Ahead of their Red Rocks shows, My Morning Jacket are firing on all cylinders after rocking the Santa Barbara Bowl & Hollywood Forever

My Morning Jacket at Hollywood Forever CemeteryBy Josh Herwitt //

My Morning Jacket //
Santa Barbara Bowl & Hollywood Forever Cemetery – Santa Barbara & Los Angeles
August 16th & 17th, 2022 //

When My Morning Jacket made the “deeply painful” decision to cancel their three-night New Year’s run at the Mission Ballroom in Denver last year with the COVID-19 pandemic still wreaking havoc thanks to the rise of the omicron variant, it was a gut punch for the Louisville rockers and their most diehard fans, many of whom were traveling from out of state to see them.

But more than six weeks later, the five-piece would announce its 2022 tour encompassing 33 dates with most of the venues booked, not surprisingly, being at outdoor amphitheaters and/or open spaces with a lawn. Keeping everyone’s safety in mind has always been the band’s priority first and foremost, and with the spring and summer bringing us the warmest months of the year, there was no way MMJ were going to further risk experiencing any cancellations during what we’ve dubbed as “outdoor concert season.”

And yet even with all the precautions that had been taken by everyone, it still wasn’t enough to prevent more COVID misfortune when frontman Jim James tested positive in June, just a day before the band’s two hometown shows — its first in six years — were scheduled to take place. While the news had MMJ fans once again feeling bummed about the state of live music after the last two-plus years, James (lead vocals, guitar) and his bandmates in Tom Blankenship (bass), Patrick Hallahan (drums, percussion), Bo Koster (keyboards, percussion, backing vocals) and Carl Broemel (guitar, pedal steel guitar, saxophone, backing vocals) have certainly put that behind them now after taking more than a month off from touring during July and part of August.

Believe it or not, MMJ in many ways sound better than they ever have after witnessing two of their three performances in California, starting with a return to the Santa Barbara Bowl last Tuesday only 11 months after their last visit (read our show review here) and continuing the following night in LA among the many celebrities now deceased — even “Toto” from the “Wizard of Oz” — at the Hollywood Forever Cemetery.

James, for one, has always sounded great at the mic and with a guitar in his hands, but he’s also never looked more at ease onstage despite his recent bout with the virus, shedding the big pair of sunglasses he once donned (as you can see here) for the naked eye — a clear sign that MMJ’s primary songwriter isn’t hiding from us if he ever was trying to previously.

My Morning Jacket at Santa Barbara Bowl

Arriving in Santa Barbara two days after making a stop at Frost Amphitheater on the campus of Stanford University, the clock hit 7:30 p.m. and MMJ went to work, diving straight into their self-titled LP that came out last October with “Never in the Real World”. James and company didn’t wait long at all to turn up the volume, however, with “Lay Low” subsequently sending the crowd into a frenzy early on. The six-minute track off 2005’s seminal Z has always been a personal favorite of mine to hear live and would quickly set the tone for the rest of the evening.

For a band that has always put an emphasis on mixing up its setlists and will rarely perform songs in the same order though, it was a couple of cuts on its debut album The Tennessee Fire that were surprising to hear midway through its standard 2 1/2-hour set. In fact, it was the first time this year — and just the fifth over the last five years — that MMJ have played “I Will Be There When You Die” while the acoustic “If All Else Fails” has been heard on solely a handful of occasions so far in 2022.

While other highlights in Santa Barbara included an extended version of “Steam Engine” with Broemel trading his axe for the sax at one point and just the third time “I Never Could Get Enough” has made it onto a setlist, it was the Hollywood show that grabbed more of the MMJ fanbase’s attention. Of course, the heightened interest around it was somewhat understandable considering that it’s not every day you get to catch a concert inside a cemetery, let alone one where rock icons like Johnny Ramone and Chris Cornell are buried, but the setting was, at most, half the story on The Fairbanks Lawn as day eventually turned to night.

Breathing life into “What a Wonderful Man” and James’ own “State of the Art (A.E.I.O.U.)” for only the second time this year and first since the jam-adjacent group’s three-day “One Big Holiday” destination event back in March, we had hoped that MMJ would be setting up for a special finish down the stretch and that’s exactly what they gifted us with a 17-minute “Dondante” that conjured up some major disco vibes. With the Z finale serving as one of several tunes MMJ has been known to stretch out when they perform live, it felt rather fitting to hear what James wrote after the passing of his late bandmate Aaron Todovich while being surrounded by a bunch of tombstones.

Even though MMJ had more music lined up for us before hitting the road for New Mexico, that was all many of us needed to hear to be satisfied. After waiting almost a decade for another “Dondante” in LA since their epic, three-night run at The Wiltern, everything else that ensued — from the one-two punch of “Wasted” and “Dancefloors” to a more abbreviated encore featuring “Wordless Chorus” and “Touch Me I’m Going to Scream Pt. 2” that ended things on a spooky note — was gravy. After all, this is an act that has always kept its fans on their toes, and as MMJ gear up this weekend for their most significant shows of the tour with two sold-out nights at Red Rocks Amphitheatre, there’s no telling what’s in store when James steps into what he has coined “the birth canal of the universe.” Call it whatever you want Mr. James because either way, we’ll be there for it when the lights go down and the first note is struck.

SANTA BARBARA BOWL

Setlist:
Never in the Real World
Lay Low
Compound Fracture
Least Expected
Mahgeetah
Feel You
Victory Dance
Gideon
Holdin On to Black Metal
I Will Be There When You Die
If All Else Fails
Tropics (Erase Traces)
Spring (Among the Living)
Steam Engine
I Never Could Get Enough
Touch Me I’m Going to Scream Pt. 1
Love Love Love
Complex
One Big Holiday

Encore:
In Color
Circuital
Touch Me I’m Going to Scream Pt. 2
Wordless Chorus

HOLLYWOOD FOREVER CEMETERY

Setlist:
Feel You
What a Wonderful Man
Off the Record
I Will Sing You Songs
Victory Dance
Evil Urges
Golden (dedicated to “Toto” from “The Wizard of Oz”)
I’m Amazed
Spring (Among the Living)
Complex
One Big Holiday
State of the Art (A.E.I.O.U.) (Jim James song)
Love Love Love
Least Expected
Circuital
Dondante
Wasted
Dancefloors

Encore:
Wordless Chorus
Touch Me I’m Going to Scream Pt. 2

The War on Drugs prove in Adam Granduciel’s new hometown why they deserved to win a Grammy more than four years ago

The War on DrugsBy Josh Herwitt //

The War on Drugs //
Shrine Auditorium – Los Angeles
February 26th, 2022 //

What can you say about Adam Granduciel that hasn’t already been said or written?

Let’s just cut to the chase then: the guy keeps getting better and better with age. And though he might give off the impression that he’s a tad bit older than the 43 years he just turned last month thanks to all of those late nights writing songs in his bedroom or at the studio, Granduciel has continued to push the band he formed in Philadelphia more than 17 years ago to new and greater heights.

The War on Drugs’ foray into music’s mainstream has been a slow churn dating all the way back to 2005 before it culminated four years ago when they beat out a number of hard-rock heavyweights in Metallica, Mastodon, Queens of the Stone Age and Nothing More to win the Grammy for “Best Rock Album” at the 60th Annual Grammy Awards.

It was a career-defining moment for the group that’s heartland sound has centered around Granduciel’s fascination with Bob Dylan — an enthusiasm for the legendary folk singer-songwriter that he and fellow Philly-bred indie rocker Kurt Vile shared when they first started playing together in each other’s projects — and continued with his love for Bruce Springsteen. (There’s also a hint of Rod Stewart and Tom Petty in Granduciel’s work for good measure.)

Six months prior, I had caught The War on Drugs at Apogee Studio for KCRW’s Apogee Sessions (read our review here), and after hearing them preview a few songs off A Deeper Understanding that evening, it was right then and there that I knew the album was well deserving of some significant hardware.

But following 2014’s seminal Lost in the Dream — the band’s third album which might be arguably better than its award-winning follow-up — with another 10-track masterpiece, Granduciel had done what only a few are capable of these days, particularly in the rock space, by creating an emotional, yet timeless gem for our earholes to bathe in.

With little room to go up from there, Granduciel certainly had a challenge on his hands when it was time to make another LP. It wasn’t just that he had become a father to his son Bruce (yes, he really is named after the Boss) in 2019 and officially moved to LA’s San Fernando Valley shortly thereafter even if those were two major life changes, but the expectations surrounding The War on Drugs’ next studio effort had only grown even more since the last one.

For Granduciel, it didn’t matter. He went back to the grind and delivered once again. What resulted after hours at his Burbank rehearsal space with engineer and producer Shawn Everett was I Don’t Live Here Anymore, which arrived back in October and peaked at No. 22 on the Billboard 200. It’s another record worthy of high praise — in fact, I ranked it my favorite album last year (see our 2021 picks here) — and at the same time more accessible than its predecessors.

What makes The War on Drugs’ albums so great, however, is that you can just let them run. There’s no need to skip a track as one flows right into the next, and I Don’t Live Here Anymore follows suit much in the same way Lost in the Dream and A Deeper Understanding do. And as Granduciel seemingly settled into his new environs with music videos filmed in California for “Living Proof” and the title track featuring Jess Wolfe and Holly Laessig of Lucius, I was eager to hear the new material with an audience on hand.

So when The War on Drugs announced a tour for 2022 last summer and scheduled only one show in 2021 at Desert Daze, I knew their gig in LA at the Shrine Auditorium would feel even that much more special given Granduciel’s story but also because it was the final U.S. date before the band heads to Europe for a month. While that fact wouldn’t completely hold up with The War on Drugs replacing My Morning Jacket at Innings Festival the ensuing day, they made sure to offer quite a proper 2 1/2-hour concert experience for the nearly capacity crowd inside the landmark venue of 6,300.

Granduciel (vocals, guitars, harmonica, keyboards, samplers) and his cohorts — David Hartley (bass, backing vocals), Robbie Bennett (keyboards, piano, guitar), Charlie Hall (drums, organ), Jon Natchez (saxophone, keyboards), Anthony LaMarca (guitar, keyboards, backing vocals) and Eliza Hardy Jones (keyboards, backing vocals) — were treating us to “An Evening of LIVE DRUGS” and most were happy to oblige. That meant “Old Skin” leading things off with “Pain” batting second. “An Ocean in Between the Waves” never disappoints, and slotting it third before one of the highlights off I Don’t Live Here Anymore in “I Don’t Wanna Wait” created a huge wave of momentum that The War on Drugs carried through the rest of the set, which boasted “Strangest Thing” and “Red Eyes” back to back, another new standout in “Harmonia’s Dream” that has been extended live and an appearance by Lucius as expected with Wolfe and Laessig leaving their East Coast origins for the City of Angels a few years ago.

When it came time to take things up a notch, Granduciel turned to “Under the Pressure” as still one of the most shining achievements in his ever-expanding repertoire. That’s not to say what came after — the previously unreleased “Ocean of Darkness” that didn’t make it onto I Don’t Live Here Anymore but was debuted during The War on Drugs’ performance on “The Tonight Show” in 2020 — didn’t carry the same weight, because in many ways it did considering the song has only been played live seven times in total so far.

After taking a couple nights off in Portland and San Francisco, “In Reverse” subsequently returned to the setlist and propelled us into a short-lived encore break that only lasted a minute or two. Granduciel, after all, had more to get to before saying goodbye, as he used “Thinking of a Place” to jumpstart a four-song finish that included a cover of Bob Dylan’s “Born in Time” and “Comin’ Through” from The War on Drugs’ 2010 EP Future Weather to mark only the second time fans got to hear it on this tour and since 2019.

Granduciel isn’t one for much stage banter, and after one last thank you, he broke into I Don’t Live Here Anymore finale “Occasional Rain” to take us all home. Even though it has served as The War on Drugs’ closer for several shows on this tour, the title seemed rather appropriate in a city as dry as LA where we haven’t seen a whole lot of precipitation this winter.

People often say the phrase “when it rains, it pours” when they experience a barrage of misfortune all at the same time. In Granduciel’s case notwithstanding, the past eight years have been one big downpour of success for The War on Drugs. Now with the band at an all-time high, it doesn’t appear that the storm Granduciel has been riding will be letting up anytime soon.

Setlist:
Old Skin
Pain
An Ocean in Between the Waves
I Don’t Wanna Wait
Victim
Strangest Thing
Red Eyes
Living Proof
Harmonia’s Dream
Your Love Is Calling My Name
Come to the City
Rings Around My Father’s Eyes
I Don’t Live Here Anymore (with Lucius)
Under the Pressure
Ocean of Darkness
In Reverse

Encore:
Thinking of a Place
Born in Time (Bob Dylan cover)
Comin’ Through
Occasional Rain

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2021

Best of 2021 - Olivia Rodrigo, Quicksand, Modest Mouse, My Morning Jacket, Moses Sumney, Caribou, Outside Lands

The past 12 months have been interesting to say the least. While the COVID-19 pandemic continues to rage across the world after almost two years, 2021 did prove to be a little better than its predecessor on the calendar and a big reason for that was undoubtedly the return of live music during the second half of this year. For so many of us after being locked down at home, just having the chance to attend a concert or festival in person again provided some sense of normalcy to our everyday lives.

But as we look forward to hopefully better days in 2022, it’s time for us to unveil our annual “Best of” lists like we have done since this blog first began (see our 2020 picks here). No, we didn’t have time to catch every show or hear all of the albums released in the last 365 days, but forcing ourselves to make difficult decisions can be a fun exercise that helps us reflect on the year in music before turning the page.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2021.

Listen to The Bam Team’s favorite songs of 2021:

My Morning Jacket (Jim James) at Santa Barbara Bowl


My Morning Jacket at Santa Barbara Bowl // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2021
1. My Morning Jacket at Santa Barbara Bowl – Santa Barbara, CA – September 23rd
Almost six years had passed since the last time Jim James and company performed at one of Southern California’s best music venues, but after surviving 18 months without witnessing any live music, the wait for MMJ’s return to the stage felt even longer. Fortunately for us, the Louisville-bred quintet brought its A game to kick off a string of West Coast dates and powered through a collection of 23 songs at the Santa Barbara Bowl that included the emotive “In Color” off the band’s new self-titled album as well as “Where to Begin” from the “Elizabethtown” soundtrack. MMJ have earned a reputation over the years as one of the best live acts still out there, and they certainly validated that claim with a 2.5-hour performance that made the 90-mile drive from LA on a weeknight totally worth it.

2. Modest Mouse at The Theatre at Ace Hotel – Los Angeles, CA – September 25th
3. Caribou at Greek Theatre – Los Angeles, CA – November 15th
4. Lord Huron at Hollywood Forever – Los Angeles, CA – September 30th
5. Primus “A Tribute to Kings” at Greek Theatre – Los Angeles, CA – October 17th

Top 5 Albums of 2021
1. The War on Drugs – I Don’t Live Here Anymore
What can we say about Adam Granduciel that hasn’t already been said? After composing and producing The War on Drugs’ best material during his previous two trips into the studio with the latter effort winning a Grammy, we knew it would be tough for the Philadelphia native to match that same level of excellence attained in 2014 and 2017 with Lost in the Dream and A Deeper Understanding. And though I Don’t Live Here Anymore doesn’t quite get there, it marks another LP from Granduciel and his cohorts that you can listen straight through from start to finish without skipping a track. Because in an era when our attention spans have been shrunk thanks in large part to technology, that’s something we should all applaud.

2. Modest Mouse – The Golden Casket
3. DARKSIDE – Spiral
4. My Morning Jacket – My Morning Jacket
5. Royal Blood – Typhoons

Top 5 Songs of 2021
1. Royal Blood – “Boilermaker”
The English alt-rock duo comprised of lead singer/bassist Mike Kerr and drummer Ben Thatcher shared “Boilermaker” in the lead-up to releasing its third full length this year, and the promotional single certainly stands out from the pack as one of the best songs on Typhoons. Produced by Queens of the Stone Age leader Josh Homme, it opens with Kerr’s fuzzed-out riff and quickly builds into a head-banging anthem over the course of three and a half minutes. If you haven’t heard it before, just make sure to also check out the badass music video that’s directed by and stars Liam Lynch. Enjoy!

2. My Morning Jacket – “In Color”
3. Modest Mouse – “Walking and Running”
4. The War on Drugs – “I Don’t Wanna Wait”
5. Bonobo – “Rosewood”

Favorite remix: Four Tet – “Never Come Back” (Caribou)


Quicksand - Distant Populations

Andrew Pohl // San Francisco

Top 5 Shows of 2021
1. Kowloon Walled City at The Golden Bull – Oakland, CA – November 30th
Regardless of the fact that I didn’t go to many shows this year, this would have likely been my No. 1 even if I went to more. I had only recently been turned on to Kowloon Walled City, but I was immediately drawn to their heavy sound and they proved to replicate that sonic fury live. The Golden Bull is a nice, intimate setting for live music, and the fact that KWC were able to dial in such a balanced sound at a small club made a huge difference given how BIG they sound on their studio albums. Everyone was fixated on the band throughout its entire set, and I barely noticed anyone looking at a phone — one of the modern-day signs of a great show.

2. Quicksand at Great American Music Hall – San Francisco, CA – October 15th
3. Bad Religion & Alkaline Trio at The Masonic – San Francisco, CA – November 24th
4. The Slackers & The Aggrolites at Cornerstone Berkeley – Berkeley, CA – December 9th
5. Lagwagon with Red City Radio & Decent Criminal at Bottom of the Hill – San Francisco, CA – November 4th

Top 5 Albums of 2021
1. Quicksand – Distant Populations
During a turbulent time like what we’ve all been collectively experiencing since last year, I think this album resonated with me so much because Quicksand has always been such a solid standby. Distant Populations is heavy in all of the right ways without being abrasive while also effectively showcasing Walter Schreifels’ dynamic song-crafting abilities. Quicksand aren’t necessarily breaking the mold here, but they’re a band that had already set the bar high with their earlier albums and this LP is an excellent continuation of their contribution to the hardcore scene.

2. Turnstile – Glow On
3. IDLES – Crawler
4. Kowloon Walled City – Piecework
5. Snail Mail – Valentine

Top 5 Songs of 2021
1. IDLES – “The Wheel”
I love how IDLES have the ability to take a song about a heavy subject like chemical dependency and turn it into an absolutely infectious banger. “The Wheel” is a perfect example of this, leaving you drawn in and tapping your foot while giving you something to ponder. The way that it can make you feel equal parts uplifted and uncomfortable is part of the appeal to me, and this was easily one of my most played songs of the year.

2. Decent Criminal – “Reap”
3. The Dirty Nil – “Doom Boy”
4. Kills Birds – “Rabbit”
5. Snail Mail – “Valentine”


Adam Schatz


Adam Schatz at The Gold Room // Photo by Rochelle Shipman

Rochelle Shipman // Los Angeles

Top 5 Shows of 2021
1. Adam Schatz at The Gold Room – Los Angeles, CA – November 18th
The Landlady frontman actually served as the opener on this night, but armed with little more than his saxophone, keyboards and loops, it’s safe to say Schatz stole the entire show. Fresh off a tour playing with Japanese Breakfast, he stepped onstage and quite literally let loose. It was the most refreshing, freeform, organic set full of wit and wonder, offering a sharp reminder why we need to protect the live music space (and to buy the killer album Landlady put out this year, too).

2. Foxx Bodies with Suzie True & Lando Chill at Resident DTLA – Los Angeles, CA – November 7th
3. Islands at Lodge Room – Los Angeles, CA – September 9th
4. Spoon at Teragram Ballroom – Los Angeles, CA – September 28th
5. Armand Hammer & The Alchemist at Echoplex – Los Angeles, CA – September 19th

Top 5 Albums of 2021
1. Foxx Bodies – Vixen
The raw emotions that come through Foxx Bodies’ debut on indie label Kill Rock Stars grabbed me by the ankles and knocked me off my feet the first time I heard it. For an album that explores everything from mental illness, sexual abuse, eating disorders, gender fluidity and beyond, it’s equally shocking how upbeat and uplifting it comes off. It’s part empowering riot grrrl and part rollicking surf punk, full confessional. Trigger warning: it will change your life.

2. Olivia Rodrigo – Sour
3. Tyler, the Creator – Call Me If You Get Lost
4. Backxwash – I LIE HERE BURIED WITH MY RINGS AND MY DRESSES
5. Noga Erez – KIDS

Top 5 Songs of 2021
1. Hiatus Kaiyote – “Red Room”
This song is the antithesis to 2021. It’s so warm and beautiful, so intimate as though it was conceived in a world where social distancing doesn’t even exist. Nai Palm’s soft, raspy vocals envelop you, and the uncharacteristically subtle sounds (for Hiatus Kaiyote) deliver perhaps the most consistent semblance of peace felt this year.

2. Olivia Rodrigo – “Brutal”
3. Foxx Bodies – “BPD”
4. Yaya Bey – “fxck it then”
5. Little Simz feat. Cleo Sol – “Woman”

Favorite remix: Kari Faux feat. J.I.D – “While God Was Sleepin’… (Remix)”

Showbams_Sticker_Rectangle2

My Morning Jacket spotlight the long-awaited return of live music to SoCal with a powerful performance at the Santa Barbara Bowl

My Morning Jacket (Jim James) at Santa Barbara BowlBy Josh Herwitt //

My Morning Jacket with Durand Jones & The Indications //
Santa Barbara Bowl – Santa Barbara, CA
September 23rd, 2021 //

The past 18 months have been hard to say the least. No matter how you’re feeling at this moment in time, the COVID-19 pandemic has undeniably created additional issues and stressors for many folks while also taking away some of the things we enjoy most about life.

And for those of us who love live music, its absence has been quite a blow to the psyche.

If anything, being locked down at home for more than a year has only made us long for the thrill of watching an artist or band command an audience’s attention and completely mesmerize its fans.

Yet with so much uncertainty still in the world, it’s almost surreal to think that concerts have finally made their return. Yes, you’ll need to offer proof of your COVID-19 vaccination status or a negative test within 48-72 hours, but it sure beats tuning into another livestream from your couch.

So when My Morning Jacket announced a 23-date jaunt across the U.S. for the second half of 2021 that included a stop at the always-exquisite Santa Barbara Bowl where we caught them nearly six years ago (read our review here), I knew that was one show I couldn’t miss and boy, am I glad that I didn’t.

My Morning Jacket - Santa Barbara Bowl

The Louisville-bred rockers are back on the road touring in support of their forthcoming self-titled LP — and ninth studio album — this October after releasing The Waterfall II in 2020, and they wasted no time reminding us of that fact by beginning with its first single “Regularly Scheduled Programming” to follow what was an upbeat and soulful opening set from Durand Jones & The Indications.

But this headlining performance on the second day of the fall season was as much about the quintet’s new material, including the slow burn of “In Color” for our very first listen of the My Morning Jacket cut, as it was a golden — pun intended since the It Still Moves track by the same name made it onto the setlist this night — opportunity for Jim James (lead vocals, guitar), Tom Blankenship (bass), Patrick Hallahan (drums, percussion), Bo Koster (keyboards, percussion, backing vocals) and Carl Broemel (guitar, pedal steel guitar, saxophone, backing vocals) to put their expansive catalog on display.

MMJ, after all, gifted us not only both parts of “Touch Me I’m Going to Scream” but also hair-raising renditions of “Lay Low”, “One Big Holiday”, “It Beats 4 U”, Spring (Among the Living) and “Anytime” while James belted out the lyrics to songs like “Wordless Chorus” (with the disco ball in full effect), “Circuital” and “Feel You” that reaffirmed why he has had one of the best voices in rock, if not all of music, for more than two decades now.

When it came time for the encore though, James and company once again delivered the goods to a crowded amphitheater that was already brimming with excitement. Starting with fan favorite “Victory Dance” before transitioning into “Off the Record” from their seminal record Z, they offered “Where to Begin” on the “Elizabethtown” soundtrack for the first time since 2015. Nonetheless, that brief respite was quickly countered with a final rush of blood to the head that featured “Wasted”, “Run Thru” and “Dancefloors” as the clock struck 10 p.m. to mark the Bowl’s early curfew time.

Cruising back down U.S. 101 to Los Angeles later that evening, I reflected on the last year without live music and how rough it has been to not see some of my favorite acts in the flesh. But after witnessing more than two hours of pure sonic bliss at one of the best venues along the West Coast, I am beyond grateful that there’s MMJ to welcome us all home again.

Setlist:
Regularly Scheduled Programming
Touch Me I’m Going to Scream Pt. 1
Wordless Chorus
Circuital
Lay Low
I’m Amazed (Jim and Carl solo, then full band)
Evil Urges
Golden
Feel You
Climbing the Ladder
One Big Holiday
In Color
It Beats 4 U
Love Love Love
Spring (Among the Living) (>)
Touch Me I’m Going to Scream Pt. 2
Anytime

Encore:
Victory Dance
Off the Record
Where to Begin (last played 11/25/2015)
Wasted (>)
Run Thru (End>)
Dancefloors

Ohana Festival adds ‘Encore’ weekend for 2021 with Pearl Jam, Beck, Brandi Carlile & more on the bill

Ohana Encore - 2021 lineup

Ohana Encore //
Doheny State Beach – Dana Point, CA
October 1st-2nd, 2021 //

Well, Ohana fam … if you thought this year’s event was shaping up to be something special, you’re in for a pleasant surprise.

The music festival founded by Pearl Jam frontman Eddie Vedder in 2016 has already shared an updated roster for its fifth installment in September after postponing the festivities 12 months due to the COVID-19 pandemic, but that’s actually only half of the fun now.

Yes, that’s right. Ohana Festival has announced a second event for 2021 that will take place the ensuing weekend and follow what’s sure to be an epic three days in Dana Point. And if you happen to be a Pearl Jam fan, then you’re in for a real treat.

Leading the way will be the Rock and Roll Hall of Fame band for two more days at Doheny State Beach, headlining a lineup that will also include Beck, Brandi Carlile (who is already slated to perform Sunday at Ohana Festival), Lord Huron, Sleater-Kinney, White Reaper, Margo Price, ZZ Ward, NHC (a supergroup featuring Jane’s Addiction guitarist Dave Navarro and bassist Chris Chaney as well as Foo Fighters drummer Taylor Hawkins), Pluralone (former Red Hot Chili Peppers guitarist Josh Klinghoffer’s project), Amythyst Kiah and a few more acts.

The “Encore” session, as you can see from the poster above, plans to once again lean heavily in the direction of rock ‘n’ roll but will still showcase flashes of indie folk, alt-country and even punk to round out an eclectic edition that boasts must-see sets by My Morning Jacket, Maggie Rogers, Sharon Van Etten, Durand Jones & The Indications, Mac Demarco, Wild Belle and Real Estate the week prior.

While three-day GA passes for Ohana Festival sold out months ago, weekend and single-day tickets for Ohana Encore will go on sale this Friday, July 23rd here for $275 and $138.50, respectively, plus fees. VIP, furthermore, can be purchased for $950 and $499.50 unless you’re willing to drop a small fortune of $7,000 for the Ultimate VIP+ Admission Pass. If you haven’t seen Pearl Jam before or you missed out on getting tickets to Ohana Festival, this is a great opportunity for fans of the Seattle grunge outfit to end their summers on a high note after spending most of 2020 at home.

Ohana Festival reveals updated 2021 lineup with Brandi Carlile, Spoon, Black Pumas & more

Ohana Festival - 2021 lineup

Ohana Festival //
Doheny State Beach – Dana Point, CA
September 24th-26th, 2021 //

Oh how we have missed you, live music! If the COVID-19 pandemic has taught us anything over the past 15 months, it’s that the concert experience should never be taken for granted.

But with U.S. vaccinations increasing and summer right around the corner, music festivals are preparing to make their return all over the country, including up and down California, which has the lowest COVID-19 infection rate in the country now.

So why not escape to Doheny State Beach for a long weekend this September where you can rock out to Pearl Jam, Eddie Vedder and Kings of Leon at Ohana Festival?

The three-day event founded by Vedder five years ago had already announced a 2020 lineup just days before the festival circuit was quickly shut down and now it has updated that roster, swapping in Grammy-winning singer-songwriter Brandi Carlile, indie-rock veterans Spoon, psych-soul duo Black Pumas, LA punk rockers The Regrettes, Long Beach’s very own Cold War Kids, Salt Lake City four-piece The Backseat Lovers and TikTok sensation Sky McCreery for originally announced acts like The Pretenders, Dermot Kennedy, EOB, Broken Social Scene, Gangs of Youth, Inhaler and Ethan Gruska.

As you can see from the poster above, Ohana Fest has delivered another largely rock-leaning bill after an excellent showing in 2019 headlined by The Strokes, Vedder and Red Hot Chili Peppers, but this year also boasts one of its strongest undercards with My Morning Jacket, Maggie Rogers, Sharon Van Etten, Durand Jones & The Indications, Mac Demarco, Wild Belle and Real Estate all worthy of catching down in Dana Point.

UPDATE (September 23rd): Just a little more than 24 hours before they were supposed to take the stage, Kings of Leon have canceled their headlining performance on Friday due to a family emergency. In their absence, My Morning Jacket will play an extended set and Vedder will close out the fest’s first day with an additional appearance.

Three-day GA and Sunday single-day tickets are already sold out, but single-day tickets for Friday and Saturday can still be purchased here for $138.50 plus fees. Don’t wait before it’s too late, Ohana fam!

The Bam Team’s 5 Favorite Albums & Songs of 2020

Best of 2020 - Run the Jewels, My Morning Jacket, Fiona Apple, Hum, Fleet Foxes

Wow, 2020 … what can we say? This year will certainly be remembered for a lot of things, but none more so than the COVID-19 pandemic that has ravaged both the U.S. and world over the last 10 months and forced the live music industry to mostly shutter as musicians pivoted to livestreams and drive-in concerts to keep the show going as best they could and however possible. Yet along the way, we lost musical legends who spanned multiple generations from Neil Peart to Bill Withers to John Prine to Little Richard to Eddie Van Halen to MF DOOM — some due to COVID-19 unfortunately — making these past 12 months even more painful to endure than they already were. Ready to officially flush 2020 down the toilet and start anew? Don’t worry … you’re not alone!

In retrospect though, it has been a very quiet year for The Bam Team. You’ll notice there haven’t been a lot of updates in this space, and that’s partly due to the lack of live music on Planet Earth right now. But it’s also been a hectic time for all of us as we try to navigate our way out of these dark days and into some brighter ones, and like any good remedy nowadays, new music has definitely played its part in helping us physically and emotionally cope with the chaos.

It’s why after several months of inactivity here, we decided to dust the cobwebs off Showbams and deliver a modified version of our annual “Best of” lists like we have done since this blog first started (see our 2019 picks here). While that doesn’t mean we had time to hear and dissect every new album or song in the last 365 days — we are still in a pandemic after all — sharing our own individual picks offers a fun and stimulating opportunity for us to reflect on the year that was in music.

So, without further ado, Showbams presents The Bam Team’s five favorite albums and songs from 2020.

Listen to The Bam Team’s favorite songs of 2020:


Run the Jewels - RTJ4

Josh Herwitt // Los Angeles

Top 5 Albums of 2020
1. Run the Jewels – RTJ4
One might think that after three critically acclaimed albums with some of the most socially and politically charged material since Rage Against the Machine burst onto the scene, it would only seem natural for Run the Jewels’ act to turn a little stale by their fourth time around. But despite the three-year wait for RTJ4, the longest that the hip-hop duo has gone between releases, the final product — like a fine wine — has only gotten better with time. Anchored by stellar production (a RTJ trademark) and provocative rhymes, the 11-track offering sees the two emcees sounding off on everything from corporate greed to police brutality just days after the tragic death of George Floyd. It also boasts a guest list loaded with star power, with DJ Premier, 2 Chainz, Pharrell Williams, Zack de la Rocha, Mavis Staples and Josh Homme each lending a hand while El-P and Killer Mike inject truth serum into our ears with one verbal haymaker after another. In what proved to be a shitstorm of a year, this was the soundtrack a lot of us needed to survive 2020.

2. My Morning Jacket – The Waterfall II
3. Fleet Foxes – Shore
4. Tame Impala – The Slow Rush
5. Caribou – Suddenly

Favorite live album: Sylvan Esso – WITH

Top 5 Songs of 2020
1. Royal Blood – “Trouble’s Coming”
The British rock duo composed of lead singer/bassist Mike Kerr and drummer Ben Thatcher are gearing up to drop their third LP in 2021 and wisely chose to wet our palette with an absolute banger for its lead single. “Trouble’s Coming” has all the makings of a Royal Blood song — catchy bass riffs that sound like they’re coming out of a guitar, heavy-metal drums and Kerr’s falsetto vocals — while charting a slightly different path for the band, one that conjures up some serious 70’s disco vibes. Just watch this scene from Charlie’s Angels to see what we mean, and if you have a pair of fingerless leather gloves handy, you might as well put those on too. We think Sam Rockwell would approve.

2. My Morning Jacket – “Wasted”
3. Run the Jewels – “JU$T” feat. Pharrell Williams & Zack de la Rocha
4. Pearl Jam – “Dance of the Clairvoyants”
5. Sylvan Esso – “Ferris Wheel”

Favorite remix: Bonobo – “Final Days” (Michael Kiwanuka)


Hum - Inlet

Andrew Pohl // San Francisco

Top 5 Albums of 2020
1. Hum – Inlet
This four-piece’s fifth studio effort came as a complete surprise when it dropped in June, and it was honestly THE album I needed. Being knee-deep into the COVID-19 pandemic, I wasn’t sure what the rest of the year would look like musically, and it was exactly the type of record that hits all the marks for me. It’s sonically huge, it showcases Hum’s trademark ultra-layered, dense instrumentation and it ebbs and flows between energetic and emotive. Inlet was easily my most-listened-to album in 2020.

2. Coriky – Coriky
3. PEARS – PEARS
4. Fiona Apple – Fetch the Bolt Cutters
5. Run the Jewels – RTJ4

Favorite live album: NOFX – The Decline (Live at Red Rocks)

Top 5 Songs of 2020
1. Run the Jewels – “Walking in the Snow”
Oh man, this track was just the thing I needed during what may have been one of the most tense times in modern history. And like all of RTJ4, it absolutely crushes as El-P and Killer Mike bring their signature styles to full effect on this dramatic, yet bouncy tune. The middle section, which sees Mike taking the lead, is not only effective, prophetic and timely, but it also serves as a reminder that the time for action is now and that history has a tendency to repeat itself if we’re not careful. Check out the song’s brand-new music video here, too.

2. Hum – “Desert Rambler”
3. IDLES – “War”
4. Middle-Aged Queers – “Gary’s Making Biscuits”
5. PEARS – “Zero Wheels”

Favorite remix: Squarepusher – “Pink Maggit” (Deftones)


Fiona Apple - Fetch the Bolt Cutters

Rochelle Shipman // Los Angeles

Top 5 Albums of 2020
1. Fiona Apple – Fetch the Bolt Cutters
I almost feel cheated that my two No. 1 picks went to the same artist, but this year belonged to Fiona as much as it did to Dr. Fauci. FTBC busted us out of our mental prisons and allowed us to imagine our lives were more exciting than they actually were in 2020. It reminded us that we are strong enough to survive anything, to use our voices to speak even louder for what we believe in and that we can work on our own healing even if we can’t quite get outside. Ms. Apple set women free together.

2. Fleet Foxes – Shore
3. Mura Masa – R.Y.C.
4. Kari Faux – Lowkey Superstar
5. Liv.e – Couldn’t Wait to Tell You…

Favorite live album: Dolores Diaz & The Standby Club – Live at O’Leaver’s

Top 5 Songs of 2020
1. Fiona Apple – “Shameika”
This is a badass, “can-do” tune that was inspired by a passing comment made decades ago, one Fiona surely never thought twice about until now. And as she pounds the piano with the strength of RBG, it’s clear that this is the song 2020 needed — not to mention that it came full circle, inspiring Shameika herself all these years later. Sweet.

2. Noname – “Song 33”
3. Open Mike Eagle feat. Kari Faux – “Bucciarati”
4. Liv.e – “Lessons From My Mistakes…but I Lost Your Number”
5. Quakers feat. Sampa the Great – “Approach with Caution”

Favorite remix: Thundercat feat. Smino & Guapdad 4000 – “Dragonball Durag”

Showbams_Sticker_Rectangle2

Jim James, The Claypool Lennon Delirium take us on a psych-rock roller coaster at The Wiltern

Jim James


Jim James

By Josh Herwitt //

Jim James & The Claypool Lennon Delirium with Uni //
The Wiltern – Los Angeles
July 3rd, 2019 //

Ever since he launched his solo career more than five years ago, Jim James has been trying to bring people closer together.

The frontman and primary songwriter of My Morning Jacket frequently preaches peace, love and equality on and off the stage, but at a time when technology continues to dominate our way of life and our political divides grow bigger by the day, unity has become a challenging proposition to achieve no matter how famous or popular you are — unless you’re Oprah.

It’s not for a lack of effort from James (born James Edward Olliges Jr.), though.

Claypool Lennon Delirium


Claypool Lennon Delirium

The Louisville native remains steadfast in his commitment to doing and saying the right things, whether it’s helping to get out the vote or raising awareness and funds around a number of important environmental, climate and humanitarian issues.

Because when James sings “No use waiting and wondering why / Better get together while we still got time” on his third solo album Uniform Distortion that dropped last year, it’s a message that many of us could learn from. After all, actions speak louder than words, and a songwriter with as much talent, insight and creativity as James certainly knows that.

Embarking on a 33-date North American tour that included festival stops at Shaky Knees and Bonnaroo in support of the 11-track LP, the 41-year-old multi-hyphenate was back in LA — the city he now calls home since moving there in 2016 — on the eve of Independence Day for only one night at the always-beautiful Wiltern. The last time we caught James in the City of Angels, he was headlining another historic SoCal venue just a few miles down Olympic Blvd. after the release of his second solo effort Eternally Even. And boy, was that a lot of fun at the Orpheum Theatre as celebrity fanboys like Christopher Mintz-Plasse (aka “McLovin” from the 2007 film “Superbad”) showed their appreciation for one of rock’s last remaining guitar heroes.

Jim James


Jim James

But things were a little different for this occasion, in large part because James would be billed as a co-headliner alongside his psychedelic counterparts in The Claypool Lennon Delirium for much of the tour. Even so, with Primus bassist and lead singer Les Claypool being a legend in his own right and guitarist/vocalist Sean Lennon conceived by a couple himself, we had quite the pairing for a Wednesday affair. Heck, the duo even covered Pink Floyd, King Crimson and The Beatles among cuts off 2016’s Monolith of Phobos and its stellar follow-up South of Reality that arrived in February. So if you like psych rock with an extra dose of weird, then these guys are probably for you.

That said, one could argue fairly easily that James’ songs are a bit more accessible than The CLD’s, and with that in mind, it wasn’t hard at all to understand why the man who has also put out music under the pseudonym Yim Yames assumed the closing duties for this tour. It became even more evident once James took the stage, shredding his way through tracks on Uniform Distortion like “Over and Over” and “You Get to Rome” before going to an acoustic guitar for “A New Life” from 2013’s Regions of Light and Sound of God. James would end up performing almost all of Uniform Distortion, but the real standouts of the show were in fact slightly altered versions of the Marvin Gaye-inspired “Here in Spirit” and the ever-haunting “Same Old Lie” to close what felt like a roller-coaster set full of peaks and valleys — and of course, plenty of screeches and squeals emanating from his Gibson ES-335, too.

James didn’t break for long before beginning a three-song encore with one from My Morning Jacket’s catalog in “I’m Amazed” and then dueting with Amo Amo’s Lovell Femme on “Of the Mother Again”. While it may have been somewhat predictable for him to offer us “State of the Art (A.E.I.O.U.)” as a parting gift, it wasn’t as if it came unwanted. If anything, it was a strong reminder of how powerful music can be as a unifying force and a gateway to a more positive and promising future, especially with someone like James serving as a guiding light.

JIM JAMES

Setlist:
Over and Over
You Get to Rome
A New Life
Out of Time
Just a Fool
Throwback
No Secrets
Here in Spirit
No Use Waiting
All in Your Head
The World’s Smiling Now
Yes to Everything
Same Old Lie

Encore:
I’m Amazed (My Morning Jacket song)
Of the Mother Again (with Amo Amo lead singer Lovell Femme)
State of the Art (A.E.I.O.U.)

THE CLAYPOOL LENNON DELIRIUM

Setlist:
Astronomy Domine (Pink Floyd cover)
Blood and Rockets: Movement I, Saga of Jack Parsons / Movement II, Too the Moon
Little Fishes
Cricket and the Genie (Movement I, The Delirium)
Cricket and the Genie (Movement II, Oratorio Di Cricket)
South of Reality
The Court of the Crimson King (King Crimson cover)
Easily Charmed by Fools
Boomerang Baby
Breath of a Salesman
Cricket Chronicles Revisited: Part 1, Ask Your Doctor – Part 2, Psyde Effects
Tomorrow Never Knows (The Beatles cover)
Third Rock From the Sun

Weezer show a sold-out crowd in their hometown that they can still be wildly entertaining

WeezerBy Josh Herwitt //

Weezer & Pixies with Sleigh Bells //
The Forum – Inglewood, CA
August 8th, 2018 //

It has always been hard for me to take Weezer completely seriously. Of course, when one of your oldest and biggest hits is called “Undone – The Sweater Song” while others like “Pork and Beans” and “(If You’re Wondering If I Want You to) I Want You to” have cultivated their own commercial success, it’s easy to think that the Los Angeles foursome must have shared the stage with Green Jellÿ, Tenacious D or “Weird Al” Yankovic at one point in time over the last 26 years.

Well, one of those whimsical pairings actually became a reality last Wednesday. With a sold-out audience at The Forum welcoming them home during their 30-date, North American co-headlining tour with the Pixies, frontman Rivers Cuomo (lead vocals, lead guitar, keyboards) and his cohorts — Patrick Wilson (drums), Brian Bell (guitar, backing vocals, keyboards) and Scott Shriner (bass, backing vocals) — gave many of us exactly what we wanted to hear near the end of a 20-song set: their now-viral cover of Toto’s single “Africa” from the group’s 1982 album Toto IV.

But what we didn’t expect to see midway through the tune was Cuomo introducing “Weird Al” Yankovic, who stepped onstage in one of his patented Hawaiian shirts and accordion in hand to perform the last half of it with the band. The crowd erupted upon the announcement, with many shocked by what they were witnessing. For me though, the surprise cameo only further validated some of those preconceptions I had about Weezer being one of rock’s goofiest acts.

Pixies


Pixies

That’s not to say that Cuomo isn’t a talented musician. In fact, quite the opposite is true. The Harvard grad shreds without question, something I never really realized until he uncorked a number of guitar solos, whether it was during “Buddy Holly” to open Weezer’s performance or “Say It Ain’t So” (with a snippet of Black Sabbath’s “Paranoid”) to put a bow on the show. And while there aren’t many lead singers who can do both, Cuomo certainly remains among some elite company, with Jack White, Trey Anastasio (Phish), Jim James (My Morning Jacket) and Josh Homme (Queens of the Stone Age) also immediately coming to mind.

Cuomo, however, might have all of them beat in one category: costumes. Appearing first in his preppy sweater-and-tie look, he eventually changed into a soccer jersey before later wearing a classic Nirvana T-shirt with the sleeves cut off. If anything, it was even more proof that Weezer don’t take themselves too seriously, considering that the only rock star who I’ve seen live with more costume changes than Cuomo is Axl Rose (and that shouldn’t be very surprising). It’s all part of the band’s playful attitude at the end of the day, and despite the political state that we currently find ourselves in, many of us could use a good laugh or at least a chuckle from time to time (I know I could).

After watching Cuomo and company do their thing for a little more than an hour, there’s no doubt that I have newfound respect for Weezer now. Selling out a 17,505-person arena in the middle of the week is no easy feat, even if the Pixies, who ripped through their own 22-song set in the same amount of time, were on the bill. But there’s a reason why Weezer have been performing second on this tour, and it’s simply because they’re still one of rock’s most wildy entertaining bands out there today — with or without Mr. Yankovic by their side.

WEEZER

Setlist:
Buddy Holly
Beverly Hills
Pork and Beans
Undone – The Sweater Song
Hash Pipe
Perfect Situation
My Name Is Jonas
El Scorcho
In the Garage
The Good Life
Happy Together (The Turtles cover) (with a snippet of “Longview” by Green Day)
Keep Fishin’ (Brian Bell on vocals)
Island in the Sun (Rivers Cuomo solo acoustic)
Take on Me (a‐ha cover) (Rivers Cuomo solo acoustic)
Burndt Jamb (Brian Bell on vocals; with lyrics from “Smells Like Teen Spirit” by Nirvana)
(If You’re Wondering If I Want You to) I Want You to
Feels Like Summer
Africa (Toto cover) (with “Weird Al” Yankovic)

Encore:
Susanne
Say It Ain’t So (with a snippet of “Paranoid” by Black Sabbath)

PIXIES

Setlist:
Gouge Away
Wave of Mutilation
U-Mass
Um Chagga Lagga
Isla de Encanta
Caribou
All the Saints
Cactus
Nimrod’s Son
Mr. Grieves
All I Think About Now
Debaser
Classic Masher
Monkey Gone to Heaven
I’ve Been Tired
Head On (The Jesus and Mary Chain cover)
Tame
Hey
Gigantic
Wave of Mutilation (UK Surf)
Where Is My Mind?
Vamos

Monterey Pop 50 pays tribute to the Summer of Love & the festival that started it all

Monterey Pop International Festival 50By Steph Port //

Monterey International Pop Festival 50 //
Monterey County Fairgrounds – Monterey, CA
June 16th-18th, 2017 //

Last weekend marked the 50th anniversary of the Monterey International Pop Music Festival, the iconic three-day music fest held at the Monterey County Fairgrounds in 1967 that featured such artists as Jimi Hendrix, The Who, Grateful Dead, Ravi Shankar, Simon & Garfunkel, the first large-scale performance by Janis Joplin and the introduction of Otis Redding.

To celebrate the occasion, Monterey International Pop Festival’s 50th anniversary featured a lineup of original performers and newer artists alike who all paid tribute to the original event in some way.

Many of this year’s artists covered songs by 1967 performers, such as Norah Jones (Grateful Dead’s “Ripple”), Jack Johnson (Steve Miller Band’s “Joker”; Jimi Hendrix’s “Foxy Lady”), Nicki Bluhm & Dirty Dozen Brass Band (Jefferson Airplane’s “White Rabbit”), Hiss Golden Messenger (Grateful Dead’s “Brown Eyed Women”) and Booker T. Jones’ Stax Revue (Otis Redding’s “Respect”).

Monterey Pop International Festival 50 - Jim James


Jim James

The three-day stretch featured plenty of sit-ins and collaborations as well, including Father John Misty, Nathaniel Rateliff and Danny Clinch joining Leon Bridges for his encore, Jones dueting with Johnson on a beautiful cover of “I Shall Be Released” and Duane Betts joining North Mississippi Allstars for “In Memory of Elizabeth Reed”, to name a few.

An on-site art exhibit featured original documents and photographs and showed parts of D.A. Pennebaker’s famed documentary “Monterey Pop”. The Morrison Hotel Gallery also hosted a pop-up gallery, which showcased 50 photographic prints of the artists that performed at the original festival, with several of the photographers in attendance.

The spirit of the Summer of Love could be felt throughout the weekend. Artists were honored as an important part of Monterey Pop’s legacy, and we all left with a sense of gratitude for its impact on contemporary culture and how we see music today.