BottleRock drops new 2021 lineup headlined by Guns N’ Roses, Stevie Nicks & Foo Fighters

BottleRock - 2021 lineup

BottleRock Napa Valley //
Napa Valley Expo – Napa, CA
September 3rd-5th, 2021 //

So much for 2020, right?

After releasing a lineup early last year that never got to play out over Memorial Day weekend due to the COVID-19 pandemic, BottleRock will return to Napa Valley this September with a refreshed roster that includes some newly announced acts as well as some that were revealed a year ago like Steve Nicks.

Joining the Fleetwood Mac singer at the top of the 2021 poster are iconic rock bands Guns N’ Roses and Foo Fighters, creating quite a trilogy of star power for the music festival’s eighth installment over Labor Day weekend.

While BottleRock has always catered to fans of rock ‘n’ roll (just look at many of the fest’s past headliners), it has also tried to offer an eclectic mix of genres and this year’s undercard that’s highlighted by Miley Cyrus, Megan Thee Stallion, G-Eazy, Run the Jewels, Brandi Carlile, Cage the Elephant, Portugal. The Man, Young the Giant, Maren Morris, Black Pumas, Future Islands, LCD Soundsystem’s James Murphy (DJ set), Jimmy Eat World, FINNEAS, Polo G, Jack Harlow, Milky Chance, Jessie Reyez, Dominic Fike, Chromeo, Mavis Staples and Jon Batiste proves that to be the case once again. And don’t forget about Village People! After all, how often do you get to see the legendary disco group perform live these days? Anyway, peep the poster above for the rest of the lineup.

But amidst all of the music, the three-day event will have its annual live cooking demonstrations between a variety of celebrity chefs, musicians and athletes at its beloved Williams-Sonoma Culinary Stage that has seen appearances over the last several years by Alice Cooper, The Avett Brothers, Big Boi, Brett Dennen, Dan the Automator, E-40, Fitz and the Tantrums, Grouplove, Halsey, Macklemore & Ryan Lewis, Michael Franti, Questlove, Shakey Graves, Silversun Pickups, Snoop Dogg, St. Paul & the Broken Bones, Tank and the Bangas, Warren G and more, too.

Tickets go on sale this Thursday, May 20th at 10 a.m. PT here and start at $369 for a three-day GA pass while it’s $849 if you’re going for VIP. And if you’ve been saving up during quarantine, there’s always the three-day skydeck pass that will cost you a cool $1,599 or the platinum for a whopping $4,350.

BottleRock - 2021 daily lineups

UPDATE (May 24th): BottleRock has released its daily lineups for 2021, with Stevie Nicks performing Friday, Guns N’ Roses rocking Saturday and Foo Fighters closing things down on Sunday. Take a look at the daily schedules above before single-day tickets go on sale here for $187 (GA) or $211 (FLEX) plus fees each day starting this Thursday, May 27th at 10 a.m. PT.

BottleRock unveils 2017 bill, topped by Foo Fighters, Tom Petty & the Heartbreakers, Maroon 5

BottleRock Napa Valley - 2017 lineup

BottleRock Napa Valley //
Napa Valley Expo – Napa, CA
May 26th-28th, 2017 //

The New Year is here, and festival organizers aren’t waiting long to unveil their 2017 lineups.

After CRSSD kicked things off two weeks ago by revealing their own bill, BottleRock Napa Valley has made it official with Foo Fighters, Tom Petty & the Heartbreakers and Maroon 5 booked as headliners for its fifth edition this Memorial Day weekend.

The three-day festival in downtown Napa will feature more than 80 artists and bands across four stages. Notable artists include Macklemore & Ryan Lewis, Modest Mouse, Ben Harper & the Innocent Criminals, The Roots, Silversun Pickups, Band of Horses, Fitz and The Tantrums, Dirty Heads, Live, The Naked & Famous, The Devil Makes Three, Michael Franti & Spearhead, Gavin DeGraw, St. Lucia, House of Pain, Bob Moses, Catfish and the Bottlemen, Saint Motel, The Strumbellas, AlunaGeorge, Frightened Rabbit, Andra Day, Galactic, Charles Bradley & His Extraordinaires, Mavis Staples and many more.

Like it did last year with classic stoner-comedy duo Cheech & Chong as well as former “Hell’s Kitchen” star Gordon Ramsay, BottleRock’s Williams-Sonoma Culinary Stage will be back on the grounds to pair celebrity chefs with some of Hollywood’s biggest names.

Tickets go on sale this Wednesday, January 4th at 10 a.m. here and start at $309 before going up to $349 for a three-day GA pass. VIP passes will be sold for as low as $659 (and as high as $709), and a three-day platinum pass is as much as $3,500.

In the meantime, make sure to take a peek at our 2016 coverage of BottleRock, which saw Stevie Wonder, Florence & the Machine and the Red Hot Chili Peppers serve as headliners.

BottleRock Napa Valley 2016 - White Panda

Albums you’ll want to hear in 2016

2016 albumsWritten by Josh Herwitt //

Now that we’ve said our goodbyes to 2015, it’s time to start looking ahead to 2016 and what lies ahead when it comes to new music. Although it’s still rather early and new albums are sure to be announced after this writing, there’s plenty of ear candy that’s already set to be released in 2016.

Here are 10 upcoming albums (in chronological order by release date) that you’ll want to hear and could very well end up being on some “Best of 2016” lists in another 12 months.


David Bowie – ★ (Blackstar)

David Bowie - Blackstar

Release date: January 8th
Record label: RCA/Columbia

The 20th studio album from Ziggy Stardust will be one of the first to hit stands in 2016, and although the 68-year-old legend has said that his touring days are over, Bowie is still capable of making an intriguing record, much like he did in 2013 with The Next Day. From what we’ve heard on ★, be it the 10-minute title track or in recent weeks “Lazarus” (the song that Bowie is also using in his off-Broadway musical by the same name), we’re eager to hear the rest.


Tortoise – The Catastrophist

Tortoise - The Catastrophist

Release date: January 22nd
Record label: Thrill Jockey

It’s been more than six years since Tortoise last released an album, but the Chicago post-rock outfit will unveil The Catastrophist, led by first single “Gesceap”, later this month. Featuring vocal contributions from Yo La Tengo’s Georgia Hubley and Todd Rittmann of Chicago bands U.S. Maple and Dead Rider, the new LP was inspired by music closely tied to Chicago’s jazz and improvised music scenes that the city commissioned the band to write back in 2010.


Ty Segall – Emotional Mugger

Ty Segall - Emotional Mugger

Release date: January 22nd
Record label: Drag City

Segall announced his eighth studio album by mailing a VHS tape to Pitchfork less than two months ago, and if that wasn’t eccentric enough, the prolific garage rocker followed it up with a dedicated website for the LP, which includes a hotline number to call and two videos — one that shows him and the band wearing baby masks and another that sees him playing a doctor while explaining what “emotional mugging” is. Despite Emotional Mugger not extending quite as long as Segall’s previous solo effort Manipulator did, many of the track names are worth a chuckle, from “Breakfast Eggs” to “Baby Big Man (I Want a Mommy)”.


Bloc Party – Hymns

Bloc Party - Hymns

Release date: January 29th
Record label: BMG

Long known for pioneering a sound that bridged the gap between indie rock and electronic music, Bloc Party return in early 2016 with their fifth studio album and their first with new members Justin Harris (bass, keyboards) and Louise Bartle (drums). Debuting material from Hymns, including newest single “The Good News” at FYF Fest (read our festival review here) in August, the British quartet will also offer a deluxe edition of the LP with four bonus tracks.


St. Lucia – Matter

St. Lucia - Matter

Release date: January 29th
Record label: Columbia

Jean-Philip Grobler released the debut LP for his Brooklyn-based, synthpop project St. Lucia toward the end of 2013, and late this month, the South African native will unveil his follow-up to When the Night. If you were curious as to how Matter will sound in comparison to his first full length, Grobler has a geographical analogy to describe both: “If the last album sounded like the tropics, this album is the desert.”


Black Moth Super Rainbow

Black Moth Super Rainbow - SeeFu Lilac

Release date: N/A
Record label: N/A

Thomas Fec has become well-regarded in indie-electronic circles for his work as Tobacco over the last several years, but for more than a decade, he has also served as the frontman of Black Moth Super Rainbow, the Pittsburgh psych-rock group that’s preparing to drop its sixth studio album later this year. As BMSR fans await the LP’s official release, the band surprised many in mid-November by streaming its new mini-album Seefu Lilac, which features “neon flavored outtakes from a 6th album that doesn’t yet exist.”


Animal Collective – Painting With

Animal Collective - Painting With

Release date: February 19th
Record label: Domino

After streaming new material on loop at Baltimore’s BWI Airport the day before Thanksgiving, Animal Collective are now just a few weeks away from the release of their 10th studio album. Taking some much-needed time off after its latest tour so that David Portner and Noah Lennox could focus on their own side projects, the band refined its songwriting approach for Painting With, removing the long, ambient passages that were often synonymous with their previous LPs and also collaborating with Welsh musician John Cale and multireedist Colin Stetson.


Wild Nothing – Life of Pause

Wild Nothing - Life of Pause

Release date: February 19th
Record label: Captured Tracks

Jack Tatum remains the brains behind his indie-rock/dream-pop project Wild Nothing, having been its founder and lone songwriter since 2009. Feeding off the success of 2012’s Nocturne, Tatum consciously wanted to reinvent himself as a musician while recording Life of Pause in Los Angeles and Stockholm with producer Thom Monahan, and if his double-sided single “To Know You”/”TV Queen” is any indication, we’re starting to see what he means.


Poliça – United Crushers

Poliça - United Crushers

Release date: March 4th
Record label: Mom + Pop

Poliça lead vocalist Channy Leaneagh may have been pregnant last year, but you wouldn’t have known it from the way this Minneapolis synthpop group has continued to work in the studio. In following up its successful sophomore effort Shulamith from 2013, the five-piece takes a more political approach on its third full-length album United Crushers, which boasts first single “Lime Habit”.


Charles Bradley – Changes

Charles Bradley - Changes

Release date: April 1st
Record label: Daptone Records

You have to wonder if Charles Bradley was a Black Sabbath fan growing up as a kid, because his new album Changes draws plenty of inspiration from the legendary heavy metal group’s Vol. 4. While his cover of the famous Sabbath hit serves as the LP’s title track, the “Screaming Eagle of Soul” continues to win us over with his rags-to-riches story (Bradley was at one time homeless before becoming a cook and working various odd jobs) and his undying charisma.


The following artists and bands are expected to release new albums in 2016 but have yet to confirm an official release date and/or an album title:

AlunaGeorge
ANTEMASQUE
Band of Horses
Beck
Blink-182
Chairlift – Moth
Chromatics – Dear Tommy
Crystal Castles
Death Grips – Bottomless Pit
Deftones
Diddy – No Way Out 2
DJ Premier – Last Session @ 320
Drake – Views From the 6
Frank Ocean
Gary Numan
Gorillaz
GZA – Dark Matter
Haim
James Blake – Radio Silence
Kanye West – SWISH
Kings of Leon
LCD Soundsystem
Lupe Fiasco – Drogas
M.I.A. – Matahdatah
M83
Macklemore & Ryan Lewis
Major Lazer – Music Is the Weapon
Mark Kozelek
Metallica
Metronomy
Modest Mouse
My Morning Jacket
No Doubt
Pete Yorn – Arranging Time
Radiohead
Rihanna – Anti
Spiritualized
The Jesus and Mary Chain
The Killers
The Strokes
Zeds Dead


Outside Lands Day 2: HAIM take another step toward the top

HAIM_postPhotos by Marc Fong // Written by Mike Frash //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 8th-10th, 2014 //

Saturday brought a more celebratory tone to Outside Lands Music and Arts Festiva despite the typical August fog’s return to SF’s Golden Gate Park. Following Kanye West’s exciting Friday set that was marred by multiple man-baby moments, it was time for smiles to become contagious and for the communal spirit of the fest to take flight.

No one led this Day 2 transition better than HAIM. “I want to see babes on babes on babes. Totem pole!” demanded ESTE FUCKING HAIM of the Outside Lands crowd, and oblige they did. An effective festival technique, Alana, Danielle and Este quickly counted as festivalgoers doubled up toward the sky like a meerkat looking for a predator. And by the time the awesome threesome blasted into “Forever”, the crowd had been primed by funny, engaging banter.

More importantly, they are remarkably talented at what they do. HAIM fucking rocks live. They elongate and have adapted some of their songs, like “Forever”, for the better. Before introducing “The Wire”, Danielle prepped the audience for the call and response of “Right!”. Full buy-in permeated the Lands End stage as most everyone joined in the fun.

If HAIM continue to write undeniably catchy songs while retaining their fierce attitudes, the sky’s the limit. The atypical vocal phrasing never gets old, and I hope they continue to create music that develops around their quirky approach to modern pop while re-purposing the familiar. These Los Angeles-based sisters could be headlining big festivals in 3-5 years.

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Jagwar Ma displayed noted improvement since their show last year at The Independent, the group has expanded their sound further on stage, stretching out the vocal mantras into delirious territory. Jano Ma’s production showed shades of Nine Inch Nails, balancing Moog synthesizer and a squelchy analogue sound.

Big Freedia was everywhere Saturday. The Queen Diva brought a taste of NOLA to the new GastroMagic stage, allowing proactive patrons to cook up a beignet while they got there bounce on. Then, Freedia was at the Soundwave tent, and finally for her proper set at the Panhandle Stage. Ass Everywhere!

• SF-based graphic designer-turned-musician-turned-full-band Tycho had a prime spot mid-day at Twin Peaks, but it’s unclear if Scott Hansen’s minimalist approach translates in a big, open field at a festival. While the crowd energy was low as expected, it was a solid set accompanied by a new, intriguingly odd video component.

• The Sutro Stage was alive with an intimate crowd for Deer Tick. Screaming fans belted out lyrics and danced with interlocked arms to the group’s raucous, twangy Southern rock.

Duck Sauce is refreshing for embracing the absurd, boiling down dance music into explosions of bass with melodies as obnoxious as “Gangum Style” or happy hardcore. But A-Trak and Armand Van Helden have pinpointed the perfect equation for a ridiculously good time, making sure not to ever get too jarring or obvious. When looking for a raging, good time in a festival setting, nothing may be more fun than Duck Sauce. Quack.

Tom Petty and the Heartbreakers are just about as “legend” as it gets, and tracks from Petty’s 2014 LP Hypnotic Eye were laced throughout the main stage headliner’s set. “Friend of the Devil” was covered, a nod and a wink to the Grateful Dead’s home turf, while “American Girl” finished of the night on a high note.

Macklemore & Ryan Lewis at Twin Peaks was way more crowded than Tom Petty’s show. Macklemore brought out Mary Lambert for the GBLT anthem “Same Love”, which included a wedding proposal well-suited for SF.

What was your favorite show or moment on Saturday? What are you looking forward to Sunday?

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First Times: Experiencing Seattle’s music scene

Seattle skylinePhotos by Melissa Hebeler & Josh Herwitt // Written by Josh Herwitt //

Growing up in the 90’s, Seattle always had a special place in my heart.

From my days of listening to Soundgarden, Pearl Jam and Alice in Chains albums in my bedroom, grunge music had already produced a profound impact on my musical taste by the time I entered my teens. Unlike so many of my peers, I never became a crazed Nirvana fan, but the rock music I did like — whether I knew it or not at the time — was being born in the Pacific Northwest.

As time passed and my music palette grew, grunge wasn’t the only genre coming out of the region that tickled my ears. In fact, Seattle’s musical history stretches further than it just being the birthplace of grunge. In more recent years, Seattle’s hip-hop scene, for one, has exploded in part due to Grammy winners Macklemore & Ryan Lewis, but even experimental acts like Shabazz Palaces and Blue Sky Black Death have helped build the local scene. And let’s not forget that we’re talking about the city that bred the one and only Sir Mix-a-Lot, of course.

Knowing this, my expectations of Seattle’s music scene have always been quite high. Since the late 60’s when Seattle native Jimi Hendrix took London by storm with bassist Noel Redding and drummer Mitch Mitchell, there has been a musical fabric that has run through the Emerald City. It’s a city, after all, that has a nonprofit museum dedicated largely to pop culture and music, with informative, in-depth exhibits on the history of The Jimi Hendrix Experience and Nirvana that include authentic artifacts, hand-written lyrics, used instruments and original photographs of both groups. You never know — maybe someday Pearl Jam, Soundgarden and Foo Fighters memorabilia will also find its way behind the EMP Museum’s glass doors.

EMP Museum

Meanwhile, Sub Pop, Seattle’s famed independent record label, has found continued success outside of its home base long after popularizing the grunge movement, with indie contemporaries like The Shins, Fleet Foxes, Beach House, Foals, The Postal Service and Wolf Parade all signed to its current roster. And even more than 25 years after its inception, the label Bruce Pavitt and Jonathan Poneman created hasn’t lost its charm in a city where the Seahawks carry as much weight as any local band on the brink of national prominence these days.

With that said, while history can’t be erased, it certainly doesn’t mean it will be repeated. The Crocodile, formerly known as The Crocodile Café, has long been a fixture in Seattle’s music scene; the relatively small, intimate club on the corner of 2nd Avenue and Blanchard Street in the neighborhood of Belltown was the place where bands like Nirvana and Death Cab for Cutie first got their start. Even though the 525-person venue closed its doors in 2007, it reopened them a couple years later and has remained instrumental in maintaining Seattle’s reputation as one of America’s best music cities.

But whether it was the Fourth of July holiday or just the band that was booked for the night — in this case, San Francisco’s Geographer, who I have seen a handful of times at this point — I was surprised to see a room only half full of spectators when I walked inside. Maybe Geographer just doesn’t draw in Seattle what it does in SF or LA — or maybe I’m just spoiled. Since graduating college, I have had the privilege of living in New York and Los Angeles while getting to experience both cities’ music scenes for an extended period of time. My concert-going experiences haven’t been restricted to just LA and NYC, though. Over the years, I have made numerous trips to Denver — a city smaller than Seattle, yet one that undeniably eats, breathes and lives for live music — to attend shows at Red Rocks and beyond.

Geographer

At The Crocodile, something felt missing unfortunately. Sure, it was just one show, but there wasn’t the same kind of buzz I found in any of those aforementioned cities. For whatever reason, my native LA often gets vilified by outsiders and transplants for our crowds’ lack of enthusiasm; words like “rude” and “unengaged” are regularly thrown around when it comes to LA’s music scene. But the energy at The Crocodile on that Friday night wasn’t anything better than what I experience on a regular basis in Southern California. If anything, it was considerably worse.

As disappointed and uninspired as I was after the show, my respect for Seattle’s music scene hasn’t wavered. With so much of my youth influenced by the musicians who have called this majestic seaport city home, it will always remain an important place for this music lover. Yet, what it’s made me realize is just how lucky I am to have lived where I’ve lived and been where I’ve been.

Geographer

Outside Lands 2014 daily lineup highlights

Outside-Lands-2013

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 8th-10th, 2014 //

So, three-day tickets for Outside Lands Music and Arts Festival sold out in record time. Now’s your chance to snag single-day passes for SF’s premier music festival. Get ready: tickets go on sale Thursday, April 17th at 10 a.m.

Still choosing which day might be best for you? Here’s our take on the headliner options, along with choice picks and reasons to get there early this August in Golden Gate Park.

OSL-2014

Friday, August 8th

HEADLINER OPTIONS: Kanye West Vs. Arctic Monkeys (or Disclosure)

Yeezus himself will handle headlining duties on day one, but the real question is whether or not Arctic Monkeys or Disclosure will helm Twin Peaks come nightfall. Both acts are worthy of a headlining slot — time will tell.

CHOICE PICKS:

Run the Jewels: El-P + Killer Mike , “Rap’s most dangerous Duo”, are returning to SF after their game changing shows last year at the Independent. Expect top notch beats over future-forward production. In a perfect world they would open for West.



Phosphorescent: Matthew Houck’s understated, twisted take on indie rock is refreshingly breathtaking, exemplified most strikingly by the majestic “Song for Zula”:

Holy Ghost!: Ready for a disco-dance party fed by instrumentals? Yes you are. One of our favorite acts from the last year will set Golden Gate park ablaze.



DIGGING DEEP: (reasons to get there early)

• Mikal Cronin
• Greensky Bluegrass
• Typhoon
• Bear Hands

THE VERDICT: Eclectic with as many rap options as dance choices.

OutsideLands

Saturday, August 9th

HEADLINER OPTIONS: Tom Petty & The Heartbreakers vs. Macklemore & Ryan Lewis

This one’s going to be a pretty simple choice for most folks — the classic rock singalongs versus the contemporary pop-rap anthems. These headliners starkly contrast from one another.

CHOICE PICKS:

SBTRKT: Known to perform with iconic tribal masks, Aaron Jerome fuses innovative electronic production with drums, synth, keys & live singing, usually with help from touring partner Sampha. SBTRKT’s new EP Transitions delves into icy-instrumental territory.



Atmosphere: Slug and Ant are back this year, and they’ve got a new song entitled “Kanye West”, which doesn’t go after the Day 1 headliner, but it does address hip-hop crowd interactions in a playful, positive way.



Tycho: Scott Hansen is as much a visual artist as he is a musician — his projected imagery melds simple geometry and super slow-mo romanticism and works in hand with his newly cemented band’s ambient, yet driving beats. This one deserves a night time slot, say closing down the Panhandle Stage?



DIGGING DEEP: (reasons to get there early)

• Woods
• Jagwar Ma
• Valerie June
• Trails and Ways

THE VERDICT: Save for a handful of rowdy spots (Macklemore, Duck Sauce, Capital Cities), the offerings are relatively mellow.

OutsideLands2

Sunday, August 10th

HEADLINER OPTIONS: The Killers vs. Tiësto (or The Flaming Lips)

These two options to end the weekend are, once again, clear cut. But here’s hoping Ranger Dave harkens back to the early years and offers a third headliner option in The Flaming Lips. Their drone-psyche spectacle of a freak out deserves darkness and would offer an incredible third option.

CHOICE PICKS:

Cut Copy: Every time these electronic-oriented Australians swing through the Bay Area, we’ll be there. Dan Whitford & Co. will make you dance and reach for the sky.



Lykke Li: The Swedish Songstress is returning to the touring circuit this year, and her first offerings from her forthcoming LP I Never Learn are more sedated than swirling. Li’s ownership of the stage and visceral passion request your attendance.



Flume: Skyrocketing electronic-music amalgamator Harley Streten creates big, bold beats centered by a chill tone. Since releasing his self-titled LP to worldwide acclaim in 2012, he’s brought in a host of top level rhymers to give the music new meaning and fresh life (listen below). We’re excited to see how this influences his live show.



DIGGING DEEP: (reasons to get there early)

• Gold Panda
• Courtney Barnett
• Jonathan Wilson
• Tumbleweed Wanderers

OVERALL VIBE: Sunday has a lot of high-decibel acts. A good day for dance enthusiasts.

Check out our Outside Lands 2014 playlist:

OL 2014 Daily Lineups

Five Outside Lands trends in 2014

Outside Lands 2014Photos by Marc Fong // Written by Mike Frash & Kevin Quandt //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 8th-10th, 2014 //

The lineup for the seventh annual Outside Lands Music and Arts Festival, taking place August 8th-10th in San Francisco’s Golden Gate Park, was announced Tuesday. Headliners Kanye West, Tom Petty & the Heartbreakers and The Killers were the focus of the many knee-jerk reactions, but what does the lineup say as a whole? Here are five trends we’ve spotted.

Three-day passes for the festival go on sale Thursday, April 10th at 10 a.m.

Outside-Lands

1. RAP IS REPRESENTED MORE THAN EVER
Outside Lands missed out on the OutKast nostalgia sweepstakes, but the far more controversial (and relevant), Yeezus has been crowned as the first rap headliner in the festival’s history (see below). Beastie Boys were slotted to headline the festival in 2009, and they sadly had to pull out due to Adam Yauch’s cancer diagnosis. Tenacious D ultimately became the headliner over M.I.A. The Bay Area doesn’t attract an abundance of hip-hop or rap in general, yet many in the SF music community have wondered when Outside Lands, now a top national festival, would get into the game. El-P and Killer Mike, one of most dynamic music duos in years, are working on a follow-up to their incredible Run the Jewels debut and are sure get Golden Gate Park pumped. Macklemore & Ryan Lewis performed at noon in 2011 at Outside Lands, and since then, they own four major singles and seemingly sell out every show they perform. But they are dangerously within the range of overexposure, and since winning “Best Rap Album” at the Grammys over Kendrick Lamar (and Macklemore felt the need to text-apologize to Lamar), some music fans are out for vitriolic blood. That said, Macklemore’s impact on the popular music landscape is undeniable. Atmosphere, Aer and Watsky, also successful suburban-oriented spitters in their own right, are also on the bill this year.

2. KANYE WEST IS AS DIVISIVE A FIGURE AS EVER
Reaction to Kanye West as the top headliner was distinctively negative Tuesday, at least from the loudest people. West is at the peak of his career, releasing two of the most essential albums of the past five years with Yeezus and My Beautiful Dark Twisted Fantasy. The mega-narcissistic artist of a generation is already busy working on a follow-up to be produced by Q-Tip and Rick Rubin, and it may be out before Outside Lands in August. Odds are Yeezus will pull back from minimalist trap production and go back to his soul-sampling roots to cast a wider net. West has won over music critics with his recent boundary-pushing efforts, but the question becomes, can he avoid a Kardashian-enhanced mainstream backlash bigger than the “Swifting” he pulled at the MTV Video Music Awards? Our money is on ‘Ye.

3. THE FIRST REPEAT HEADLINER
Now in its seventh year, Outside Lands has finally reached the point when we see our first repeat headliner in the form of classic rock demigod, Tom Petty and his band the Heartbreakers. Having played on the second day of the inaugural year to a healthy-sized crowd, Petty worked through some technical errors with a set heavy on his standout hits from the past decades. A new release and tour recently announced lead us to think that Mr. Charlie T. Wilbury is primed to have a big second half of 2014.

4. A SLIGHT SHIFT IN ELECTRONIC MUSIC CURATION
One thing that Showbams noticed when culling through the lineup was the inclusion of slightly more progressive EDM. What was once a genre more reserved for Treasure Island Music Festival is making its way to Golden Gate Park, hoping to turn some folks onto a newer style of electronic production. This new shift is mainly represented by Disclosure, Flume, SBTRKT and Gold Panda. Each act brings a quality that is slightly out of the “dance music” box, whether it’s Disclosure’s 2-step-garage sound or Gold Panda’s experimental beat production. Even after all these years, Another Planet and Superfly keeps us on our toes.

5. THE MOST ECLECTIC LINEUP YET
Outside Lands has always basked in musical diversity, and this notion is true now more than ever. As our collective access to music becomes easier and more plentiful, so does our acceptance of a greater variety of genres. In one weekend, festivalgoers will bounce to Big Freedia, get rural with Kacey Musgraves and dance with Duck Sauce. Whether it’s folk, EDM, hip-hop, indie rock, country or soul, Outside Lands’ eclectic lineup suits the integrity and character of SF and the Bay Area.

Follow our Outside Lands 2014 playlist on Spotify.

Outside Lands

New Music Tuesday: Ellie Goulding • Macklemore & Ryan Lewis • Tame Impala • Freelance Whales • Lord Huron • METZ

Ellie Goulding - Halcyon

Every Tuesday, we focus on new music releases by naming our top tracks and supplying the latest videos for select albums.


Ellie GouldingHalcyon

Top Track: “Anything Can Happen”

Ellie Goulding reveals the same horrible haircut as her boyfriend Skrillex, yet approaches stadium-size stardom with her first album.


Macklemore & Ryan LewisThe Heist

Top Track: “Same Love” feat. Mary Lambert

The video for “Same Love” is one of the better audio/video combos of the year.


Tame ImpalaLonerism

Top Tracks: “Elephant”
“Feels Like We Only Go Backwards”

Hands down, one of the best albums of the year. Lonerism is compulsively listenable from beginning to end, the first and the 10th listen all the same.


Freelance WhalesDiluvia

Top Track: “Spitting Image”

There are at least a couple gems with “Spitting Image” and “Locked Out”.


Lord HuronLonesome Dreams

Top Track: “Time to Run”

Lord Huron’s debut LP is a strong effort and deserves a listen.


METZMETZ

Top Track: “Headache”

METZ seems to have a cleaner and slightly more subdued sound live as seen above, compared to their self-titled first album.