Just Like Heaven 2022: Pasadena’s own slice of indie-music bliss

Just Like Heaven 2022 - Interpol, Santigold & The ShinsPhotos by Josh Herwitt & courtesy of JLH with artwork by Melissa Herwitt // Written by Josh Herwitt //

Just Like Heaven //
Brookside at the Rose Bowl – Pasadena, CA
May 21st, 2022 //

For those of you in California who haven’t noticed yet, we’re right in the midst of festival season.

With Coachella wrapping up last month and Lightning in a Bottle as well as BottleRock taking place over Memorial Day weekend, 2022 has already brought the live music industry back to the Golden State in a big way (and let’s make sure we mention BeachLife Festival, too).

But for those of us who haven’t been attending music festivals for a few years in part due to the COVID-19 pandemic, it’s even more exciting when any concert promoter can assemble a lineup of great artists and bands to perform all on the same day. That’s what Goldenvoice did, in fact, when it announced the return of Just Like Heaven with a dream lineup for any indie-music fan during the mid-2000s, anchored by Interpol, Modest Mouse, The Shins and M.I.A. with Bloc Party, Franz Ferdinand, Chromeo, Santigold, Cut Copy, The Hives, Wolf Parade, Peaches and !!! also listed on the poster.

After taking over the Queen Mary Park in Long Beach for its debut in 2019, Just Like Heaven has found greener pastures to call home 35 miles north in Pasadena at the Brookside Golf Course adjacent to the Rose Bowl. It’s a proven location for hosting music festivals at this point after holding several large-scale events there before like Shaun White’s inaugural Air + Style and both editions of Goldenvoice’s two-day Arroyo Seco Weekend. But with the AEG-owned company’s other single-day fest Cruel World occupying the site two days the previous weekend and more music festivals like This Ain’t No Picnic scheduled for August, it’s safe to say that the Brookside is becoming quite a hotspot for Goldenvoice of late.

Just Like Heaven, nevertheless, seemingly fits the bill for Goldenvoice CEO Paul Tollett. And though the festival didn’t sell out nor was a second day added this time around, it still felt like quite a success given everything we have endured for more than two years. If anything, it was a brief reminder of what life felt like before the pandemic.

Just Like Heaven 2022 - Peaches


Peaches

While there wasn’t one performance at Just Like Heaven that stood above the rest, there were certainly highlights throughout the day — starting as early as 2 p.m. when Peaches stepped onto the main stage with an array of scantily-clad costumes to celebrate the belated 20th anniversary of her second LP The Teaches of Peaches. For those who got there in time to witness the Canadian electroclash musician in all her glory, it was 50 minutes we’ll never forget as Merrill Nisker delivered one erotic moment after the next alongside her backing band and backup dancers who were wearing as little as her. Sure, hearing Wolf Parade play 2005’s Apologies to the Queen Mary right after wasn’t quite as entertaining, but it did feel apropos given Just Like Heaven’s prior location, setting us up for an evening of classic indie rock.

By the time Franz Ferdinand took the stage for their 5:10 p.m. start, you could tell that the attendance had grown considerably compared to what it was earlier for late-afternoon sets by Kele Okereke, The Hives and Cut Copy. Of course the latter did their best to turn the daytime dance party up a notch with crowd-pleasers such as “Lights and Music” and “Hearts on Fire” off 2008’s In Ghost Colours, but it was Franz Ferndinand, Santigold and Bloc Party who shepherded us through the early evening (and one of them even made us pretend like we were back in 2005 listening to Silent Alarm for the first time again).

One of our only grievances with Just Like Heaven this year was scheduling Chromeo to perform exactly when The Shins were, leaving us less of an opportunity to catch both acts during the sunset. But James Mercer and his sidekicks made the most of it after a long time away from touring, offering 15 cuts across the band’s catalog before finishing with a rare cover of Tom Petty and the Heartbreakers’ “American Girl” as the sun fell behind the San Gabriel Mountains.

From there, the remaining hours of the festival belonged to Modest Mouse, M.I.A. and Interpol. With the first two receiving 60 minutes on their respective stages — Orion and Stardust — each made a point to placate the more casual listener with commercial hits like “Float On” and “Paper Planes” receiving their three minutes in the spotlight. But while some of the songs on Modest Mouse’s 2021 album The Golden Casket don’t translate as well to a live setting as their older material and M.I.A.’s show can often be a bit too bizarre for some, Interpol was there at the end to ground us and bring it all home.

The NYC post-punk revival trio has been on the road for about a month after completing The Other Side of Make-Believe, and although we will have to wait until mid-July for their seventh studio effort to arrive, Interpol did provide a preview of sorts with “Fables” and “Toni” sprinkled into a setlist highlighted by one of our personal favorites “Rest My Chemistry” from 2007’s Our Love to Admire. Yet, it was only fitting on this night for Interpol to also uncork “The Heinrich Maneuver” from the same record that hears frontman Paul Banks ask the audience in the opening lyric, “How are things on the West Coast?” before replying, “I hear you’re moving real fine.” With Just Like Heaven alive and well after a three-year hiatus and new music from Interpol on the horizon, there’s no doubt we are now.

The Strokes, LCD Soundsystem, Le Tigre, Phoebe Bridgers, Beach House & more give This Ain’t No Picnic new life in 2022

This Ain't No Picnic Festival 2022

This Ain’t No Picnic //
Brookside at the Rose Bowl – Pasadena, CA
August 27th-28th, 2022 //

As we have said in this space before, it has not been an easy time for the live music industry by any stretch of the imagination. Whether you’re an artist, employee or fan, enduring 18 months without in-person events was painful to experience. So, maybe it’s fitting Goldenvoice is reviving a festival that hasn’t been around in almost 20 years at this point.

The renowned California concert promoter is bringing back This Ain’t No Picnic for the first time since 2002 and taking over the Brookside Golf Course at the Rose Bowl for two days in late August (warning: it will be hot) with a killer roster that screams “Pitchfork Fest!”

A couple of NYC indie-rock giants in The Strokes and LCD Soundsystem, who are currently in the middle of a 20-date residency at Brooklyn Steel, will serve as headliners while the fest’s undercard offers its own set of highlights starting with the reunion of Le Tigre, another NYC product who last reunited in 2016 to release “I’m with Her” as their latest single.

Other notable names bolstering the iconic indie music festival’s lineup in 2022 include Phoebe Bridgers, Beach House, Jorja Smith, Kaytranada, Jungle, IDLES, Isaiah Rashad, Sparks, Turnstile, Circle Jerks, Descendents, Caroline Polachek, Mac Demarco, Slowthai, Courtney Barnett, Four Tet + Floating Points, Tinashe, Earl Sweatshirt, Yves Tumor, Queen Naija, Honey Dijon, Sleep, Deafheaven and more. Peep the poster above for the rest of the artists scheduled to perform.

Making its debut at Oak Canyon Ranch in Silverado where past incarnations of Lightning in a Bottle and other music festivals in the Southern California area have also taken place, This Ain’t No Picnic exposed the raw energy of punk-leaning, indie darlings like Sonic Youth, Sleater-Kinney and Guided by Voices in 1999 before taking another step toward the mainstream by booking Beck, Yo La Tengo, Built to Spill, At the Drive-In and Modest Mouse for its 2000 edition.

With there being more optimism surrounding the COVID-19 pandemic heading into next year, you can bet that tickets for this one will go quick so make sure to sign up for the presale occurring on Thursday, December 9th at 10 a.m. PT here before they go on sale at 2 p.m. PT here. GA passes will be available for $299-$349, with VIP going for $799 and Clubhouse at an eye-opening $1,199. But if you’re looking to dance and sweat your ass off in the Pasadena heat, this is the only summer picnic you’ll want to be at!

This Ain't No Picnic 2022 - daily lineups

UPDATE (May 3rd): This Ain’t No Picnic has delivered daily lineups for its return this August, with LCD Soundsystem headlining Saturday and The Strokes closing out the two-day festival on Sunday. Single-day tickets go on sale this Friday, May 6th at 10 a.m. PT here.

This Ain't No Picnic 2022 - Saturday set times

This Ain't No Picnic 2022 - Sunday set times

UPDATE (August 8th): Set times are here! This Ain’t No Picnic has released its schedule with slightly more than two weeks to go while also announcing a few lineup changes, including the addition of Leon Vynehall on Saturday. Unfortunately due to visa issues, Logic1000 and Tems will not be able to perform as previously scheduled, but in the meantime, make sure to download the mobile app here and you can still grab tickets here!

Goldenvoice

Outside Lands 2021: A return to hallowed ground

Outside Lands 2021 - crowdPhotos by Sarah Felker & Marc Fong // Written by Molly Kish //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
October 29th-31st, 2021 //

After postponing its 13th edition due to the COVID-19 pandemic and experiencing disappointing lineup cancellations in the months leading up to it, Outside Lands had quite a lot to make up for going into its 2021 relaunch for Halloween. Asserting themselves as hosts of the first “mega event” in Golden Gate Park during the pandemic, Bay Area concert promoter Another Planet Entertainment braved an entirely new entertainment landscape, time of year and crowd dynamic.

Following statewide safety protocols, attendees had to wear a mask and show proof of vaccination or a negative test result at all entrances before scanning their way inside the gates. Clear backpacks were enforced and costume guidelines were added to the laundry list of rules and regulations for all ticket holders. But even with the adjusted security measures and slight changes to the event’s production, concertgoers came out in record numbers. Averaging crowds of approximately 70,000 people per day, OSL 2021 wasn’t short of attendees willing to happily follow the new guidelines in order to return to the beloved three-day festival.

Outside Lands 2021

While at times the interactive experiences in 2021 seemed lacking with the obvious downplay of live art activations, comedy and representation of the Bay Area’s creative culture, OSL still provided a larger platform for community-based initiatives. This year the fest added a brand-new stage in the SOMA Tent, which focused on burgeoning talent across the local electronic scene, and also dedicated attention and space for both local and national non-profits with an extended Eco Lands footprint.

Relaunching OSL over Halloween weekend was one of the smartest pivots Another Planet could have made. The energy surrounding the holiday was palpable, providing a dialed-in event and location with an additional reason for both local and visiting attendees to celebrate. Costumed crowds filled the fields all three days and created an increasingly whimsical buildup to what felt like a triumphant return to the city’s historical Halloween legacy. With many hoping the holiday tradition would continue for years to come, OSL successfully stoked the sold-out crowd’s excitement for its return in August 2022.

Outside Lands 2021 - Moses Sumney


Moses Sumney

OUTSIDE LANDS 2021 AWARDS:

Headliner of the Weekend: Tyler, the Creator

Breakthrough Performance: The HU

Favorite First-Timer: Brijean

Best OSL Addition: SOMA Tent

Favorite Festival Food: Pork Lumpia from AbacĂĄ

Most Magical Cocktail: Silver Girl’s “St. Olaf’s Fizz”

Most Entertaining Activation: The Aperol Spritz Piazza

Best Wine Lands Pour: Brut Rose by Angels & Cowboys

Favorite OSL Night Show: Drama at Bimbo’s 360 Club

Most Popular Costume: Skeleton

Largest Crowd: RÜFÜS DU SOL

Biggest Dance Party: Khruangbin

Best Stage Production: Tame Impala

Funniest Band Interaction: The Neil Frances vs. Neal Francis beef

Local Standout: Kehlani

Most Impressive Pipes: Brittany Howard

Biggest Lasting Impression: Moses Sumney

Best Improvement: Open-air layout at The House by Heineken