Ohana Festival rolls into 2023 with The Killers, HAIM, Eddie Vedder, The Chicks, Foo Fighters & Pretenders lined up for seventh year

Ohana Festival - 2023 lineup

Ohana Festival //
Doheny State Beach – Dana Point, CA
September 29th-October 1st, 2023 //

It’s that time again, Ohana fam.

The three-day festival founded by Eddie Vedder returns to Doheny State Beach for its seventh edition after making a splash last year with Stevie Nicks, Eddie Vedder, Jack White and P!nk headlining, and unlike previous installments, 2023 will boast a pair of headliners each day for the very first time as the calendar shifts from September to October.

Riding into Day 1 will be The Killers and HAIM, who were booked for the fest’s 2022 “Encore” session until it was canceled, plus a stellar undercard featuring Father John Misty, Japanese Breakfast, Franc Moody, Glen Hansard, Hermanos Gutiérrez and Amos Lee on Friday.

Saturday once again sees Vedder leadding the way, but this time he will have some solid help from The Chicks as the country stars make their debut appearance at Ohana Festival. And for those who want to rock out beforehand, you definitely won’t want to miss noteworthy sets by Grammy winners The War on Drugs and jam-band favorites Goose.

Putting a bow on the weekend, meanwhile, will be Foo Fighters and Pretenders at the top of Sunday’s bill following performances by Rainbow Kitten Surprise, The Backseat Lovers, Suki Waterhouse, Thee Sacred Souls and more earlier in the day. See the poster above for the rest of the artists scheduled to take the stage in Dana Point.

Tickets can be purchased starting this Thursday, April 13th at 10 a.m. PT during the festival’s presale, but you must sign up here to receive a presale code if you want to reserve your spot! Both three-day and single-day GA passes will go for $479 and $169, respectively, with three-day and single-day VIP admission available for $1,499 and $549. Of course, there’s also the three-day Ultimate VIP option if you and a friend (it’s a two-person package) have a cool $9,950 in your festival budget to shell out.

Ohana Festival - updated 2023 lineup

UPDATE (May 23rd): Ohana has announced that Rainbow Kitten Surprise will no longer be performing in 2023 and have been replaced on Sunday by Deaf Charlie featuring Pearl Jam bassist Jeff Ament and former Fitz and the Tantrums drummer John Wicks. Peep the updated poster above for the latest lineup.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2022

Best of 2022After seeing what the live music industry endured the last two years due to the COVID-19 pandemic, 2022 was certainly a step in the right direction. For many artists and bands, this year marked the first since 2019 that they had the opportunity to step onstage — and that was a victory in and of itself.

While we aren’t completely out of the woods yet considering the coronavirus is still very much a part of our lives, there’s no signs of us returning to those dark and dire days of 2020. The shows simply must go on, and we are all better for it whether you’re a musician or just a fan.

Now as we turn to 2023 with cautious optimism, it’s time for us to share our annual “Best of” lists as we have done since this blog first began (see our 2021 picks here). We’ll be quick to admit we didn’t catch every show or hear all of the albums released in the past 12 months, but looking back on the year that was can not only be fun but also challenging with so much great music to consider.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2022.

Listen to The Bam Team’s favorite songs of 2022:

Tool - Viejas Arena


Tool at Viejas Arena // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2022
1. My Morning Jacket at Red Rocks Amphitheatre – Morrison, CO – August 26th-27th
2022 will go down as easily one of my favorite years for live music. So many of the artists and bands I love toured after being forced to sit on the sidelines for at least two years, and as I look back on all of the shows I was fortunate enough to witness, it would be a shame to not mention the ones that aren’t already included here, whether it was Eddie Vedder, Baroness, Royal Blood, Interpol and The Shins at Just Like Heaven, Jack White (two nights), The Kills, Puscifer on my big day, Fleet Foxes, Big Gigantic Telefon Tel Aviv, Moderat, Khruangbin and Arctic Monkeys — plus Lorde — at the debut of Primavera Sound LA, The Mars Volta, Bonobo, Foals, Modest Mouse performing The Lonesome Crowded West from start to finish to celebrate the LP’s 25th anniversary or The Smile closing out their North America tour. But this year’s No. 1 spot once again goes to My Morning Jacket, which have become my top live band over the last decade among some very stiff competition (see the rest of the bands listed below to get a better idea). With back-to-back dates in SoCal at the Santa Barbara Bowl and Hollywood Forever (read our review here) serving as a preview for what would come the following week, the Louisville-bred rockers left no stone unturned in their return to Red Rocks. If there was ever an act to catch — not once but twice — at the legendary amphitheater after visiting it more than a dozen times in my life so far, this was the one for me and MMJ proved it over two sold-out gigs with no repeats as always.

2. The War on Drugs at Shrine Auditorium – Los Angeles, CA – February 26th
3. Pearl Jam at The Forum – Inglewood, CA – May 6th
4. Tool at Viejas Arena – San Diego, CA – January 19th
5. Nine Inch Nails at Santa Barbara Bowl – Santa Barbara, CA – September 13th

Top 5 Albums of 2022
1. The Smile – A Light for Attracting Attention
It wasn’t until last year during a surprise performance for the concert video “Live at Worthy Farm” when we first learned of the latest side project from Radiohead members Thom Yorke and Jonny Greenwood with Sons of Kemet drummer Tom Skinner. But after putting out six singles off their debut LP that came out back in May, it was clear the three-piece wasn’t messing around. Across all 13 tracks on A Light for Attracting Attention, it’s safe to say there isn’t one worth skipping, reaffirming why Yorke remains one of the best songwriters out there in the last 30 years. And with him and Greenwood switching off between guitar, bass and synthesizer among a bevy of other instrumentation including vocoder, piano and harp, their talents are as palpable as they have ever been before. After all, hearing Yorke croon “Don’t mess with me” toward the beginning of “The Smoke” is an edict — literal or not — many would have a tough time disputing at this point.

2. Kendrick Lamar – Mr. Morale & the Big Steppers
3. Jack White – Fear of the Dawn
4. My Morning Jacket – MMJ Live Vol. 2: Chicago 2021
5. Bonobo – Fragments

Top 5 Songs of 2022
1. The Mars Volta – “Graveyard Love”
For fans of The Mars Volta, it has been a long wait since Omar Rodríguez-López and Cedric Bixler-Zavala hit the studio to record new material. Even with the project’s two constant members on good terms these days, it took more than a decade before anything would enter our earholes. But despite many of the prog-rock tendencies it demonstrated on earlier albums dating all the way back to 2003’s seminal De-Loused in the Comatorium, the duo’s seventh studio effort delves unexpectedly into new sonic territory. With a pop aesthetic running through it that surprisingly sees no song surpass the five-minute mark, The Mars Volta will undoubtedly be looked at as a departure from the days of “Cygnus…Vismund Cygnus” and “Cassandra Gemini” when Rodríguez-López and Bixler-Zavala were captivating At the Drive-In fans as well as new listeners. Nevertheless, its second single “Graveyard Love” stands tall as some of their best work to date and reminds us that these guys haven’t lost what made them so uniquely special.

2. The Smile – “Thin Thing”
3. Jack White – “Eosophobia”
4. Interpol – “Toni”
5. Moderat – “EASY PREY”


Pilot to Gunner - Hail Hallucinator

Andrew Pohl // San Francisco

Top 5 Shows of 2022
1. Yard Act at Rickshaw Stop – San Francisco, CA – April 21st
Funny story about this show … I had been hearing a lot of buzz about Yard Act, and I had only listened to one song played a few times on KEXP, which I really dug. I had been on the Rickshaw Stop’s email list, and the venue ran a contest for free tickets. I happened to win so I took a chance and opted to see Yard Act’s show that same week. Wanting to familiarize myself with their material more, I immediately dove head first into their album and was totally hooked, so I felt really good about this turn of events. I hadn’t been to a gig at Rickshaw Stop in many years and was eager to visit again, so it felt great to be back in a packed room again for an intimate evening of punk rock. The opening act Buzzed Light Beer fell a bit flat in my humble opinion, but once Yard Act took the stage, the room started buzzing with life. Lead singer James Smith’s command of the crowd is very nonchalant, but he also knows he has you hanging on every word. The set was fun and well-executed, and the UK quartet was clearly on its “A” game after a lengthy run of shows and in between weekend performances at Coachella. Much to the chagrin of those in attendance, Smith kept referring to the audience as “San Diego” (LOL), though he did tell us that he had some mushrooms the night before, so … you know. To round things out, Smith offered to do a magic trick during the last song of Yard Act’s set before their encore and coaxed fans to hand over any loose bills they had, which he pocketed and took backstage. As it turns out, he actually gifted the money to the bar staff, which I felt was a nice touch and very much on-brand.

2. THE FEST 20 – Gainesville, FL – October 28th–30th
3. Coheed & Cambria at Greek Theatre Berkeley – Berkeley, CA – August 14th
4. Bauhaus at The Masonic – San Francisco, CA – May 22nd
5. The Velvet Teen at Arlene Francis Center – Santa Rosa, CA – June 17th

Top 5 Albums of 2022
1. Pilot to Gunner – Hail Hallucinator
Brooklyn indie rockers Pilot to Gunner hadn’t put out an album for a decade, and to be honest, I hadn’t really paid much attention to them prior to Hail Hallucinator. The name was always out there and I had friends who were really into them, but I never got around to checking out their music for one reason or another. And not unlike many other bands that came before them (i.e. Seaweed, Far, The Murder City Devils), I am bummed that I was so late to the party. They are absolutely fantastic, and this record was easily my most listened-to during 2022. From start to finish, the 10-track LP hit all the marks for me in terms of stellar songwriting, original-sounding guitar work that still feels familiar and vocals carrying the torch of the early 2000’s indie/emo revival sound ala Hey Mercedes and Jimmy Eat World all while not completely aping either group. “Drop the Sun”, “We’re Blasting to Masses”, “Total Rager” and “Escape Season” are among its best tracks, but I simply love all of them from beginning to end.

2. Thee Sacred Souls – Thee Sacred Souls
3. Yard Act – The Overload
4. Soul Glo – Diaspora Problems
5. High Vis – Blending

Top 5 Songs of 2022
1. 3rd Secret – “I Choose Me”
The supergroup 3rd Secret surprised the music world when their debut self-titled LP arrived in mid-April. Comprised of members from Nirvana, Soundgarden, Hater and Giants in the Trees, the album is a tour de force brought to you by grunge and alt-rock royalty. Its lead single “I Choose Me” turns things up and right out of the gate you can’t help but feel a little washed over with nostalgia from guitarist Kim Thayil’s signature riffage in addition to the thundering cadence courtesy of bassist Krist Novoselic and drummer Matt Cameron. What makes the song — and the album — stand out to me, however, is the work of co-vocalists Jillian Raye and Jennifer Johnson. The pair deliver gorgeous singing atop the otherwise gritty instrumentation, harkening back to what made so many 90’s albums awesome with a beautiful balance of dark and light. I kept coming back to this song a lot throughout the year, and it made me really reflect on just how incredible the music that came out of the Pacific Northwest was when I was growing up. To hear this collection of musicians conjuring up those aural ghosts through a contemporary filter was not only refreshing, but also something that I was really looking for in 2022.

2. Yard Act – “The Overload”
3. Thee Sacred Souls – “Can I Call You Rose?”
4. Cave In – “New Reality”
5. High Vis – “0151”


Animal Collective - Greek Theatre


Animal Collective at Greek Theatre // Photo by Rochelle Shipman

Rochelle Shipman // Los Angeles

Top 5 Shows of 2022
1. PUP at The Fonda Theatre – Los Angeles, CA – April 21st
Two years and one full length after this show was originally supposed to occur, LA finally got to see PUP perform on their “Thank Fucking God” tour. Worth the wait would be a major understatement here as the Canadian punks transported us back to pre-pandemic times like nothing had ever happened — we were touching, we were screaming, we were moshing again! The night had such an innocent air to it. Despite the delay, 2019’s Morbid Stuff felt fresher than ever (and it still does).

2. Yaya Bey at Cafe Erzulie – Brooklyn, NY – June 16th
3. Animal Collective at Greek Theatre – Los Angeles, CA – May 20th
4. Vince Staples at The Fonda Theatre – Los Angeles, CA – August 23rd
5. Bright Eyes at Greek Theatre – Los Angeles, CA – June 23rd

Top 5 Albums of 2022
1. Lando Chill – if im being honest
The multi-hyphenate who’s based out of LA quietly dropped this mixtape early in the year, and it stood strong in my top spot from the start. With a sharp wit and silky delivery, Chill tears through pages of his diary without cutting a single corner. Thank God for vulnerability.

2. Smino – Luv 4 Rent
3. Pusha T – It’s Almost Dry
4. Yaya Bey – Remember Your North Star
5. Open Mike Eagle – Component System with the Auto Reverse

Top 5 Songs of 2022
1. Steve Lacy – “Bad Habit”
An earworm for the ages! This impossibly catchy tune took over TikTok and catapulted Mr. Lacy into the spotlight that he was born to occupy, whether he was ready for it or not. The cherry on top of his banner year was the singer-songwriter’s old iPhone (aka his instrument) landing on display in the Smithsonian.

2. Lando Chill – “guess”
3. Leggy – “Lipstick on the Mic”
4. Pusha T – “Brambleton”
5. Channel Tres – “Acid in My Blood”

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Día y Noche de Los Muertos returns to Hollywood Forever, creating a cathartic experience with Ed Maverick, Hermanos Gutiérrez & more

Día y Noche de Los Muertos 2022By Iván Fernández //

Día y Noche de Los Muertos featuring Ed Maverick, Hermanos Gutiérrez, Son Rompe Pera, Thee Sacred Souls //
Hollywood Forever Cemetery – Los Angeles
October 29th, 2022 //

Typically, there’d be cause for serious concern when thousands of people congregate in a cemetery on a Saturday. The last thing we need in our not-quite-post-pandemic world is a mass gathering of a demonic cult or an apocalyptic scenario previously only imagined by the likes of the creators of the “Doom” video game franchise.

However, when the reason turns out to be the 23rd annual Día y Noche de Los Muertos event at the Hollywood Forever Cemetery in LA, the main concern is searching for a place to sit to eat between performances. The festival is one of the largest Day of the Dead-related events in the world outside of Mexico and Latin America. Attendees over the years have been regaled with impressive lineups of Mexican and Latin American artists along with the dozens of altars built by community members in honor of their departed loved ones.

For many years, the event at Hollywood Forever and the Día de los Muertos event at Self-Help Graphics on the other side of the county were the only large-scale celebrations of the cultural holiday in LA. In our post-“Coco” and “The Book of Life” world, they are national torchbearers for a region with the largest Latin American diaspora in the country.

The festival’s first edition in 1999 was a small affair featuring some live music, a couple of altars and roughly 300 people. At its peak about six to seven years ago, 40,000 people were dancing along near the memorial and burial sites of celebrities (one half of the original Ramones lineup, Johnny and Dee Dee, are laid to rest here along with Mel Blanc, Mickey Rooney, Burt Reynolds, Jonathan Gold, the DeMilles, the Chaplins, etc.) and non-celebs alike, some who were laid to rest in the late 19th century. Since 2021, the festival has pulled a Coachella of sorts and split into two separate events at the same location: a daytime cultural event dedicated to families and kids to learn about the history and specific cultural practices of Day of the Dead followed by a nighttime event featuring three stages of live music.

The 2022 edition welcomed over 20,000 people to the cemetery grounds for a day of music and remembrance. This year’s theme was dedicated to Mayahuel, the Aztec goddess of fertility and maguey (agave), the plant where pulque, mezcal and tequila are derived from. There’s a tragic backstory about the romance between Mayahuel and Quetzalcoatl, the feathered serpent, that ends in her death. His tears fall on her grave and create the agave plant, “producing pulque and mezcal to forever lesson our miseries and lift our grief,” to quote the event’s press release.

Día y Noche de Los Muertos 2022 - Thee Sacred Souls


Thee Sacred Souls

There was certainly something of that in the air this year. Though it was still a fun celebration of life, perhaps the weight of these past two years has made people’s sentiments heavier. You could see it in the elaborate altars placed along the pathways from the cemetery to stages and art exhibits.

Everywhere you looked, there was an old portrait of a married couple as well as photos of an infant, boys, girls and teens whose lives were all tragically cut short. The beauty in the Day of the Dead event is how these portraits are also adorned with items that reflected the warmth of their lives, however short or long. Creating an altar takes time and an emotional effort by their builders that helps them confront their grief. There may not have been much pulque or mezcal on the grounds, but the miseries of recent times were certainly lessened through these public displays of grief and love.

The performers for the night also did a wonderful job of bringing people together and lessening their miseries while lifting their grief. The night began with San Diego’s Thee Sacred Souls. The trio of singer Josh Lane, drummer Alex Garcia and bassist Sal Samano have seen their star rise quickly over the past year-and-a-half thanks to a combination of Lane’s Marvin Gaye-esque vocal styles and their mesmerizing take on Chicano soul and R&B.

Día y Noche de Los Muertos 2022 - Son Rompe Pera


Son Rompe Pera

Thee Sacred Souls were joined onstage with a pair of backup singers, a guitarist and a pianist/organ player to fill out their sound. Though the trio has just one full-length album to its name so far, songs such as “Can I Call You Rose?”, “Weak For Your Love” and “Love Comes Easy” have become instantly recognizable by the band’s growing legion of fans. Tears flowed, kisses were planted and lovers hugged as the band gracefully swung from one love balled to the next.

Son Rompe Pera, on the other hand, were the exact opposite. If you’re ever curious as to what a combination of cumbia and marimba music from Mexico’s southeastern coast sounds like when fused with the ethos and energy of hardcore punk, then you must make it your mission to watch these guys live.

At the heart of Son Rompe Pera’s sound is not an accordion, a guitar or a drum, but the graceful xylophone! Never have I seen so many people lose their minds over watching a guy who looks like Edward Munson’s Mexican twin rocking out on a minutes-long xylophone solo. Never have I also seen a mosh pit start thanks to a xylophone solo, and even less have I ever encountered a mosh pit where a man felt comfortable enough to run circles in it with his very young daughter cheering him on while riding on his shoulders.

Día y Noche de Los Muertos 2022 - Hermanos Gutiérrez


Hermanos Gutiérrez

The Mexico City outfit from the town of Naucalpan is also an example of how to restructure your recorded music for a live setting. Songs such as “Calculadora” and “Tortuga del Arenal” have a danceable, yet mellow rhythm to it on the album. When played live though, the songs take on a faster rhythm, with the marimba and cumbia accents ceding ground to the group’s punk vibe.

This is where I question the order of the artists on the lineup. Hermanos Gutiérrez went up next and played beautifully. Brothers Alejandro and Estevan Gutiérrez are two talented musicians who play guitar together, swapping between acoustic, electric and slide guitars during their shows. The Zurich-based duo’s instrumental music swept me away, carrying me into a mystical world soundtracked by their cinematic, western style.

Unfortunately, some in the crowd were still riding the high from Son Rompe Pera and jarred by the switch in energy and music, prompting me to wonder if it would have been better if Hermanos Gutiérrez performed before Son Rompe Pera. It’s a shame really, but it was wonderful to hear songs from their latest album El Bueno Y El Malo (The Good And The Bad), which they recorded with Dan Auerbach and released on The Black Keys frontman’s record label Easy Eye Sound, along with a few older cuts. There was something about listening to title track, “Tres Hermanos” and “Hermosa Drive” live in a cemetery that added to the experience and aura of the night’s festivities that no other performer had.

Día y Noche de Los Muertos 2022 - Ed Maverick


Ed Maverick

The evening’s headliner Ed Maverick was a smart choice to close things out. I knew the fest had taken a somber and introspective turn when the promoters announced him to lead the lineup. In fact, the “Sad Boy Supreme” of Chihuahua, Mexico, was stopping through LA on his first-ever world tour — and he did not disappoint.

Even from a distance, it’s easy to tell that his sad-boy schtick isn’t a performance but who he truly is. It also shouldn’t be a surprise considering he titled one of his albums Mix Pa’ Llorar en Tu Cuarto (A Mix to Cry in Your Bedroom). And yes, he performed his sad-boy anthems, but he and his band gave the songs an aura that matched the grief-lifting vibes of the night.

Maverick and his band adapted other songs from Mix and his 2021 LP Eduardo to give them a larger presence live. “Hola, ¿cómo estás?,” for example, filled the event like an anthem meant for a stadium as opposed to the recorded version’s floating, atmospheric vibes. Meanwhile, “Fuentes de Ortiz”, “Acurrucar” and “Quiero” became cathartic sing-alongs for thousands of fans in attendance.

Maverick didn’t have too much to say between songs and let his music do most of the talking. However, when he did speak to the crowd, he had to pause with a smile and wait for the lull between screaming and cheering fans to be heard. He ended the night with a lengthy guitar solo that cemented his newfound status as a rock star and new king of the sad boys.

Whatever grief guests carried with them into the event, they certainly left feeling weightless after a long, fun and most importantly, cathartic experience.