BeachLife Festival taps Jane’s Addiction, Cage the Elephant, Counting Crows & more for 2021 roster

BeachLife Festival - 2021 lineup

BeachLife Festival //
Seaside Lagoon – Redondo Beach, CA
September 10th-12th, 2021 //

What’s summer without a day at the beach?

Whether you’re a fan of the sand or not, we know that it sure wouldn’t be a party down by the shore without a weekend of live music. That’s why after a successful inaugural event in 2019, BeachLife Festival is headed back to the South Bay of Los Angeles County for a second stint after its 2020 edition last May was canceled due to the COVID-19 pandemic — much like every other major U.S. music festival that was supposed to take place last year.

However, a number of the same acts are still scheduled to perform this September at Seaside Lagoon in Redondo Beach, including Counting Crows, Ziggy & Stephen Marley, Ben Harper & the Innocent Criminals, Fitz and The Tantrums, Sugar Ray, G. Love and Special Sauce, Phosphorescent, Save Ferris and more.

Joining Counting Crows and the Marley brothers as the fest’s other headliners will be LA alt-rockers Jane’s Addiction for their first hometown gig since 2017. Fronted by Perry Farrell, the band has not released a new studio album in almost 10 years — since 2011’s The Great Escape Artist — but that doesn’t mean it has forgotten how to put on a show with Cage the Elephant also serving as a Day 1 co-headliner for what should be an epic Friday night.

And even if you’re not a big fan of Jane’s or Cage, there are plenty of other exciting additions on BeachLife’s 2021 lineup with The Revivalists, Men at Work, Portugal. The Man, Silversun Pickups, Gary Clark Jr. and Thievery Corporation standing out among the pack.

Three-day GA and VIP passes are on sale here for $349 and $799, respectively, as well as single-day tickets for $125 (GA) and $299 (VIP). Of course, there’s also the three-day Captain’s pass if you’re willing to shell out a small fortune of $2,999 or $1,250 for one day so climb aboard while you still can!

BottleRock drops new 2021 lineup headlined by Guns N’ Roses, Stevie Nicks & Foo Fighters

BottleRock - 2021 lineup

BottleRock Napa Valley //
Napa Valley Expo – Napa, CA
September 3rd-5th, 2021 //

So much for 2020, right?

After releasing a lineup early last year that never got to play out over Memorial Day weekend due to the COVID-19 pandemic, BottleRock will return to Napa Valley this September with a refreshed roster that includes some newly announced acts as well as some that were revealed a year ago like Steve Nicks.

Joining the Fleetwood Mac singer at the top of the 2021 poster are iconic rock bands Guns N’ Roses and Foo Fighters, creating quite a trilogy of star power for the music festival’s eighth installment over Labor Day weekend.

While BottleRock has always catered to fans of rock ‘n’ roll (just look at many of the fest’s past headliners), it has also tried to offer an eclectic mix of genres and this year’s undercard that’s highlighted by Miley Cyrus, Megan Thee Stallion, G-Eazy, Run the Jewels, Brandi Carlile, Cage the Elephant, Portugal. The Man, Young the Giant, Maren Morris, Black Pumas, Future Islands, LCD Soundsystem’s James Murphy (DJ set), Jimmy Eat World, FINNEAS, Polo G, Jack Harlow, Milky Chance, Jessie Reyez, Dominic Fike, Chromeo, Mavis Staples and Jon Batiste proves that to be the case once again. And don’t forget about Village People! After all, how often do you get to see the legendary disco group perform live these days? Anyway, peep the poster above for the rest of the lineup.

But amidst all of the music, the three-day event will have its annual live cooking demonstrations between a variety of celebrity chefs, musicians and athletes at its beloved Williams-Sonoma Culinary Stage that has seen appearances over the last several years by Alice Cooper, The Avett Brothers, Big Boi, Brett Dennen, Dan the Automator, E-40, Fitz and the Tantrums, Grouplove, Halsey, Macklemore & Ryan Lewis, Michael Franti, Questlove, Shakey Graves, Silversun Pickups, Snoop Dogg, St. Paul & the Broken Bones, Tank and the Bangas, Warren G and more, too.

Tickets go on sale this Thursday, May 20th at 10 a.m. PT here and start at $369 for a three-day GA pass while it’s $849 if you’re going for VIP. And if you’ve been saving up during quarantine, there’s always the three-day skydeck pass that will cost you a cool $1,599 or the platinum for a whopping $4,350.

BottleRock - 2021 daily lineups

UPDATE (May 24th): BottleRock has released its daily lineups for 2021, with Stevie Nicks performing Friday, Guns N’ Roses rocking Saturday and Foo Fighters closing things down on Sunday. Take a look at the daily schedules above before single-day tickets go on sale here for $187 (GA) or $211 (FLEX) plus fees each day starting this Thursday, May 27th at 10 a.m. PT.

Cal Jam 18: The closest we might ever get to seeing Nirvana perform as Foo Fighters take us ‘way back’

Cal Jam 18 - Foo FightersBy Josh Herwitt //

Cal Jam 18 //
Glen Helen Regional Park & Festival Grounds – San Bernardino, CA
October 6th, 2018 //

When Dave Grohl decided last year to revive the original California Jam (or Cal Jam for short), there was something intriguing about the Foo Fighters turning a once-banner event into their own mini music festival.

After all, this was the same event that Deep Purple and Emerson, Lake & Palmer co-headlined at the now-demolished Ontario Motor Speedway in the spring of 1974, with Black Sabbath, the Eagles, Earth, Wind & Fire and more rounding out the bill.

But as major music festivals on U.S. soil have started to move away from rock ‘n’ roll — take a look at this year’s Coachella lineup if you don’t believe us — there have been fewer and fewer that are embracing the roughly 70-year-old genre.

That hasn’t deterred Grohl, though. In fact, it has only enticed him to bring Cal Jam back for a second straight year following a stellar 2017 edition that included the Foo Fighters, Queens of the Stone Age, Cage the Elephant, Liam Gallagher, The Kills, Royal Blood, Japandroids and so many more, including the UK’s latest Mercury Prize winners, Wolf Alice.

And although Cal Jam’s 2018 cast wasn’t quite as eye-popping as the one that took Glen Helen Regional Park by storm last October, it continued to expand in both size and scope with a new comedy tent on the grounds and a pop-up event in LA six weeks before that saw the Foos play a rare show as The Holy Shits, a secret moniker the band hasn’t used since 2014.

Cal Jam 18 - Greta Van Fleet


Greta Van Fleet

For this year’s installment, Grohl and company assembled another rock-centric roster, turning to legends like Iggy Pop with Post Pop Depression (featuring members of Queens of Stone Age and Arctic Monkeys), Tenacious D and Garbage as well as rising stars such as Greta Van Fleet, Manchester Orchestra and The Front Bottoms. Silversun Pickups were also originally listed on the bill, but were forced to cancel their appearance due to “unforeseen circumstances.” While it was certainly a bummer that the LA alt-rockers couldn’t make it out to San Bernardino, that didn’t stop us from making the 70-mile trek to the country’s largest outdoor music venue on a warm fall Saturday.

By the time we got through security and stepped inside the gates, Manchester Orchestra had just finished their 45-minute set on the main stage, which essentially was the 65,000-person Glen Helen Amphitheater that was constructed back in 1982 for the first US Festival. Next up was Greta Van Fleet, and boy, do these kids know how to rock. Zeppelin clearly runs deep in these four Michiganders’ veins, as they showcased songs off their forthcoming debut album Anthem of the Peaceful Army with frontman Josh Kiszka commanding the stage and offering his best Robert Plant impression. He even dresses the part, sporting some tight, white jeans with a water-colored blouse and necklace of feathers while his brothers Jake and Sam wore vests or shirts that looked like what you would find at a vintage clothing store.

If Greta Van Fleet evoked the spirit of the 70’s during their hour-long gig, Garbage made sure to conjure up plenty of 90’s nostalgia as Shirley Manson arrived onstage with red hair pulled back, a stripe of red face paint over her eyes, a red choker and a black-and-white ombré faux fur coat because it couldn’t have been real given her well-publicized support for PETA dating back more than a decade. Manson would eventually shed that one layer of warmth, revealing a black romper, red sweatbands and red fishnet stockings underneath as she and her cohorts — Duke Erikson (guitar, bass, keyboards), Steve Marker (guitar) and famed Nirvana producer Butch Vig (drums, percussion) — opened with their 2017 single “No Horses” on a surprisingly overcast day. Yet, the most memorable moment of Garbage’s performance came during “Only Happy When It Rains” — not because it’s still the quartet’s most popular song to this day, but because a few sprinkles, coincidentally enough, dropped from the dark, ominous sky. Hey, at least Manson must have been happy, right?

Night fell over the Inland Empire shortly thereafter, with Jack Black and Kyle Gass taking the stage for Tenacious D’s first full LA show since Festival Supreme in 2016. Though the 11-song performance hinged on the comedy rock duo’s previous studio material, the D are preparing to release their fourth album — and first in six years — Post-Apocalypto next month. “Double Team” from their 2001 self-titled debut LP, in the meantime, featured snippets of Van Halen’s “Panama” and Black Sabbath’s “War Pigs” before they encored with their cheeky tune “Fuck Her Gently” as the two actors/musicians have been known to do. Nevertheless, it was nice to see Black and Gass back onstage rocking out and making us chuckle because when you start to look around, there still aren’t too many who do what they do.

The same can be said for James Osterberg Jr., or more famously, Iggy Pop. At the age of 71, the Rock and Roll Hall of Famer hasn’t slowed down, and this was a particularly special occasion with his Post Pop Depression backing band after their 2016 world tour. Truth be told, anytime we get to see Queens of the Stone Age leader Josh Homme play is a treat, and with bandmates Troy Van Leeuwen and Dean Fertita as well as Arctic Monkeys drummer Matt Helders joining him, you couldn’t ask for a better group of musicians to showcase Iggy Pop’s massive catalog as a solo artist. To begin, the foursome jumped right into the title track on Iggy Pop’s Lust for Life, his 1977 commercial success, and from there delivered cuts from his other David Bowie-produced album The Idiot and Post Pop Depression. But the leathery, shirtless punk rocker is also a real hoot, and he showed his general appreciation for those of us who stood there and watched him let loose on the main stage, offering an emphatic “fucking thanks!” after pretty much every song ended. In that case … you’re fucking welcome, Iggy.

Cal Jam 18 - Garbage


Garbage

Iggy Pop was a strong lead-in to the Foo Fighters’ headlining spectacle, which was supposed to start at 9:45 p.m. but actually kicked off 15 minutes prior. That’s because, after dropping a little hint earlier in the week, the Foos had something up their sleeves, but more on that in a jiffy. Grohl couldn’t have been in a much better mood, and in a lot of ways, Cal Jam feels like his own personal playground, from the fest’s outdoor movie theatre to the Foo Fighters Rock ‘N’ Roll Museum that’s filled with tons of memorabilia from the past 25 years. But Grohl also made a point on this night to celebrate the band’s history by playing one hit single after the next in chronological order, starting with “Run” and “The Sky Is a Neighborhood” on 2017’s Concrete and Gold and finishing with “For All the Cows” and “This Is a Call” from their 1995 self-titled debut. It was a little trip down memory lane, Foo Fighters style, even though there was more in store for us. What would follow we may never have the opportunity to see again.

As the Foos left the stage for their encore break, we waited patiently for them to return. The crowd, by now, had been taken for a two-hour ride with Grohl firmly at the wheel, pumping adrenaline into our veins with every minute that passed as the Foo Fighters know how to do so well during their usual two-and-a-half-hour jaunts. The video screens on each side of the stage were black until suddenly some backstage footage appeared showing Grohl with Krist Novoselic and what looked like Joan Jett. All of that would end up coming true in the last 30 minutes of Cal Jam 18, but it was a six-song encore with Grohl on drums, Novoselic on bass, the Foo Fighters’ Pat Smear on guitar and Deer Tick frontman John McAuley on both vocals and guitar as Kurt Cobain’s fill-in who got us hyped. Nirvana fans have waited 25 years for a reunion since Cobain’s sudden passing, and when you put it in perspective, it will probably go down as one of the year’s biggest surprises, even at a time in music when many industry experts say that rock now stands in the shadows of hip-hop and EDM. “Serve the Servants” came first, then “Scentless Apprentice” and “In Bloom” as McCauley, who played just a few hours earlier on the festival’s Sun Stage with Deer Tick, sang with the same kind of strain in his voice to make us think Kurt was actually up there.

But what about Jett? Well, the Queen of Rock ‘n’ Roll followed McCauley’s performance with three songs herself, including “Breed”, “Smells Like Teen Spirit” and finally “All Apologies” with Novoselic strapping on his accordion and Brody Dalle of The Distillers (Homme’s wife) taking over bass duties. This wasn’t the first time, however, that Jett had performed Nirvana material with Grohl, Novoselic and Smear. In 2014, the singer-songwriter joined the three of them onstage for “Smells Like Teen Spirit” during the Rock and Roll Hall of Fame induction ceremony. So while Jett wasn’t exactly making history with this cameo, it was still surreal to see Grohl paying homage to his former band with other All-Star musicians at what has now become the Foos’ annual hometown fest in a matter of two years.

Will Cal Jam be back in 2019? Can it survive Southern California’s ultra-competitive festival scene at a time when proven, well-funded ones like FYF Fest seemingly can’t?

We sure think so and hope so. With the oversaturation of three-day music festivals all over the world, there’s something refreshing and relaxing about watching a bunch of a great bands for a reasonable price over the course of one day. And if we learned anything from Cal Jam 18, it’s that you can never underestimate Dave Grohl or the power of rock ‘n’ roll.

Our favorite performances from 2017

Best live shows of 2017 - The xx, Miguel, Moderat & Coldplay

2017, where the hell did you go? It just felt like the other day that we were ringing in a new year, and yet, here we are again as we plow straight ahead into 2018.

But before we officially put a bow on 2017, it’s time for us to revisit the past 12 months at Showbams. This year, we had the opportunity to capture many amazing moments in live music, and while we couldn’t pay homage to every single performance we witnessed, we made a conscious effort to include a wide range of talent spread across the industry.

Whittling down our list, though, was not that easy. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order) whom we either covered at their own show and/or at a music festival this year:

21 Savage, The Accidentals, Action Bronson, Alice Cooper, Alina Baraz, alt-J, Amber Mark, Andrew McMahon in the Wilderness, Animal Collective, Atlas Genius, The Avalanches, The Band Perry, Beach Slang, Belle and Sebastian, Black Moth Super Rainbow, Bleachers, Blonde Redhead, Bob Moses, Car Seat Headrest, Cate Le Bon, Cigarettes After Sex, Circles Around the Sun, City of Caterpillar, The Coathangers, Claude VonStroke, Chris Robinson, Con Brio, Conor Oberst, Courtney Barnett & Kurt Vile, Crystal Castles, The Crystal Method, Daniel Caesar, Dawes, Dead Meadow, Deafheaven, Deep Purple, Diet Cig, DIIV, Dirty Dozen Brass Band, Dr. Dog, Dr. Octagon, Duke Dumont, Eagles of Death Metal, Electric Guest, Emancipator, Emily King, Empire of the Sun, Foxygen, Future Islands, Gabriel Garzón-Montano, Gatecreeper, Girl Talk, Gone Is Gone, Grizzly Bear, Gucci Mane, Hamilton Leithauser, Hazel English, Hinds, The Hip Replacements, Hiss Golden Messenger, How to Dress Well, Iggy Pop, Isaiah Rashad, Jack Johnson, Jagwar Ma, Jamestown Revival, Jamie Isaac, Jay 305, Jen Cloher, Jessica Hernandez & The Deltas, Jessie Ware, Jim James, JR JR, Julie Byrne, Julien Baker, Justice, Karen Elson, Karl Denson’s Tiny Universe, KAYTRANADA, Kelis, K. Flay, Khalid, Khruangbin, Kilo Kish, King Gizzard and the Lizard Wizard, Kurt Vile, La Femme, LANY, Lauv, L.A. Witch, Lettuce, Lil Yachty, Little Dragon, Lo Moon, Lorde, Lord Huron, Miike Snow, Milky Chance, Minus the Bear, Mister Heavenly, MØ, Mondo Cozmo, Neon Indian, Nicki Bluhm, Norah Jones, North Mississippi Allstars, NVO, Oh Sees, OK Go, Once and Future Band, Pallbearer, The Palms, Passion Pit, Peaches, Perfume Genius, Petit Biscuit, Phoebe Bridgers, Playboi Carti, Pond, Porcelain Raft, PRAYERS, The Radio Dept., Real Estate, The Revivalists, Royal Blood, Sampha, ScHoolboy Q, Sheer Mag, serpentwithfeet, Silversun Pickups, Sleep, Sleigh Bells, SOFI TUKKER, Solange, Spiritualized, Styles P, Sunflower Beam, Talib Kweli, Tank and The Bangas, Tash Sultana, Tei Shi, Temples, Tennis, Tennyson, Thou, Thundercat, TOBACCO, Touché Amoré, Tool, Tove Lo, Travis Scott, Twin Peaks, Ty Segall, Unknown Mortal Orchestra, Vagabon, Vance Joy, Vic Mensa, Warpaint, Weezer, White Fence, Woods, YG, Young the Giant.

Now, it’s time for The Bam Team to present our favorite performances from 2017.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2017

Listen to The Bam Team’s favorite songs of 2017:


Best of 2017 - Run the Jewels

Run the Jewels

Date: February 1st
Location: Shrine Expo Hall – Los Angeles

Yet, in just four years, Run the Jewels have already reached hip-hop’s mountaintop with their politically charged lyrics and hard-hitting beats. Just take last Wednesday’s sold-out show in LA for example. With the duo’s third studio album still only a few weeks old, 5,000 or so fans poured into the spacious Shrine Expo Hall to watch El-P and Killer Mike fuck shit up (for lack of a better term). And that’s exactly what they did after opening sets from The Gaslamp Killer, Nick Hook, Gangasta Boo and CUZ. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - BADBADNOTGOOD

BADBADNOTGOOD

Date: February 23rd
Location: The Fillmore – San Francisco

As one of the bands to take the coveted headlining spot for NoisePop25, BADBADNOTGOOD seemed as — perhaps more — excited as all of the fans who made it to their sold-out show at The Fillmore. Combining consummate instrumentation with classic MC-style showmanship led by drummer Alexander Sowinski, the Canadian jazz-rock quartet has mastered the art of keeping the audience guessing where they’re going. -Brett Ruffenach, photo by James Pawlish


Best of 2017 - Spoon

Spoon

Date: March 7th
Location: Apogee Studio – Santa Monica, CA

In total, Spoon performed five songs from the new record, including “First Caress” to open a brief encore that left us eager for more. But as the five-piece rocked “Rainy Taxi” from 2014’s They Want My Soul to close, I couldn’t help but think to myself that this is one band I never should have slept on. -Josh Herwitt, photo by Larry Hirshowitz


Best of 2017 - Sigur Rós

Sigur Rós

Date: April 8th
Location: Greek Theatre – Berkeley, CA

Now a trio, Sigur Rós have been delivering goosebumps for over two decades — and it’s a delight to hear Jónsi’s voice-as-an-instrument this clear, this powerful and as confident as ever. It would be a wonderful treat to check in on this outfit every 5-10 years going forward and realize they are still going strong. -Mike Frash, photo by James Nagel


Best of 2017 - DREAMCAR

DREAMCAR

Date: April 9th
Location: Great American Music Hall – San Francisco

Fresh off a stop at Berkeley’s Hearst Greek Theatre the night before, Adams showcased some older favorites and a slew of new tunes from his 16th and latest studio album Prisoner, which came out in February. SoCal fans were treated to some extended full-band jamming, a couple of solo acoustic performances and Adams’ usual witty banter over the course of the evening.
-Jared Stossel, photo by Jared Stossel


Best of 2017 - A Perfect Circle

A Perfect Circle

Date: April 13th
Location: Bill Graham Civic Auditorium – San Francisco

In the world of rock supergroups, there are few that have sprung up in the last few decades that can hold a candle to A Perfect Circle. From the onset, APC have been a powerhouse on the senses, combining members from bands such as Tool, The Smashing Pumpkins, Failure, Primus and more over the years. Their body of work has been met with high praise across the board, and they have been able to solidify themselves as one of the most unique and tenured groupings out there, as opposed to bands like Zwan and Velvet Revolver. -Andrew Pohl, photo by Mike Rosati


Best of 2017 - Radiohead

Radiohead

Date: April 14th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Yes, the sound problems (all three instances) put a real damper on what was easily one of the most anticipated performances of the weekend. This was the third time Goldenvoice called on Radiohead to headline Coachella, and for one of rock’s most important bands over the last 30 years, it certainly wasn’t a charm as the saying goes. In that moment, it was pretty hard not to feel bad for Thom Yorke, who could only make light of the situation by cracking a joke even if it wasn’t supposed to be one — or so he claimed. But Radiohead more than made up for it with a masterful setlist that opened with A Moon Shaped Pool cuts “Daydreaming”, “Desert Island Disk” and “Ful Stop” before circling back to older hits such as “Everything in Its Right Place”, “There There”, “Idioteque” and even “Creep”. -Josh Herwitt, photo courtesy of Coachella


Best of 2017 - Kendrick Lamar

Kendrick Lamar

Date: April 16th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

All hail, King Kendrick! Or should we say “Kung Fu Kenny?” The Compton rapper reached hip-hop’s mountaintop more than two years ago with his Grammy-winning masterpiece To Pimp a Butterfly, but headlining Coachella was still on his to-do list. In fact, it was only the second time he had ever been booked to perform at Coachella after being listed on the last line of the 2012 poster. Closing out the fest is no short order for any artist, let alone one who dropped his new album less than 48 hours before taking the stage, but K-Dot lived up to the billing with a show that provoked as much thought as it entertained. -Josh Herwitt, photo courtesy of Coachella


Best of 2017 - The xx

The xx

Date: April 17th
Location: Bill Graham Civic Auditorium – San Francisco

Playfully alluding to their material’s emotional sentiment, Romy Madley Croft (vocals, guitar) and Oliver Sim (bass, vocals) managed to entrance all of us with their tension-filled gazes and syncopated dance moves. Prolonging vocal arrangements, especially during their accelerated live interpretation of “Infinity”, were also stunning to witness. About halfway through the set, Jamie Smith (beats, MPC, production), aka Jamie xx, took the lead and transformed the room into a giant disco party thanks to an onslaught of consecutive dance hits before finishing with “Loud Places” from his 2015 solo LP In Colour. -Molly Kish, photo by Norm de Veyra


Best of 2017 - Moderat

Moderat

Date: April 20th
Location: Mayan Theater – Los Angeles

Moderat subsequently circled back to III, performing “Intruder” before exiting the stage to a rousing applause. Yet, when the house lights didn’t come on right away, the suspense began to build once again. Less than a minute later, the three-piece reemerged, giving the audience more than its money’s worth. Two-encore shows are usually reserved for high-profile groups with extensive catalogs like Radiohead, but Moderat have never played by any rules. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - The Flaming Lips

The Flaming Lips

Date: May 9th
Location: The Theatre at Ace Hotel – Los Angeles

The Lips, of course, made sure to play that song, and even though it was without Watts, it still proved to be an unforgettable moment due to the fact that Coyne rode a life-size unicorn from one end of the stage to the other as he belted out lines like “Yeah, there should be unicorns / The ones with the purple eyes / It should be loud as fuck / Hope the swans don’t die” to open the tune while wearing a big smile across his face. If that’s not psychedelic to you, then I don’t know what is. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - Ryan Adams

Ryan Adams

Date: June 3rd
Location: Greek Theatre – Los Angeles

Fresh off a stop at Berkeley’s Hearst Greek Theatre the night before, Adams showcased some older favorites and a slew of new tunes from his 16th and latest studio album Prisoner, which came out in February. SoCal fans were treated to some extended full-band jamming, a couple of solo acoustic performances and Adams’ usual witty banter over the course of the evening.
-Steph Port, photo by Steph Port


Best of 2017 - Jay Som

Jay Som

Date: June 17th
Location: Potrero del Sol Park – San Francisco

Melina Duterte’s band goes by the name Jay Som and hails from Oakland. Do yourself a favor and remember this name: Jay Som. The Polyvinyl-signed songstress bathed the crowd at the Potrero Stage in her dreamy vocals and inanely catchy tunes that appeal to a wide-range of music fan; her songs could feel just as viable in the 90’s college rock area as they do today. Highlights from the set included a vibe-soaked rendition of “Baybee” as well as “The Bus Song”, arguably the artist’s first real “hit.” -Kevin Quandt, photo by Emmeline Munson


Best of 2017- AIR

AIR

Date: June 23rd
Location: The Masonic – San Francisco

AIR’s live performances focus on capturing the crisp, detailed production style that the duo has honed over two decades. It’s a vibrant, textured sound. Centered around acoustic guitar, synthesizers and the breathy timbre of the duo’s immaculate harmonized vocals, the use of live drums helped round out the contrast between both the artificial and acoustic sounds in songs like “Cherry Blossom Girl”. -Brett Ruffenach, photo by Steve Carlson


Best of 2017 - PLANETARIUM

PLANETARIUM

Date: July 21st
Location: Fox Theater Oakland – Oakland

PLANETARIUM’s music, which channels Stevens’ reflections on astronomy, science and even the intricacies of human consciousness, is a fusion of styles from all four band members that evokes feelings of unity. The group’s performance was accompanied by otherworldly visuals that filled the backdrop as it traversed the Solar System with quite a few emotionally charged songs inspired by the planets and other celestial bodies like “Neptune” and “Jupiter”. -Norm de Veyra, photo by Norm de Veyra


Best of 2017 - The Drums

The Drums

Date: July 21st
Location: The Fillmore – San Francisco

By the time The Drums took the stage, the intimate venue was packed to the brim with fans. The Brooklyn outfit made as much of an impression as it did when frontman Jonathan Pierce and company exploded onto the scene in 2009 with their initial EP Summertime! From then on, it became glaringly obvious with their eccentric band members and seemingly effortless style that they possessed an energetic presence. And at their SF show, it didn’t take long for the capacity crowd to fall into a groove as the venue’s whole atmosphere lit up. -Jacqueline Moore, photo by Jacqueline Moore


Best of 2017 - Miguel

Miguel

Date: July 23rd
Location: Annenberg Space for Photography – Los Angeles

Once the sun set and Miguel stepped onstage, the audience was transported somewhere else entirely. Born and raised in LA, the 31-year-old’s silky-smooth voice floated through the cool evening breeze over the twinkle lights in the trees, giving the impression of an island retreat rather than a concert in the park. -Rochelle Shipman, photo by Rochelle Shipman


Best of 2017 - The War on Drugs

The War on Drugs

Date: August 5th
Location: Apogee Studio – Santa Monica, CA

Granduciel’s raspy voice, as well as his driving (no pun intended) guitar rhythms and reverb-laden riffs, are largely what separates The War on Drugs from the rest in a crowded indie-rock scene, but the sum of the band’s parts — Charlie Hall (drums), David Hartley (bass), Anthony LaMarca (guitar, keyboards), Robbie Bennett (keyboards) and finally Jon Natchez (saxophone, keyboards) — also creates a sound that while familiar, still feels uniquely different. -Josh Herwitt, photo by Larry Hirshowitz


Best of 2017 - Gorillaz

Gorillaz

Date: August 11th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

Easily one of the most anticipated acts of the weekend, Gorillaz’s Humanz tour made its West Coast debut on Day 1 at OSL. After a six-year hiatus, expectations ran extremely high for this headlining performance. On previous tours, the band’s members had played second fiddle to the cartoon projections of their alter egos onstage, but everyone was visible this time around. Several collaborators from Gorillaz’s previous albums, including Kali Uchis, Yukimi Nagano and Del the Funky Homosapien, came out to join them, and the Damon Albarn-led group still pulled some even bigger surprises with cameos appearances from De la Soul and Pusha T. -Molly Kish, photo by James Pawlish


Best of 2017 - Cage the Elephant

Cage the Elephant

Date: August 12th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

While the cancellation of Queens of the Stone Age was a blow a week prior to the event, the replacement that was lined up more than delivered a blistering set of rock ‘n’ roll. Cage the Elephant are now being widely considered festival-headliner material, and frontman Matt Shultz is making a strong claim for that accolade as he continues to elevate his stage act to near-Mick Jagger levels of pomp and energy. “Come a Little Closer” and “Ain’t No Rest for the Wicked” received hearty sing-alongs from a decidedly youthful crowd as Cage have become a favorite of Generation Z. -Kevin Quandt, photo by Marc Fong


Best of 2017 - J.I.D

J.I.D

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

While the headliners thrilled as expected, it was at the side “Day” and “Night” stages where the festival’s biggest highlights were generated. J.I.D, the rising Atlanta rapper who is signed to J. Cole’s Dreamville imprint, absolutely thrilled during his set. Dazzling with his rapid-fire and agile flow, J.I.D showed off his ability to command a crowd with songs such as “General” and “EdEddnEddy” before jumping into the crowd for the tempo-changing hit “Never” that left the crowd chanting for “one more song!” -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman


Best of 2017 - SZA

SZA

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

Saturday, meanwhile, featured the vintage gospel spirit and warm vibes that have elevated Chicago emcee Chance the Rapper to superstardom. Earlier in the day, SZA, this summer’s breakout star, delivered her first festival performance since the release of her well-received debut album Ctrl. Swaying, spinning and singing her raw emotions and shortcomings while coming of age, the Top Dawg Entertainment songstress didn’t disappoint. -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman


Best of 2017 - Bonobo

Bonobo (Live)

Date: September 27th
Location: Greek Theatre – Los Angeles

The real reason things felt different this time around, though, was the music. Extending and reimagining his tracks for easily one of the largest crowds he has ever performed in front of, Bonobo followed an uplifting opening set from Canadian electronic duo Bob Moses with an array of soothing sounds that paired beautifully with his lighting setup and entrancing stage production in the same way Scott Hansen (aka Tycho) creates an awe-inspiring audio-visual experience during his live-band performances. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - Coldplay

Coldplay

Date: October 4th
Location: Levi’s Stadium – Santa Clara, CA

Coldplay took the stage shortly before 9 p.m. as a video montage of fans who introduced them as “the biggest band in the world” played onstage. While I’m pretty sure there are a few other artists or groups from their side of the pond (ehem, U2) who might take issue with that claim, they certainly did nothing during their electric, almost two-hour performance to dissuade that sort of thinking. Chris Martin and company, in fact, wasted no time getting down to business, flooding the stadium with confetti and firing off pyrotechnics at a steady clip while opening with “A Head Full of Dreams” and subsequently all throughout the night. -Steve Carlson, photo by Steve Carlson


Best of 2017 - Broken Social Scene

Broken Social Scene

Date: October 26th
Location: Fox Theater Oakland – Oakland

Here’s the thing about BSS — after 15 years, the web of musicians that makes up the collective have created their own individual projects, from Metric to Stars to Feist to Do Make Say Think to Emily Haines & The Soft Skeleton. And while many of the band’s members who have gone on to find success in their own solo careers didn’t happen to join the group on this particular tour, the sense of professionalism built into the BSS live experience remains prevalent. Every person who stepped onstage demonstrated consummate abilities in their own realms, never missing a beat or a note. -Brett Ruffenach, photo by Norm de Veyra

Best of 2017 - Jim James

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SF Show of the Week // GO4FREE to The Stone Foxes at The Independent 11/17 (FRI)

Written by Chandler Kirkman //

The Stone Foxes with Thee Commons, Jonny Ramada //
The Independent – San Francisco
November 17th, 2017 //

The Stone Foxes are SF’s rock band. Originating in the sleepy foothills of California’s Central Valley where former founding member Aaron Mort as well as brothers Spence (guitar, vocals) and Shannon Koehler (drums, harmonica, vocals) grew up, the group formed while attending San Francisco State University when Elliot Peltzman (keyboards, vocals), Vince Dewald (bass, vocals) and Ben Andrews (guitar, vocals) came aboard.

Since their formation in 2005, The Stone Foxes have carried the torch of their predecessors with the knowledge and belief that rock ‘n’ roll can move a new generation. After spending the first few years together developing and balancing its musical style, the six-piece’s self-titled debut LP hit the shelves in 2008 and was met with adoration.

Over the last few years, The Stone Foxes have played in front of thousands at major music festivals and have been featured on TV shows, such as Showtime’s “Shameless” and FX’s “Sons of Anarchy”. They’ve headlined the legendary Fillmore in SF and toured with huge bands like The Black Keys, Cage the Elephant and ZZ Top, invoking their audiences with a commanding, energetic stage presence that has built them a strong reputation among live music fans.

The Stone Foxes’ fourth and most recent LP Twelve Spells came out in 2015 and chronicles their new beginning with lyrics and sounds that take on the issues of their lives and ours, tying elements of western darkness, punk, surf and Americana to their rock ‘n’ roll roots. Their latest single “Broken” dropped earlier this year and has been met with rave reviews.

This Friday, The Stone Foxes will take the stage at The Independent with East LA’s own Thee Commons and SF native Jonny Ramada kicking off the show. Tickets are available for $22, or you could win a pair of tickets by submitting your full name and email below.

Contest ends this Friday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Cold Specks: November 16th (THUR) @ Rickshaw Stop
Gavin Turek: November 17th (FRI) @ The New Parish
James Brown Dance Party: November 17th (FRI) @ Mezzanine


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Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

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Outside Lands 2017: Our 10th anniversary awards

Outside Lands 2017Photos by Marc Fong & James Pawlish // Written by Kevin Quandt & Molly Kish //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 11th-13th, 2017 //

Outside Lands celebrated its 10th anniversary this August, and it was a weekend that we can definitively say had its share of ups, downs and unexpected twists. While many found plenty to gripe about, some took away a more positive experience, proving that music festivals and live music events are truly unpredictable even when you have some of the best in business at the helm. That said, the increasingly over-inflated market of music festivals right now can be volatile and may not be a cakewalk for concert promoters as more and more folks are drawn to large-scale events such as Lollapalooza, Coachella and Outside Lands.

Some stated that the 2017 edition of OSL lacked fireworks when the lineup dropped. Others said the lineup catered closer to the 25-35 demographic. There was no lack of opinions with regard to the acts that Another Planet Entertainment and Superfly booked, but it was clear they did have a vision and a bill that stood apart from the pack with a rare group of festival legends in The Who, Gorillaz and Metallica. Below those names led to further intrigue with the return of Queens of the Stone Age, Fleet Foxes and A Tribe Called Quest after a multiyear absence from the live arena.

But many now know that two out of those three sub-headliners were unable to perform for one reason or another, and while these sorts of things are generally out of anyone’s hands, they still take a toll on everyone involved in the days, hours and even minutes leading up to those highly anticipated sets. Alas, when you have such festival production pros who were backed by three insanely spot-on headliners, these bumps in the road can create something different than initially intended, yet equally satisfying.

So, without further ado, here are our awards from the 2017 edition of Outside Lands.


Outside Lands 2017 - Gorillaz


Gorillaz

Best three-time OSL performer: Hamilton Leithauser
One highlight this year was the debut of Hamilton Leithauser’s solo act on the Sutro Stage. Having played the festival in 2008 and 2012 with his primary outfit, The Walkmen, his set marked the rare occasion of an artist performing at Outside Lands for the third time, and while Leithauser did have to battle some minor sound issues, he rallied past them like the consummate professional that he is. Short of “Alexandra”, Leithauser exclusively dug into tracks from his collaborative album with fellow New Yorker Rostam Batmanglij (formerly of Vampire Weekend) by the name of I Had a Dream That You Were Mine. The spirited crooner still remains at the top of his game, and his vocal performance can’t be rivaled by even the best. One can only hope that this will not be Leithauser’s final time onstage at OSL as fans clamor to know what’s next from this crooning, indie god. -KQ

Best cameo’d performance of the weekend: Gorillaz
Easily one of the most anticipated acts of the weekend, Gorillaz’s Humanz tour made its West Coast debut on Day 1 at OSL. After a six-year hiatus, expectations ran extremely high for this headlining performance. On previous tours, the band’s members had played second fiddle to the cartoon projections of their alter egos onstage, but everyone was visible this time around. Several collaborators from Gorillaz’s previous albums, including Kali Uchis, Yukimi Nagano and Del the Funky Homosapien, came out to join them, and the Damon Albarn-led group still pulled some even bigger surprises with cameos appearances from De la Soul and Pusha T. The two-hour set also saw Little Simz deliver a blistering performance of “Garage Palace” as well as a string of radio hits that included “Feel Good Inc.”, Clint Eastwood” and “Demon Daze”. With longtime fans and a new generation of contemporaries on hand, there was something truly special about seeing a packed crowd sing along with some cartoon legends. -MK

Best reason to sit in Golden Gate Park with your friends and listen to music: Real Estate
Real Estate continue to tour off this year’s stellar LP release, In Mind, and they demonstrated their live prowess at OSL with a sphincter-tight set of jangle pop. “Stained Glass” got the show started for the rather sizable crowd, which only grew over their allotted time. The Sutro Stage has become an ideal locale for mellower acts to play for slightly-more-seated audiences, and this set felt more loungey than others even though fan favorites “It’s Real” and “Green Aisles” punctuated a strong, breezy performance from Martin Courtney, Alex Bleeker and crew. -KQ

Most in need of performance pointers: KAYTRANADA
KAYTRANADA’s debut LP 99.9% was a highlight from 2016, and the Canadian producer has been continuing his victory lap with banner festival sets all around the world. While there’s no denying the infectious nature of his tracks like “Glowed Up” and “Got It Good” in a large-group setting, we yearn to get a little more out KAYTRA when he’s onstage. To be fair, he has loosened up a little and will toss a quick little dance move or hand gesture, but he still really doesn’t engage his audience much, whether it’s in the intimate confines of Mezzanine or in front of 25,000 strong at Outside Lands’ Twin Peaks Stage. Kay, like many others, was pretty stoked for A Tribe Called Quest to follow, but we all know how that ended. -KQ

Outside Lands 2017 - Cage the Elephant


Cage the Elephant

Next “big” rock headliner (TIE): Cage the Elephant and Royal Blood
While the cancellation of Queens of the Stone Age was a blow a week prior to the event, the replacement that was lined up more than delivered a blistering set of rock ‘n’ roll. Cage the Elephant are now being widely considered festival-headliner material, and frontman Matt Shultz is making a strong claim for that accolade as he continues to elevate his stage act to near-Mick Jagger levels of pomp and energy. “Come a Little Closer” and “Ain’t No Rest for the Wicked” received hearty sing-alongs from a decidedly youthful crowd as Cage have become a favorite of Generation Z.

But Cage did have some competition at OSL, and these guys are moving at a helluva pace for the crown. Royal Blood have been one of the hottest rock acts over the past few years. I mean, their first single wasn’t even released four years ago. Royal Blood quickly rose to fame in the UK, then set their sights on Europe and lately have become the new darlings of alt-rock radio here in the U.S. with one of their newest singles, “Lights Out”. The bass-and-drums duo make a serious racket for only two blokes onstage, but they put on a show that rivals any full-band act with four or five members. Similar to Cage, the kiddos were swirling up a decent little pit in front of the stage while Mike Kerr belted out an impressive setlist with minimal effort and contributed to the low end in a serious manner. -KQ

Best use of Thai funk in a group setting: Khruangbin
Sure, many think K-bin (short for “Khruangbin”) have Thai origins with their Thai name (which means “airplane”) and their Thai funk-infused groove rock. But this rising trio that met and formed in Texas have steadily built a following based around an infectious sound that feels home both on the dance floor and at the lounge. Mark Speer on guitar is a phenom to behold; his playing style, coupled with his tone, has a true lyrical quality that’s perfect for the trio, which opted to not have a lead vocalist. It was clear that the band, like many fans in attendance, were bummed about ATCQ’s sudden cancellation, so they decided to bring one of their classics, “Electric Relaxation”, to life as drummer Donald Johnson delivered the chorus. Many chuckled and grooved to the track before the band jumped back into a set that featured “Mr. White” and “The Infamous Bill”. We can only hope a sophomore LP is not too far off. -KQ

Best use of a festival billing for a greater purpose: Solange
After a weekend marred with schedule changes and cancellations, Solange was the festival’s saving grace on Day 3. Despite starting 15-20 minutes late, she descended upon the glowing stage in a choreographed flight pattern, followed by her backing band and team of dancers, and segued directly into a soulful montage of hits from 2016’s A Seat at the Table, extending each breakdown with some interpretive dance routines. An outstanding cover of Thundercat’s “Heartbreaks + Setbacks” was seamlessly woven midway into her set before leading into an all-out dance party with deep cuts from her 2012 LP True. Solange then took a minute to touch upon the events that were happening concurrently in Charlottesville. As the only artist on the OSL bill to do so, she addressed the tragedy and utilized the stage as a final public platform before deleting her Twitter account the next day. The evening ended in dramatic fashion with the power getting shut off and the performance concluding with the crowd singing the lyrics to “Rise” in the dark. -MK

Outside Lands 2017: Top 5 things to see, eat & drink

Outside LandsPhoto by James Pawlish // Written by Kevin Quandt //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 11th-13th, 2017 //

Outside Lands returns this weekend for its 10th anniversary, and to get you ready for three fun-filled days in Golden Gate Park, we’ve outlined our top sets that you won’t want to miss, this year’s biggest scheduling conflicts, some potential guest appearances and the very best beverages to drink.

Also, don’t forget to create your own schedule here, and enter for a chance to GO4FREE to XXYYXX’s show this Saturday, August 12th at a secret location here.


Outside Lands 2017 - A Tribe Called Quest

TOP SETS NOT TO MISS

A Tribe Called Quest: While we see how this may be a controversial choice to top this list with the untimely passing of founding member Phife Dawg, it appears this may be the final time the Bay, or even the U.S., get to see the legendary hip-hop group perform. The group’s FYF Fest and Panorama performances featured multiple references to being the final ATCQ shows in those cities, so all the chatter about how extensive this “farewell tour” will be has reached a fevered pitch. Pro (Q)tip: Wanna hear Tribe’s popular hits? They’ll be featured at the end of their set.

Lorde: Sure, she has found herself toward the top of many festival lineups this year, and for good reason, as Lorde is one of the most popular artists out there right now, and her latest release Melodrama will surely be in top contention for Album of the Year. At only the age of 20, the singer’s recent sophomore success has also translated to the stage in impressive ways and will surely satiate the 18-25 demographic before The Who close out the event on Sunday.

Royal Blood: The unfortunate cancellation of Queens of the Stone Age has put a dampening on fans of all things rock, especially since Saturday was stacked in said department. Though some will be pleased with Cage the Elephant as the replacement, it does leave a glaring gap for many hoping to get another hour-plus of fist-banging rock and f’in roll. So, let’s longingly look to the upstart UK hard-rock duo that continues to make waves across the global festival circuit and delivers some amalgamation of Muse and The Black Keys. Expect to hear a solid smattering of tracks from their most excellent recent release How Did We Get So Dark?

Fleet Foxes: Has it really been six years since Robin Pecknold and band last played the Bay Area? Yup! A lot has changed in those years, but thankfully they are still producing their own unique brand of cool-kid folk and should fit in nicely for their premier performance in Golden Gate Park. We’ll be hearing many tracks for the first time live to go along with a different band lineup onstage. While no one who attends the event ever wishes for Karl the Fog, he could fit semi-decently into this set like during Sigur Rós in 2012.

The Who: The legendary rock bands of our parents’ generation are quickly folding up shop and The Who may be the next to wave a fond farewell. While many attendees have griped in various online forums about this closing headline slot, it seems only fitting considering that Sunday has become the fest’s more legacy-leaning day. Roger Daltery and Pete Townsend are backed by a killer band and have been churning out enigmatic setlists the past few years, so expect to hear all your favorites with a few rare gems.


Outside Lands 2017 - Gorillaz

SCHEDULING CONFLICTS, THOUGHTS & QUERIES

Friday

• Sub-headliner jumble: End of ATCQ vs. Future Islands vs. beginning of Fleet Foxes.

• alt-J vs. Gorillaz: There’s likely a fair amount of fan crossover between these two acts.

• “Bouncin’ for Beignets” moves to Friday afternoon from its previous weekend mid-day slot.

Saturday

• Royal Blood vs S U R V I V E: Seems like an odd conflict, but these artists are playing their first OSL this year and are some of 2017’s most buzzy acts.

• Anyone else notice that two-hour-and-35-minute gap after Kaytranada and Empire of the Sun? We did, too. Our bet is we’ll be getting either an EDM or hip-hop late addition. Does Afrojack fly up from Vegas for the day?

Sunday

• Solange will now be closing the Sutro stage. We surmise her set was on Saturday after Kaytranada before the shift.

• The Heineken Dome has a mystery set scheduled from 5:10-5:40 p.m. that’s billed as a “Pop-Up Guest Performance.” Our bet is DJ Qbert gets this slot as he’ll be onsite for his GastroMagic set earlier in the day.

• This will be the first time Another Planet has put three acts against each other in the form of The Who, Solange and Above & Beyond.


Outside Lands 2017 - Metallica

POTENTIAL GUEST APPEARANCES

• Little Dragon vocalist Yukimi Nagano comes out with Kaytranada to perform “BULLETS”.

• Lady Gaga with Metallica … remember this year’s Grammys?

• Del the Funky Homosapien joining Gorillaz for “Clint Eastwood”. He’ll be at the GastroMagic stage the next day for Kimchi 3030.

• Kali Uchis and Rag’n’Bone Man joining Gorillaz for their Humanz tracks.


Outside Lands 2017 - Cocktail Magic

BEST BEVERAGES TO DRINK

Fort Point Beer Company: Fort Point has been making waves from their Presidio location over the past few years but has recently started to see the brand grow out from the Bay. Their flagships Villager, a West Coast IPA, and KSA, a Kölsch style ale, will surely please the palate whether we get a typical foggy summer day or are blessed with clear skies.

Whitechapel (Cocktail Magic): You like gin? Yeah, us too. Well, all us are in for a treat as SF’s hottest gin bar will be serving up a few of their signature cocktails in the Mclaren Pass section of the fest. While it’s unlikely they’ll schlep over all 400 varieties of gin they offer at their Tenderloin brick-and-mortar, they’ll certainly offer some of the most complex cocktails offered at any major U.S. music festival.

Bushido’s “Way of the Warrior”: OSL wine curator Peter Eastlake knows his stuff, and while winos will find many of their favorites, it’s this sake debut that makes us a little excited. The can graphics feature some rad little samurai fox character while the contents display notes of raspberry and watermelon rind with a spicy finish. I mean, sake in a can? Yeah, I’ll take two … and arigatou.

Outside Lands - 2017 lineup

Outside Lands reveals its 2017 schedule

Outside Lands - 2017 schedule

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 11th-13th, 2017 //

One day after Outside Lands announced some stunning news that Saturday sub-headliner Queens of the Stone Age will not be performing this year “due to injury” (and then quickly replaced them with Cage the Elephant), the three-day festival has unveiled what every live music fan clamors for … set times!

Take a peek at the festival’s 2017 schedule for its 10th anniversary here and start making your plans for which artists you’ll be seeing at Golden Gate Park this August.

Of course, when it comes to scheduling conflicts, this year — just like every year at Outside Lands — isn’t void of them. For starters, festivalgoers on Friday will have to choose between Electric Guest/Tove Lo, Fleet Foxes/Future Islands and Gorillaz/alt-J, and that’s just Day 1.

Meanwhile, Saturday sees Warpaint and The Lemon Twigs pitted up against one another, along with Dawes vs. Thundercat, Royal Blood vs. S U R V I V E, Vance Joy vs. Kaytranada, Cage the Elephant vs. Foxygen, and Metallica vs. Empire of the Sun. Plus, there’s this …

Outside Lands 2017 - Saturday TBD

The question is, who will it be? Our money is on an EDM act (i.e. Afrojack, A-Trak, Tiësto), considering the festival has barely any superstar DJs performing this year besides English progressive-trance trio Above & Beyond, but anything’s still possible with a little less than two weeks to go.

And finally, Sunday offers its own set of difficult choices, with Bleachers and Maggie Rogers scheduled only 20 minutes apart (as well as James Vincent McMorrow and Sofi Tukker) and The Who, Solange and Above & Beyond all performing at the same time as they close down the fest.

But with so many quality options from top to bottom, you really can’t go wrong. So, keep that in mind when you’re stressing over who you should see. Whatever you do though, make sure to pick up a comfortable pair of running shoes before heading to the park and download the mobile app here.

Pumped for Outside Lands? Go back in time and check out our coverage from 2016 here.

Outside Lands - 2017 lineup

Outside Lands reveals 2017 lineup, headlined by Metallica, The Who & Gorillaz

Outside Lands - 2017 lineup

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 11th-13th, 2017 //

Outside Lands is going BIG for its 10th anniversary.

The three-day music festival returns to Golden Gate Park this August with a lineup for the ages, headlined by Metallica, The Who and Gorillaz. All three headliners were mentioned among our OSL predictions this year, with Metallica pretty much becoming a sure bet last week after Ranger Dave’s not-so-subtle tweet.

Natives of the Bay, Metallica have been on the road in support of their 10th LP Hardwired… to Self-Destruct, and their headlining set at Outside Lands will come toward the tail end of their North American tour during a string of West Coast shows. The Who, on the other hand, have only a limited number of 2017 gigs planned right now, culminating with a six-night residency in Las Vegas that concludes on Friday, August 11th. With that said, we know then that Roger Daltrey, Pete Townshend and company will perform at OSL on Saturday or Sunday, with the latter being all the more likely. The festival, after all, has been known to schedule its “older” headliners for the Sunday night slot a la Lionel Ritchie (2016), Elton John (2015), Tom Petty (2014), Paul McCartney (2013) and Stevie Wonder (2012), and we expect The Who to get the same kind of treatment in 2017.

But for Gorillaz fans in the U.S., Outside Lands could be the one place to see the band perform this summer. The festival is one of two North American dates for the Damon Albarn-led group, which headlines its own Demon Dayz Festival in June before making a stop at Festival d’été de Québec in Quebec City a month later. The same could even be said for sub-headliner Queens of the Stone Age, considering that OSL is their first scheduled North American show this year. The same, however, definitely can’t be said for Lorde, who is making the festival rounds with Coachella, JazzFest, Governor’s Ball, FPSF, Bonnaroo, Glastonbury, Rock Werchter, OpenAir St. Gallen, Fuji Rock, Lollapalooza, Osheaga and now OSL all on her current tour schedule.

Other standout acts lined up for OSL this year include A Tribe Called Quest, alt-J, Above & Beyond, Fleet Foxes, Empire of the Sun, The Avett Brothers, Belle and Sebastian, Solange, Future Islands, ScHoolboy Q, Young the Giant, Rebelution, Vance Joy, Tove Lo, Bleachers, Little Dragon, Kaytranada, Action Bronson, Sleigh Bells, Royal Blood, Shovels & Rope, Dr. Octagon, Louis the Child, Thundercat, Dawes, Warpaint, Rag’n’Bone Man, Bomba Estéreo, Temples, Real Estate, RAC, James Vincent McMorrow, K.Flay, MUNA, Hamilton Leithauser, Sofi Tukker, Maggie Rogers, Foxygen, Goldroom, SOHN, Electric Guest, How to Dress Well, Hundred Waters, Noname and many more. Check out the poster above for the rest of this year’s bill.

Boasting six consecutive sellouts to date, Outside Lands is sure to do the same in 2017 and will once again include a full lineup of comedy performances in addition to its famed Beer Lands, Wine Lands and Choco Lands + Cheese Lands. Of course, you’d have a tough time finding much better food and drink at a music festival than what Outside Lands offers.

If you missed out on Eager Beaver tickets last Thursday, you can buy Outside Lands tickets starting this Thursday, April 6th at 10 a.m. It’s worth mentioning, though, that with the new lineup also comes increased ticket prices. Three-day GA passes are up to $375 and three-day VIP passes have climbed to $795. Shuttle passes and parking passes, meanwhile, will be sold for $48 and $255, respectively. And though the festival makes no mention of it yet, single-day tickets are usually sold at a later time.

UPDATE (June 6th): Outside Lands has unveiled its daily lineups for 2017, and not to pat ourselves on the back, but our predictions for which days the festival’s headliners would perform were right on point, with Gorillaz performing Friday, Metallica storming the stage Saturday and The Who closing things down Sunday. Check out the daily schedules below before single-day tickets go on sale this Thursday, June 8th at 10 a.m. PT.

Outside Lands 2017 - daily lineups

UPDATE (July 31st): Outside Lands has announced that Queens of the Stone Age, after all, will not perform this year “due to injury” and have been replaced by Cage the Elephant. No details on the “injury” have been released at this time.

UPDATE (August 1st): The festival has revealed the schedule for its 10th edition. Take a peek here and start mapping out who you’ll be seeing at Golden Gate Park.

Can’t wait for Outside Lands’ 10th edition? Check out our coverage from 2016 here.

Outside Lands 2016 - Beach House

Outside Lands 2017: Lineup locks, likely acts & long shots

Outside Lands 2016

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 11th-13th, 2017 //

Now that Ranger Dave has dusted off his uniform and is once again prepping for duty, we can speculate who will be performing at Golden Gate Park this August for a very special 10th year of Outside Lands. As festival season draws near with Coachella less than two weeks away, it’s time for us to make some predictions regarding this year’s OSL lineup. So while you work on that summer tan, we’ve got all the deets on who you can expect to see in SF in a few months.

If you have a lead or opinion, drop us a comment below.


Outside Lands 2016

Lock It In

Metallica – Ranger Dave basically confirmed the news via Twitter with his “nothing else matters” tweet, which has since been deleted. No worries, we have a screenshot of it here.

Empire of the Sun – Ranger Dave made it fairly obvious with this tweet.

Maggie Rogers – Another Ranger Dave tweet provides the clue for this 22-year-old singer-songwriter, whose “Color Song” is buzzy AF.

Francis and the Lights – See Ranger Dave’s tweet, and their hit single “Friends” features close collaborator Bon Iver, too.

The Temper Trap and/or Shovels & Rope – See Ranger Dave’s tweet, which sounds like a reference to The Temper Trap song “Miracle” but could also be referring to Shovels & Rope’s 2016 LP Little Seeds (the South Carolina duo also have a big gap in its tour schedule between July and August).

Sofi Tukker – See Ranger Dave’s tweet. The New York duo’s 2016 EP Soft Animals is its first and only release so far.

Action Bronson – See Ranger Dave’s tweet. We’re calling it his “Fuck, That’s Delicious: Outside Lands Edition.”

Rag’n’Bone Man – See Ranger Dave’s tweet. The English singer-songwriter included “Lay My Body Down” as a bonus track on the deluxe edition of his debut studio album Human, which he released in February on Columbia Records.

Future Islands – See Ranger Dave’s tweet. “A Dream of You And Me” is the second single off the Baltimore band’s 2014 LP Singles.

Ice-T – See Ranger Dave’s tweet referencing his 1991 album O.G. Original Gangster. But could this instead signal the return of Body Count (Ice-T’s longstanding metal band)?


Outside Lands 2016 - Big Freedia

Seems Likely

Arcade Fire – Awake yee gentle Canadian giants! 2011 marks the last time we saw AF top the lineup, and with new material to showcase this year, we expect — but can’t guarantee — OSL to be their banner West Coast festival slot now that we know they’re not playing Coachella or FYF Fest in LA.

The Weeknd – Abel’s tour gap in August, coupled with headlining appearances at Bonnaroo (which often shares a headliner with OSL) and then Lollapalooza, seem to lead to the obvious for his debut at Another Planet Entertainment’s premier event.

alt-J – With no Bay Area dates scheduled and a show in LA at the Shrine Auditorium on August 9th, a return to OSL seems all the more likely for these gentlemen from Leeds.

Lorde – The 20-year-old New Zealand pop star is hitting a ton of festivals this year in support of her forthcoming album Melodrama, including Coachella, JazzFest, Governor’s Ball, FPSF, Bonnaroo, Glastonbury, Rock Werchter, OpenAir St. Gallen, Fuji Rock, Lollapalooza and last but not least, Osheaga (for now). OSL would definitely be the cherry on top for an impressive festival run in 2017, though.

Fleet Foxes – The Seattle indie-folk giant fronted by Robin Pecknold is back with its first LP in six years this June, and with some down time in August and no Bay Area show on the tour schedule yet, OSL looks like a strong possibility.

Justice – The French electro masters are hitting the festival circuit rather hard, and the recent debut of their live show has the buzz-o-meter reaching critical mass. Having them close things out on the Twin Peaks stage Saturday would be ideal for launching fans into the wild night.

Wiz Khalifa – The Pittsburgh emcee has a new album coming out in 2017 and no Bay Area date scheduled. He’s also playing Lollapalooza the weekend before, making OSL a definite possibility for his NorCal tour stop.

The Avett Brothers – The Avetts are in California the week of OSL to play San Diego on August 10th and LA on August 11th, and the only next stop that makes sense would be SF. There’s this, too.

Cage the Elephant – They’re conveniently skipping SF yet hitting Sacramento this month as the only Northern California stop on their current U.S. tour that includes slots at Lollapalooza and Osheaga already lined up. OSL seems like a logical choice considering the 2017 Grammy winners last played the fest in 2009.

Young the Giant – These guys haven’t played OSL since 2013 and have a week off before heading north to play Seattle on August 11th. Plus, there’s this.

Grouplove – The colorful LA outfit is making the festival rounds this summer and playing Lollapalooza the weekend before OSL. With roughly a three-week gap in their tour schedule, there’s a solid chance they’ll be performing in Golden Gate Park — and this tweet only helps matters honestly.

Vance Joy – The Australian singer-songwriter doesn’t have a lot of 2017 tour dates booked right now, but there is this.

Warpaint – The all-female rockers recently announced more tour dates concluding at Lollapalooza. With no Bay Area appearance scheduled, even around Coachella’s two weekends, there’s a strong likelihood for their inclusion on the bill. There’s also this.

Spoon – Britt Daniel and company are touring the U.S. this summer in support of their newest full length Hot Thoughts and have a 10-day gap in their schedule, with the weekend of August 11th-13th conveniently open and preceding shows in LA as well as Colorado. Plus, with no Bay Area date scheduled yet, it only makes sense that the Austin group would return to OSL after its last appearance in 2014.

Little Dragon – The Swedish electronic band is playing shows up and down California this month to go along with its performances at Coachella, but none are in SF shockingly enough. They also don’t have any tour dates scheduled in August yet. And there’s this.

Electric Guest – The LA-based band led by one-time Berkeley native Asa Taccone was a big highlight at Noise Pop this year, but according to one Reddit user, they’ll be back in SF this August and their schedule is wide open after early May.


Outside Lands 2016

Looking Plausible

Gorillaz – Could OSL really be Gorillaz’s first U.S. date in almost seven years? The Damon Albarn-led group recently announced that they’ll be performing at Festival d’été de Québec (Quebec City Summer Festival) in Quebec City on July 15th.

The Who – Roger Daltrey and Pete Townshend still put on a killer show, and their residency in Las Vegas around OSL time has led to this rumor circulating as they’d truly hit the classic rock billing perfectly. Plus, we think this move would fit all too well.

Queens of the Stone Age – Josh Homme and his sidekicks are making their live return this summer, and it seems incredibly possible that they’ll be back in the Bay in August as one of the festival’s sub-headliners. After all, their set would lead into Metallica quite nicely, right?


Outside Lands 2016

Long Shot (but could happen)

Eric Clapton – While he likely has an exclusive contract with MSG for his bi-coastal shows (his LA dates at The Forum have been postponed until September due to illness), could he end his tour in Golden Gate Park?

Daft Punk – And, of course, your obligatory Daft Punk inclusion, especially after this year’s April Fools’ joke.

Outside Lands 2016

  • FOALS, Cage the Elephant and the art of the co-headlining gig

    FOALS

    Written by Mike Frash // Photos by James Nagel //

    FOALS, Cage the Elephant with J Roddy Walston & the Business //
    Fox Theater — Oakland, CA
    May 20th, 2014 //

    FOALS and Cage the Elephant have more in common than it appears at first glance. Both acts have three studio albums, with their first arriving in 2008, and they continue to tour on their massive 2013 efforts. Both alternative rock groups continue to gain in popularity — no less than two Cage the Elephant songs continuously emit from local radio airwaves, while FOALS straight-up headline huge festivals back in the UK. They’ve been sharing the top of the bill since beginning this tour in early May, as the co-headliners have zigzagged across the US together on their way to Sasquatch! Music Festival. So, who goes first when they co-headline a theater show?

    Based on the reaction of the crowd, it could have gone either way, as the thrilling performances sparked rabid fan reaction, a palatable excitement that’s often been missing in rock music the past decade. Tickets were sold with FOALS at the top of the bill, and despite marketing efforts that had Cage the Elephant on top, FOALS would be the final act of the night. The dual headliners got it all going after a scorching, way-too-short set from J Roddy Walston & the Business.

    Cage-The-Elephant

    Cage the Elephant’s take on rock is rooted in familiar garage-blues stylings, as seen through the recent success of their single “Come a Little Closer”. Virtually every song they perform live is intrinsically catchy and radio-friendly — Cage the Elephant purvey glossy pop that also dabbles in punk & funk. But first and foremost, the Kentucky-based group give a live show that is an ecstatic spectacle, led by captivating lead singer Matthew Shultz. A spark-plug of a front man, he was able to launch himself flying-squirrel-style into the crowd, swim through the sea of people with ease, then get back onto stage and regain composure faster than seemed humanly possible.

    The folks at the Fox Theater Tuesday loved every minute of the performance, and for good reason. The band is at its best when delving into upbeat rock crescendos, with lights matching the music and action suitably, and Cage the Elephant exert tons of effort for their adoring fans. Frankly I can’t remember the last time a rock show generated such unbridled enthusiasm, where hands went up without asking and patrons sang-along throughout, losing themselves in the moment.

    Cage-The-Elephant2

    Shultz is bonafide rock star, and he throws around charisma somewhat akin to Mick Jagger (not to confuse comparable energy with songwriting). Shultz is someone who’s not only comfortable on the pedestal, but he can also impressively swim into a sea of fans to do a goddamn handstand for five plus seconds to end the set, only to casually flop down with a satiated grin on his face.

    FOALS

    FOALS signaled a major tonal change from Cage the Elephant; the UK math rockers’ music is darker and more moody, cerebral yet constantly calling out for kinetic energy. FOALS’ live set is rather relentless, where clapping to the build up and pogoing to extended dance-punk freak-outs are the norm.

    Lead singer & guitarist Yannis Philippakis was as focused as ever Tuesday, delivering a typically impassioned performance. Though, it’s the guitar work from Jimmy Smith that truly elevates FOALS on stage — the way he’s able to nimbly and tightly play his guitar as if it were a percussive instrument, often on the off-beat or with atypical syncopation, never disappoints. Songs were almost evenly pulled from FOALS’ three studio records; the main set was bookended with “Prelude” & “Inhaler” from Holy Fire, “Spanish Sahara” perfectly slowed things down for a mid-set emotional overload, and an elongated “Two Steps, Twice” brought the house down per usual to end the show. The only complaint: twelve songs didn’t feel like enough.

    And that is the drawback of a co-headlining show like this one — you’re only going to get festival-length sets instead of a proper 90 plus minute show. But FOALS and Cage the Elephant are at the top of their game, exhibiting how very excellent they are in a live setting, in their own unique ways.