With CyHi the Prynce on the bill, Big K.R.I.T. shows fans why his moniker is much bigger than him

Big K.R.I.T.By Joseph Gray //

Big K.R.I.T. with CyHi the Prynce, Childish Major //
Echoplex – Los Angeles
April 19th, 2018 //

Big K.R.I.T. feels like an uncle.

Even though we are nearly the same age, the ambitious Mississippi rapper has always been unafraid when it comes to detailing his grief, mishaps and the veteran-like wisdom that he has soaked up along the way. And with the hope that his heartfelt vulnerability and growth can produce some good energy for his fans, the “King Remembered in Time” displayed why his moniker is much bigger than him.

Freed from his major-label frustrations after leaving Def Jam Recordings in 2016, Big K.R.I.T. appeared to be at ease when he took the stage in LA at Echoplex last Thursday as part of his “Heavy Is the Crown” tour that spans six weeks and 29 U.S. cities.

The show began with feel-good, Southern sets from emcee/producer Childish Major, who co-starred with energetic hip-hop duo EarthGang, and CyHi the Prince, who took us on a lyrical trip to the streets and the tabernacle.

CyHi the Prynce

CyHi the Prynce

But the sold-out crowd knew this was Big K.R.I.T.’s night, and he showed why the same uncle who will pull you aside for guidance is also often the same one dancing, smiling and serving as the life of the party whenever family gets together.

This duality is fitting coming on the heels of his 2017 LP, the double-sided 4eva Is a Mighty Long Time. While the first half of the album (entitled Big K.R.I.T.) brims with trunk-rattling confidence, the other (named Justin Scott) soulfully touches upon his battles with anxiety, contradictions and fame.

At Echoplex, we were treated to the “rapper” and the man himself as bass-heavy party starters like the title-track opener and “Confetti” from 4eva Is a Mighty Long Time got everyone hyped, while Atlanta’s T.I. came out to perform his verse on “Big Bank”. After singling out one excited fan, who was wearing a shirt with a giant picture of his face, during the easygoing “1999” and paying homage to Southern rap pioneers UGK, Big K.R.I.T. took the latter half of his hour-long set to connect with the crowd.

From his battles with alcoholism (as heard on “Drinking Sessions”) and inconsistency (from “Mixed Messages”) to his contrasting thoughts on religion (“Higher Calling”) and newfound clarity (“Bury Me in Gold”), a completely drenched Big K.R.I.T. painted a picture of his royal advancement — a positive one that he explained is not only meant to be a reminder for him, but also for us.

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