BottleRock goes with Red Hot Chili Peppers, Dave Matthews Band & Stevie Nicks to lead 2020 lineup

BottleRock - 2020 lineup

BottleRock Napa Valley //
Napa Valley Expo – Napa, CA
May 22nd-24th, 2020 //

Coachella has predicated itself on being the first major U.S. music festival to drop its lineup at the start of the new year for quite a while, and now that the three-day, two-weekend festival in the desert has booked Rage Against the Machine, Travis Scott and Frank Ocean to headline its 2020 edition, it’s time to turn our attention north as BottleRock regularly reveals its own roster around this time too.

Because if you’re a fan of rock ‘n’ roll, then the Napa Valley event might be right up your alley.

Celebrating its eighth year this Memorial Day weekend, BottleRock in 2020 will be led by Red Hot Chili Peppers, Dave Matthews Band and Stevie Nicks after putting Imagine Dragons, Neil Young and Mumford & Sons atop the bill a year ago. Of course, those are just your headliners.

The undercard, meanwhile, boasts plenty of big names as well, including Miley Cyrus, Khalid, Anderson .Paak & the Free Nationals, Zedd, Brandi Carlile, The Avett Brothers, Janelle Monáe, Maggie Rogers, Blondie, Of Monsters and Men, Maren Morris, Empire of the Sun, Foals, Tegan and Sara, Jimmy Eat World, Michael Franti & Spearhead, Local Natives and many more.

As usual, attendees will also able to witness live cooking demonstrations between a variety of celebrity chefs, musicians and athletes at the fest’s beloved Williams-Sonoma Culinary Stage.

Tickets go on sale this Tuesday, January 7th at 10 a.m. PT here and start at $349 for a three-day GA pass while VIP goes for $849 (before prices increase). But if you really want to splurge this year, there’s always the three-day skydeck pass for a measly $1,599 or the platinum for $4,350.

BottleRock 2019

Outside Lands 2019: Our top sets & festival awards

Outside Lands 2019Photos by Marc Fong & Mike Rosati // Written by Molly Kish & Kevin Quandt //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 9th-11th, 2019 //

Now that the dust has settled in Golden Gate Park both literally and figuratively, it’s time to look back at what made the 12th annual Outside Lands such a success this year. Besides the banner performances from a smorgasbord of artists and bands across a multitude of genres, some attention should be paid to the fresh features that were brought to the three-day music festival’s expansive grounds.

Grass Lands was unquestionably the most talked-about “land” onsite, as OSL made history by becoming the first major U.S. music festival to permit the sales of recreational cannabis. There was something for every stoner in this lush forest, whether it was a variety of edible selections from Kiva to our own personal favorite, the Pineapple Coast-flavored disposable vape pens by DomPen. It wasn’t surprising to witness a vast majority of attendees make a pass through this immersive area that featured vendors, promotional goodies and dedicated cannabis smoking areas. While the enjoyment of ganja-related items is not new to music events in the Bay Area, it was a breath of fresh air to have it be considered legal in these specified areas. What better way to cure that cotton mouth and those pesky munchies than with all of the mind-boggling food and drink options that were available?

The 2019 edition of Outside Lands also featured plenty of memorable sets from some of the best breakthrough talents, returnees and legacy acts in the business. So, sit back, relax and discover which were our favorite performances of the weekend, plus our picks for the fest’s most standout aspects, below.


Outside Lands 2019 - blink-182

TOP SETS:

Artist: blink-182
Set date/time: Friday, 6:25-7:40 p.m.
Location: Lands End

Though these 90’s pop-punk kings may be short an OG member, that didn’t stop them from a summer shed tour alongside Lil Wayne. Sure, we all miss Tom DeLonge, and yes, Matt Skiba of Alkaline Trio remains a considerably solid stand-in, but how effective is this nostalgia act in 2019? That’s a tricky question we won’t answer because at the end of the day, festivalgoers of all ages still love singing along to “What’s My Age Again?” and “All the Small Things”. It’s really as simple as that to be honest. Does frontman Mark Hoppus’ silly onstage banter work even as he approaches 50? That’s a whole other can of worms I won’t unpack here. -KQ

Outside Lands 2019

Artist: Tierra Whack
Set date/time: Saturday, 3:45-4:35 p.m.
Location: Twin Peaks

Following in the footsteps of many groundbreaking female artists who came before her, Tierra Whack brought some next level “Black Girl Magic” to OSL. Filling the oddball category on this year’s bill, the fire-spitting emcee brought impeccable artistry and her uniquely quirky brand of hip-hop to a stunned crowd as she competed against blink-182’s nostalgia-laden set over at the festival’s main stage. The audience was completely immersed in the 24-year-old’s warped red-and-white “Seussical” set design, as she delivered penetrating verses off her debut album Whack World. Reminiscent of Janelle Monae’s production during her tour cycle for Metropolis: Suite I (The Chase), Tierra paid homage to the aesthetics of Missy Elliot and Grace Jones while setting the bar for what music fans should expect from a truly authentic hip-hop show. -MK

Outside Lands 2019 - Childish Gambino

Artist: Childish Gambino
Set date/time: Saturday, 8:25-9:55 p.m.
Location: Lands End

As one of the most anticipated sets of the weekend, Childish Gambino (born Donald Glover) was an absolute highlight of OSL 2019 and it could very well go down as one of the best sets over the festival’s 12-year run. Minutes before making his grand entrance on the main stage, Glover was informed that he had induced the largest crowd in OSL history. When he finally dismounted from his disco platform in the middle of the polo fields, he shared the news and the audience’s energy from that point forward was palpable. Catching Childish Gambino on his current touring schedule is not only rare, but also few and far between. This year he has been mainly headlining festivals, and rumor has it that this cycle will be his final one billed under the “Childish Gambino” moniker, which made for an even more monumental event in SF. Glover dove straight into an aggressive set of songs from Because the Internet and notable cuts on 2016’s Awaken My Love while being accompanied by a backup band and rotating cast of creative support, including a full choir and crew of dancers/performance artists. More of a conceptual art piece than a typical headlining set, Childish’s masterpiece is one that we will remember for a long time. -MK

Outside Lands 2019

Artist: DJ Koze
Set date/time: Sunday, 3:40-4:30 p.m.
Location: Sutro

Daytime disco is never an easy feat to pull off at a festival, but DJ Koze had no issue whipping a packed field of dance enthusiasts into a lucid, sweaty frenzy. Coming off his OSL night show Friday at Mezzanine, Stefan Kozalla brought the club vibes so seamlessly to the midday crowd that in the moment, you could barely recognize that you were with so many glistening festival attendees in 80-degree weather (yes, really). Everywhere you turned, smiling faces flashed in unison to the infectious beats of “Pick Up” and “Operator” from his 10-year discography. Fans unapologetically sang along to DJ Koze’s well-known, nu-disco anthems and genuinely let go of themselves during a set that produced some of the weekend’s best vibes. -MK

Outside Lands 2019 - Kacey Musgraves

Artist: Kacey Musgraves
Set date/time: Sunday, 4:10-5:10 p.m.
Location: Lands End

Kacey Musgraves is arguably one of 2019’s top artists. Her fourth LP Golden Hour has received incredible accolades since its release in 2018, eventually nabbing the highly coveted Grammy for Album of the Year. That said, it was little surprise that Musgraves was able to fill the main stage with fans. Her subtle, yet powerful opener “Slow Burn” could not have been more ideal as she took in the immense crowd. She cutely quipped about playing the Sutro stage in 2014, and you could tell she was well-aware of the moment’s gravity. She naturally leaned heavily on Golden Hour, making sure to include fan favorites such as “Butterflies” and “High Horse” during her set, and at this rate, it seems like it’s only a matter of time before this alt-country breakout star finds herself in big font at the top of festival posters. -KQ

Outside Lands 2019 - Toro y Moi

Artist: Toro y Moi
Set date/time: Sunday, 6:10-7 p.m.
Location: Sutro

While this wasn’t Chaz Bundick’s first OSL appearance, the Berkeley resident was welcomed back with the biggest and most energetic audience that he has ever amassed in the festival’s history. Riding high from touring in support of his sixth album Outer Peace, he commanded the stage with confidence and performed a club-worthy list of dance-floor jams from his full catalog. Complemented by idyllic weather, Chaz Bear got us grooving and sweating during a much-needed, pick-me-up set on an often-weary Day 3. -MK

Outside Lands 2019 - Paul Simon

Artist: Paul Simon
Set date/time: Sunday, 7:35-9:35 p.m.
Location: Lands End

Now that OSL has casually cruised into its 12th year, some musical traditions appear to be in place. Sunday night has become the “legacy artist” slot for many years now, and while these may not be the highest-attended sets of the weekend, they have become a quintessential part of the event. Simon was no different in all circumstances referenced above. No one should be upset that his live retirement barely lasted a year, as the 77-year-old came out jubilant and as entertaining as ever. He quipped about his past musings and even invited a Bay Area legend onstage. As the sun began to set on a shockingly sunny August day, Simon waltzed out there and opened with “Late in the Evening”. Other classic hits like “50 Ways to Leave Your Lover” and “Me and Julio Down by the Schoolyard” were featured early. “Graceland” kicked off his encore, which saw the Grateful Dead’s Bob Weir join in on the Simon & Garfunkel tune “The Boxer”. Although Weir didn’t tackle any major vocals, it was a unique moment to see the two share the stage. And in a fitting way, “The Sound of Silence” served as Simon’s closing song before the masses strolled into SF’s Outerlands one last time. -KQ


Outside Lands 2019

OUTSIDE LANDS 2019 AWARDS:

Best “Lands”: Grass Lands
Elevating the festival game with the legal purchase and consumption of marijuana on the grounds, there were interactive installations like the smell wall, tutorials on how to make bongs and pipes out of fruit, and lounges to chill and take in all the heady vibes.

Best Beacon: The Giant Inflatable Straw
In a city where the use of plastic straws is nearly obsolete, OSL found a tongue-in-cheek way to make sure that the last remaining one was ever-present throughout the park.

Best Food: Lobster Roll (Woodhouse Fish Co.)
This decadently loaded, perfect on-the-go meal may have been overshadowed by the rest of the 2019 culinary menu, but it was by far the best bang for your buck.

Best Cocktail: Pork Chop Express (The Treasury)
If you were looking for something refreshing and not too overwhelmingly intoxicating, The Treasury had you covered all weekend long. Consisting of gin, pineapple gum, honey syrup and lapsang souchong tea, this libation was a crowd favorite that essentially tasted like an adult Arnold Palmer.

Best Wine: West + Wilder (Sparkling)

Best Pop-up: Wyclef Jean’s (somewhat surprise) set outside of the Heineken Dome

Best Upgrade: Verizon Members Lounge

Best Merchandise: Limited Edition Bomber Jacket (buy here)

Best Comedian: Alyssa Edwards

Best Cameo: Bob Weir of the Grateful Dead (during Paul Simon’s headlining performance)

After 16 years, Smokin Grooves Fest makes its long-awaited return & blazes a new trail in Long Beach

Smokin Grooves Fest 2018 - NxWorries


Anderson .Paak of NxWorries

Photos by Joseph Gray & Natalie Somekh // Written by Joseph Gray //

Smokin Grooves Fest //
The Queen Mary – Long Beach, CA
June 16th, 2018 //

We are in the heart of festival season. This is a time of the year for music lovers that’s often synonymous with multiple days of unforgiving heat, dusty campgrounds and some young adults who are readily anxious for a mosh pit. The long food-truck lines and heart-shaped sunglasses, polka dots, ripped denim and tie-dyed garments that have become staples at a large majority of music festivals — particularly during the summer months — were present, but Smokin Grooves Fest offered a welcome alternative. And based on its history, Southern California concert promoter Goldenvoice wouldn’t have had it any other way.

For one day only, a sold-out crew enjoyed moderate temperatures at the overcast waterfront adjacent to the historic Queen Mary in Long Beach for Smokin Grooves’ long-awaited return. The event, which last took place 16 years ago, pushed hip-hop, R&B and soul to the forefront of popular music at the time by booking The Fugees, A Tribe Called Quest, Cypress Hill and a whole lot more when Lollapalooza and other rock-focused festivals weren’t showing them the same kind of love.

The crowd, relaxed with a peaceful aura but also energized, mirrored much of the lineup, which showcased veterans such as Erykah Badu, The Roots and Yasiin Bey (fka Mos Def) among buzzing newcomers like H.E.R., Smino, THEY. and Arin Ray across the 38-act bill.

I fall somewhere in the middle between those two age groups, so it was fitting that the uber-talented rapper/singer/drummer Anderson .Paak had just walked onto the “Free Your Mind” main stage when I showed up. .Paak, 32, wore a smile as expressive as his music, packaged with a bright nautical-themed ensemble. He effortlessly impressed with standouts “Suede”, “Another Time” and “What More Can I Say” off Yes Lawd!, his 2016 LP with Los Angeles hip-hop producer Knxwledge as part of their collaborative project NxWorries (pronounced “No Worries”). The duo’s set would eventually culminate in a playful dance-off between women, which fans showed their appreciation for before .Paak and Knxwledge said their goodbyes.

Many attendees went back and forth from the main stage to the two other aptly named stages — “Smokin'” and “Groovin'” — via an elevated overpass, where we overheard several praising the Brooklyn troop Phony Ppl for their soulfully funky grooves.

Smokin Grooves Fest 2018 - Miguel


Miguel

However, anticipation for The Roots kept me at the main stage. It proved to be a wise decision, as their nearly hour-long performance reminded me why the Grammy-winning band is still so revered after more than three decades. Black Thought got the crowd riled up with a 10-minute barrage of lyrical proficiency that so many have come to know as his “Hot 97 Freestyle” after it hit the internet in December and quickly went viral, while his bandmates exuberantly jumped with sousaphones and guitars during “You Got Me” and a number of other hits. But providing a jolt like he only can, the one and only Busta Rhymes showed up for a quick-but-memorable performance of “Put Your Hands Where My Eyes Can See” and “Pass the Courvoisier, Part II”.

The concert, nevertheless, was not without its faults, as some complained about the sound quality during various times, but neglecting hometown artists certainly wasn’t one of them.

Not long after the buzz around Thundercat’s bass-guitar skills subsided, fellow LA-area acts Jhené Aiko and Miguel were greeted with admiration. Aiko, for one, entertained fans behind flowers, acoustics and enchanting vocals with occasional curse words. Miguel, who proudly reminded us that he was from nearby San Pedro and Inglewood, kept the momentum, along with his fringed microphone stand, moving by performing several crowd-pleasers like “How Many Drinks?”, “Sure Thing” and “Come Through and Chill”, among others.

The event’s headliner was Erykah Badu, who performed during the tour’s second edition in 1997 and looked like she hasn’t missed a beat since. Playing a drum machine between songs while weaving some classic hip-hop instrumentals — one of which was Mobb Deep’s “Shook (Part II)” — into her set, the neo-soul queen dazzled with her seductive, incredible voice and responsive wit for an hour-long class on “How to Deliver a Full-on Show.”

Several journalists and photographers, myself included, mentioned at various times the need to leave early to avoid the traffic on the way. But Badu and others made liars out of us, and we couldn’t have been happier in the end.