The Revivalists live up to their new album ‘Pour It Out Into the Night’ at LA’s Greek Theatre while on tour with Band of Horses

September 13, 2023 by Leave a Comment

The Revivalists


The Revivalists

By Josh Herwitt //

The Revivalists & Band of Horses with The Heavy Heavy //
Greek Theatre – Los Angeles
September 10th, 2023 //

It was only a couple of weeks ago when we mentioned that a great co-headline bill on a warm summer evening in Southern California can be a fun and unique way to experience live music. Well, it wouldn’t be very long before our next opportunity arrived in my inbox.

My Morning Jacket and Fleet Foxes at the Hollywood Bowl (read our show review here) was one pairing this year that we had circled on our calendar, but there have been several others worth catching of late, including The Revivalists and Band of Horses as they proved at LA’s Greek Theatre on a Sunday night.

Hot off the release of a fifth studio album, The Revivalists came into town primed to make memories with their Pour It Out Into the Night material for the mostly capacity crowd that greeted the octet comprised of David Shaw (lead vocals, guitar), Zack Feinberg (guitar), Ed Williams (pedal steel guitar), Rob Ingraham (saxophone), Andrew Campanelli (drums, percussion), Paulet “PJ” Howard (drums, percussion), George Gekas (bass) and Michael Girardot (keyboards, trumpet).

Band of Horses


Band of Horses

The 12-track Pour It Out Into the Night dropped in June, and since then The Revivalists have been filling venues — whether it’s the Greek or Red Rocks (read our First Times coverage here) — and performing at major U.S. music festivals such as Bonnaroo and Lollapalooza. A solid chunk of the new LP has been featured throughout the New Orleans group’s live show, representing almost half of its gig in LA, as well-executed covers of Radiohead’s “High and Dry” from The Bends plus Tom Petty and the Heartbreakers’ 1980 hit “Refugee” punctuated a two-encore performance.

As interested as I was to hear each co-headliner, it was a little surprising to learn that The Revivalists were allotted more time than BoH. I expected that The Revivalists would go last and close things out, primarily because they were listed at the top of the tour’s poster, but BoH have been around longer and have higher metrics across most social media channels as well as music streaming services.

None of that, however, seemed to bother BoH leader Ben Bridwell, who appeared to be in fine spirits when he and his four henchmen — Creighton Barrett (drums, percussion), Ryan Monroe (keyboards, guitar, backing vocals), Matt Gentling (bass, backing vocals) and the band’s most recent addition Brett Nash (guitar, backing vocals), who replaced Ian MacDougall at the start of last year — walked onstage around 7:15 p.m. to a roaring applause from the mixed-aged audience, most of which had filed into its seats by the time The Heavy Heavy had wrapped up their 30-minute opening set.

The Revivalists


The Revivalists

Being the project’s only continuous member, Bridwell has maintained a sound and vibe for BoH that’s uniquely his. It’s not just Southern rock or indie rock or folk rock — it’s all three thrown into a blender. For me, there is something about his voice that has always captured my attention since the Grammy nominees’ debut full-length Everything All the Time. It’s what helped separate themselves during their early days in Seattle amid a competitive scene that only continues to grow with each passing day as more new indie-folk acts emerge.

Now several records later, BoH are sitting on their sixth entitled Things Are Great that came out more than 18 months ago via BMG and marked their longest gap between releases after Why Are You OK landed in 2016 on Interscope (BoH have signed to several labels over the years). Bridwell has had to account for numerous lineup changes along the way, yet he still knows how to keep things exciting for fans by switching up the setlist regularly and working in a cover, whether it’s INXS, Brooks & Dunn or even The Stooges. This was only the fourth time in 2023, for instance, that “Our Swords” was played, which sees Bridwell swap his guitar for a bass on the deep cut and croon about stepping on toes in a purportedly metaphorical sense.

By the time The Revivalists unleashed their chart-topping single “Wish I Knew You” as we neared the finish line, there was no doubt that packaging them together with BoH on the same tour was a strong move. I have enjoyed ruminating about and discussing which artists or bands should share the stage, and although this wasn’t one that specifically came to mind, it assuredly worked. Was it a total match made in musical heaven? Probably not. Would Trombone Shorty have made more sense to pair with The Revivalists considering his ties to the Big Easy? Maybe so, but any reason to spend a few hours hanging out at the Greek, especially with two bands of this caliber, is a good enough one for me.

THE REVIVALISTS

Setlist:
Good Old Days
Don’t Look Back
The Long Con
It Was a Sin
Down in the Dirt
Catching Fireflies
Soulfight
Otherside of Paradise
All My Friends
How We Move
Pour It Out Into the Night
High and Dry (Radiohead cover)
You and I
Celebration

Encore #1:
Only You
Wish I Knew You
Kid (with The Heavy Heavy)

Encore #2:
Refugee (Tom Petty and the Heartbreakers cover)

BAND OF HORSES

Setlist:
Is There a Ghost
The Great Salt Lake
Hag
Crutch
Laredo
Lights
Never Tear Us Apart (INXS cover)
Casual Party
Warning Signs
No One’s Gonna Love You
Our Swords
Ode to LRC
The Funeral
The General Specific

THE HEAVY HEAVY

Setlist:
Man of the Hills
Go Down River
All My Dreams
Cherry
Dirt
One of a Kind
Miles and Miles

Filed Under: Editor's Picks, Featured, Photos Tagged With: , , , , , , , , , , , , , , , ,

First Times: Covering a concert at Red Rocks as My Morning Jacket return to sacred ground for two awe-inspiring nights rain & shine

August 31, 2023 by 2 Comments

My Morning Jacket with M. WardBy Josh Herwitt //

My Morning Jacket with M. Ward
Red Rocks Park and Amphitheatre – Morrison, CO
August 25th & 26th, 2023 //

No matter where you are from, a trip to Red Rocks should be on every live music fan’s bucket list. The mile-high, open-air amphitheater only a short drive from Denver in Morrison, Colo., has over the years become a destination venue for live music fans all around the globe with its otherworldly rock structure and stellar natural acoustics.

Red Rocks’ annual attendance numbers certainly prove that to be true, too. Just a couple of years ago, it received the distinct honor of being named the top-grossing and most-attended concert venue of any size in the world. For a lot of artists and bands, having the opportunity to perform in such a unique and sacred space ranks up there with playing other famous sonic sanctuaries like The Gorge Amphitheatre, Radio City Music Hall and the Hollywood Bowl.

That’s some elite company to be included with, but ask anyone who has been and they will say Red Rocks is worthy of such acclaim. It’s why the 9,525-person amphitheater also holds a special place in the hearts of so many performers, including one of live music’s absolute best: My Morning Jacket.

Since opening in 1941, Red Rocks has been home to quite a few noteworthy performances from U2 to Widespread Panic, with the latter holding the venue’s record for most consecutive sold-out shows at 69 after their latest three-night run in June. And though MMJ hasn’t nearly reached that high mark, there’s no doubt that some of their most important moments over the past quarter century have taken place in between “Creation Rock” and “Ship Rock.” So it shouldn’t be a surprise that fans travel from all corners of the country to catch the Louisville-bred outfit there.

Red Rocks Park & Amphitheatre

Jacket’s very first appearance at the amphitheater, in fact, came in 2007 opening for the legendary Bob Dylan, but it only took another year before they were being offered their own date to headline. It wasn’t until 2012 for their “Spontaneous Curation Series” when MMJ started booking two nights “on the rocks,” with this year marking the quintet’s fifth time doing so for its 14th and 15th shows.

Nevertheless, it was a pair of performances at Red Rocks in 2019 that ultimately helped reignite the band and inspired Jim James (lead vocals, guitar), Tom Blankenship (bass), Patrick Hallahan (drums, percussion), Bo Koster (keyboards, percussion, backing vocals) and Carl Broemel (guitar, pedal steel guitar, saxophone, backing vocals) — with James coining the venue as “the birth canal of the universe” that year — to get back in the studio to record their ninth full-length album. Even the cover artwork for the ensuing, self-titled My Morning Jacket directly paid homage as you can see here. That’s how much one of Colorado’s most prized possessions has meant to the group’s success and longevity.

So after making the short pilgrimage from LA for two nights of MMJ at Red Rocks last August, I wasn’t about to miss them when it was announced that they would be returning for two more gigs in 2023. This time would be a little bit different, though. Not only had the supporting act changed with M. Ward slated for both shows, but being granted a photo credential for Friday and Saturday had finally afforded me the chance to capture a concert (or two) at the one and only “RR” with my camera equipment.

Red Rocks has always been one of my favorite places to witness live music. It’s somewhere that I have found myself going back to time and time again for almost two decades because there’s really nowhere else like it. The sound, atmosphere and fans all make it a one-of-a-kind experience and one of the best spots anywhere to watch a concert. From the first to the last row, there’s truly no bad seat in the house. Plus, the tailgating in the Lower South Lots alone is worth going for — and why you should always plan to arrive early before the doors open. You might even make some new friends in the parking lot!

My Morning Jacket

For a band that rocks as hard as MMJ does, it only seems fitting that one of their beloved venues to visit would be Red Rocks. Friday’s show would see James and company not holding back as they performed their 2003 LP It Still Moves in its entirety, enlisting M. Ward to sit in on “Golden” and “Steam Engine”. As elated as I was to hear “Master Plan” again however, it was also the first time since 2018 that “Just One Thing” and “One in the Same” had been played. Thanks to an extended encore with deep cuts such as “Honest Man” from 2001’s At Dawn and “Smokin’ From Shootin'” off 2008’s Evil Urges, the evening still finished a lot better than it began after heavy rains put a damper on any pre-show partying and soaked plenty of us from head to toe.

Saturday’s forecast, on the other hand, proved to be quite the opposite. With clear skies and sunshine setting the stage for MMJ’s second night, we were treated to a setlist that was well worth hopping on a plane for. There was another sit-in from M. Ward — this time on “At Dawn” and “Off the Record” — but there was also the debut of Cat Stevens’ “The Wind” as well as a cover of Traffic’s “Feelin’ Alright?” for only the second time ever with surprise guest and Colorado native Nathaniel Rateliff on vocals. Those were definitely two of the biggest highlights (no pun intended) amid the light motif that MMJ signaled to us with “At Dawn”, “First Light”, “It’s About Twilight Now” and “The Dark” coming consecutively midway through their set, but it was the encore centered around a four-part “Cobra” — the track, after all, runs more than 24 minutes long on 2002’s Chocolate and Ice — with “Highly Suspicious”, “Off the Record” and “Touch Me I’m Going to Scream Pt. 2” interspersed in between, leaving the sold-out crowd mostly speechless. It was a setlist technique that you would see a jam band like Phish or Umphrey’s McGee employ, but not MMJ. The three-time Grammy nominees have always lived in the jam-adjacent space, even if they have been booked for some of the same music festivals you might find other jam bands at, including Bonnaroo, Hulaween and Peach. But ever since forming in 1998, MMJ have never presented or considered themselves to be a jam band and the same applies today.

Regardless of how you want to label their music, James, Blankenship, Hallahan, Koster and Broemel looked and sounded at Red Rocks as locked in as they ever have. A sincere joy emanated from all five members that was palpable the minute they walked onstage, and by the time MMJ had wound us down after more than two hours with “Love Love Love” to wrap up their two-night stand, nothing but immense gratitude and a genuine love for what we had just heard remained inside.

It’s safe to say that you can’t tell MMJ’s story now without referencing Red Rocks at some point along the way. The band knows that, and many of its most loyal enthusiasts have come to understand what’s there, too. Because if recent history serves as any indication, rocking out to MMJ under the stars while being surrounded by some red sandstone monoliths is like nothing else. Quite simply, it’s magical.

AUGUST 25TH

Setlist:
Mahgeetah (>)
Dancefloors
Golden (with M. Ward)
Master Plan (>)
One Big Holiday (>)
I Will Sing You Songs (>)
Easy Morning Rebel (>)
Run Thru
Rollin Back (>)
Just One Thing (first time since 2018)
Steam Engine (with M. Ward)
One in the Same (first time since 2018)

Encore:
Victory Dance
Least Expected (>)
The Way That He Sings
Honest Man
Feel You
Slow Slow Tune (>)
Smokin’ From Shootin’ (>)
Gideon
Wordless Chorus

Editors’ Note: “It Still Moves” 20th anniversary show; portions of “Wordless Chorus”, “At Dawn”, “Butch Cassidy”, “Feelin’ Alright?”, “Highly Suspicious” and “Cobra” were played during soundcheck.

AUGUST 26TH

Setlist:
Anytime
Touch Me I’m Going to Scream Pt. 1
Spring (Among the Living) (Beatles “Dear Prudence” outro)
Evil Urges (>)
War Begun (>)
At Dawn (with M. Ward)
First Ligh
It’s About Twilight Now (>)
The Dark
Lay Low
Only Memories Remain
Butch Cassidy (>)
The Wind (Cat Stevens cover) (first time played)
Regularly Scheduled Programming
Circuital
Feelin’ Alright? (Traffic cover) (with Nathaniel Rateliff)
Wasted

Encore:
Cobra (Pt. 1>)
Highly Suspicious
Cobra (Pt. 2>)
Off the Record (with M. Ward) (>)
Cobra (Pt. 3>)
Touch Me I’m Going to Scream Pt. 2
Cobra (Pt. 4>)
Holdin on to Black Metal
Love Love Love

Filed Under: Editor's Picks, Featured, First Times, Show Experience Tagged With: , , , , , , , , , , , , , , , , , , , , , , , ,

Wow! Coachella unearths 2023 set times & drops another surprise as blink-182 unexpectedly get ready to rock the Empire Polo Club

April 13, 2023 by 1 Comment

Coachella 2023

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 14th-16th & April 21st-23rd, 2023 //

When the calendar turns to April, we all know what that means …

Yeah, that’s right — Coachella is just around the corner, and unlike a year ago when Swedish House Mafia and The Weeknd were elevated to headliner status with less than two weeks to go, it looks like there won’t be any last-minute lineup changes in 2023 (and we can thank the absence of a particular rapper for that).

But after casually including Grammy winners Arcade Fire in its 2022 set times for Weekend 1, the three-day music and arts festival has once again stunned us with another surprising addition while unleashing the schedule for the first weekend of its 22nd installment and after 11 p.m. PT on Wednesday no less (at 11:07 p.m. PT to be exact).

This time, it’s blink-182 being thrown into the mix despite not being listed on the official lineup poster as Mark Hoppus (bass, vocals), Tom DeLonge (guitar, vocals) and Travis Barker (drums) storm the Sahara Tent on Friday for their first-ever appearance at Coachella. It’s particularly shocking given that the band had to postpone the Latin American leg of its highly anticipated reunion tour because Barker dislocated and tore ligaments in his left ring finger during rehearsals earlier this year. The last proper show that the reunited pop-punk icons played with their original lineup prior to DeLonge’s second exit was in 2014, so we would recommend getting there early — as in, well before their scheduled start of 6:45 p.m. — if you are hoping to catch what should be a memorable performance. Heck, maybe that’s why DeLonge typed 6:30 p.m. in his tweet? Or could it simply be a typo? Either way, it won’t be too long before we know for sure which one it is.

Regardless of what time blink takes the stage, there are always so many tough decisions to make at Coachella, and it doesn’t get any easier when a legendary 90’s act finally gets the chance to rock the Empire Polo Club. There’s also a world-famous DJ making his long-awaited return — seven years, in fact — on Saturday in case you forgot (we imagine Calvin Harris fans certainly haven’t).

Nevertheless, we want to hear it straight for those of you who are headed out to the desert: What’s your biggest conflict this year and who are you most excited for?

WEEKEND 1 SET TIMES

Coachella 2023 - Weekend 1 - Friday set times

Coachella 2023 - Weekend 1 - Saturday set times

Coachella 2023 - Weekend 1 - Sunday set times

WEEKEND 2 SET TIMES

Coachella 2023 - Weekend 2 - Friday set times

Coachella 2023 - Weekend 2 - Saturday set times

Coachella 2023 - Weekend 2 - Sunday set times

As you can see above, Coachella has finally confirmed with the release of its set times for Weekend 2 that Frank Ocean’s headlining performance has been canceled and will be replaced with another dose of blink-182 — for at least part of Sunday — as we shared a day ago.

But there’s also a TBA act now listed at 10:25 p.m. once blink wrap things up around 10:20 p.m., and we now know it will be Four Tet, Fred again.. and Skrillex following their big night in NYC at Madison Square Garden a couple of months ago already stamping their footprint squarely on this year’s electronic scene less than a quarter of the way into 2023.

MAP

A little more than 24 hours before the gates officially open, this year’s map has arrived and there’s not a whole lot that has changed in a matter of 12 months. There is one alteration that’s worth noting for those keeping tabs, however.

After allowing guests only one way to access the Sonora, Gobi and Mojave Tents last year, the fest has reinstituted a direct — albeit narrow — path from the Sahara Tent to them like there was in 2019. While that might create a bit more foot traffic close to The Do LaB Stage, the walk to those three stages won’t be nearly as far if you’re coming from that side of the polo fields. For many attendees, this route should definitely come in handy (and save you a few steps) at some point from Friday to Sunday.

Coachella 2023 - map

So whether you’ll be in Indio or watching the YouTube livestream from the comfort of your couch, there’s plenty of good music to witness over the course of three days. If you’re still thinking about going and are looking for tickets, you can hop on the waitlist for Weekend 1 here or purchase them for Weekend 2 (GA and VIP) here along with whatever parking and shuttle passes remain.

Happy Coachella!

UPDATE (April 16th): The first two days didn’t see any last-minute changes to the schedule, but there was one announced on Sunday. Los Fabulosos Cadillacs have been moved from the Coachella Stage to the Outdoor Theatre and will begin at 2:10 p.m. instead of 2:30 p.m., leaving Jacqk Glam to slide up 40 minutes and pushing Stick Figure back to 3:20 p.m.

But the most disappointing news on Day 3 was for those watching all of the action at home. Despite listing both acts on the schedule earlier in the day, Coachella has pulled the livestream for Björk and Frank Ocean this evening. 2023 will mark Björk’s third appearance at the Empire Polo Club and first since 2007, while Ocean is expected to close out the festival as Sunday’s headliner after postponing what has been considered to be a highly anticipated performance — his first in six years — and was originally announced when the 2020 lineup dropped. Despite there being no official word about Björk, YouTube did confirm the change for Ocean. With that in mind, we will have to make do with Noname, Big Wild, Weyes Blood, 2manydjs, Kali Uchis, Jai Wolf, DRAMA and Sudan Archives, among others, providing the entertainment. Stream on, Couchchellans!

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Coachella comes clean with 2023 lineup as Bad Bunny, BLACKPINK & Frank Ocean land headlining slots in the desert

January 10, 2023 by 4 Comments

Coachella - 2023 lineup

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 14th-16th & April 21st-23rd, 2023 //

It’s that day again when Coachella finally lets the cat out of the bag each year.

Many had speculated the famed California music festival would offer up its big secret this week as it often does once we ring in a new year, and Goldenvoice did just that for its latest installment on the same day Bonnaroo, Boston Calling and Sonic Temple all revealed their own lineups as well.

But after last year saw late lineup changes with Ye (fka Kanye West) — unsurprisingly — backing out as the headliner for Sunday and being replaced by Swedish House Mafia and The Weeknd, it appears that Goldenvoice CEO Paul Tollett is prepared should the same sort of scenario happen again at the Empire Polo Club this April.

Headlining will be Bad Bunny, BLACKPINK and Frank Ocean, and while two of those artists check the box that we referred to in 2022 when it comes to the fest featuring more international acts, this year’s Day 3 headliner — whose set was originally announced for the 2020 edition but was pushed back to 2023 as the COVID-19 pandemic sent Coachella on a three-year hiatus — is also one who has been known to cancel his performances.

If Ocean does this time, Tollett and company will have Calvin Harris waiting in the wings and ready to step onto the main stage after 10 p.m. much like SHM did in 2022 (with some help from The Weeknd). He could even elevate sub-headliners Gorillaz, ROSALÍA and/or Björk to the No. 1 spot since two of them have headlined Coachella before. Either way, the man who has been organizing the three-day event — which expanded to two weekends in 2012 — for more than 20 years now certainly has his share of options after locking down Harry Styles and Billie Eilish to lead the charge a year ago.

We should note that it’s not clear yet which day Harris will perform if all goes according to plan, but the five-time Grammy-nominated DJ/record producer has headlined once before in 2016 and was included as a sub-headliner in 2020 before it was ultimately canceled. We will provide updates about his status below whenever we have more information.

Given those contingencies, the roster for Coachella’s 22nd year has a lot to consider below the top line for all three days and there are plenty of names that stick out among the undercard. And though those receiving high placement on the poster like Burna Boy, Eric Prydz, Kali Uchis, The Chemical Brothers, Porter Robinson, boygenius, Porter Robinson, Kaytranada, $uicideboy$, Fisher + Chris Lake, Blondie, the Kid LAROI, A Boogie, Becky G, Charli XCX, Dominic Fike, Metro Boomin, Labrinth, Jai Paul and Underworld are worth considering, there are others farther down that deserve being mentioned here such as FKJ, SOFI TUKKER, Jai Wolf, Wet Leg, Chromeo, 2ManyDJs, SG Lewis, TESTPILOT, Mura Masa, Weyes Blood, Marc Rebillet, Alex G and Hiatus Kaiyote.

Tickets for Weekend 1 are almost sold out, though you can always jump on the wait list here after three-day GA and VIP passes go on sale here during a presale this Friday, January 13th at 11 a.m. PT.

UPDATE (April 19th): So much for not having any last-minute changes this year. But considering how capricious Ocean remains as a performer and what transpired during his Weekend 1 headlining set, it should not come as a complete shock that the Grammy-winning singer-songwriter has pulled the plug on his Weekend 2 performance only a few days before it’s scheduled to happen. What might be more surprising to learn, however, is that Ocean sustained two fractures and a sprain in his left leg while at the Empire Polo Club last week and still decided to perform (sort of). blink-182, the reunited pop-punk icons who were tapped as this year’s surprise addition when set times for Weekend 1 dropped (much like Arcade Fire were in 2022), will reportedly take over the headliner slot on Sunday after rocking the Sahara Tent last Friday to mark the band’s first show with its original lineup since 2014. If you thought last year was bad after Ye’s cancellation with less than two weeks to go, we think it’s fair to say Ocean just one-upped him but feel free to chime in with your thoughts in the comments section below.

UPDATE (April 20th): Coachella has confirmed with the release of its set times for Weekend 2 that Frank Ocean’s headlining performance has been canceled and will be replaced with another dose of blink-182 — for at least part of Sunday. But there’s also a TBA act now listed at 10:25 p.m. once blink wrap things up around 10:20 p.m., which will be Four Tet, Fred again.. and Skrillex following the trio’s big night in NYC at Madison Square Garden a couple of months ago when they performed a five-hour B2B marathon.

Coachella 2023

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After making Coachella history, Klangstof are blazing a trail for other Dutch indie bands

May 8, 2017 by Leave a Comment

KlangstofPhoto by Jack McKain // Written by Josh Herwitt //

Those of us who have been attending Coachella for a while know how difficult it is for artists filling early-afternoon slots to draw large crowds at the Empire Polo Club. The sun, for one, is usually scorching hot by then, and most of the acts performing between the hours of 12 and 3 p.m. are still relatively unknown.

But for some on the come up like Klangstof, who this year became the first Dutch band to ever perform at Coachella, just the opportunity to play one of the oldest and biggest music festivals in the U.S. has already paid huge dividends back home.

“We’ve never really been big in our home country,” says bandleader Koen van de Wardt, who started Klangstof as a solo project when he was 14 years old and living in Norway at the time. “Being the first (Dutch) band to play Coachella gave us that boost.”

It’s only been a little more than a couple weeks since Klangstof hit the stage for Coachella’s second weekend, but since returning home to Amsterdam, van de Wardt says the response has been palpable.

“I hope it’s a start for more Dutch bands to play big U.S. festivals,” he adds. “We have a pretty cool indie scene. I hope we’re a band that can get things going for Dutch indie culture.”

So far, they’re off to a strong start. This month van de Wardt (vocals, guitar, bass, keyboards) and his colleagues — Wannes Salome (keyboards, vocals), Jun Christian Villanueva (drums, programming) and Jobo Engh (guitar) — kick off a 21-date North American tour that will see them open for The Flaming Lips and Miike Snow and make appearances at other major U.S. festivals like Sasquatch!, Bonnaroo and Firefly along the way. That’s not bad for a new band with members who have only been playing together for a year.

As van de Wardt explains, turning Klangstof into a touring outfit wasn’t his intention. When he first started writing the demos for what would become — over a seven-year stretch — the group’s 2016 debut LP Close Eyes to Exit, it was simply “out of boredom.”

Yet, everything changed for van de Wardt when he uploaded “Hostage” as the first Klangstof song to his Soundcloud account in 2015. Two days later, he picked up the phone in the middle of the night to learn it was David Dann from Mind of a Genius, the London/Los Angeles-based indie label that has ZHU, Gallant, THEY. and KWAYE currently signed to its roster. Dann liked what he had heard and saw Klangstof as the next addition to his growing list of clients — and van de Wardt was more than happy to oblige to deals with Mind of a Genius and subsequently Warner Bros. Records months later.

“I never thought something like that would’ve happened,” the 24-year-old frontman admits.

It was from that point that van de Wardt had to consider something he hadn’t had to quite yet: How was he going to play his music live? He spent the next six months searching for the right musicians to join him before settling on Villanueva and Engh, two of his friends from Norway, as well as Salome, whom van de Wardt had only “met” through Facebook but knew to be one of the “top synth wizards in The Netherlands.”

“It has been a pretty weird journey because I never wrote the record as something that I was going to play live,” he says. “I just did everything myself.”

And while turning his solo project into a live band was an adjustment for van de Wardt, it’s not like he hadn’t played in bands before. In fact, just a few years prior, he had moved from Norway to The Netherlands to join Dutch indie band Moss, which he says ultimately helped him decide if he wanted to pursue music as a full-time profession or not. Even more, it gave van de Wardt the confidence to start his own project and eventually assemble his own band, the same one that he’ll bring this week to The Theatre at Ace Hotel in LA and Fox Theater in Oakland as opening support for the three-time Grammy-winning Flaming Lips.

“I feel now after one year with the band, I know what the Klangstof sound is,” he asserts.

Such a sound, with its alt-rock roots and electropop tinges, has drawn lofty comparisons to Radiohead, a group that van de Wardt cites as one of his major influences, but you can also hear hints of other prominent UK “indie” bands, from alt-J to Foals, in the finished product. Meanwhile, onstage it’s been an exhilarating experience for van de Wardt, who can’t wait to jump back in the studio with his bandmates once they’re off the road at the end of this year.

“I’m really excited to go in and record the second album because I feel like all four of us know what we’re doing and how it should be sounding now,” he says, and hearing that from van de Wardt should be music to any Klangstof fan’s ears.

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