonobo (Live)

Date: September 27th
Location: Greek Theatre – Los Angeles

The real reason things felt different this time around, though, was the music. Extending and reimagining his tracks for easily one of the largest crowds he has ever performed in front of, Bonobo followed an uplifting opening set from Canadian electronic duo Bob Moses with an array of soothing sounds that paired beautifully with his lighting setup and entrancing stage production in the same way Scott Hansen (aka Tycho) creates an awe-inspiring audio-visual experience during his live-band performances. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - Coldplay

Coldplay

Date: October 4th
Location: Levi’s Stadium – Santa Clara, CA

Coldplay took the stage shortly before 9 p.m. as a video montage of fans who introduced them as “the biggest band in the world” played onstage. While I’m pretty sure there are a few other artists or groups from their side of the pond (ehem, U2) who might take issue with that claim, they certainly did nothing during their electric, almost two-hour performance to dissuade that sort of thinking. Chris Martin and company, in fact, wasted no time getting down to business, flooding the stadium with confetti and firing off pyrotechnics at a steady clip while opening with “A Head Full of Dreams” and subsequently all throughout the night. -Steve Carlson, photo by Steve Carlson


Best of 2017 - Broken Social Scene

Broken Social Scene

Date: October 26th
Location: Fox Theater Oakland – Oakland

Here’s the thing about BSS — after 15 years, the web of musicians that makes up the collective have created their own individual projects, from Metric to Stars to Feist to Do Make Say Think to Emily Haines & The Soft Skeleton. And while many of the band’s members who have gone on to find success in their own solo careers didn’t happen to join the group on this particular tour, the sense of professionalism built into the BSS live experience remains prevalent. Every person who stepped onstage demonstrated consummate abilities in their own realms, never missing a beat or a note. -Brett Ruffenach, photo by Norm de Veyra

Best of 2017 - Jim James

Showbams_Sticker_Rectangle2

MØ exhibits no shortage of energy at The Warfield

MØPhotos by Norm de Veyra // Written by Kastania Victoria //

with Tei Shi //
The Warfield – San Francisco
March 19th, 2017 //

A packed house at The Warfield on a Sunday night welcomed the return of Danish singer and songwriter MØ (born Karen Marie Asgaard Ørsted), whose last Bay Area performance back in 2014 was a memorable one — when she wore an eye patch on the first day of Treasure Island Music Festival (read our review here) due to an eye infection.

Ørsted made mention of this at The Warfield, asking the crowd if it remembered her “pirate look from last time,” but she still harnessed a lighthearted, yet hyperactive and pumped-up attitude while onstage. The 28-year-old not only had the audience jumping the entire time, but she also came off casually fluid.

In the middle of her set, MØ went up to the venue’s balcony to perform amongst her fans. As she danced along to the music, it became clear that this was one of the best shows I’ve seen so far this year.

Setlist:
Don’t Wanna Dance
Waste of Time
Slow Love
Kamikaze
Riot Gal
All I Do
One More (Elliphant cover)
Dust Is Gone
Maiden
Pilgrim
Drum
Cold Water (Major Lazer cover)
True Romance
Glass
Final Song

Encore:
Don’t Leave (Snakehips & MØ cover)
Lean On (Major Lazer cover)

Sasquatch! continues to reign supreme as the Pacific Northwest’s premier music festival

Sasquatch! Music FestivalPhotos by Pedro Paredes // Written by Nik Crossman //

Sasquatch! Music Festival //
Gorge Amphitheatre – Quincy, WA
May 22nd-25th, 2015 //

2015 marked the 14th successful year of Sasquatch! Music Festival thanks to a hunch followed by a Pacific Northwest concert promoter. Back in 2002, when the U.S. festival scene was an infant, Adam Zacks decided to try his luck with an untapped market and bring the festival experience to the Pacific Northwest. The single-day festival sold out its first year, quickly validating Zacks’ hunch and setting the stage for one of the world’s most unique festival experiences.

Embracing the culture of the Pacific Northwest, Sasquatch! caters to the growing breed of indie-centric fans caring just as much about the festival experience (if not more) than the music itself. Over the last 14 years, Sasquatch! has become a “must-do” for festivalgoers and continues to impress with a stellar lineup playing against the majestic backdrop of The Gorge.

So, when I fell into tickets the week before the festival, I jumped at the opportunity to see some of my favorite bands jam out at Mother Nature’s cathedral. Having no campsite and no ride to/from the festival, I posted a Hail Mary message on the Sasquatch! Facebook page, asking a bunch of strangers to take me in as one of their own … and it worked! That’s when I realized Sasquatch! is more than the music — it’s coming together as a community to lend a hand and help a fellow human.

The two-hour drive from Seattle to The Gorge wet the appetite for the alluring landscapes to come. My two new friends and I arrived Friday afternoon, just in time to set up camp and catch the sun fall behind the mountainous horizon.

Sasquatch! - Little Dragon


Little Dragon

Friday

Kicking off the festival, Friday’s lineup included the sounds of Ought, Mother Mother, Gogol Bordello, Action Bronson, Angel Olsen, AlunaGeorge, Little Dragon, Of Monsters and Men, Sleater-Kinney and of course, Flume, the 23-year-old Australian DJ/producer who has been taking the electronic music scene by storm since dropping his debut album in 2012. Despite a little rain early Friday night, the festival was in full swing and the energy inside the grounds built on itself with each performance. The unique sound of Little Dragon had the crowd flowing together, sprinkling in rumors and heightened anticipation for SBTRK‘s set on Sunday night. “Will Little Dragon come out for ‘Wildfire’?!” By the time Flume dropped his first beat at the Bigfoot Stage, the energy was palpable and everyone could feel why this young DJ was chosen to close out Friday night.

Sasquatch! -  Modest Mouse


Modest Mouse

Saturday

With the loving melodies of Milo Green rushing over the Bigfoot State by mid-day, Twenty One Pilots picked up the tempo with an animated performance on the Sasquatch Stage, where the dynamic duo commanded their early-day crowd. Sylvan Esso threw down a Bigfoot dance party when their hit “Coffee” ignited the entire crowd to dance along with the ever-so-strange Amelia Meath on stage. Chromeo‘s love for themselves may only be surpassed by the massive turnout the funky duo brought to Sasquatch! main stage early in the evening. Their funk-tastic sound and vibrant stage presence was perfectly timed to set the stage for following acts like Glass Animals, Kiesza, Modest Mouse, ODESZA and Spoon. Kiesza took the El Chupacabra tent by stormy lights and surprisingly produced more vigor into the crowd than the Seattle duo ODESZA, who seemed to play a more mellow version of themselves than most are familiar with. Just down the hill from ODESZA, 22-year-old rock band Spoon spilled heavy guitar riffs over the crowd and presented an alternative ending to Saturday’s electronic scene. For the second night in a row, Sasquatch! closed out the night with a young, up-and-coming electronic act, staying true to their committed mix bag of new and established performers.

Sasquatch! - St. Vincent


St. Vincent

Sunday

Milky Chance wooed the crowd at the Sasquatch Stage in the late afternoon on Sunday with their unique electro-folk-reggae sounds, lead vocalists Clemens Rehbein’s deep, melodic vocals and the magnificent backdrop of The Gorge. Shortly after Milky Chance stirred the crowd, the unlikely future of rap, Kate Tempest, lived up to her reputation as a force to be reckoned with while showering the crowd with positive affirmations. The sun started setting behind The Gorge while the idiosyncratic St. Vincent moved so distinctly across the stage like an elegant robot, convincing the crowd they made the right choice. The sultry vixen Lana Del Rey attracted one of the largest crowds to the Sasquatch Stage on Sunday night. While Del Rey is not as active as some of her siren peers, her presence was not lacking. Captivating the masses while her white dress blew in the wind, Del Rey abandoned the stage to walk among her amorous fans before leaving her set early to pass the spotlight to an epic instrumental jam session by her band. Madeon, the 21-year-old child prodigy, proved himself once again in the El Chupacabra late on Sunday night when he led the crowd on a fantastic journey of impeccable mashups and psychedelic lights.

Sasquatch! - Slow Magic


Slow Magic

Monday

Monday was the last day of the four-day festival, and the crowds started to thin between the intermittent rain clouds playing hide and seek with the sun. Monday was also the day of drums, at least in the El Chupacabra. Armed only with a wolf mask, laptop and two drumsticks, Slow Magic kicked off the night in the Spanish-flavored tent with a one-of-a-kind experience. With his rare combination of synth and live drumming, Slow Magic is re-imagining electronic music as we know it. Not far behind the solo drumming DJ were the three-piece veterans The Glitch Mob. The trio conquered the stage with their new musical element “The Blade,” which combines both lights and instruments into something that looks like it came out of a space-age movie scene. Drumming their way into the bones of the crowd, The Glitch Mob elicited some of the most hands-in-the-air praise I saw all weekend. They closed out Sasquatch! with a bang, literally.

Sasquatch! Music Festival

Camping

The Sasquatch! campgrounds were far from organized, which presents pros and cons, pending what you’re after. The grueling trek from general camping to the grounds made going to the festival more of a commitment than many appreciated. After a few journeys to and from, premium camping seemed well worth the investment. The wheel-and-spoke layout of the grounds made it easy to find other campsites and stumble into the food trucks for a late-night zombie dog. The camping community itself was friendly and full of love for each other, inviting neighbors to play beer darts and other awesome lawn games.

Sasquatch! Music Festival

Activities

Despite the loving nature of the campers, the Sasquatch! campgrounds lacked the festival-sponsored activities so many of us have come to appreciate and expect like morning yoga classes at Coachella and personal development workshops at Lightning in a Bottle (LIB). The Sasquatch! community inside the grounds attempted to provide this outlet with a vintage arcade, self-defense demonstrations and community dance parties, but they fell short relative to other festivals. One could also argue the lack of art installations throughout the Sasquatch! grounds presents an area of improvement for the festival. That is, until they’re reminded of the natural art blanketing all of The Gorge. Well done, Mother Nature!

Sasquatch! Music Festival

Sustainability

While LIB has been dubbed as “The Greenest Festival in America,” you’d think all festivals would have a strong commitment to sustainably responsible business practices by now. This was an oversight for Sasquatch!, as recycling bins were nowhere to be found and trash cans were often overflowing — a pretty easy, yet significant improvement that needs to be made.

Culture Collide Festival invades SF, LA with talent far and wide

Culture CollideBy Marc Fong and Josh Herwitt //

Culture Collide Festival //
Various venues in San Francisco and Los Angeles
October 14th-15th in SF; October 16th-18th in LA //

Culture Collide Festival stopped off in SF for the first time ever before making its way down to LA last weekend, bringing bands from around the globe to celebrate music, food and well, culture, of course. With U.S. headliners Cloud Nothings and Clap Your Hands Say Yeah leading the way, the festival also boasted plenty of international talent, from Israel’s SKYROADS to Colombia’s Quantic. Marc Fong hit up the festival in SF and Josh Herwitt was in LA to give their own takes on a dozen different acts.

Rock N Roll Radio


Rock N Roll Radio

Rock N Roll Radio (Korea): Though the vocals were a bit muffled and its English was rough, this Korean band communicated fun in the most basic of ways — through catchy, poppy riffs.

Go Back to the Zoo (Netherlands): The lyrics were a little repetitive, but their melodies were strong and soulful. Think early Kings of Leon.

Kamp! (Poland): Kamp!’s synth-heavy songs were fun, yet mellow, making for a slow ride into the night at the Elbo Room.

SKYROADS (Israel): Of Monsters and Men meet Freelance Whales. A little rough around the edges, this band has a strong radio sound, plus an amazing performance. Don’t be surprised to see and hear more from SKYROADS in the near future.

Everyone Is Dirty (USA): Gritty tunes from a gritty band by way of Oakland. They sound like garage rockers but with a lot of flare, great vocals and most notably, some kick-ass violin playing.

Cloud Nothings


Cloud Nothings

Cloud Nothings (USA): Cleveland pop-punk outfit Cloud Nothings brought a grisly sound to The Chapel with catchy hooks and fun, crunchy riffs. If you haven’t checked out their latest album Here and Nowhere Else (read our review here) yet, you should.

Nervous Nellie (Sweden): This four-piece out of Stockholm brought some fun indie-rock tunes from its Scandinavian homeland.

Beat Connection (USA): Reminiscent of early M83, these four guys from Seattle offered a fun way to fade into the night and close out the SF edition of the fest.

De Lux (USA): Fans of this burgeoning LA act got their weekend started early in Echo Park, moving and grooving to a funky set chock full of post-disco, dance-punk cuts that have drawn comparisons (and rightfully so) to Talking Heads, LCD Soundsystem and Hot Chip. After releasing their debut LP Voyage in April to much fanfare, Glendale natives Sean Guerin and Isaac Franco appear to have a promising career ahead of them.

(Denmark): Dropping their debut album No Mythologies to Follow in March, Karen Marie Ørsted and her sidekicks electrified the Echoplex with one electropop hook after another during their nearly hour-long show. It should be only a matter of time before the 26-year-old singer-songwriter is selling out venues all across the country. Her growing popularity, in fact, could very well skyrocket following her performance with Iggy Azalea on Saturday Night Live this month.

Clap Your Hands Say Yeah


Clap Your Hands Say Yeah

Clap Your Hands Say Yeah (USA): After revolutionizing independent music in the mid-2000s thanks to the interwebs, the Philly-based group has endured quite a few changes. Frontman Alec Ounsworth remains the only original member still in the band, and for all intents and purposes, it is clearly his band at this point. But the recent release of their fourth full-length album — and a relatively lackluster one — Only Run has CYHSY living off many of their earlier hits that once earned the attention of legends like David Bowie and David Byrne back in 2005.

Quantic (Colombia): Multi-instrumentalist, DJ and record producer Will Holland may be one of music’s biggest hidden talents. As one of Holland’s most prolific projects, Quantic pulls from a variety of styles, including cumbia, salsa, bossa nova, soul, funk and jazz, while the UK native works his way from one instrument to the next (his current arsenal includes guitar, bass, double bass, saxophone, accordion, piano, organ and various percussion instruments). Inside the diminutive and sweaty Echo Park United Methodist Church, Holland and his ensemble got some eager fans out of their seats just seconds after taking the stage. Though Holland said it would be Quantic’s last show for some time, they won over at least a few new fans that night, too.

The best of Treasure Island Music Festival 2014

TIMF2014_postPhotos by Marc Fong // Written by Mike Frash //

Treasure Island Music Festival //
Treasure Island – San Francisco
October 18th-19th, 2014 //

Treasure Island Music Festival 2014 will be remembered for its triumphant headliners along with its embrace of minimalist, finger-snapping electro-pop. Some of the performing acts that have blown up over the past year or so — including Jungle, Zedd, BANKS and Chet Faker — offered relatively tame performances, struggling to elevate their live music experiences. But many other acts gave inspired, breathtaking or insanely fun sets.

Here’s our best (and worst) of TIMF 2014.

Kaleidascope


Massive-Attack

Show of the Weekend: Massive Attack

Massive-Attack2With perhaps the most appropriate name for musical act on the planet, Massive Attack capped Treasure Island Music Festival 2014 in stunning fashion. With a balancing act of bass-infused downtempo brilliance highlighted by Martina Topley-Bird’s singing and industrialized synth-stabbing electronic pieces, a range of emotion is achieved for the listener. With contrasting tempos and a duality of tranquility then intensity, a cause-and-effect narrative starts to take shape — especially when paying attention to the video elements of the intense songs. “United Snakes” left nothing to the imagination with its barrage of corporate logos and national flags. It appeared the expanded duo slipped in one frame of a Ferris wheel, reminding us that yes, us consumers at TIMF, the only U.S. festival Massive Attack played on this tour, are part of the system. “Future Proof” visuals stripped out rows of zeroes and ones, using the simplicity of computer code to inspire multiple paths of thought, especially while absorbing this show in the Bay Area. And Tunde Adebimpe from TV On The Radio joined in for “Pray For Rain” for the grand finale.


OutKast-Big-Boi

Biggest Bay Area Party of the Year: OutKast

OutKast-DreIt’s almost the end of the biggest reunion tour in decades, and TIMF patrons were lucky enough to witness one of OutKast’s last shows. The Bridge Stage was more packed in than any show in memory, and festivalgoers outwardly had more fun compared to performances from past years. The set was perfectly paced, with André 3000 seemingly having a fun time — an important part of the equation compared to Big Boi’s rock-steady appearances throughout 2014. The guys gave shout-outs to Casual and The Misfits in the “local love” part of the show, and “Roses” (including a half-hearted apology for the “crazy bitch” outro) once again was one of the highlights. The set ended at least 20 minutes before the scheduled end of the day, emptying a large percentage of patrons into the shuttle line at the same time — there were some reports of people not making it back to SF until 2 a.m.


alt-J

Most Likely to Headline Festivals Very Soon: alt-J

alt-J is no longer a band on the rise, but one of the biggest bands in the world with this just-launched tour in support of the group’s second LP. This hour-long set at TIMF seemed like a coronation of sorts as it was the first festival set the now-quartet has played with new material. The highlights from An Awesome Wave still act as the backbone of the set while the best cuts from This Is All Yours were cherry-picked and sprinkled in perfectly to enhance their already-inspiring live show. “Hunger of the Pine” got things going while “Left Hand Free” worked well, getting away from the heady elements for a bit. “Dissolve Me” into “Matilda” is still so incredibly beautiful and emotive — alt-J should never break these two songs up. “Every Other Freckle” is the one song where I wish the guys would have considered new lyrics, but it’s a small complaint for a concert experience that had a huge crowd rapturously involved. When music implores a festival audience to be fully invested as alt-J pulled off on Sunday, with no one talking during the quiet intimate parts, it becomes clear you are ingesting something special. Even though their rise in popularity has happened remarkably fast, that trend should continue to move upward through festival season next year.


Classixx

Most TIMF Set of the Weekend: Classixx

On paper, Classixx is the ideal act for Treasure Island Music Festival 2014, and the duo delivered on this promise in the all-important sunset time slot. Restrained but upbeat enough, pop-oriented yet progressive in its sound, the LA-based remixers-turned-original producers brought Saturday together based on what we expect from past TIMF years. Their on-stage centerpiece, a modern take on a 1980’s-era television, visualizes Nancy Whang for “All You’re Waiting For” and YACHT’s Claire L. Evans for a remix of “Psychic City”. The television set offers a surreal scene juxtaposed with the backgrounded City skyline, functionally helping to break down the walls of disembodied vocals.