The Revivalists live up to their new album ‘Pour It Out Into the Night’ at LA’s Greek Theatre while on tour with Band of Horses

The Revivalists


The Revivalists

By Josh Herwitt //

The Revivalists & Band of Horses with The Heavy Heavy //
Greek Theatre – Los Angeles
September 10th, 2023 //

It was only a couple of weeks ago when we mentioned that a great co-headline bill on a warm summer evening in Southern California can be a fun and unique way to experience live music. Well, it wouldn’t be very long before our next opportunity arrived in my inbox.

My Morning Jacket and Fleet Foxes at the Hollywood Bowl (read our show review here) was one pairing this year that we had circled on our calendar, but there have been several others worth catching of late, including The Revivalists and Band of Horses as they proved at LA’s Greek Theatre on a Sunday night.

Hot off the release of a fifth studio album, The Revivalists came into town primed to make memories with their Pour It Out Into the Night material for the mostly capacity crowd that greeted the octet comprised of David Shaw (lead vocals, guitar), Zack Feinberg (guitar), Ed Williams (pedal steel guitar), Rob Ingraham (saxophone), Andrew Campanelli (drums, percussion), Paulet “PJ” Howard (drums, percussion), George Gekas (bass) and Michael Girardot (keyboards, trumpet).

Band of Horses


Band of Horses

The 12-track Pour It Out Into the Night dropped in June, and since then The Revivalists have been filling venues — whether it’s the Greek or Red Rocks (read our First Times coverage here) — and performing at major U.S. music festivals such as Bonnaroo and Lollapalooza. A solid chunk of the new LP has been featured throughout the New Orleans group’s live show, representing almost half of its gig in LA, as well-executed covers of Radiohead’s “High and Dry” from The Bends plus Tom Petty and the Heartbreakers’ 1980 hit “Refugee” punctuated a two-encore performance.

As interested as I was to hear each co-headliner, it was a little surprising to learn that The Revivalists were allotted more time than BoH. I expected that The Revivalists would go last and close things out, primarily because they were listed at the top of the tour’s poster, but BoH have been around longer and have higher metrics across most social media channels as well as music streaming services.

None of that, however, seemed to bother BoH leader Ben Bridwell, who appeared to be in fine spirits when he and his four henchmen — Creighton Barrett (drums, percussion), Ryan Monroe (keyboards, guitar, backing vocals), Matt Gentling (bass, backing vocals) and the band’s most recent addition Brett Nash (guitar, backing vocals), who replaced Ian MacDougall at the start of last year — walked onstage around 7:15 p.m. to a roaring applause from the mixed-aged audience, most of which had filed into its seats by the time The Heavy Heavy had wrapped up their 30-minute opening set.

The Revivalists


The Revivalists

Being the project’s only continuous member, Bridwell has maintained a sound and vibe for BoH that’s uniquely his. It’s not just Southern rock or indie rock or folk rock — it’s all three thrown into a blender. For me, there is something about his voice that has always captured my attention since the Grammy nominees’ debut full-length Everything All the Time. It’s what helped separate themselves during their early days in Seattle amid a competitive scene that only continues to grow with each passing day as more new indie-folk acts emerge.

Now several records later, BoH are sitting on their sixth entitled Things Are Great that came out more than 18 months ago via BMG and marked their longest gap between releases after Why Are You OK landed in 2016 on Interscope (BoH have signed to several labels over the years). Bridwell has had to account for numerous lineup changes along the way, yet he still knows how to keep things exciting for fans by switching up the setlist regularly and working in a cover, whether it’s INXS, Brooks & Dunn or even The Stooges. This was only the fourth time in 2023, for instance, that “Our Swords” was played, which sees Bridwell swap his guitar for a bass on the deep cut and croon about stepping on toes in a purportedly metaphorical sense.

By the time The Revivalists unleashed their chart-topping single “Wish I Knew You” as we neared the finish line, there was no doubt that packaging them together with BoH on the same tour was a strong move. I have enjoyed ruminating about and discussing which artists or bands should share the stage, and although this wasn’t one that specifically came to mind, it assuredly worked. Was it a total match made in musical heaven? Probably not. Would Trombone Shorty have made more sense to pair with The Revivalists considering his ties to the Big Easy? Maybe so, but any reason to spend a few hours hanging out at the Greek, especially with two bands of this caliber, is a good enough one for me.

THE REVIVALISTS

Setlist:
Good Old Days
Don’t Look Back
The Long Con
It Was a Sin
Down in the Dirt
Catching Fireflies
Soulfight
Otherside of Paradise
All My Friends
How We Move
Pour It Out Into the Night
High and Dry (Radiohead cover)
You and I
Celebration

Encore #1:
Only You
Wish I Knew You
Kid (with The Heavy Heavy)

Encore #2:
Refugee (Tom Petty and the Heartbreakers cover)

BAND OF HORSES

Setlist:
Is There a Ghost
The Great Salt Lake
Hag
Crutch
Laredo
Lights
Never Tear Us Apart (INXS cover)
Casual Party
Warning Signs
No One’s Gonna Love You
Our Swords
Ode to LRC
The Funeral
The General Specific

THE HEAVY HEAVY

Setlist:
Man of the Hills
Go Down River
All My Dreams
Cherry
Dirt
One of a Kind
Miles and Miles

BottleRock announces 2018 roster with Bruno Mars, The Killers & Muse booked as headliners

BottleRock - 2018 lineup

BottleRock Napa Valley //
Napa Valley Expo – Napa, CA
May 25th-27th, 2018 //

We’re one week into the New Year, and festival organizers across the country are just starting to unveil their 2018 lineups.

If last week’s Coachella lineup announcement didn’t do much for you, BottleRock Napa Valley has made its case this Memorial Day weekend with a bill that once again features not one, but two rock headliners, much like the 2017 installment saw with Foo Fighters, Maroon 5 and Tom Petty & the Heartbreakers, which proved to be one of Petty’s before his sudden death. Yet this time, it will be Bruno Mars, The Killers and Muse leading the way in late May.

Including the three aforementioned headliners, more than 80 artists and bands will descend upon downtown Napa for the three-day festival’s sixth edition. Other noteworthy acts listed on the poster are The Chainsmokers, Halsey, Snoop Dogg, Incubus, Earth, Wind & Fire, The Head and the Heart, Billy Idol, Thievery Corporation, Phantogram, The Revivalists, Michael Franti & Spearhead, Bleachers, Mike D (DJ set), E-40 and St. Paul and The Broken Bones to name a few. BottleRock’s signature Williams-Sonoma Culinary Stage, meanwhile, will also return to the Napa Valley Expo as various celebrity chefs team up with different Hollywood stars, musicians, bands, athletes and more for some cool live cooking demonstrations.

Tickets go on sale this Tuesday, January 9th at 10 a.m. PT here and start at $349 before going up to $359 for a three-day GA pass. VIP passes will be sold for as low as $749 (and as high as $799), and a three-day platinum pass is now a whopping $3,900.

BottleRock Napa Valley 2016 - Iration

PHOTOS: Santa Cruz Blues Festival 2014

Santa-Cruz-Blues-Fest_Post

Photos by Susan J Weiand //

The 22nd Annual Santa Cruz Blues Festival //
Aptos Village Park — Aptos, CA
May 24th-25th, 2014 //

Set in beautiful Aptos Village Park in nearby Aptos, Calif., the Santa Cruz Blues Festival has hosted many blues legends over years, including BB King, Albert Collins, Bonnie Raitt, John Lee Hooker and Ray Charles. This year, some talented new-comers and a couple of heavy hitters graced the stage during the two-day festival.

Great weather and enthusiastic audiences provided a backdrop to the music. Saturday saw performances by bluesy diva Nikki Hill, a rare appearance by Dave Alvin and his brother Phil Alvin, powerhouse funksters Trombone Shorty & Orleans Avenue and rootsy bluesman Tab Benoit from New Orleans, and the legendary Gregg Allman and his band. Sunday brought guitar-playing rising star Ana Popovic, Black Crowe’s Rich Robinson with his own band, crowd-pleasing Jackie Greene, Vintage Trouble (who blew the crowd away with its powerful R&B and stage presence) and popular crooner Chris Isaak.

Coachella 2014: It’s officially festival season

Coachella-Scene1Photos by Marc Fong // Written by Molly Kish, Pete Mauch & Kevin Quandt //

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 11th-13th, 2014 //

Well, that time of year hath arrived in the form of sun burns, overpriced Heineken and jamming in as much music as you can into a three-day window. Coachella has grown to be so much more than simply just a “music and arts festival” now, for better or worse, but it always retains the feeling that something special is really happening on these grass fields. Some embrace it, and many loathe, but overall, time spent at the polo fields in Indio is always an enjoyable romp full of the freshest artists mixed with many old favorites in a colorful sea of eye candy. 2014’s first weekend featured its biggest demand to date as wristbands hovered near four figures and many were left roaming the suburban streets surrounding the site. Yet, this didn’t keep the masses down, and persistence paid off to those who were lucky enough to snag a last-minute pass.

Goldenvoice has feverishly plugged away at creating an encompassing experience to the nearly 90,000 attendees who flock to the wind-swept stretch that is the Empire Polo Club, where it all started 15 years ago. Things have changed each and every year, and at this point, it’s a well-oiled machine needing little tinkering. This year featured more room in the Terrace area with the Do-Lab stage finding a new home off the main field, as well as an expanded Yuma Tent which kept dance enthusiasts complacent to rage in their own little nightclub. 2014 held many surprises that were laid out over the days before the event, culminating with a smorgasbord of guest appearances over the three-day span. Below, you will find some of our favorite sets as presented by the 2014 ‘Chella Bam Team.

Coachella-Scene3

Goat // Outdoor Theatre // Friday 1:25-2:05PM

This show was quite the eye opener for anyone who wasn’t familiar with the Swedish psychedelic outfit called GOAT, especially since this was the first set of the entire weekend for many in attendance. The whole band was masked and decked out in extravagant tribal attire that would fit perfectly into many a children’s nightmares. The band drew songs from their 2012 release titled World Music with the highlight being their single “Run To Your Mama” that had many in attendance gyrating their hips to the infectious groove. I couldn’t think of a better opening set to start the long and definitely weird weekend that is Coachella. -PM


OutKast // Coachella Stage // Friday 11:30-1:00AM

Friday night marked the reuniting of one of the most influential acts in rap, albeit for a crowd that maybe wasn’t ready or as generally excited enough for such a momentous occasion. Saving radio hits for the closing numbers, they pulled from a set list spanning their entire career, including “Aquemini”, “Skew It on a Barbeque” and an explosive version of “B.O.B. (Bombs Over Baghdad)” to start off the set. Several guests joined them throughout their performance, including Future debuting a new track, Sleepy Brown joining in for “So Fresh and So Clean”, and most impressively Janelle Monae gracing the stage for her collaborative performance of “Tightrope”. Each emcee featured segments revolving around their solo work — Big Boi smashed “Shutterbug” while 3 Stacks brought a little tenderness during “Prototype”. A weary crowd, half dominated by a pre-Stankonia generation of EDM enthusiasts, didn’t quite give the response that most would anticipate for the kick off to a massive summer festival tour, and some onstage could tell. However, die-hard fans were pleasantly surprised by the song choices and were bouncing along in camaraderie the entire set. -MK

Coachella-Scene5

Temples // Mojave // Saturday 2:40-3:25PM

The crowd gathered early inside the Mojave Tent to see one of the more buzzed about bands of the weekend, an English Psychedelic rock band simply called, Temples. Fresh off their debut release, Sun Structures, they delivered 45 minutes of psychedelic bliss, drawing tracks mostly off their new album with the exception of a b-side called “Ankh”, which was one of the many highlights of the set. The song is driven by the powerful bassline from Thomas Warmsley and the guitar slaying of James Bagshaw. The song had some serious legs that found the band soaring over the crowd in a psychedelic haze, a plateau they hopefully reach every show. The one-two punch of their singles “Keep in the Dark” and “Mesmerize” had the hot and sweaty crowd in an absolute frenzy. -PM


Future Islands // Gobi // Saturday 7:05-7:55PM

Hot off the release of their fourth studio album, Singles, not to mention their Late Night with David Letterman performance going viral, the Baltimore outfit took the Gobi tent by storm. Sam Herring and Future Islands are not your typical rock band; they are fronted by easily one of the most enigmatic lead singers in contemporary rock. Hurling himself across the floor, throwing wild fists and debuting some brand new gyrating dance moves throughout the set, Herring was feeding off the love from his festival fans and reciprocated in full throttle for the band’s Coachella debut. “Inch of Dust” appropriately opened the show as the palms swayed along in the background while being assaulted by airborne sand particles. Pulling from their entire discography the band catered their signature hard-edged new-wave rock to the festival environment. Herring spoke tenderly to the crowd, re-assuring the youth that things will be alright before falling into “Balance”. Speeding up each career spanning track, such as “Tin Man”, into dance floor face-melters, Herring’s signature growling vocals sparked cheers of enthusiasm from the afternoon crowd. -MK

The-Pixies

Pixies // Mojave // Saturday 8:50-9:40PM

It had been almost exactly 10 years since the original Pixies reunited on the big stage in Indio, however this year we saw Black Francis and associates take to a smaller tent to pummel a decent sized crown with some good old rock and roll. The Pixies’ new release, Indie Cindy, was played before their set, which was somewhat odd, and they played relatively heavy off the release. Highlights of the set included a cover of Jesus and Mary Chain’s “Head On”, along with old favorite “Wave of Mutilation” and “Crackity Jones”. Frank was fired up as he scorned objects being oddly floated over the crowd, possibly miffed at the bleed of the Sahara, but then again, that’s why we love him. “Where Is My Mind?” received popular praise, as always, and featured new bassist Paz Lenchantin wailing as best she could. “Caribou” also showed that Paz can hang with the band, and that there may be a bright future in the coming years for the alt legends. -KQ

Pharrell-Williams

Pharrell Williams //Outdoor Theatre // Saturday 10:35-11:35PM

What turned out to be a tough night for Pharrell ended up being one of the most fun sets of the weekend as throngs of girls belted out “Hollaback Girl” while dudes lit up in honor of Snoop’s presence for “Drop It Like It’s Hot”. The last 2 years of Weekend 1 have been slightly marred by high winds turning into small dust storms, and this year, Saturday was both the blustery day and the big Pharrell show. Promises of guests were fulfilled by the likes of Nelly, Tyler, the Creator, Puff Daddy and Diplo among those listed above. “Lose Yourself to Dance” opener was a good sign as the sizable crowd loosened up to the adventure that lay ahead, but the prolific producer’s voice just couldn’t weather the storm, and the finale of “Get Lucky” and “Happy” was largely sang by the crowd as Williams shook his head in sheer disappointment. -KQ


Nas // Outdoor Theatre // Sunday Midnight-1AM

Hip-hop is alive and well in 2014 and Coachella wanted to reinforce this. If you are a hip-hop head, then this was the year to be at Coachella. With OutKast, Nas, Kid Cudi, Chance the Rapper, GZA’s impromptu set in the Heineken House, and all the special guest MCs throughout the weekend, rap fans had a grand ‘ol time this past weekend. It was known that Nas was set to perform his 20-year-old classic album, Illmatic, in its entirety from start to finish. However, that’s not all that “nasty Nas” had in store for the late crowd. After the fourth track of his legendary album, Nas invited his longtime nemesis Jay-Z to the stage for an unforgettable performance of Jigga’s “Dead Presidents”. If you remember, this is the song that started all the “beef” between the two New Yorkers when Nas declined to re-rap the chorus. All the hate was squashed as the two legendary MCs showed the crowd that it’s all “One Love”. Toward the end of the set, Nas invited hip-hop guru Puff Daddy up to the stage to perform their song “Hate Me Now”, which truly delighted the rap freaks in attendance. Nas was on Point! -PM

Coachella-Scene2

Trombone Shorty & Orleans Avenue // Coachella Stage // Sunday 12:40-1:30PM

Trombone Shorty is arguably the king of New Orleans right now, especially since he has taken the closing duty reigns from The Neville Brothers at JazzFest. So seeing Troy Andrews in the early heat on Sunday was kind of odd as I felt that he deserved a better slot, but that didn’t stop him from performing a fiery set of trombone-driven NOLA funk. The small but very enthusiastic crowd was hanging on every note as he effortlessly banged through his soon-to-be classic hits. “Fire and Brimstone” was a clear highlight of his raucous set as was his closer “Do to Me”, which had the crowd singing along to every word. Trombone Shorty is truly a national treasure, and you gotta tip your cap to Coachella for even having him on the bill. -PM


Arcade Fire // Coachella Stage // Sunday 10:20-Midnight

Closing out festivals isn’t anything too out of the ordinary for these veterans, especially after 2011’s massive display, so Win Butler and cohorts knew to bring all the stops. Touring in support of their critically acclaimed fourth studio album, Reflektor, the band had various options of surprise guests they could potentially have join them on stage as a grand finale to Weekend 1. Rumors of David Bowie or James Murphy had the crowd abuzz due to their direct involvement with the latest release. Halfway through the epic set of hits from both 2010’s The Suburbs and cuts off of the new album, the band broke into the opening notes of Blondie’s “Heart of Glass”, only to be joined by Debbie Harry of Blondie fame for this full rendition. Sticking around to provide back-up vocals and ribbon dance around the stage with Regine, Debbie joined in on Arcade’s quintessential “Sprawl II”. Confetti canons spewed out into the crowd during the climactic notes of “Here Comes the Night Time”, igniting the crowd for their closing number “Wake Up”. And with that, the first major music festival of the 2014 season was in the bag. -MK

Coachella-Scene4

Guest sets were prevalent this year with additional highlights including:

• Beyonce shook her “jelly” on stage with little sister Solange during her sunset performance on Saturday for song, “Losing You”.

• A$AP Ferg brought out the whole A$AP Mob for multiple tracks before A$AP Rocky debuted a new track, featuring a diss on Been Trill clothing. Rocky also came out with Skrillex.

• Chromeo’s set included a collaborative performance with Toro y Moi to perform the duet off of White Women called “Come Alive”.

Chromeo

• Girl Talk pulled Busta Rhymes, Too $hort, Juicy J and E-40 into his remix set on Friday night (while the Bryan Ferry set played oddly on the screens flanking Greg Gillis).

• Justin Bieber decided to put a funny taste in people’s mouths and backed up his buddy Chance The Rapper.

• Mary J. Blige came on for a rousing rendition of her alternate vocal version of “F for You” with Disclosure Sunday evening. Sam Smith came out for “Latch”, as well. AlunaGeorge also lent a helping hand.

Disclosure

• Up-and-comer Jene Aiko welcomed some big names in the form of Drake and Childish Gambino while Disclosure and Arcade Fire played against this stealthy guest set.

• The legendary Motörhead brought out Slash for a healthy dose of guitar.

• Classixx bounced back from a tough start to a set with help from Nancy Wang, Yacht, The Preatures and Sarah Chernoff from Superhumanoids.

• Flosstradamus welcomed a bit of help from another big-named emcee in the form of Waka Flocka Flame.