OutKast – Showbams

Run the Jewels leave no stone unturned in LA, capping off their 10th anniversary tour with a fourth & final night at Hollywood Palladium

October 20, 2023 by Josh Herwitt 1 Comment

Run the Jewels with The Alchemist, Tenacious D (DJ set) //
Hollywood Palladium – Los Angeles
October 14th, 2023 //

It’s almost hard to believe that more than a decade has already passed since El-P and Killer Mike formed Run the Jewels after being introduced to each other by Cartoon Network executive Jason DeMarco in 2011.

The Grammy-nominated hip-hop duo has rode a titanic wave of success over that span, putting out four albums in less than seven years with 2013’s self-titled debut paving the way for subsequent releases in 2014, 2016 and 2020.

To mark the occasion, RTJ announced a 10th anniversary tour consisting of four-night residencies in New York, Chicago, Atlanta and LA this year, with each LP being performed from start to finish on its respective date.

But the project’s fourth and most recent full length entitled RTJ4 — one that features Greg Nice, DJ Premier, 2 Chainz, Pharrell Williams, Mavis Staples, Josh Homme and Zack de la Rocha — is what propelled Jaime Meline and Michael Render into the Top 10 of the US Billboard 200 for the first time, and even though they were at Coachella in 2022, they had yet to schedule a proper show in LA after dropping the 11-track effort due to the COVID-19 pandemic shutting down live music for 18 months.

That’s, in part, why we circled Saturday’s finale at the Hollywood Palladium on our calendar while also knowing it would be the last gig of the tour. We did wonder if Meline and Render would be running (no pun intended) on fumes by that point, but the two emcees seemed to be in great spirits when they took the stage after surprise DJ sets from Tenacious D and The Alchemist, the latter of which boasted guest appearances by Evidence and Rakaa Iriscience of Dilated Peoples, had riled up the capacity crowd.

As much as the beats and production that El-P cooks up in the lab are the catalyst for new RTJ material, the wordplay between Killer Mike and himself is what make them such a visceral force in front of any live audience no matter where they are at that moment. Plus, their stage antics and banter aren’t too shabby either. Not many acts in the hip-hop scene roll into town, specifically this one, and choose Jack Black of all celebrities to introduce them to a sold-out venue of 4,000 folks. Yet, that’s exactly what RTJ did when Black walked out to Queen’s epic hit “We Are the Champions” and sent fans into an absolute frenzy with his hype-man skills.

The beauty of an RTJ show, like any good concert, is that you simply don’t know what’s going to happen next. Sure, it was a little disappointing that de la Rocha didn’t grace us with his presence like he did only a couple of days earlier when Run the Jewels 2 was showcased in full, but El-P and Killer Mike weren’t about to wave goodbye without a cameo from their friend Joi, a longtime associate of the Atlanta-based Dungeon Family collective known for its collaborations with OutKast, Organized Noize and Goodie Mob, during an eight-song encore.

RTJ, however, weren’t about to wrap up (again, no pun intended) the tour with a Run the Jewels 3 cut. Instead, they fittingly went back to where things all started, unleashing the title track on Run the Jewels to send us home with one final banger and close the book on the “RTJX Tour.” Where they go from here following 10 years in the rap game, no one really knows. Neither does El-P or Killer Mike right now, and from what they have recently said, that’s the way they like it. Fortunately for us, so do we.

Setlist:
yankee and the brave (ep. 4)
ooh la la
out of sight
holy calamafuck
goonies vs. E.T.
walking in the snow
JU$T
never look back
the ground below
pulling the pin
a few words for the firing squad (radiation)

Encore:
Legend Has It
Oh My Darling Don’t Cry
Blockbuster Night Part 1
Talk to Me
Sea Legs
Close Your Eyes (And Count to Fuck)
Down (with Joi)
Run the Jewels

Filed Under: Editor's Picks, Featured, Photos Tagged With: 2 Chainz, Dilated Peoples, DJ Premier, Dungeon Family, El-P, Evidence, Goodie Mob, Greg Nice, Jack Black, Joi, Josh Homme, Killer Mike, Kyle Gass, Mavis Staples, Organized Noize, OutKast, Pharrell Williams, Queen, Rage Against the Machine, Rakaa Iriscience, Run The Jewels, Tenacious D, The Alchemist, Zack de la Rocha

Run the Jewels spoil 5,000 fans in LA with special guests Zack de la Rocha, Danny Brown & more

February 7, 2017 by Josh Herwitt 2 Comments

By Josh Herwitt //

Run the Jewels //
Shrine Expo Hall – Los Angeles
February 1st, 2017 //

When Jaime Meline and Michael Render teamed up to form Run the Jewels in 2013, neither were household names all on their own. Meline, better known as El-P among underground hip-hop fans, had built a modest career as a beatmaker/producer, rapper and independent record label owner, while Render, aka Killer Mike, had garnered some slight fanfare for his collaborations with OutKast and fellow Atlanta emcee Big Boi.

Yet, in just four years, Run the Jewels have already reached hip-hop’s mountaintop with their politically charged lyrics and hard-hitting beats. Just take last Wednesday’s sold-out show in LA for example. With the duo’s third studio album still only a few weeks old, 5,000 or so fans poured into the spacious Shrine Expo Hall to watch El-P and Killer Mike fuck shit up (for lack of a better term). And that’s exactly what they did after opening sets from The Gaslamp Killer, Nick Hook, Gangasta Boo and CUZ.

From the moment they walked onstage to Queen’s “We Are the Champions” blasting out of the PA system, much like they did at FYF Fest (read our review here) a couple summers ago, El-P and Killer Mike kept the energy odometer at 100. They jumped right into material from their latest LP Run the Jewels 3, starting with “Talk to Me” and continuing in chronological order, before telling us to raise our hands in the air and flash their patented fist-and-a-gun hand gesture in between songs.

By the time El-P and Killer Mike dove into “Blockbuster Night, Part 1” and “Oh My Darling Don’t Cry” from their critically acclaimed sophomore record, the capacity crowd was fully entrenched in RTJ’s aggro-hip-hop stylings. But unlike most of the dates on their “Run the World Tour” so far, this one was loaded with top-notch special guests. Going into it, I had a good feeling that we were in for at least a couple knowing RTJ’s penchant for surprises and the fact that we were in La La Land after all. What played out, though, surpassed just about all of my expectations.

As soon as we heard the opening guitar riff to DJ Shadow’s “Nobody Speak” from his 2016 LP The Mountain Will Fall, I thought we might be getting an appearance from the legendary Bay Area producer and turntablist himself. Instead, it was the ensuing song that proved to be our first surprise of the night, as Detroit rapper Danny Brown emerged from the shadows to trade lines with El-P and Killer Mike on their RTJ3 collaboration “Hey Kids (Bumaye)”. Of course, as unexpected as Brown’s appearance was, RTJ had plenty of more tricks up their sleeves. One of them was the aforementioned Gangsta Boo guesting on their crude, raunchy RTJ2 track “Love Again (Akinyele Back)” as she has done throughout the tour, but as the clock hit 11 p.m., El-P and Killer Mike had a few more friends to introduce. BOOTS, the enigmatic singer/rapper and songwriter who worked on Beyoncé, was up next, contributing the same vocals he supplied in the studio for “Early” before a drum set was rolled out for Blink-182’s Travis Barker, who made his presence felt with a dramatic, blood-pumping finish — sticks twirling and all — to “All Due Respect”. And if that wasn’t enough, the Brooklynlanta team made sure we got to briefly meet Dungeon Family member and singer Joi via its RTJ3 opener “Down” before exiting stage right.

But while it’s clear that RTJ have come a long way even since their early days, El-P and Killer Mike made sure to save the best for last at the Shrine Expo Hall. It’s well-known, in fact, that they have brought out Zack de la Rocha from time to time, most recently in Washington D.C. during a pre-inauguration performance last month, but there’s still something exhilarating about seeing the Rage Against the Machine frontman grab the mic and go to work. Lucky for us, RTJ’s encore featured de la Rocha on both “Kill Your Masters” and “Close Your Eyes (And Count to Fuck)”, the latter of which is one of the duo’s most powerful and provocative songs. It was a fitting way to end the night, particularly in our current political climate, but at least we have El-P and Killer Mike to help us make sense of it all.

Setlist:
We Are the Champions (Queen song)
Talk to Me
Legend Has It
Call Ticketron
Blockbuster Night, Part 1
Oh My Darling Don’t Cry
Nobody Speak (DJ Shadow cover)
Hey Kids (Bumaye) (with Danny Brown)
Stay Gold
Don’t Get Captured
Panther Like a Panther
Love Again (Akinyele Back) (with Gangsta Boo)
Lie, Cheat, Steal
Early (with BOOTS)
All Due Respect (with Travis Barker)
Run the Jewels
A Report to the Shareholders
Down (with Joi)

Encore:
Kill Your Masters (with Zack de la Rocha)
Close Your Eyes (And Count to Fuck) (with Zack de la Rocha)

VIEW PHOTOS FROM THE SAN JOSE AND OAKLAND SHOWS.

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: Big Boi, Blink-182, BOOTS, Danny Brown, OutKast, Rage Against the Machine, Run The Jewels, Shrine Expo Hall, Travis Barker, Zack de la Rocha

The 25 best live music acts of 2014

December 2, 2014 by The Bam Team 5 Comments

It’s that palpable sense of excitement in the crowd, how musicians can seize the moment and make you feel something unexpected or enlightening. Being able to connect with music through a collective experience is breathtaking when it happens, especially when you can tell fellow fans (and sometimes the artists themselves) are affected similarly. Nothing beats a transformative show that takes you to another place — or one that just fucking rocks.

Showbams covered many excellent bands, musicians and DJs throughout 2014 — the following 25 acts are our favorite live performers of the year.

Showbams’ Top 50 Albums of 2014
The Bam Team’s 5 Favorite Shows, Albums & Songs of 2014

Listen to The Bam Team’s favorite songs of 2014:

25. Sylvan Esso

Singer Amelia Meath’s voice sparkles with the tone of Feist and the intonation of Regina Spektor, while Nick Sanborn’s live production hits the sweat spot of trending sound in 2014 — the wobbles and looping vocals are somehow familiar and fresh all at once. -Mike Frash, photo by James Nagel

24. Fucked Up

Now, it’s hard to not say that [Damian] Abraham is the show here. Not only because he is a musical madman who would rather be in the pit with his fans than on the stage with his longtime band, but also because frankly, the rest of the band seemed aloof at times. Sure, all but one help in the vocal department, but trying to compete for attention with Abraham would be a futile effort. The frontman, now shirtless (which is tradition), was cruising all over The Indy like a whirlwind. First, he was up in the seats on house right, and the next thing you know, he is having a full-blown mock-luchadore wrestling match with a fan in front of the stage. I kid you not. -Kevin Quandt, photo by Pedro Paredes

23. Parquet Courts

Andrew Savage and his newly-grown Sideshow Bob-esque afro couldn’t help but remark on the younger members of the crowd having the time of their life; “Sure like watching you boys move around out there,” he stated with a smirk. “Stoned and Starving” was oddly missing from the night’s set, possibly a product of not being awarded the headlining set on this night. Whatever, Parquet Courts don’t give a fuck. -Kevin Quandt, photo by Kory Thibeault

22. Disclosure

It was refreshing to witness intelligent dance music prospering, playing to an enthusiastic & packed Greek Theater Berkeley for the first ever “Wild Life”. Disclosure are revamping contemporary dance music by repurposing past elements into poppy, progressive packages, which is consequently influencing mainstream music in a meaningful way. -Mike Frash, photo by Sam Heller

21. Blood Orange

Dev Hynes and company gifted us with a performance abundant in groove and energy. The crowd intensity quickly translated from the stage onto the entire venue, with the London-native acting as the master of ceremony, surrounded by talent. Samantha Urbani’s (Friends singer and Hynes’ girlfriend) vocals on “It is What It Is” were beautiful and hypnotic, and put the audience in a soothing stage that was only broken when Dev Hynes decided to bring the house down with an explosive version of “Uncle Ace”. -Pedro Paredes, photo by Pedro Paredes

20. Deerhoof

The ever evolving musical dialect that Deerhoof have created for them, and them alone is a big takeaway. The four members share a vernacular on stage that only they speak. Greg Saunier’ musical training allow him to ebb and flow with the other members on stage; never playing over Satomi’s dainty vocals while allowing Dietrich to expand on his freakish chords. -Kevin Quandt, photo by Greg RaMar

19. Rubblebucket

It should be stated that Kalmia Traver is one of the best frontwoman in the business. She truly is the full package as she sings with a rigorous passion, dances joyously, plays baritone sax and wins the adoration of nearly every member of the audience. Her dedication is refreshing and infectious. The group’s sound has evolved to a more varied palette as comparisons to Arcade Fire could begin to fester in one’s mind. -Kevin Quandt, photo by Kory Thibeault

18. Volcano Choir

It was the minimalist songs, complimented by reverent crowd silence and attention, that were the memorable highlights…attempts at discovering new sound spaces is an absolute success for Volcano Choir, making Bon Iver seem almost boring in retrospect. It’s understandable why Vernon said this might be his new band — Vernon’s claim to fame almost seems superfluous now. -Mike Frash, photo by Chaya Frash

17. Connan Mockasin

It’s about time that the US markets pay a little more attention to this dream-psych export that has made waves in a handful of international markets, and for good reason. Sure, the likes of Ariel Pink and Animal Collective are hailed as gods in the genre, but Connan has something a little more unique to offer us. -Kevin Quandt, photo by Pedro Paredes

16. Sun Kil Moon

Before launching into “I Watched the Film The Song Remains the Same”, something rather extraordinary happened. He looked at a young male fan in the front and asked why he had headphones on his head. Then Kozelek forcefully stated, “You look like a fucking douchebag”, filling the venue with tension and a bit of laughter. This happened right before playing a track about coming to terms with once bullying a kid on the playground in his youth. In the song he discusses the incident, “though I grinned, deep inside I was hurting.” It appears this whole incident was a creative, effective way to foreshadow and show his contradictory nature, as opposed to him being horribly passive aggressive. -Mike Frash, Photo Courtesy of Sun Kil Moon

15. Sharon Van Etten

Despite her songs being so often daunting and bleak in nature, Van Etten was able to break up the heaviness with the levity of her between song banter. One crowd member shouted to Van Etten that she should do standup comedy, to which Van Etten responded, “So you’re saying my music career is over,” to even more laughter…Songs from her new release are much fuller in comparison to earlier Van Etten offerings and the benefit was instantly felt when performed with her talented band. -Mark E. Ortega, photo by Pedro Paredes

14. The National

Grown to be more comfortable with themselves, poised and energetic with precise control, The National’s music is more accessible and impactful than ever before, and the group is pulling it off in front of the biggest audiences of their career. Slowly winning over fans for 15 years, The National have earned it. -Mike Frash, photo by James Nagel

13. Flume

In the past year, Flume’s set has become more sophisticated, led by a restrained approach that intermingles hip-hop, trap, R&B and rap. The drops are inverted in their intensity compared to traditional EDM, offering slight delays and unpredictable syncopation…his ability to curate a festival-sized mega party cannot be questioned at this point. Fortune favors the bold. -Mike Frash, photo by Josh Herwitt

12. Ryan Adams

Ryan Adams impressed this year with sets laced full of cuts from his remarkable self-titled album, his 14th and newest. At his headlining show at Hardly Strictly Bluegrass, Adams transitioned his endearing goof-spaz stage banter into an impromptu gem of a song revolving around a someone holding balloons in the back of the show taking place in Golden Gate Park. -Mike Frash, photo by Pedro Paredes

11. OutKast

OutKast was the reunion tour of the year, hitting a festival in nearly every region of the world. While Big Boi is the consistent, poised professional day after day, his partner André 3000 a bit of a wildcard, as we all witnessed as he turned his back on Coachella audience on opening night. But Dré’s rhymes were clean and on point as he sported a jumpsuit that told you how he really felt night to night. -Mike Frash, photo by Marc Fong

10. Future Islands

Sam Herring is in no rush, and he takes it slow while the bass line marks a steady beat. He wants the people not just to feel, but to listen as well, and he takes time to give some context before commencing a new song.It became clear that Herring is all about making a connection with the audience…his style seems to draw inspiration from multiple sources, and I can’t help but to be reminded of the insane intensity of Ian Curtis, the shamanic charisma of Jim Morrison, and the storytelling skills of Johnny Cash. -Pedro Paredes, photo by Pedro Paredes

9. DARKSIDE

Simmering melodic-based atmosphere moved to dramatic slow-builds, and Nicolas Jaar would introduce a track along the way — all while creating tension. Then well-deserved bass drops revealed themselves in both sneaky and progressive ways, establishing a prolonged release in the form of the crowd losing their shit to four on the floor house beats and body-shaking bass…One of the most memorable transitions came deep into “Paper Trails” when the drop developed over four quick beats in a measure, from no bass to full on bass domination. It was a striking example of Jaar’s original, crafty abilities in the moment. -Mike Frash, Photo by James Nagel

8. tUnE-yArDs

Driven by percussion, vocals and ecstatic hyperactivity, tUnE-yArDs win with a lighthearted, quirky mentality that skewers conformity…this show had all the indications of an essential live performance; the music was thoroughly impacting, and the crowd was completely immersed and wide-eyed throughout, taking in tUnE-yArDs’ breathtaking sonic concoctions. -Mike Frash, photo by Pedro Paredes

7. Mac Demarco

DeMarco’s fans screamed in sheer delight as he transformed himself into some sort of pop-slacker, earning hoots and howls from a bevy of females in the crowd. His rise to King Weirdo status has been swift, and it’s been for good reason. His likeability, coupled with his unique playing style, is pretty damned infectious, after all. -Kevin Quandt, photo by Pedro Paredes

6. Arcade Fire

Throughout the Reflektor tour, Arcade Fire premiered a new cover each night. For example, halfway through their epic Coachella set, the band broke into the opening notes of Blondie’s “Heart of Glass”, only to be joined by Debbie Harry of Blondie fame for this full rendition. Arcade Fire successfully cultivated a party atmosphere, adding to the high level of revelry already there. -Molly Kish, Photo courtesy of Arcade Fire.

5. Run the Jewels

Much like at a Phish or Die Antwoord audience, most everyone in the room at Run the Jewels was there in “full buy-in” mode, not worried about what someone might think of you by getting a bit too into the moment. Which, when you think about it, is pretty elusive for a rap act that is beloved by the indie blogosphere and its readers. Yet, there is a collective acceptance, a mentality that has bubbled up from impromptu social media memes, gifs and videos that are moving RTJ into mainstream mentality. -Mike Frash, photo by Alfonso Solis

4. St. Vincent

Captivating an audience has never been much of an issue for St. Vincent due to the incredible musical talent Annie Clark possesses. Her amazing skills as songwriter, lyricist and guitar-shredding icon are nearly unmatchable in contemporary pop. This tour however is incredibly unique, in that it finally showcases these undeniable aspects of Clark on a grand scale. From the production elements to various costume and instrument changes amidst an encapsulating set design, Clark has finally emerged as a true rock star. -Molly Kish, photo by Pedro Paredes

3. The War on Drugs

Adam Granduciel has arrived to the next level, as The War on Drugs have broken through the underground in a big way with their latest release entitled, Lost in a Dream. The subsequent, and long awaited, tour has been nothing short of fantastic as an expanded band has led to their most sonically pleasing tour to date. -Kevin Quandt, photo by Sterling Munksgard

2. ATOMIC BOMB! The Music of William Onyeabor

Luaka Bop founder and musical virtuoso David Byrne unearthed Onyeabor’s self-released eight album discography and organized a top secret live music project called “ATOMIC BOMB! The Music of William Onyeabor”, bringing it to life on stage at the Warfield Tuesday for the third time ever.

With an all-star cast of incredible artists, the Atomic Bomb! band took the stage in a handful of lucky cities to provide a near-religious experience (mock-secular program included), reviving the spirit of Onyeabor’s body of work. Lending their various talents to the incredible performance, Alexis Taylor (Hot Chip), Kele Okereke (Bloc Party), Pat Mahoney (LCD Soundsystem), Joshua Redman, Money Mark, The Lijadu Sisters and Sinkane (the musical director) were accompanied by Byrne (along with a full horn section and backing band). -Molly Kish, photo by Marc Fong

1. Jack White

It’s been Jack White’s year on the live music circuit. His endless Bonnaroo headlining set this year is now a recognizable career milestone based on word of mouth alone. He severely twisted his ankle in SF and kept touring against the advice of his doctor. Jack seemed more focused and engaged than on prior tours, while also appearing authentic, positive, comfortable and likable. Labeled as grumpy, sad and controlling in the past, White embodied the ambassador of fun, and a sharp haircut seemingly signified the “new” Jack White further. The newest item of actual substance is that the man is in the prime of his career, playing truly epic shows, proving to be the biggest rock star in the world with grit night after night. Without question, Jack White is one of the best live artists of 2014 — and now with a humble, inclusive attitude, his stock should only rise further. -Mike Frash, photo by David James Swanson

Filed Under: Best of, Best of 2014, Featured Tagged With: Arcade Fire, Atomic Bomb, Blood Orange, Connan Mockasin, Darkside, David Byrne, Death from Above 1979, Deerhoof, Flume, Future Islands, Jack White, Mac Demarco, Nine Inch Nails, OutKast, Parquet Courts, Rubblebucket, Run The Jewels, Ryan Adams, Sharon Van Etten, St. Vincent, Sun Kil Moon, Sylvan Esso, The National, The War on Drugs, tUnE-yArDs, Volcano Choir

The best of Treasure Island Music Festival 2014

October 21, 2014 by Mike Frash 2 Comments

Photos by Marc Fong // Written by Mike Frash //

Treasure Island Music Festival //
Treasure Island – San Francisco
October 18th-19th, 2014 //

Treasure Island Music Festival 2014 will be remembered for its triumphant headliners along with its embrace of minimalist, finger-snapping electro-pop. Some of the performing acts that have blown up over the past year or so — including Jungle, Zedd, BANKS and Chet Faker — offered relatively tame performances, struggling to elevate their live music experiences. But many other acts gave inspired, breathtaking or insanely fun sets.

Here’s our best (and worst) of TIMF 2014.

Show of the Weekend: Massive Attack

With perhaps the most appropriate name for musical act on the planet, Massive Attack capped Treasure Island Music Festival 2014 in stunning fashion. With a balancing act of bass-infused downtempo brilliance highlighted by Martina Topley-Bird’s singing and industrialized synth-stabbing electronic pieces, a range of emotion is achieved for the listener. With contrasting tempos and a duality of tranquility then intensity, a cause-and-effect narrative starts to take shape — especially when paying attention to the video elements of the intense songs. “United Snakes” left nothing to the imagination with its barrage of corporate logos and national flags. It appeared the expanded duo slipped in one frame of a Ferris wheel, reminding us that yes, us consumers at TIMF, the only U.S. festival Massive Attack played on this tour, are part of the system. “Future Proof” visuals stripped out rows of zeroes and ones, using the simplicity of computer code to inspire multiple paths of thought, especially while absorbing this show in the Bay Area. And Tunde Adebimpe from TV On The Radio joined in for “Pray For Rain” for the grand finale.

Biggest Bay Area Party of the Year: OutKast

It’s almost the end of the biggest reunion tour in decades, and TIMF patrons were lucky enough to witness one of OutKast’s last shows. The Bridge Stage was more packed in than any show in memory, and festivalgoers outwardly had more fun compared to performances from past years. The set was perfectly paced, with André 3000 seemingly having a fun time — an important part of the equation compared to Big Boi’s rock-steady appearances throughout 2014. The guys gave shout-outs to Casual and The Misfits in the “local love” part of the show, and “Roses” (including a half-hearted apology for the “crazy bitch” outro) once again was one of the highlights. The set ended at least 20 minutes before the scheduled end of the day, emptying a large percentage of patrons into the shuttle line at the same time — there were some reports of people not making it back to SF until 2 a.m.

Most Likely to Headline Festivals Very Soon: alt-J

alt-J is no longer a band on the rise, but one of the biggest bands in the world with this just-launched tour in support of the group’s second LP. This hour-long set at TIMF seemed like a coronation of sorts as it was the first festival set the now-quartet has played with new material. The highlights from An Awesome Wave still act as the backbone of the set while the best cuts from This Is All Yours were cherry-picked and sprinkled in perfectly to enhance their already-inspiring live show. “Hunger of the Pine” got things going while “Left Hand Free” worked well, getting away from the heady elements for a bit. “Dissolve Me” into “Matilda” is still so incredibly beautiful and emotive — alt-J should never break these two songs up. “Every Other Freckle” is the one song where I wish the guys would have considered new lyrics, but it’s a small complaint for a concert experience that had a huge crowd rapturously involved. When music implores a festival audience to be fully invested as alt-J pulled off on Sunday, with no one talking during the quiet intimate parts, it becomes clear you are ingesting something special. Even though their rise in popularity has happened remarkably fast, that trend should continue to move upward through festival season next year.

Most TIMF Set of the Weekend: Classixx

On paper, Classixx is the ideal act for Treasure Island Music Festival 2014, and the duo delivered on this promise in the all-important sunset time slot. Restrained but upbeat enough, pop-oriented yet progressive in its sound, the LA-based remixers-turned-original producers brought Saturday together based on what we expect from past TIMF years. Their on-stage centerpiece, a modern take on a 1980’s-era television, visualizes Nancy Whang for “All You’re Waiting For” and YACHT’s Claire L. Evans for a remix of “Psychic City”. The television set offers a surreal scene juxtaposed with the backgrounded City skyline, functionally helping to break down the walls of disembodied vocals.

Best New Material: TV On The Radio

TVOTR gave one of the best sets of the weekend with their wonderful mix of slow burners, dance-punk blasts of energy along with three new songs: “Happy Idiot”, “Careful You” and “Could You”. The latter two were particularly impressive and fit perfectly into the band’s catalog. A couple other notes on the show: producer and multi-instrumentalist David Sitek now looks like Bono, Kyp Malone is still professionally chill and Tunde Adebimpe continues to be offended when listeners don’t give him full attention. After completing “Wolf Like Me”, wherein the TI faithful went nuts, the lead singer said that he couldn’t believe he saw someone leave during the song. Agreed Tunde, and we’re looking forward to the forthcoming record.

Best Recovery: Janelle Monáe

What’s exactly the point of sound checking a microphone if you’re not going to do it completely? The guy setting up the mic put it on the stand after unsuccessfully getting it to work, and Monáe sang the first song completely unaware her voice wasn’t projecting through the speakers. After some crowd chanting, a new microphone, and three different people near me saying “Why doesn’t she use the backup singer’s mic?” order was finally restored. Also, when we got “Tightrope”, all hope of seeing Monáe join mentor Big Boi during OutKast was shot. Still, there’s no doubt the Electric Lady is just beginning a long and illustrious career. And as she proved with “Cold War”, it’s damn near impossible to take your eyes or ears off her when it’s her time to shine.

Best Pop-Culture Friend-Finder: Bill Murray

Bill Murray is clearly the most important American pop culture icon, and this group knows it. They also had a high-flying Bill Murray flag to triangulate positions.

Best Festival Outlier: Ana Tijoux

French-Chilean MC and singer-songwriter Ana Tijoux brought the best change of pace on Saturday, something apparent from the beginning of “Vengo”. Upbeat and passionate fire-spitting about social injustice with electronic elements and a horn section? Yes please — this was perhaps the only set on the dance-oriented first day without finger snapping or words in English.

Most TIMF Set of the Weekend Part 2: Washed Out

It’s impressive how Ernest Greene has evolved Washed Out from bedroom project to leader of the chill-wave movement to a live performer that can mimic the energy of a dance show through instrumentation. Like Classixx, this one just felt right for TIMF.

Most Immersive Set: Poliça

Sultry. Intensely Moody. World music-infused. These are the words I wrote down before being completely drawn into this set. Once awakening after completing locking in to a couple songs, I opted to get to alt-J early for a good spot. It was a tough call since Poliça were thoroughly captivating — I’ll be looking to see them again soon.

Best Unintentional Festival Blending: MØ

MØ emerged on stage sporting a black eye-patch, seemingly joining in on the pirate theme that has defined TIMF over the years. But after a song, Karen Marie Ørsted needlessly admitted to an eye infection, even though the optical accessory worked well with her braid and masculine power stances. MØ stood above the other new minimalist-glitch offerings on display at TIMF 2014 with her authentic energy, ownership of the stage and video support. Mixing oddly-appealing archival footage on loop, including a small animal’s still-beating heart in the palm of a hand, with imagery of herself working background vocals, made this electropop highlight even more memorable.

Band that Deserves More Listeners: White Denim

It’s a shame White Denim couldn’t be featured later in the day for more festivalgoers on Sunday. The seemingly spastic song structures and prog-rock mentality make White Denim a group to add to that list of bands you try to see perform live when they come to town.

Set that Thinned Out the Most: The New Pornographers

Along with the TIMF headliners, The New Pornographers have the most seniority out of all TIMF acts. Cuts from their underestimated 2014 record Brill Bruisers created the backbone of the set with fan favorites laced in throughout. Songs led by Destroyer’s Dan Bejar, with their skewered and self-inflicting lyrics, resonated strongest. This show thinned out as the set went on while most younger festivalgoers were queuing up for Chet Faker, signifying the current state of indie music popularity. Sadly, the eight members of the group walked off stage to nary an audible clap.

Best Constant Dance Party: Silent Disco

With no overlapping sets, Silent Disco is always an option if you want house music instead of the provided musicians on stage.

Best Pop-Culture Friend-Finder 2: Kim Kardashian with Laser Beam Eyes at BANKS

BANKS kind of sums up the direction indie-turned-pop music has gone in 2014. Sleek bare-bones production, glitch elements and moody synth lay the ground work for whispery vocals. This aural cocktail has captured the collective zeitgeist (along with much of the TIMF curation) this year. Jillian Banks has an immaculate voice and is mega popular worldwide, but her set felt like more of the same. BANKS banned media photography for her TIMF set, so here’s a photo of one of the best location markers of the weekend: Kim Kardashian with laser beams coming out of her eyes.

Most Entertaining Hype Man: The Growlers

Weirdo garage rock! The Growlers almost didn’t make their set according to the introduction given by the group’s eccentric hype-man named DMTina. But the psych-goth surf rock was pleasant enough, with “Chinese Fountain” giving a fun tone to the afternoon, but the dude in the robe pretty much stole the show.

Most Shiny Electro-Pop of the Weekend: St. Lucia

I have to be honest, St. Lucia is a bit too shiny and synth-heavy for me, but damn do they give it their all. If you’re into the nu-disco pop revival, St. Lucia is for you. OutKast was a priority, though.

Most Surface-Level Fun: Jungle

Churning soul-disco mystery collective Jungle is a more well-known entity now, and the skyrocketing, UK-based outfit adeptly loops morsels of pleasurable phrasing as a house DJ would. But it all sounds the same. And given their debut record, I expected many similarities from song to song but still hoped for something more out of their live interpretations. Jungle is generic to the point of being an emotional blank slate, tofu without any other tastes involved. But there’s no better time than now to get involved in some Giants pandering — the “Let’s Go Giants” chant sparked by Josh Lloyd-Watson’s jersey and reference to SF’s World Series-bound team was one of the biggest crowd responses of the set.

Best Mobile Dance Party: Robot Dance Party

Robot Dance Party can’t stop, won’t stop.

Most Unlikely Show with People on Shoulders: Chet Faker

Chet Faker had the crew bring out a huge bass speaker to put directly behind him after his first song to give his music more oomph. And when he dipped into his career-making collaborations with Flume, “Left Alone” and “Drop the Game”, the Tunnel stage instantly began moving like the rhythm of the ocean. But otherwise, the set was downtempo to the point of boredom. And it’s not a good idea to take one of your best songs, “Talk is Cheap”, and strip it down even more. Some ladies still felt compelled to rock their friend’s shoulders as if it was a dance show, something that I’m still trying to figure out.

Biggest Spectacle Over Substance: Zedd

More than any other set at TIMF 2014, Zedd felt out of place. By this point on Saturday, the fest needed a jump of adrenaline, but the Top 40 producer wasn’t the solution. Where acts like Knife Party or Bassnectar would have fallen more in line with the traditional ethos of TIMF, Zedd brought his world of contemporary pop to the island. There was no layering or transitions, his drops didn’t stand out from the EDM pack, and the show lacked any memorable surprises.

What were your favorite sets of Treasure Island Music Festival 2014?

OutKast at TIMF // Photo by Marc Fong

Filed Under: Editor's Picks, Featured, Festivals Tagged With: Alt-J, Ana Tijoux, Banks, Bill Murray, Chet Faker, Classixx, Janelle Monáe, Jungle, Kim Kardashian, Massive Attack, MO, OutKast, Poliça, Robot Dance Party, Silent Disco, St. Lucia, The Growlers, The New Pornographers, Treasure Island Music Festival 2014, TV on the Radio, Washed Out, White Denim, Zedd

17 reasons to rage in the bay at Treasure Island Fest 2014

October 14, 2014 by The Bam Team 2 Comments

Photos by Marc Fong // Written by Mike Frash, Molly Kish, Kevin Quandt and Marc Fong //

Treasure Island Music Festival //
Treasure Island – San Francisco
October 18th-19th, 2014 //

The Festival in the Bay returns this weekend with its progressive mix of indie rock, electronic/dance, hip-hop and (now) soul. Treasure Island Music Festival is always adept at curating under-card acts that are in the process of emerging into collective consciousness while crowning the bill with well-known musical entities that most independent-minded music fans will enjoy.

View the full schedule. Tickets are still available (for now), and you can buy them here.

Here are 17 reasons why you should rage in the Bay at TIMF this weekend.

BONUS CONTEST: Enter below to rock The Bold Italic’s party boat to & from TIMF for FREE!

17. Not familiar with every act on the bill? Well, that’s half the fun at these contemporary music festivals, as your next favorite band is just waiting to be discovered.

16. Discover why Janelle Monáe is a headliner of the (very near) future. She’ll likely join OutKast as well, more specifically Big Boi, for their collaboration “Tightrope”. This treat was only viewed by a handful of crowds on the reunion tour, including during Coachella Weekend 1 and at OutKast’s hometown spectacular in Atlanta last month.

15. Jean-Philip Grobler and company put on breathtaking performances as St. Lucia. The Brooklyn-based band has a familiar electro sound, but simultaneously has a playfulness that will wonderfully fit with the TIMF crowd.

14. Stumbling across the Silent Disco, tucked away in the eastern corner of the festival ground, can be a surreal experience. Filled with festival crowds of anywhere between 20-200 people, this TIMF staple allows DJs to perform through Wi-Fi-enabled headphones that are passed out to festivalgoers as they enter the designated dance space.

13. Poliça is must-see music at TIMF. Their dark synth will fit ideally with the setting of the music-infused October sun. Channy Leaneagh’s haunting vocals are fantastic live and are not to be missed. Get close for this one.

12. Carl Newman’s outfit The New Pornographers can easily be classified as a supergroup — Destroyer’s Dan Bejar and the lovely Neko Case heavily contributed to their wonderful 2014 album Brill Bruisers — and you can watch them all perform in the flesh at TIMF.

11. TIMF is one of the most unique festival locations around, and it gives way to even more creative ways to get on and off the island. TIMF offers an extremely convenient and free shuttle service between the island and a main point of transit at the City’s Civic Center. Or you could book a party bus or ride The Bold Italic’s party boat! (Enter below to win free tickets to Rock The Boat)

10. One of our favorites, White Denim, will take to the Bridge Stage early on Sunday for their mind-melting prog rock. Along with Cathedrals, Bleached and Ásgeir, there are lots of musical reasons to get to the island early on Day 2.

9. We finally get the return of the UK-based, modern funk collective that goes by the wild name of Jungle. Bursting from the seams a few months ago, these guys have taken the festival circuit by storm, igniting stages and crowds with an incendiary stage presence coupled with devastatingly catchy tracks off their debut LP. Dancing shoes? CHECK!

8. Ana Tijoux isn’t super popular yet in Northern California, and her lyrics are in Spanish, but none of that matters. Her MC skills are impacting, and her production straddles multiple genres, including hip-hop and soul. Expect this to be a standout performance on Saturday.

7. Convenience is key when it comes to keeping festival crowds satisfied, and TIMF spares no expense in that matter. Easy navigation between stages, ample access to bathrooms, food/beverage vendors and helpful on-site staff members work together to elevate the flow of the festival experience.

6. It’s been a while since the Bay Area has seen TV On The Radio, and hopefully these gritty indie rock geniuses will play some tracks off their upcoming album Seeds. TVOTR has no better place than TIMF to give us a taste of things to come.

5. This will be alt-J‘s first performance in the area in support of their second album, and we’re sure to hear all the exciting new songs off of This Is All Yours (Read our community review here). Ready to sing some Miley samples?

4. Landing Massive Attack to headline Sunday is a mondo feat for Noise Pop and APE Entertainment — 3D and Daddy G will playing their only 2014 U.S. festival at TIMF (and only two other shows in the U.S. this year). The electronic duo might normally be a Saturday headliner, but we get to finalize an action-packed Sunday with these influential trip-hop legends.

3. No set conflicts means no stress, no making tough festival decisions and no missing out on an act you love. You get to see everything.

2. The “Summer of OutKast” is coming to a close as Bay Area fans will bear witness to what is expected to be their third-to-last performance ever. Did ya hear us on that one? Big Boi and Dre have pretty clearly stated that this is it, so there’s little reason for any fan to miss this banner, headlining performance.

1. It’s on an island in the middle of the San Francisco Bay. ‘Nuff said.

ROCK THE BOAT TICKET CONTEST

For the 2014 installment of Rock the Boat, our friends at The Bold Italic have teamed up with Hornblower Cruises & Events to rent out the San Francisco Spirit luxury yacht, equipped with a full bar and live entertainment provided by premiere Bay Area DJs to get you to and from TIMF like a boss. For a full lineup and more details on the trip, click here and enter below for your chance to win a weekend pass aboard the party boat courtesy of Showbams.

Fill out your full name and email address below.
Contest ends Thursday at 4 p.m. The winner will be picked at random and notified by email on Thursday. Your email will be kept private –- we will share your email with no one.

Like Showbams on Facebook and follow Showbams on Twitter to be eligible to win.

Filed Under: Featured, Festivals Tagged With: Alt-J, Ana Tijoux, Andre 3000, Asgeir, Big Boi, Bleached, Carl Newman, Cathedrals, Dan Bejar, Destroyer, Janelle Monáe, Jungle, Neko Case, OutKast, The New Pornographers, Treasure Island Music Festival, White Denim

Treasure Island 2014 trends toward indie dance-pop

June 17, 2014 by The Bam Team 2 Comments

Treasure Island Music Festival //
Treasure Island, CA
October 18-19, 2014 //

Dance-oriented pop is taking over music festival curation, while rock is beginning to die a slow death when it comes to Bay Area festival lineups. Overall, this appears to be the trend for Treasure Island Music Festival in the San Francisco Bay.

While the daily lineups haven’t been announced yet, the upbeat dance acts for Saturday and the rock-oriented Sunday performers were easy to divvy up at this point in past years. It appears this line has been blurred significantly. Sure alt-J, TV On The Radio, The New Pornographers, White Denim and The Growlers seem like solid bets for the traditional day of rest, if past years hold true, but who will headline Sunday between OutKast and Massive Attack? Rap acts have always seen the stage on Saturday, so we’re thinking OutKast is a lock for Saturday.

And speaking of the first rap headliner in Treasure Island Music Festival history, San Francisco proper will get a visit from the ATLiens after their highly successful headline set in Napa a few weeks back. Since catching their stride, 3 Stacks and Big Boi have been murdering large crowds across the globe with a mix of hits, old favorites and a smattering of solo material. So, go re-learn the “Roses” dance for what is sure to be the peak of energy on the island. Also with Janelle Monáe on the bill, expect at least one special guest appearance for the Big-Boi produced “Tightrope”.

READ OUR REPORT FROM TIMF 2013

2014 breakout acts Jungle, Banks and Chet Faker, all of whom recently played sold out shows at the Independent in SF, are remarkably high on the bill, but odds are they will be in the perfect slot come October. If you haven’t heard of Jungle yet, they performed on Jimmy Kimmel Live last night and crushed it. Emerging acts that can catalyze ticket sales are an increasingly important premium when curating a festival lineup, hence Jungle & Banks’ mid-to-upper lineup position.

Female acts are never appropriately represented based on the statistical division of sexes at a festival, but TIMF has done a great job of lessoning the gap this year. Janelle Monáe, The New Pornographers, St. Lucia, Banks, Jungle, MØ, Poliça and more will be at the Festival on the Bay come October.

alt-J played at Bottom of the Hill in December 2012, and here they are as a prime sub-headliner. The response to the recent announcement of their second album and tour behind it shows that this makes sense.

The New Pornographers also announced a brand new album recently, and they’ll be returning to the bay via TIMF with original members Neko Case and Dan Bejar from Destroyer.

There may be less rock in the vein of Interpol, The Strokes and Parquet Courts than past years, but there is no doubt this lineup is loaded with fun, upbeat acts. What are you most excited to see at TIMF 2014?

2-Day GA, VIP tickets and Parking Passes On Sale Thursday, June 19th at 10AM PT!

OutKast
Massive Attack
Zedd
alt-J
TV On the Radio
Janelle Monáe
The New Pornographers
Washed Out
St. Lucia
Banks
Jungle
White Denim
MØ
Poliça
The Growlers
Classixx
Chet Faker
Ryan Hemsworth
Ana Tijoux
Asgeir
Xxyyxx
Ratking
Tobacco
Bleached
Painted Palms
Waters

Filed Under: Featured, Festivals Tagged With: Alt-J, Ana Tijoux, Asgeir, Banks, Bleached, Chet Faker, Classixx, Janelle Monáe, Jungle, Massive Attack, MO, OutKast, Painted Palms, Poliça, Ratking, Ryan Hemsworth, St. Lucia, The Growlers, The New Pornographers, Tobacco, Treasure Island Music Festival, TV on the Radio, Washed Out, Waters, White Denim, Xxyyxx, Zedd

BottleRock 2014: Don’t call it a comeback

June 11, 2014 by The Bam Team 1 Comment

Photos by Tom Dellinger // Written by Mike Frash, Molly Kish & Kevin Quandt //

BottleRock Napa Valley //
Napa County Fairgrounds – Napa, CA
May 30th-June 1st, 2014 //

Never has a festival jumped onto the ‘90s nostalgia train as BottleRock Napa Valley 2014 did. Curated largely around bands that peaked more than a decade ago — including The Cure, Weezer, Blues Traveler, Third Eye Blind, Barenaked Ladies, Smashmouth & LL Cool J — it was easy to wonder if aiming for an older demographic made sense when it’s largely youngsters that are feeding the current festival boom.

So was this a smart move for a festival in the heart of wine country? Damn straight it was.

The Napa Valley location screams “destination-event” for folks 15-years into building their 401K, helping to feed the local economy in a serious rebound year. But it’s dangerous to throw all the musical eggs into such a narrow basket. Enter OutKast, the festival booking of the summer, and other strategically-placed artist options that appeal beyond mainstream radio. Year two has proved that BottleRock Napa Valley is eclectic in a way that is truly their own.

In the words of LL Cool J, don’t call it a comeback, as the third iteration of BRNV has already been announced. Now that opinions have settled and the wine stains have been removed, here are our top five sets of the weekend, along with a breakdown of BottleRock changes this year, for better or worse.

Top 5 Sets of the Weekend

The Cure
Robert Smith still has “it”. Simply put, the 50-something frontman is still the musical force he was well over 30 years ago, and he effortlessly proved that to a modest, yet passionate crowd. Being rewarded with the longest set of the weekend was no surprise and it was easily tackled by Smith and cohorts as they jumped seamlessly between slightly more obscure tracks such as “alt.end” or “Never Enough” and sing-along hits like “Lovesong” and “Friday I’m In Love”. “Before Three” was a hardcore-fan favorite as it has been considered a shining light on 2004’s self-titled and hadn’t been played on stage since the same year. All in all, this set was one massive treat for fans of The Cure as the superb sound, manageable crowd and intricate setlist added up to the undoubtable highlight set of the weekend. Hell, not even having the sound cut due to a strict curfew in the second encore during “Why Can’t I Be You?” could phase the band or crowd. -KQ

TV On The Radio
One of the more avant-garde sets of the weekend came from TVOTR as they rocked a mid-sized Friday afternoon crowd. Many attendees were camping out for The Cure and were treated to a twelve song barrage of hits and reconfigured favorites. Working the heat-stricken crowd, the band debuted three new songs off an album in the works, igniting a strong response from die-hard fans — two of which were played mid-set before launching full throttle into a stirring second half of their performance, including an spectacular punk rendition of “Staring at the Sun”, played at double the pace. Other highlight tracks included “Golden Age”, “Halfway Home” and an impressive delivery of “Wolf Like Me”, riveting the crowd to unleash their inner beasts. -MK

OutKast
Saturday clearly took the crown for busiest day in celebration of André 3000 & Big Boi’s reunion tour appearance, and disappoint they did not. Tightly produced and incident free, OutKast’s headlining set kept the fairgrounds bouncin’ and engaged, often relating between-song banter to the Bay Area. For anyone that attended the first weekend of Coachella, this was a redemption show. It was nearly the same set list and performance, but this time without the technical glitches and awkward stage presence of André 3000. While Big Boi is the consistent, poised professional, his partner is a bit of a wildcard, yet he shined bright this night. André 3000’s rhymes were clean and on point as he sported a jumpsuit with “I’ve never had F@cebook, Twitt@r or Inst@gram” written on it. The fairgrounds were alive all the way to the back, with virtually everyone vibing to the music. Overall, it was a winning return to Northern California, even though the Atlanta duo ended fifteen minutes early without an encore, disappointing many still hanging on every word from the last song of the night, “The Whole World”. -MF

Weezer
Weezer was the best example of a band well equipped to override the generational gaps of the weekend. Beyond the likes of Third Eye Blind, Weezer is arguably the most successful band on the bill in the context of career spanning, mainstream radio airplay. Even after playing through the set’s first song “My Name Is Jonas”, completely unaware they were absent of sound, Weezer still went on to perform one of the most memorable sets of the weekend. It was a near-perfect technical glitch, causing the main-stage audience to erupt into uproarious cheers once amplified sound returned. Pulling from their long list of hit singles, Weezer covered their entire body of work and even managed to mix in some band improvisation and cover songs. Highlights included Rivers Cuomo and Patrick Wilson switching instruments for “Photograph” and a cover of Blur’s “Song 2”, as well as Scott Shriner working the Primus hit “Jerry Was A Race Car Driver” into their self-titled album single, “Pork and Beans”. -MK

Deerhunter
“The Deerhunter musical group,” as they were introduced on the smallest stage late Sunday, must have felt a bit out of place due to the sparse crowd and intimate setting. But Bradford Cox’s group paid no mind for this one-off performance. While Eric Church and The Fray played to much bigger audiences, Deerhunter’s unique combination of shoegaze, noise-pop, and psych-rock offered a clear alternative to mainstream fare. An opening section of ‘Nothing Ever Happened” into “Hazel St” from the group’s early material was blissfully extended into jam territory, led by guitarist Locket Pundt — the elongated bridge between the songs sounded like a Lotus Plaza cut, another group that Pundt fronts. Highlights from Deerhunter’s most recent records, Halcyon Digest and Monomania, filled out the set, and another extended segment from “Desire Lines” directly into “Helicopter” hypnotized. As expected, Deerhunter delivered a transcendent set that felt like something out of a dream. -MF

For Better or Worse…

Although similar in many aspects to BottleRock’s first year, many issues were vastly improved while certain complications remained.

Improvements:

•The amount of general admission bathrooms seemed as though they nearly doubled this time around, making it a very easy process to get in and out for the least favorite part of any festivalgoer’s experience.

• Larger and more staff-operated water filling stations kept concert attendees well-hydrated.

• There was an increase in knowledgeable and friendly volunteer staff who were generally excited to help with questions.

• Food options were improved, further enhanced by vendors on foot providing quick access to snacks and beverages without having to leave your spot amidst even the largest crowds of the weekend.

Questionable Changes:

• The absence of last year’s indoor comedy showcases, which provided hilarious, air-conditioned entertainment away from the penetrable afternoon sun was disappointing.

• There were price increases and a lack of varietal options in the sponsored tasting rooms. Not being able to sample enough participating vineyards due to the $15 per glass price removed most concert goers from the “wine” identity of the festival.

• The wine pouches similar to Capri Sun were gone this year, and perhaps we should file this under “Improvements” since this meant there were way less “wombies” wondering the grounds this year.

• Encouragement of lawn chairs and blankets caused some spatial constraints throughout headliners sets and afternoon/evening crowds, particularly on Saturday. Although, those who set up vast camps by staking their claim early benefitted from the suggestion.

Remaining Issues:

• For those that partook in the festival shuttle service to the parking lots four miles away, transportation issues remained or worsened. Between going to the wrong lots and sparse directions available upon leaving the venue, the BRNV’s travel turmoil remained at the forefront of festivalgoer discrepancy.

• Corporate sponsorships somehow increased this year, as video advertisements with audio between sets didn’t feel right, especially when daily tickets already cost $150.

• Set scheduling was a bit of a problem considering this year’s larger crowds. Whereas most festivals will organize acts to start/finish at separate intervals throughout the day, crowds we’re releasing from all three stages at parallel times throughout the weekend, unleashing hoards of folks upon vendors and bathrooms at the same time.

Filed Under: Featured, Festivals Tagged With: BottleRock, BottleRock 2014, BottleRock Napa, BottleRock Napa 2014, BottleRock Napa Valley, BottleRock Napa Valley 2014, Deerhunter, OutKast, The Cure, TV on the Radio, Weezer

Decanting BottleRock 2014 before its return to Napa

May 13, 2014 by Molly Kish 2 Comments

Photos by Susan J Weiand // Written by Molly Kish //

BottleRock Napa Valley //
Napa County Fairgrounds – Napa, CA
May 30th-June 1st, 2014 //

After a rocky start to their inaugural year, BottleRock Napa Valley is back with an even bigger lineup of artists, vendors and something to prove. Distancing themselves from the legal woes of 2013’s dramatic aftermath, the festival is moving forward under a team of new, local management calling themselves Latitude 38 Entertainment. With roots in the community and genuine concern for the Napa Valley resident’s concerns regarding Bottle Rock, the team took on millions of dollars in outstanding debts and made promises that the 2014 festivities will provide a mutually beneficial boost for the local economy.

The festival will be running three days — Friday, May 30 through Sunday, June 1 — and tickets are available to purchase as a single day, three day pass, VIP, Platinum and group rate packages.

Each day’s line up is uniquely billed and arguably draws some of the largest and most genre-diversifying names currently touring. Although garnering some critical slack for the pronounced representation of late nineties buzz bands, there’s one undeniable truth that Bottle Rock has over every other Northern California-based festival for the remainder of the season…they won the bidding war for OutKast! The duo of André 3000 and Big Boi will be lighting up the Napa Valley Fairgrounds with one of the West Coast’s most anticipated tour stops of 2014.

Showbams recommends the following performances:

Friday:
-The Cure
-TV On The Radio
-Mayer Hawthorne
-Robert De Long
-Karl Denson’s Tiny Universe
-Railroad Earth
-Delta Rae
-Empires

Saturday:
-OutKast
-De La Soul
-Third Eye Blind
-No Age
-Weezer
-Blues Traveler
-Tea Leaf Green
-The Soft White Sixties

Sunday:
-Deerhunter
-Thee Oh Sees
-Black Angels
-LL Cool J with DJ Z-Trip
-Camper Van Beethoven
-The Stone Foxes

Check out a full rundown of the Bottle Rock daily schedule.

While general admission will gain you access to all of the festival stages, wine tasting tents and gourmet food court, if you’re feeling like dropping a few extra dollars, the VIP perks this year have significantly upgraded.

Beyond the parking, ins-outs, shaded bars and private bathroom areas, VIP ticket holders have an entirely separate area to catch live music with the addition of the 2014 VIP Lounge. The lounge offers comfortable seating paired with access to private food and wine experiences, available strictly to VIP ticket holders.

Platinum Passes take it one step further with on stage viewing spots, meet and greet opportunities, on-site concierge service, catering by Napa Valley celebrity chefs, premium cocktails/boutique wine selections and parking on the event site.

The opportunity to indulge in gourmet food, artisan spirits, craft beers and clink glasses with local vintners plays a unique role in the distinctive BottleRock experience. Unlike other festivals nationwide, the location of the fairgrounds truly allows for the community to showcase what they are known for worldwide on an incomparable scale. Highlighting elite members of Napa’s award winning food and beverage industry, concert goers are awarded the unique opportunity to meet and greet local celebrities, excited to introduce the fruits of their labor with the festival community.

Ultimately, BottleRock Napa prides its sophomore year on creating an entirely new and hopefully opinion-altering experience. Under new management, the festival is aiming to please! With a little bit of something for everyone, BottleRock’s eclectically impressive line-up, craft libations and finger licking festival fare, tickets are dwindling and rightfully so. Get on it!

Filed Under: Featured, Festivals Tagged With: Black Angels, Blues Traveler, BottleRock, BottleRock 2014, BottleRock Napa, BottleRock Napa 2014, BottleRock Napa Valley, BottleRock Napa Valley 2014, Camper Van Beethoven, De La Soul, Deerhunter, Empires, Karl Denson's Tiny Universe, LL Cool J with DJ Z-Trip, Mayer Hawthorne, No Age, OutKast, Robert De Long, The Cure, Thee Oh Sees, Third Eye Blind, TV on the Radio, Weezer

Coachella 2014: It’s officially festival season

April 17, 2014 by The Bam Team 2 Comments

Photos by Marc Fong // Written by Molly Kish, Pete Mauch & Kevin Quandt //

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 11th-13th, 2014 //

Well, that time of year hath arrived in the form of sun burns, overpriced Heineken and jamming in as much music as you can into a three-day window. Coachella has grown to be so much more than simply just a “music and arts festival” now, for better or worse, but it always retains the feeling that something special is really happening on these grass fields. Some embrace it, and many loathe, but overall, time spent at the polo fields in Indio is always an enjoyable romp full of the freshest artists mixed with many old favorites in a colorful sea of eye candy. 2014’s first weekend featured its biggest demand to date as wristbands hovered near four figures and many were left roaming the suburban streets surrounding the site. Yet, this didn’t keep the masses down, and persistence paid off to those who were lucky enough to snag a last-minute pass.

Goldenvoice has feverishly plugged away at creating an encompassing experience to the nearly 90,000 attendees who flock to the wind-swept stretch that is the Empire Polo Club, where it all started 15 years ago. Things have changed each and every year, and at this point, it’s a well-oiled machine needing little tinkering. This year featured more room in the Terrace area with the Do-Lab stage finding a new home off the main field, as well as an expanded Yuma Tent which kept dance enthusiasts complacent to rage in their own little nightclub. 2014 held many surprises that were laid out over the days before the event, culminating with a smorgasbord of guest appearances over the three-day span. Below, you will find some of our favorite sets as presented by the 2014 ‘Chella Bam Team.

Goat // Outdoor Theatre // Friday 1:25-2:05PM

This show was quite the eye opener for anyone who wasn’t familiar with the Swedish psychedelic outfit called GOAT, especially since this was the first set of the entire weekend for many in attendance. The whole band was masked and decked out in extravagant tribal attire that would fit perfectly into many a children’s nightmares. The band drew songs from their 2012 release titled World Music with the highlight being their single “Run To Your Mama” that had many in attendance gyrating their hips to the infectious groove. I couldn’t think of a better opening set to start the long and definitely weird weekend that is Coachella. -PM

OutKast // Coachella Stage // Friday 11:30-1:00AM

Friday night marked the reuniting of one of the most influential acts in rap, albeit for a crowd that maybe wasn’t ready or as generally excited enough for such a momentous occasion. Saving radio hits for the closing numbers, they pulled from a set list spanning their entire career, including “Aquemini”, “Skew It on a Barbeque” and an explosive version of “B.O.B. (Bombs Over Baghdad)” to start off the set. Several guests joined them throughout their performance, including Future debuting a new track, Sleepy Brown joining in for “So Fresh and So Clean”, and most impressively Janelle Monae gracing the stage for her collaborative performance of “Tightrope”. Each emcee featured segments revolving around their solo work — Big Boi smashed “Shutterbug” while 3 Stacks brought a little tenderness during “Prototype”. A weary crowd, half dominated by a pre-Stankonia generation of EDM enthusiasts, didn’t quite give the response that most would anticipate for the kick off to a massive summer festival tour, and some onstage could tell. However, die-hard fans were pleasantly surprised by the song choices and were bouncing along in camaraderie the entire set. -MK

Temples // Mojave // Saturday 2:40-3:25PM

The crowd gathered early inside the Mojave Tent to see one of the more buzzed about bands of the weekend, an English Psychedelic rock band simply called, Temples. Fresh off their debut release, Sun Structures, they delivered 45 minutes of psychedelic bliss, drawing tracks mostly off their new album with the exception of a b-side called “Ankh”, which was one of the many highlights of the set. The song is driven by the powerful bassline from Thomas Warmsley and the guitar slaying of James Bagshaw. The song had some serious legs that found the band soaring over the crowd in a psychedelic haze, a plateau they hopefully reach every show. The one-two punch of their singles “Keep in the Dark” and “Mesmerize” had the hot and sweaty crowd in an absolute frenzy. -PM

Future Islands // Gobi // Saturday 7:05-7:55PM

Hot off the release of their fourth studio album, Singles, not to mention their Late Night with David Letterman performance going viral, the Baltimore outfit took the Gobi tent by storm. Sam Herring and Future Islands are not your typical rock band; they are fronted by easily one of the most enigmatic lead singers in contemporary rock. Hurling himself across the floor, throwing wild fists and debuting some brand new gyrating dance moves throughout the set, Herring was feeding off the love from his festival fans and reciprocated in full throttle for the band’s Coachella debut. “Inch of Dust” appropriately opened the show as the palms swayed along in the background while being assaulted by airborne sand particles. Pulling from their entire discography the band catered their signature hard-edged new-wave rock to the festival environment. Herring spoke tenderly to the crowd, re-assuring the youth that things will be alright before falling into “Balance”. Speeding up each career spanning track, such as “Tin Man”, into dance floor face-melters, Herring’s signature growling vocals sparked cheers of enthusiasm from the afternoon crowd. -MK

Pixies // Mojave // Saturday 8:50-9:40PM

It had been almost exactly 10 years since the original Pixies reunited on the big stage in Indio, however this year we saw Black Francis and associates take to a smaller tent to pummel a decent sized crown with some good old rock and roll. The Pixies’ new release, Indie Cindy, was played before their set, which was somewhat odd, and they played relatively heavy off the release. Highlights of the set included a cover of Jesus and Mary Chain’s “Head On”, along with old favorite “Wave of Mutilation” and “Crackity Jones”. Frank was fired up as he scorned objects being oddly floated over the crowd, possibly miffed at the bleed of the Sahara, but then again, that’s why we love him. “Where Is My Mind?” received popular praise, as always, and featured new bassist Paz Lenchantin wailing as best she could. “Caribou” also showed that Paz can hang with the band, and that there may be a bright future in the coming years for the alt legends. -KQ

Pharrell Williams //Outdoor Theatre // Saturday 10:35-11:35PM

What turned out to be a tough night for Pharrell ended up being one of the most fun sets of the weekend as throngs of girls belted out “Hollaback Girl” while dudes lit up in honor of Snoop’s presence for “Drop It Like It’s Hot”. The last 2 years of Weekend 1 have been slightly marred by high winds turning into small dust storms, and this year, Saturday was both the blustery day and the big Pharrell show. Promises of guests were fulfilled by the likes of Nelly, Tyler, the Creator, Puff Daddy and Diplo among those listed above. “Lose Yourself to Dance” opener was a good sign as the sizable crowd loosened up to the adventure that lay ahead, but the prolific producer’s voice just couldn’t weather the storm, and the finale of “Get Lucky” and “Happy” was largely sang by the crowd as Williams shook his head in sheer disappointment. -KQ

Nas // Outdoor Theatre // Sunday Midnight-1AM

Hip-hop is alive and well in 2014 and Coachella wanted to reinforce this. If you are a hip-hop head, then this was the year to be at Coachella. With OutKast, Nas, Kid Cudi, Chance the Rapper, GZA’s impromptu set in the Heineken House, and all the special guest MCs throughout the weekend, rap fans had a grand ‘ol time this past weekend. It was known that Nas was set to perform his 20-year-old classic album, Illmatic, in its entirety from start to finish. However, that’s not all that “nasty Nas” had in store for the late crowd. After the fourth track of his legendary album, Nas invited his longtime nemesis Jay-Z to the stage for an unforgettable performance of Jigga’s “Dead Presidents”. If you remember, this is the song that started all the “beef” between the two New Yorkers when Nas declined to re-rap the chorus. All the hate was squashed as the two legendary MCs showed the crowd that it’s all “One Love”. Toward the end of the set, Nas invited hip-hop guru Puff Daddy up to the stage to perform their song “Hate Me Now”, which truly delighted the rap freaks in attendance. Nas was on Point! -PM

Trombone Shorty & Orleans Avenue // Coachella Stage // Sunday 12:40-1:30PM

Trombone Shorty is arguably the king of New Orleans right now, especially since he has taken the closing duty reigns from The Neville Brothers at JazzFest. So seeing Troy Andrews in the early heat on Sunday was kind of odd as I felt that he deserved a better slot, but that didn’t stop him from performing a fiery set of trombone-driven NOLA funk. The small but very enthusiastic crowd was hanging on every note as he effortlessly banged through his soon-to-be classic hits. “Fire and Brimstone” was a clear highlight of his raucous set as was his closer “Do to Me”, which had the crowd singing along to every word. Trombone Shorty is truly a national treasure, and you gotta tip your cap to Coachella for even having him on the bill. -PM

Arcade Fire // Coachella Stage // Sunday 10:20-Midnight

Closing out festivals isn’t anything too out of the ordinary for these veterans, especially after 2011’s massive display, so Win Butler and cohorts knew to bring all the stops. Touring in support of their critically acclaimed fourth studio album, Reflektor, the band had various options of surprise guests they could potentially have join them on stage as a grand finale to Weekend 1. Rumors of David Bowie or James Murphy had the crowd abuzz due to their direct involvement with the latest release. Halfway through the epic set of hits from both 2010’s The Suburbs and cuts off of the new album, the band broke into the opening notes of Blondie’s “Heart of Glass”, only to be joined by Debbie Harry of Blondie fame for this full rendition. Sticking around to provide back-up vocals and ribbon dance around the stage with Regine, Debbie joined in on Arcade’s quintessential “Sprawl II”. Confetti canons spewed out into the crowd during the climactic notes of “Here Comes the Night Time”, igniting the crowd for their closing number “Wake Up”. And with that, the first major music festival of the 2014 season was in the bag. -MK

Guest sets were prevalent this year with additional highlights including:

• Beyonce shook her “jelly” on stage with little sister Solange during her sunset performance on Saturday for song, “Losing You”.

• A$AP Ferg brought out the whole A$AP Mob for multiple tracks before A$AP Rocky debuted a new track, featuring a diss on Been Trill clothing. Rocky also came out with Skrillex.

• Chromeo’s set included a collaborative performance with Toro y Moi to perform the duet off of White Women called “Come Alive”.

• Girl Talk pulled Busta Rhymes, Too $hort, Juicy J and E-40 into his remix set on Friday night (while the Bryan Ferry set played oddly on the screens flanking Greg Gillis).

• Justin Bieber decided to put a funny taste in people’s mouths and backed up his buddy Chance The Rapper.

• Mary J. Blige came on for a rousing rendition of her alternate vocal version of “F for You” with Disclosure Sunday evening. Sam Smith came out for “Latch”, as well. AlunaGeorge also lent a helping hand.

• Up-and-comer Jene Aiko welcomed some big names in the form of Drake and Childish Gambino while Disclosure and Arcade Fire played against this stealthy guest set.

• The legendary Motörhead brought out Slash for a healthy dose of guitar.

• Classixx bounced back from a tough start to a set with help from Nancy Wang, Yacht, The Preatures and Sarah Chernoff from Superhumanoids.

• Flosstradamus welcomed a bit of help from another big-named emcee in the form of Waka Flocka Flame.

Filed Under: Editor's Picks, Featured, Festivals Tagged With: Arcade Fire, Coachella, Coachella 2014, Future Islands, GOAT, Nas, OutKast, Pharrell Williams, Pixies, Temples, Trombone Shorty & Orleans Avenue, Weekend 1

Outside Lands 2014: Lineup locks, likely acts & long shots

March 12, 2014 by Kevin Quandt & Mike Frash 18 Comments

Photos by Tim Hampson // Written by Mike Frash & Kevin Quandt //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 8th-10th, 2014 //

As we inch towards springtime, leading to summer, and Coachella is within a month’s reach, some Bay Area music freaks (like us) begin to speculate about who is gonna be gracing those stages freckled throughout Golden Gate Park come August. Outside Lands Music and Arts Festival is set to return to SF on August 8th-10th.

The greatest indicators are the group’s touring schedules — Osheaga Music Festival in Montreal and Pickathon in Oregon have announced their schedules the weekend prior to Outside Lands (with Lollapalooza to still be announced). Squamish Valley Music Festival in British Columbia is the same weekend as Outside Lands, but Vancouver is close enough for artists to double dip.

Conversely, we can confirm some big acts that won’t be on the bill due to scheduling conflicts. But if this is even close to what the Outside Lands 2014 lineup looks like, the Bay Area should be in for a delicious, fog-enhanced treat.

UPDATE 4/7: The lineup has been announced!

Lock It In (we think)

Bruce Springsteen and the E Street Band: A new album on the way and a lack of dates out West makes him a solid candidate for top billing this year. Also, keep in mind that OSL has never repeated headliners, as well as the fact that Super Fly (Bonnaroo), who along with Another Planet Presents, handles the bulk of the booking.

Arctic Monkeys: [CONFIRMED] These festival stalwarts announced an extensive tour with a noticeable gap in the western demographic which leads to speculation that they’ll return for a sub-headlining set. Confirmed for August 10th at Osheaga.

Chromeo: [CONFIRMED] A Red Rocks date on August 5th is a good sign that these party starters are en route back to San Francisco for a possible Twin Peaks headlining spot.

Modest Mouse: Confirmed for Osheaga, and with no California dates on the calendar for the recently announced tour, Modest Mouse is starting to look like a lock.

Cut Copy: [CONFIRMED] Cut Copy and Chromeo are on parallel tracks. Both will have played APE shows in the past year, and their tour buses are aligning toward the Bay in early August.

CHVRCHES: [CONFIRMED] Confirmed for Osheaga, it just makes sense that one of the the biggest breakout acts of 2013 will triumphantly return to the Bay after playing the Independent, Mezzanine & Fox Theater Oakland over the past year.

Flume: [CONFIRMED] It’s due time for this EDM heat-seeker to return to San Francisco, and what better place and time than Outside Lands. Flume’s popularity could land him Twin Peaks headlining duties.

Tycho: [CONFIRMED] Having become the darlings of Another Planet, what better progressive act to grace the bill than Tycho. Sold out shows in the coming weeks lend to a strong demand.

Foster the People: Performing at Squamish Valley Music Festival Friday lends a good possibility that Mark Foster and band will trek down to Golden Gate Park for a Sunday set. A slot at Osheaga Festival the weekend prior says they’ll be hitting many large events as they support their latest release Supermodel.

Iron & Wine and Glen Hansard: These two artists are booked to play Hollywood Bowl on August 10th, leading most savvy music aficionados to make the leap that these acts will be present.

Danny Brown: A lack of Bay Area dates coupled with spots on the ‘OSL crossover’ festival, Squamish, could mean we are in for a ‘Kush Koma’ with oddball, Danny Brown.

Likely To Appear

Elton John: The announcement of Sir Elton playing Bonnaroo has fueled this rumor nicely, even if questions of availability swirl. The main issue would be surrounding a clause with Caesars where John has a residency. However, this Vegas run ends in April, so it looks possible.

Green Day: These Bay Area legends have surprisingly never played Outside Lands, and it seems possible we’ll see them grace the main stage for a night with Billy Joe and company.

Coldplay: New music on the way, coupled with scheduled appearances at South by Southwest is a clear sign that Chris Martin and lads are gearing up to re-dominate the world with their anthemic rock. Also, never headlined OSL.

Tiësto: [CONFIRMED] Ranger Dave likes to book some of the biggest names in the EDM world to ‘compete’ with headliners, attracting a slightly younger crowd to congregate at Twin Peaks on most evenings. Tiësto’s production would fit nicely into the bigness of past DJ spotlights.

Frank Ocean: Frankie is mounting his come back after a relatively quiet past few years. His billing on Bonnaroo fuels the speculation that Super Fly booked him, and other acts, for more than just Roo.

The Flaming Lips: [CONFIRMED] Wayne Coyne has had a busy past few months with a recent release and some serious Fall touring. Now, as summer looms, it appears the Lips will be omnipresent at summer festivals. Recent Another Planet shows coupled with Bonnaroo presence make these weirdo legends a likely booking.

Lorde: Has any act ever gone to sub-headliner status this quickly? Based on her popularity and the way she’s altered the pop landscape, Lorde deserves it. She’s confirmed to play Osheaga and her April dates at Fox Theater sold out immediately.

Chance the Rapper: No longer Chicago’s secret, Chancelor Bennett needs to get better acquainted with the Bay Area. There is a gap in his schedule, and the Acid Rapper is confirmed for Osheaga.

HAIM: [CONFIRMED] For being California girls, sisters Este, Danielle and Alana could show a bit more love to the Bay Area (They’ve played in England over 20 times). Their first ever show in the Bay was at Treasure Island Music Festival last year, and their fauxchella Fillmore dates were tough tickets to snag as they sold out in seconds.

Lykke Li: [CONFIRMED] Confirmed for Friday of Squamish, it’s very possible the breathtaking Swedish singer-songwriter could grace Outside Lands on Sunday.

Foxygen: Even though there has been turmoil (broken legs, inner-band conflict), the 21st Century Ambassadors of Peace & Magic should come play “San Francisco” in it’s namesake. The group is confirmed for Pickathon as well.

Mikal Cronin: [CONFIRMED] The singer-songwriter has become quite the popular local musician and would be ideal for a showcase of SF rock. Booked for the Oregon Pickathon means he’ll be active around this time.

Valerie June: [CONFIRMED] The American singer, songwriter and multi-instrumentalist is playing Pickathon and other West Coast dates prior to Outside Lands. June’s sound will fit nicely into the festival’s curation net.

It Could Happen

Kanye West: [CONFIRMED] As it appears OutKast will not be the infamous first hip-hop headliner, we look to Kanye West as an outside possibility as the debut of rap taking center stage one summer evening. Inclusion on Bonnaroo’s docket makes a reasonably strong start to an argument for Yeezy.

Eminem: Already a rumored headliner for Lollapalooza, Slim Shady has also booked a co-headlining date with Rihanna at the Rose Bowl in Pasadena the Thursday before Outside Lands while also confirmed for Squamish on Sunday the 10th. Starting to trend toward “likely”, should we be adding RiRi as a rumored headliner?

Tool: Already playing two SF shows in March, would it be that much of a surprise to see Tool headlining one night? Certainly they are big enough to handle top billing duties.

Pharrell Williams: A Ranger Dave’s “hat” tweet has led many to speculate the possibility of Williams’ presence on the festival grounds. Limited dates pepper his itinerary, so it’s anyone’s guess.

The Avett Brothers: Having not played the event in over five years and select festival appearances over the summer, one could make the argument that Avett will return. Bonnaroo booking also helps this case.

Kendrick Lamar: K-Dot’s touring schedule is open, but there are no obvious indicators an Outside Lands appearance will happen. But for a festival that’s usually short on hip hop & rap, it would be too fun to see the Outside Lands stage and surrounding area get crazy during “Backseat Freestyle”.

Gogol Bordello: The Gypsy-punk freaks are confirmed to play Osheaga, and they played Outside Lands in 2010. A return seems possible.

Jagwar Ma: [CONFIRMED] Being rather active in the festival realm in 2014, these party-starters can easily jump from Osheaga over to SF. A previous Another Planet-booked show at the Independent demonstrates there is communication present.

Long Shots: Already booked elsewhere (don’t count on it)

OutKast: Andre 3000 and Big Boi might be playing over 40 festivals this year, but Outside Lands won’t be one of them. OutKast is confirmed for Flow Festival in Finland the same weekend as Outside Lands.

Arcade Fire: Win Butler and company are performing at Squamish Valley Music Festival, but they have a date set at Shoreline in July, and they headlined three years ago.

Jack Johnson
Queens of the Stone Age
Robert Plant
Santana
Neutral Milk Hotel
Janelle Monae
DARKSIDE
Mac Demarco

Filed Under: Featured, Festivals Tagged With: Arcade Fire, Arctic Monkeys, Bruce Springsteen and the E Street Band, Chance The Rapper, Chromeo, Chvrches, Coldplay, Cut Copy, Elton John, Flume, Foster the People, Foxygen, Frank Ocean, Glen Hansard, Gogol Bordello, Gramatik, Green Day, Haim, Iron & Wine, Jack Johnson, Jagwar Ma, Janelle Monáe, Kendrick Lamar, Lord Huron, Lorde, Lykke LI, Mac Demarco, Mayer Hawthorne, Mikal Cronin, Modest Mouse, Neutral Milk Hotel, OSL, OutKast, Outside Lands, Outside Lands Music Festival 2014, Pharrell Williams, Portugal. The Man, Queens of the Stoneage, Robert Plant, Santana, Sharon Van Etten, The Avett Brothers, The Flaming Lips, Tool, Tycho, Valerie June

Coachella 2014 lineup: Emerging artists, throwback acts & potential collaborations

January 9, 2014 by Kevin Quandt & Mike Frash 9 Comments

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 11th-13th & April 18th-20th, 2016 //

2014 is officially in full swing and the impending festival season is on the horizon, especially now that the Coachella lineup has been released. Goldenvoice has done it again with their unique mix of era, genre and relevance which seems to excite and disappoint the eager masses in equal fashion.

The top of the lineup is decisively more pop-oriented than years past with Ellie Goulding, Pharrell Williams, Lorde, Foster the People, Zedd and Lana Del Rey receiving marquee billing. But beyond the headliners, Coachella 2014 offers essential throwback acts, emerging artists ready to blow up, a wide variety of dance options and a handful of collaboration opportunities.

Let’s dig into this monster and extract some musical gold.

Headliners

An OutKast reunion would have been more thrilling if the news hadn’t leaked over a month ago (though you can’t always believe the rumor mill), but this is a surprise nonetheless as Andre 3000 had shown little interest or optimism in interviews over the past half-decade. Either way Big Boi and Dre will bring their historically high-energy performance to a ton of new fans. “B.O.B.”, “Roses” and “Ms Jackson” are sure to be highlights of the set.

Muse is one of the biggest bands in the world, this is a cold hard fact. They have plugged away at their 21st Century take on soaring arena-rock and eventually made their way to the top with bombastic live shows, catchy songs and generally doing their own thing. Will the band try to bring their massive UK arena stage to Indio?

Yes, Arcade Fire was another act that wasn’t a far reach based upon current tour route, but nevertheless they will close out the event with great grandeur. May be hard to top their big 2010 performance, but sparks are sure to shoot from the stage while playing the more upbeat Reflektor tracks. I am not holding my breath on an appearance by the Thin White Duke, but hope I’m wrong.

Throwbacks

The Replacements took the stage for the first time in 22 years over the summer at various incarnations of Riot Fest. Well, now the West Coast gets a taste of Paul Westerberg and Tommy Stinson’s authoritative alternative rock, and this set is sure to be one of the bigger ‘reunion’ sets on the bill.

Roxy Music may not be reuniting this year, but the insanely unique vocal stylings of Bryan Ferry are sure to excite fans that have been visiting the Empire Polo Club since it’s incarnation some 15 years ago. Is Goldenvoice starting to pander to the aging, original Coachella demographic?

Pet Shop Boys aren’t only still relevant, but have been killing it on the road the past few years, so it’s no surprise that we see the duo of Neil Tennant and Chris Lowe billed high on Saturday. Their Kraftwerk-esque stage show will be a treat to multiple generations of fans, especially during booming hits like “West End Girls”.

Other acts that will appeal more to the Generation Xers will be the Toy Dolls, The Afghan Whigs, and Motörhead.

Emerging Artists

British psych rock group Temples only formed in mid 2012, but almost immediate support from the blogosphere and supporting Primal Scream, Kasabian, Beady Eye & Tame Impala on tour throughout 2013 only helped gain traction. And if you are a fan of Tame Impala, be sure to catch this hyper-buzzy act for their first West Coast show. Their stock should rise quickly as their debut LP Sun Structures releases February 10th.

It has now become a tradition for at least one member of the Odd Future clan to be represented on the bill since their debut, and this year the title goes to producing duo Syd the Kid and Matt Martians as The Internet. Their take on trip-hop and electronic soul is a refreshing breath of air for the LA collective as Syd moves from behind the decks to feature her lovely vocals at the forefront. Sure to turn a few heads.

Enigmatic trio Factory Floor bathe in drone and noise, ultimately outputting sound somewhere between minimalist techno and experimental house. Releasing their self-titled debut LP in 2013 through DFA, Factory Floor is relatively popular overseas, yet the dance outfit is on the bottom line of the poster for Sunday. The London-based act might offer a good reason to get to the polo fields early on day three.

Laura Mvula may not be a name you are familiar with, but she has made waves the past year in her native UK as her debut album peaked nicely on the charts, and she received a solid slot at Glastonbury. Her straight-ahead take on soul jazz shows great promise both in the studio and on the larger stage as she bursts out of the jazz club into the spotlight.

Laura Mvula · Church Girl

Coming Out West

The Knife will be bringing their dynamic, even head-scratching stage show to the desert for 2 weekends of artsy weirdness. Though, for all intents and purposes, we have no idea which show the Swedish duo will bring to us. One thing is for sure, it won’t be like anything you have experienced before.

Apparently Jeff Mangum enjoyed his trip to Indio last year, because this year he is bringing the old band out. West Coast music fans have been waiting patiently for their taste of the reunited Neutral Milk Hotel, and it wasn’t a huge surprise that they’d be on the bill based upon tour schedule. Alas, hipsters young and old can rejoice in a stay at the hippest ‘hotel’ in the valley.

Sweden’s mysterious band named GOAT will be finally reaching the shores of the Pacific with their characteristic take on ‘world music.’ These guys are truly thinking outside the box with a breathtaking approach to experimental rock, and their live performance follows suit. The band has been in some sort of formation for over the past 30 to 40 years with rotating members, but have only recently been viewed on the world stage.

Possible Collaborations

Robin Thicke (Not Daft Punk) with Pharrell Williams on Saturday
Pharrell Williams has pretty high billing this year, but in many ways he deserves it. He was featured on the two biggest pop hits of 2013, and if anyone is known for collaborating with a wide variety of artists, it’s the N.E.R.D. frontman. Fool us once (Phoenix last year), shame on you, fool us twice…just don’t count on Daft Punk and Niles Rodgers showing up to perform “Get Lucky” and “Lose Yourself to Dance”. Daft Punk’s confirmed appearance at the Grammy Awards in late January could change this outlook, but a Robin Thicke supported “Blurred Lines” seems more likely. It also wouldn’t be surprising to see special appearances from Snoop Dogg, Pusha T or maybe even Madonna.

Blood Orange (Dev Hynes) with Solange on Saturday
NYC’s own Blood Orange made a big push to finish out 2013 and he was nicely rewarded with a set that is sure to be well packed for this buzzy tropi-pop musician. Hynes worked with Solange on her 2012 EP Losing You, but the extent of his production work on the record became a source of contention in November as both artists took to twitter beef about Hynes’ role. Both Solange and Hynes are performing Saturday, so might this be a good time for them to kiss and makeup on stage?

AlunaGeorge with Disclosure on Sunday
Disclosure, returning for their second straight year, might be the only dance act to perform outside the tents. Last year, Jessie Ware joined Guy and Howard Lawrence to sing “Confess To Me”, and this year Aluna Francis from AlunaGeorge will appear to perform the smash hit “White Noise”. Lock it in.

EDM

As has been the trend for Coachella, more emphasis has been put onto EDM, and with the addition of the Yuma Tent last year, Goldenvoice has been able to book all the big guys for the kiddies and all the OG underground acts for the “adults.”

Calvin Harris, Skrillex and Fatboy Slim represent some of the biggest names in the genre and are sure to grab some of the biggest crowds in the Sahara Tent. On the other hand, Yuma will have some treats in the form of the Crosstown Rebels (Damian Lazarus, Art Department, Maceo Plex) as well as Scuba and (hopefully) French legend, Laurent Garnier.