Primavera Sound LA 2022: The best & worst of the Barcelona music festival’s inaugural edition on U.S. soil

Primavera Sound LA 2022Photos by Josh Herwitt & courtesy of Primavera Sound LA // Written by Josh Herwitt //

Primavera Sound LA //
LA State Historic Park – Los Angeles
September 16th-18th, 2022 //

It’s no secret that Primavera Sound has had its sights set on Los Angeles for quite some time now. The Barcelona music festival that has been going strong for two decades expanded to Porto in 2012 and will finally stamp its brand on four more cities in 2022 after a two-year delay due to the COVID-19 pandemic.

LA is the first of those four cities, but with the festival’s other three new locations — São Paulo, Buenos Aires and Santiago — all launching in South America later this year, LA State Historic Park also served as Primavera Sound’s inaugural event in the states.

Spreading four stages across the 32-acre park that remains one of the best spots in the city to host a music festival before and after three years of renovations, PSLA welcomed a wealth of talent from the top line to the bottom. Lorde, Nine Inch Nails and Arctic Monkeys each delivered headline-worthy sets while an indie-leaning undercard highlighted by BICEP (Live), Cigarettes After Sex, Clairo, DARKSIDE, Drain Gang, Fontaines D.C., Girl in Red, GIVĒON, James Blake, King Krule, Khruangbin and Mitski all drew big crowds over the course of three days. In a lot of ways, PSLA fills a much-needed void after the sudden and disheartening end to FYF Fest, which would tout itself as the “best weekend of summer” for many live music fans and was one of our favorite multi-day festivals to cover (read more here).

Any time a new music festival launches though, there are always highs and lows. So without further ado, here are our best and worst moments from Primavera Sound’s first installment on U.S. soil:


Primavera Sound LA 2022

Best: The weather

After LA experienced its worst heat wave of the year earlier this month with temperatures reaching triple digits, the weather luckily cooled down just in time for PSLA. For many of us, a second layer of clothing wasn’t ever necessary from Friday afternoon to Sunday evening. After all, how often does that happen? With great music lined up throughout the day and a forecast hovering in the mid to high 70’s, it truly felt like a quintessential summer weekend in LA.

Primavera Sound LA 2022

Worst: Will Call line

When we arrived at the festival on Friday afternoon, the line at the box office quickly stood out. In fact, it was so long that we knew the wait would be at least an hour for those trying to pick up their passes, only to discover later via Twitter it was even longer for many even at 6 p.m. These are the kind of issues any first-year music festival hopes to avoid and can ultimately prepare for, but when you change your ticket delivery method to in-person on short notice after previously telling fans it would be done electronically, it’s no surprise that you end up pissing off some of your customers.

Primavera Sound LA 2022 - Lorde

Best: Lorde

The 25-year-old singer-songwriter has been making the rounds this year on an extensive world tour in support of 2021’s Solar Power, and there’s no question that her entire stage design and production was impressive to witness. Ahead of festival stops at Life Is Beautiful and Rifflandia over the same weekend, Lorde arrived onstage via a rotating staircase with some of her backing band and ran through 15 songs — from her 2013 debut single “Royals” to Melodrama hits like “Perfect Places” and “Green Light” — as PSLA’s first headliner. We wouldn’t necessarily call ourselves big fans, but we definitely understand why she was deserving of top billing.

Primavera Sound LA 2022

Worst: Food & drink

We will eventually get to the limited viewing space that under-21 guests were offered, but even if you wanted to drink at PSLA, the options were simply not good. This was certainly not the place for craft beer enthusiasts, as your choices were Heineken or the low-calorie Tecate Alta that tasted mostly like beer-flavored water for $12 each. Not only would it be nice to have seen local breweries — there are two excellent ones located across the street from the festival’s entrance — featured, but in a city such as LA with a food-and-drink scene that’s one of the best in the country, partnering with major beer and liquor brands along with a handful of Smorgasburg LA restaurants doesn’t exactly cut it anymore. The only food stall in one of the VIP areas selling “California style” Philly cheeseteaks made us think about how much Goldenvoice has elevated its game in this respect, with top-notch local options at Just Like Heaven (read our festival review here) from Goldburger to Homage Brewing standing out as examples most recently in May.

Primavera Sound LA 2022 - Khruangbin

Best: Khruangbin

The Houston three-piece that has made 70’s Thai funk sound cool again has been one of the hottest acts to tour over the past five years, as evidenced by their three sold-out shows at LA’s Greek Theatre last November. While most might have come Saturday to see Nine Inch Nails, it was K-bin who would steal the show before Trent Reznor and company ever played a note. Those who made it to the main stage for sunset were treated to an hour of grooves, as Mark Speer (guitar, vocals), Laura Lee (bass, vocals) and Donald Johnson (drums, vocals) hypnotized us with fan favorites “María También” and “So We Won’t Forget” before diving into a melody of covers that embraced a wide array of artists, from MF DOOM, The Isley Brothers, Tina Turner and Chris Isaak to 90’s hip-hop legends A Tribe Called Quest, Ol’ Dirty Bastard, Warren G and Dr. Dre.

Primavera Sound LA 2022

Worst: Art installations

Sometimes it can be easy to forget how spoiled we are in California when it comes to all of the music festivals we have. Not only do many of our best and brightest such as Coachella, Outside Lands and Lightning in a Bottle showcase a wide range of musical genres, but they also feature their own unique art installations that continue to push the envelope. In the case of Primavera Sound, let’s just say that’s not its M.O. While we can’t fault the festival for keeping the focus strictly on the music, LA State Historic Park did seem to lack some color aesthetically. That said, there were a couple of highlights off the stage, including the vinyl market that was curated by KCRW and Beat Swap Meets as well as the FLATSTOCK poster show series making its only West Coast stop of the year and featuring locals like Kii Arens of La-La Land Prints.

Primavera Sound LA 2022

Best: Signs, sightlines & sound

With the Primavera Sound brand being all about the music, our eyes were mostly focused on the artists performing. Nevertheless, the signs, sightlines and sound at PSLA were all on point. The downtown LA skyline served as a fitting backdrop like it usually does at LASHP, and despite poor audio issues playing a role at outdoor music festivals, we didn’t experience any while we were on the ground so kudos to the organizers for locking that down. If anything, the decibels across the fest’s four stages were so high that we found ourselves needing ear protection most of the weekend.

Primavera Sound LA 2022 - Nine Inch Nails

Worst: Short headliner sets

After Primavera Sound LA unveiled the lineup for its debut this year, we presumed all three headliners would receive at least 90 minutes each day. So when the set times dropped more than a couple weeks in advance, it was a bit of a shock seeing only 75 minutes designated for each of them. A Hall of Fame band like Nine Inch Nails has more than 10 studio albums and several EPs in its catalog but were only granted enough time to crank out 16 songs, many of which have been setlist staples for years up to this point. Though NIN classics like “Wish”, “March of the Pigs”, “Closer”, “Gave Up” and “Head Like a Hole” are never tracks to lack energy live, we’re happy we caught their sold-out gig at the Santa Barbara Bowl (read our show review here) four days earlier for the chance to hear a cover of David Bowie’s “I’m Afraid of Americans” and multiple other deep cuts.

Primavera Sound LA 2022 - Arctic Monkeys

Best: Arctic Monkeys

It was clear when we showed up for PSLA’s final day that the attendance felt bigger than the day prior. Although that seemed a little odd considering it was Sunday and not Saturday, it was a testament to the fan base Arctic Monkeys have built at the 20-year mark. The English rockers haven’t toured since 2018’s Tranquility Base Hotel & Casino, and with their forthcoming seventh LP The Car slated to come out next month, frontman Alex Turner and his bandmates gave us a taste with the disco funk that they’ve cooked up on “I Ain’t Quite Where I Think I Am” midway through their headlining performance. And even though we didn’t hear lead single “There’d Better Be a Mirrorball” despite it being the only track that they have officially released so far, there were plenty of other thrilling moments for us to remember in between the opening notes of “Do I Wanna Know?” and the closing “R U Mine?” to end the night. Here’s hoping we don’t have to wait too long before there’s a return date to California after the new album drops.

Primavera Sound LA 2022

Worst: Under-21 viewing areas

Most of PSLA’s guests are of legal drinking age, and with the festival boasting a number of alcohol-related sponsors that included Cuervo and Smirnoff, it certainly caters to the over-21 crowd. But for those who weren’t, the viewing areas at the Primavera and Tecate Alta stages were less than ideal. Besides the allotted space being too small and positioned off to the side, underage guests were only informed 10 days in advance. If you’re not 21 yet, make sure to temper your expectations — or we’d recommend waiting until you are before attending.


Primavera Sound LA photographers featured: Nicolita Bradley, Lindsey Byrnes, Pooneh Ghana, Miranda McDonald, Ismael Quintanilla III & Quinn Tucker.

Thirty-five years later, the Melvins are still rockin’ as hard & loud as they ever have

MelvinsPhotos by Mike Rosati // Written by Andrew Pohl //

Melvins with ModPods, Yen Yen //
Great American Music Hall – San Francisco
July 16th, 2018 //

For as many times as the Melvins have performed in the Bay Area over their extensive career, I just hadn’t gotten around to seeing them. Several friends of mine have praised them as one of, if not THE best band to catch live, and though I admittedly didn’t know their material beyond a few songs that I had heard on occasion, I was happy to have the chance to catch them. With the sold-out gig taking place at one of my favorite venues in SF, that made it all the better.

Arriving at the Great American Music Hall about 15 minutes before showtime, I ran into a few good friends that I hadn’t seen in a while, which made the whole experience that much better. Kicking things off were Yen Yen, a Swedish electronic duo whose ethereal, 25-minute set was a refreshingly different sound when comparing it to what was supposed to be a Monday night of sonic bombardment by the mighty Melvins. As one of the band’s members twisted and turned knobs to manipulate some swelling synth-pad samples, the other waved his hands over what looked like a theremin type synth. Twenty-five minutes was the perfect length for their set, as much more than that might have become long in the tooth, but I did enjoy what I heard and it was pretty impressive to see what they could do with sound.

Next up were the Los Angeles-based ModPods. The three-piece dance/electro outfit proved to be another nice addition to the show’s bill and offered those in attendance a chance to shake their ass a bit. Singer Myriad Slits held court onstage as she delivered some strong vocals that exuded both soul and style. Instrumentalists Mindee Jorgenson and Daniel Guzman switched between bass, guitar and drums, layering sounds over backing tracks to each song. Although they were minimalist in their approach, the songs kept the crowd wanting more and I would venture to say that the ModPods won over the crowd with ease. I foresee them making some big waves in the future.

Melvins

But the time had finally come for the legendary Melvins to hit the stage. Over the years, the group has undergone quite a few lineup changes, with lead vocalist/guitarist Buzz Osborne (aka “King Buzzo”) being the one constant member and drummer Dale Crover being a close second. For this roster, former Butthole Surfers bassist Jeff Pinkus and Redd Kross/Off! bass player Steven Shane McDonald signed on to be part of the equation, creating a rich, punchy and crunchy element to the already fuzz-heavy sound. This was one show, after all, that you definitely wanted to have earplugs for.

I’m far from an expert on this kind of thing (because I’m not), but I didn’t expect to see the Melvins perform with the amount of energy that they showcased. For a band that has been touring and putting out new material for the past 35 years, they performed as if everything depended on it. You weren’t going to catch “King Buzzo” standing in one place for too long, with his signature fro whipping in the wind from the fans that were on the stage, McDonald and Pinkus holding it down on their own instruments, and Crover beating the living hell out of his drums. Fans were ready to receive the band and responded to the various sonic blasts coming from the amplifiers. During the thrashy songs, they formed a brutal pit, and during the sludgier songs, they lit up joints and bobbed their heads to the music.

I, myself, was pleased see that the Melvins were thoroughly enjoying themselves and weren’t just going through the motions. Their 18-song set in SF included cuts from across their entire catalog, a handful of covers — including David Bowie’s “Saviour Machine”, Butthole Surfers’ “Moving to Florida” and The Rolling Stones’ “Sway” — and toward the end, “Don’t Forget to Breathe” from their most recent full-length album Pinkus Abortion Technician.

Setlist:
Sesame Street Meat
At a Crawl
The Kicking Machine
Saviour Machine (David Bowie cover)
What They Say (Redd Kross cover)
Anaconda
Stop (James Gang cover)
Moving to Florida (Butthole Surfers cover)
Edgar the Elephant
Sway (The Rolling Stones cover)
Let It All Be
Honey Bucket
The Bit
Don’t Forget to Breathe
Onions Make the Milk Taste Bad
The Talking Horse
Evil New War God
Eye Flys

Moby might think he’s old, but his 15th and newest album doesn’t sound it at Apogee Studio

MobyPhotos by Brian Feinzimer // Written by Josh Herwitt //

Moby //
Apogee Studio – Santa Monica, CA
March 26th, 2018 //

When Richard Melville Hall released his fifth album Play in 1999, probably much to many’s surprise now, it wasn’t an immediate success. Hall, after all, had hit a bit of a rough patch a few years earlier with his fourth LP Animal Rights, which saw him venturing into punk rock and straying far away from the eclecticism that delivered critical acclaim for its predecessor Everything Is Wrong in 1995.

But Play eventually propelled Hall — or “Moby” as his parents called him due to an ancestral tie to Moby Dick author Herman Melville — to mainstream status like his previous records had never before. Boasting eight singles (yes, you read that right) and selling more than 12 million copies worldwide at a point when music fans were still purchasing CDs, it became the biggest-selling electronica album of all time. Rolling Stone, in fact, has included Play as one of its 500 greatest albums on two different occasions. I don’t know about you, but it’s a masterful piece of work that immediately transports me back to the late 90’s, to a time when groove-oriented electronic music was actually starting to be considered “cool.”

Employing everything from early blues, African-American folk music and gospel to hip-hop, disco and techno on Play, Moby created sounds that our ears had never heard before. Today, he stands as one of electronic music’s, if not simply music’s, most important figures, having worked with David Bowie, Daft Punk, Brian Eno, Pet Shop Boys, Britney Spears, New Order, Public Enemy, Guns N’ Roses, Metallica and Soundgarden over a career that has spanned 40 years to date.

That’s a long time for anyone to be making music, but at the age of 52, Moby hasn’t let it catch up to him. Part of that could be related to his diet (he has been vegan for about three decades now), leaving his longtime home of New York City for sunny Los Angeles back in 2010 and an unwillingness to tour extensively anymore, though his latest studio material doesn’t offer any evidence that he has lost the ability to craft a well-conceived/produced song either.

Moby

On Monday night in Santa Monica, Hall took the stage for KCRW’s Apogee Sessions series in support of his 15th full length Everything Was Beautiful, and Nothing Hurt, which arrived via Mute earlier this month. The record’s title serves as just another reminder of Moby’s passion for the late Kurt Vonnegut’s work, referencing Billy Pilgrim’s epitaph in Slaughterhouse-Five, but he isn’t the only literary influence who shines through on the 12-track album. The second single “Mere Anarchy” from Everything Was Beautiful, and Nothing Hurt, in fact, was inspired by a quote from Irish poet W. B. Yeats, someone Moby has been a fan of for quite a while and even more in these chaotic, uncertain times under the Trump administration (as you can see from his Instagram account here, he is also very politically outspoken).

Still, despite all of the negativity that’s out there in the world at the moment, Moby appears to be in a relatively happy place on a personal level. He has been sober for about four years after being a self-proclaimed alcoholic and has owned his vegan restaurant Little Pine in LA’s ultra trendy Silver Lake neighborhood since 2015. And for the past two years, he has also found the time to organize his own Circle V festival as a way to celebrate music, vegan food and animal rights, the latter of which being another cause that Hall has dedicated his life to from an early age. Oh, and did we mention that he had a collaborative LP with The Void Pacific Choir come out last year? When you stack them all up, it’s pretty incredible to see Moby juggling so many projects simultaneously and juggling them all well (props to his manager, that’s for sure).

His guitar playing, meanwhile, may be just as impressive, if not surprising to some. Less than two weeks before Moby stepped into Bob Clearmountain’s diminutive recording studio, I was fortunate enough to catch him the final of his three shows at The Echo, and it was there as he performed a variety of songs from Everything Was Beautiful, and Nothing Hurt, Play and a few other albums, that I fully realized just how talented he is with a black Gibson SG in his hands. He may be an electronic musician, but unlike a lot of them today, Moby is a musician in every sense of the word. While his vocals at times sound more like spoken word than actual singing, he has found more than capable sidekicks in Julie Mintz (keyboards, vocals) and Mindy Jones (vocals) to assist him in that department. Jones’ ranging voice, in particular, is one that suits his music well, and when you hear her sing, her pipes elevate the song to a whole new level.

Moby is no doubt a quirky guy. He’s not too insecure to make fun of himself, call some of his music “bad” or say what’s on his mind. Having been his friend for more than 25 years, KCRW Music Director Jason Bentley most certainly knew this, but as he traded questions for answers midway through his performance at Apogee Studio, you could tell even Bentley was surprised by how candid Moby was. The small crowd, of course, couldn’t help but laugh, as Moby made a point of telling us that he’s “old” and later on how the music video for his single “We Are All Made of Stars” was a $1 million disaster that never saw the light of day after being played only once on MTV. But as he juxtaposed the trip-hop that permeates throughout his newest album against the more old-school, ambient vibes of his past work, it was Moby who proved that his star, almost 20 years after Play dropped, continues to burn bright in 2018.

Setlist:
The Ceremony of Innocence
Falling Rain and Light
Why Does My Heart Feel So Bad?
Porcelain
Like a Motherless Child
This Wild Darkness
The Tired and the Hurt
Extreme Ways
The Sorrow Tree
We Are All Made of Stars

PLANETARIUM send fans at Fox Theater Oakland on an emotional journey to the cosmos

PLANETARIUMBy Norm de Veyra //

PLANETARIUM with Thao Nguyen //
Fox Theater Oakland – Oakland
July 21st, 2017 //

Singer-songwriter and multi-instrumentalist Sufjan Stevens, guitarist Bryce Dessner of The National, classical music composer Nico Muhly and drummer James McAlister brought the lush and eclectic sounds of their collaborative, celestial-themed project PLANETARIUM to a sold-out crowd of 2,800 fans at the Fox Theater Oakland last Friday on the final stop of their very brief tour that spanned only four dates.

PLANETARIUM’s music, which channels Stevens’ reflections on astronomy, science and even the intricacies of human consciousness, is a fusion of styles from all four band members that evokes feelings of unity. The group’s performance was accompanied by otherworldly visuals that filled the backdrop as it traversed the Solar System with quite a few emotionally charged songs inspired by the planets and other celestial bodies like “Neptune” and “Jupiter”.

PLANETARIUM

Stevens often spoke during the performance, charming the audience with his aforementioned reflections. The night closed out with a spirited tribute cover of David Bowie’s “Space Oddity” that felt like an appropriate and poignant cap to the night as the audience contemplated the cosmos and its place within it.

Opening the evening was Thao Nguyen, sans her usual support from Thao & the Get Down Stay Down. Nguyen’s blistering performance was rife with experimentation and playfulness as it featured tracks such as “Astonished Man” and “Slash/Burn” off her latest album A Man Alive, which was recorded at SF’s Tiny Telephone Studios. Produced by tUnE-yArDs founder and bandleader Merill Garbus, the album was released back in March via Ribbon Music and explores some darker and more personal territory as it relates to Nguyen’s relationship with her estranged father, unlike her earlier songwriting.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2016

Danny Brown


Danny Brown at The Regency Ballroom // Showbams’ Photo of the Year, by James Pawlish

Time flies when you’re having fun, right? Well, while we’re still wondering where the past 12 months have went, 2016 proved to be bittersweet for the entire music community. With David Bowie, Glenn Frey, Paul Kanter, Phife Dawg, Merle Haggard, Prince, Leonard Cohen, Sharon Jones and most recently George Michael all leaving us too soon, it’s been a rough ride to say the least. But amid all the heartbreak, we experienced plenty of amazing moments in music from January to December, and now it’s time for us to once again unveil our annual “Best of” lists just like we did in 2015.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2016.

The 25 Best Live Music Acts of 2016

Listen to The Bam Team’s favorite songs of 2016:


Jim James at Orpheum Theatre


Jim James at Orpheum Theatre // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2016
1. LCD Soundsystem at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 8th
When reports started swirling around this time last year that LCD Soundsystem would reunite to headline Coachella a few months later, it was a chance to relive that one time I saw them on the same polo field six years earlier — the only time I was lucky enough to see James Murphy and company in action before they called it quits way too early. And while band reunions at Coachella are starting to feel like a gimmick these days, LCD had already played a couple of warm-up shows back home in New York by the time they stepped foot on the main stage for their highly anticipated headlining set at the Empire Polo Club. They didn’t perform any new material like some fans may have hoped they would, but rather a setlist laced with hits that also included their live debut of David Bowie’s “Heroes” as well as a nod to fellow headliner Guns N’ Roses. And as the final words to “All My Friends” left Murphy’s mouth that night, I walked away still buzzing from what I had just witnessed.

2. Radiohead at Shrine Auditorium – Los Angeles, CA – August 8th
3. Jim James at Orpheum Theatre – Los Angeles, CA – December 9th
4. Temple of the Dog at The Forum – Inglewood, CA – November 14th
5. Pretty Lights (Live) at Santa Barbara Bowl – Santa Barbara, CA – November 10th

Top 5 Albums of 2016
1. Moderat – III
With so many excellent albums being released each year, picking a favorite is never an easy task — but this year felt even more difficult than usual. And although I’ll admit I didn’t have time to hear every LP that dropped in 2016, it was hard not to choose Moderat’s latest studio effort after much thought and consideration. Time after time, I found myself coming back to III after countless listens. From the record’s opening track “Eating Hooks” to its initial single “Reminder”, the Berlin trio seems to get better and better with each release. As difficult as it can be to describe Moderat’s music, there’s something about the way Sascha Ring’s emotive vocals pair perfectly with the supergroup’s haunting melodies that makes III‘s repeatability incredibly strong. I guess the third time really is the charm for these three gents.

2. Jim James – Eternally Even
3. Anderson .Paak – Malibu
4. RadioheadA Moon Shaped Pool
5. Kendrick Lamar – untitled unmastered

Top 5 Songs of 2016
1. Jim James – “Here in Spirit”
My Morning Jacket frontman Jim James often receives praise for his unique singing style, but the Louisville native’s songwriting chops remain equally impressive. On his sophomore solo album Eternally Even, James takes a more political stance than what he devised for his 2013 debut Regions of Light and Sound of God. What results is some of James’ most poignant and inspiring material to date, including the soulfully psychedelic cut “Here in Spirit” that bats third in the LP’s nine-track lineup. With lines like “No compromise / But willing to sacrifice / Believe what you want / Go on and be who you are / Go out and get what you want” to open the song, James empowers his listeners to not sit on the sidelines and instead, speak up for what they believe in. He might not be able to solve the world’s problems, but “Yim Yames” knows how to make you think about the issues that matter.

2. Moderat – “Reminder”
3. Glass Animals – “Youth”
4. Tycho – “Division”
5. Run the Jewels – “Legend Has It”


Brainfeed at Fox Theater Oakland


Brainfeeder at Fox Theater Oakland // Photo by Marc Fong

Molly Kish // San Francisco

Top 5 Shows of 2016
1. Brainfeeder at Fox Theater Oakland – Oakland, CA – September 15th
This showcase featuring artists from Flying Lotus’ label, including himself, was an experience to behold. No matter who you went to see on this night, eyes were opened and brains were fed — so to speak — thanks to the sonic diversions that continue to make Brainfeeder one of the most important players in shaping the future of music.

2. Danny Brown at The Regency Ballroom – San Francisco, CA – October 11th
3. James Blake at Fox Theater Oakland – Oakland, CA – October 17th
4. Erykah Badu at The Warfield – San Francisco, CA – November 15th
5. Black Madonna at Public Works SF – San Francisco, CA – November 18th

Top 5 Albums of 2016
1. Anderson .Paak – Malibu
Elevating the current state of hip-hop by ultimately bringing it back to its jazz roots, Malibu finally brought Anderson .Paak the credit he sorely deserved. The 16-track album boasts an intricately curated, eclectic roster of recording, production and songwriting talent. Easily the most important sophomore full-length release of the year, Malibu opened a brand-new door to a musical stratosphere that .Paak was born to commandeer.

2. Kendrick Lamar – untitled unmastered
3. Kanye West – The Life of Pablo
4. The Avalanches – Wildflower
5. A Tribe Called Quest – We Got It From Here… Thank You 4 Your Service

Top 5 Songs of 2016
1. Solange – “Cranes in the Sky”
Another career-skyrocketing release of 2016 that was introduced to the world through this single, “Cranes in the Sky” helped bring attention to “the younger Knowles sister” as a force to be reckoned with. Amidst a track list of powerful ballads and political anthems, this song delivers a personal testimony of introspection that humanizes Solange in a way most artists are too afraid to convey. The track, which was delivered through a series of avant-garde music videos, shook the world of modern soul and R&B with one of 2016’s most influential power moves.

2. Chance the Rapper – “All Night”
3. Blood Orange – “Best to You”
4. Kaytranada – “LITE SPOTS”
5. Flume – “Never Be Like You” feat. Kai


YG at The Wiltern