The War on Drugs – Showbams

Ohana Festival rolls into 2023 with The Killers, HAIM, Eddie Vedder, The Chicks, Foo Fighters & Pretenders lined up for seventh year

April 11, 2023 by Josh Herwitt 1 Comment

Ohana Festival //
Doheny State Beach – Dana Point, CA
September 29th-October 1st, 2023 //

It’s that time again, Ohana fam.

The three-day festival founded by Eddie Vedder returns to Doheny State Beach for its seventh edition after making a splash last year with Stevie Nicks, Eddie Vedder, Jack White and P!nk headlining, and unlike previous installments, 2023 will boast a pair of headliners each day for the very first time as the calendar shifts from September to October.

Riding into Day 1 will be The Killers and HAIM, who were booked for the fest’s 2022 “Encore” session until it was canceled, plus a stellar undercard featuring Father John Misty, Japanese Breakfast, Franc Moody, Glen Hansard, Hermanos Gutiérrez and Amos Lee on Friday.

Your #OhanaFest 2023 Lineup is here! 🌴 Sign up for a presale code TODAY: https://t.co/MBP8krCrWN Presale begins this Thursday, April 13 at 10am PT! pic.twitter.com/6aU3mvgMsC

— The Ohana Fest (@TheOhanaFest) April 11, 2023

Saturday once again sees Vedder leadding the way, but this time he will have some solid help from The Chicks as the country stars make their debut appearance at Ohana Festival. And for those who want to rock out beforehand, you definitely won’t want to miss noteworthy sets by Grammy winners The War on Drugs and jam-band favorites Goose.

Putting a bow on the weekend, meanwhile, will be Foo Fighters and Pretenders at the top of Sunday’s bill following performances by Rainbow Kitten Surprise, The Backseat Lovers, Suki Waterhouse, Thee Sacred Souls and more earlier in the day. See the poster above for the rest of the artists scheduled to take the stage in Dana Point.

Tickets can be purchased starting this Thursday, April 13th at 10 a.m. PT during the festival’s presale, but you must sign up here to receive a presale code if you want to reserve your spot! Both three-day and single-day GA passes will go for $479 and $169, respectively, with three-day and single-day VIP admission available for $1,499 and $549. Of course, there’s also the three-day Ultimate VIP option if you and a friend (it’s a two-person package) have a cool $9,950 in your festival budget to shell out.

UPDATE (May 23rd): Ohana has announced that Rainbow Kitten Surprise will no longer be performing in 2023 and have been replaced on Sunday by Deaf Charlie featuring Pearl Jam bassist Jeff Ament and former Fitz and the Tantrums drummer John Wicks. Peep the updated poster above for the latest lineup.

Filed Under: Featured, Festivals Tagged With: Amos Lee, Big Joanie, Brooks Nielsen, Charley Crockett, Danielle Ponder, Deaf Charlie, Dehd, Dhani Harrison, Eddie Vedder, Emma Routhier, Father John Misty, Fitz & the Tantrums, Fitz and the Tantrums, Foo Fighters, Franc Moody, Glen Hansard, Goose, Haim, Hermanos Gutierrez, Jack White, Japanese Breakfast, Jeff Ament, John Wicks, Lido Pimienta, Lucius, Ohana Fest, Ohana Fest 2023, Ohana Festival, Ohana Festival 2023, P!nk, Pearl Jam, Pretenders, Rainbow Kitten Surprise, Shame, Stevie Nicks, Suki Waterhouse, TALK, The Alive, The Aquadolls, The Backseat Lovers, The Chicks, The Killers, The Ohana Festival, The Ohana Festival 2023, The War on Drugs, Thee Sacred Souls, Trousdale, Wunderhorse

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2022

December 30, 2022 by The Bam Team Leave a Comment

After seeing what the live music industry endured the last two years due to the COVID-19 pandemic, 2022 was certainly a step in the right direction. For many artists and bands, this year marked the first since 2019 that they had the opportunity to step onstage — and that was a victory in and of itself.

While we aren’t completely out of the woods yet considering the coronavirus is still very much a part of our lives, there’s no signs of us returning to those dark and dire days of 2020. The shows simply must go on, and we are all better for it whether you’re a musician or just a fan.

Now as we turn to 2023 with cautious optimism, it’s time for us to share our annual “Best of” lists as we have done since this blog first began (see our 2021 picks here). We’ll be quick to admit we didn’t catch every show or hear all of the albums released in the past 12 months, but looking back on the year that was can not only be fun but also challenging with so much great music to consider.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2022.

Listen to The Bam Team’s favorite songs of 2022:

Tool at Viejas Arena // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2022
1. My Morning Jacket at Red Rocks Amphitheatre – Morrison, CO – August 26th-27th
2022 will go down as easily one of my favorite years for live music. So many of the artists and bands I love toured after being forced to sit on the sidelines for at least two years, and as I look back on all of the shows I was fortunate enough to witness, it would be a shame to not mention the ones that aren’t already included here, whether it was Eddie Vedder, Baroness, Royal Blood, Interpol and The Shins at Just Like Heaven, Jack White (two nights), The Kills, Puscifer on my big day, Fleet Foxes, Big Gigantic Telefon Tel Aviv, Moderat, Khruangbin and Arctic Monkeys — plus Lorde — at the debut of Primavera Sound LA, The Mars Volta, Bonobo, Foals, Modest Mouse performing The Lonesome Crowded West from start to finish to celebrate the LP’s 25th anniversary or The Smile closing out their North America tour. But this year’s No. 1 spot once again goes to My Morning Jacket, which have become my top live band over the last decade among some very stiff competition (see the rest of the bands listed below to get a better idea). With back-to-back dates in SoCal at the Santa Barbara Bowl and Hollywood Forever (read our review here) serving as a preview for what would come the following week, the Louisville-bred rockers left no stone unturned in their return to Red Rocks. If there was ever an act to catch — not once but twice — at the legendary amphitheater after visiting it more than a dozen times in my life so far, this was the one for me and MMJ proved it over two sold-out gigs with no repeats as always.

2. The War on Drugs at Shrine Auditorium – Los Angeles, CA – February 26th
3. Pearl Jam at The Forum – Inglewood, CA – May 6th
4. Tool at Viejas Arena – San Diego, CA – January 19th
5. Nine Inch Nails at Santa Barbara Bowl – Santa Barbara, CA – September 13th

Top 5 Albums of 2022
1. The Smile – A Light for Attracting Attention
It wasn’t until last year during a surprise performance for the concert video “Live at Worthy Farm” when we first learned of the latest side project from Radiohead members Thom Yorke and Jonny Greenwood with Sons of Kemet drummer Tom Skinner. But after putting out six singles off their debut LP that came out back in May, it was clear the three-piece wasn’t messing around. Across all 13 tracks on A Light for Attracting Attention, it’s safe to say there isn’t one worth skipping, reaffirming why Yorke remains one of the best songwriters out there in the last 30 years. And with him and Greenwood switching off between guitar, bass and synthesizer among a bevy of other instrumentation including vocoder, piano and harp, their talents are as palpable as they have ever been before. After all, hearing Yorke croon “Don’t mess with me” toward the beginning of “The Smoke” is an edict — literal or not — many would have a tough time disputing at this point.

2. Kendrick Lamar – Mr. Morale & the Big Steppers
3. Jack White – Fear of the Dawn
4. My Morning Jacket – MMJ Live Vol. 2: Chicago 2021
5. Bonobo – Fragments

Top 5 Songs of 2022
1. The Mars Volta – “Graveyard Love”
For fans of The Mars Volta, it has been a long wait since Omar Rodríguez-López and Cedric Bixler-Zavala hit the studio to record new material. Even with the project’s two constant members on good terms these days, it took more than a decade before anything would enter our earholes. But despite many of the prog-rock tendencies it demonstrated on earlier albums dating all the way back to 2003’s seminal De-Loused in the Comatorium, the duo’s seventh studio effort delves unexpectedly into new sonic territory. With a pop aesthetic running through it that surprisingly sees no song surpass the five-minute mark, The Mars Volta will undoubtedly be looked at as a departure from the days of “Cygnus…Vismund Cygnus” and “Cassandra Gemini” when Rodríguez-López and Bixler-Zavala were captivating At the Drive-In fans as well as new listeners. Nevertheless, its second single “Graveyard Love” stands tall as some of their best work to date and reminds us that these guys haven’t lost what made them so uniquely special.

2. The Smile – “Thin Thing”
3. Jack White – “Eosophobia”
4. Interpol – “Toni”
5. Moderat – “EASY PREY”

Andrew Pohl // San Francisco

Top 5 Shows of 2022
1. Yard Act at Rickshaw Stop – San Francisco, CA – April 21st
Funny story about this show … I had been hearing a lot of buzz about Yard Act, and I had only listened to one song played a few times on KEXP, which I really dug. I had been on the Rickshaw Stop’s email list, and the venue ran a contest for free tickets. I happened to win so I took a chance and opted to see Yard Act’s show that same week. Wanting to familiarize myself with their material more, I immediately dove head first into their album and was totally hooked, so I felt really good about this turn of events. I hadn’t been to a gig at Rickshaw Stop in many years and was eager to visit again, so it felt great to be back in a packed room again for an intimate evening of punk rock. The opening act Buzzed Light Beer fell a bit flat in my humble opinion, but once Yard Act took the stage, the room started buzzing with life. Lead singer James Smith’s command of the crowd is very nonchalant, but he also knows he has you hanging on every word. The set was fun and well-executed, and the UK quartet was clearly on its “A” game after a lengthy run of shows and in between weekend performances at Coachella. Much to the chagrin of those in attendance, Smith kept referring to the audience as “San Diego” (LOL), though he did tell us that he had some mushrooms the night before, so … you know. To round things out, Smith offered to do a magic trick during the last song of Yard Act’s set before their encore and coaxed fans to hand over any loose bills they had, which he pocketed and took backstage. As it turns out, he actually gifted the money to the bar staff, which I felt was a nice touch and very much on-brand.

2. THE FEST 20 – Gainesville, FL – October 28th–30th
3. Coheed & Cambria at Greek Theatre Berkeley – Berkeley, CA – August 14th
4. Bauhaus at The Masonic – San Francisco, CA – May 22nd
5. The Velvet Teen at Arlene Francis Center – Santa Rosa, CA – June 17th

Top 5 Albums of 2022
1. Pilot to Gunner – Hail Hallucinator
Brooklyn indie rockers Pilot to Gunner hadn’t put out an album for a decade, and to be honest, I hadn’t really paid much attention to them prior to Hail Hallucinator. The name was always out there and I had friends who were really into them, but I never got around to checking out their music for one reason or another. And not unlike many other bands that came before them (i.e. Seaweed, Far, The Murder City Devils), I am bummed that I was so late to the party. They are absolutely fantastic, and this record was easily my most listened-to during 2022. From start to finish, the 10-track LP hit all the marks for me in terms of stellar songwriting, original-sounding guitar work that still feels familiar and vocals carrying the torch of the early 2000’s indie/emo revival sound ala Hey Mercedes and Jimmy Eat World all while not completely aping either group. “Drop the Sun”, “We’re Blasting to Masses”, “Total Rager” and “Escape Season” are among its best tracks, but I simply love all of them from beginning to end.

2. Thee Sacred Souls – Thee Sacred Souls
3. Yard Act – The Overload
4. Soul Glo – Diaspora Problems
5. High Vis – Blending

Top 5 Songs of 2022
1. 3rd Secret – “I Choose Me”
The supergroup 3rd Secret surprised the music world when their debut self-titled LP arrived in mid-April. Comprised of members from Nirvana, Soundgarden, Hater and Giants in the Trees, the album is a tour de force brought to you by grunge and alt-rock royalty. Its lead single “I Choose Me” turns things up and right out of the gate you can’t help but feel a little washed over with nostalgia from guitarist Kim Thayil’s signature riffage in addition to the thundering cadence courtesy of bassist Krist Novoselic and drummer Matt Cameron. What makes the song — and the album — stand out to me, however, is the work of co-vocalists Jillian Raye and Jennifer Johnson. The pair deliver gorgeous singing atop the otherwise gritty instrumentation, harkening back to what made so many 90’s albums awesome with a beautiful balance of dark and light. I kept coming back to this song a lot throughout the year, and it made me really reflect on just how incredible the music that came out of the Pacific Northwest was when I was growing up. To hear this collection of musicians conjuring up those aural ghosts through a contemporary filter was not only refreshing, but also something that I was really looking for in 2022.

2. Yard Act – “The Overload”
3. Thee Sacred Souls – “Can I Call You Rose?”
4. Cave In – “New Reality”
5. High Vis – “0151”

Animal Collective at Greek Theatre // Photo by Rochelle Shipman

Rochelle Shipman // Los Angeles

Top 5 Shows of 2022
1. PUP at The Fonda Theatre – Los Angeles, CA – April 21st
Two years and one full length after this show was originally supposed to occur, LA finally got to see PUP perform on their “Thank Fucking God” tour. Worth the wait would be a major understatement here as the Canadian punks transported us back to pre-pandemic times like nothing had ever happened — we were touching, we were screaming, we were moshing again! The night had such an innocent air to it. Despite the delay, 2019’s Morbid Stuff felt fresher than ever (and it still does).

2. Yaya Bey at Cafe Erzulie – Brooklyn, NY – June 16th
3. Animal Collective at Greek Theatre – Los Angeles, CA – May 20th
4. Vince Staples at The Fonda Theatre – Los Angeles, CA – August 23rd
5. Bright Eyes at Greek Theatre – Los Angeles, CA – June 23rd

Top 5 Albums of 2022
1. Lando Chill – if im being honest
The multi-hyphenate who’s based out of LA quietly dropped this mixtape early in the year, and it stood strong in my top spot from the start. With a sharp wit and silky delivery, Chill tears through pages of his diary without cutting a single corner. Thank God for vulnerability.

2. Smino – Luv 4 Rent
3. Pusha T – It’s Almost Dry
4. Yaya Bey – Remember Your North Star
5. Open Mike Eagle – Component System with the Auto Reverse

Top 5 Songs of 2022
1. Steve Lacy – “Bad Habit”
An earworm for the ages! This impossibly catchy tune took over TikTok and catapulted Mr. Lacy into the spotlight that he was born to occupy, whether he was ready for it or not. The cherry on top of his banner year was the singer-songwriter’s old iPhone (aka his instrument) landing on display in the Smithsonian.

2. Lando Chill – “guess”
3. Leggy – “Lipstick on the Mic”
4. Pusha T – “Brambleton”
5. Channel Tres – “Acid in My Blood”

Filed Under: Best of 2022, Editor's Picks, Featured Tagged With: 3rd Secret, Animal Collective, Arctic Monkeys, Arlene Francis Center, At the Drive-In, Baroness, Bauhaus, Big Gigantic, Bonobo, Bright Eyes, Buzzed Light Beer, Cafe Erzulie, Cave In, Channel Tres, Coheed & Cambria, Eddie Vedder, Far, Fleet Foxes, FOALS, Giants in the Trees, Greek Theatre, Greek Theatre Berkeley, Hater, Hey Mercedes, High Vis, Hollywood Forever, Interpol, Jack White, Jimmy Eat World, Jonny Greenwood, Just Like Heaven, Just Like Heaven 2022, Kendrick Lamar, Khruangbin, Lando Chill, Leggy, Moderat, Modest Mouse, My Morning Jacket, Nine Inch Nails, Nirvana, Open Mike Eagle, Peaches, Pearl Jam, Pilot To Gunner, Primavera Sound LA, Primavera Sound LA 2022, Primavera Sound Los Angeles, Primavera Sound Los Angeles 2022, Pup, Puscifer, Pusha T, Radiohead, Red Rocks Amphitheatre, Rickshaw Stop, Royal Blood, Santa Barbara Bowl, Seaweed, Shrine Auditorium, Smino, Smithsonian, Soul Glo, Soundgarden, Steve Lacy, Telefon Tel Aviv, THE FEST 20, The Fonda Theatre, The Forum, The Kills, The Mars Volta, The Masonic, The Murder City Devils, The Shins, The Smile, The Velvet Teen, The War on Drugs, Thee Sacred Souls, Thom Yorke, Tool, Trent Reznor, Viejas Arena, Viejas Arena at Aztec Bowl, Vince Staples, Yard Act, Yaya Bey, YouTube Theater

The War on Drugs prove in Adam Granduciel’s new hometown why they deserved to win a Grammy more than four years ago

March 4, 2022 by Josh Herwitt 1 Comment

By Josh Herwitt //

The War on Drugs //
Shrine Auditorium – Los Angeles
February 26th, 2022 //

What can you say about Adam Granduciel that hasn’t already been said or written?

Let’s just cut to the chase then: the guy keeps getting better and better with age. And though he might give off the impression that he’s a tad bit older than the 43 years he just turned last month thanks to all of those late nights writing songs in his bedroom or at the studio, Granduciel has continued to push the band he formed in Philadelphia more than 17 years ago to new and greater heights.

The War on Drugs’ foray into music’s mainstream has been a slow churn dating all the way back to 2005 before it culminated four years ago when they beat out a number of hard-rock heavyweights in Metallica, Mastodon, Queens of the Stone Age and Nothing More to win the Grammy for “Best Rock Album” at the 60th Annual Grammy Awards.

It was a career-defining moment for the group that’s heartland sound has centered around Granduciel’s fascination with Bob Dylan — an enthusiasm for the legendary folk singer-songwriter that he and fellow Philly-bred indie rocker Kurt Vile shared when they first started playing together in each other’s projects — and continued with his love for Bruce Springsteen. (There’s also a hint of Rod Stewart and Tom Petty in Granduciel’s work for good measure.)

Six months prior, I had caught The War on Drugs at Apogee Studio for KCRW’s Apogee Sessions (read our review here), and after hearing them preview a few songs off A Deeper Understanding that evening, it was right then and there that I knew the album was well deserving of some significant hardware.

But following 2014’s seminal Lost in the Dream — the band’s third album which might be arguably better than its award-winning follow-up — with another 10-track masterpiece, Granduciel had done what only a few are capable of these days, particularly in the rock space, by creating an emotional, yet timeless gem for our earholes to bathe in.

With little room to go up from there, Granduciel certainly had a challenge on his hands when it was time to make another LP. It wasn’t just that he had become a father to his son Bruce (yes, he really is named after the Boss) in 2019 and officially moved to LA’s San Fernando Valley shortly thereafter even if those were two major life changes, but the expectations surrounding The War on Drugs’ next studio effort had only grown even more since the last one.

For Granduciel, it didn’t matter. He went back to the grind and delivered once again. What resulted after hours at his Burbank rehearsal space with engineer and producer Shawn Everett was I Don’t Live Here Anymore, which arrived back in October and peaked at No. 22 on the Billboard 200. It’s another record worthy of high praise — in fact, I ranked it my favorite album last year (see our 2021 picks here) — and at the same time more accessible than its predecessors.

What makes The War on Drugs’ albums so great, however, is that you can just let them run. There’s no need to skip a track as one flows right into the next, and I Don’t Live Here Anymore follows suit much in the same way Lost in the Dream and A Deeper Understanding do. And as Granduciel seemingly settled into his new environs with music videos filmed in California for “Living Proof” and the title track featuring Jess Wolfe and Holly Laessig of Lucius, I was eager to hear the new material with an audience on hand.

So when The War on Drugs announced a tour for 2022 last summer and scheduled only one show in 2021 at Desert Daze, I knew their gig in LA at the Shrine Auditorium would feel even that much more special given Granduciel’s story but also because it was the final U.S. date before the band heads to Europe for a month. While that fact wouldn’t completely hold up with The War on Drugs replacing My Morning Jacket at Innings Festival the ensuing day, they made sure to offer quite a proper 2 1/2-hour concert experience for the nearly capacity crowd inside the landmark venue of 6,300.

Granduciel (vocals, guitars, harmonica, keyboards, samplers) and his cohorts — David Hartley (bass, backing vocals), Robbie Bennett (keyboards, piano, guitar), Charlie Hall (drums, organ), Jon Natchez (saxophone, keyboards), Anthony LaMarca (guitar, keyboards, backing vocals) and Eliza Hardy Jones (keyboards, backing vocals) — were treating us to “An Evening of LIVE DRUGS” and most were happy to oblige. That meant “Old Skin” leading things off with “Pain” batting second. “An Ocean in Between the Waves” never disappoints, and slotting it third before one of the highlights off I Don’t Live Here Anymore in “I Don’t Wanna Wait” created a huge wave of momentum that The War on Drugs carried through the rest of the set, which boasted “Strangest Thing” and “Red Eyes” back to back, another new standout in “Harmonia’s Dream” that has been extended live and an appearance by Lucius as expected with Wolfe and Laessig leaving their East Coast origins for the City of Angels a few years ago.

When it came time to take things up a notch, Granduciel turned to “Under the Pressure” as still one of the most shining achievements in his ever-expanding repertoire. That’s not to say what came after — the previously unreleased “Ocean of Darkness” that didn’t make it onto I Don’t Live Here Anymore but was debuted during The War on Drugs’ performance on “The Tonight Show” in 2020 — didn’t carry the same weight, because in many ways it did considering the song has only been played live seven times in total so far.

After taking a couple nights off in Portland and San Francisco, “In Reverse” subsequently returned to the setlist and propelled us into a short-lived encore break that only lasted a minute or two. Granduciel, after all, had more to get to before saying goodbye, as he used “Thinking of a Place” to jumpstart a four-song finish that included a cover of Bob Dylan’s “Born in Time” and “Comin’ Through” from The War on Drugs’ 2010 EP Future Weather to mark only the second time fans got to hear it on this tour and since 2019.

Granduciel isn’t one for much stage banter, and after one last thank you, he broke into I Don’t Live Here Anymore finale “Occasional Rain” to take us all home. Even though it has served as The War on Drugs’ closer for several shows on this tour, the title seemed rather appropriate in a city as dry as LA where we haven’t seen a whole lot of precipitation this winter.

People often say the phrase “when it rains, it pours” when they experience a barrage of misfortune all at the same time. In Granduciel’s case notwithstanding, the past eight years have been one big downpour of success for The War on Drugs. Now with the band at an all-time high, it doesn’t appear that the storm Granduciel has been riding will be letting up anytime soon.

Setlist:
Old Skin
Pain
An Ocean in Between the Waves
I Don’t Wanna Wait
Victim
Strangest Thing
Red Eyes
Living Proof
Harmonia’s Dream
Your Love Is Calling My Name
Come to the City
Rings Around My Father’s Eyes
I Don’t Live Here Anymore (with Lucius)
Under the Pressure
Ocean of Darkness
In Reverse

Encore:
Thinking of a Place
Born in Time (Bob Dylan cover)
Comin’ Through
Occasional Rain

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: Bob Dylan, Bruce Springsteen, Holly Laessig, Innings Festival, Jess Wolfe, Lucius, Mastodon, Metallica, My Morning Jacket, Nothing More, Queens of the Stone Age, Rod Stewart, Shrine Auditorium, Shrine Auditorium & Expo Hall, The War on Drugs

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2021

December 28, 2021 by The Bam Team 3 Comments

The past 12 months have been interesting to say the least. While the COVID-19 pandemic continues to rage across the world after almost two years, 2021 did prove to be a little better than its predecessor on the calendar and a big reason for that was undoubtedly the return of live music during the second half of this year. For so many of us after being locked down at home, just having the chance to attend a concert or festival in person again provided some sense of normalcy to our everyday lives.

But as we look forward to hopefully better days in 2022, it’s time for us to unveil our annual “Best of” lists like we have done since this blog first began (see our 2020 picks here). No, we didn’t have time to catch every show or hear all of the albums released in the last 365 days, but forcing ourselves to make difficult decisions can be a fun exercise that helps us reflect on the year in music before turning the page.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2021.

Listen to The Bam Team’s favorite songs of 2021:

My Morning Jacket (Jim James) at Santa Barbara Bowl

My Morning Jacket at Santa Barbara Bowl // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2021
1. My Morning Jacket at Santa Barbara Bowl – Santa Barbara, CA – September 23rd
Almost six years had passed since the last time Jim James and company performed at one of Southern California’s best music venues, but after surviving 18 months without witnessing any live music, the wait for MMJ’s return to the stage felt even longer. Fortunately for us, the Louisville-bred quintet brought its A game to kick off a string of West Coast dates and powered through a collection of 23 songs at the Santa Barbara Bowl that included the emotive “In Color” off the band’s new self-titled album as well as “Where to Begin” from the “Elizabethtown” soundtrack. MMJ have earned a reputation over the years as one of the best live acts still out there, and they certainly validated that claim with a 2.5-hour performance that made the 90-mile drive from LA on a weeknight totally worth it.

2. Modest Mouse at The Theatre at Ace Hotel – Los Angeles, CA – September 25th
3. Caribou at Greek Theatre – Los Angeles, CA – November 15th
4. Lord Huron at Hollywood Forever – Los Angeles, CA – September 30th
5. Primus “A Tribute to Kings” at Greek Theatre – Los Angeles, CA – October 17th

Top 5 Albums of 2021
1. The War on Drugs – I Don’t Live Here Anymore
What can we say about Adam Granduciel that hasn’t already been said? After composing and producing The War on Drugs’ best material during his previous two trips into the studio with the latter effort winning a Grammy, we knew it would be tough for the Philadelphia native to match that same level of excellence attained in 2014 and 2017 with Lost in the Dream and A Deeper Understanding. And though I Don’t Live Here Anymore doesn’t quite get there, it marks another LP from Granduciel and his cohorts that you can listen straight through from start to finish without skipping a track. Because in an era when our attention spans have been shrunk thanks in large part to technology, that’s something we should all applaud.

2. Modest Mouse – The Golden Casket
3. DARKSIDE – Spiral
4. My Morning Jacket – My Morning Jacket
5. Royal Blood – Typhoons

Top 5 Songs of 2021
1. Royal Blood – “Boilermaker”
The English alt-rock duo comprised of lead singer/bassist Mike Kerr and drummer Ben Thatcher shared “Boilermaker” in the lead-up to releasing its third full length this year, and the promotional single certainly stands out from the pack as one of the best songs on Typhoons. Produced by Queens of the Stone Age leader Josh Homme, it opens with Kerr’s fuzzed-out riff and quickly builds into a head-banging anthem over the course of three and a half minutes. If you haven’t heard it before, just make sure to also check out the badass music video that’s directed by and stars Liam Lynch. Enjoy!

2. My Morning Jacket – “In Color”
3. Modest Mouse – “Walking and Running”
4. The War on Drugs – “I Don’t Wanna Wait”
5. Bonobo – “Rosewood”

Favorite remix: Four Tet – “Never Come Back” (Caribou)

Andrew Pohl // San Francisco

Top 5 Shows of 2021
1. Kowloon Walled City at The Golden Bull – Oakland, CA – November 30th
Regardless of the fact that I didn’t go to many shows this year, this would have likely been my No. 1 even if I went to more. I had only recently been turned on to Kowloon Walled City, but I was immediately drawn to their heavy sound and they proved to replicate that sonic fury live. The Golden Bull is a nice, intimate setting for live music, and the fact that KWC were able to dial in such a balanced sound at a small club made a huge difference given how BIG they sound on their studio albums. Everyone was fixated on the band throughout its entire set, and I barely noticed anyone looking at a phone — one of the modern-day signs of a great show.

2. Quicksand at Great American Music Hall – San Francisco, CA – October 15th
3. Bad Religion & Alkaline Trio at The Masonic – San Francisco, CA – November 24th
4. The Slackers & The Aggrolites at Cornerstone Berkeley – Berkeley, CA – December 9th
5. Lagwagon with Red City Radio & Decent Criminal at Bottom of the Hill – San Francisco, CA – November 4th

Top 5 Albums of 2021
1. Quicksand – Distant Populations
During a turbulent time like what we’ve all been collectively experiencing since last year, I think this album resonated with me so much because Quicksand has always been such a solid standby. Distant Populations is heavy in all of the right ways without being abrasive while also effectively showcasing Walter Schreifels’ dynamic song-crafting abilities. Quicksand aren’t necessarily breaking the mold here, but they’re a band that had already set the bar high with their earlier albums and this LP is an excellent continuation of their contribution to the hardcore scene.

2. Turnstile – Glow On
3. IDLES – Crawler
4. Kowloon Walled City – Piecework
5. Snail Mail – Valentine

Top 5 Songs of 2021
1. IDLES – “The Wheel”
I love how IDLES have the ability to take a song about a heavy subject like chemical dependency and turn it into an absolutely infectious banger. “The Wheel” is a perfect example of this, leaving you drawn in and tapping your foot while giving you something to ponder. The way that it can make you feel equal parts uplifted and uncomfortable is part of the appeal to me, and this was easily one of my most played songs of the year.

2. Decent Criminal – “Reap”
3. The Dirty Nil – “Doom Boy”
4. Kills Birds – “Rabbit”
5. Snail Mail – “Valentine”

Adam Schatz at The Gold Room // Photo by Rochelle Shipman

Rochelle Shipman // Los Angeles

Top 5 Shows of 2021
1. Adam Schatz at The Gold Room – Los Angeles, CA – November 18th
The Landlady frontman actually served as the opener on this night, but armed with little more than his saxophone, keyboards and loops, it’s safe to say Schatz stole the entire show. Fresh off a tour playing with Japanese Breakfast, he stepped onstage and quite literally let loose. It was the most refreshing, freeform, organic set full of wit and wonder, offering a sharp reminder why we need to protect the live music space (and to buy the killer album Landlady put out this year, too).

2. Foxx Bodies with Suzie True & Lando Chill at Resident DTLA – Los Angeles, CA – November 7th
3. Islands at Lodge Room – Los Angeles, CA – September 9th
4. Spoon at Teragram Ballroom – Los Angeles, CA – September 28th
5. Armand Hammer & The Alchemist at Echoplex – Los Angeles, CA – September 19th

Top 5 Albums of 2021
1. Foxx Bodies – Vixen
The raw emotions that come through Foxx Bodies’ debut on indie label Kill Rock Stars grabbed me by the ankles and knocked me off my feet the first time I heard it. For an album that explores everything from mental illness, sexual abuse, eating disorders, gender fluidity and beyond, it’s equally shocking how upbeat and uplifting it comes off. It’s part empowering riot grrrl and part rollicking surf punk, full confessional. Trigger warning: it will change your life.

2. Olivia Rodrigo – Sour
3. Tyler, the Creator – Call Me If You Get Lost
4. Backxwash – I LIE HERE BURIED WITH MY RINGS AND MY DRESSES
5. Noga Erez – KIDS

Top 5 Songs of 2021
1. Hiatus Kaiyote – “Red Room”
This song is the antithesis to 2021. It’s so warm and beautiful, so intimate as though it was conceived in a world where social distancing doesn’t even exist. Nai Palm’s soft, raspy vocals envelop you, and the uncharacteristically subtle sounds (for Hiatus Kaiyote) deliver perhaps the most consistent semblance of peace felt this year.

2. Olivia Rodrigo – “Brutal”
3. Foxx Bodies – “BPD”
4. Yaya Bey – “fxck it then”
5. Little Simz feat. Cleo Sol – “Woman”

Favorite remix: Kari Faux feat. J.I.D – “While God Was Sleepin’… (Remix)”

Filed Under: Best of 2021, Editor's Picks, Featured Tagged With: A Tribute to Kings, Ace Hotel, Adam Schatz, Alkaline Trio, Armand Hammer, Backxwash, Bad Religion, Best of 2021, Bonobo, Bottom of the Hill, Caribou, Cleo Sol, Cornerstone Berkeley, Darkside, Decent Criminal, Echoplex, Four Tet, Foxx Bodies, Golden Bull, Great American Music Hall, Greek Theatre, Hiatus Kaiyote, Hollywood Forever, Hollywood Forever Cemetery, IDLES, Islands, J.I.D., Japanese Breakfast, Kari Faux, Kills Birds, Kowloon Walled City, Lagwagon, Landlady, Lando Chill, Little Simz, Lodge Room, Lord Huron, Modest Mouse, My Morning Jacket, Noga Erez, Olivia Rodrigo, Primus, Quicksand, Red City Radio, Resident DTLA, Royal Blood, Rush, Santa Barbara Bowl, Snail Mail, Spoon, Suzie True, Teragram Ballroom, The Aggrolites, The Alchemist, The Dirty Nil, The Gold Room, The Golden Bull, The Masonic, The Slackers, The Teragram Ballroom, The Theatre at Ace Hotel, The War on Drugs, Turnstile, Tyler the Creator, Yaya Bey

Desert Daze locks in The War on Drugs, Kamasi Washington & Toro y Moi as headliners for 2021

July 21, 2021 by Josh Herwitt 1 Comment

Desert Daze //
Moreno Beach – Lake Perris, CA‎
November 12th-14th, 2021 //

As the live music industry slowly returns to form this summer amid the COVID-19 pandemic, our attention has already turned to the fall with the hope that some of our favorite artists and bands will once again be touring and performing all across California and the West Coast in the coming months.

And for almost the past decade now, Desert Daze has continued to serve as one of the Golden State’s premier boutique music festivals, even after leaving its Joshua Tree roots for the more spacious confines of Lake Perris a few years ago.

But after taking 2020 off with coronavirus cases spiraling out of control in the U.S., the three-day event presented by Moon Block and Knitting Factory Entertainment is finally ready to welcome fans back to Moreno Beach in November with a scaled-down roster that still leans heavily into psych-rock as The War on Drugs, Kamasi Washington and Toro y Moi each get set to make their headlining debuts at Desert Daze’s ninth edition.

The lake is calling ☎️ it’s for you. Desert Daze pre-sale, exclusive to email subscribers, starts tomorrow at 10am PT. General onsale starts Friday, 7/23 at 10am PT. Limited Tickets + Camping Passes available. pic.twitter.com/mueNgegatY

— Desert Daze (@desertdaze) July 21, 2021

One of the big highlights on this year’s lineup is no doubt The War on Drugs with the fest representing the Grammy winners’ first and only show slated in 2021, but also Washington — a virtuosic jazz saxophonist whose hometown performance at the Hollywood Bowl last weekend for KCRW’s World Festival series saw him team up with Metallica guitarist Kirk Hammett and bassist Robert Trujillo to celebrate the forthcoming release of The Metallica Blacklist compilation with a nine-minute version of the heavy metal band’s track “My Friend of Misery” — and Toro y Moi following his appearance at Porter Robinson’s sold-out Second Sky Music Festival in Berkeley this September.

Of course, we would be remiss to not mention a strong undercard that boasts Tim Heidecker & Weyes Blood, Devendra Banhart, Japanese Breakfast, Ty Segall, Andy Shauf, Yves Tumor, DIIV, The Budos Band, Crumb, Moon Duo, Sudan Archives, The Black Angels, Deap Vally, Pachyman, Kikagaku Moyo and many more so make sure to mark your calendar and peep the poster above for the rest of the scheduled acts.

Three-day and single-day passes to Desert Daze will be available to purchase here for $225 and $75 during a 12-hour presale that starts this Thursday, July 22nd at 10 a.m. PT before the general public on-sale begins the next day at the same time. And with a limited capacity this year to allow for some more COVID-19 safety measures, you can bet tickets won’t be around for very long. Good luck, Desert Dazers!

Filed Under: Featured, Festivals Tagged With: Andy Shauf, billgazer, Chaz Bear, Crack Cloud, Crumb, Deap Vally, Desert Daze, Desert Daze 2021, Devendra Banhart, DIIV, Fear of Death, Fever Dream, GEESE, Japanese Breakfast, JJUUJJUU, Kamasi Washington, Kikagaku Moyo, Knitting Factory Entertainent., La Luz, Lake Perris, Mad Alchemy, Moon Block, Moon Duo, Moreno Beach, Pachyman, Porter Robinson, SASAMI, Second Sky Festival, Second Sky Festival 2021, Second Sky Music Festival, Second Sky Music Festival 2021, Slim Reaper, Snake Chime Zen, Spellling, Sudan Archives, The Black Angels, The Budos Band, The War on Drugs, Tim Hei, Tim Heidecker, Tim Heidecker & Weyes Blood, Toro Y Moi, Ty Segall, Warped Visions, Weyes Blood, Yves Tumor, Zachary Rodell

Our favorite performances from 2018

December 29, 2018 by The Bam Team Leave a Comment

Holy smokes, 2018 … you were a blur. Maybe it’s just us, but this year really did fly right by.

Before we officially say hello to 2019 though, it’s time for us to revisit the past 12 months at Showbams. Every year we have the great privilege of witnessing some amazing moments in live music, and this year was no different. While we can’t touch upon every performance we covered in looking back at the year that was, we still managed to see a wide variety of talent over the course of 2018.

Whittling down our list is never easy. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order), all of whom we either covered at their own show and/or at a music festival this year:

Aaron Neville, A.CHAL, Alanis Morissette, Alina Baraz, Allen Stone, Amen Dunes, Aminé, A Perfect Circle, Ari Lennox, A$AP Rocky, Aquilo, BADBADNOTGOOD, The Bangles, Belle & Sebastian, The Beta Machine, Billie Eilish, BØRNS, Carly Rae Jepsen, Cashmere Cat, Childish Major, Chromeo, CHVRCHES, Cigarettes After Sex, Cloud Nothings, Cuco, Cut Snake, CyHi the Prynce, Daniel Caesar, Deap Vally, Destroyer, Diet Cig, Drab Majesty, DRAM, The Dustbowl Revival, Erykah Badu, Fantastic Negrito, Future, Garbage, George Fitzgerald, Gomez, Gov’t Mule, Great Grandpa, Griz, The Growlers, Gucci Mane, HAERTS, H.E.R., Hot Flash Heat Wave, Ibeyi, Iggy Pop, Irma Thomas, Isaiah Rashad, Jaira Burns, Jamie xx, Jeff Goldblum and the Mildred Snitzer Orchestra, Jhené Aiko, John Maus, Josh Ritter & The Royal City Band, Joywave, JPEGMAFIA, Jungle, Kailee Morgue, Kaitlyn Aurelia Smith, Kamasi Washington, Kauf, Kelela, Kikagaku Moyo, Kings of Leon, Kopps, Laff Trax, Lion Babe, Lizzo, Lophile, Lord Huron, Los Lobos, Lucy Dacus, Margo Price, Miguel, Mija, Milk Carton Kids, ModPods, Moses Sumney, The Mother Hips, Mura Masa, Neil Young, N.E.R.D, North Mississippi Allstars, ODESZA, Pale Waves, Paula Frazer and Tarnation, Phantogram, Pharoah Sanders, Pixies, Polo & Pan, POND, Portugal. The Man, The Pretenders, Quicksand, Ravyn Lenae, Rivers Cuomo, The Revolution, Robert Plant, Rory Phillips, RÜFÜS DU SOL, Sabrina Claudio, Salt-N-Pepa, Santigold, Sasha Sloan, Seu Jorge, Shakey Graves, Shame, Shana Falana, Sharon Van Etten, Silk City, Sleigh Bells, Snoh Aalegra, Soccer Mommy, The Specials, The Spook School, Stephen Malkmus & the Jicks, Tame Impala, Tenacious D, Third Eye Blind, Tinashe, together PANGEA, TV on the Radio, Tycho, Typhoon, Uniform, Wafia, Waxahatchee, The Weeknd, Wet, William Tyler, Will Varley, Yen Yen, Zedd

Now, it’s time for The Bam Team to present our favorite performances from 2018.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2018

Listen to The Bam Team’s favorite songs of 2018:

Cut Copy

Date: March 3rd
Location: Exposition Park – Los Angeles

For those in LA who missed Cut Copy 10 months ago when they visited the Shrine Expo Hall with De Lux, Palmbomen II and Cooper Saver also on the bill, their headlining performance last Friday at The Wiltern was another chance to dance the night away upon hearing several classics such as “Need You Now”, “Free Your Mind”, “Future”, “Hearts on Fire” and to close, “Lights & Music”. In fact, the last time that we caught them back in March, a mini downpour erupted at Shaun White’s Air + Style (read our festival review here), but it didn’t phase them. Who said playing — and dancing — in the rain isn’t fun anyway? -Josh Herwitt, photo courtesy of Air + Style

Washed Out

Date: March 4th
Location: Exposition Park – Los Angeles

In what was easily the most visually stimulating (and pleasing) show we witnessed at Expo Park, Ernest Greene, who performs under the moniker Washed Out, entranced a completely packed crowd at the smaller Summer Stage with a slew of trippy visuals and his chilled-out tunes. We had been wanting to see Washed Out in SoCal for several months now, ever since Greene released the project’s third LP Mister Mellow last year, and after missing his gig with Nick Murphy at the Shrine Expo Hall in October, we were glad to finally hear him play “Hard to Say Goodbye” (one of our favorite songs of 2017) and “Feel It All Around” live as any loyal “Portlandia” fan would be. With Toro y Moi venturing away from the chillwave movement he helped pioneer, it’s up to Greene to lead the charge, and so far, he has done one hell of a job. -Josh Herwitt, photo courtesy of Air + Style

Phoenix

Date: March 4th
Location: Exposition Park – Los Angeles

After what we thought was an underwhelming way to wrap up Day 1, Air + Style closed with a bang thanks to Phoenix’s energizing, 16-song set. The French indie-pop outfit have headlined Coachella before, and it was more than worthy of that billing for this occasion. Kicking things off with the opening track “J-Boy” from their sixth studio album Ti Amo that dropped back in June, Thomas Mars and company gave us exactly what we wanted to hear: a hit-ladden show featuring singles like “Lisztomania”, “Trying to Be Cool”, “Too Young” and “1901”. No, there wasn’t a Daft Punk or R. Kelly appearance — not that we expected one — but Phoenix put an exclamation point on an otherwise successful weekend. We may not have known the quartet could rock that hard after the last time we saw them, but we definitely do now. -Josh Herwitt, photo courtesy of Air + Style

Moby

Date: March 26th
Location: Apogee Studio – Santa Monica, CA

His guitar playing, meanwhile, may be just as impressive, if not surprising to some. Less than two weeks before Moby stepped into Bob Clearmountain’s diminutive recording studio, I was fortunate enough to catch him the final of his three shows at The Echo, and it was there as he performed a variety of songs from Everything Was Beautiful, and Nothing Hurt, Play and a few other albums, that I fully realized just how talented he is with a black Gibson SG in his hands. He may be an electronic musician, but unlike a lot of them today, Moby is a musician in every sense of the word. While his vocals at times sound more like spoken word than actual singing, he has found more than capable sidekicks in Julie Mintz (keyboards, vocals) and Mindy Jones (vocals) to assist him in that department. Jones’ ranging voice, in particular, is one that suits his music well, and when you hear her sing, her pipes elevate the song to a whole new level. -Josh Herwitt, photo by Brian Feinzimer

The War on Drugs

Date: April 13th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Weeks before The War on Drugs released their fourth LP A Deeper Understanding last year, we were fortunate enough to hear Adam Granduciel and company perform a handful of cuts from the new album in an intimate setting for KCRW. It was then and there that we knew the follow-up to 2014’s Lost in a Dream was another masterpiece, and that impression was only validated when A Deeper Understanding won the Grammy for “Best Rock Album” just a few months ago. On Day 1 of Coachella, the Philadelphia band brought some of those same songs we witnessed at Apogee Studio to life, though sadly, this time “Holding On” wasn’t part of the setlist. But we did get to experience “An Ocean in Between the Waves” in all of its glory, and we still have yet to come across another piece of music in more recent years that will make you want to play air guitar as much as the seven-minute track from Lost in a Dream does. Who said rock was dead? -Josh Herwitt, photo courtesy of Goldenvoice

Jamiroquai

Date: April 13th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Thirteen years. That’s how long it has been since Jamiroquai last performed in the U.S. With that in mind, there was no way we were going to miss Jay Kay and the rest of his sidekicks in favor of The Weeknd’s headlining performance (sorry, Abel), and after what ended up being close to a 90-minute set from the London nu-funk/acid jazz group, we had no regrets about our decision. The only regret we have is that they ran out of time and didn’t get to play their smash hit “Virtual Insanity” in its entirety, and you could tell Jay Kay felt bad about it as he jumped down from the stage to greet some overjoyed fans after wrapping the show up with “Love Foolosophy” from 2001’s A Funk Odyssey. But while Weekend 2 attendees got the full version of the Travelling Without Moving single, we were treated to a massive surprise when Snoop Dogg came out to rap on “Dr. Buzz” with a huge blunt in his hand. It was the kind of collaboration you never expect to see, except at Coachella of all places. -Josh Herwitt, photo courtesy of Coachella

Eminem

Date: April 15th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

While we can’t say that we were completely thrilled with Goldenvoice’s choices for this year’s headliners, we were excited to see Eminem finally play Coachella (he had never performed in an official capacity before) and close out the festival on Sunday night. Sure, his newest album Revival didn’t exactly receive rave reviews from critics when it dropped at the end of 2017, but watching one of hip-hop’s most talented emcees run through his hits all while bringing out 50 Cent and Dr. Dre was undoubtedly THE highlight from Day 3. For this “stan,” just crossing Em off my concert bucket list would have been enough to send me home with a smile. Fortunately for those of us who were there though, the real Slim Shady lived up to the hype and more. -Josh Herwitt, photo courtesy of Coachella

Big K.R.I.T.

Date: April 19th
Location: Echoplex – Los Angeles

At Echoplex, we were treated to the “rapper” and the man himself as bass-heavy party starters like the title-track opener and “Confetti” from 4eva Is a Mighty Long Time got everyone hyped, while Atlanta’s T.I. came out to perform his verse on “Big Bank”. After singling out one excited fan, who was wearing a shirt with a giant picture of his face, during the easygoing “1999” and paying homage to Southern rap pioneers UGK, Big K.R.I.T. took the latter half of his hour-long set to connect with the crowd. -Joseph Gray, photo by Joseph Gray

Soulwax

Date: April 19th
Location: The Fonda Theatre – Los Angeles

While Soulwax’s recorded music has always been perfectly enjoyable, in person it becomes something else entirely. Their new, three-drummer lineup was the ideal format to hear new tracks like “Is It Always Binary” while giving older tracks such as “KracK” a newly textured and complex sound. Sitting stage right, drummer Victoria Smith, for one, offered the group some serious personality thanks to her animated facial expressions. -Zach Bourque, photo by Zach Bourque

NxWorries

Date: June 16th
Location: The Queen Mary – Long Beach, CA

I fall somewhere in the middle between those two age groups, so it was fitting that the uber-talented rapper/singer/drummer Anderson .Paak had just walked onto the “Free Your Mind” main stage when I showed up. .Paak, 32, wore a smile as expressive as his music, packaged with a bright nautical-themed ensemble. He effortlessly impressed with standouts “Suede”, “Another Time” and “What More Can I Say” off Yes Lawd!, his 2016 LP with Los Angeles hip-hop producer Knxwledge as part of their collaborative project NxWorries (pronounced “No Worries”). The duo’s set would eventually culminate in a playful dance-off between women, which fans showed their appreciation for before .Paak and Knxwledge said their goodbyes. -Joseph Gray, photo by Joseph Gray

The Roots

Date: June 16th
Location: The Queen Mary – Long Beach, CA

However, anticipation for The Roots kept me at the main stage. It proved to be a wise decision, as their nearly hour-long performance reminded me why the Grammy-winning band is still so revered after more than three decades. Black Thought got the crowd riled up with a 10-minute barrage of lyrical proficiency that so many have come to know as his “Hot 97 Freestyle” after it hit the internet in December and quickly went viral, while his bandmates exuberantly jumped with sousaphones and guitars during “You Got Me” and a number of other hits. But providing a jolt like he only can, the one and only Busta Rhymes showed up for a quick-but-memorable performance of “Put Your Hands Where My Eyes Can See” and “Pass the Courvoisier, Part II”. -Joseph Gray, photo by Joseph Gray

Melvins

Date: July 16th
Location: Great American Music Hall – San Francisco

I’m far from an expert on this kind of thing (because I’m not), but I didn’t expect to see the Melvins perform with the amount of energy that they showcased. For a band that has been touring and putting out new material for the past 35 years, they performed as if everything depended on it. You weren’t going to catch “King Buzzo” standing in one place for too long, with his signature fro whipping in the wind from the fans that were on the stage, McDonald and Pinkus holding it down on their own instruments, and Crover beating the living hell out of his drums. Fans were ready to receive the band and responded to the various sonic blasts coming from the amplifiers. During the thrashy songs, they formed a brutal pit, and during the sludgier songs, they lit up joints and bobbed their heads to the music. -Andrew Pohl, photo by Mike Rosati

Glassjaw

Date: July 20th
Location: Observatory OC – Santa Ana, CA

Glassjaw’s show covered their entire discography, and very few fan favorites were left off the setlist. While it was to be expected that newer tunes like “Shira” and “New White Extremity” would rock, it was staggering how well their older songs held up in a live setting. Palumbo’s voice, though slightly less manic than it once was, is still unmatched in its vocal range and shear intensity. -Zach Bourque, photo by Zach Bourque

Weezer

Date: August 8th
Location: The Forum – Inglewood, CA

That’s not to say that Cuomo isn’t a talented musician. In fact, quite the opposite is true. The Harvard grad shreds without question, something I never really realized until he uncorked a number of guitar solos, whether it was during “Buddy Holly” to open Weezer’s performance or “Say It Ain’t So” (with a snippet of Black Sabbath’s “Paranoid”) to put a bow on the show. And while there aren’t many lead singers who can do both, Cuomo certainly remains among some elite company, with Jack White, Trey Anastasio (Phish), Jim James (My Morning Jacket) and Josh Homme (Queens of the Stone Age) also immediately coming to mind. -Josh Herwitt, photo by Josh Herwitt

Florence + the Machine

Date: August 11th
Location: Golden Gate Park – San Francisco

There was a bit of controversy surrounding Saturday’s main slot as Florence + the Machine officially made the move to full-blown festival headliner. Some festivalgoers had their own doubts after FYF Fest 2018 was canceled with a near-identical top billing, but Florence and her bandmates proved, many times over, that she is more than capable of commanding any stage as her energy is unlike many others. She debuted a brand-new show, which featured “June” in the opening slot and was book-ended by “Big God” and “Shake It Out” for a two-song encore. -Kevin Quandt, photo by Norm de Veyra

Janelle Monáe

Date: August 12th
Location: Golden Gate Park – San Francisco

The incomparable Janelle Monáe was a tad late to take the stage, as she was fighting off a stomach bug, but when she did, she captivated the masses with a suite of tracks from her most recent release Dirty Computer and tossed in a fair amount of costume changes over a nearly hour-long set. Monáe proved that she’s easily one of the best in the business at the moment and will only continue to climb upwards. -Kevin Quandt, photo by Norm de Veyra

Deafheaven

Date: August 18th
Location: The Wiltern – Los Angeles

Fortunately, Deafheaven haven’t bowed to convention or criticism. Their fourth studio album Ordinary Corrupt Human Love, which ANTI‐ released last month, is their arguably their most experimental to date, spanning more than an hour over seven songs. There’s a sense of angst and nostalgia in the music that leans far more positive and hopeful than their previous work. There are still echoes of black metal at times, but you can feel this is a band that’s embracing its differences instead of defending them. -Zach Bourque, photo by Zach Bourque

Jack White

Date: August 19th
Location: Santa Barbara Bowl – Santa Barbara, CA

Yet, for as eclectic and wide-ranging as White’s output has been over two decades, it’s the unpredictable nature of his live shows that makes them so intriguing to see. This time, we were treated to a rare cover of The Stooges’ “T.V. Eye” from their 1970 album Fun House, as well as a number of fan favorites, from set closer “Ball and Biscuit” to an eight-song encore that featured “Icky Thump” (with some amusing “Icky Trump” messaging), “Steady, as She Goes” (with a snippet of Richard Berry’s 1955 song “Louie Louie”), and of course, what has easily become the biggest stadium anthem in the world, “Seven Nation Army”. And though the show didn’t conclude without a few hiccups during some of White’s improvised playing between songs, he hasn’t lost his unique ability to surprise an audience — whether it means bringing out his mother in Detroit to perform “Hotel Yorba” with him or covering Pearl Jam’s “Daughter” in Seattle — at any given moment, especially when we all aren’t staring down at our phones. -Josh Herwitt, photo courtesy of Jack White

David Byrne

Date: August 22nd
Location: Bill Graham Civic Auditorium – San Francisco

As the show progressed into his songs “Here” and “Lazy”, Byrne’s band joined him onstage. The light changed and filled in the stage, giving the audience a happier tone and providing a seamless transition into a Talking Heads interlude. Then, later on during “Blind”, one of the more stunning visual elements was made possible by a simple lamp that was placed in front of the band, casting whirling shadows on the strands of beads hanging behind them. -Tim O’Shea, photo by Tim O’Shea

The National

Date: September 20th
Location: Hollywood Palladium – Los Angeles

Right before that final aforementioned single, they brought out Phoebe Bridgers to help them perform “Sorrow” from 2010’s High Violet, as Berninger and the 24-year-old singer-songwriter, who said during her brief opening set that The National were her favorite band, traded vocals on the tune they once played 105 times in a row, with the performance at an art installation in New York lasting all of six hours. We weren’t quite as fortunate to get that kind of show in LA, as The National opted for one of their more traditional, two-hour events. But whether you’ve been a fan from the start or one like myself who arrived rather late to the party, The National continue to make some of the most compelling music in rock, expanding their fan base with each and every album they release. That’s the sign of any good band these days, and though there’s only a handful of others that could even say the same right now, The National should take comfort in knowing they’re one of those select few. -Josh Herwitt, photo by Josh Herwitt

Grizzly Bear

Date: September 23rd
Location: Hollywood Bowl – Los Angeles

Similarly, the gig also marked one of Grizzly Bear’s last performances in support of their fifth LP Painted Ruins, which they released last year on RCA Records, and having already played a two-night run at The Wiltern back in December, this was more of a victory lap than a coming-out party. Unfortunately for us, the five-piece had to cut things short due to the venue’s strict Sunday night curfew, ending on a rather sudden note. That’s just part of the deal at the Bowl, though. For those of us who have to work on Monday morning, it’s actually more of a blessing in disguise than a disservice to the overall concert experience as we’ve come to realize. -Josh Herwitt, photo by Josh Herwitt

Courtney Barnett

Date: October 5th
Location: Greek Theatre – Los Angeles

When she wasn’t sharing the spotlight with Waxahatchee, Barnett was sharing it equally with the rest of her stellar backing band, but it was mostly just difficult to take your eyes off of her. Everything she does feels casual, from her outfit to her guitar playing, slinging her instrument around like it was an extension of herself. Even her delivery of the wrenching reality that the 30-year-old Australian singer-songwriter articulates so well is casual, singing like the end of the world isn’t a mere 22 years away. -Rochelle Shipman, photo by Rochelle Shipman

Greta Van Fleet

Date: October 6th
Location: Glen Helen Regional Park & Festival Grounds – San Bernardino, CA

By the time we got through security and stepped inside the gates, Manchester Orchestra had just finished their 45-minute set on the main stage, which essentially was the 65,000-person Glen Helen Amphitheater that was constructed back in 1982 for the first US Festival. Next up was Greta Van Fleet, and boy, do these kids know how to rock. Zeppelin clearly runs deep in these four Michiganders’ veins, as they showcased songs off their forthcoming debut album Anthem of the Peaceful Army with frontman Josh Kiszka commanding the stage and offering his best Robert Plant impression. He even dresses the part, sporting some tight, white jeans with a water-colored blouse and necklace of feathers while his brothers Jake and Sam wore vests or shirts that looked like what you would find at a vintage clothing store. -Josh Herwitt, photo by Josh Herwitt

Foo Fighters

Date: October 6th
Location: Glen Helen Regional Park & Festival Grounds – San Bernardino, CA

As the Foos left the stage for their encore break, we waited patiently for them to return. The crowd, by now, had been taken for a two-hour ride with Grohl firmly at the wheel, pumping adrenaline into our veins with every minute that passed as the Foo Fighters know how to do so well during their usual two-and-a-half-hour jaunts. The video screens on each side of the stage were black until suddenly some backstage footage appeared showing Grohl with Krist Novoselic and what looked like Joan Jett. All of that would end up coming true in the last 30 minutes of Cal Jam 18, but it was a six-song encore with Grohl on drums, Novoselic on bass, the Foo Fighters’ Pat Smear on guitar and Deer Tick frontman John McAuley on both vocals and guitar as Kurt Cobain’s fill-in who got us hyped. Nirvana fans have waited 25 years for a reunion since Cobain’s sudden passing, and when you put it in perspective, it will probably go down as one of the year’s biggest surprises, even at a time in music when many industry experts say that rock now stands in the shadows of hip-hop and EDM. -Josh Herwitt, photo by Josh Herwitt

Pusha T

Date: October 13th
Location: Middle Harbor Shoreline Park – Oakland

But U.S. Girls were the highlight of the weekend for us. A nine-piece experimental pop act, they put on a stunning 45-minute set that culminated in an entrancing rendition of “Time”, the closing track on their critically acclaimed studio effort In a Poem Unlimited, that lasted more than 10 minutes. The energy, instrumentation and vocal capabilities were absolutely stunning. Easily one of this year’s most exciting new acts, and we can’t wait to catch them again soon. -Brett Ruffenach, photo by Brendan Mansfield

U.S. Girls

Date: October 14th
Location: Middle Harbor Shoreline Park – Oakland

Filed Under: Best of 2018, Editor's Picks, Featured Tagged With: A Perfect Circle, A$AP Rocky, A.CHAL, Aaron Neville, Air + Style, Air + Style 2018, Air + Style LA 2018, Alanis Morissette, Alina Baraz, Allen Stone, Amen Dunes, Amine, Aquilo, Ari Lennox, BADBADNOTGOOD, BØRNS, Belle & Sebastian, Best of 2018, Big K.R.I.T., Billie Eilish, Carly Rae Jepsen, Cashmere Cat, Childish Major, Chromeo, Chvrches, Cigarettes After Sex, Cloud Nothings, Courtney Barnett, Cuco, Cut Copy, Cut Snake, CyHi the Prynce, Daniel Caesar, David Byrne, Deafheaven, Deap Vally, Destroyer, Diet Cig, Drab Majesty, DRAM, Eminem, Erykah Badu, Fantastic Negrito, Florence & the Machine, Foo Fighters, Future, Garbage, George Fitzgerald, Glassjaw, Gomez, Gov't Mule, Great Grandpa, Greta Van Fleet, GRIZ, Grizzly Bear, Gucci Mane, H.E.R., HAERTS, Hot Flash Heat Wave, Ibeyi, Iggy Pop, Irma Thomas, Isaiah Rashad, Jack White, Jaira Burns, Jamie xx, Jamiroquai, Janelle Monáe, Jeff Goldblum and the Mildred Snitzer Orchestra, Jhené Aiko, John Maus, Josh Ritter & The Royal City Band, Joywave, JPEGMAFIA, Jungle, Kailee Morgue, Kaitlyn Aurelia Smith, Kamasi Washington, Kauf, Kelela, Kikagaku Moyo, Kings of Leon, Kopps, Laff Trax, Lion Babe, Lizzo, Lophile, Lord Huron, Los Lobos, Lucy Dacus, Margo Price, Melvins, Miguel, Mija, Milk Carton Kids, Moby, ModPods, Moses Sumney, Mura Masa, N.E.R.D., Neil Young, Nirvana, North Mississippi Allstars, NxWorries, Odesza, Pale Waves, Paula Frazer and Tarnation, Phantogram, Pharoah Sanders, Phoenix, Pixies, Polo & Pan, Pond, Portugal. The Man, Pusha T, Quicksand, Ravyn Lenae, RÜFÜS DU SOL, Rivers Cuomo, Robert Plant, Rory Phillips, Sabrina Claudio, Salt-N-Pepa, Santigold, Sasha Sloan, Seu Jorge, Shakey Graves, Shame, Shana Falana, Sharon Van Etten, Silk City, Sleigh Bells, Snoh Aalegra, Soccer Mommy, Soulwax, Stephen Malkmus & The Jicks, Tame Impala, Tenacious D, The Bangles, The Beta Machine, The Dustbowl Revival, The Growlers, The Mother Hips, The National, The Pretenders, The Revolution, The Roots, The Specials, The Spook School, The War on Drugs, The Weeknd, Third Eye Blind, Tinashe, Together Pangea, TV on the Radio, Tycho, Typhoon, U.S. Girls, Uniform, Wafia, Washed Out, Waxahatchee, Weezer, Wet, Will Varley, William Tyler, Yen Yen, Zedd

After winning their first Grammy, The National don’t hold back at the Hollywood Palladium

September 27, 2018 by Josh Herwitt Leave a Comment

By Josh Herwitt //

The National with Phoebe Bridgers //
Hollywood Palladium – Los Angeles
September 20th, 2018 //

I’ll be the first to admit that I’ve only been a fan of The National for a little more than a couple of years now. And though I was familiar with the band before then, it was merely by accident that they finally piqued my interest not that long ago.

It was a Thursday evening in the middle of summer when I got a text from a friend who said he had an extra ticket to their show at the Greek Theatre that very same night. The ticket, of course, was supposed to be for his girlfriend at the time, but they had just gotten into one of their volatile back-and-forths and there was no way she was going to go with him. I, like any devoted live music fan, wasn’t about to let her ticket go to waste, so I said yes on a whim and made my way to the venue, where The National invited St. Vincent and Adam Granduciel (of The War on Drugs) onstage as surprise guests and even performed “Morning Dew” from their massive Grateful Dead tribute box set for the first time. Pretty cool, right?

From that point on, I’ve made an effort to pay closer attention to what Matt Berninger, Aaron Dessner, Bryce Dessner, Scott Devendorf and Bryan Devendorf have been up to. I knew I had some catching up to do considering that they’ve been at it for close to 20 years, but when the group’s seventh studio album Sleep Well Beast dropped last September on British indie label 4AD, much of it caught my attention thanks to SiriusXMU — and for good reason.

The 12-track LP, after all, would not only go on to produce five singles, but it also took home a Grammy for “Best Alternative Music Album” in one of the more encouraging moments at this year’s 60th Grammy Awards. And at the Hollywood Palladium for the first of two nights in LA last Thursday, The National gave us all five of those singles, beginning with “The System Only Dreams in Total Darkness” and running through the remaining four as part of a 22-song setlist that opened with “Nobody Else Will Be There” just as Sleep Well Beast does.

Berninger, by now, is well-known for his baritone vocals and somber lyrics, and for that same reason, The National have never come across as one of rock’s more uplifting acts. Their music often sounds perfect for a rainy day, even though there are some energetic moments on Sleep Well Beast, be it “I’ll Still Destroy You”, “The System Only Dreams in Total Darkness” or “Day I Die” as maybe the record’s most uptempo cut despite its obviously melancholy message.

Setlist:
Nobody Else Will Be There
The System Only Dreams in Total Darkness
Walk It Back
Guilty Party
Don’t Swallow the Cap
Bloodbuzz Ohio
I Need My Girl
Green Gloves
Lemonworld
Born to Beg
I’ll Still Destroy You
Slow Show
Sorrow (with Phoebe Bridgers)
Day I Die
Carin at the Liquor Store
Graceless
Rylan
Fake Empire

Encore:
Light Years
Mr. November
Terrible Love
Vanderlyle Crybaby Geeks

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: Greek Theatre, Hollywood Palladium, Phoebe Bridgers, St. Vincent, The National, The War on Drugs

Our 5 favorite moments from Coachella 2018

April 23, 2018 by Josh Herwitt 1 Comment

Photos courtesy of Coachella & Goldenvoice // Written by Josh Herwitt //

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 13th-15th, 2018 //

When Coachella dropped its 2018 lineup in the first week of January as it usually does every year now, there was a common perception among many veteran attendees that the Southern California music and arts festival’s latest roster was further proof of it trending in what some might call a more “mainstream” direction.

But signs of such really began more than a year ago, when Coachella revealed its 2017 lineup that saw Radiohead, Beyoncé and Kendrick Lamar atop the bill. It was the first time in nearly two decades that Goldenvoice had booked a pop star to headline the three-day, two-weekend event, and the renowned concert promoter’s commitment to the genre was cemented when it replaced Beyoncé with Lady Gaga just a few days after Queen Bey announced her pregnancy, forcing the 22-time Grammy winner to postpone her appearance until this April and marking the only instance to date when Coachella has confirmed a headliner in advance of its annual lineup announcement. Because when Beyoncé agrees to play your fest, you make exceptions for the Beyhive of course.

For longtime Coachellans such as ourselves though, the inclusion of a pop star for a second consecutive year wasn’t the only indicator that the festival’s curation process has started to evolve. In particular, a noticeable move away from EDM and an added emphasis placed on popular hip-hop acts like Post Malone, Migos, Cardi B and French Montana also signaled a change from past editions. That kind of music certainly isn’t the reason why we drive out to the desert each spring, but as is always the case, there are plenty of other artists and bands for us to discover and enjoy over three days in Indio.

In returning to Coachella for its first weekend, our ninth straight year at the Empire Polo Club was chock full of highlights. While we don’t have time to revisit all of them in this space, here are our five favorite moments — ordered chronologically — from 2018 (and no, Beyoncé, for as “inspiring” and “spectacular” as her performance was for many, didn’t make the cut).

The War on Drugs

Soulwax

David Dewaele and Stephen Dewaele have drawn quite a bit of fanfare from the dance music community thanks to their successful side project 2manydjs, but the two brothers first broke ground when they put out Soulwax’s sophomore LP Much Against Everyone’s Advice back in 1998. The Belgian electronic outfit returned last March with its first album in nearly 12 years, and since 2016, it has been touring all over the world as the “Soulwax Transient Program for Drums and Machinery” with a lineup that consists of three drummers: Victoria Smith, Blake Davies and Igor Cavalera (formerly of Brazilian heavy metal group Sepultura). And while we remember being captivated by Soulwax’s performance at the 2010 version of HARD Summer, their Friday night set in the Mojave Tent was one for the ages. Showcasing tracks from 2017’s From Deewee and the rest of their catalog, Soulwax had the crowd pogoing up and down for the entire hour they were onstage. If one thing’s for sure, these guys still know how to bring the heat.

Jamiroquai

David Byrne

One of the biggest eye-openers when Coachella’s 2018 lineup first hit the internet was seeing David Byrne listed on the festival’s iconic poster. The legendary Talking Heads frontman has been touring in support of his recently released solo album American Utopia, but at an event that’s made up of mostly 20-somethings, the Rock and Roll Hall of Famer almost seemed out of place with younger artists like MØ, Alina Baraz and BROCKHAMPTON performing around the same time on Day 2. In fact, with this being my first time watching the 65-year-old do his thing, the whole experience felt somewhat surreal. After all, I still remember a friend putting on “Stop Making Sense” in high school and wondering what the hell I was watching. Byrne’s set at Coachella may not have been as bizarre as Jonathan Demme’s 1984 concert film, but it definitely had its moments, like when he walked out with a prosthetic brain at the onset and proceeded to call us “people of the desert.” Frankly, I’m still giddy that I actually got to hear “Slippery People”, “This Must Be the Place (Naive Melody)”, “Once in a Lifetime” and lastly “Burning Down the House” all in an hour’s worth of time.

Eminem

Filed Under: Editor's Picks, Featured, Festival Reviews, Festivals Tagged With: 2ManyDJs, Alina Baraz, Beyonce, Brockhampton, Cardi B, Coachella, Coachella 2018, Coachella Music and Arts Festival, David Byrne, Eminem, French Montana, Goldenvoice, Jamiroquai, Migos, MO, Post Malone, Sepultura, Soulwax, The War on Drugs

Coachella drops 2018 set times & map changes

April 10, 2018 by Josh Herwitt 2 Comments

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 13th-15th & April 20th-22nd, 2018 //

Breathe easy, Coachellans. All of your scheduling conflicts have finally arrived.

The three-day, two-weekend music and arts festival has delivered this year’s set times just after 7 p.m. PT (7:02 p.m. to be exact), precisely one hour later than it did in 2017.

Part of going to Coachella is having to make some tough decisions when it comes to choosing which artists to see, and veterans like ourselves have become quite used to experiencing this #FirstWorldProblem over the years.

But now that the cat is out of the bag, you can start mapping out your 2018 schedule if you’re headed to the Empire Polo Club this weekend.

So, what’s your biggest conflict on this year’s schedule and who are you most excited to see?

WEEKEND 1 SET TIMES

WEEKEND 2 SET TIMES

Over the last several years, it has become more common to see the folks at Goldenvoice make some slight tweaks to Coachella’s Weekend 2 set times after the first weekend ends (the most notable might have been in 2015 when Florence Welch broke her foot during her performance Sunday on the main stage), and the same has proven to be the case in 2018, starting on Day 1 with Benjamin Clementine’s set being moved from the Gobi Tent to the Coachella Stage. Rick G., meanwhile, has been moved into Clementine’s 1:30 p.m. slot in the Gobi Tent, with DMM no longer preceding it at 12:30 p.m.

Some other noteworthy changes for Friday are Fisher, who didn’t perform during Weekend 1 but will replace B.Traits in the Yuma Tent, and Late Night Laggers, who were the first act to perform in the Sahara Tent on Day 1 but won’t be back for Weekend 2. Absent from Friday’s Mojave Tent lineup is Smiles Davis, which consequently has pushed Francesa Harding’s set back to 12:25 p.m., and Chulita Vinyl Club has replaced Jim Smith.

On Saturday, hip-hop producer Ahwlee will fill in for Salami Rose and Joe Lewis in the Mojave Tent, while Ron Gallo has been moved from the Gobi Tent, which lost Birdtastique and added Loboman, to the Sonora Stage, where Bane’s World, Otoboke Beaver and Mild High Club have all moved back one hour and five minutes to make up for the loss of R.O.C. Furthermore, Feel Good Green has replaced Palm Desert DJ Alf Alpha at the Outdoor Theatre, and Mexico City’s N.A.A.F.I. has been added to the Sahara Tent lineup in place of Jimbo Jenkins. The Coachella Stage also now has an eighth performer, with Gabe Real + Juicewon kicking things off at 1:25 p.m. on Day 2.

The third and final day of the festival’s second weekend sees the removal of Gabe Real from the Coachella Stage, leaving LION BABE as its first act to perform, while Los Angeles-based producer nostradahm will fill in for Juice won at the Outdoor Theatre. In the meantime, the Gobi, Mojave and Sahara Tents will each have new openers on Sunday: mr. rotu (replacing Phantom Thrett), VNSSA (replacing Pax) and EMME (replacing CVSS), respectively. And we couldn’t not mention that Jessie Ware’s set at the Outdoor Theatre has been moved back 15 minutes (as well as MAGIC GIANT’s by 10 to 2:25 p.m.), meaning that Weekend 2 attendees will have to settle for only 35 minutes from the UK singer-songwriter rather than 50.

UPDATE (April 20th): Weekend 2 changes! Goldenvoice has announced some more tweaks to the schedule, with Jessie Ware moving from the Outdoor Theatre at 5:55 p.m. on Sunday to the Coachella Stage at 2:50 p.m. on Saturday (we have to think it has something to do with Cardi B performing around the same time after she drew one of the biggest crowds during Weekend 1). The other alterations are related to Sunday’s set times in the Sahara Tent, as Illenium (now at 6:35 p.m.) and French Montana (now at 8:05 p.m.) have switched places. Petit Biscuit will still precede both at 5:10 p.m., while chart-topping hip-hop trio Migos are expected to hit the stage at 9:30 p.m., although we’ll see if they’re a little more punctual this time compared to the first weekend of the festival, technical difficulties and all. Of course, we recommend downloading the Coachella app on your mobile device to receive the latest updates if you’re out in Indio for the festivities.

MAP

Several hours before revealing its Weekend 1 set times, the festival unveiled this year’s map, and it looks quite a bit different in comparison to some of Coachella’s past editions.

Last year, Coachella made some notable changes to its map, with the Mojave and Gobi Tents switching places and the addition of a third VIP section named “Hacienda Del Toro” that sat in between the Gobi and Sahara Tents. Goldenvoice even offered an updated location for the GA beer garden on that side of the polo fields, which was supposed to improve the traffic flow behind the Sahara Tent, though we’re not sure it totally worked to be honest.

Now, the Mojave Tent has been moved far away from the Gobi Tent and into the same area that the Sahara Tent once occupied (next to the VIP Rose Garden). In its place will be the Sonora Stage, which Coachella introduced last year, with the third VIP section (no longer named “Hacienda Del Toro”) directly behind it rather than off to the side. The Gobi Tent, meanwhile, has moved back to its old confines closer to the Outdoor Theatre, where the Mojave Tent was located just a year ago.

Another brand-new addition for Goldenvoice’s signature event is the Indio Central Market, a covered food hall that will feature 15 different restaurants and be situated behind the Sonora Stage. Inside will not only be New York City burger chain Shake Shack for the very first time, but also street food stand Cena, Moby’s vegan restaurant Little Pine and David Chang’s fried chicken sandwich shop Fuku. So, make sure to come hungry if you’re going to Coachella this year — we know we will.

But the biggest modification to the fest’s layout has to be the Sahara Tent’s new home after seeing the massive stage outgrow its longstanding location over the last decade. Positioned next to the main entrance, it will sit just in front of the Cantina and Beer Barn with the iconic ferris wheel and The Do LaB Stage nearby. And from what we can decipher by looking at the map, it appears that the Sahara Tent will be not as long as it used to be, but instead wider, a structural adjustment that was likely made to fit the space within the grounds.

We’ll make sure to give our two cents about these changes and much more when we return from the desert to share our favorite moments from this year’s installment, but as we often like to say around this time … Happy Coachella!

Filed Under: Featured, Festivals Tagged With: 6lack, A Perfect Circle, AC Slater, AIM, Alan Walker, Alina Baraz, Alison Wonderland, Alt-J, Alvvays, Amine, Angel Olsen, AURORA, B.Traits, Barclay Crenshaw, BØRNS, Bedouin, Belly, Benjamin Booker, Benjamin Clementine, Beyonce, Big Thief, Black Coffee, blackbear, Bleachers, Brockhampton, Busy P, Cardi B, Cash Cash, Cherry Glazerr, Chic, Chic with Nile Rodgers, Chromeo, Coachella, Coachella 2018, Coachella Music and Arts Festival, Conway, Cuce, Daniel Caesar, David Byrne, Def Loaf, DeJ Loaf, Deorro, Django Django, Dreams, Elohim, Eminem, Fazerdaze, Fidlar, First Aid Kit, Fisher, Flatbush Zombies, Fleet Foxes, French Montana, Giraffage, Greta Van Fleet, Haim, Highly Suspect, Hundred Waters, Ibeyi, Jack White, Jacob Banks, Jamie Jones, Jamiroquai, Japanese Breakfast, Jean-Michel Jarre, Jessie Ware, Jidenna, Jorja Smith, Justin Martin, Kali Uchis, Kamaiyah, Kamasi Washington, Kelela, King Krule, Knox Fortune, Kygo, LANY, LEON, Lion Babe, Los Angeles Azules, Louis the Child, LP, Maceo Plex, Marian Hill, Migos, Miguel, MO, Moses Sumney, Motor City Drum Ensemble, Nile Rodgers, Noname, Nothing But Thieves, Odesza, Oh Sees, Pachanga Boys, Perfume Genius, Petit Biscuit, Portugal. The Man, Post Malone, Princess Nokia, PVRIS, REZZ, Russ, San Holo, Sigrid, Sir Sly, Skip Marley, Slow Magic, snakehips, Soulwax, St. Vincent, Sudan Archives, SuperDuperKyle, SZA, Talaboman, Tank and the Bangas, Tash Sultana, The Black Madonna, The Bronx, The Drums, The Neighbourhood, The War on Drugs, The Weeknd, THEY., TroyBoi, Tyler the Creator, Vance Joy, Vince Staples, Whetham, Wizkid, X Japan

Goldenvoice announces 2018 Coachella sideshows

February 14, 2018 by Josh Herwitt 1 Comment

It’s Valentine’s Day, so what could be a better way to celebrate love — or least your love for live music — than with a whole slew of newly announced shows?

Well, with Coachella’s 19th edition just a couple of months away, Goldenvoice has done it again, assembling another massive list of April sideshows at various venues all across the greater Los Angeles landscape, including some in Orange County (at The Observatory and Constellation Room), Santa Barbara County (at the Santa Barbara Bowl and The Arlington Theatre) and the desert (at Pappy & Harriet’s).

Sister trio HAIM kick off the festivities with their headlining performance at arguably our favorite Southern California venue, the Santa Barbara Bowl, on Saturday, April 7th before things ramp up the ensuing week with Kali Uchis, Chromeo, Tyler, the Creator, St. Vincent, Portugal. The Man (with Cherry Glazerr), Perfume Genius (with Big Thief), Princess Nokia, PVRIS, Marian Hill, Fleet Foxes, Carpenter Brut, Tash Sultana, The Drums & Alvvays (with Fazerdaze), alt-J (with BØRNS), Migos, The Bronx, Greta Van Fleet, A Perfect Circle, Yaeji, Angel Olsen, Jessie Ware, BROCKHAMPTON, First Aid Kit, Japanese Breakfast (with Snail Mail), Kelela, Rolling Blackouts Coastal Fever, Buscabulla (with The Marías), Priests, MØ, Jorja Smith & Tom Misch, ODESZA, Miguel, Boogarins (with B Boys & Señor Kino), Ron Gallo, Moon Boots (Live), The War on Drugs, Jungle, Soulwax, Petit Biscuit, 6lack, Aurora, Motor City Drum Ensemble (with Talaboman), Los Ángeles Azules, The Drums, Hayley Kiyoko and Elohim all playing — some even more than once — inside and/or outside of LA’s city limits.

Unlike last year’s sideshows, which included a special showcase at the Palm Springs Air Museum the night before Coachella’s first weekend featuring several artists from British independent record label Young Turks, Goldenvoice has opted not to go down that route again. The two gigs that mirror that mini festival the closest both take place on Thursday, April 19th, as Motor City Drum Ensemble performs at the Palm Springs Air Museum with Talaboman and Los Ángeles Azules invades the Riverside County Fairgrounds with Cuco, Helado Negro and Ocho Ojos just one day before Coachella Weekend 2 commences at the Empire Polo Club. Check out the full list of sideshows in the poster above.

Year after year, Goldenvoice seemingly continues to outdo itself with more and more shows in and around Coachella, and this April the renowned concert promoter has done its best to give music fans in Southern California a little bit of everything, from electro funk and indie folk to hip-hop and alternative R&B. But at first glance, the 2018 sideshows that stick out the most to us include the following: Chromeo at the El Rey Theatre, St. Vincent at The Orpheum Theatre, Perfume Genius (with Big Thief) at The Mayan, Fleet Foxes at the Warner Grand Theater, Tash Sultana at the Fox Theater Pomona, The Drums & Alvvays co-headlining (with Fazerdaze) at Pappy & Harriet’s, alt-J (with BØRNS) at the Santa Barbara Bowl, Migos at The Observatory, A Perfect Circle at The Arlington Theatre, Japanese Breakfast (with Snail Mail) at The Roxy, The War on Drugs at the Fox Theater Pomona, Jungle at Pappy & Harriet’s, Soulwax at The Fonda Theatre, 6lack at The Novo and Portugal. The Man (with Chicano Batman and Deap Vally) at the Santa Barbara Bowl.

Tickets for most of the sideshows go on sale here this Friday, February 16th at Noon PT with the rest of them available on Friday, February 23rd at Noon PT or Friday, March 2nd at Noon PT.

Filed Under: Featured, Festivals Tagged With: 6lack, A Perfect Circle, Alt-J, Alvvays, Angel Olsen, AURORA, B Boys, BØRNS, Big Thief, Boogarins, Brockhampton, Buscabulla, Carpenter Brut, Cherry Glazerr, Chicano Batman, Chromeo, Coachella, Coachella 2018, Coachella 2018 sideshows, Coachella Music and Arts Festival, Coachella Music and Arts Festival 2018, Coachella sideshows, Constellation Room, Cuco, Deap Vally, El Rey Theatre, Fazerdaze, First Aid Kit, Fleet Foxes, Fox Theater Pomona, Goldenvoice, Greta Van Fleet, Helado Negro, Japanese Breakfast, Jessie Ware, John Anson Ford Amphitheatre, Jorja Smith, Jungle, Kali Uchis, Kelela, Los Angeles Azules, Marian Hill, Migos, Miguel, MO, Moon Boots, Motor City Drum Ensemble, Ocho Ojos, Odesza, Palm Springs Air Museum, Pappy & Harriet's, Perfume Genius, Petit Biscuit, Portugal. The Man, Priests, Princess Nokia, PVRIS, Riverside County Fairgrounds, Rolling Blackouts Coastal Fever, Ron Gallo, Santa Barbara Bowl, Shrine Expo Hall, Sigrid, Snail Mail, Soulwax, St. Vincent, Talaboman, Tash Sultana, The Arlington Theatre, The Bronx, the Creator, The Drums, The Echo, The Fonda Theatre, The Glass House, The Marías, The Mayan, The Novo, The Novo DTLA, The Observatory, The Orpheum Theatre, The Regent Theater, The Roxy Theatre, The Theatre at Ace Hotel, The War on Drugs, Tom Misch, Tyler, Warner Grand Theater, Yaeji

Coachella wastes no time, revealing 2018 lineup headlined by The Weeknd, Beyoncé & Eminem

January 2, 2018 by Josh Herwitt 3 Comments

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 13th-15th & April 20th-22nd, 2018 //

Well, that didn’t take long.

Just one day into the New Year, and Coachella has already revealed its 2018 lineup, signaling to music fans worldwide that festival season isn’t far off.

After it was reported almost two weeks ago that this year’s headliners would be The Weeknd, Beyoncé and Eminem, that indeed will be the scenario, marking the first time in all 19 years that the three-day, two-weekend event won’t have a rock act topping its bill (a real sign of the times as some might say). Coachella’s 2018 edition will also serve as Beyoncé’s official debut after being forced to cancel last year due to pregnancy, as well as Eminem’s (the only time he has appeared was as a guest back in 2012 during Snoop Dogg’s and Dr. Dre’s headlining set). The Weeknd will be back on the polo fields for the first time since 2015, when the R&B singer closed the main stage on Saturday night as a sub-headliner after Jack White’s headlining slot.

Other notable names listed on the festival’s famed poster this year include HAIM, ODESZA, Kygo, Jamiroquai, Portugal. The Man, David Byrne, St. Vincent, The War on Drugs, alt-J, A Perfect Circle, Fleet Foxes, Chromeo, MØ, Chic feat. Nile Rodgers, Kamasi Washington and Jungle. The undercard, meanwhile, does feature some buzzworthy indie-rock acts such as Perfume Genius, BØRNS and King Krule, but as was the case in 2017, there continues to be more of a focus on hip-hop and R&B, as evidenced by this year’s headliner selections along with the second-line poster placement of SZA, Tyler, the Creator, Migos, Vince Staples, Post Malone, Cardi B and Miguel.

Coachella’s first weekend is scheduled for April 13th-15th, with its second weekend slated for April 20th-22nd. All tickets will go on sale for both weekends this Friday, January 5th at Noon PT here.

Got your sights set on the California desert this April? Relive our five favorite moments, from Radiohead to Kendrick Lamar, after last year’s festival.

Filed Under: Featured, Festivals Tagged With: 6lack, A Perfect Circle, AC Slater, AIM, Alan Walker, Alina Baraz, Alison Wonderland, Alt-J, Alvvays, Amine, Angel Olsen, AURORA, Barclay Crenshaw, BØRNS, Bedouin, Belly, Benjamin Booker, Benjamin Clementine, Beyonce, Big Thief, Black Coffee, blackbear, Bleachers, Brockhampton, Busy P, Cash Cash, Cherry Glazerr, Chic, Chic with Nile Rodgers, Chromeo, Coachella, Coachella 2018, Coachella Music and Arts Festival, Conway, Cuce, Daniel Caesar, David Byrne, Def Loaf, DeJ Loaf, Deorro, Django Django, Dreams, Elohim, Eminem, Fazerdaze, Fidlar, First Aid Kit, Flatbush Zombies, Fleet Foxes, French Montana, Giraffage, Greta Van Fleet, Haim, Highly Suspect, Hundred Waters, Ibeyi, Jack White, Jacob Banks, Jamie Jones, Jamiroquai, Japanese Breakfast, Jean-Michel Jarre, Jessie Ware, Jidenna, Jorja Smith, Justin Martin, Kali Uchis, Kamaiyah, Kamasi Washington, Kelela, King Krule, Knox Fortune, Kygo, LANY, LEON, Lion Babe, Los Angeles Azules, Louis the Child, LP, Maceo Plex, Marian Hill, Migos Cardi B, Miguel, MO, Moses Sumney, Motor City Drum Ensemble, Nile Rodgers, Noname, Nothing But Thieves, Odesza, Oh Sees, Pachanga Boys, Perfume Genius, Petit Biscuit, Portugal. The Man, Post Malone, Princess Nokia, PVRIS, REZZ, Russ, San Holo, Sigrid, Sir Sly, Skip Marley, Slow Magic, snakehips, Soulwax, St. Vincent, Sudan Archives, SuperDuperKyle, SZA, Talaboman, Tank and the Bangas, Tash Sultana, The Black Madonna, The Bronx, The Drums, The Neighbourhood, The War on Drugs, The Weeknd, THEY., TroyBoi, Tyler the Creator, Vance Joy, Vince Staples, Whetham, Wizkid, X Japan

Our favorite performances from 2017

December 29, 2017 by The Bam Team 1 Comment

2017, where the hell did you go? It just felt like the other day that we were ringing in a new year, and yet, here we are again as we plow straight ahead into 2018.

But before we officially put a bow on 2017, it’s time for us to revisit the past 12 months at Showbams. This year, we had the opportunity to capture many amazing moments in live music, and while we couldn’t pay homage to every single performance we witnessed, we made a conscious effort to include a wide range of talent spread across the industry.

Whittling down our list, though, was not that easy. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order) whom we either covered at their own show and/or at a music festival this year:

21 Savage, The Accidentals, Action Bronson, Alice Cooper, Alina Baraz, alt-J, Amber Mark, Andrew McMahon in the Wilderness, Animal Collective, Atlas Genius, The Avalanches, The Band Perry, Beach Slang, Belle and Sebastian, Black Moth Super Rainbow, Bleachers, Blonde Redhead, Bob Moses, Car Seat Headrest, Cate Le Bon, Cigarettes After Sex, Circles Around the Sun, City of Caterpillar, The Coathangers, Claude VonStroke, Chris Robinson, Con Brio, Conor Oberst, Courtney Barnett & Kurt Vile, Crystal Castles, The Crystal Method, Daniel Caesar, Dawes, Dead Meadow, Deafheaven, Deep Purple, Diet Cig, DIIV, Dirty Dozen Brass Band, Dr. Dog, Dr. Octagon, Duke Dumont, Eagles of Death Metal, Electric Guest, Emancipator, Emily King, Empire of the Sun, Foxygen, Future Islands, Gabriel Garzón-Montano, Gatecreeper, Girl Talk, Gone Is Gone, Grizzly Bear, Gucci Mane, Hamilton Leithauser, Hazel English, Hinds, The Hip Replacements, Hiss Golden Messenger, How to Dress Well, Iggy Pop, Isaiah Rashad, Jack Johnson, Jagwar Ma, Jamestown Revival, Jamie Isaac, Jay 305, Jen Cloher, Jessica Hernandez & The Deltas, Jessie Ware, Jim James, JR JR, Julie Byrne, Julien Baker, Justice, Karen Elson, Karl Denson’s Tiny Universe, KAYTRANADA, Kelis, K. Flay, Khalid, Khruangbin, Kilo Kish, King Gizzard and the Lizard Wizard, Kurt Vile, La Femme, LANY, Lauv, L.A. Witch, Lettuce, Lil Yachty, Little Dragon, Lo Moon, Lorde, Lord Huron, Miike Snow, Milky Chance, Minus the Bear, Mister Heavenly, MØ, Mondo Cozmo, Neon Indian, Nicki Bluhm, Norah Jones, North Mississippi Allstars, NVO, Oh Sees, OK Go, Once and Future Band, Pallbearer, The Palms, Passion Pit, Peaches, Perfume Genius, Petit Biscuit, Phoebe Bridgers, Playboi Carti, Pond, Porcelain Raft, PRAYERS, The Radio Dept., Real Estate, The Revivalists, Royal Blood, Sampha, ScHoolboy Q, Sheer Mag, serpentwithfeet, Silversun Pickups, Sleep, Sleigh Bells, SOFI TUKKER, Solange, Spiritualized, Styles P, Sunflower Beam, Talib Kweli, Tank and The Bangas, Tash Sultana, Tei Shi, Temples, Tennis, Tennyson, Thou, Thundercat, TOBACCO, Touché Amoré, Tool, Tove Lo, Travis Scott, Twin Peaks, Ty Segall, Unknown Mortal Orchestra, Vagabon, Vance Joy, Vic Mensa, Warpaint, Weezer, White Fence, Woods, YG, Young the Giant.

Now, it’s time for The Bam Team to present our favorite performances from 2017.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2017

Listen to The Bam Team’s favorite songs of 2017:

Run the Jewels

Date: February 1st
Location: Shrine Expo Hall – Los Angeles

Yet, in just four years, Run the Jewels have already reached hip-hop’s mountaintop with their politically charged lyrics and hard-hitting beats. Just take last Wednesday’s sold-out show in LA for example. With the duo’s third studio album still only a few weeks old, 5,000 or so fans poured into the spacious Shrine Expo Hall to watch El-P and Killer Mike fuck shit up (for lack of a better term). And that’s exactly what they did after opening sets from The Gaslamp Killer, Nick Hook, Gangasta Boo and CUZ. -Josh Herwitt, photo by Josh Herwitt

BADBADNOTGOOD

Date: February 23rd
Location: The Fillmore – San Francisco

As one of the bands to take the coveted headlining spot for NoisePop25, BADBADNOTGOOD seemed as — perhaps more — excited as all of the fans who made it to their sold-out show at The Fillmore. Combining consummate instrumentation with classic MC-style showmanship led by drummer Alexander Sowinski, the Canadian jazz-rock quartet has mastered the art of keeping the audience guessing where they’re going. -Brett Ruffenach, photo by James Pawlish

Spoon

Date: March 7th
Location: Apogee Studio – Santa Monica, CA

In total, Spoon performed five songs from the new record, including “First Caress” to open a brief encore that left us eager for more. But as the five-piece rocked “Rainy Taxi” from 2014’s They Want My Soul to close, I couldn’t help but think to myself that this is one band I never should have slept on. -Josh Herwitt, photo by Larry Hirshowitz

Sigur Rós

Date: April 8th
Location: Greek Theatre – Berkeley, CA

Now a trio, Sigur Rós have been delivering goosebumps for over two decades — and it’s a delight to hear Jónsi’s voice-as-an-instrument this clear, this powerful and as confident as ever. It would be a wonderful treat to check in on this outfit every 5-10 years going forward and realize they are still going strong. -Mike Frash, photo by James Nagel

DREAMCAR

Date: April 9th
Location: Great American Music Hall – San Francisco

Fresh off a stop at Berkeley’s Hearst Greek Theatre the night before, Adams showcased some older favorites and a slew of new tunes from his 16th and latest studio album Prisoner, which came out in February. SoCal fans were treated to some extended full-band jamming, a couple of solo acoustic performances and Adams’ usual witty banter over the course of the evening.
-Jared Stossel, photo by Jared Stossel

A Perfect Circle

Date: April 13th
Location: Bill Graham Civic Auditorium – San Francisco

In the world of rock supergroups, there are few that have sprung up in the last few decades that can hold a candle to A Perfect Circle. From the onset, APC have been a powerhouse on the senses, combining members from bands such as Tool, The Smashing Pumpkins, Failure, Primus and more over the years. Their body of work has been met with high praise across the board, and they have been able to solidify themselves as one of the most unique and tenured groupings out there, as opposed to bands like Zwan and Velvet Revolver. -Andrew Pohl, photo by Mike Rosati

Radiohead

Date: April 14th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Yes, the sound problems (all three instances) put a real damper on what was easily one of the most anticipated performances of the weekend. This was the third time Goldenvoice called on Radiohead to headline Coachella, and for one of rock’s most important bands over the last 30 years, it certainly wasn’t a charm as the saying goes. In that moment, it was pretty hard not to feel bad for Thom Yorke, who could only make light of the situation by cracking a joke even if it wasn’t supposed to be one — or so he claimed. But Radiohead more than made up for it with a masterful setlist that opened with A Moon Shaped Pool cuts “Daydreaming”, “Desert Island Disk” and “Ful Stop” before circling back to older hits such as “Everything in Its Right Place”, “There There”, “Idioteque” and even “Creep”. -Josh Herwitt, photo courtesy of Coachella

Kendrick Lamar

Date: April 16th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

All hail, King Kendrick! Or should we say “Kung Fu Kenny?” The Compton rapper reached hip-hop’s mountaintop more than two years ago with his Grammy-winning masterpiece To Pimp a Butterfly, but headlining Coachella was still on his to-do list. In fact, it was only the second time he had ever been booked to perform at Coachella after being listed on the last line of the 2012 poster. Closing out the fest is no short order for any artist, let alone one who dropped his new album less than 48 hours before taking the stage, but K-Dot lived up to the billing with a show that provoked as much thought as it entertained. -Josh Herwitt, photo courtesy of Coachella

The xx

Date: April 17th
Location: Bill Graham Civic Auditorium – San Francisco

Playfully alluding to their material’s emotional sentiment, Romy Madley Croft (vocals, guitar) and Oliver Sim (bass, vocals) managed to entrance all of us with their tension-filled gazes and syncopated dance moves. Prolonging vocal arrangements, especially during their accelerated live interpretation of “Infinity”, were also stunning to witness. About halfway through the set, Jamie Smith (beats, MPC, production), aka Jamie xx, took the lead and transformed the room into a giant disco party thanks to an onslaught of consecutive dance hits before finishing with “Loud Places” from his 2015 solo LP In Colour. -Molly Kish, photo by Norm de Veyra

Moderat

Date: April 20th
Location: Mayan Theater – Los Angeles

Moderat subsequently circled back to III, performing “Intruder” before exiting the stage to a rousing applause. Yet, when the house lights didn’t come on right away, the suspense began to build once again. Less than a minute later, the three-piece reemerged, giving the audience more than its money’s worth. Two-encore shows are usually reserved for high-profile groups with extensive catalogs like Radiohead, but Moderat have never played by any rules. -Josh Herwitt, photo by Josh Herwitt

The Flaming Lips

Date: May 9th
Location: The Theatre at Ace Hotel – Los Angeles

The Lips, of course, made sure to play that song, and even though it was without Watts, it still proved to be an unforgettable moment due to the fact that Coyne rode a life-size unicorn from one end of the stage to the other as he belted out lines like “Yeah, there should be unicorns / The ones with the purple eyes / It should be loud as fuck / Hope the swans don’t die” to open the tune while wearing a big smile across his face. If that’s not psychedelic to you, then I don’t know what is. -Josh Herwitt, photo by Josh Herwitt

Ryan Adams

Date: June 3rd
Location: Greek Theatre – Los Angeles

Jay Som

Date: June 17th
Location: Potrero del Sol Park – San Francisco

Melina Duterte’s band goes by the name Jay Som and hails from Oakland. Do yourself a favor and remember this name: Jay Som. The Polyvinyl-signed songstress bathed the crowd at the Potrero Stage in her dreamy vocals and inanely catchy tunes that appeal to a wide-range of music fan; her songs could feel just as viable in the 90’s college rock area as they do today. Highlights from the set included a vibe-soaked rendition of “Baybee” as well as “The Bus Song”, arguably the artist’s first real “hit.” -Kevin Quandt, photo by Emmeline Munson

AIR

Date: June 23rd
Location: The Masonic – San Francisco

AIR’s live performances focus on capturing the crisp, detailed production style that the duo has honed over two decades. It’s a vibrant, textured sound. Centered around acoustic guitar, synthesizers and the breathy timbre of the duo’s immaculate harmonized vocals, the use of live drums helped round out the contrast between both the artificial and acoustic sounds in songs like “Cherry Blossom Girl”. -Brett Ruffenach, photo by Steve Carlson

PLANETARIUM

Date: July 21st
Location: Fox Theater Oakland – Oakland

PLANETARIUM’s music, which channels Stevens’ reflections on astronomy, science and even the intricacies of human consciousness, is a fusion of styles from all four band members that evokes feelings of unity. The group’s performance was accompanied by otherworldly visuals that filled the backdrop as it traversed the Solar System with quite a few emotionally charged songs inspired by the planets and other celestial bodies like “Neptune” and “Jupiter”. -Norm de Veyra, photo by Norm de Veyra

The Drums

Date: July 21st
Location: The Fillmore – San Francisco

By the time The Drums took the stage, the intimate venue was packed to the brim with fans. The Brooklyn outfit made as much of an impression as it did when frontman Jonathan Pierce and company exploded onto the scene in 2009 with their initial EP Summertime! From then on, it became glaringly obvious with their eccentric band members and seemingly effortless style that they possessed an energetic presence. And at their SF show, it didn’t take long for the capacity crowd to fall into a groove as the venue’s whole atmosphere lit up. -Jacqueline Moore, photo by Jacqueline Moore

Miguel

Date: July 23rd
Location: Annenberg Space for Photography – Los Angeles

Once the sun set and Miguel stepped onstage, the audience was transported somewhere else entirely. Born and raised in LA, the 31-year-old’s silky-smooth voice floated through the cool evening breeze over the twinkle lights in the trees, giving the impression of an island retreat rather than a concert in the park. -Rochelle Shipman, photo by Rochelle Shipman

The War on Drugs

Date: August 5th
Location: Apogee Studio – Santa Monica, CA

Granduciel’s raspy voice, as well as his driving (no pun intended) guitar rhythms and reverb-laden riffs, are largely what separates The War on Drugs from the rest in a crowded indie-rock scene, but the sum of the band’s parts — Charlie Hall (drums), David Hartley (bass), Anthony LaMarca (guitar, keyboards), Robbie Bennett (keyboards) and finally Jon Natchez (saxophone, keyboards) — also creates a sound that while familiar, still feels uniquely different. -Josh Herwitt, photo by Larry Hirshowitz

Gorillaz

Date: August 11th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

Easily one of the most anticipated acts of the weekend, Gorillaz’s Humanz tour made its West Coast debut on Day 1 at OSL. After a six-year hiatus, expectations ran extremely high for this headlining performance. On previous tours, the band’s members had played second fiddle to the cartoon projections of their alter egos onstage, but everyone was visible this time around. Several collaborators from Gorillaz’s previous albums, including Kali Uchis, Yukimi Nagano and Del the Funky Homosapien, came out to join them, and the Damon Albarn-led group still pulled some even bigger surprises with cameos appearances from De la Soul and Pusha T. -Molly Kish, photo by James Pawlish

Cage the Elephant

Date: August 12th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

While the cancellation of Queens of the Stone Age was a blow a week prior to the event, the replacement that was lined up more than delivered a blistering set of rock ‘n’ roll. Cage the Elephant are now being widely considered festival-headliner material, and frontman Matt Shultz is making a strong claim for that accolade as he continues to elevate his stage act to near-Mick Jagger levels of pomp and energy. “Come a Little Closer” and “Ain’t No Rest for the Wicked” received hearty sing-alongs from a decidedly youthful crowd as Cage have become a favorite of Generation Z. -Kevin Quandt, photo by Marc Fong

J.I.D

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

While the headliners thrilled as expected, it was at the side “Day” and “Night” stages where the festival’s biggest highlights were generated. J.I.D, the rising Atlanta rapper who is signed to J. Cole’s Dreamville imprint, absolutely thrilled during his set. Dazzling with his rapid-fire and agile flow, J.I.D showed off his ability to command a crowd with songs such as “General” and “EdEddnEddy” before jumping into the crowd for the tempo-changing hit “Never” that left the crowd chanting for “one more song!” -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman

SZA

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

Saturday, meanwhile, featured the vintage gospel spirit and warm vibes that have elevated Chicago emcee Chance the Rapper to superstardom. Earlier in the day, SZA, this summer’s breakout star, delivered her first festival performance since the release of her well-received debut album Ctrl. Swaying, spinning and singing her raw emotions and shortcomings while coming of age, the Top Dawg Entertainment songstress didn’t disappoint. -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman

Bonobo (Live)

Date: September 27th
Location: Greek Theatre – Los Angeles

The real reason things felt different this time around, though, was the music. Extending and reimagining his tracks for easily one of the largest crowds he has ever performed in front of, Bonobo followed an uplifting opening set from Canadian electronic duo Bob Moses with an array of soothing sounds that paired beautifully with his lighting setup and entrancing stage production in the same way Scott Hansen (aka Tycho) creates an awe-inspiring audio-visual experience during his live-band performances. -Josh Herwitt, photo by Josh Herwitt

Coldplay

Date: October 4th
Location: Levi’s Stadium – Santa Clara, CA

Coldplay took the stage shortly before 9 p.m. as a video montage of fans who introduced them as “the biggest band in the world” played onstage. While I’m pretty sure there are a few other artists or groups from their side of the pond (ehem, U2) who might take issue with that claim, they certainly did nothing during their electric, almost two-hour performance to dissuade that sort of thinking. Chris Martin and company, in fact, wasted no time getting down to business, flooding the stadium with confetti and firing off pyrotechnics at a steady clip while opening with “A Head Full of Dreams” and subsequently all throughout the night. -Steve Carlson, photo by Steve Carlson

Broken Social Scene

Date: October 26th
Location: Fox Theater Oakland – Oakland

Here’s the thing about BSS — after 15 years, the web of musicians that makes up the collective have created their own individual projects, from Metric to Stars to Feist to Do Make Say Think to Emily Haines & The Soft Skeleton. And while many of the band’s members who have gone on to find success in their own solo careers didn’t happen to join the group on this particular tour, the sense of professionalism built into the BSS live experience remains prevalent. Every person who stepped onstage demonstrated consummate abilities in their own realms, never missing a beat or a note. -Brett Ruffenach, photo by Norm de Veyra

Filed Under: Best of 2017, Editor's Picks, Featured Tagged With: 21 Savage, Action Bronson, AFI, Air, Alice Cooper, Alina Baraz, Amber Mark Beach Slang, Andrew McMahon in the Wilderness, Animal Collective, Annenberg Space for Photography, Apogee Studio, Atlas Genius, BADBADNOTGOOD, Belle and Sebastian, Best of 2017, Bill Graham Civic Auditorium, Black Moth Super Rainbow, Bleachers, Blonde Redhead, Bob Moses, Broken Social Scene, Cage the Elephant, Car Seat Headrest, Cate le Bon, Chris Robinson, Cigarettes After Sex, Circles Around the Sun, City of Caterpillar, Claude VonStroke, Coachella, Coachella 2017, Coachella Music and Arts Festival, Coldplay, Con Brio, Conor Oberst, Courtney Barnett, Courtney Barnett & Kurt Vile, Crystal Castles, Daniel Caesar, Dawes, Day N Night Fest, Day N Night Fest 2017, Day N Night Festival, Day N Night Festival 2017, Dead Meadow, Deafheaven, Deep Purple, Diet Cig, DIIV, Dirty Dozen Brass Band, Dr. Dog, Dr. Octagon, DREAMCAR, Duke Dumont, Eagles of Death Metal, Electric Guest, Emancipator, Emily King, Empire of the Sun, Fox Theater Oakland, Foxygen, Future Islands, Gabriel Garzón-Montano, Gatecreeper, Girl Talk, Gone Is Gone, Gorillaz, Great American Music Hall, Greek Theatre, Greek Theatre Berkeley, Grizzly Bear, Gucci Mane, Hamilton Leithauser, Hazel English, Hinds, Hiss Golden Messenger, How to Dress Well, Iggy Pop, Isaiah Rashad, J.I.D., Jack Johnson, Jagwar Ma, Jamestown Revival, Jamie Isaac, Jay 305, Jay Som, Jen Cloher, Jessica Hernandez & The Deltas, Jessie Ware, Jim James, Jr. Jr., Julie Byrne, Julien Baker, Justice, k.flay, Karen Elson, Karl Denson's Tiny Universe, Kaytranada, Kelis, Kendrick Lamar, Khalid, Khruangbin, Kilo Kish, King Gizzard and the Lizard Wizard, Kurt Vile, L.A. Witch, La Femme, LANY, Lauv, Lettuce, Levi's Stadium, Lil Yachty, Little Dragon, Lo Moon, Lord Huron, Lorde, Mayan Theater, Miguel, Miike Snow, Milky Chance, Minus the Bear, Mister Heavenly, MO, Moderat, Music Festival Outside Lands Music Festival 2017, Neon Indian, Nicki Bluhm, No Doubt, Noise Pop, Noise Pop 2017, Noise Pop 25, Noise Pop Festival, Norah Jones, North Mississippi Allstars, NVO, Oh Sees, OK Go, Once and Future Band, Outside Lands, Outside Lands 2017, Outside Lands Music Festival, Pallbearer, Passion Pit, Peaches, Perfume Genius, Petit Biscuit, Phoebe Bridgers, Phono Del Sol, Phono del Sol 2017, Phono del Sol Music Festival 2017, Playboi Carti, Pond, Porcelain Raft, Potrero del Sol Park, PRAYERS, Real Estate, Royal Blood, Run The Jewels, Ryan Adams, Sampha, Schoolboy Q, serpentwithfeet, Sheer Mag, Shrine Expo Hall, Sigur Ros, Silversun Pickups, Sleep, Sleigh Bells, Sofi Tukker, Solange, Spiritualized, Spoon, Styles P, Sufjan Stevens, Sunflower Beam, Talib Kweli, Tank and the Bangas, Tash Sultana, Tei Shi, Temples, Tennis, Tennyson, The Accidentals, The Avalanches, The Band Perry, The Coathangers, The Crystal Method, The Drums, The Fillmore, The Hip Replacements, The Masonic, The National, The Palms, The Radio Dept., The Revivalists, The War on Drugs, The xx, Thou, Thundercat, Tobacco, Tool, Touché Amoré, Tove Lo, Travis Scott, Twin Peaks, Ty Segall, Unknown Mortal Orchestra, Vagabon, Vance Joy, Vic Mensa, Warpaint, Weezer, White Fence, Woods, YG, Young The Giant

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2017

December 28, 2017 by The Bam Team 1 Comment

Coldplay at Levi’s Stadium // Showbams’ Photo of the Year, by Steve Carlson

Let’s be frank: 2017 had its ups and downs. And when it came to the political sector in this country, it was mostly the latter during Year 1 of the Trump administration. But as art often does in times of turmoil, music flourished in new and exciting ways. From stripper-turned-rapper Cardi B topping the charts to veteran alt-psych rockers Portugal. The Man filling the airwaves for Top 40 radio stations all over America, there were plenty of unexpected twists and turns this year. Amid all of them, we still managed to consume a healthy diet of music, both live and recorded, and once again it’s time for us to ante up our annual “Best of” lists, much like we have done each of the past few years (see our 2016 picks here).

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2017.

See our favorite performances from 2017 here.

Listen to The Bam Team’s favorite songs of 2017:

Nine Inch Nails at FYF Fest 2017 // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2017
1. Tool at The Gorge Amphitheatre – George, WA – June 17th
What could be a better bachelor party than getting to watch your favorite band at the most scenic outdoor music venue in the U.S.? Seeing any concert at The Gorge would likely be a surreal experience, but my first trip to Washington’s holy grail was that much more special with Tool returning to the amphitheater for the first time since 2006. And even though their gap between albums has stretched to more than 10 years, Maynard and company still know how to elevate the live show to new heights both sonically and visually. Talk about a dream come true for this die-hard fan.

2. Nine Inch Nails at FYF Fest – Los Angeles, CA – July 23rd
3. LCD Soundsystem at Hollywood Palladium – Los Angeles, CA – November 18th
4. Gorillaz at The Forum – Inglewood, CA – October 5th
5. Radiohead at Coachella, Weekend 1 – Indio, CA – April 14th

Top 5 Albums of 2017
1. The War on Drugs – A Deeper Understanding
Adam Granduciel had to know that it would take a monumental effort to match, let alone top, 2014’s Lost in the Dream (one of our favorite albums that year), but The War on Drugs’ primary songwriter and band leader delivered another masterpiece in late August with the release of A Deeper Understanding. It’s an album that will touch your heart and soothe your soul as the LP moves seamlessly from one track to the next, and you’d be hard-pressed to find a much better soundtrack for the road over the last 10-15 years. A Deeper Understanding doesn’t need to win a Grammy in 2018 to validate its legitimacy as an Album of the Year candidate, but it certainly wouldn’t hurt either.

2. Slowdive – Slowdive
3. The xx – I See You
4. The National – Sleep Well Beast
5. Grizzly Bear – Painted Ruins

Top 5 Songs of 2017
1. The War on Drugs – “Holding On”
There’s something about Adam Granduciel’s guitar playing that will make you want to play air guitar, and maybe no better example of that is the second single from The War on Drugs’ fourth studio album A Deeper Understanding. For nearly six minutes, Granduciel takes his listeners on a ride through peaks and valleys, as the song finishes with him doing what he does best: shredding. But what makes “Holding On” even more powerful is its music video starring actor Frankie Faison, who plays a middle-aged man coping with his wife’s passing. It’s a sad, yet touching story written by Granduciel’s girlfriend, Krysten Ritter, that offers an important reminder about love and just how precious it is.

2. Kendrick Lamar – “DNA.”
3. Washed Out – “Hard to Say Goodbye”
4. The National – “The System Only Dreams in Total Darkness”
5. Nine Inch Nails – “Less Than”

Sigur Rós at Greek Theatre Berkeley // Photo by James Nagel

Brett Ruffenach // San Francisco

Top 5 Shows of 2017
1. Solange at FORM Arcosanti – Arcosanti, AZ – May 12th
Taking the stage in the amphitheater of Arcosanti, a scenic artist compound that’s built into the canyons sitting north of Phoenix, Solange and her nine-piece crew brought her critically acclaimed LP A Seat at the Table to life right before our eyes. As an album entrenched in the modern experience of the black woman, Solange’s live production turned these themes into one visually stunning, intricately choreographed and sonically vibrant experience, coupled with a subtle balance of strength and vulnerability. Deep bass, soaring harmonies and tight rhythms made each song a joy to watch, including older hits like “T.O.N.Y.” After a year that was as emotionally taxing as 2017 was, it was a breath of fresh air to watch Solange present her own truth, her own experience with such bravado and mastery.

2. Gorillaz at Outside Lands Music and Arts Festival – San Francisco, CA – August 11th
3. Sigur Rós at Greek Theatre – Berkeley, CA – April 8th
4. Mitski at FORM Arcosanti – Arcosanti, AZ – May 13th
5. Kevin Morby at Great American Music Hall – San Francisco, CA – September 23rd

Top 5 Albums of 2017
1. Father John Misty – Pure Comedy
Pure Comedy captures a different perspective in this politically drenched culture we’re in now — one that chooses to embrace the insanity of it all and laugh, as privileged and unhelpful as that might be. “She’s like, ‘Oh great, that’s just what we all need / Another white guy in 2017 / Who takes himself so goddamn seriously'” croons Josh Tillman. His lyrics in “Leaving LA” are just one of several scores of quotable lines that fill this nihilist-yet-comforting, saddening-yet-hilarious album. Being a privileged white man who lives in a liberal bubble, this album marks the definition of a guilty pleasure for me. Pleasure, because it is sharp, honest and bold. Guilt, because I am capable of even laughing in the first place.

2. Broken Social Scene – Hug of Thunder
3. Sylvan Esso – What Now
4. Lorde – Melodrama
5. Brockhampton – SATURATION II

Top 5 Songs of 2017
1. Courtney Barnett & Kurt Vile – “Over Everything”
Its jangly guitars and wonky rhythm, combined with the chemistry of Courtney Barnett’s and Kurt Vile’s singing and occasional harmonizations, make “Over Everything” my favorite song of 2017. It’s an instant earworm — the cadence of Barnett’s and Vile’s lyricism gives the duo a distinct identity but still allows them to come together at the right moments to make the song feel whole. And after watching them make their live debut at Hardly Strictly Bluegrass earlier this year, they continue to raise my spirits and remind me to wear earplugs.

2. Real Estate – “Darling”
3. Selena Gomez – “Bad Liar”
4. Kendrick Lamar – “DNA.”
5. Bonobo – “Bambro Koyo Ganda”

J.I.D at Day N Night Fest 2017 // Photo by Rochelle Shipman

Rochelle Shipman // Los Angeles

Top 5 Shows of 2017
1. J.I.D at Day N Night Fest – Anaheim, CA – September 9th
The J. Cole-signed rapper proved to be much more than just another name from Atlanta with a nonstop, energetic set that established him as a young goat. Keep tabs on this one.

2. Sonder at The Masonic Lodge at Hollywood Forever – Los Angeles, CA – April 19th
3. Anderson .Paak & The Free Nationals at FYF Fest – Los Angeles, CA – July 21st
4. Gorillaz at Outside Lands Music and Arts Festival – San Francisco, CA – August 11th
5. Erykah Badu at FYF Fest – Los Angeles, CA – July 22nd

Top 5 Albums of 2017
1. Smino – blkswn
This album brings nothing but warm vibes and impressive wordplay from the fast-rising St. Louis emcee. Since it dropped in March, not a week goes by that I don’t bump this debut for me and all my neighbors.

2. Kendrick Lamar – DAMN.
3. Dirty Projectors – Dirty Projectors
4. Phoebe Bridgers – Stranger in the Alps
5. Tyler, the Creator – Flower Boy

Top 5 Songs of 2017
1. Smino – “Anita”
The dude rhymes “ice cream” with “chocolate” and gets away with it. Enough said.

2. Cardi B – “Bodak Yellow”
3. Dirty Projectors – “Up in Hudson”
4. Vince Staples – “Love Can Be…”
5. Phoebe Bridgers – “Funeral”

Andrew Pohl // San Francisco

Top 5 Shows of 2017
1. Slowdive at Fox Theater Oakland – Oakland, CA – October 28th
This was my first time seeing Slowdive, and they completely took my breath away. It was one of those perfect shows in which the sound was on point, the band brought its A game and the visual elements complimented the music just right. They played cuts from their entire catalog, and by the end of the night, the audience was completely happy.

2. Quicksand at Great American Music Hall – San Francisco, CA – September 8th
3. LCD Soundsystem at Bill Graham Civic Auditorium – San Francisco, CA – November 15th
4. Band Together Bay Area: Metallica, G-Eazy, Rancid, Dave Matthews, Dead & Company and Raphael Saadiq at AT&T Park – San Francisco, CA – November 9th
5. Roger Waters at Oracle Arena – Oakland, CA – June 10th

Top 5 Albums of 2017
1. Slowdive – Slowdive
A totally perfect album from start to finish. There have been a lot of bands that have emulated Slowdive’s dream-pop/shoegaze sound over the past few years, but this album, their first in 22 years, proves why the UK group is one of the genre’s true originals. Lush soundscapes, paired with gorgeous vocals, made for what was easily my most-listened-to album of the year.

2. LCD Soundsystem – American Dream
3. Quicksand – Interiors
4. Versing – Nirvana
5. Hobosexual – Monolith

Top 5 Songs of 2017
1. Quicksand – “Illuminant”
I had been waiting so patiently for the new Quicksand album to drop, and when they released this single, it was one of those completely satisfying musical moments. From that opening riff to the breakdown, “Illuminant” showcases the post-hardcore band’s evolution since the early 90’s while remaining true to its roots. Interiors is a fantastic album front to back, but this song is the one that stands out the most.

2. Slowdive – “Star Roving”
3. Elbow – “Magnificent (She Says)”
4. LCD Soundsystem – “Call the Police”
5. Versing – “Body Chamber”

Filed Under: Best of 2017, Editor's Picks, Featured Tagged With: Anderson .Paak, Anderson .Paak & The Free Nationals, AT&T Park, Band Together Bay Area, Band Together Bay Area 2017, Best of 2017, Bill Graham Civic Auditorium, Bonobo, Brockhampton, Cardi B, Coachella, Coachella 2017, Coachella Music and Arts Festival, Courtney Barnett, Courtney Barnett & Kurt Vile, Dave Matthews, Dead & Company, Dirty Projectors, Elbow, Erykah Badu, FORM Arcosanti, FORM Arcosanti 2017, FYF, FYF Fest, FYF Fest 2017, G-Eazy, Gorge Amphitheatre, Gorillaz, Great American Music Hall, Greek Theatre Berkeley, Hardly Strictly Bluegrass, Hardly Strictly Bluegrass 2017, Hobosexual, Hollywood Forever, Hollywood Palladium, Kendrick Lamar, Kevin Morby, Kurt Vile, LCD Soundsystem, Lorde, Masonic Lodge, Masonic Lodge at Hollywood Forever Cemetery, Metallica, Mitski, Music Festival Outside Lands Music Festival 2017, Nine Inch Nails, Oracle Arena, Outside Lands, Outside Lands 2017, Outside Lands Music Festival, Phoebe Bridgers, Queens of the Stone Age, Quicksand, Radiohead, Rancid, Raphael Saadiq, Real Estate, Roger Waters, Selena Gomez, Sigur Ros, Slowdive, Smino, Sonder, Sylvan Esso, The Forum, The Gorge, The Gorge Amphitheatre, The National, The War on Drugs, The xx, Tyler the Creator, Versing, Vince Staples

Lo Moon are officially LA’s newest buzz band after their sold-out show at the Troubadour

November 23, 2017 by Josh Herwitt Leave a Comment

By Josh Herwitt //

Lo Moon with Psychic Twin //
Troubadour – West Hollywood, CA
November 16th, 2017 //

If there’s one public radio station in Los Angeles that always seems to have its finger on the pulse of all things music, it’s KCRW.

The NPR member station broadcasting from Santa Monica College has long had a penchant for discovering some of today’s most buzzworthy bands, and since 1977, its signature music program “Morning Becomes Eclectic” has played an instrumental role in maintaining what has been a strong track record for years. In fact, quite a few up-and-coming acts have come out of KCRW’s own backyard, whether it has been indie-rock groups like Silverlake’s Local Natives or solo artists such as Inglewood-bred jazz virtuoso Kamasi Washington.

But the latest group from the City of Angels to catch the station’s eye has been Lo Moon, the atmospheric, yet soulful indie-electronic trio that has only officially released three songs to date. One of them is called “Thorns”, which opened their sold-out show last Thursday at the Troubadour. With KCRW sponsoring the event, Illinois native/now LA transplant Erin Fein’s dreamy, synth-pop project Psychic Twin paved the way for the evening’s headliner, as a half-empty room prior to 9 p.m. turned into a crowded one 30 minutes later.

Despite what they call home right now, Lo Moon don’t consider themselves an “LA band,” at least not yet. All three full-time members — Matt Lowell (guitar, keyboards, vocals), Crisanta Baker (bass, keyboards, vocals) and Sam Stewart (guitar, keyboards, vocals) — arrived in LA from different parts of the world and wrote most of their forthcoming debut LP that’s due out next year in Seattle, a city Lowell says helped shape the album’s overall sound.

Lo Moon, sonically, can be somewhat difficult to pin down. With a range of influences, their music has drawn comparisons to many of the UK’s biggest bands: Talk Talk, Cocteau Twins, My Bloody Valentine, Radiohead, Massive Attack and The xx, among others. That’s certainly some impressive company to be mentioned in when you get right down to it, especially for a band that took several months to unveil its second song. But Lo Moon have much more than just comparisons to hang their hat on at this point. The three-piece, for one, has inked a deal with Columbia Records and gotten the attention of former Death Cab for Cutie guitarist Chris Walla, who has since signed on to produce its first full length.

Lately though, Lowell, Baker, Stewart and touring member Sterling Laws (drums) have been hitting the road with some pretty big names, including AIR (read our show review here) and Phoenix, with shows lined up next month as support for London Grammar, Wilco frontman Jeff Tweedy and The War on Drugs. With those kind of opportunities this early in the band’s career, don’t be surprised if you find Lo Moon listed on the 2018 Coachella lineup in January.

Back at the Troubadour, Lo Moon ran through a number of tracks that we can expect to hear on their upcoming release, performing “The Right Thing” for the first time before closing the set on a high note with “This Is It”, their sophomore single that you could mistake for a Peter Gabriel song if you didn’t know any better. There’s no question Lowell and company have an affinity for synthesizers, and the limited studio material they’ve revealed so far suggests that. But what also makes them stand out is Lowell himself, who offered a poignant solo rendition on the piano titled “All In” to kick off the band’s brief encore.

Of course, as Lo Moon fans know or will come to know, the show couldn’t have ended without the song that started it all: “Loveless”. The sprawling, seven-minute anthem, which hooked a major record label, an A-list producer and listeners all over the world, is what initially put the threesome on the map, and with Laws’ drum rolls delivering one powerful crescendo after the next down the stretch, the crowd came visibly alive like it hadn’t all night. Sure, this may only be the beginning for these guys, but LA’s newest buzz band knows how to shoot for the moon.

Setlist:
Thorns
The Right Thing (live debut)
Wonderful Life
TTMYMO
Real Love
My Money
Camouflage
This Is It

Encore:
All In (Matt Lowell solo on piano)
Loveless

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: Air, Cocteau Twins, Death Cab For Cutie, Jeff Tweedy, Kamasi Washington, KCRW, Lo Moon, Local Natives, London Grammar, Massive Attack, My Bloody Valentine, Peter Gabriel, Phoenix, Psychic Twin, Radiohead, Talk Talk, The War on Drugs, The xx, Troubadour, Wilco

The War on Drugs’ new album sounds like another masterpiece after their preview at Apogee Studio

August 7, 2017 by Josh Herwitt 1 Comment

Photos by Larry Hirshowitz // Written by Josh Herwitt //

The War on Drugs //
Apogee Studio – Santa Monica, CA
August 5th, 2017 //

In today’s hypercompetitive, oversaturated music industry, following a great album with an even greater one can be a tall task for any band, no matter how much commercial success it has had.

Adam Granduciel, for one, should know that by now.

Because when the once-Philadelphian dropped The War on Drugs’ third LP Lost in a Dream more than three years ago on longtime indie label Secretly Canadian, there was no way for him to know what the response would be. As the band’s frontman and primary songwriter, Granduciel and a rotating cast of sidekicks had received a modest amount of fanfare up to that point, with 2011’s Slave Ambient garnering critical acclaim from the music media, but nothing quite like what he would amass by the end of 2014.

After debuting at No. 26 on the Billboard 200 chart, Lost in a Dream would go on to produce five singles and top numerous “Best Album of the Year” lists, earning universal praise from fans and critics alike. It’s an album, with plenty of depth both lyrically and sonically, that’s undeniably one of the best soundtracks for the open road — a modern-day hybridization of Bob Dylan, Bruce Springsteen and Rod Stewart all rolled into one aural experience that fits perfectly as you roar down a long stretch of highway in the middle of nowhere with the top down on your 1967 Ford Mustang convertible.

The last time we were invited to Apogee Studio, we were lucky enough to catch psychedelic indie rockers Spoon (read our review here) performing songs off their new album titled Hot Thoughts before unleashing it earlier this year. But in the same way Britt Daniels’ departure from Los Angeles and return to Texas informed Spoon’s latest studio effort, Granduciel also told KCRW Music Director Jason Bentley during a brief interview midway through the group’s performance that his recent move to the City of Angels provided the same kind of inspiration during the writing and recording process for A Deeper Understanding.

With the LP’s release date set for August 25th, it won’t be long before the whole world gets to hear what Granduciel and company have been up to over the last two years — and after what we heard inside Apogee Studio, there’s a lot to be excited about. Opening with “Pain”, which they released just one day prior, The War on Drugs presented four other tracks from A Deeper Understanding, including their single “Holding On” that picks up right where Lost in a Dream left off, before closing the first set with “An Ocean Between the Waves”, a seven-minute-plus voyage through peaks and valleys that ranks right up there with their more celebrated songs like “Red Eyes” and “Under the Pressure”.

Though we only got to hear half of A Deeper Understanding, what we did get to hear from the 10-track LP felt like something that believe it or not, has all the makings to be just as special as 2014’s Lost in a Dream. That may be hard to fathom considering that the band’s luster has likely worn off by now, but if so, it will be a testament to Granduciel’s vision and an ability to forge a deeper connection with his bandmates than he has ever had to before. Unlike Lost in a Dream, which was written entirely by Granduciel, A Deeper Understanding has been coined a “band record,” and as we witnessed on this warm, summer night in Southern California, one that’s certainly worthy of our time and attention once again.

Setlist:
Pain
Holding On
Strangest Thing
Accidentally Like a Martyr (Warren Zevon cover)
An Ocean Between the Waves
In Reverse
Eyes to the Wind
Lost in a Dream
You Don’t Have to Go
Under the Pressure*

*Editor’s Note: “Brothers” was originally listed on the setlist.

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: Apogee Sessions, Apogee Studio, KCRW, The War on Drugs

20 moments we won’t forget from Treasure Island Music Festival 2015

October 22, 2015 by The Bam Team 2 Comments

Photos by Marc Fong // Written by Mike Frash, Molly Kish & Anthony Sanchez //

Treasure Island Music Festival //
Treasure Island – San Francisco
October 17th-18th, 2015 //

There is no question Treasure Island Music Festival has one of the best locations and views in live music.

But Mother Nature had some things to say about the environment around the fest this year. For one, the drought has chased away the lovely grass that’s been present in years past. And with winds from 10-20 mph, it got a bit more dusty than usual. You can’t control the weather, and the grounds this year were a brutal reminder of how much California needs some damn rain.

Other than that, it was status quo for the Festival in the Bay — good times and no festy FOMO. Here are 20 moments and sets that will be ingrained in our brains.

The biggest news from Treasure Island Music Festival: The National have emerged as true festival headliners. Known for their pensive lyrics and sorrowful tone, The National injected their songs with accelerated BPM and an uplifting layering of melody, making the experience all the more magnificent. The setlist was still heavy on Trouble Will Find Me and High Violet songs, but it all felt new, more grateful, inspiring and majestic than before. Many of the highlights were one-offs and new cuts: Laura Mayberry duetted with a very present Matt Berninger on “I Need My Girl”, a cover of “Peggo-O” and with a shout-out to Bob Weir and new song “Checking Out” (it was called “Roman Candle” when they played it in Los Angeles earlier in the weekend). The effort was A1 all around, and we left wanting more.

Run the Jewels completely reigned over the crowd, flowing over heavy-hitting beats by El-P with a lively performance we all expected, willing all hands in the air. Yet another example of El Producto and Killer Mike bossing, per usual.

Father John (Sassypants) Misty has his festival game on point, and he has progressed his I Love You Honeybear songs into epic plateaus since premiering them in the Santa Cruz mountains last February (read about it here). He spewed banter like an Stephen Colbert-esque contrarian, saying, “Look at these suckers with their hair blowing all over the place.” And as he approached the mic for more improv-snark later on, Tillman paused to say, “Sorry, I have nothing to say. Ha.” FJM was speechless for once, but granted, it might have been set up for “Bored in the USA”, a song that should be considered an American classic at this point.

Easily one of the most opinion-generating sets of the weekend, FKA twigs left everything she had on the Bridge Stage for a captive audience of conflicting critics. Washing over the sizable crowd backed by dramatic stage lights and eerily haunting vocals, the pint-sized powerhouse tangoed her way through a fog-laced set alongside fellow voguing backup dancers and band. Even with her set pushing the avant-garde limits for a good portion of the TIMF crowd, FKA twigs undoubtedly left an impression on everyone in attendance and held her own as headliner support in a considerably stacked bill.

Giving the last performance in support their already-classic Lost in the Dream, The War on Drugs end an album cycle with a few questions in mind. Can they get better from here, and could they headline festivals next time around?

Panda Bear delightfully assaulted the festival-weary crowd’s senses with a mind-melting IDM exclamation point. He treated his crowd to one last collectively-uncomfortable group moment, brought on by delightfully weird music and intense background visuals designed by Danny Perez.

Fresh off the release of their second studio album, CHVRCHES‘ Lauren Mayberry commanded the stage with a palpable enthusiasm and chops of a veteran frontwoman. Her epic vocals cut through the encroaching fog as she danced wildly around the Bridge Stage.

Ex Hex served up the best shred-dueling guitar moment during their amazing mid-day slot on Sunday.

Hudson Mohawke demonstrated the kind of talent and energy that keeps him on speed dial for the likes of Drake and Kanye West, firing off club bangers in a set replete with custom lighting and live drummers.

Armed with a full roster of touring vocalists, the UK electronic duo Gorgon City blew the Saturday afternoon crowd away with soulful renditions of “Unmissable” and “Real”. Set highlights including numerous extended versions of crowd favorite album cuts and easily the best midday dance party of the weekend, spurred by an audience-rousing rendition of “Here for You”.

Viet Cong‘s Matt Flegal mentioned, “We had Sunday afternoons in mind when we wrote this stuff” with juuuuust a dash of irony. Maybe “Sunday Afternoon” would be a solid choice for the group’s new name? Maybe not, but drummer Mike Wallace is the heartbeat of this excellent doom-indie act.

When you look at the TIMF 2015 lineup, Sound Tribe Sector 9 (STS9) is the fish out of water with their jam-band roots. But Sound Tribe got the love from a dance-happy crowd on Saturday, one that was there largely for the mau5.

Big Grams impressed with their live debut to close out the Tunnel Stage on Saturday. How could the combo of Big Boi and Phantogram not bring the fire? Plus, Run the Jewels guested for “Born to Shine”.

Vampire Weekend bassist Baio and his early-riser electronic set was replete with a Eurythmics cover “Here Comes the Rain Again”.

Cashmere Cat (pictured above) breezed through an electrifying set of R&B-infused trap sensations while Bob Moses set the tone on Saturday, moving the crowd as they watched the projected overcast clouds head back over to SF, leaving the island awash in sunshine and vibes.

Jose Gonzalez stretched out his best hits with multiple drummers and an idyllic TIMF sound for the festival’s second day. You know a set is good when it goes by that quickly.

Shamir (pictured above) showed sass and chops beyond his years — and why he’s a 2015 breakout act. Meanwhile, damn, Ought sure is proficient, and they unveil beauty through repetition and punk mentality. Their purposeful presence and pointed music makes you think their best is yet to come.

Deerhunter‘s Bradford Cox talked about how he decided on the way over to the island that he wouldn’t play many songs, how he took ayahuasca on Saturday night in LA and he was surprised at how reserved the TIMF audience was. He said we were “polite like the Japanese.” Bradford, that’s what we call “respect” — and you’ve earned it. Those who expected lots of new material from the group’s wondrous new album, Fading Frontier, left the island bummed out. Others like myself, who got on the Bradford Cox express train without hesitation, enjoyed a wandering, masterful set that took cues from the sentiment of The War on Drugs as well as the psychedelic repetition of Panda Bear. Cox even thanked these two bands by name before wrapping up.

So, what were your favorite moments from TIMF 2015?

Treasure Island Music Festival 2015 - Deerhunter

Treasure Island Music Festival 2015 - Deadmau5

Treasure Island Music Festival 2015 - Father John Misty

Treasure Island Music Festival 2015 - FKA twigs

Treasure Island Music Festival 2015 - Run the Jewels

Treasure Island Music Festival 2015 - CHRVCHES

Treasure Island Music Festival 2015 - Shamir

Treasure Island Music Festival 2015 - STS9

Treasure Island Music Festival 2015 - Viceroy

Treasure Island Music Festival 2015 - Lower Dens

Treasure Island Music Festival 2015 - Ex Hex

Treasure Island Music Festival 2015 - Gorgon City

Treasure Island Music Festival 2015 - The War on Drugs

Treasure Island Music Festival 2015 - Panda Bear

Filed Under: Editor's Picks, Featured, Festival Reviews, Festivals, Treasure Island Music Festival Tagged With: Baio, Big Boi, Big Grams, Bob Moses, Cashmere Cat, Chvrches, Deerhunter, Ex Hex, Father John Misty, FKA twigs, Gorgon City, Hudson Mohawke, Jose Gonzalez, Ought, Panda Bear, Phantogram, Run The Jewels, Shamir, Sound Tribe Sector 9 (STS9), The National, The War on Drugs, Treasure Island Music Festival, Treasure Island Music Festival 2015, Viet Cong

Treasure Island Music Festival drops 2015 set times

October 8, 2015 by Josh Herwitt 1 Comment

Treasure Island Music Festival //
Treasure Island – San Francisco
October 17th-18th, 2015 //

Treasure Island Music Festival has released the set times for its 2015 edition, and festivalgoers can now start making arrangements for next weekend’s festivities.

Below is this year’s TIMF schedule, including the set times for the first-ever Blah Blah Blah Comedy Tent presented by Funny Or Die.

SATURDAY, October 17th

Music: Bridge Stage
9:25-10:55 p.m.: deadmau5
7:45-8:35 p.m.: FKA twigs
6:10-7:00 p.m.: STS9
4:35-5:25 p.m.: Run the Jewels
3:00-3:50 p.m.: Gorgon City
1:30-2:15 p.m.: Viceroy
Noon-12:45 p.m.: Skylar Spence

Music: Tunnel Stage
8:35-9:20 p.m.: Big Grams
7:00-7:40 p.m.: Hudson Mohawke
5:25-6:05 p.m.: Cashmere Cat
3:50-4:30 p.m.: Shamir
2:15-2:55 p.m.: Baio
12:45-1:25 p.m.: Bob Moses

Blah Blah Blah Comedy Tent presented by Funny Or Die
6:40-7:45 p.m.: Tim Heidecker, Jonah Ray, Jermaine Fowler
5:00-6:15 p.m.: Tim Heidecker, Jon Dore, Barry Rothbart, Max Silvestri
3:25-4:30 p.m.: Jonah Ray, Jon Dore, Max Silvestri, Barry Rothbart
1:55-2:55 p.m.: Hey™: An Afternoon with Kate Berlant and John Early

Silent Disco powered by Jukely
8:45-11:00 p.m.: Corey Sizemore
6:45-8:45 p.m.: Trackstar
4:30-6:45 p.m.: Gordo Cabeza
2:15-4:30 p.m.: Saqi
Noon-2:15 p.m.: Duffrey

SUNDAY, October 18th

Music: Bridge Stage
9:20-10:35 p.m.: The National
7:30-8:30 p.m.: Chvrches
5:50-6:40 p.m.: The War on Drugs
4:15-5:05 p.m.: Father John Misty
2:45-3:30 p.m.: Jose Gonzalez
1:20-2:00 p.m.: Mikal Cronin
Noon-12:40 p.m.: Ought

Music: Tunnel Stage
8:30-9:15 p.m.: Panda Bear
6:40-7:25 p.m.: Deerhunter
5:05-5:45 p.m.: Drive Like Jehu
3:30-4:10 p.m.: Lower Dens
2:00-2:40 p.m.: Ex Hex
12:40-1:20 p.m.: Viet Cong

Blah Blah Blah Comedy Tent presented by Funny Or Die
6:15-7:30 p.m.: Jerrod Carmichael, Chris Gethard, Michelle Wolf, Guy Branum
5:00-5:45 p.m.: Talk Show: The Game Show with Guy Branum & Special Guests
3:30-4:15 p.m.: With Special Guest Lauren Lapkus featuring Kate Berlant & John Early
1:45-3:00 p.m.: Jerrod Carmichael, Chris Gethard, Michelle Wolf, Jermaine Fowler
12:20-1:15 p.m.: Throwing Shade Podcast Live

Silent Disco powered by Jukely
8:00-10:00 p.m.: Janaka Selekta
6:00-8:00 p.m.: DJ Mancub
4:00-6:00 p.m.: Motion Potion
2:00-4:00 p.m.: Kimba
Noon-2:00 p.m.: Rachel Torro

Filed Under: Featured, Festivals Tagged With: Azealia Banks, Baio, Bob Moses, Cashmere Cat, Chvrches, Deadmau5, Deerhunter, Drive Like Jehu, El Hex, Father John Misty, FKA twigs, Funny Or Die, Gorgon City, Hudson Mohawke, Jose Gonzalez, Lower Dens, Mikal Cronin, Ought, Panda Bear, Run The Jewels, Shamir, Skylar Spence, Sound Tribe Sector 9 (STS9), STS9, The National, The War on Drugs, Treasure Island Music Festival, Treasure Island Music Festival 2015, Viceroy, Viet Cong

Treasure Island Music Festival releases 2015 daily lineups

September 15, 2015 by Josh Herwitt 1 Comment

Treasure Island Music Festival //
Treasure Island – San Francisco
October 17th-18th, 2015 //

With the ninth annual Treasure Island Music Festival a little more than a month away, the two-day festival has released the daily lineups for its 2015 edition.

Above are the artists who are set to perform on Saturday and Sunday at this year’s fest.

Single-day GA and VIP passes will go on sale this Thursday, September 17th at 10 a.m. for $95 and $179.50, respectively. You can buy your single-day tickets here.

The perks of a VIP pass include a preferred viewing area next to the main stage, an exclusive tented lounge with a full bar, special restroom facilities as well as food concessions and additional amenities.

Meanwhile, single-day parking passes are now available for $45, and GA weekend passes can still be purchased for $169.50 along with VIP weekend passes for $315. For those driving to the festival, two-day parking passes cost $80.

Featuring an impressive lineup of music and its first-ever comedy tent in partnership with Funny or Die that will include 15 comedians over two days (the comedy lineup has yet to be announced still), Treasure Island Music Festival is sure to deliver once again in 2015. After all, it’s a big reason why TIMF is one of our eight California music festivals you won’t want to miss before the end of 2015.

So, if you’re already bursting at the seams to get back on the island for two days full of fun next month, make sure to relive the best and worst of 2014’s festival here.

Filed Under: Featured, Festivals Tagged With: Azealia Banks, Baio, Bob Moses, Cashmere Cat, Chvrches, Deadmau5, Deerhunter, Drive Like Jehu, El Hex, Father John Misty, FKA twigs, Gorgon City, Hudson Mohawke, Jose Gonzalez, Lower Dens, Mikal Cronin, Ought, Panda Bear, Run The Jewels, Shamir, Skylar Spence, Sound Tribe Sector 9 (STS9), STS9, The National, The War on Drugs, Treasure Island Music Festival, Treasure Island Music Festival 2015, Viceroy, Viet Cong

Treasure Island Music Festival unveils 2015 lineup featuring headliners The National, Deadmau5

June 9, 2015 by Josh Herwitt 1 Comment

Treasure Island Music Festival //
Treasure Island – San Francisco
October 17th-18th, 2015 //

After bringing Outkast and Massive Attack to the bay last fall, Treasure Island Music Festival has released the lineup for its 2015 edition — and it’s another doozy.

Taking over the island in mid-October, Brooklyn indie rockers The National and Canadian progressive-house producer Deadmau5 will headline the two-day festival, while Robyn (with La Bagatelle Magique), CHVRCHES, The War on Drugs, Azealia Banks, Father John Misty, STS9, Run the Jewels, Panda Bear, Gorgon City and Jose Gonzalez are just some of the other highlights on this year’s bill.

But don’t sleep on some other artists further down on the poster, including Atlanta five-piece Deerhunter, Norwegian producer/DJ Cashmere Cat, San Diego post-hardcore band Drive Like Jehu, Ty Segall contributor Mikal Cronin and Canadian post-punk outfit Viet Cong, which we had the pleasure of witnessing at Rickshaw Stop back in March.

Tickets go on sale this Thursday, June 11th here starting at 10 a.m. and include two-day GA passes for an early-bird price of $149.50 (before increasing to $169.50) as well as two-day VIP passes for $315.

In the meantime, you can relive the best and worst of 2014’s festival here.

Filed Under: Featured, Festivals Tagged With: Azealia Banks, Baio, Bob Moses, Cashmere Cat, Chvrches, Deadmau5, Deerhunter, Drive Like Jehu, El Hex, Father John Misty, Gorgon City, Hudson Mohawke, Jose Gonzalez, La Bagatelle Magique, Lower Dens, Mikal Cronin, Ought, Panda Bear, Robyn, Run The Jewels, Shamir, Skylar Spence, Sound Tribe Sector 9 (STS9), STS9, The National, The War on Drugs, TIMF, TIMF 2015, Treasure Island Music Festival, Treasure Island Music Festival 2015, Viceroy, Viet Cong

Sasquatch! continues to reign supreme as the Pacific Northwest’s premier music festival

June 1, 2015 by Nik Crossman 1 Comment

Photos by Pedro Paredes // Written by Nik Crossman //

Sasquatch! Music Festival //
Gorge Amphitheatre – Quincy, WA
May 22nd-25th, 2015 //

2015 marked the 14th successful year of Sasquatch! Music Festival thanks to a hunch followed by a Pacific Northwest concert promoter. Back in 2002, when the U.S. festival scene was an infant, Adam Zacks decided to try his luck with an untapped market and bring the festival experience to the Pacific Northwest. The single-day festival sold out its first year, quickly validating Zacks’ hunch and setting the stage for one of the world’s most unique festival experiences.

Embracing the culture of the Pacific Northwest, Sasquatch! caters to the growing breed of indie-centric fans caring just as much about the festival experience (if not more) than the music itself. Over the last 14 years, Sasquatch! has become a “must-do” for festivalgoers and continues to impress with a stellar lineup playing against the majestic backdrop of The Gorge.

So, when I fell into tickets the week before the festival, I jumped at the opportunity to see some of my favorite bands jam out at Mother Nature’s cathedral. Having no campsite and no ride to/from the festival, I posted a Hail Mary message on the Sasquatch! Facebook page, asking a bunch of strangers to take me in as one of their own … and it worked! That’s when I realized Sasquatch! is more than the music — it’s coming together as a community to lend a hand and help a fellow human.

The two-hour drive from Seattle to The Gorge wet the appetite for the alluring landscapes to come. My two new friends and I arrived Friday afternoon, just in time to set up camp and catch the sun fall behind the mountainous horizon.

Little Dragon

Friday

Kicking off the festival, Friday’s lineup included the sounds of Ought, Mother Mother, Gogol Bordello, Action Bronson, Angel Olsen, AlunaGeorge, Little Dragon, Of Monsters and Men, Sleater-Kinney and of course, Flume, the 23-year-old Australian DJ/producer who has been taking the electronic music scene by storm since dropping his debut album in 2012. Despite a little rain early Friday night, the festival was in full swing and the energy inside the grounds built on itself with each performance. The unique sound of Little Dragon had the crowd flowing together, sprinkling in rumors and heightened anticipation for SBTRK‘s set on Sunday night. “Will Little Dragon come out for ‘Wildfire’?!” By the time Flume dropped his first beat at the Bigfoot Stage, the energy was palpable and everyone could feel why this young DJ was chosen to close out Friday night.

Modest Mouse

Saturday

With the loving melodies of Milo Green rushing over the Bigfoot State by mid-day, Twenty One Pilots picked up the tempo with an animated performance on the Sasquatch Stage, where the dynamic duo commanded their early-day crowd. Sylvan Esso threw down a Bigfoot dance party when their hit “Coffee” ignited the entire crowd to dance along with the ever-so-strange Amelia Meath on stage. Chromeo‘s love for themselves may only be surpassed by the massive turnout the funky duo brought to Sasquatch! main stage early in the evening. Their funk-tastic sound and vibrant stage presence was perfectly timed to set the stage for following acts like Glass Animals, Kiesza, Modest Mouse, ODESZA and Spoon. Kiesza took the El Chupacabra tent by stormy lights and surprisingly produced more vigor into the crowd than the Seattle duo ODESZA, who seemed to play a more mellow version of themselves than most are familiar with. Just down the hill from ODESZA, 22-year-old rock band Spoon spilled heavy guitar riffs over the crowd and presented an alternative ending to Saturday’s electronic scene. For the second night in a row, Sasquatch! closed out the night with a young, up-and-coming electronic act, staying true to their committed mix bag of new and established performers.

St. Vincent

Sunday

Milky Chance wooed the crowd at the Sasquatch Stage in the late afternoon on Sunday with their unique electro-folk-reggae sounds, lead vocalists Clemens Rehbein’s deep, melodic vocals and the magnificent backdrop of The Gorge. Shortly after Milky Chance stirred the crowd, the unlikely future of rap, Kate Tempest, lived up to her reputation as a force to be reckoned with while showering the crowd with positive affirmations. The sun started setting behind The Gorge while the idiosyncratic St. Vincent moved so distinctly across the stage like an elegant robot, convincing the crowd they made the right choice. The sultry vixen Lana Del Rey attracted one of the largest crowds to the Sasquatch Stage on Sunday night. While Del Rey is not as active as some of her siren peers, her presence was not lacking. Captivating the masses while her white dress blew in the wind, Del Rey abandoned the stage to walk among her amorous fans before leaving her set early to pass the spotlight to an epic instrumental jam session by her band. Madeon, the 21-year-old child prodigy, proved himself once again in the El Chupacabra late on Sunday night when he led the crowd on a fantastic journey of impeccable mashups and psychedelic lights.

Slow Magic

Monday

Monday was the last day of the four-day festival, and the crowds started to thin between the intermittent rain clouds playing hide and seek with the sun. Monday was also the day of drums, at least in the El Chupacabra. Armed only with a wolf mask, laptop and two drumsticks, Slow Magic kicked off the night in the Spanish-flavored tent with a one-of-a-kind experience. With his rare combination of synth and live drumming, Slow Magic is re-imagining electronic music as we know it. Not far behind the solo drumming DJ were the three-piece veterans The Glitch Mob. The trio conquered the stage with their new musical element “The Blade,” which combines both lights and instruments into something that looks like it came out of a space-age movie scene. Drumming their way into the bones of the crowd, The Glitch Mob elicited some of the most hands-in-the-air praise I saw all weekend. They closed out Sasquatch! with a bang, literally.

Camping

The Sasquatch! campgrounds were far from organized, which presents pros and cons, pending what you’re after. The grueling trek from general camping to the grounds made going to the festival more of a commitment than many appreciated. After a few journeys to and from, premium camping seemed well worth the investment. The wheel-and-spoke layout of the grounds made it easy to find other campsites and stumble into the food trucks for a late-night zombie dog. The camping community itself was friendly and full of love for each other, inviting neighbors to play beer darts and other awesome lawn games.

Activities

Despite the loving nature of the campers, the Sasquatch! campgrounds lacked the festival-sponsored activities so many of us have come to appreciate and expect like morning yoga classes at Coachella and personal development workshops at Lightning in a Bottle (LIB). The Sasquatch! community inside the grounds attempted to provide this outlet with a vintage arcade, self-defense demonstrations and community dance parties, but they fell short relative to other festivals. One could also argue the lack of art installations throughout the Sasquatch! grounds presents an area of improvement for the festival. That is, until they’re reminded of the natural art blanketing all of The Gorge. Well done, Mother Nature!

Sustainability

While LIB has been dubbed as “The Greenest Festival in America,” you’d think all festivals would have a strong commitment to sustainably responsible business practices by now. This was an oversight for Sasquatch!, as recycling bins were nowhere to be found and trash cans were often overflowing — a pretty easy, yet significant improvement that needs to be made.