Our favorite performances from 2018

Best live shows of 2018 - Foo Fighters, NxWorries, Pusha T & Courtney Barnett

Holy smokes, 2018 … you were a blur. Maybe it’s just us, but this year really did fly right by.

Before we officially say hello to 2019 though, it’s time for us to revisit the past 12 months at Showbams. Every year we have the great privilege of witnessing some amazing moments in live music, and this year was no different. While we can’t touch upon every performance we covered in looking back at the year that was, we still managed to see a wide variety of talent over the course of 2018.

Whittling down our list is never easy. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order), all of whom we either covered at their own show and/or at a music festival this year:

Aaron Neville, A.CHAL, Alanis Morissette, Alina Baraz, Allen Stone, Amen Dunes, Aminé, A Perfect Circle, Ari Lennox, A$AP Rocky, Aquilo, BADBADNOTGOOD, The Bangles, Belle & Sebastian, The Beta Machine, Billie Eilish, BØRNS, Carly Rae Jepsen, Cashmere Cat, Childish Major, Chromeo, CHVRCHES, Cigarettes After Sex, Cloud Nothings, Cuco, Cut Snake, CyHi the Prynce, Daniel Caesar, Deap Vally, Destroyer, Diet Cig, Drab Majesty, DRAM, The Dustbowl Revival, Erykah Badu, Fantastic Negrito, Future, Garbage, George Fitzgerald, Gomez, Gov’t Mule, Great Grandpa, Griz, The Growlers, Gucci Mane, HAERTS, H.E.R., Hot Flash Heat Wave, Ibeyi, Iggy Pop, Irma Thomas, Isaiah Rashad, Jaira Burns, Jamie xx, Jeff Goldblum and the Mildred Snitzer Orchestra, Jhené Aiko, John Maus, Josh Ritter & The Royal City Band, Joywave, JPEGMAFIA, Jungle, Kailee Morgue, Kaitlyn Aurelia Smith, Kamasi Washington, Kauf, Kelela, Kikagaku Moyo, Kings of Leon, Kopps, Laff Trax, Lion Babe, Lizzo, Lophile, Lord Huron, Los Lobos, Lucy Dacus, Margo Price, Miguel, Mija, Milk Carton Kids, ModPods, Moses Sumney, The Mother Hips, Mura Masa, Neil Young, N.E.R.D, North Mississippi Allstars, ODESZA, Pale Waves, Paula Frazer and Tarnation, Phantogram, Pharoah Sanders, Pixies, Polo & Pan, POND, Portugal. The Man, The Pretenders, Quicksand, Ravyn Lenae, Rivers Cuomo, The Revolution, Robert Plant, Rory Phillips, RÜFÜS DU SOL, Sabrina Claudio, Salt-N-Pepa, Santigold, Sasha Sloan, Seu Jorge, Shakey Graves, Shame, Shana Falana, Sharon Van Etten, Silk City, Sleigh Bells, Snoh Aalegra, Soccer Mommy, The Specials, The Spook School, Stephen Malkmus & the Jicks, Tame Impala, Tenacious D, Third Eye Blind, Tinashe, together PANGEA, TV on the Radio, Tycho, Typhoon, Uniform, Wafia, Waxahatchee, The Weeknd, Wet, William Tyler, Will Varley, Yen Yen, Zedd

Now, it’s time for The Bam Team to present our favorite performances from 2018.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2018

Listen to The Bam Team’s favorite songs of 2018:


Best of 2018 - Cut Copy

Cut Copy

Date: March 3rd
Location: Exposition Park – Los Angeles

For those in LA who missed Cut Copy 10 months ago when they visited the Shrine Expo Hall with De Lux, Palmbomen II and Cooper Saver also on the bill, their headlining performance last Friday at The Wiltern was another chance to dance the night away upon hearing several classics such as “Need You Now”, “Free Your Mind”, “Future”, “Hearts on Fire” and to close, “Lights & Music”. In fact, the last time that we caught them back in March, a mini downpour erupted at Shaun White’s Air + Style (read our festival review here), but it didn’t phase them. Who said playing — and dancing — in the rain isn’t fun anyway? -Josh Herwitt, photo courtesy of Air + Style


Best of 2018 - Washed Out

Washed Out

Date: March 4th
Location: Exposition Park – Los Angeles

In what was easily the most visually stimulating (and pleasing) show we witnessed at Expo Park, Ernest Greene, who performs under the moniker Washed Out, entranced a completely packed crowd at the smaller Summer Stage with a slew of trippy visuals and his chilled-out tunes. We had been wanting to see Washed Out in SoCal for several months now, ever since Greene released the project’s third LP Mister Mellow last year, and after missing his gig with Nick Murphy at the Shrine Expo Hall in October, we were glad to finally hear him play “Hard to Say Goodbye” (one of our favorite songs of 2017) and “Feel It All Around” live as any loyal “Portlandia” fan would be. With Toro y Moi venturing away from the chillwave movement he helped pioneer, it’s up to Greene to lead the charge, and so far, he has done one hell of a job. -Josh Herwitt, photo courtesy of Air + Style


Best of 2018 - Phoenix

Phoenix

Date: March 4th
Location: Exposition Park – Los Angeles

After what we thought was an underwhelming way to wrap up Day 1, Air + Style closed with a bang thanks to Phoenix’s energizing, 16-song set. The French indie-pop outfit have headlined Coachella before, and it was more than worthy of that billing for this occasion. Kicking things off with the opening track “J-Boy” from their sixth studio album Ti Amo that dropped back in June, Thomas Mars and company gave us exactly what we wanted to hear: a hit-ladden show featuring singles like “Lisztomania”, “Trying to Be Cool”, “Too Young” and “1901”. No, there wasn’t a Daft Punk or R. Kelly appearance — not that we expected one — but Phoenix put an exclamation point on an otherwise successful weekend. We may not have known the quartet could rock that hard after the last time we saw them, but we definitely do now. -Josh Herwitt, photo courtesy of Air + Style


Best of 2018 - Moby

Moby

Date: March 26th
Location: Apogee Studio – Santa Monica, CA

His guitar playing, meanwhile, may be just as impressive, if not surprising to some. Less than two weeks before Moby stepped into Bob Clearmountain’s diminutive recording studio, I was fortunate enough to catch him the final of his three shows at The Echo, and it was there as he performed a variety of songs from Everything Was Beautiful, and Nothing Hurt, Play and a few other albums, that I fully realized just how talented he is with a black Gibson SG in his hands. He may be an electronic musician, but unlike a lot of them today, Moby is a musician in every sense of the word. While his vocals at times sound more like spoken word than actual singing, he has found more than capable sidekicks in Julie Mintz (keyboards, vocals) and Mindy Jones (vocals) to assist him in that department. Jones’ ranging voice, in particular, is one that suits his music well, and when you hear her sing, her pipes elevate the song to a whole new level. -Josh Herwitt, photo by Brian Feinzimer


Best of 2018 - The War on Drugs

The War on Drugs

Date: April 13th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Weeks before The War on Drugs released their fourth LP A Deeper Understanding last year, we were fortunate enough to hear Adam Granduciel and company perform a handful of cuts from the new album in an intimate setting for KCRW. It was then and there that we knew the follow-up to 2014’s Lost in a Dream was another masterpiece, and that impression was only validated when A Deeper Understanding won the Grammy for “Best Rock Album” just a few months ago. On Day 1 of Coachella, the Philadelphia band brought some of those same songs we witnessed at Apogee Studio to life, though sadly, this time “Holding On” wasn’t part of the setlist. But we did get to experience “An Ocean in Between the Waves” in all of its glory, and we still have yet to come across another piece of music in more recent years that will make you want to play air guitar as much as the seven-minute track from Lost in a Dream does. Who said rock was dead? -Josh Herwitt, photo courtesy of Goldenvoice


Best of 2018 - Jamiroquai

Jamiroquai

Date: April 13th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Thirteen years. That’s how long it has been since Jamiroquai last performed in the U.S. With that in mind, there was no way we were going to miss Jay Kay and the rest of his sidekicks in favor of The Weeknd’s headlining performance (sorry, Abel), and after what ended up being close to a 90-minute set from the London nu-funk/acid jazz group, we had no regrets about our decision. The only regret we have is that they ran out of time and didn’t get to play their smash hit “Virtual Insanity” in its entirety, and you could tell Jay Kay felt bad about it as he jumped down from the stage to greet some overjoyed fans after wrapping the show up with “Love Foolosophy” from 2001’s A Funk Odyssey. But while Weekend 2 attendees got the full version of the Travelling Without Moving single, we were treated to a massive surprise when Snoop Dogg came out to rap on “Dr. Buzz” with a huge blunt in his hand. It was the kind of collaboration you never expect to see, except at Coachella of all places. -Josh Herwitt, photo courtesy of Coachella


Best of 2018 - Eminem

Eminem

Date: April 15th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

While we can’t say that we were completely thrilled with Goldenvoice’s choices for this year’s headliners, we were excited to see Eminem finally play Coachella (he had never performed in an official capacity before) and close out the festival on Sunday night. Sure, his newest album Revival didn’t exactly receive rave reviews from critics when it dropped at the end of 2017, but watching one of hip-hop’s most talented emcees run through his hits all while bringing out 50 Cent and Dr. Dre was undoubtedly THE highlight from Day 3. For this “stan,” just crossing Em off my concert bucket list would have been enough to send me home with a smile. Fortunately for those of us who were there though, the real Slim Shady lived up to the hype and more. -Josh Herwitt, photo courtesy of Coachella


Best of 2018 - Big K.R.I.T.

Big K.R.I.T.

Date: April 19th
Location: Echoplex – Los Angeles

At Echoplex, we were treated to the “rapper” and the man himself as bass-heavy party starters like the title-track opener and “Confetti” from 4eva Is a Mighty Long Time got everyone hyped, while Atlanta’s T.I. came out to perform his verse on “Big Bank”. After singling out one excited fan, who was wearing a shirt with a giant picture of his face, during the easygoing “1999” and paying homage to Southern rap pioneers UGK, Big K.R.I.T. took the latter half of his hour-long set to connect with the crowd. -Joseph Gray, photo by Joseph Gray


Best of 2018 - Soulwax

Soulwax

Date: April 19th
Location: The Fonda Theatre – Los Angeles

While Soulwax’s recorded music has always been perfectly enjoyable, in person it becomes something else entirely. Their new, three-drummer lineup was the ideal format to hear new tracks like “Is It Always Binary” while giving older tracks such as “KracK” a newly textured and complex sound. Sitting stage right, drummer Victoria Smith, for one, offered the group some serious personality thanks to her animated facial expressions. -Zach Bourque, photo by Zach Bourque


Best of 2018 - NxWorries

NxWorries

Date: June 16th
Location: The Queen Mary – Long Beach, CA

I fall somewhere in the middle between those two age groups, so it was fitting that the uber-talented rapper/singer/drummer Anderson .Paak had just walked onto the “Free Your Mind” main stage when I showed up. .Paak, 32, wore a smile as expressive as his music, packaged with a bright nautical-themed ensemble. He effortlessly impressed with standouts “Suede”, “Another Time” and “What More Can I Say” off Yes Lawd!, his 2016 LP with Los Angeles hip-hop producer Knxwledge as part of their collaborative project NxWorries (pronounced “No Worries”). The duo’s set would eventually culminate in a playful dance-off between women, which fans showed their appreciation for before .Paak and Knxwledge said their goodbyes. -Joseph Gray, photo by Joseph Gray


Best of 2018 - The Roots

The Roots

Date: June 16th
Location: The Queen Mary – Long Beach, CA

However, anticipation for The Roots kept me at the main stage. It proved to be a wise decision, as their nearly hour-long performance reminded me why the Grammy-winning band is still so revered after more than three decades. Black Thought got the crowd riled up with a 10-minute barrage of lyrical proficiency that so many have come to know as his “Hot 97 Freestyle” after it hit the internet in December and quickly went viral, while his bandmates exuberantly jumped with sousaphones and guitars during “You Got Me” and a number of other hits. But providing a jolt like he only can, the one and only Busta Rhymes showed up for a quick-but-memorable performance of “Put Your Hands Where My Eyes Can See” and “Pass the Courvoisier, Part II”. -Joseph Gray, photo by Joseph Gray


Best of 2018 - Melvins

Melvins

Date: July 16th
Location: Great American Music Hall – San Francisco

I’m far from an expert on this kind of thing (because I’m not), but I didn’t expect to see the Melvins perform with the amount of energy that they showcased. For a band that has been touring and putting out new material for the past 35 years, they performed as if everything depended on it. You weren’t going to catch “King Buzzo” standing in one place for too long, with his signature fro whipping in the wind from the fans that were on the stage, McDonald and Pinkus holding it down on their own instruments, and Crover beating the living hell out of his drums. Fans were ready to receive the band and responded to the various sonic blasts coming from the amplifiers. During the thrashy songs, they formed a brutal pit, and during the sludgier songs, they lit up joints and bobbed their heads to the music. -Andrew Pohl, photo by Mike Rosati


Best of 2018 - Glassjaw

Glassjaw

Date: July 20th
Location: Observatory OC – Santa Ana, CA

Glassjaw’s show covered their entire discography, and very few fan favorites were left off the setlist. While it was to be expected that newer tunes like “Shira” and “New White Extremity” would rock, it was staggering how well their older songs held up in a live setting. Palumbo’s voice, though slightly less manic than it once was, is still unmatched in its vocal range and shear intensity. -Zach Bourque, photo by Zach Bourque


Best of 2018 - Weezer

Weezer

Date: August 8th
Location: The Forum – Inglewood, CA

That’s not to say that Cuomo isn’t a talented musician. In fact, quite the opposite is true. The Harvard grad shreds without question, something I never really realized until he uncorked a number of guitar solos, whether it was during “Buddy Holly” to open Weezer’s performance or “Say It Ain’t So” (with a snippet of Black Sabbath’s “Paranoid”) to put a bow on the show. And while there aren’t many lead singers who can do both, Cuomo certainly remains among some elite company, with Jack White, Trey Anastasio (Phish), Jim James (My Morning Jacket) and Josh Homme (Queens of the Stone Age) also immediately coming to mind. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Florence + the Machine

Florence + the Machine

Date: August 11th
Location: Golden Gate Park – San Francisco

There was a bit of controversy surrounding Saturday’s main slot as Florence + the Machine officially made the move to full-blown festival headliner. Some festivalgoers had their own doubts after FYF Fest 2018 was canceled with a near-identical top billing, but Florence and her bandmates proved, many times over, that she is more than capable of commanding any stage as her energy is unlike many others. She debuted a brand-new show, which featured “June” in the opening slot and was book-ended by “Big God” and “Shake It Out” for a two-song encore. -Kevin Quandt, photo by Norm de Veyra


Best of 2018 - Janelle Monáe

Janelle Monáe

Date: August 12th
Location: Golden Gate Park – San Francisco

The incomparable Janelle Monáe was a tad late to take the stage, as she was fighting off a stomach bug, but when she did, she captivated the masses with a suite of tracks from her most recent release Dirty Computer and tossed in a fair amount of costume changes over a nearly hour-long set. Monáe proved that she’s easily one of the best in the business at the moment and will only continue to climb upwards. -Kevin Quandt, photo by Norm de Veyra


Best of 2018 - Deafheaven

Deafheaven

Date: August 18th
Location: The Wiltern – Los Angeles

Fortunately, Deafheaven haven’t bowed to convention or criticism. Their fourth studio album Ordinary Corrupt Human Love, which ANTI‐ released last month, is their arguably their most experimental to date, spanning more than an hour over seven songs. There’s a sense of angst and nostalgia in the music that leans far more positive and hopeful than their previous work. There are still echoes of black metal at times, but you can feel this is a band that’s embracing its differences instead of defending them. -Zach Bourque, photo by Zach Bourque


Best of 2018 - Jack White

Jack White

Date: August 19th
Location: Santa Barbara Bowl – Santa Barbara, CA

Yet, for as eclectic and wide-ranging as White’s output has been over two decades, it’s the unpredictable nature of his live shows that makes them so intriguing to see. This time, we were treated to a rare cover of The Stooges’ “T.V. Eye” from their 1970 album Fun House, as well as a number of fan favorites, from set closer “Ball and Biscuit” to an eight-song encore that featured “Icky Thump” (with some amusing “Icky Trump” messaging), “Steady, as She Goes” (with a snippet of Richard Berry’s 1955 song “Louie Louie”), and of course, what has easily become the biggest stadium anthem in the world, “Seven Nation Army”. And though the show didn’t conclude without a few hiccups during some of White’s improvised playing between songs, he hasn’t lost his unique ability to surprise an audience — whether it means bringing out his mother in Detroit to perform “Hotel Yorba” with him or covering Pearl Jam’s “Daughter” in Seattle — at any given moment, especially when we all aren’t staring down at our phones. -Josh Herwitt, photo courtesy of Jack White


Best of 2018 - David Byrne

David Byrne

Date: August 22nd
Location: Bill Graham Civic Auditorium – San Francisco

As the show progressed into his songs “Here” and “Lazy”, Byrne’s band joined him onstage. The light changed and filled in the stage, giving the audience a happier tone and providing a seamless transition into a Talking Heads interlude. Then, later on during “Blind”, one of the more stunning visual elements was made possible by a simple lamp that was placed in front of the band, casting whirling shadows on the strands of beads hanging behind them. -Tim O’Shea, photo by Tim O’Shea


Best of 2018 - The National

The National

Date: September 20th
Location: Hollywood Palladium – Los Angeles

Right before that final aforementioned single, they brought out Phoebe Bridgers to help them perform “Sorrow” from 2010’s High Violet, as Berninger and the 24-year-old singer-songwriter, who said during her brief opening set that The National were her favorite band, traded vocals on the tune they once played 105 times in a row, with the performance at an art installation in New York lasting all of six hours. We weren’t quite as fortunate to get that kind of show in LA, as The National opted for one of their more traditional, two-hour events. But whether you’ve been a fan from the start or one like myself who arrived rather late to the party, The National continue to make some of the most compelling music in rock, expanding their fan base with each and every album they release. That’s the sign of any good band these days, and though there’s only a handful of others that could even say the same right now, The National should take comfort in knowing they’re one of those select few. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Grizzly Bear

Grizzly Bear

Date: September 23rd
Location: Hollywood Bowl – Los Angeles

Similarly, the gig also marked one of Grizzly Bear’s last performances in support of their fifth LP Painted Ruins, which they released last year on RCA Records, and having already played a two-night run at The Wiltern back in December, this was more of a victory lap than a coming-out party. Unfortunately for us, the five-piece had to cut things short due to the venue’s strict Sunday night curfew, ending on a rather sudden note. That’s just part of the deal at the Bowl, though. For those of us who have to work on Monday morning, it’s actually more of a blessing in disguise than a disservice to the overall concert experience as we’ve come to realize. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Courtney Barnett

Courtney Barnett

Date: October 5th
Location: Greek Theatre – Los Angeles

When she wasn’t sharing the spotlight with Waxahatchee, Barnett was sharing it equally with the rest of her stellar backing band, but it was mostly just difficult to take your eyes off of her. Everything she does feels casual, from her outfit to her guitar playing, slinging her instrument around like it was an extension of herself. Even her delivery of the wrenching reality that the 30-year-old Australian singer-songwriter articulates so well is casual, singing like the end of the world isn’t a mere 22 years away. -Rochelle Shipman, photo by Rochelle Shipman


Best of 2018 - Greta Van Fleet

Greta Van Fleet

Date: October 6th
Location: Glen Helen Regional Park & Festival Grounds – San Bernardino, CA

By the time we got through security and stepped inside the gates, Manchester Orchestra had just finished their 45-minute set on the main stage, which essentially was the 65,000-person Glen Helen Amphitheater that was constructed back in 1982 for the first US Festival. Next up was Greta Van Fleet, and boy, do these kids know how to rock. Zeppelin clearly runs deep in these four Michiganders’ veins, as they showcased songs off their forthcoming debut album Anthem of the Peaceful Army with frontman Josh Kiszka commanding the stage and offering his best Robert Plant impression. He even dresses the part, sporting some tight, white jeans with a water-colored blouse and necklace of feathers while his brothers Jake and Sam wore vests or shirts that looked like what you would find at a vintage clothing store. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Foo Fighters

Foo Fighters

Date: October 6th
Location: Glen Helen Regional Park & Festival Grounds – San Bernardino, CA

As the Foos left the stage for their encore break, we waited patiently for them to return. The crowd, by now, had been taken for a two-hour ride with Grohl firmly at the wheel, pumping adrenaline into our veins with every minute that passed as the Foo Fighters know how to do so well during their usual two-and-a-half-hour jaunts. The video screens on each side of the stage were black until suddenly some backstage footage appeared showing Grohl with Krist Novoselic and what looked like Joan Jett. All of that would end up coming true in the last 30 minutes of Cal Jam 18, but it was a six-song encore with Grohl on drums, Novoselic on bass, the Foo Fighters’ Pat Smear on guitar and Deer Tick frontman John McAuley on both vocals and guitar as Kurt Cobain’s fill-in who got us hyped. Nirvana fans have waited 25 years for a reunion since Cobain’s sudden passing, and when you put it in perspective, it will probably go down as one of the year’s biggest surprises, even at a time in music when many industry experts say that rock now stands in the shadows of hip-hop and EDM. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Pusha T

Pusha T

Date: October 13th
Location: Middle Harbor Shoreline Park – Oakland

But U.S. Girls were the highlight of the weekend for us. A nine-piece experimental pop act, they put on a stunning 45-minute set that culminated in an entrancing rendition of “Time”, the closing track on their critically acclaimed studio effort In a Poem Unlimited, that lasted more than 10 minutes. The energy, instrumentation and vocal capabilities were absolutely stunning. Easily one of this year’s most exciting new acts, and we can’t wait to catch them again soon. -Brett Ruffenach, photo by Brendan Mansfield


Best of 2018 - U.S. Girls

U.S. Girls

Date: October 14th
Location: Middle Harbor Shoreline Park – Oakland

But U.S. Girls were the highlight of the weekend for us. A nine-piece experimental pop act, they put on a stunning 45-minute set that culminated in an entrancing rendition of “Time”, the closing track on their critically acclaimed studio effort In a Poem Unlimited, that lasted more than 10 minutes. The energy, instrumentation and vocal capabilities were absolutely stunning. Easily one of this year’s most exciting new acts, and we can’t wait to catch them again soon. -Brett Ruffenach, photo by Josh Withers


Best of 2018 - Daniel Caesar

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Dancing the night away with Cut Copy in LA

Cut CopyBy Josh Herwitt //

Cut Copy with Kauf //
The Wiltern – Los Angeles
September 7th, 2018 //

Cut Copy are no strangers to LA. If you didn’t know any better, you might think the synthpop outfit that spawned out of Dan Whitford’s solo DJ project actually lived in the City of Angels.

But the Australian four-piece undoubtedly enjoys coming to California every time it drops a new album, and with the release of their fifth LP Haiku from Zero nearly a year ago now, the past 12 months have been action-packed for Whitford (vocals, keyboards, guitar), Tim Hoey (guitars), Ben Browning (bass, vocals) and Mitchell Scott (drums, vocals).

Cut Copy

For those in LA who missed Cut Copy 10 months ago when they visited the Shrine Expo Hall with De Lux, Palmbomen II and Cooper Saver also on the bill, their headlining performance last Friday at The Wiltern was another chance to dance the night away upon hearing several classics such as “Need You Now”, “Free Your Mind”, “Future”, “Hearts on Fire” and to close, “Lights & Music”. In fact, the last time that we caught them back in March, a mini downpour erupted at Shaun White’s Air + Style (read our festival review here), but it didn’t phase them. Who said playing — and dancing — in the rain isn’t fun anyway?

Nevertheless, Cut Copy always know how to throw one of the best dance parties in the biz, and though they just finished their latest tour with three West Coast shows in LA, Berkeley (supporting Phoenix) and Portland last weekend, it’s plausible that these Aussies could be back in the states next year for some more dates, particularly once festival season officially returns. Until then, this one should hold us over.

Setlist:
Need You Now
Black Rainbows
Visions
Nobody Lost, Nobody Found
Airborne
Living Upside Down
Free Your Mind
Counting Down
Future
Pharaohs & Pyramids
Hearts on Fire
Standing in the Middle of the Field
Take Me Over
Out There on the Ice

Encore:
Meet Me in a House of Love
Lights & Music

Five highlights from Shaun White’s Air + Style 2018

Air + Style 2018Photos courtesy of Air + Style // Written by Josh Herwitt //

Shaun White Presents Air + Style //
Exposition Park – Los Angeles
March 3rd-4th, 2018 //

When three-time Olympic gold medalist Shaun White launched his first Air + Style contest on U.S. soil three years ago in Pasadena (read our review here), it had plenty of kinks to work out like any brand-new event has nowadays. Half snowboard competition and half music festival, Air + Style offered a different twist for those who enjoy a side of extreme sports with their live music, or vice versa.

And in many ways, it still does. Because when you get right down to it, there aren’t a whole lot of events out there, if any, where you can catch some of the best snowboarders in the world go big while also taking in performances from top-notch artists and bands across a wide-range of musical genres. There’s the X-Games of course, but after that, there’s not much else.

White, in that regard, has certainly created something fun and unique in a short amount of time. But as we realized upon arriving at Exposition Park for Air + Style’s fourth installment here in LA, it wasn’t hard to see that there’s a heavy emphasis placed on the music. Maybe it felt that way because this year marked the first time there was no big air event (and we were rather disappointed to find that out on Day 1), even if the consolation prize was moving to a street-style course for the snowboarders and adding skateboarding, which was another first for Air + Style’s LA edition. Or, maybe it was a Coachella-like lineup headlined by Zedd and Phoenix, coupled with the size of the two stages, that made it feel like so many other major music festivals in Southern California that we have previously attended. Even Phantogram frontwoman Sarah Barthel said it herself, calling Air + Style a “mini Coachella” during the group’s hour-long set on the ginormous Winter Stage.

Either way, in a city with so much to do and an overwhelming amount of options when it comes to live music, it’s impressive to see Air + Style still going strong and drawing large crowds like it did this year. It may have been just another way for “The Flying Tomato” to party with friends and celebrate his latest Olympic gold from Pyeongchang, but for us, it served as an opportunity to see some of our favorite musicians in action and catch some others we’ve been eager to check out for a while (more on that below). So, with that said, these are our five highlights from Air + Style 2018.


Air + Style 2018 - Cut Copy

Cut Copy

Whenever Australian four-piece Cut Copy come to town, you know you’re in for a dance party. But a rainy dance party? That’s something that none of us, including frontman Dan Whitford, saw coming. What blindsided all of us was an epic, approximately 10-minute downpour right in the middle of their set. And they thought it never rains in LA! Sorry, Danny boy … but well, it does — you know, every once in a while. As Whitford told the crowd, it was kind of amazing that their equipment didn’t short out, as we were treated to a lot of the usual favorites such as “Hearts on Fire” and “Lights and Music” as well as a few off 2017’s Haiku from Zero, including “Black Rainbows” and “Standing in the Middle of the Field”. For as many times as we’ve seen these guys take the stage over the years, they always seem to deliver — rain or shine.


Air + Style 2018 - DRAM
DRAM

Considering that we wouldn’t exactly call ourselves huge fans of Zedd, Saturday’s bill felt a bit lackluster compared to Sunday’s. But one of the biggest surprises from the weekend proved to be DRAM, who was on a mission to “spread love” while at Air + Style. With so many examples of hate and violence in recent months, it was an important reminder for all of us no matter the setting, and in this case, White’s festival seemed as good as any for Shelley Massenburg-Smith to promote more positivity. DRAM’s performance, though, was more than just one big love fest — rather, it felt like a celebration of life as he performed “Cute” and later “Broccoli” (even if it was sans Lil Yachty), eventually making his way into the crowd to show his fans some more … why yes, love. Keep spreading those good vibes, Big Baby DRAM. We’re all for it.


Air + Style 2018 - Washed Out

Washed Out

In what was easily the most visually stimulating (and pleasing) show we witnessed at Expo Park, Ernest Greene, who performs under the moniker Washed Out, entranced a completely packed crowd at the smaller Summer Stage with a slew of trippy visuals and his chilled-out tunes. We had been wanting to see Washed Out in SoCal for several months now, ever since Greene released the project’s third LP Mister Mellow last year, and after missing his gig with Nick Murphy at the Shrine Expo Hall in October, we were glad to finally hear him play “Hard to Say Goodbye” (one of our favorite songs of 2017) and “Feel It All Around” live as any loyal “Portlandia” fan would be. With Toro y Moi venturing away from the chillwave movement he helped pioneer, it’s up to Greene to lead the charge, and so far, he has done one hell of a job.


Air + Style 2018- Griz

Griz

Gosh, we can remember when Grant Kwiecinski, aka Griz, was first starting out and opening for his buddies in Big Gigantic more than five years ago. Fast forward to now, and the 27-year-old Detroit native has climbed higher and higher up the festival ladder. Melding hip-hop and electronic music to create his own future-funk sound, Kwiecinski knows how to get the party going with various elements of trip-hop, dubstep and glitch-hop all sprinkled into his tracks, but it’s his jazzy saxophone solos — and some slick guitar work from his sidekick/childhood friend Muzzy Bearr (born Dan Hacker) — that adds another element to the final product. And then there’s his stage production, which Kwiecinski has clearly taken up a few notches as the huge screen on the Summer Stage flashed psychedelic images that would also poke fun at the current state of American politics. After all, what kind of music festival would it be without a few Donald Trump references?


Air + Style 2018 - Phoenix

Phoenix

After what we thought was an underwhelming way to wrap up Day 1, Air + Style closed with a bang thanks to Phoenix’s energizing, 16-song set. The French indie-pop outfit have headlined Coachella before, and it was more than worthy of that billing for this occasion. Kicking things off with the opening track “J-Boy” from their sixth studio album Ti Amo that dropped back in June, Thomas Mars and company gave us exactly what we wanted to hear: a hit-ladden show featuring singles like “Lisztomania”, “Trying to Be Cool”, “Too Young” and “1901”. No, there wasn’t a Daft Punk or R. Kelly appearance — not that we expected one — but Phoenix put an exclamation point on an otherwise successful weekend. We may not have known the quartet could rock that hard after the last time we saw them, but we definitely do now.

SF Show of the Week // GO4FREE to Cut Copy (DJ set) at Mezzanine 7/18 (SAT)

Cut CopyWritten by Nik Crossman //

Cut Copy (DJ set) with Knightlife, Cooper SaverJeffery Paradise //
Mezzanine – San Francisco
July 18th, 2015 //

Inspired by “indie low-fi stuff as much as dance,” Dan Whitford embarked on his musical journey in 2001 when Modular Records signed the new DJ’s solo project under the name “Cut/Copy.” While Whitford occasionally enlisted help from friends, the first few years of Cut Copy live performances were mostly Whitford performing a DJ set where he sampled and remixed his own music.

In 2003, Tim Hoey (guitar) and Mitchell Scott (drums) joined Whitford to develop the well-known sound of Cut Copy, with Ben Browning adding bass guitar in 2010. The band continues to record remixes of popular bands like Jagwar Ma, The Rapture, Death Cab for Cutie, Juan MacClean, Maroon 5 and more.

Cut Copy also run underground dance label Cutters Records and continue to release albums for Knightlife (also performing on Saturday night), Kauf and the Miracles Club, Nile Delta and more, as well as releasing experimental mixtapes like last month’s A Forest Through the Trees.

Whiteford and Hoey use DJing to connect with fans and have fun while experimenting with the amalgamation of rock, disco, indie and pop that has become the band’s sound over the years. Saturday’s DJ set will demonstrate their passion for the experiential innocence music has always brought them.

Contest ends Friday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

The Helio Sequence: Tuesday, July 14th at The Independent
• Tommy Guerrero: Tuesday, July 14th at Leo’s Music Club
• Young Rising Suns: Wednesday, July 15th at Slim’s
• Memory Tapes: Wednesday, July 15th at The Independent
• Scars on 45: Thursday, July 16th at Brick & Mortar Music Hall
• Fritz Montana: Friday, July 17th at Great American Music Hall
• The Coup: Friday, July 17th at The New Parish


Win-2-Tickets

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

Like Showbams on Facebook, follow Showbams on Twitter and follow Showbams on Instagram. Subscribe to our social channels for a better chance to win!

CONTEST CLOSED.

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Cut Copy ring in New Year with no spare of ‘lights and music’

Cut CopyPhotos by Bridget Stagnitto & Jenn Wong // Written by Molly Kish //

Cut Copy with The Juan Maclean, St. Pepsi, Eli Glad //
Mezzanine – San Francisco
December 31st, 2014 //

Unquestionably one of the easiest decisions made all year and further confirmed by the sold-out crowd in attendance last Wednesday night, Cut Copy headlining the Mezzanine for New Year’s Eve was pretty much a no-brainer.

Riding off an amazing year touring behind their fourth album Free Your Mind, the foursome arrived in the states ready to rage well into the earliest hours of 2015. The club was primed for the electrifying headliners with opening DJ sets from St. Pepsi and Eli Glad that was accompanied by a Russian Standard Vodka bar.

Leading into Cut Copy’s late-night slot, DFA Records brought the heat with a disco-infused DJ set from The Juan Maclean. Stationed side stage, MacLean got up close and personal with the rowdy crowd, playing hits off his 2014 critically-acclaimed release In a Dream to go along with deeper cuts and house favorites from his previous three albums on the iconic label. In a near-seamless transition, Maclean kept the crowd moving while Cut Copy’s road crew fine-tuned the sound and light equipment occupying the center stage. Inching toward the final minutes of 2014, the crowd, although anxious, remained enveloped in the pulsating nu-disco pumping through the venue’s veins.

Cut Copy

With about 10 minutes left before the official countdown, Cut Copy exploded from a sea of light into the opening notes of “We Are Explorers”, igniting the crowd into a full-volume singalong and dance party. What at first seemed like a late start to their headlining set ended up timing out perfectly as an extended jam closed to usher in the New Year. Amidst their fully-immersive light show and a barrage of rainbow-colored balloons, couples kissed and friends embraced to fan favorite “Take Me Over”, which blended continuously into a euphoric rendition of “Free Your Mind,” causing the sold-out venue to collectively lose their own. The evening’s performance pulled from Cut Copy’s entire discography, pleasing what unquestionably was an audience filled with longtime fans who got to share an extremely special moment with the band and each other.

The band rocked its set well into the early-evening hours before leaving it for Deep Into the Night, which featured DJ performances from Cut Copy and Phantogram. While they didn’t promise new material during their set, Cut Copy has been cutting their producer chops after releasing their Melbourne dance music compilation, entitled Oceans Apart, in November. Highlighting the best and brightest in local acts from Down Under, Cut Copy have been keeping their ear to the ground and their fans attentive, opening up a world of possibilities for potential upcoming tour dates and collaborations.

If anything can be learned from this past year’s Disclosure-curated “Wild Life Series”, Cut Copy may have some creative plans for the future. After the incredible performance they put on to celebrate the annual bacchanal that is NYE, one can only hope that they’ll be back stateside sooner rather than later in 2015.

Cut Copy

Cut Copy

Cut Copy

Cut Copy

Cut Copy

Cut Copy

Cut Copy

Cut Copy

Outside Lands 2014 daily lineup highlights

Outside-Lands-2013

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 8th-10th, 2014 //

So, three-day tickets for Outside Lands Music and Arts Festival sold out in record time. Now’s your chance to snag single-day passes for SF’s premier music festival. Get ready: tickets go on sale Thursday, April 17th at 10 a.m.

Still choosing which day might be best for you? Here’s our take on the headliner options, along with choice picks and reasons to get there early this August in Golden Gate Park.

OSL-2014

Friday, August 8th

HEADLINER OPTIONS: Kanye West Vs. Arctic Monkeys (or Disclosure)

Yeezus himself will handle headlining duties on day one, but the real question is whether or not Arctic Monkeys or Disclosure will helm Twin Peaks come nightfall. Both acts are worthy of a headlining slot — time will tell.

CHOICE PICKS:

Run the Jewels: El-P + Killer Mike , “Rap’s most dangerous Duo”, are returning to SF after their game changing shows last year at the Independent. Expect top notch beats over future-forward production. In a perfect world they would open for West.



Phosphorescent: Matthew Houck’s understated, twisted take on indie rock is refreshingly breathtaking, exemplified most strikingly by the majestic “Song for Zula”:

Holy Ghost!: Ready for a disco-dance party fed by instrumentals? Yes you are. One of our favorite acts from the last year will set Golden Gate park ablaze.



DIGGING DEEP: (reasons to get there early)

• Mikal Cronin
• Greensky Bluegrass
• Typhoon
• Bear Hands

THE VERDICT: Eclectic with as many rap options as dance choices.

OutsideLands

Saturday, August 9th

HEADLINER OPTIONS: Tom Petty & The Heartbreakers vs. Macklemore & Ryan Lewis

This one’s going to be a pretty simple choice for most folks — the classic rock singalongs versus the contemporary pop-rap anthems. These headliners starkly contrast from one another.

CHOICE PICKS:

SBTRKT: Known to perform with iconic tribal masks, Aaron Jerome fuses innovative electronic production with drums, synth, keys & live singing, usually with help from touring partner Sampha. SBTRKT’s new EP Transitions delves into icy-instrumental territory.



Atmosphere: Slug and Ant are back this year, and they’ve got a new song entitled “Kanye West”, which doesn’t go after the Day 1 headliner, but it does address hip-hop crowd interactions in a playful, positive way.



Tycho: Scott Hansen is as much a visual artist as he is a musician — his projected imagery melds simple geometry and super slow-mo romanticism and works in hand with his newly cemented band’s ambient, yet driving beats. This one deserves a night time slot, say closing down the Panhandle Stage?



DIGGING DEEP: (reasons to get there early)

• Woods
• Jagwar Ma
• Valerie June
• Trails and Ways

THE VERDICT: Save for a handful of rowdy spots (Macklemore, Duck Sauce, Capital Cities), the offerings are relatively mellow.

OutsideLands2

Sunday, August 10th

HEADLINER OPTIONS: The Killers vs. Tiësto (or The Flaming Lips)

These two options to end the weekend are, once again, clear cut. But here’s hoping Ranger Dave harkens back to the early years and offers a third headliner option in The Flaming Lips. Their drone-psyche spectacle of a freak out deserves darkness and would offer an incredible third option.

CHOICE PICKS:

Cut Copy: Every time these electronic-oriented Australians swing through the Bay Area, we’ll be there. Dan Whitford & Co. will make you dance and reach for the sky.



Lykke Li: The Swedish Songstress is returning to the touring circuit this year, and her first offerings from her forthcoming LP I Never Learn are more sedated than swirling. Li’s ownership of the stage and visceral passion request your attendance.



Flume: Skyrocketing electronic-music amalgamator Harley Streten creates big, bold beats centered by a chill tone. Since releasing his self-titled LP to worldwide acclaim in 2012, he’s brought in a host of top level rhymers to give the music new meaning and fresh life (listen below). We’re excited to see how this influences his live show.



DIGGING DEEP: (reasons to get there early)

• Gold Panda
• Courtney Barnett
• Jonathan Wilson
• Tumbleweed Wanderers

OVERALL VIBE: Sunday has a lot of high-decibel acts. A good day for dance enthusiasts.

Check out our Outside Lands 2014 playlist:

OL 2014 Daily Lineups

Cut Copy heat up the dance floor in LA

Cut-Copy1By Josh Herwitt //

Cut Copy //
Hollywood Palladium – Los Angeles
April 1st, 2014 //

Is there a band right now that throws a better dance party than Cut Copy?

In 2014, you’d be hard-pressed to find one that can even come close.

Returning to Los Angeles five months after performing at HARD Day of the Dead, the Australian four-piece played its first proper headlining show in the City of Angels since releasing its fourth full-length album Free Your Mind last November.

Though the record may not live up to the same standard set by 2011’s Zonoscope and 2009’s In Ghost Colours, there are enough winners on 2013’s Free Your Mind for Cut Copy, as a band and not just as a DJ project, to keep their all-encompassing setlists from growing moldy.

At the Hollywood Palladium, the electropop extraordinaires dug into their new material right away, opening with their latest hit “We Are Explorers” before dolling out five other songs from the 14-track LP on Modular Recordings.

Cut-Copy

And while it may have been a school night for some, it sure didn’t feel like it inside the historic ballroom.

With fan favorites “Take Me Over” and “Hearts on Fire” coming within the first 30 minutes of its set, Cut Copy had a dance-happy crowd of mostly 20-somethings moving and grooving in a matter of no time.

But what may have been the biggest highlight of the night was how well newer cuts like “Let Me Show You Love” and “Meet Me in a House of Love” on Free Your Mind translated to a live setting. Because even after seeing Cut Copy twice in 2011, I walked out the Palladium’s front doors late Tuesday night feeling just as good as I did those previous two times.

In fact, if there was any drawback to note, it was that we didn’t get a few more songs out of frontman Dan Whitford and his bandmates on the final night of their North American tour. Whitford, all things considered, knows how to energize an audience as well as anyone out there these days, whether it’s with his old-school dance moves or incessant hand clapping.

Cut-Copy-post

Of course, it didn’t hurt that Cut Copy took its encore break right after unleashing “Lights and Music”, the band’s most successful single to date still. So, when Whitford (vocals, keyboards, guitar), Tim Hoey (guitar, sampler, percussion, vocals), Mitchell Scott (drums, vocals) and of course Ben Browning (bass, keyboards, vocals) left the stage for a couple of minutes in what served as an encore break, they instantly had their fans begging to hear more.

The two-song encore that ensued, nevertheless, offered a snapshot of the band’s current disposition, as it left us with one more tune off Free Your Mind — the oscillating, yet also comforting “Walking in the Sky” — before closing things out with the 80’s-laced anthem “Need You Now.”

It was a fitting ending for a band that has come a long way since dropping its debut album Bright Like Neon Love a decade ago, yet isn’t looking to ease off the gas pedal any time soon.

Cut-Copy2

Setlist:
We Are Explorers
Take Me Over
Free Your Mind
Where I’m Going
In Memory Capsule
So Haunted
Hearts on Fire
Saturdays
Feel the Love
Out There on the Ice
Let Me Show You Love
Meet Me in a House of Love
Lights and Music

Encore:
Walking in the Sky
Need You Now

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Cut-Copy4

Outside Lands 2014: Lineup locks, likely acts & long shots

OSL_Windmill-Scene-by-Tim-HampsonPhotos by Tim Hampson // Written by Mike Frash & Kevin Quandt //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 8th-10th, 2014 //

As we inch towards springtime, leading to summer, and Coachella is within a month’s reach, some Bay Area music freaks (like us) begin to speculate about who is gonna be gracing those stages freckled throughout Golden Gate Park come August. Outside Lands Music and Arts Festival is set to return to SF on August 8th-10th.

The greatest indicators are the group’s touring schedules — Osheaga Music Festival in Montreal and Pickathon in Oregon have announced their schedules the weekend prior to Outside Lands (with Lollapalooza to still be announced). Squamish Valley Music Festival in British Columbia is the same weekend as Outside Lands, but Vancouver is close enough for artists to double dip.

Conversely, we can confirm some big acts that won’t be on the bill due to scheduling conflicts. But if this is even close to what the Outside Lands 2014 lineup looks like, the Bay Area should be in for a delicious, fog-enhanced treat.

UPDATE 4/7: The lineup has been announced!

Girls-on-Fire-Main-Stage-Tim

Lock It In (we think)

Bruce Springsteen and the E Street Band: A new album on the way and a lack of dates out West makes him a solid candidate for top billing this year. Also, keep in mind that OSL has never repeated headliners, as well as the fact that Super Fly (Bonnaroo), who along with Another Planet Presents, handles the bulk of the booking.

Arctic Monkeys: [CONFIRMED] These festival stalwarts announced an extensive tour with a noticeable gap in the western demographic which leads to speculation that they’ll return for a sub-headlining set. Confirmed for August 10th at Osheaga.

Chromeo: [CONFIRMED] A Red Rocks date on August 5th is a good sign that these party starters are en route back to San Francisco for a possible Twin Peaks headlining spot. 

Modest Mouse: Confirmed for Osheaga, and with no California dates on the calendar for the recently announced tour, Modest Mouse is starting to look like a lock.

Cut Copy: [CONFIRMED] Cut Copy and Chromeo are on parallel tracks. Both will have played APE shows in the past year, and their tour buses are aligning toward the Bay in early August.

CHVRCHES: [CONFIRMED] Confirmed for Osheaga, it just makes sense that one of the the biggest breakout acts of 2013 will triumphantly return to the Bay after playing the Independent, Mezzanine & Fox Theater Oakland over the past year.

Flume: [CONFIRMED] It’s due time for this EDM heat-seeker to return to San Francisco, and what better place and time than Outside Lands. Flume’s popularity could land him Twin Peaks headlining duties.

Tycho: [CONFIRMED] Having become the darlings of Another Planet, what better progressive act to grace the bill than Tycho. Sold out shows in the coming weeks lend to a strong demand.

Foster the People: Performing at Squamish Valley Music Festival Friday lends a good possibility that Mark Foster and band will trek down to Golden Gate Park for a Sunday set. A slot at Osheaga Festival the weekend prior says they’ll be hitting many large events as they support their latest release Supermodel.

Iron & Wine and Glen Hansard: These two artists are booked to play Hollywood Bowl on August 10th, leading most savvy music aficionados to make the leap that these acts will be present.

Danny Brown: A lack of Bay Area dates coupled with spots on the ‘OSL crossover’ festival, Squamish, could mean we are in for a ‘Kush Koma’ with oddball, Danny Brown. 

Mad-Rush-Tim

Likely To Appear

Elton John: The announcement of Sir Elton playing Bonnaroo has fueled this rumor nicely, even if questions of availability swirl. The main issue would be surrounding a clause with Caesars where John has a residency. However, this Vegas run ends in April, so it looks possible.

Green Day: These Bay Area legends have surprisingly never played Outside Lands, and it seems possible we’ll see them grace the main stage for a night with Billy Joe and company. 

Coldplay: New music on the way, coupled with scheduled appearances at South by Southwest is a clear sign that Chris Martin and lads are gearing up to re-dominate the world with their anthemic rock. Also, never headlined OSL.

Tiësto: [CONFIRMED] Ranger Dave likes to book some of the biggest names in the EDM world to ‘compete’ with headliners, attracting a slightly younger crowd to congregate at Twin Peaks on most evenings. Tiësto’s production would fit nicely into the bigness of past DJ spotlights.

Frank Ocean: Frankie is mounting his come back after a relatively quiet past few years. His billing on Bonnaroo fuels the speculation that Super Fly booked him, and other acts, for more than just Roo.

The Flaming Lips: [CONFIRMED] Wayne Coyne has had a busy past few months with a recent release and some serious Fall touring. Now, as summer looms, it appears the Lips will be omnipresent at summer festivals. Recent Another Planet shows coupled with Bonnaroo presence make these weirdo legends a likely booking.

Lorde: Has any act ever gone to sub-headliner status this quickly? Based on her popularity and the way she’s altered the pop landscape, Lorde deserves it. She’s confirmed to play Osheaga and her April dates at Fox Theater sold out immediately.

Chance the Rapper: No longer Chicago’s secret, Chancelor Bennett needs to get better acquainted with the Bay Area. There is a gap in his schedule, and the Acid Rapper is confirmed for Osheaga.

HAIM: [CONFIRMED] For being California girls, sisters Este, Danielle and Alana could show a bit more love to the Bay Area (They’ve played in England over 20 times). Their first ever show in the Bay was at Treasure Island Music Festival last year, and their fauxchella Fillmore dates were tough tickets to snag as they sold out in seconds.

Lykke Li: [CONFIRMED] Confirmed for Friday of Squamish, it’s very possible the breathtaking Swedish singer-songwriter could grace Outside Lands on Sunday.

Foxygen: Even though there has been turmoil (broken legs, inner-band conflict), the 21st Century Ambassadors of Peace & Magic should come play “San Francisco” in it’s namesake. The group is confirmed for Pickathon as well.

Mikal Cronin: [CONFIRMED] The singer-songwriter has become quite the popular local musician and would be ideal for a showcase of SF rock. Booked for the Oregon Pickathon means he’ll be active around this time. 

Valerie June: [CONFIRMED] The American singer, songwriter and multi-instrumentalist is playing Pickathon and other West Coast dates prior to Outside Lands. June’s sound will fit nicely into the festival’s curation net.

On-The-Rail-Tim

It Could Happen

Kanye West: [CONFIRMED] As it appears OutKast will not be the infamous first hip-hop headliner, we look to Kanye West as an outside possibility as the debut of rap taking center stage one summer evening. Inclusion on Bonnaroo’s docket makes a reasonably strong start to an argument for Yeezy.

Eminem: Already a rumored headliner for Lollapalooza, Slim Shady has also booked a co-headlining date with Rihanna at the Rose Bowl in Pasadena the Thursday before Outside Lands while also confirmed for Squamish on Sunday the 10th. Starting to trend toward “likely”, should we be adding RiRi as a rumored headliner?

Tool: Already playing two SF shows in March, would it be that much of a surprise to see Tool headlining one night? Certainly they are big enough to handle top billing duties.

Pharrell Williams: A Ranger Dave’s “hat” tweet has led many to speculate the possibility of Williams’ presence on the festival grounds. Limited dates pepper his itinerary, so it’s anyone’s guess.

The Avett Brothers: Having not played the event in over five years and select festival appearances over the summer, one could make the argument that Avett will return. Bonnaroo booking also helps this case.

Kendrick Lamar: K-Dot’s touring schedule is open, but there are no obvious indicators an Outside Lands appearance will happen. But for a festival that’s usually short on hip hop & rap, it would be too fun to see the Outside Lands stage and surrounding area get crazy during “Backseat Freestyle”.

Gogol Bordello: The Gypsy-punk freaks are confirmed to play Osheaga, and they played Outside Lands in 2010. A return seems possible.

Jagwar Ma: [CONFIRMED] Being rather active in the festival realm in 2014, these party-starters can easily jump from Osheaga over to SF. A previous Another Planet-booked show at the Independent demonstrates there is communication present.
 
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Long Shots: Already booked elsewhere (don’t count on it)

OutKast: Andre 3000 and Big Boi might be playing over 40 festivals this year, but Outside Lands won’t be one of them. OutKast is confirmed for Flow Festival in Finland the same weekend as Outside Lands.

Arcade Fire: Win Butler and company are performing at Squamish Valley Music Festival, but they have a date set at Shoreline in July, and they headlined three years ago.

Jack Johnson
Queens of the Stone Age
Robert Plant
Santana
Neutral Milk Hotel
Janelle Monae
DARKSIDE
Mac Demarco

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Showbams Photography 2013: A year in review

Purity-Ring

Purity Ring // Marc Fong
First City Festival // 8.25.13


The power and impact of a great photo is undeniable. Striking photos take you to another place, inserting you into a spectacular moment from the past.

The photographers in the Bam Fam have produced many memorable, inspiring live music photos in 2013. Feast your eyes on 50 of our best shots from the past year.

Click a band or artist name to view the original article.

Fiona-Apple-and-Blake-Mills

Fiona Apple & Blake Mills // Sam Heller
Zellerbach Hall at UC Berkeley //10.8.13


Killer-Mike

Killer Mike // James Nagel
The Independent // 7.31.13


Crystal-Castles

Crystal Castles // Marc Fong
Fox Theater Oakland // 4.27.13


Phantogram

Phantogram // Marc Fong
Treasure Island Music Festival // 10.19.13


Warpaint

Warpaint // Marc Fong
The Independent // 9.17.13


Cut-Copy_

Cut Copy // James Nagel
Fox Theater Oakland // 11.2.13


Geographer_post

Geographer // Sterling Munksgard
Bimbo’s 365 Club // 11.23.13


Thee-Oh-Sees

Thee Oh Sees // Pedro Paredes
Great American Music Hall // 12.18.13


Grouplove

Grouplove // James Nagel
The Independent // 9.14.13


James-Blake

James Blake // Marc Fong
Treasure Island Music Festival // 10.20.13


Matthew-Dear

Matthew Dear // Mike Frash
Mezzanine // 5.22.13


Palma-Violets

Palma Violets // James Nagel
The Independent // 4.23.13


Polyphonic-Spree

Polyphonic Spree // Marc Fong
The Chapel // 8.19.13


Zedd

Zedd // Marc Fong
Fox Theater Oakland // 10.9.13


Robert-Randolph

Robert Randolph // Steve Kennedy
Notes For Notes Benefit // 12.6.13


Savages1

Savages // James Nagel
The Independent // 9.27.13


Steve-Aioki

Steve Aoki // Sterling Munksgard
Bill Graham Civic Auditorium // 11.16.13


The-Flaming-Lips

The Flaming Lips // James Nagel
Bill Graham Civic Auditorium // 10.31.13


The-xx

The xx // Marc Fong
The Greek Theatre // 6.1.13


Atoms-For-Peace

Atoms For Peace // Marc Fong
Treasure Island Music Festival // 10.19.13


Thundercat1

Thundercat // James Nagel
The Independent // 11.13.13


Trey-Anastasio-Band

Trey Anastasio Band // Sam Heller
Fox Theater Oakland // 4.20.13


Alabama-Shakes

Alabama Shakes // Marc Fong
Fox Theater Oakland // 3.5.13


AlunaGeorge

AlunaGeorge // Marc Fong
The Independent // 9.11.13


Autre-Ne-Veut

Autre Ne Veut // Mike Frash
The Independent // 3.11.13


chk-chk-chk

!!! // James Nagel
Great American Music Hall // 2.28.13


CSS

CSS // James Nagel
The Independent // 6.16.13


Danny-Brown

Danny Brown // Marc Fong
Treasure Island Music Festival // 10.19.13


Father-John-Misty

Father John Misty // Marc Fong
First City Festival // 8.24.13


HAIM

Haim // Marc Fong
Treasure Island Music Festival // 10.19.13


How-To-Dress-Well

How To Dress Well // Sam Heller
The Independent // 8.26.13


Jagwar-Ma

Jagwar Ma // James Nagel
The Independent // 12.11.13


Jamie-Lidell

Jamie Lidell // Sam Heller
The Independent // 3.29.13


Primus

Primus // Sam Heller
High Sierra Music Festival // 7.5.13


Run-The-Jewels1

Run The Jewels (El-P & Killer Mike) // James Nagel
The Independent // 7.31.13


Toro-Y-Moi

Toro Y Moi // James Nagel
Fox Theater Oakland // 11.15.13


Wild-Belle

Wild Belle // Eldon Christenson
The Independent // 9.26.13


alt-J

Alt-J // Sam Heller
Fox Theater Oakland // 8.29.13


Andrew-Bird

Andrew Bird // Sam Heller
Congregation Sherith Israel // 12.16.13


Andrew-WK

Andrew W.K. // Marc Fong
The Independent // 10.12.13


Anna-Calvi

Anna Calvi // Marc Fong
The Independent // 11.17.13


Big-Boi

Big Boi // Mike Frash
Mezzanine // 5.17.13


Deerhunter

Deerhunter // Marc Fong
First City Festival // 8.25.13


MS-MR

MS MR // James Nagel
The Independent // 6.16.13


Phoenix

Phoenix // Chaya Frash
The Independent // 4.1.13


Rogue-Wave1

Rogue Wave // Marc Fong
The Independent // 7.12.13


Sigur-Ros

Sigur Rós // Marc Fong
Fox Theater Oaklnad // 4.16.13


STS9_Post

STS9 // Sam Heller
Fox Theater Oakland // 3.1.13


Washed-Out

Washed Out // Marc Fong
First City Festival // 8.25.13

WEND MIXTAPE: Cut Copy – Boiler Room 2013

Wkend-Mixtape_cut-copy

The Bay Area was lucky enough to witness Cut Copy perform at the Fox Theater Oakland this past weekend, a few days before they released their fourth LP Free Your Mind November 5. Cut Copy has also been revealed as one of the mystery headliners at Snow Globe this year at Lake Tahoe over New Year’s Eve weekend.

Earlier this year, Cut Copy played a set as part of the Boiler Room – Australia series. As part of a stacked bill, Cut Copy played a tight 60-minute set alongside Roland Tings, Tornado Wallace, Naysayer, and Zanzibar Chanel. Look out for tracks from Mr. Fingers, Joakim, Tony Lionni, Jesse Perez, Belgen, and more. Let’s consider this your warm up for the weekend…

Enjoy!

Cut Copy free the minds of a full house at Fox Theater Oakland

Cut-CopyPhotos by James Nagel // Written by Molly Kish //

Cut Copy //
Fox Theater Oakland – Oakland
November 2nd, 2013 //

A sold-out crowd at the Fox Theater Oakland welcomed Cut Copy to the stage this past Saturday night. The fifth stop of their world tour, promoting their brand-new album Free Your Mind released November 5th, the Melbourne-based band played their only scheduled Northern California date at the historic venue. Openers Larry Gus and Kauf ignited the electric crowd, firing up the jam-packed floor section before the highly anticipated headliners. Both acts focused around live vocals layered over mid-tempo dance jams, coaxing the packed theater into a perfect pre-show groove by the time the Aussie four-piece took the stage.

Coming on strong in expected Cut Copy fashion, the guys opened the night with the title track off their new album, “Free Your Mind”. The pulsating single ignited the ecstatic crowd with its rhythmic percussion and chanting “Summer of Love” based chorus. Delving into old favorites off of their three previous albums, the audience filled in literally every open space in general admission to be a part of the tier-expanding dance pit, singing along and smiling blissfully. Highlights of the set including the bands’ archetypal hits such as “Hearts on Fire” and “Far Away” off 2008’s In Ghost Colors and Zonoscope stand out cuts “Take Me Over” and “Need You Now”, sending the venue into a euphoric frenzy.

Cut-Copy

Cut Copy’s stage set up, although minimalist in design, gave way to their luminous stage show, enhancing the band’s dramatic dance moves and perfectly syncing to the beat of the set. Lasers peaked out from behind and surrounded the band’s various synthesizers, keys and percussion instruments, washing beautiful colors over around the perimeter of the textured venue. The gorgeous light show was effective at working with Cut Copy’s sound to help activate a transcendental state of bliss.

Cut-Copy

Playing nearly 90 minutes, Cut Copy finished up the evening with the encore-solidifying favorite, “Light’s and Music”. Satisfying loyal fans while catering to recent converts alike, the band played an all-encompassing mix of their material. Dan Whitford and Ben Browning in particular projected a stage presence that was fun and upbeat, encouraging the crowd to give back physical displays of happiness to match the group’s impeccable sound. This is definitely an act not to miss over the next year when they come to a venue near you.