The Bam Team’s 5 Favorite Shows, Albums & Songs of 2025

Best of 2025 - Geese, Clipse, Freddie Gibbs & The Alchemist, Primus, The Prodigy, My Morning Jacket

Well, here we are again with another year in the books. Music, for one, certainly had its ups and downs throughout 2025. There was Kendrick Lamar’s iconic Super Bowl halftime show, the long-awaited return of Britpop legends Oasis and of course the death of Ozzy Osbourne two weeks after performing for the final time that sent shockwaves across the world. Along with those moments, we witnessed quite a few of our own. Whether it was taking in the closest thing to a Rage Against the Machine show you can see these days, The Prodigy tearing down the house for their first North American headline date since 2017, an evening with Primus that was chock full of surprises, My Morning Jacket’s epic return to Red Rocks, one of the summer’s best co-headline tours with The Flaming Lips and Modest Mouse both sharing the stage and Lord Huron’s ascent to newly minted arena act, there was plenty to celebrate and remember over the last 12 months.

But with another year down and 2026 right around the corner, it’s time for us to reveal our annual “Best of” lists as we have done since this blog started more than a decade ago (see our 2024 picks here). As we always say, we will be the first to confess we didn’t attend every show or spin every album that was issued in 2025, but reflecting on the year that was remains just as fun and challenging as when we first started doing this yearly exercise.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2025.

Listen to The Bam Team’s favorite songs of 2025:

Geese - Getting Killed

Josh Herwitt // Los Angeles

Top 5 Shows of 2025
1. Nine Inch Nails at Kia Forum – Los Angeles, CA – September 18th-19th
When these Hall of Famers announced their “Peel It Back Tour” almost a year ago, we had a pretty good feeling that new music would be on the way. What we didn’t know is that it would for the new “Tron” movie that arrived in the fall. And while permanent members Trent Reznor and Atticus Ross showcased only the soundtrack’s lone single on this run, it was the production featuring a two-stage setup and reimagining of older songs — particularly on the “B Stage” with Boys Noize as Nine Inch Noize — in addition to the unexpected return of former touring drummer Josh Freese that had me thinking about these final two shows of the tour for weeks. That’s what live music can do when an unforgettable performance sticks with you, which was even more remarkable considering Reznor entered his seventh decade just earlier this year.

2. My Morning Jacket at Red Rocks Amphitheatre – Morrison, CO – August 15th-16th
3. Queens of the Stone Age at Arlington Theatre – Santa Barbara, CA – November 8th
4. Jack White at Hollywood Palladium – Los Angeles, CA – May 12th-13th
5. Primus at Greek Theatre – Los Angeles, CA – August 6th

Honorable Mention: The Prodigy at The Warfield – San Francisco, CA – April 13th

Top 5 Albums of 2025
1. Geese – Getting Killed
Let me just say first and foremost that this was not my favorite year for albums. That said, there were several that stuck out and the fourth full length from these NYC indie rockers stood squarely at the top. From the sonic chaos that greets us during “Trinidad” and the groovy, Sly Stoned-flavored “100 Horses” (which is apropos given his death in June) to lead single “Taxes” that’s one of its best and the frenetic finale “Long Island City Here I Come”, the variety of sounds being explored on Getting Killed is almost unparalleled. Geese shouldn’t be considered new kids on the block at this point, but there’s a legitimate reason why they were one of the year’s hottest bands and I am still kicking myself for missing their sold-out show at The Fonda Theatre in late October (resale tickets were going for as much as $800 and that was while the Dodgers were in the World Series no less). Well, fingers crossed for my first one in 2026.

2. Clipse – Let God Sort Em Out
3. The Mars Volta – Lucro Sucio; Los Ojos del Vacio
4. Lord Huron – The Cosmic Selector Vol. 1
5. Ty Segall – Possession

Honorable Mention: Lady Gaga – Mayhem

Top 5 Songs of 2025
1. Nine Inch Nails – “As Alive as You Need Me to Be”
I have no problem admitting that I am a sucker for any new NIN music. As one of my favorite bands all time, the industrial rockers had not released a proper album in more than a decade and we’re not sure if the “Tron: Ares” soundtrack technically counts in our book either. But we love it when Reznor leans into the electronic side of the project, and “As Alive as You Need Me to Be” with additional production from Boys Noize scratches that itch for us. While numbers don’t always tell the full story, the fact that it was our top played song on Spotify does mean something when you look back on all of the music we got to consume in 2025. Better yet, Trent and Atticus still making music of this caliber speaks volumes to their craft and talent as true professionals.

2. Clipse – “Chains & Whips” feat. Kendrick Lamar
3. My Morning Jacket – “Beginning from the Ending”
4. DARKSIDE – “One Last Nothing”
5. Lord Huron – “Bag of Bones”

Favorite Soundtrack of 2025: Nine Inch Nails – Tron: Ares


Deftones - private music

Andrew Pohl // San Francisco

Top 5 Shows of 2025
1. Home Front at Thee Parkside – San Francisco, CA – November 21st
Having caught Home Front last year in SF at Bottom of the Hill I know going into this concert that Home Front was going to absolutely crush it, but man oh man did they completely outdo themselves. Opening act False Flowers warmed up the crowd in spectacular fashion, and The Government did an excellent job as main support. The overly packed room was VERY ready to receive what Home Front was about to give them, and the band destroyed the place inside and out. Sonically crisp and very tight, the band has built a reputation of being a superb live act and it fully lived up to that at this show, playing much of the material from their new album Watch It Die along with material from their previous efforts and a Cock Sparrer cover to end the set.

2. Pile at Rickshaw Stop – San Francisco, CA – September 10th
3. Pixies with Blonde Redhead, Spoon at Greek Theatre Berkeley – Berkeley, CA – August 28th
4. Deep Sea Diver with Byland at The Independent – San Francisco, CA – April 8th
5. Dance Hall Crashers at Great American Music Hall – San Francisco, CA – June 7th

Top 5 Albums of 2025
1. Deftones – private music
For a band that has produced as much quality output as Deftones has over the years, it’s nice to see them outdo themselves like they did on this album. I wouldn’t qualify it as a “return to form” since it has much of the sonic familiarity throughout the rest of their catalog, but the songs themselves are just really strong and stick to your bones more than most of their other recent material. They sound like a unit that came into recording this with confidence and intention. The material also feels like it would translate well live, and based on how footage of their concerts this year looked, I stand correct. This is the album that I kept coming back to over and over again in 2025, which didn’t surprise me given my love for these guys.

2. Momma – Welcome to My Blue Sky
3. Home Front – Watch It Die
4. Deep Sea Diver – Billboard Heart
5. Viagra Boys – Viagr Aboys

Top 5 Songs of 2025
1. Viagra Boys – “Man Made of Meat”
This is such a perfect way to open Viagra Boys’ new album. Right off the bat you get that level of sass and weirdness that we have come accustomed to from the Swedish post-punk band. From the perfectly timed belch in the opening verse to the breakdown where frontman Sebastian Murphy brings up the idea of subscribing “to your mom’s Only Fans,” the song is a buffet of ridiculousness. The chorus is catchy as all get out, and the song as a whole is that perfect mix of accessible and clever. What a fun way for them to get things started.

2. Deftones – “Locked Club”
3. Preoccupations – “Ill at Ease”
4. Home Front – “Light Sleeper”
5. Momma – “New Friend”


Clipse - Let God Sort Em Out

Rochelle Shipman // Los Angeles

Top 5 Shows of 2025
1. Kendrick Lamar and SZA at SoFi Stadium – Inglewood, CA – May 24th
It’s hard to imagine anything other than a killer Kendrick show after the run he’s had this past year, but the Grand National Tour went above and beyond and around again. It was one set with songs from both artists’ catalogs being seamlessly interwoven before they came back onstage to perform a few of their hits together. Kendrick was riding his deserved high, while SZA was angelic (literally suspended above the crowd wearing wings) and somehow made it feel like we were watching two Beyoncés. The power and craft on that stage was something so special to witness.

2. Little Simz at Fox Theatre Oakland – Oakland, CA – November 17th
3. Clipse at The Novo – Los Angeles, CA – August 23rd
4. Bright Eyes at The Wiltern – Los Angeles, CA – February 7th
5. Doechii at Gallagher Square (Petco Park) – San Diego, CA – November 5th

Honorable Mention: NxWorries at Hollywood Palladium – Los Angeles, CA – October 19th

Top 5 Albums of 2025
1. Clipse – Let God Sort Em Out
After a false start with Def Jam that resulted in a seven-figure buyout, Clipse finally found a home at Roc Nation for their newest album in 15 years over the summer — and now it’s hard to imagine it happening any other way. The brothers Thornton reunited to educate the kids on what a proper album rollout used to entail, the whole time sharing their experiences and emotions surrounding their parents’ deaths to a degree most men would never dream of doing. The beats and bars hit so hard all the way through they even make some of Pharrell’s cringeworthy moments sound catchy. There’s no question Mom and Dad are proud of them after laying down this masterpiece.

2. Little Simz – Lotus
3. Backxwash – Only Dust Remains
4. Landlady – Make Up / Lost Time
5. Panda Bear – Sinister Grift

Top 5 Songs of 2025
1. Little Simz – “Thief”
Opening her sixth studio album with an intro track that’s as intense as it is eloquent, the London rapper continues to prove she’s not the one to fuck with. Marking the first of a few songs on Lotus that artfully skewers her former musical counterpart Inflo of Sault, “Thief” leaves Simz’s broken heart totally bare against a compelling musical backdrop. It’s never fun to watch close friends have a falling out, but we would be damned if Little Simz didn’t make it sound so good.

2. Clipse – “The Birds Don’t Sing”
3. AJ Tracey feat. Jorja Smith – “Crush”
4. Casey Dienel (fka White Hinterland) – “Your Girl’s Upstairs”
5. Doechii – “Nosebleeds”


Freddie Gibbs & The Alchemist - Alfredo 2

Michael Silver // Orange County

Top 5 Shows of 2025
1. Jack White at The Grove of Anaheim – Anaheim, CA – January 25th
The millennial guitar GOAT went on a generational run in 2025. A master of gorilla marketing and last-minute ticket announcements, White commenced his “No Name” tour with an intimate OC performance. The Internet gods were kind to me as I scored front-row access to see the Detroit native blitzed through a 21-song set spanning White Stripes cult favorites (“The Hardest Button to Button”) to The Raconteurs’ gems (“Broken Boy Soldier”) all while mixing in new joints (“Old Scratch Blues” followed by “That’s How I’m Feeling”). Between playing music halls and theaters as well as NFL stadiums with Eminem in front of a national TV audience on Thanksgiving, the virtuoso and ambassador for all things vinyl was officially inducted into the Rock & Roll Hall of Fame as a member of The White Stripes this year and has carved out his own lane in rock history.

2. Freddie Gibbs & The Alchemist at The Observatory – Santa Ana, CA – October 27th
3. The Eagles at Sphere – Las Vegas, NV – October 10th
4. Wu-Tang Clan at Crypto.com Arena – Los Angeles, CA – June 22nd
5. The Used at House of Blues Anaheim – Anaheim, CA – October 11th

Top 5 Albums of 2025
1. Freddie Gibbs & The Alchemist – Alfredo 2
Following up on 2020’s Grammy-nominated collaboration, the Indiana rapper and California producer created a soulful, translucent vibe of hip-hop bravado. The opening guitar licks on “1995” showcase a new era of creativity by The Alchemist, while Gibbs provides a hypnotic and downright maniacal flow. “Mar-a-Lago” and “Lemon Pepper Steppers” define these sophisticated raps, with the emcee in total control painting a visual storyboard.

2. Deftones – private music
3. Turnstile – Never Enough
4. Clipse – Let God Sort Em Out
5. Joey Bada$$ – Lonely at the Top

Top 5 Songs of 2025
1. Turnstile – “Birds”
Has there ever been a more fitting rock anthem to take over the airwaves? Soaring in at 2:27 long, the Baltimore collective blasted into our collective conscience. With high-profile fans like Billie Eilish, Elton John and Hayley Williams singing their praise, it wasn’t long before mainstream radio added them into their rotations. To wrap up a wild press campaign, lead singer Brendan Yates performed the first-ever stage dive at NPR’s Tiny Desk series with “Birds” as his soundtrack.

2. Deftones – “Milk of the Madonna”
3. Diplo – “Flashlight” feat. Project Pat & Juicy J
4. GELO – “Tweaker”
5. Sublime – “Ensenada”

Favorite Soundtrack of 2025: Nine Inch Nails – Tron: Ares

Showbams

Portola Music Festival 2025: Our awards & highlights for Year 4

Portola Music Festival 2025 - LCD Soundsystem


LCD Soundsystem

Photos by Christine Kemp // Written by Molly Kish //

Portola Music Festival //
Pier 80 – San Francisco
September 20th-21st, 2025 //

The Bay Area celebrated Portola’s fourth edition this September by packing SF’s Pier 80 with its most diverse lineup so far. Attendees got the opportunity to catch legendary electronic artists, festival debuts, the iconic return of several dance-punk outfits and a show-stopping performance by one of the biggest pop stars on the planet.

The weather was impeccable, but that wasn’t enough to keep crowds from forming lines all weekend long to gain entry to the Bay Area debut of Despacio. James Murphy shared unofficial joint headliner duty with his high-fidelity audio immersion system that served as an honorary fifth stage. Folks waited sometimes hours to enter the dimly lit sound enclosure, lined with seven stacks of McIntosh-powered speakers, synchronized yet very sparse lighting, 50,000 watts of amplifiers and a giant disco ball. Lead audio engineer John Klett calls it an “emotional transmission machine,” and over the course of the two-day fest, many made a point to go find themselves in there.

Portola 2025 marked some monumental comebacks, including the first Bay Area show for The Rapture in more than 10 years, The Prodigy’s highly anticipated appearance after having to reschedule one of their two Coachella sideshows at The Warfield in April (read our show review here) and Moby’s return for the first time since the Ghostship Fire Benefit in 2020 to perform his seminal album Play with a live band and vocalist. Last but certainly not least was pop icon Christina Aguilera, who turned the festival into a girly-pop fever dream for 45 minutes and blazed through one of the weekend’s most epic sets.

Portola Music Festival 2025 - Despacio


Despacio

There were clear improvements to the layout for both the Warehouse and Pier Stage with larger and more accurately located VIP sections, and though the grounds felt less activated, they seemed to be more manageable. The selection of food vendors was also greatly improved, with less waiting time at the bars and larger selections of cocktails as well as specialty drinks than ever before.

For this latest installment, Portola went all in on tried-and-true favorites that included bringing back Dom Dolla, Caribou, Chemical Brothers and 2manydjs after their previous appearances. Goldenvoice paired down the over-the-top production from prior years and brought the focus back onto the music, too.

With noticeably smaller crowds and lighter fairground fluff, attending Portola this year felt different. But for a festival that draws fans who are more concerned about seeing quality performances than posting influencer-friendly content, it remained true to form in 2025 and was a much-needed party for the Bay Area’s club core.

Portola Music Festival 2025 - Christina Aguilera


Christina Aguilera

PORTOLA MUSIC FESTIVAL 2025 AWARDS:

Headliner of the Weekend: The Prodigy

Favorite Stage: Warehouse

Breakthrough Performance: Anti Up (Chris Lake & Chris Lorenzo)

Best Dance Party: Moby

Largest Crowd: Dom Dolla

Festival Daddy: Mau P

Portola Queen: Christina Aguilera

Best Legacy Act: Underworld

Hardest Set: Brutalismus 3000

Best Live Performance: LCD Soundsystem

Biggest Comeback: The Rapture

Most Cunty: Rico Nasty

Best Stage Production: Chemical Brothers (DJ set)

Favorite Festival Addition: Despacio

Best Afterparty: Peggy Gou B2B Mau P at 888 Garage

Biggest Improvement: Relocation of VIP section

Most Swoonworthy: Maribou State

Favorite Merch: Raccoon backpack

Silliest Trend: Food label stickers

Largest Obstacle: Lack of cellular service

Pixies dive into their classic LPs ‘Bossanova’ & ‘Trompe Le Monde’ for a sold-out Hollywood Palladium with Kurt Vile & the Violators aboard

Pixies - Black Francis


Pixies

By Josh Herwitt //

Pixies with Kurt Vile and The Violators //
Hollywood Palladium – Los Angeles
June 20th, 2025 //

Is it just us or does live music sound better in the summer?

So far we have already witnessed a number of exciting moments in live music as 2025 presses on — from The Prodigy’s first headlining date on U.S. soil since 2017 (read our show review here) to Jack White’s electrifying run through SoCal (read our show review here) — but with the temperate season officially underway now, this is the time of year when it really gets the chance to shine in the hot sun.

It’s during these months when we seemingly expand our horizons a little more, and while we did cover their co-headline tour with Weezer when it rolled through LA almost eight years ago and brought out a sold-out crowd to The Forum (read our show review here), it’s not often that we find ourselves going to — let alone photographing — a Pixies show.

But with the alt-rock legends headlining the Hollywood Palladium at capacity on a Friday and Saturday night to mark the first two days of summer, even a more casual fan like myself was intrigued to attend at least one of them. This year’s North American tour sees the four-piece performing two-night stands in 14 cities over the course of six weeks with support from Kurt Vile & the Violators, which felt like a surprising choice to pair alongside the Pixies from our perspective but one I was all for.

Kurt Vile & the Violators


Kurt Vile & the Violators

When you listen to Vile’s music, it’s hard to find a lot of common ground with what the Pixies do. This wasn’t our first time covering the Philadelphia singer-songwriter whose music floats between garage rock, indie folk and lo-fi psychedelia, although it had been nearly a decade since we saw him and his sidekicks also serve as an opener less than two miles away at the iconic Hollywood Bowl for the one and only Sufjan Stevens (read our First Times coverage here).

The former lead guitarist of The War on Drugs who gave us FOMO the following evening by having Adam Granduciel sit in on “Hunchback” hasn’t unleashed a full-length album since 2022’s (watch my moves) marked his ninth, but Vile did resurface more than a year later with his 2023 release Back to Moon Beach, which runs 52 minutes long but was still designated as an EP. His record label Verve, in fact, clarified that it was an “EP by no one’s definition but Kurt Vile’s.” Yet, a brand-new — albeit briefer — EP that features collaborations with Nashville musician Luke Roberts awaits on July 25th and while we didn’t hear any material from the five-song effort, the title track “classic love” has recently made its way into the universe.

Vile, as quirky and eccentric as he is considering two of his biggest hits are named “Pretty Pimpin” and “Loading Zones” for instance, has always played by his own set of rules and in many ways so have the Pixies after forming close to 40 years ago. That’s about as much overlap as we can diagnose between the two acts, but that only made for a more diverse and unique night of so-called “indie rock.”

Black Francis (lead vocals, rhythm and acoustic guitar), David Lovering (drums, percussion, backing vocals, occasional lead vocals and bass), Joey Santiago (lead guitar, occasional backing vocals and Emma Richardson (bass, backing and occasional lead vocals) have been revisiting a couple of their classic LPs — 1990’s Bossanova and 1991’s Trompe le Monde that were recorded in LA shortly after the band’s cross-country move from Boston “because the recording studio was there” — on the first night at each stop and with that in mind, there were few surprises to expect once they took the stage.

Pixies


Pixies

When a band plays an album live from start to finish, it can be a double-edged sword depending on the context — and by that we mean if it was previously disclosed or not. While the aforementioned element of surprise disappears in the case of the former, there are certain deep tracks that have the opportunity to be revived and even stand out. Along those lines, we have heard how bands have to go back into the lab and relearn some of those songs, making it a fun exercise for the musicians to take part in.

And from our vantage point, it clearly looked like the Pixies were having a blast up there as Francis (born Charles Michael Kittridge Thompson IV) and company ran through one tune after another. The only question mark when they returned from a short encore break was what would be in store for the final 20 minutes … because they had to uncork “Where Is My Mind?” before it was all over, right?

That they most certainly did, as a cover of “In Heaven (Lady in the Radiator Song)” by Peter Ivers and David Lynch opened the four-song encore that sent us home. One of the highlights for us, though, had to be the ensuing “UK Surf” version of “Wave of Mutilation” on 1989’s Doolittle, which has been saved on this tour primarily for the second night in each city.

For one last taste we were treated to “Into the White” off the 1997 compilation Death to the Pixies that repeats the lyric “And there ain’t no day / And there ain’t no night” at the outset. They were fitting words to hear given that we had entered the Palladium in daylight and exited to nightfall as if we had spent the last four hours in a time capsule traveling back to the early 90’s. Too bad it was only temporary.

PIXIES

Setlist:
Bossanova
Cecilia Ann (The Surftones cover)
Rock Music
Velouria
Allison
Is She Weird
Ana
All Over the World
Dig for Fire
Down to the Well
The Happening
Blown Away
Hang Wire
Stormy Weather
Havalina

Trompe Le Monde
Trompe le Monde
Planet of Sound
Alec Eiffel
The Sad Punk
Head On (The Jesus and Mary Chain cover)
U-Mass
Palace of the Brine
Letter to Memphis
Bird Dream of the Olympus Mons
Space (I Believe In)
Subbacultcha
Distance Equals Rate Times Time
Lovely Day
Motorway to Roswell
The Navajo Know

Encore:
In Heaven (Lady in the Radiator Song) (Peter Ivers & David Lynch cover)
Wave of Mutilation (UK Surf)
Where Is My Mind?
Into the White

KURT VILE & THE VIOLATORS

Setlist:
Hey Like a Child (Kurt Vile song)
Bassackwards (Kurt Vile song)
Mount Airy Hill (Way Gone) (Kurt Vile song)
Loading Zones (Kurt Vile song)
KV Crimes (Kurt Vile song)
Like Exploding Stones (Kurt Vile song)
Pretty Pimpin (Kurt Vile song)
Wakin on a Pretty Day (Kurt Vile song)

LCD Soundsystem, Christina Aguilera, Dom Dolla, Peggy Gou, The Chemical Brothers & Moby will lead fourth Portola Music Festival

Portola Music Festival - 2025 lineup

Portola Music Festival //
Pier 80 – San Francisco
September 20th-21st, 2025 //

Portola peeps, where you at?!?

The time for Round 4 of your favorite two-day Bay Area music festival has come, and we are pretty sure you won’t be disappointed with what Goldenvoice has in store this September at SF’s Pier 80.

The renowned California concert promoter hasn’t taken its foot off the gas pedal after its third edition featured RÜFÜS DU SOL, Justice, Disclosure, FISHER, Gesaffelstein, Jamie xx, Four Tet and M.I.A. among others a year ago.

2025’s roster is simply loaded once again with LCD Soundsystem, Christina Aguilera, Dom Dolla, Peggy Gou, The Chemical Brothers (DJ set) and Moby (Live) delivering the biggest impact while others listed in bold-faced type like Anti Up (Chris Lake x Chris Lorenzo), The Prodigy, MAU P and Underworld are also grabbing our attention upon first glance.

As you look closer at all of the artists sprinkled throughout the poster, there are plenty of more names to highlight as Caribou, Blood Orange, Duke Dumont, Rico Nasty, The Dare, Arca, Magdalena Bay, Hamdi, NEIL FRANCES (Presents Club NF), Chris Stussy, Bob Moses, The Rapture, Yousuke Yukimatsu, Noga Erez, The Hellp, Boy Harsher, Prospa B2B Kettama, Maribou State, 2ManyDJs B2B Erol Alkan, Dabeull (Live), The Blessed Madonna B2B Tiga, KI/KI, Horse Meat Disco, Zack Fox and Kreayshawn. Plus, two days of Despacio! See more details above to find out who else is performing.

While the Portola lineup has leaned electronic since the fest’s debut in 2022, Goldenvoice has done a good job of mixing in artists from other genres that fit the overall aesthetic and vibe. From rock and hip-hop to R&B, funk and soul, you can find a little bit of everything at one of the final music festivals of the season. Let’s just hope the weather holds up (fingers crossed).

Portola 2025 passes can be purchased starting this Thursday, May 15th at 12 p.m. PT with payment plans available if you put down at least 25% right now, so make sure to register here to receive your presale code. Two-day GA passes begin at $399.95 (or $279.95 for single-day tickets) while two-day VIP have increased to $649.95 (or $399.95 for one day) here for those ages 21 and up.

This will be a hot ticket so don’t miss your chance to dance down at the docks!

Portola Music Festival 2025 - Saturday set times

Portola Music Festival 2025 - Sunday set times

UPDATE (July 25th): Almost two months before Portola’s fourth installment, Goldenvoice has unveiled set times for both days. Take a peek at the schedule above and download the festival’s mobile app here before cruising to Pier 80. Tickets are still available here whether you are interested in going one or two days, so don’t miss out on what’s sure to be one of the year’s best weekends!

Goldenvoice

The Prodigy channel the spirit of Keith Flint by bringing the ruckus to The Warfield for their first North American headline show since 2017

The ProdigyBy Josh Herwitt //

The Prodigy with Nitepunk //
The Warfield – San Francisco
April 13th, 2025 //

As someone who grew up in the 90’s and whose musical taste was shaped largely by the decade’s zeitgeist, my initial interest in electronic music dates back to the first time I ever heard The Prodigy.

The year was 1997 and the UK group’s seminal album The Fat of the Land had exploded into the mainstream, reaching No. 1 on the charts at home and in the states as music videos for hit singles “Breathe” and “Smack My Bitch Up” frequently played on MTV.

But there was something different about the raw, unapologetic sound crafted by producer, keyboardist, songwriter and founding member Liam Howlett that infiltrated the underground rave scene, eventually making The Prodigy one of the most successful electronic acts of all time with an estimated 25 million albums sold worldwide.

The Prodigy, for starters, were the only electronic act at the time to feature not just vocalists, but also dancers as full-time band members. In fact, it wasn’t until Howlett met dancers Keith Flint and Leeroy Thornhill during one of his early DJ gigs at a nightclub in Braintree that the project came to fruition — with the band’s name being conceived from the Moog Prodigy synthesizer that Howlett used to make some of the music he would originally share with them on a mix tape requested by Flint.

And unlike their fellow Big Beat peers in The Chemical Brothers, The Crystal Method and Fatboy Slim that all formed shortly after The Prodigy unveiled their debut EP What Evil Lurks in 1991, incorporating more traditional rock instrumentation in the form of guitars, keyboards and drums with other burgeoning art forms — turntablism, sampling and beatboxing for instance — that were gaining traction across the music industry was what separated them from the rest and continues to be an integral part of the sonic formula they have followed over the past 34 years.

For as long as I have been a fan of The Prodigy and lived in Los Angeles though, it always surprised me that I had never seen them perform live. Even in a city with no shortage of live music and entertainment options every night of the week, there haven’t been many opportunities to catch Howlett and company in the flesh with the band limiting its trips across the pond.

The Prodigy

Then in 2019, those prospects suddenly looked much more bleak after Flint was found dead in his North End home at the age of 49. The Prodigy, having just released their seventh album No Tourists less than six months prior, were a couple of months away from touring the U.S. for the first time in a decade, and with the shows — none of them on the West Coast — immediately canceled, no one knew sadly if they would ever get back out there again.

So, when Goldenvoice announced The Prodigy would play a Coachella sideshow in between their two performances at the festival this year, I knew that might be my only chance to finally cross them off my bucket list. That meant driving almost 400 miles north to SF for their first North American headline date since 2017, but after snagging tickets to the first show at The Warfield that quickly sold out as well as a second performance they added subsequently for the previous night, it felt like the odds were stacking up in my favor.

When I arrived at the 102-year-old vaudeville theater before the doors had opened, there were already two lines of people going down Market St. in either direction. This was technically the add-on gig, and while there were tickets available for those who wanted to purchase a seat in the balcony section, the floor area downstairs had filled up by 8 p.m. when Nitepunk hit the decks to kick off the evening.

An hour later, and it’s fair to say the place was completely packed to the gills with the clock nearing 9 p.m. The roar of the crowd that greeted The Prodigy as they walked out provided us with a pretty good indication things were about to go off, and it didn’t take longer than a minute for such to transpire. The opening notes to “Breathe” sent the pit into an absolute frenzy that didn’t let up for the next 75 minutes as Howlett and Maxim (vocals, beatboxing) plus touring members Rob Holliday (guitars, bass) and Leo Crabtree (drums, percussion) powered through a setlist that covered most of the project’s catalog. We do wonder why no material from 2004’s Always Outnumbered, Never Outgunned made the cut by the end of the set, but the ensuing “Voodoo People” on 1994’s Music for the Jilted Generation was still a treat to hear live. Other highlights included a melody of older tracks — which began with “Climbatize” before transitioning to “Everybody in the Place” and “Warrior’s Dance” — along with a tribute to Flint during “Firestarter” that earned loud cheers from the audience at the outset.

Stadium anthems “Light Up the Sky” and “Invaders Must Die” offered visceral moments for everyone to sing along to when it came time for the chorus in each song, but the energy never waned regardless of the brief encore break that put a pause on the party. Returning with “Smack My Bitch Up” is one way to ensure that doesn’t happen and the final stretch that saw “Take Me to the Hospital”, “We Live Forever” and “Out of Space” was another, leaving us mostly out of breath when we exited the building.

Was it everything we could have asked for? Maybe if they had dropped “Diesel Power” we could say yes unequivocally, but knowing that the original date at The Warfield ended up being canceled the following night after Howlett spent the next day in the hospital on an IV drip, we feel fortunate to have gotten any taste of The Prodigy while they were here in California. Because with a record-breaking streak of seven straight No. 1 albums back home and new tunes currently being worked on, there remains hope among us “party people” it might not be too long before their return to the U.S. and you can bet we will be ready whenever and wherever that is.

Setlist:
Breathe
Voodoo People
Omen
Climbatize / Everybody in the Place / Warrior’s Dance
Beyond the Deathray
Firestarter
Light Up the Sky
Roadblox
Poison
No Good (Start the Dance)
Get Your Fight On
Invaders Must Die

Encore:
Smack My Bitch Up
Take Me to the Hospital
We Live Forever
Out of Space

Jumping ahead of schedule again, Coachella shares 2025 set times for both weekends while also adding Weezer & Ed Sheeran

Coachella 2025

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 11th-13th & April 18th-20th, 2025 //

As the calendar flips from March to April, those of us who are live music fans in Southern California know that means we are only days away from Coachella’s next installment.

The 24th edition of Goldenvoice’s signature event is almost here, and though the renowned concert promoter has been known to wait closer to the festival to release set times, it has jumped a few days ahead of schedule, which organizers also did by unveiling this year’s lineup in November rather than January shortly after celebrating the new year. There’s still several days to go before Coachella’s first weekend, but check out the full schedule below before heading to the desert next week.

What’s different in 2025 is set times for both weekend are being revealed beforehand, yet much like in 2024 with Vampire Weekend (Weekend 1) and Kid Cudi (Weekend 2), 2023 with blink-182 (Weekend 1 and 2) and Four Tet x Fred again.. x Skrillex (Weekend 2), and then of course in 2022 with Arcade Fire (Weekend 1) for the first time, there will be two more special guests, both on a Saturday at the Mojave Tent, as Weezer rocks Weekend 1 and Ed Sheeran fills a similar afternoon slot for Weekend 2.

That’s not likely to be the only surprises in the desert, though. With acclaimed hip-hop DJ and producer Mustard hitting the massive Sahara Tent at 11:50 p.m. on Friday while Lady Gaga headlines the fest for the second time in her career after replacing Beyoncé in 2017, we can only guess that Kendrick Lamar will be making an appearance after the two linked up in New Orleans less than a couple of months ago for the award-winning emcee’s Super Bowl LIX halftime show.

The other piece of news that comes with the schedule drop is which day Travis Scott will be performing. Originally booked to headline in 2020 before the COVID-19 pandemic put the kibosh on such plans and the disaster that would unfold a year later at Astroworld Festival (or Diastroworld as we like to call it), the chart-topping rapper — listed toward the bottom of the poster similar to how No Doubt, Calvin Harris and Swedish House Mafia were the last three years despite being labeled this time as some sort of visionary who “designs the desert” rather than someone who merely returns to it — will follow Saturday headliner Green Day on the main stage and begin his special set at 11:40 p.m.

So, who’s making the trek out to the Empire Polo Club? If you are, tell us: what’s your biggest conflict and which act are you most excited to see? And don’t forget to bring plenty of sunscreen and water.

WEEKEND 1 SET TIMES

Coachella 2025 - Weekend 1 - Friday set times

Coachella 2025 - Weekend 1 - Saturday set times

Coachella 2025 - Weekend 1 - Sunday set times

WEEKEND 2 SET TIMES

Coachella 2025 - Weekend 2 - Friday set times

Coachella 2025 - Weekend 2 - Saturday set times

Coachella 2025 - Weekend 2 - Sunday set times

MAP

A few days later, Coachella has put out this year’s map and the big change is Quasar trading places with the Do LaB. While both of the aforementioned stages focus specifically on showcasing electronic music, the location change does signal an upgrade for Quasar after last year’s debut by now having its own designated area/corner. If you are looking to dance in more comfortable temperatures though, the air-conditioned Yuma Tent on the other side of the polo fields by 12 Peaks is always a good option day or night.

Coachella 2025 - map

If you are still thinking about going, you can hop on the waitlist here or purchase tickets here along with whatever camping and parking passes are left.

Happy Coachella!

Christmas comes early for Coachella fans as Goldenvoice reveals 2025 lineup headlined by Lady Gaga, Green Day & Post Malone

Coachella - 2025 lineup

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 11th-13th & April 18th-20th, 2025 //

Surprise! Just when you thought Coachella didn’t have any more tricks up its sleeve, the famed three-day music festival has caught us off guard once again — in this instance, by unleashing a lineup more than six weeks ahead of what we have normally witnessed.

It has become a New Year’s tradition over last two decades for Goldenvoice to pull back the curtains in early January and put out the renowned poster for its signature event every year, but after seeing Paul Tollett and company announce the roster for its country-themed festival Stagecoach in September and reports beginning to swirl this week once Post Malone let the cat out of the bag on his plans, maybe it shouldn’t come as a total shock that Coachella has given fans an early Christmas gift.

Leading the 24th edition will be Lady Gaga, Green Day and the aforementioned Posty, who dropped his 2025 tour schedule only a day ago with the first two dates booked for Indio this April and falling over the same two weekends Coachella had already locked down in the spring.

Below each day’s headliner, this year’s fest features an array of old-school, established and upstart acts spanning everything from pop and R&B to punk and electronic plus more of course. There’s no shortage of talent to point out here, and some of those worth highlighting include Missy Elliott, Charli XCX, Megan Thee Stallion, Benson Boone, Misfits, Zedd, The Marías, Keinemusik, Junior H, LISA, Above & Beyond, JENNIE, The Prodigy, Anitta, Kraftwerk, Parcels, Ivan Cornejo, beabadoobee, FKA twigs, Clairo, Polo & Pan, Mustard, ENHYPHEN, XG, GloRilla, Shoreline Mafia, Basement Jaxx, The Go-Go’s, T-Pain, Keshi, MARINA, Hanumankind, Chase & Status, Sam Fender, Still Woozy, Japanese Breakfast, Beth Gibbons, Jessie Murph, Thee Sacred Souls, Darkside, Arca, Eli Brown, Gustavo Dudamel & LA Phil, Shaboozey, Miike Snow, Jimmy Eat World, Ty Dolla $ign, Circle Jerks, Three 6 Mafia, Viagra Boys, Chris Lorenzo, Disco Lines, Amyl and the Sniffers, Blonde Redhead and Boris Brejcha. See who else is performing at the Empire Polo Club above.

Of course we would be remiss to not also mention the fourth headliner listed at the bottom of the poster that Coachella instituted in 2022 when Swedish House Mafia returned to the desert. And although 2023 saw Calvin Harris hold down the spot before No Doubt reunited to fill it for 2024, Coachella has gone in the direction of hip-hop this time around with Travis Scott set to “design the desert.” For those who are wondering what exactly that means, a representative for the Grammy-nominated rapper has explained he will “debut an entirely new era of music” as well as curate a Cactus Jack takeover to create what he says will be “a fully immersive and experiential world within the desert.” No word on when Scott will hit the stage over Weekend 1 and Weekend 2, but we expect that to become clear in a few months once set times are released.

If you are sold on heading to the desert next year, Goldenvoice recommends that fans try purchasing tickets for Weekend 2. However, you can hop on the wait list for Weekend 1 here after both three-day GA and VIP passes go on sale here this Friday, November 22nd at 11 a.m. PT. It only takes $49 to get this party started! While official hotel packages will be available here through Valley Music Travel, we should also note that new camping options such as upgraded Ready-Set and La Campana tents will make their debut. Whichever weekend you choose and whatever your accommodations are, we wish every Coachellan the best of luck securing their tickets!

UPDATE (March 20th): We have our first artist cancellation this year, with Anitta citing “unexpected personal reasons” for the decision in a statement posted on social media. No word yet on who might replace the Brazilian singer-songwriter, but stayed tuned here for more details in the coming weeks.

Coachella 2025

The Chemical Brothers give fans at Shrine Expo Hall the electronic show they desperately need in 2019

The Chemical BrothersBy Josh Herwitt //

The Chemical Brothers //
Shrine Expo Hall – Los Angeles
May 15th, 2019 //

When former childhood classmates Tom Rowlands and Ed Simons burst onto the scene in the mid-to-late 90’s as The Chemical Brothers, electronic music for most was still a relatively new phenomenon — even in their home country of England.

Sure, some of the UK duo’s counterparts such as The Prodigy and Fatboy Slim were attracting more mainstream appeal around the same time, but that commercial success at the height of the big beat movement doesn’t hold a candle to what many of the biggest EDM stars today are amassing in the social media age. Just look at what Calvin Harris, Diplo, Skrillex, Zedd or The Chainsmokers are bringing home if you don’t believe me (hint: it’s well over eight figures). Of course, those Las Vegas hotel residencies sure do help their cash flow.

The Chemical Brothers, nevertheless, have managed to maintain a loyal following for three decades now and that was evident by the sold-out crowd that welcomed them to the Shrine Expo Hall last Wednesday for the first of two dates in LA. It’s not often that an artist or band books two different venues in the same city while on tour, but that’s exactly what Rowlands and Simons did with their other LA show taking place up the road at the Greek Theatre only one day later. That said, the Shrine Expo Hall’s open floor plan proved to be perfectly suited for the pair’s dance-ready tracks.

The Chemical Brothers

Leading off with “Go” from their 2015 LP Born in the Echoes, The Chemical Brothers delivered a 24-song set that covered all nine studio albums, including their newest effort No Geography that dropped in April. They seamlessly transitioned from one banger to the next, keeping our spirits high and leaving us not a minute to rest our feet. The onstage production, meanwhile, was next level. With an arsenal full of lights and lasers as well as a massive projection screen mounted behind them, Rowlands and Simons created a scintillating audio-visual experience to remember and one of the best we’ve witnessed in a while.

At a time when electronic music has become relatively predictable and almost formulaic, The Chemical Brothers are still experimenting with new sounds and breathing some fresh air into their live sets. Case in point on this night was a cover of New Order’s 1982 single “Temptation” and a rendition of Come with Us cut “Star Guitar” that wrapped up with a snippet of “Gravity Drops” from No Geography. But the Brothers saved what we all had been anticipating for last, uncorking “Block Rockin’ Beats” off 1997’s Dig Your Own Hole before their encore break.

When they returned, Rowlands and Simons gave us a few more before waving goodbye — not that we needed anymore to feel satisfied. Because if this was what an electronic show in 2019 is supposed to feel like, then we can safely say … mission accomplished, boys.

Setlist:
Go
Free Yourself
Chemical Beats (with vocal sample from “Sometimes I Feel So Deserted”)
MAH
EML Ritual
Swoon
Temptation (New Order cover)
Star Guitar (with “Gravity Drops” outro)
Got to Keep On
Hey Boy Hey Girl
Eve of Destruction
Saturate
Elektrobank
No Geography
Escape Velocity
Hoops / Get Up on It Like This
Under the Influence / Dig Your Own Hole
Wide Open
Galvanize
Leave Home / C-H-E-M-I-C-A-L / Song to the Siren
Block Rockin’ Beats

Encore:
Got Glint?
Catch Me I’m Falling (with “Hold Tight London” intro)
The Private Psychedelic Reel