The National – Showbams

BottleRock locks in Red Hot Chili Peppers, Post Malone, Lizzo, Duran Duran, Lil Nas X & The Smashing Pumpkins to play 10th anniversary

January 9, 2023 by Josh Herwitt 1 Comment

BottleRock Napa Valley //
Napa Valley Expo – Napa, CA
May 26th-28th, 2023 //

With BeachLife Festival unveiling some exciting news last week by announcing its 2023 lineup, we can expect more music festivals in California to follow suit throughout this month.

But if you were wondering which one would be next, look no further than Napa Valley where BottleRock is gearing up for its 10th anniversary over Memorial Day weekend after tapping Metallica, P!NK, Twenty One Pilots and Luke Combs among others for 2022.

Arriving in our inboxes and social media feeds right on schedule, the three-day music festival’s roster delivers plenty of star power with Red Hot Chili Peppers, Post Malone, Lizzo, Duran Duran, Lil Nas X and The Smashing Pumpkins on the top line while Leon Bridges, Billy Strings, Wu-Tang Clan and The National lead an excellent undercard.

The BottleRock 2023 lineup is HERE! 🥳🎶

3-day tickets go on sale tomorrow, January 10, at noon PT. ✨ pic.twitter.com/KAxfofpzAz

— BottleRock Napa (@BottleRockNapa) January 9, 2023

Other notable acts who have signed on to play BottleRock this May include CAAMP, Sheryl Crow, Nile Rodgers & CHIC, Carly Rae Jepsen, Bastille, Tove Lo, Phantogram, Japanese Breakfast, Quinn XCII, Yung Gravy, Thievery Corporation, Dayglow, ASHE, Lucius, Teddy Swims, Cautious Clay, Nicky Youre, Los Lobos, WAR, Taj Mahal, Mike Campbell & The Dirty Knobs, The Airborne Toxic Event, The Struts, Warren G, KennyHoopla, Jean Dawson, Lupe Fiasco, Peter Yorn and more. See the poster above for the rest of this year’s roster.

While the music usually serves as its biggest draw, the festival does offer guests access to a spa and silent disco. Of course, there’s also the Williams-Sonoma Culinary Stage, which pairs celebrity chefs with various musicians and athletes for several live cooking demonstrations you won’t want to miss.

Tickets can be purchased here beginning this Tuesday, January 10th at Noon PT. Three-day GA passes will go for $389 plus fees with VIP ($979), Skydeck ($1,799), The Suites ($1,899) and Platinum ($5,495) experiences available too, so make sure to set those alarm clocks stat for a BottleRockin’ good time!

Filed Under: Featured, Festivals Tagged With: Arden Jones, ASHE, Ayleen Valentine, Álvaro Díaz, Bastille, Beach Weather, Billy Strings, BottleRock, BottleRock 2023, BottleRock Napa, BottleRock Napa 2023, BottleRock Napa Valley, BottleRock Napa Valley 2023, Brae, CAAMP, Carly Rae Jepsen, Cautious Clay, Chic, Christone "Kingfish" Ingram, Christone Ingram, Cimafunk, Danielle Ponder, Dayglow, Duran Duran, East Forest, GARZA, Great Northern, Half Alive, High Noon, Honeyboys, Japanese Breakfast, Jax, Jean Dawson, Joey Valence, Joey Valence & Brae, KennyHoopla, Kingfish, Leon Bridges, Lil Nas X, Little Stranger, Lizzo, Los Lobos, Lucius, Luke Combs, Lupe Fiasco, Mac Saturn, Mama Said, Maude Latour, Metallica, MEUTE, Mike Campbell, Mike Campbell & The Dirty Knobs, Monophonics, Moonalice, Napa Valley Youth Symphony, Nicky Youre, Nile Rodgers, Nile Rodgers & CHIC, Oke Junior, P!nk, Paris Jackson, Particle Kid, Pete Yorn, Peter Cat Recording Co., Phantogram, Post Malone, Quinn XCII, Red Hot Chili Peppers, Sgt. Splendor, Sheryl Crow, Spring Summer, Starcrawler, Sudan Archives, Taj Mahal, Teddy Swims, The 502s, The Airborne Toxic Event, The Alive, The National, The Silverado Pickups, The Smashing Pumpkins, The Stone Foxes, The Struts, The Unlikely Candidates, The Wrecks, Thievery Corporation, Thunderstorm Artis, Tom Odell, Tove Lo, Twenty One Pilots, War, Warren G, Wu Tang Clan, Yung Gravy

Our favorite performances from 2018

December 29, 2018 by The Bam Team Leave a Comment

Holy smokes, 2018 … you were a blur. Maybe it’s just us, but this year really did fly right by.

Before we officially say hello to 2019 though, it’s time for us to revisit the past 12 months at Showbams. Every year we have the great privilege of witnessing some amazing moments in live music, and this year was no different. While we can’t touch upon every performance we covered in looking back at the year that was, we still managed to see a wide variety of talent over the course of 2018.

Whittling down our list is never easy. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order), all of whom we either covered at their own show and/or at a music festival this year:

Aaron Neville, A.CHAL, Alanis Morissette, Alina Baraz, Allen Stone, Amen Dunes, Aminé, A Perfect Circle, Ari Lennox, A$AP Rocky, Aquilo, BADBADNOTGOOD, The Bangles, Belle & Sebastian, The Beta Machine, Billie Eilish, BØRNS, Carly Rae Jepsen, Cashmere Cat, Childish Major, Chromeo, CHVRCHES, Cigarettes After Sex, Cloud Nothings, Cuco, Cut Snake, CyHi the Prynce, Daniel Caesar, Deap Vally, Destroyer, Diet Cig, Drab Majesty, DRAM, The Dustbowl Revival, Erykah Badu, Fantastic Negrito, Future, Garbage, George Fitzgerald, Gomez, Gov’t Mule, Great Grandpa, Griz, The Growlers, Gucci Mane, HAERTS, H.E.R., Hot Flash Heat Wave, Ibeyi, Iggy Pop, Irma Thomas, Isaiah Rashad, Jaira Burns, Jamie xx, Jeff Goldblum and the Mildred Snitzer Orchestra, Jhené Aiko, John Maus, Josh Ritter & The Royal City Band, Joywave, JPEGMAFIA, Jungle, Kailee Morgue, Kaitlyn Aurelia Smith, Kamasi Washington, Kauf, Kelela, Kikagaku Moyo, Kings of Leon, Kopps, Laff Trax, Lion Babe, Lizzo, Lophile, Lord Huron, Los Lobos, Lucy Dacus, Margo Price, Miguel, Mija, Milk Carton Kids, ModPods, Moses Sumney, The Mother Hips, Mura Masa, Neil Young, N.E.R.D, North Mississippi Allstars, ODESZA, Pale Waves, Paula Frazer and Tarnation, Phantogram, Pharoah Sanders, Pixies, Polo & Pan, POND, Portugal. The Man, The Pretenders, Quicksand, Ravyn Lenae, Rivers Cuomo, The Revolution, Robert Plant, Rory Phillips, RÜFÜS DU SOL, Sabrina Claudio, Salt-N-Pepa, Santigold, Sasha Sloan, Seu Jorge, Shakey Graves, Shame, Shana Falana, Sharon Van Etten, Silk City, Sleigh Bells, Snoh Aalegra, Soccer Mommy, The Specials, The Spook School, Stephen Malkmus & the Jicks, Tame Impala, Tenacious D, Third Eye Blind, Tinashe, together PANGEA, TV on the Radio, Tycho, Typhoon, Uniform, Wafia, Waxahatchee, The Weeknd, Wet, William Tyler, Will Varley, Yen Yen, Zedd

Now, it’s time for The Bam Team to present our favorite performances from 2018.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2018

Listen to The Bam Team’s favorite songs of 2018:

Cut Copy

Date: March 3rd
Location: Exposition Park – Los Angeles

For those in LA who missed Cut Copy 10 months ago when they visited the Shrine Expo Hall with De Lux, Palmbomen II and Cooper Saver also on the bill, their headlining performance last Friday at The Wiltern was another chance to dance the night away upon hearing several classics such as “Need You Now”, “Free Your Mind”, “Future”, “Hearts on Fire” and to close, “Lights & Music”. In fact, the last time that we caught them back in March, a mini downpour erupted at Shaun White’s Air + Style (read our festival review here), but it didn’t phase them. Who said playing — and dancing — in the rain isn’t fun anyway? -Josh Herwitt, photo courtesy of Air + Style

Washed Out

Date: March 4th
Location: Exposition Park – Los Angeles

In what was easily the most visually stimulating (and pleasing) show we witnessed at Expo Park, Ernest Greene, who performs under the moniker Washed Out, entranced a completely packed crowd at the smaller Summer Stage with a slew of trippy visuals and his chilled-out tunes. We had been wanting to see Washed Out in SoCal for several months now, ever since Greene released the project’s third LP Mister Mellow last year, and after missing his gig with Nick Murphy at the Shrine Expo Hall in October, we were glad to finally hear him play “Hard to Say Goodbye” (one of our favorite songs of 2017) and “Feel It All Around” live as any loyal “Portlandia” fan would be. With Toro y Moi venturing away from the chillwave movement he helped pioneer, it’s up to Greene to lead the charge, and so far, he has done one hell of a job. -Josh Herwitt, photo courtesy of Air + Style

Phoenix

Date: March 4th
Location: Exposition Park – Los Angeles

After what we thought was an underwhelming way to wrap up Day 1, Air + Style closed with a bang thanks to Phoenix’s energizing, 16-song set. The French indie-pop outfit have headlined Coachella before, and it was more than worthy of that billing for this occasion. Kicking things off with the opening track “J-Boy” from their sixth studio album Ti Amo that dropped back in June, Thomas Mars and company gave us exactly what we wanted to hear: a hit-ladden show featuring singles like “Lisztomania”, “Trying to Be Cool”, “Too Young” and “1901”. No, there wasn’t a Daft Punk or R. Kelly appearance — not that we expected one — but Phoenix put an exclamation point on an otherwise successful weekend. We may not have known the quartet could rock that hard after the last time we saw them, but we definitely do now. -Josh Herwitt, photo courtesy of Air + Style

Moby

Date: March 26th
Location: Apogee Studio – Santa Monica, CA

His guitar playing, meanwhile, may be just as impressive, if not surprising to some. Less than two weeks before Moby stepped into Bob Clearmountain’s diminutive recording studio, I was fortunate enough to catch him the final of his three shows at The Echo, and it was there as he performed a variety of songs from Everything Was Beautiful, and Nothing Hurt, Play and a few other albums, that I fully realized just how talented he is with a black Gibson SG in his hands. He may be an electronic musician, but unlike a lot of them today, Moby is a musician in every sense of the word. While his vocals at times sound more like spoken word than actual singing, he has found more than capable sidekicks in Julie Mintz (keyboards, vocals) and Mindy Jones (vocals) to assist him in that department. Jones’ ranging voice, in particular, is one that suits his music well, and when you hear her sing, her pipes elevate the song to a whole new level. -Josh Herwitt, photo by Brian Feinzimer

The War on Drugs

Date: April 13th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Weeks before The War on Drugs released their fourth LP A Deeper Understanding last year, we were fortunate enough to hear Adam Granduciel and company perform a handful of cuts from the new album in an intimate setting for KCRW. It was then and there that we knew the follow-up to 2014’s Lost in a Dream was another masterpiece, and that impression was only validated when A Deeper Understanding won the Grammy for “Best Rock Album” just a few months ago. On Day 1 of Coachella, the Philadelphia band brought some of those same songs we witnessed at Apogee Studio to life, though sadly, this time “Holding On” wasn’t part of the setlist. But we did get to experience “An Ocean in Between the Waves” in all of its glory, and we still have yet to come across another piece of music in more recent years that will make you want to play air guitar as much as the seven-minute track from Lost in a Dream does. Who said rock was dead? -Josh Herwitt, photo courtesy of Goldenvoice

Jamiroquai

Date: April 13th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Thirteen years. That’s how long it has been since Jamiroquai last performed in the U.S. With that in mind, there was no way we were going to miss Jay Kay and the rest of his sidekicks in favor of The Weeknd’s headlining performance (sorry, Abel), and after what ended up being close to a 90-minute set from the London nu-funk/acid jazz group, we had no regrets about our decision. The only regret we have is that they ran out of time and didn’t get to play their smash hit “Virtual Insanity” in its entirety, and you could tell Jay Kay felt bad about it as he jumped down from the stage to greet some overjoyed fans after wrapping the show up with “Love Foolosophy” from 2001’s A Funk Odyssey. But while Weekend 2 attendees got the full version of the Travelling Without Moving single, we were treated to a massive surprise when Snoop Dogg came out to rap on “Dr. Buzz” with a huge blunt in his hand. It was the kind of collaboration you never expect to see, except at Coachella of all places. -Josh Herwitt, photo courtesy of Coachella

Eminem

Date: April 15th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

While we can’t say that we were completely thrilled with Goldenvoice’s choices for this year’s headliners, we were excited to see Eminem finally play Coachella (he had never performed in an official capacity before) and close out the festival on Sunday night. Sure, his newest album Revival didn’t exactly receive rave reviews from critics when it dropped at the end of 2017, but watching one of hip-hop’s most talented emcees run through his hits all while bringing out 50 Cent and Dr. Dre was undoubtedly THE highlight from Day 3. For this “stan,” just crossing Em off my concert bucket list would have been enough to send me home with a smile. Fortunately for those of us who were there though, the real Slim Shady lived up to the hype and more. -Josh Herwitt, photo courtesy of Coachella

Big K.R.I.T.

Date: April 19th
Location: Echoplex – Los Angeles

At Echoplex, we were treated to the “rapper” and the man himself as bass-heavy party starters like the title-track opener and “Confetti” from 4eva Is a Mighty Long Time got everyone hyped, while Atlanta’s T.I. came out to perform his verse on “Big Bank”. After singling out one excited fan, who was wearing a shirt with a giant picture of his face, during the easygoing “1999” and paying homage to Southern rap pioneers UGK, Big K.R.I.T. took the latter half of his hour-long set to connect with the crowd. -Joseph Gray, photo by Joseph Gray

Soulwax

Date: April 19th
Location: The Fonda Theatre – Los Angeles

While Soulwax’s recorded music has always been perfectly enjoyable, in person it becomes something else entirely. Their new, three-drummer lineup was the ideal format to hear new tracks like “Is It Always Binary” while giving older tracks such as “KracK” a newly textured and complex sound. Sitting stage right, drummer Victoria Smith, for one, offered the group some serious personality thanks to her animated facial expressions. -Zach Bourque, photo by Zach Bourque

NxWorries

Date: June 16th
Location: The Queen Mary – Long Beach, CA

I fall somewhere in the middle between those two age groups, so it was fitting that the uber-talented rapper/singer/drummer Anderson .Paak had just walked onto the “Free Your Mind” main stage when I showed up. .Paak, 32, wore a smile as expressive as his music, packaged with a bright nautical-themed ensemble. He effortlessly impressed with standouts “Suede”, “Another Time” and “What More Can I Say” off Yes Lawd!, his 2016 LP with Los Angeles hip-hop producer Knxwledge as part of their collaborative project NxWorries (pronounced “No Worries”). The duo’s set would eventually culminate in a playful dance-off between women, which fans showed their appreciation for before .Paak and Knxwledge said their goodbyes. -Joseph Gray, photo by Joseph Gray

The Roots

Date: June 16th
Location: The Queen Mary – Long Beach, CA

However, anticipation for The Roots kept me at the main stage. It proved to be a wise decision, as their nearly hour-long performance reminded me why the Grammy-winning band is still so revered after more than three decades. Black Thought got the crowd riled up with a 10-minute barrage of lyrical proficiency that so many have come to know as his “Hot 97 Freestyle” after it hit the internet in December and quickly went viral, while his bandmates exuberantly jumped with sousaphones and guitars during “You Got Me” and a number of other hits. But providing a jolt like he only can, the one and only Busta Rhymes showed up for a quick-but-memorable performance of “Put Your Hands Where My Eyes Can See” and “Pass the Courvoisier, Part II”. -Joseph Gray, photo by Joseph Gray

Melvins

Date: July 16th
Location: Great American Music Hall – San Francisco

I’m far from an expert on this kind of thing (because I’m not), but I didn’t expect to see the Melvins perform with the amount of energy that they showcased. For a band that has been touring and putting out new material for the past 35 years, they performed as if everything depended on it. You weren’t going to catch “King Buzzo” standing in one place for too long, with his signature fro whipping in the wind from the fans that were on the stage, McDonald and Pinkus holding it down on their own instruments, and Crover beating the living hell out of his drums. Fans were ready to receive the band and responded to the various sonic blasts coming from the amplifiers. During the thrashy songs, they formed a brutal pit, and during the sludgier songs, they lit up joints and bobbed their heads to the music. -Andrew Pohl, photo by Mike Rosati

Glassjaw

Date: July 20th
Location: Observatory OC – Santa Ana, CA

Glassjaw’s show covered their entire discography, and very few fan favorites were left off the setlist. While it was to be expected that newer tunes like “Shira” and “New White Extremity” would rock, it was staggering how well their older songs held up in a live setting. Palumbo’s voice, though slightly less manic than it once was, is still unmatched in its vocal range and shear intensity. -Zach Bourque, photo by Zach Bourque

Weezer

Date: August 8th
Location: The Forum – Inglewood, CA

That’s not to say that Cuomo isn’t a talented musician. In fact, quite the opposite is true. The Harvard grad shreds without question, something I never really realized until he uncorked a number of guitar solos, whether it was during “Buddy Holly” to open Weezer’s performance or “Say It Ain’t So” (with a snippet of Black Sabbath’s “Paranoid”) to put a bow on the show. And while there aren’t many lead singers who can do both, Cuomo certainly remains among some elite company, with Jack White, Trey Anastasio (Phish), Jim James (My Morning Jacket) and Josh Homme (Queens of the Stone Age) also immediately coming to mind. -Josh Herwitt, photo by Josh Herwitt

Florence + the Machine

Date: August 11th
Location: Golden Gate Park – San Francisco

There was a bit of controversy surrounding Saturday’s main slot as Florence + the Machine officially made the move to full-blown festival headliner. Some festivalgoers had their own doubts after FYF Fest 2018 was canceled with a near-identical top billing, but Florence and her bandmates proved, many times over, that she is more than capable of commanding any stage as her energy is unlike many others. She debuted a brand-new show, which featured “June” in the opening slot and was book-ended by “Big God” and “Shake It Out” for a two-song encore. -Kevin Quandt, photo by Norm de Veyra

Janelle Monáe

Date: August 12th
Location: Golden Gate Park – San Francisco

The incomparable Janelle Monáe was a tad late to take the stage, as she was fighting off a stomach bug, but when she did, she captivated the masses with a suite of tracks from her most recent release Dirty Computer and tossed in a fair amount of costume changes over a nearly hour-long set. Monáe proved that she’s easily one of the best in the business at the moment and will only continue to climb upwards. -Kevin Quandt, photo by Norm de Veyra

Deafheaven

Date: August 18th
Location: The Wiltern – Los Angeles

Fortunately, Deafheaven haven’t bowed to convention or criticism. Their fourth studio album Ordinary Corrupt Human Love, which ANTI‐ released last month, is their arguably their most experimental to date, spanning more than an hour over seven songs. There’s a sense of angst and nostalgia in the music that leans far more positive and hopeful than their previous work. There are still echoes of black metal at times, but you can feel this is a band that’s embracing its differences instead of defending them. -Zach Bourque, photo by Zach Bourque

Jack White

Date: August 19th
Location: Santa Barbara Bowl – Santa Barbara, CA

Yet, for as eclectic and wide-ranging as White’s output has been over two decades, it’s the unpredictable nature of his live shows that makes them so intriguing to see. This time, we were treated to a rare cover of The Stooges’ “T.V. Eye” from their 1970 album Fun House, as well as a number of fan favorites, from set closer “Ball and Biscuit” to an eight-song encore that featured “Icky Thump” (with some amusing “Icky Trump” messaging), “Steady, as She Goes” (with a snippet of Richard Berry’s 1955 song “Louie Louie”), and of course, what has easily become the biggest stadium anthem in the world, “Seven Nation Army”. And though the show didn’t conclude without a few hiccups during some of White’s improvised playing between songs, he hasn’t lost his unique ability to surprise an audience — whether it means bringing out his mother in Detroit to perform “Hotel Yorba” with him or covering Pearl Jam’s “Daughter” in Seattle — at any given moment, especially when we all aren’t staring down at our phones. -Josh Herwitt, photo courtesy of Jack White

David Byrne

Date: August 22nd
Location: Bill Graham Civic Auditorium – San Francisco

As the show progressed into his songs “Here” and “Lazy”, Byrne’s band joined him onstage. The light changed and filled in the stage, giving the audience a happier tone and providing a seamless transition into a Talking Heads interlude. Then, later on during “Blind”, one of the more stunning visual elements was made possible by a simple lamp that was placed in front of the band, casting whirling shadows on the strands of beads hanging behind them. -Tim O’Shea, photo by Tim O’Shea

The National

Date: September 20th
Location: Hollywood Palladium – Los Angeles

Right before that final aforementioned single, they brought out Phoebe Bridgers to help them perform “Sorrow” from 2010’s High Violet, as Berninger and the 24-year-old singer-songwriter, who said during her brief opening set that The National were her favorite band, traded vocals on the tune they once played 105 times in a row, with the performance at an art installation in New York lasting all of six hours. We weren’t quite as fortunate to get that kind of show in LA, as The National opted for one of their more traditional, two-hour events. But whether you’ve been a fan from the start or one like myself who arrived rather late to the party, The National continue to make some of the most compelling music in rock, expanding their fan base with each and every album they release. That’s the sign of any good band these days, and though there’s only a handful of others that could even say the same right now, The National should take comfort in knowing they’re one of those select few. -Josh Herwitt, photo by Josh Herwitt

Grizzly Bear

Date: September 23rd
Location: Hollywood Bowl – Los Angeles

Similarly, the gig also marked one of Grizzly Bear’s last performances in support of their fifth LP Painted Ruins, which they released last year on RCA Records, and having already played a two-night run at The Wiltern back in December, this was more of a victory lap than a coming-out party. Unfortunately for us, the five-piece had to cut things short due to the venue’s strict Sunday night curfew, ending on a rather sudden note. That’s just part of the deal at the Bowl, though. For those of us who have to work on Monday morning, it’s actually more of a blessing in disguise than a disservice to the overall concert experience as we’ve come to realize. -Josh Herwitt, photo by Josh Herwitt

Courtney Barnett

Date: October 5th
Location: Greek Theatre – Los Angeles

When she wasn’t sharing the spotlight with Waxahatchee, Barnett was sharing it equally with the rest of her stellar backing band, but it was mostly just difficult to take your eyes off of her. Everything she does feels casual, from her outfit to her guitar playing, slinging her instrument around like it was an extension of herself. Even her delivery of the wrenching reality that the 30-year-old Australian singer-songwriter articulates so well is casual, singing like the end of the world isn’t a mere 22 years away. -Rochelle Shipman, photo by Rochelle Shipman

Greta Van Fleet

Date: October 6th
Location: Glen Helen Regional Park & Festival Grounds – San Bernardino, CA

By the time we got through security and stepped inside the gates, Manchester Orchestra had just finished their 45-minute set on the main stage, which essentially was the 65,000-person Glen Helen Amphitheater that was constructed back in 1982 for the first US Festival. Next up was Greta Van Fleet, and boy, do these kids know how to rock. Zeppelin clearly runs deep in these four Michiganders’ veins, as they showcased songs off their forthcoming debut album Anthem of the Peaceful Army with frontman Josh Kiszka commanding the stage and offering his best Robert Plant impression. He even dresses the part, sporting some tight, white jeans with a water-colored blouse and necklace of feathers while his brothers Jake and Sam wore vests or shirts that looked like what you would find at a vintage clothing store. -Josh Herwitt, photo by Josh Herwitt

Foo Fighters

Date: October 6th
Location: Glen Helen Regional Park & Festival Grounds – San Bernardino, CA

As the Foos left the stage for their encore break, we waited patiently for them to return. The crowd, by now, had been taken for a two-hour ride with Grohl firmly at the wheel, pumping adrenaline into our veins with every minute that passed as the Foo Fighters know how to do so well during their usual two-and-a-half-hour jaunts. The video screens on each side of the stage were black until suddenly some backstage footage appeared showing Grohl with Krist Novoselic and what looked like Joan Jett. All of that would end up coming true in the last 30 minutes of Cal Jam 18, but it was a six-song encore with Grohl on drums, Novoselic on bass, the Foo Fighters’ Pat Smear on guitar and Deer Tick frontman John McAuley on both vocals and guitar as Kurt Cobain’s fill-in who got us hyped. Nirvana fans have waited 25 years for a reunion since Cobain’s sudden passing, and when you put it in perspective, it will probably go down as one of the year’s biggest surprises, even at a time in music when many industry experts say that rock now stands in the shadows of hip-hop and EDM. -Josh Herwitt, photo by Josh Herwitt

Pusha T

Date: October 13th
Location: Middle Harbor Shoreline Park – Oakland

But U.S. Girls were the highlight of the weekend for us. A nine-piece experimental pop act, they put on a stunning 45-minute set that culminated in an entrancing rendition of “Time”, the closing track on their critically acclaimed studio effort In a Poem Unlimited, that lasted more than 10 minutes. The energy, instrumentation and vocal capabilities were absolutely stunning. Easily one of this year’s most exciting new acts, and we can’t wait to catch them again soon. -Brett Ruffenach, photo by Brendan Mansfield

U.S. Girls

Date: October 14th
Location: Middle Harbor Shoreline Park – Oakland

Filed Under: Best of 2018, Editor's Picks, Featured Tagged With: A Perfect Circle, A$AP Rocky, A.CHAL, Aaron Neville, Air + Style, Air + Style 2018, Air + Style LA 2018, Alanis Morissette, Alina Baraz, Allen Stone, Amen Dunes, Amine, Aquilo, Ari Lennox, BADBADNOTGOOD, BØRNS, Belle & Sebastian, Best of 2018, Big K.R.I.T., Billie Eilish, Carly Rae Jepsen, Cashmere Cat, Childish Major, Chromeo, Chvrches, Cigarettes After Sex, Cloud Nothings, Courtney Barnett, Cuco, Cut Copy, Cut Snake, CyHi the Prynce, Daniel Caesar, David Byrne, Deafheaven, Deap Vally, Destroyer, Diet Cig, Drab Majesty, DRAM, Eminem, Erykah Badu, Fantastic Negrito, Florence & the Machine, Foo Fighters, Future, Garbage, George Fitzgerald, Glassjaw, Gomez, Gov't Mule, Great Grandpa, Greta Van Fleet, GRIZ, Grizzly Bear, Gucci Mane, H.E.R., HAERTS, Hot Flash Heat Wave, Ibeyi, Iggy Pop, Irma Thomas, Isaiah Rashad, Jack White, Jaira Burns, Jamie xx, Jamiroquai, Janelle Monáe, Jeff Goldblum and the Mildred Snitzer Orchestra, Jhené Aiko, John Maus, Josh Ritter & The Royal City Band, Joywave, JPEGMAFIA, Jungle, Kailee Morgue, Kaitlyn Aurelia Smith, Kamasi Washington, Kauf, Kelela, Kikagaku Moyo, Kings of Leon, Kopps, Laff Trax, Lion Babe, Lizzo, Lophile, Lord Huron, Los Lobos, Lucy Dacus, Margo Price, Melvins, Miguel, Mija, Milk Carton Kids, Moby, ModPods, Moses Sumney, Mura Masa, N.E.R.D., Neil Young, Nirvana, North Mississippi Allstars, NxWorries, Odesza, Pale Waves, Paula Frazer and Tarnation, Phantogram, Pharoah Sanders, Phoenix, Pixies, Polo & Pan, Pond, Portugal. The Man, Pusha T, Quicksand, Ravyn Lenae, RÜFÜS DU SOL, Rivers Cuomo, Robert Plant, Rory Phillips, Sabrina Claudio, Salt-N-Pepa, Santigold, Sasha Sloan, Seu Jorge, Shakey Graves, Shame, Shana Falana, Sharon Van Etten, Silk City, Sleigh Bells, Snoh Aalegra, Soccer Mommy, Soulwax, Stephen Malkmus & The Jicks, Tame Impala, Tenacious D, The Bangles, The Beta Machine, The Dustbowl Revival, The Growlers, The Mother Hips, The National, The Pretenders, The Revolution, The Roots, The Specials, The Spook School, The War on Drugs, The Weeknd, Third Eye Blind, Tinashe, Together Pangea, TV on the Radio, Tycho, Typhoon, U.S. Girls, Uniform, Wafia, Washed Out, Waxahatchee, Weezer, Wet, Will Varley, William Tyler, Yen Yen, Zedd

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2018

December 28, 2018 by The Bam Team 2 Comments

David Byrne at Bill Graham Civic Auditorium // Showbams’ Photo of the Year, by Tim O’Shea

We have to be honest: 2018 was kind of a weird year for music. Sure, there were some major highlights — many of them listed below, in fact — but we also saw a serious changing of the guard. The decline of mainstream rock and the continued rise of hip-hop, R&B and pop was more noticeable than ever, from this year’s Coachella lineup to the cancellation of FYF Fest, making us wonder what the next twist or turn will be for the industry now that the demand for EDM has started to cool off following its boom circa 2012. That said, we still listened to a lot of new albums and caught plenty of concerts over the last 12 months, and it’s once again time for us to share our annual “Best of” lists, much like we have done over the past several years (see our 2017 picks here).

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2018.

See our favorite performances from 2018 here.

Listen to The Bam Team’s favorite songs of 2018:

Jamiroquai at Coachella 2018 // Photo courtesy of Coachella

Josh Herwitt // Los Angeles

Top 5 Shows of 2018
1. Queens of the Stone Age at The Forum – Inglewood, CA – February 17th
Just more than two months after his infamous assault on a photographer at The Forum for KROQ’s Almost Acoustic Christmas, Queens of the Stone Age leader Josh Homme made his return to the LA arena for a proper, sold-out affair with UK rock duo Royal Blood delivering what proved to be a headbanging opening set. From there, it only got better as Homme and the boys dazzled with a headlining performance that even included Villains producer Mark Ronson sitting in for most of the five-song encore and the band’s live debut of its “Goodbye Yellow Brick Road” cover. You can bet Elton John, whom Homme actually collaborated with during the writing and recording of QOTSA’s sixth album …Like Clockwork, would have been proud. I always know when I’ve seen a good rock ‘n’ roll show because my neck will be sore the following day, but after this one, it was sore for the next three days. Ouch.

2. Nine Inch Nails at Hollywood Palladium – Los Angeles, CA – December 12th, 14th-15th
3. Jamiroquai at Coachella, Weekend 1 – Indio, CA – April 13th
4. David Byrne at Santa Barbara Bowl – Santa Barbara, CA – August 24th
5. Foo Fighters/Nirvana reunion at Cal Jam 18 – San Bernadino, CA – October 6th

Top 5 Albums of 2018
1. Jungle – For Ever
Unlike previous years, picking a favorite album in 2018 wasn’t quite as easy for me. I’ll admit that I didn’t hear every one that was released this year, but I listened to a lot of them. So, call me boring and short-sighted if you like, but nothing totally knocked my socks off. After much deliberation, it was Jungle’s sophomore LP For Ever that stood the test of time for me (no pun intended). The English soul collective’s follow-up to its 2014 self-titled debut doesn’t veer off in a completely different direction from what came before, but it still moves the sonic needle forward enough. After two full lengths, Jungle have shown a knack for writing catchy, dance-fueled tunes that transport you to a different time and place — even if it’s only for a three- or four-minute stretch.

2. Khruangbin – Con Todo El Mundo
3. Arctic Monkeys – Tranquility Base Hotel & Casino
4. Kamasi Washington – Heaven and Earth
5. Big Red Machine – Big Red Machine

Top 5 Songs of 2018
1. Nine Inch Nails – “Over and Out”
When I first listened to Bad Witch, I immediately knew this one was my favorite track on the album. But hearing it performed live on the final night of NIN’s “Cold and Black and Infinite” North American tour sealed it for top honors in 2018. Layering a brooding, yet funky bass line on top of a glitchy, experimental beat, Trent Reznor shows that he isn’t just playing it safe and merely saving his creativity for scoring films with bandmate and longtime collaborator Atticus Ross. You can tell Reznor had his late friend David Bowie in mind when he wrote the song too as he conjures up an even deeper baritone from behind the microphone than the one we have come to know over the last 30 years.

2. Childish Gambino – “This Is America”
3. Jungle – “Heavy, California”
4. Wild Nothing – “Partners in Motion”
5. The Raconteurs – “Now That You’re Gone”

Molly Kish // San Francisco

Top 5 Shows of 2018
1. David Byrne at Fox Theater Oakland – Oakland, CA – August 16th
In support of his seventh solo album American Utopia, musical virtuoso David Byrne hit the road for one of this year’s most creative and ambitious tours. Over more than 150 dates that spanned the entire globe, the 66-year-old delivered Broadway-caliber performances with a traveling 11-piece band that served as a traveling retrospective of his solo and collaborative work. Meanwhile, the tour also doubled as a platform for him to deliver his “Reasons to Be Cheerful” manifestos on civic engagement, climate/energy, culture, economics, education, health, science/technology and urban transportation. He partnered with HeadCount while encouraging audiences every night to engage in public discourse through social media and their own personal stories on his website. And as a result, Byrne elevated the concert-going experience into more of an interactive, performance-art space that his fans became a living, breathing part of.

2. Young Fathers at The Independent – San Francisco, CA – November 10th
3. Erykah Badu & Thundercat at The Armory – San Francisco, CA – February 14th
4. Beck at The Independent – San Francisco, CA – August 8th
5. LCD Soundsystem with TV on the Radio at Greek Theatre Berkeley – Berkeley, CA – April 27th-28th

Top 5 Albums of 2018
1. Richard Russell – Everything Is Recorded by Richard Russell
A multi-artist project released as the debut album of XL Recordings founder Richard Russell, Everything Is Recorded is collaborative effort representing the ties between past and present sounds currently shaping the framework of hip-hop, funk and soul. Featuring collaborations with Sampha, Kamasi Washington, Syd, Damon Albarn, Peter Gabriel, Ibeyi, Obongjayar and more, the album also plays as the soundtrack to a 30-minute film, which documents the time each spent in the studio during its conception and is interspliced with archival footage of Gil Scott-Heron and Curtis Mayfield. With its underlying themes of loss and isolation, Everything Is Recorded effectively communicates Russell’s emotional journey as he battles a debilitating autoimmune disease in hope of finding salvation through the shared experience of creating a beautifully mastered piece of art.

2. George Fitzgerald – All That Must Be
3. Pusha T – DAYTONA
4. Robyn – Honey
5. Khruangbin – Con Todo El Mundo

Top 5 Songs of 2018
1. Childish Gambino – “This Is America”
If any song embodied the insanity and collective discontent of 2018, it was definitely Childish Gambino’s epic single “This Is America”. The juxtaposition of an a cappella choir leading into Donald Glover’s soft crooning over island beats and drum samples before staunchly diverting to a menacing base line reminiscent of 90’s gangster rap — as well as the hortative delivery of degrading lyrics about the current state of violence and American ideals — is near-perfect. Of course, the provocative music video that accompanied the track’s surprise release during his “Saturday Night Live” debut was incredible. The song, lyrics, video and marketing campaign could not have been a more flawless “slice of life” reflection of modern American society and justifiably has boomeranged into probably the most important moment of Childish Gambino’s career so far.

2. The Presets – “Downtown Shutdown”
3. Jon Hopkins – “Everything Connected”
4. Jungle – “Casio”
5. Parquet Courts – “Wide Awake”

Kevin Quandt // San Francisco

Top 5 Shows of 2018
1. David Byrne at Jazzfest – New Orleans, LA – April 29th
You know what they say: the first time is always the best. With David Byrne’s 2018 “American Utopia Tour” being universally acclaimed as one of the most enigmatic live shows of the year, it’s not surprising to see it top other “Best of” lists. Byrne and his merry band of “unplugged” pranksters created a feast for the eyes and ears, and his daytime set on the Gentilly Stage did not disappoint at all. While his Fox Theater Oakland shows were more intimate and featured some more dynamic lighting features, his performance at Jazzfest back in April was the most memorable for NOLA revelers.

2. Jamiroquai at Bill Graham Civic Auditorium – San Francisco, CA – April 17th
3. Polo & Pan at The Independent – San Francisco, CA – June 20th
4. Nine Inch Nails at Bill Graham Civic Auditorium – San Francisco, CA – December 4th
5. Rolling Blackouts Coastal Fever at Primavera Sound – Barcelona, Spain – June 2nd

Top 5 Albums of 2018
1. Khruangbin – Con Todo El Mundo
What a banner year for this Texas trio! Khruangbin have been on a steady rise the past few years as they turn on the masses to their infectious amalgamation of psychedelic soul, Thai surf rock and subtle funk. Having cemented their reputation as beasts in a live setting, Con Todo El Mundo proved their knack for penning tunes of equal strength with its emotive first single “Friday Morning” serving as a clear standout. “Evan Finds the Third Room” has also become a fan favorite, and the accompanying music video only lends to its growing charm. The sky’s the limit for Laura, Mark and DJ, so grab your ticket to fly.

2. Hookworms – Microshift
3. Amen Dunes – Freedom
4. Shame – Songs of Praise
5. Stephen Malkmus and the Jicks – Sparkle Hard

Top 5 Songs of 2018
1. Jonathan Wilson – “Trafalgar Square”
LA producer-turned-frontman Jonathan Wilson churned out one helluva album opener for his third solo LP Rare Birds, as this six-plus-minute romp has all the right pieces for true liftoff. A proper intro leads into a riff so heavy that it’ll break your mama’s back. Top-notch production is key to this track, as Wilson is a wiz behind the boards. As you cruise down the 405 with this whopper blaring, you’d be hard-pressed not to nod along. Extra points for those of you with a 1970’s convertible, too.

2. Tom Misch – “Water Baby” feat. Loyle Carner
3. Childish Gambino – “This Is America”
4. Jonathan Something – “Happy Day”
5. Men I Trust – “Seven”

Andrew Pohl // San Francisco

Top 5 Shows of 2018
1. The Smashing Pumpkins at Oracle Arena – Oakland, CA – August 27th
The Smashing Pumpkins are the quintessential 90’s arena-rock band, and they fully lived up to that billing at Oracle Arena for their Bay Area stop over the summer. I’ve seen them several times over the years, and although this time it was pegged as a “reunion tour” (minus D’Arcy, sigh), you never know what you’re going to get from them. Billy Corgan led the band through over three hours’ worth of material with some killer stage production to go with it. The show was definitely a marathon, but totally worth being there for. It came to light later that Corgan was also fighting off a bad case of food poisoning, but it didn’t show. It was great to see James Iha and Jimmy Chamberlain back onstage, too — the way it should be.

2. Nine Inch Nails at Bill Graham Civic Auditorium – San Francisco, CA – December 3rd
3. Against Me! & Turbonegro at UC Theatre – Berkeley, CA – May 25th
4. Alkaline Trio at The Warfield – San Francisco, CA – October 6th
5. Back To The Beach Festival – Huntington Beach, CA – April 28th-29th

Top 5 Albums of 2018
1. Shame – Songs of Praise
This album hit me like a ton of bricks in the best way. I had heard a ton of hype around Songs of Praise before giving it a first listen, and usually I am a healthy skeptic, but good Lord, does this record rip. It has a dark flavor and carries with it a lot of angst, and you can’t help but get caught up in the hooks that Shame offer. These five lads from South London simply killed it.

2. IDLES – Joy as an Act of Resistance
3. Kamasi Washington – Heaven and Earth
4. Hot Snakes – Jericho Sirens
5. Snail Mail – Lush

Top 5 Songs of 2018
1. Shame – “Concrete”
Conjuring up the ghost of Joy Division’s Ian Curtis without sounding like a complete poser is challenging for newer post-punk bands it seems — except for Shame’s Charlie Steen. Paired with some brilliant instrumentation, I just couldn’t stop listening to “Concrete” when I first heard it. I must have listened to the track a solid 10 times in a row on the first go. This song has an infectious quality to it and is a straight-up ripper.

2. The Soft White Sixties – “I Still Love You, San Francisco”
3. Hot Snakes – “Six Wave Hold-Down”
4. IDLES – “Colossus”
5. The Sword – “Come and Gone”

Filed Under: Best of 2018, Editor's Picks, Featured Tagged With: 311, Against Me!, Alkaline Trio, Amen Dunes, Arctic Monkeys, Back To The Beach, Back To The Beach Festival, Beck, Best of 2018, Big D & The Kids Table, Big Red Machine, Bill Graham Civic Auditorium, Bon Iver, Childish Gambino, Coachella, Coachella 2018, Coachella Music and Arts Festival, Coachella Music and Arts Festival 2018, Curtis Mayfield, Damon Albarn, David Byrne, Erykah Badu, Fishbone, Fox Theater Oakland, George Fitzgerald, Giggs, Gil Scott Heron, Goldfinger, Greek Theatre Berkeley, hepcat, Hollywood Palladium, Hookworms, Hot Snakes, Ibeyi, IDLES, Jamiroquai, Jon Hopkins, Jonathan Something, Jungle, Kamasi Washington, Khruangbin, Kurt Vile, LCD Soundsystem, Less Than Jake, Mad Caddies, Mark Ronson, Mela Murder, Men I Trust, Mustard Plug, Nine Inch Nails, Obongjayar, Oracle Arena, Outside Lands 2018, Outside Lands Music Festival 2018, Outside Lands night shows, Parquet Courts, Peter Gabriel, Polo & Pan, Primavera Sound, Primavera Sound 2018, Pusha T, Queens of the Stone Age, Richard Russell, Robyn, Rolling Blackouts Coastal Fever, Royal Blood, Sampha, Santa Barbara Bowl, Save Ferris, Shame, Smashing Pumpkins, Snail Mail, Stephen Malkmus, Stephen Malkmus & The Jicks, Sublime with Rome, Syd, The Aggrolites, The Aquabats, The Armory, The Forum, The Independent, The Internet, The Interrupters, The Mighty Mighty Bosstones, The National, The Presets, The Raconteurs, The Smashing Pumpkins, The Soft White Sixties, The Suicide Machines, The Sword, The UC Theatre, The Untouchables, The Warfield, Thundercat, Tom Misch, Turbonegro, TV on the Radio, Wild Nothing, Young Fathers

After winning their first Grammy, The National don’t hold back at the Hollywood Palladium

September 27, 2018 by Josh Herwitt Leave a Comment

By Josh Herwitt //

The National with Phoebe Bridgers //
Hollywood Palladium – Los Angeles
September 20th, 2018 //

I’ll be the first to admit that I’ve only been a fan of The National for a little more than a couple of years now. And though I was familiar with the band before then, it was merely by accident that they finally piqued my interest not that long ago.

It was a Thursday evening in the middle of summer when I got a text from a friend who said he had an extra ticket to their show at the Greek Theatre that very same night. The ticket, of course, was supposed to be for his girlfriend at the time, but they had just gotten into one of their volatile back-and-forths and there was no way she was going to go with him. I, like any devoted live music fan, wasn’t about to let her ticket go to waste, so I said yes on a whim and made my way to the venue, where The National invited St. Vincent and Adam Granduciel (of The War on Drugs) onstage as surprise guests and even performed “Morning Dew” from their massive Grateful Dead tribute box set for the first time. Pretty cool, right?

From that point on, I’ve made an effort to pay closer attention to what Matt Berninger, Aaron Dessner, Bryce Dessner, Scott Devendorf and Bryan Devendorf have been up to. I knew I had some catching up to do considering that they’ve been at it for close to 20 years, but when the group’s seventh studio album Sleep Well Beast dropped last September on British indie label 4AD, much of it caught my attention thanks to SiriusXMU — and for good reason.

The 12-track LP, after all, would not only go on to produce five singles, but it also took home a Grammy for “Best Alternative Music Album” in one of the more encouraging moments at this year’s 60th Grammy Awards. And at the Hollywood Palladium for the first of two nights in LA last Thursday, The National gave us all five of those singles, beginning with “The System Only Dreams in Total Darkness” and running through the remaining four as part of a 22-song setlist that opened with “Nobody Else Will Be There” just as Sleep Well Beast does.

Berninger, by now, is well-known for his baritone vocals and somber lyrics, and for that same reason, The National have never come across as one of rock’s more uplifting acts. Their music often sounds perfect for a rainy day, even though there are some energetic moments on Sleep Well Beast, be it “I’ll Still Destroy You”, “The System Only Dreams in Total Darkness” or “Day I Die” as maybe the record’s most uptempo cut despite its obviously melancholy message.

Setlist:
Nobody Else Will Be There
The System Only Dreams in Total Darkness
Walk It Back
Guilty Party
Don’t Swallow the Cap
Bloodbuzz Ohio
I Need My Girl
Green Gloves
Lemonworld
Born to Beg
I’ll Still Destroy You
Slow Show
Sorrow (with Phoebe Bridgers)
Day I Die
Carin at the Liquor Store
Graceless
Rylan
Fake Empire

Encore:
Light Years
Mr. November
Terrible Love
Vanderlyle Crybaby Geeks

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: Greek Theatre, Hollywood Palladium, Phoebe Bridgers, St. Vincent, The National, The War on Drugs

Our favorite performances from 2017

December 29, 2017 by The Bam Team 1 Comment

2017, where the hell did you go? It just felt like the other day that we were ringing in a new year, and yet, here we are again as we plow straight ahead into 2018.

But before we officially put a bow on 2017, it’s time for us to revisit the past 12 months at Showbams. This year, we had the opportunity to capture many amazing moments in live music, and while we couldn’t pay homage to every single performance we witnessed, we made a conscious effort to include a wide range of talent spread across the industry.

Whittling down our list, though, was not that easy. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order) whom we either covered at their own show and/or at a music festival this year:

21 Savage, The Accidentals, Action Bronson, Alice Cooper, Alina Baraz, alt-J, Amber Mark, Andrew McMahon in the Wilderness, Animal Collective, Atlas Genius, The Avalanches, The Band Perry, Beach Slang, Belle and Sebastian, Black Moth Super Rainbow, Bleachers, Blonde Redhead, Bob Moses, Car Seat Headrest, Cate Le Bon, Cigarettes After Sex, Circles Around the Sun, City of Caterpillar, The Coathangers, Claude VonStroke, Chris Robinson, Con Brio, Conor Oberst, Courtney Barnett & Kurt Vile, Crystal Castles, The Crystal Method, Daniel Caesar, Dawes, Dead Meadow, Deafheaven, Deep Purple, Diet Cig, DIIV, Dirty Dozen Brass Band, Dr. Dog, Dr. Octagon, Duke Dumont, Eagles of Death Metal, Electric Guest, Emancipator, Emily King, Empire of the Sun, Foxygen, Future Islands, Gabriel Garzón-Montano, Gatecreeper, Girl Talk, Gone Is Gone, Grizzly Bear, Gucci Mane, Hamilton Leithauser, Hazel English, Hinds, The Hip Replacements, Hiss Golden Messenger, How to Dress Well, Iggy Pop, Isaiah Rashad, Jack Johnson, Jagwar Ma, Jamestown Revival, Jamie Isaac, Jay 305, Jen Cloher, Jessica Hernandez & The Deltas, Jessie Ware, Jim James, JR JR, Julie Byrne, Julien Baker, Justice, Karen Elson, Karl Denson’s Tiny Universe, KAYTRANADA, Kelis, K. Flay, Khalid, Khruangbin, Kilo Kish, King Gizzard and the Lizard Wizard, Kurt Vile, La Femme, LANY, Lauv, L.A. Witch, Lettuce, Lil Yachty, Little Dragon, Lo Moon, Lorde, Lord Huron, Miike Snow, Milky Chance, Minus the Bear, Mister Heavenly, MØ, Mondo Cozmo, Neon Indian, Nicki Bluhm, Norah Jones, North Mississippi Allstars, NVO, Oh Sees, OK Go, Once and Future Band, Pallbearer, The Palms, Passion Pit, Peaches, Perfume Genius, Petit Biscuit, Phoebe Bridgers, Playboi Carti, Pond, Porcelain Raft, PRAYERS, The Radio Dept., Real Estate, The Revivalists, Royal Blood, Sampha, ScHoolboy Q, Sheer Mag, serpentwithfeet, Silversun Pickups, Sleep, Sleigh Bells, SOFI TUKKER, Solange, Spiritualized, Styles P, Sunflower Beam, Talib Kweli, Tank and The Bangas, Tash Sultana, Tei Shi, Temples, Tennis, Tennyson, Thou, Thundercat, TOBACCO, Touché Amoré, Tool, Tove Lo, Travis Scott, Twin Peaks, Ty Segall, Unknown Mortal Orchestra, Vagabon, Vance Joy, Vic Mensa, Warpaint, Weezer, White Fence, Woods, YG, Young the Giant.

Now, it’s time for The Bam Team to present our favorite performances from 2017.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2017

Listen to The Bam Team’s favorite songs of 2017:

Run the Jewels

Date: February 1st
Location: Shrine Expo Hall – Los Angeles

Yet, in just four years, Run the Jewels have already reached hip-hop’s mountaintop with their politically charged lyrics and hard-hitting beats. Just take last Wednesday’s sold-out show in LA for example. With the duo’s third studio album still only a few weeks old, 5,000 or so fans poured into the spacious Shrine Expo Hall to watch El-P and Killer Mike fuck shit up (for lack of a better term). And that’s exactly what they did after opening sets from The Gaslamp Killer, Nick Hook, Gangasta Boo and CUZ. -Josh Herwitt, photo by Josh Herwitt

BADBADNOTGOOD

Date: February 23rd
Location: The Fillmore – San Francisco

As one of the bands to take the coveted headlining spot for NoisePop25, BADBADNOTGOOD seemed as — perhaps more — excited as all of the fans who made it to their sold-out show at The Fillmore. Combining consummate instrumentation with classic MC-style showmanship led by drummer Alexander Sowinski, the Canadian jazz-rock quartet has mastered the art of keeping the audience guessing where they’re going. -Brett Ruffenach, photo by James Pawlish

Spoon

Date: March 7th
Location: Apogee Studio – Santa Monica, CA

In total, Spoon performed five songs from the new record, including “First Caress” to open a brief encore that left us eager for more. But as the five-piece rocked “Rainy Taxi” from 2014’s They Want My Soul to close, I couldn’t help but think to myself that this is one band I never should have slept on. -Josh Herwitt, photo by Larry Hirshowitz

Sigur Rós

Date: April 8th
Location: Greek Theatre – Berkeley, CA

Now a trio, Sigur Rós have been delivering goosebumps for over two decades — and it’s a delight to hear Jónsi’s voice-as-an-instrument this clear, this powerful and as confident as ever. It would be a wonderful treat to check in on this outfit every 5-10 years going forward and realize they are still going strong. -Mike Frash, photo by James Nagel

DREAMCAR

Date: April 9th
Location: Great American Music Hall – San Francisco

Fresh off a stop at Berkeley’s Hearst Greek Theatre the night before, Adams showcased some older favorites and a slew of new tunes from his 16th and latest studio album Prisoner, which came out in February. SoCal fans were treated to some extended full-band jamming, a couple of solo acoustic performances and Adams’ usual witty banter over the course of the evening.
-Jared Stossel, photo by Jared Stossel

A Perfect Circle

Date: April 13th
Location: Bill Graham Civic Auditorium – San Francisco

In the world of rock supergroups, there are few that have sprung up in the last few decades that can hold a candle to A Perfect Circle. From the onset, APC have been a powerhouse on the senses, combining members from bands such as Tool, The Smashing Pumpkins, Failure, Primus and more over the years. Their body of work has been met with high praise across the board, and they have been able to solidify themselves as one of the most unique and tenured groupings out there, as opposed to bands like Zwan and Velvet Revolver. -Andrew Pohl, photo by Mike Rosati

Radiohead

Date: April 14th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Yes, the sound problems (all three instances) put a real damper on what was easily one of the most anticipated performances of the weekend. This was the third time Goldenvoice called on Radiohead to headline Coachella, and for one of rock’s most important bands over the last 30 years, it certainly wasn’t a charm as the saying goes. In that moment, it was pretty hard not to feel bad for Thom Yorke, who could only make light of the situation by cracking a joke even if it wasn’t supposed to be one — or so he claimed. But Radiohead more than made up for it with a masterful setlist that opened with A Moon Shaped Pool cuts “Daydreaming”, “Desert Island Disk” and “Ful Stop” before circling back to older hits such as “Everything in Its Right Place”, “There There”, “Idioteque” and even “Creep”. -Josh Herwitt, photo courtesy of Coachella

Kendrick Lamar

Date: April 16th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

All hail, King Kendrick! Or should we say “Kung Fu Kenny?” The Compton rapper reached hip-hop’s mountaintop more than two years ago with his Grammy-winning masterpiece To Pimp a Butterfly, but headlining Coachella was still on his to-do list. In fact, it was only the second time he had ever been booked to perform at Coachella after being listed on the last line of the 2012 poster. Closing out the fest is no short order for any artist, let alone one who dropped his new album less than 48 hours before taking the stage, but K-Dot lived up to the billing with a show that provoked as much thought as it entertained. -Josh Herwitt, photo courtesy of Coachella

The xx

Date: April 17th
Location: Bill Graham Civic Auditorium – San Francisco

Playfully alluding to their material’s emotional sentiment, Romy Madley Croft (vocals, guitar) and Oliver Sim (bass, vocals) managed to entrance all of us with their tension-filled gazes and syncopated dance moves. Prolonging vocal arrangements, especially during their accelerated live interpretation of “Infinity”, were also stunning to witness. About halfway through the set, Jamie Smith (beats, MPC, production), aka Jamie xx, took the lead and transformed the room into a giant disco party thanks to an onslaught of consecutive dance hits before finishing with “Loud Places” from his 2015 solo LP In Colour. -Molly Kish, photo by Norm de Veyra

Moderat

Date: April 20th
Location: Mayan Theater – Los Angeles

Moderat subsequently circled back to III, performing “Intruder” before exiting the stage to a rousing applause. Yet, when the house lights didn’t come on right away, the suspense began to build once again. Less than a minute later, the three-piece reemerged, giving the audience more than its money’s worth. Two-encore shows are usually reserved for high-profile groups with extensive catalogs like Radiohead, but Moderat have never played by any rules. -Josh Herwitt, photo by Josh Herwitt

The Flaming Lips

Date: May 9th
Location: The Theatre at Ace Hotel – Los Angeles

The Lips, of course, made sure to play that song, and even though it was without Watts, it still proved to be an unforgettable moment due to the fact that Coyne rode a life-size unicorn from one end of the stage to the other as he belted out lines like “Yeah, there should be unicorns / The ones with the purple eyes / It should be loud as fuck / Hope the swans don’t die” to open the tune while wearing a big smile across his face. If that’s not psychedelic to you, then I don’t know what is. -Josh Herwitt, photo by Josh Herwitt

Ryan Adams

Date: June 3rd
Location: Greek Theatre – Los Angeles

Jay Som

Date: June 17th
Location: Potrero del Sol Park – San Francisco

Melina Duterte’s band goes by the name Jay Som and hails from Oakland. Do yourself a favor and remember this name: Jay Som. The Polyvinyl-signed songstress bathed the crowd at the Potrero Stage in her dreamy vocals and inanely catchy tunes that appeal to a wide-range of music fan; her songs could feel just as viable in the 90’s college rock area as they do today. Highlights from the set included a vibe-soaked rendition of “Baybee” as well as “The Bus Song”, arguably the artist’s first real “hit.” -Kevin Quandt, photo by Emmeline Munson

AIR

Date: June 23rd
Location: The Masonic – San Francisco

AIR’s live performances focus on capturing the crisp, detailed production style that the duo has honed over two decades. It’s a vibrant, textured sound. Centered around acoustic guitar, synthesizers and the breathy timbre of the duo’s immaculate harmonized vocals, the use of live drums helped round out the contrast between both the artificial and acoustic sounds in songs like “Cherry Blossom Girl”. -Brett Ruffenach, photo by Steve Carlson

PLANETARIUM

Date: July 21st
Location: Fox Theater Oakland – Oakland

PLANETARIUM’s music, which channels Stevens’ reflections on astronomy, science and even the intricacies of human consciousness, is a fusion of styles from all four band members that evokes feelings of unity. The group’s performance was accompanied by otherworldly visuals that filled the backdrop as it traversed the Solar System with quite a few emotionally charged songs inspired by the planets and other celestial bodies like “Neptune” and “Jupiter”. -Norm de Veyra, photo by Norm de Veyra

The Drums

Date: July 21st
Location: The Fillmore – San Francisco

By the time The Drums took the stage, the intimate venue was packed to the brim with fans. The Brooklyn outfit made as much of an impression as it did when frontman Jonathan Pierce and company exploded onto the scene in 2009 with their initial EP Summertime! From then on, it became glaringly obvious with their eccentric band members and seemingly effortless style that they possessed an energetic presence. And at their SF show, it didn’t take long for the capacity crowd to fall into a groove as the venue’s whole atmosphere lit up. -Jacqueline Moore, photo by Jacqueline Moore

Miguel

Date: July 23rd
Location: Annenberg Space for Photography – Los Angeles

Once the sun set and Miguel stepped onstage, the audience was transported somewhere else entirely. Born and raised in LA, the 31-year-old’s silky-smooth voice floated through the cool evening breeze over the twinkle lights in the trees, giving the impression of an island retreat rather than a concert in the park. -Rochelle Shipman, photo by Rochelle Shipman

The War on Drugs

Date: August 5th
Location: Apogee Studio – Santa Monica, CA

Granduciel’s raspy voice, as well as his driving (no pun intended) guitar rhythms and reverb-laden riffs, are largely what separates The War on Drugs from the rest in a crowded indie-rock scene, but the sum of the band’s parts — Charlie Hall (drums), David Hartley (bass), Anthony LaMarca (guitar, keyboards), Robbie Bennett (keyboards) and finally Jon Natchez (saxophone, keyboards) — also creates a sound that while familiar, still feels uniquely different. -Josh Herwitt, photo by Larry Hirshowitz

Gorillaz

Date: August 11th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

Easily one of the most anticipated acts of the weekend, Gorillaz’s Humanz tour made its West Coast debut on Day 1 at OSL. After a six-year hiatus, expectations ran extremely high for this headlining performance. On previous tours, the band’s members had played second fiddle to the cartoon projections of their alter egos onstage, but everyone was visible this time around. Several collaborators from Gorillaz’s previous albums, including Kali Uchis, Yukimi Nagano and Del the Funky Homosapien, came out to join them, and the Damon Albarn-led group still pulled some even bigger surprises with cameos appearances from De la Soul and Pusha T. -Molly Kish, photo by James Pawlish

Cage the Elephant

Date: August 12th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

While the cancellation of Queens of the Stone Age was a blow a week prior to the event, the replacement that was lined up more than delivered a blistering set of rock ‘n’ roll. Cage the Elephant are now being widely considered festival-headliner material, and frontman Matt Shultz is making a strong claim for that accolade as he continues to elevate his stage act to near-Mick Jagger levels of pomp and energy. “Come a Little Closer” and “Ain’t No Rest for the Wicked” received hearty sing-alongs from a decidedly youthful crowd as Cage have become a favorite of Generation Z. -Kevin Quandt, photo by Marc Fong

J.I.D

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

While the headliners thrilled as expected, it was at the side “Day” and “Night” stages where the festival’s biggest highlights were generated. J.I.D, the rising Atlanta rapper who is signed to J. Cole’s Dreamville imprint, absolutely thrilled during his set. Dazzling with his rapid-fire and agile flow, J.I.D showed off his ability to command a crowd with songs such as “General” and “EdEddnEddy” before jumping into the crowd for the tempo-changing hit “Never” that left the crowd chanting for “one more song!” -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman

SZA

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

Saturday, meanwhile, featured the vintage gospel spirit and warm vibes that have elevated Chicago emcee Chance the Rapper to superstardom. Earlier in the day, SZA, this summer’s breakout star, delivered her first festival performance since the release of her well-received debut album Ctrl. Swaying, spinning and singing her raw emotions and shortcomings while coming of age, the Top Dawg Entertainment songstress didn’t disappoint. -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman

Bonobo (Live)

Date: September 27th
Location: Greek Theatre – Los Angeles

The real reason things felt different this time around, though, was the music. Extending and reimagining his tracks for easily one of the largest crowds he has ever performed in front of, Bonobo followed an uplifting opening set from Canadian electronic duo Bob Moses with an array of soothing sounds that paired beautifully with his lighting setup and entrancing stage production in the same way Scott Hansen (aka Tycho) creates an awe-inspiring audio-visual experience during his live-band performances. -Josh Herwitt, photo by Josh Herwitt

Coldplay

Date: October 4th
Location: Levi’s Stadium – Santa Clara, CA

Coldplay took the stage shortly before 9 p.m. as a video montage of fans who introduced them as “the biggest band in the world” played onstage. While I’m pretty sure there are a few other artists or groups from their side of the pond (ehem, U2) who might take issue with that claim, they certainly did nothing during their electric, almost two-hour performance to dissuade that sort of thinking. Chris Martin and company, in fact, wasted no time getting down to business, flooding the stadium with confetti and firing off pyrotechnics at a steady clip while opening with “A Head Full of Dreams” and subsequently all throughout the night. -Steve Carlson, photo by Steve Carlson

Broken Social Scene

Date: October 26th
Location: Fox Theater Oakland – Oakland

Here’s the thing about BSS — after 15 years, the web of musicians that makes up the collective have created their own individual projects, from Metric to Stars to Feist to Do Make Say Think to Emily Haines & The Soft Skeleton. And while many of the band’s members who have gone on to find success in their own solo careers didn’t happen to join the group on this particular tour, the sense of professionalism built into the BSS live experience remains prevalent. Every person who stepped onstage demonstrated consummate abilities in their own realms, never missing a beat or a note. -Brett Ruffenach, photo by Norm de Veyra

Filed Under: Best of 2017, Editor's Picks, Featured Tagged With: 21 Savage, Action Bronson, AFI, Air, Alice Cooper, Alina Baraz, Amber Mark Beach Slang, Andrew McMahon in the Wilderness, Animal Collective, Annenberg Space for Photography, Apogee Studio, Atlas Genius, BADBADNOTGOOD, Belle and Sebastian, Best of 2017, Bill Graham Civic Auditorium, Black Moth Super Rainbow, Bleachers, Blonde Redhead, Bob Moses, Broken Social Scene, Cage the Elephant, Car Seat Headrest, Cate le Bon, Chris Robinson, Cigarettes After Sex, Circles Around the Sun, City of Caterpillar, Claude VonStroke, Coachella, Coachella 2017, Coachella Music and Arts Festival, Coldplay, Con Brio, Conor Oberst, Courtney Barnett, Courtney Barnett & Kurt Vile, Crystal Castles, Daniel Caesar, Dawes, Day N Night Fest, Day N Night Fest 2017, Day N Night Festival, Day N Night Festival 2017, Dead Meadow, Deafheaven, Deep Purple, Diet Cig, DIIV, Dirty Dozen Brass Band, Dr. Dog, Dr. Octagon, DREAMCAR, Duke Dumont, Eagles of Death Metal, Electric Guest, Emancipator, Emily King, Empire of the Sun, Fox Theater Oakland, Foxygen, Future Islands, Gabriel Garzón-Montano, Gatecreeper, Girl Talk, Gone Is Gone, Gorillaz, Great American Music Hall, Greek Theatre, Greek Theatre Berkeley, Grizzly Bear, Gucci Mane, Hamilton Leithauser, Hazel English, Hinds, Hiss Golden Messenger, How to Dress Well, Iggy Pop, Isaiah Rashad, J.I.D., Jack Johnson, Jagwar Ma, Jamestown Revival, Jamie Isaac, Jay 305, Jay Som, Jen Cloher, Jessica Hernandez & The Deltas, Jessie Ware, Jim James, Jr. Jr., Julie Byrne, Julien Baker, Justice, k.flay, Karen Elson, Karl Denson's Tiny Universe, Kaytranada, Kelis, Kendrick Lamar, Khalid, Khruangbin, Kilo Kish, King Gizzard and the Lizard Wizard, Kurt Vile, L.A. Witch, La Femme, LANY, Lauv, Lettuce, Levi's Stadium, Lil Yachty, Little Dragon, Lo Moon, Lord Huron, Lorde, Mayan Theater, Miguel, Miike Snow, Milky Chance, Minus the Bear, Mister Heavenly, MO, Moderat, Music Festival Outside Lands Music Festival 2017, Neon Indian, Nicki Bluhm, No Doubt, Noise Pop, Noise Pop 2017, Noise Pop 25, Noise Pop Festival, Norah Jones, North Mississippi Allstars, NVO, Oh Sees, OK Go, Once and Future Band, Outside Lands, Outside Lands 2017, Outside Lands Music Festival, Pallbearer, Passion Pit, Peaches, Perfume Genius, Petit Biscuit, Phoebe Bridgers, Phono Del Sol, Phono del Sol 2017, Phono del Sol Music Festival 2017, Playboi Carti, Pond, Porcelain Raft, Potrero del Sol Park, PRAYERS, Real Estate, Royal Blood, Run The Jewels, Ryan Adams, Sampha, Schoolboy Q, serpentwithfeet, Sheer Mag, Shrine Expo Hall, Sigur Ros, Silversun Pickups, Sleep, Sleigh Bells, Sofi Tukker, Solange, Spiritualized, Spoon, Styles P, Sufjan Stevens, Sunflower Beam, Talib Kweli, Tank and the Bangas, Tash Sultana, Tei Shi, Temples, Tennis, Tennyson, The Accidentals, The Avalanches, The Band Perry, The Coathangers, The Crystal Method, The Drums, The Fillmore, The Hip Replacements, The Masonic, The National, The Palms, The Radio Dept., The Revivalists, The War on Drugs, The xx, Thou, Thundercat, Tobacco, Tool, Touché Amoré, Tove Lo, Travis Scott, Twin Peaks, Ty Segall, Unknown Mortal Orchestra, Vagabon, Vance Joy, Vic Mensa, Warpaint, Weezer, White Fence, Woods, YG, Young The Giant

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2017

December 28, 2017 by The Bam Team 1 Comment

Coldplay at Levi’s Stadium // Showbams’ Photo of the Year, by Steve Carlson

Let’s be frank: 2017 had its ups and downs. And when it came to the political sector in this country, it was mostly the latter during Year 1 of the Trump administration. But as art often does in times of turmoil, music flourished in new and exciting ways. From stripper-turned-rapper Cardi B topping the charts to veteran alt-psych rockers Portugal. The Man filling the airwaves for Top 40 radio stations all over America, there were plenty of unexpected twists and turns this year. Amid all of them, we still managed to consume a healthy diet of music, both live and recorded, and once again it’s time for us to ante up our annual “Best of” lists, much like we have done each of the past few years (see our 2016 picks here).

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2017.

See our favorite performances from 2017 here.

Listen to The Bam Team’s favorite songs of 2017:

Nine Inch Nails at FYF Fest 2017 // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2017
1. Tool at The Gorge Amphitheatre – George, WA – June 17th
What could be a better bachelor party than getting to watch your favorite band at the most scenic outdoor music venue in the U.S.? Seeing any concert at The Gorge would likely be a surreal experience, but my first trip to Washington’s holy grail was that much more special with Tool returning to the amphitheater for the first time since 2006. And even though their gap between albums has stretched to more than 10 years, Maynard and company still know how to elevate the live show to new heights both sonically and visually. Talk about a dream come true for this die-hard fan.

2. Nine Inch Nails at FYF Fest – Los Angeles, CA – July 23rd
3. LCD Soundsystem at Hollywood Palladium – Los Angeles, CA – November 18th
4. Gorillaz at The Forum – Inglewood, CA – October 5th
5. Radiohead at Coachella, Weekend 1 – Indio, CA – April 14th

Top 5 Albums of 2017
1. The War on Drugs – A Deeper Understanding
Adam Granduciel had to know that it would take a monumental effort to match, let alone top, 2014’s Lost in the Dream (one of our favorite albums that year), but The War on Drugs’ primary songwriter and band leader delivered another masterpiece in late August with the release of A Deeper Understanding. It’s an album that will touch your heart and soothe your soul as the LP moves seamlessly from one track to the next, and you’d be hard-pressed to find a much better soundtrack for the road over the last 10-15 years. A Deeper Understanding doesn’t need to win a Grammy in 2018 to validate its legitimacy as an Album of the Year candidate, but it certainly wouldn’t hurt either.

2. Slowdive – Slowdive
3. The xx – I See You
4. The National – Sleep Well Beast
5. Grizzly Bear – Painted Ruins

Top 5 Songs of 2017
1. The War on Drugs – “Holding On”
There’s something about Adam Granduciel’s guitar playing that will make you want to play air guitar, and maybe no better example of that is the second single from The War on Drugs’ fourth studio album A Deeper Understanding. For nearly six minutes, Granduciel takes his listeners on a ride through peaks and valleys, as the song finishes with him doing what he does best: shredding. But what makes “Holding On” even more powerful is its music video starring actor Frankie Faison, who plays a middle-aged man coping with his wife’s passing. It’s a sad, yet touching story written by Granduciel’s girlfriend, Krysten Ritter, that offers an important reminder about love and just how precious it is.

2. Kendrick Lamar – “DNA.”
3. Washed Out – “Hard to Say Goodbye”
4. The National – “The System Only Dreams in Total Darkness”
5. Nine Inch Nails – “Less Than”

Sigur Rós at Greek Theatre Berkeley // Photo by James Nagel

Brett Ruffenach // San Francisco

Top 5 Shows of 2017
1. Solange at FORM Arcosanti – Arcosanti, AZ – May 12th
Taking the stage in the amphitheater of Arcosanti, a scenic artist compound that’s built into the canyons sitting north of Phoenix, Solange and her nine-piece crew brought her critically acclaimed LP A Seat at the Table to life right before our eyes. As an album entrenched in the modern experience of the black woman, Solange’s live production turned these themes into one visually stunning, intricately choreographed and sonically vibrant experience, coupled with a subtle balance of strength and vulnerability. Deep bass, soaring harmonies and tight rhythms made each song a joy to watch, including older hits like “T.O.N.Y.” After a year that was as emotionally taxing as 2017 was, it was a breath of fresh air to watch Solange present her own truth, her own experience with such bravado and mastery.

2. Gorillaz at Outside Lands Music and Arts Festival – San Francisco, CA – August 11th
3. Sigur Rós at Greek Theatre – Berkeley, CA – April 8th
4. Mitski at FORM Arcosanti – Arcosanti, AZ – May 13th
5. Kevin Morby at Great American Music Hall – San Francisco, CA – September 23rd

Top 5 Albums of 2017
1. Father John Misty – Pure Comedy
Pure Comedy captures a different perspective in this politically drenched culture we’re in now — one that chooses to embrace the insanity of it all and laugh, as privileged and unhelpful as that might be. “She’s like, ‘Oh great, that’s just what we all need / Another white guy in 2017 / Who takes himself so goddamn seriously'” croons Josh Tillman. His lyrics in “Leaving LA” are just one of several scores of quotable lines that fill this nihilist-yet-comforting, saddening-yet-hilarious album. Being a privileged white man who lives in a liberal bubble, this album marks the definition of a guilty pleasure for me. Pleasure, because it is sharp, honest and bold. Guilt, because I am capable of even laughing in the first place.

2. Broken Social Scene – Hug of Thunder
3. Sylvan Esso – What Now
4. Lorde – Melodrama
5. Brockhampton – SATURATION II

Top 5 Songs of 2017
1. Courtney Barnett & Kurt Vile – “Over Everything”
Its jangly guitars and wonky rhythm, combined with the chemistry of Courtney Barnett’s and Kurt Vile’s singing and occasional harmonizations, make “Over Everything” my favorite song of 2017. It’s an instant earworm — the cadence of Barnett’s and Vile’s lyricism gives the duo a distinct identity but still allows them to come together at the right moments to make the song feel whole. And after watching them make their live debut at Hardly Strictly Bluegrass earlier this year, they continue to raise my spirits and remind me to wear earplugs.

2. Real Estate – “Darling”
3. Selena Gomez – “Bad Liar”
4. Kendrick Lamar – “DNA.”
5. Bonobo – “Bambro Koyo Ganda”

J.I.D at Day N Night Fest 2017 // Photo by Rochelle Shipman

Rochelle Shipman // Los Angeles

Top 5 Shows of 2017
1. J.I.D at Day N Night Fest – Anaheim, CA – September 9th
The J. Cole-signed rapper proved to be much more than just another name from Atlanta with a nonstop, energetic set that established him as a young goat. Keep tabs on this one.

2. Sonder at The Masonic Lodge at Hollywood Forever – Los Angeles, CA – April 19th
3. Anderson .Paak & The Free Nationals at FYF Fest – Los Angeles, CA – July 21st
4. Gorillaz at Outside Lands Music and Arts Festival – San Francisco, CA – August 11th
5. Erykah Badu at FYF Fest – Los Angeles, CA – July 22nd

Top 5 Albums of 2017
1. Smino – blkswn
This album brings nothing but warm vibes and impressive wordplay from the fast-rising St. Louis emcee. Since it dropped in March, not a week goes by that I don’t bump this debut for me and all my neighbors.

2. Kendrick Lamar – DAMN.
3. Dirty Projectors – Dirty Projectors
4. Phoebe Bridgers – Stranger in the Alps
5. Tyler, the Creator – Flower Boy

Top 5 Songs of 2017
1. Smino – “Anita”
The dude rhymes “ice cream” with “chocolate” and gets away with it. Enough said.

2. Cardi B – “Bodak Yellow”
3. Dirty Projectors – “Up in Hudson”
4. Vince Staples – “Love Can Be…”
5. Phoebe Bridgers – “Funeral”

Andrew Pohl // San Francisco

Top 5 Shows of 2017
1. Slowdive at Fox Theater Oakland – Oakland, CA – October 28th
This was my first time seeing Slowdive, and they completely took my breath away. It was one of those perfect shows in which the sound was on point, the band brought its A game and the visual elements complimented the music just right. They played cuts from their entire catalog, and by the end of the night, the audience was completely happy.

2. Quicksand at Great American Music Hall – San Francisco, CA – September 8th
3. LCD Soundsystem at Bill Graham Civic Auditorium – San Francisco, CA – November 15th
4. Band Together Bay Area: Metallica, G-Eazy, Rancid, Dave Matthews, Dead & Company and Raphael Saadiq at AT&T Park – San Francisco, CA – November 9th
5. Roger Waters at Oracle Arena – Oakland, CA – June 10th

Top 5 Albums of 2017
1. Slowdive – Slowdive
A totally perfect album from start to finish. There have been a lot of bands that have emulated Slowdive’s dream-pop/shoegaze sound over the past few years, but this album, their first in 22 years, proves why the UK group is one of the genre’s true originals. Lush soundscapes, paired with gorgeous vocals, made for what was easily my most-listened-to album of the year.

2. LCD Soundsystem – American Dream
3. Quicksand – Interiors
4. Versing – Nirvana
5. Hobosexual – Monolith

Top 5 Songs of 2017
1. Quicksand – “Illuminant”
I had been waiting so patiently for the new Quicksand album to drop, and when they released this single, it was one of those completely satisfying musical moments. From that opening riff to the breakdown, “Illuminant” showcases the post-hardcore band’s evolution since the early 90’s while remaining true to its roots. Interiors is a fantastic album front to back, but this song is the one that stands out the most.

2. Slowdive – “Star Roving”
3. Elbow – “Magnificent (She Says)”
4. LCD Soundsystem – “Call the Police”
5. Versing – “Body Chamber”

Filed Under: Best of 2017, Editor's Picks, Featured Tagged With: Anderson .Paak, Anderson .Paak & The Free Nationals, AT&T Park, Band Together Bay Area, Band Together Bay Area 2017, Best of 2017, Bill Graham Civic Auditorium, Bonobo, Brockhampton, Cardi B, Coachella, Coachella 2017, Coachella Music and Arts Festival, Courtney Barnett, Courtney Barnett & Kurt Vile, Dave Matthews, Dead & Company, Dirty Projectors, Elbow, Erykah Badu, FORM Arcosanti, FORM Arcosanti 2017, FYF, FYF Fest, FYF Fest 2017, G-Eazy, Gorge Amphitheatre, Gorillaz, Great American Music Hall, Greek Theatre Berkeley, Hardly Strictly Bluegrass, Hardly Strictly Bluegrass 2017, Hobosexual, Hollywood Forever, Hollywood Palladium, Kendrick Lamar, Kevin Morby, Kurt Vile, LCD Soundsystem, Lorde, Masonic Lodge, Masonic Lodge at Hollywood Forever Cemetery, Metallica, Mitski, Music Festival Outside Lands Music Festival 2017, Nine Inch Nails, Oracle Arena, Outside Lands, Outside Lands 2017, Outside Lands Music Festival, Phoebe Bridgers, Queens of the Stone Age, Quicksand, Radiohead, Rancid, Raphael Saadiq, Real Estate, Roger Waters, Selena Gomez, Sigur Ros, Slowdive, Smino, Sonder, Sylvan Esso, The Forum, The Gorge, The Gorge Amphitheatre, The National, The War on Drugs, The xx, Tyler the Creator, Versing, Vince Staples

Albums you’ll want to hear in 2017

January 9, 2017 by Josh Herwitt Leave a Comment

Written by Josh Herwitt //

For as bad as 2016 might have been, there’s no question it yielded some excellent albums. So, what’s in store for 2017? It’s still early, but from what we know right now, there’s plenty of new music on the horizon — and a lot of it we can’t wait to get our hands on.

Here are 10 upcoming albums (in chronological order by release date) that you’ll want to hear and could very well end up being on some “Best of 2017” lists in another 12 months.

Bonobo – Migration

Release date: January 13th
Record label: Ninja Tune

British musician, producer and DJ Simon Green has organically built a loyal following among electronic music fans for almost two decades with a unique sound that combines downtempo electronica with trip-hop and world-music influences. Since 2013’s The North Borders, he has moved to Los Angeles and recorded his sixth LP Migration, which boasts a few notable guest appearances from Nick Murphy (fka Chet Faker), Rhye and Hundred Waters.

The Flaming Lips – Oczy Mlody

Release date: January 13th
Record label: Warner Bros.

Wayne Coyne and his psychedelic sidekicks have been busy over the last few years, recording Beatles cover album With a Little Help From My Fwends in 2014 and releasing a collaborative LP with Miley Cyrus the following year. On their 15th studio effort, the difficult-to-pronounce Oczy Mlody that drops on Coyne’s birthday, the Lips return to the days of Yoshimi Battles the Pink Robots and get a little help from their pop-star “fwend” on closing track “We a Famly”.

SOHN – Rennen

Release date: January 13th
Record label: 4AD

London native Christopher Taylor has been known for working extensively with such artists as BANKS, Lana Del Rey and Rhye, but his transition in becoming a legitimate solo act was cemented with the release of his 2014 debut LP Tremors, which peaked at No. 31 on the UK charts. Now calling LA his home, he has spent the last three years constructing Rennen, his second record as SOHN that’s led by “Signal” and its frighteningly beautiful music video.

The xx – I See You

Release date: January 13th
Record label: Young Turks

No impending album in the first quarter of 2017 may have as much hype around it as The xx’s I See You, their long-awaited follow-up to 2012’s Coexist. The build-up to its release in the last few months has seen the London trio perform on SNL, where they showcased lead single “On Hold” and debuted “I Dare You”, and play shows in Eastern Europe to go along with the news of guitarist/vocalist Romy Madley Croft’s recent engagement.

Cloud Nothings – Life Without Sound

Release date: January 27th
Record label: Carpark Records

Lo-fi noise rockers Cloud Nothings have come a long way since Dylan Baldi started recording songs in his parents’ basement. With their last two LPs — 2012’s Attack on Memory and 2014’s Here and Nowhere Else — garnering critical acclaim from the music media, the four-piece will release Life Without Sound, its fifth studio album and first with lead guitarist Chris Brown now officially a member of the band, later this month.

Japandroids – Near to the Wild Heart of Life

Release date: January 27th
Record label: ANTI-

Known for their DIY approach and high-energy performances, Brian King and David Prowse are back after what some may have considered a brief hiatus since touring in support of their 2012 studio album Celebration Rock. This time, the Canadian garage-punk duo is signed to a new label, with its third LP Near to the Wild Heart of Life set to drop on ANTI- in a couple of weeks before embarking on a 20-date North American tour this winter.

Elbow – Little Fictions

Release date: February 3rd
Record label: Polydor

2017 marks a big year for Elbow. The Mercury Prize winners have been going at it for 20 years, and to celebrate the occasion, frontman Guy Garvey and company are unveiling their seventh studio album Little Fictions, which features collaborations with The Hallé Orchestra and their choir after longtime drummer Richard Jupp announced in 2016 that he was leaving the group to pursue other creative projects, from expanding his drum school to various charity work.

Sampha – Process

Release date: February 3rd
Record label: Young Turks

Sampha Sisay, who performs under his mononymous stage name, has built much of his reputation on working with high-profile artists like Drake, Kanye West and Solange. But almost seven years after unveiling his debut EP Sundanza, the South London electronic musician, singer-songwriter and producer is finally dropping his own full-length effort, highlighted by previously released singles “Timmy’s Prayer” and “Blood on Me”.

Ryan Adams – Prisoner

Release date: February 17th
Record label: PAX AM/Blue Note

At the age of 42, Ryan Adams is as prolific as any musician out there right now, with Prisoner marking his 16th LP and the follow-up to his Taylor Swift cover album. And while he has been teasing the record for about six months, originally hinting at a possible November release, the alt-country songwriter gets ready for his next chapter, which he says was inspired by 80’s rock giants like Bruce Springsteen and AC/DC despite coping with a very public divorce at the time.

The Shins – Headworms

Release date: March 10
Record label: Columbia

By the time The Shins unleash their fifth LP this March, it will be nearly five years between album releases for the Portland-based outfit. Of course, it’s no secret that bandleader James Mercer keeps a tight schedule between The Shins and Broken Bells, but on Heartworms, the Albuquerque native made sure to include “So Now What”, the song he wrote for the “Wish I Was Here” soundtrack that he later said was “one of the best things” he has ever done.

The following artists and bands are expected to release new albums in 2017 but have yet to confirm an official release date and/or an album title:

ANTEMASQUE
Arcade Fire
Broken Social Scene
Bruce Springsteen
Chic
Chromatics
Depeche Mode
Diddy
DJ Premier
Gorillaz
Grizzly Bear
GZA
Haim
Jesu/Sun Kil Moon
John Mayer
Kanye West
The Killers
LCD Soundsystem
Lupe Fiasco
Major Lazer
Mastodon
Modest Mouse
My Morning Jacket
The National
The Offspring
Pond
Ride
Sky Ferreira
Spiritualized
St. Vincent
T.I.
Troye Sivan
Vampire Weekend
Wyclef Jean
Zack de la Rocha

Filed Under: Editor's Picks, Featured, New Music Tagged With: Antemasque, Arcade Fire, Bonobo, Broken Social Scene, Bruce Springsteen, Chic, Chromatics, Cloud Nothings, Depeche Mode, Diddy, DJ Premier, Elbow, Gorillaz, Grizzly Bear, GZA, Haim, Japandroids, Jesu, john mayer, Kanye West, LCD Soundsystem, Lupe Fiasco, Major Lazer, Mastodon, Modest Mouse, My Morning Jacket, New Music, Pond, Ride, Ryan Adams, Sampha, Sky Ferreira, SOHN, Spiritualized, St. Vincent, Sun Kil Moon, T.I., The Flaming Lips, The Killers, The National, The Offspring, The Shins, The xx, Troye Sivan, Vampire Weekend, Wyclef Jean, Zack de la Rocha

The 25 best live music acts of 2016

December 30, 2016 by The Bam Team Leave a Comment

As we officially place 2016 in the history books, it’s time to look back at all the live music we experienced this year. Last year we shared our 25 favorite live performers of 2015, so this year we thought we would do it again while excluding any artists we named in 2015. After all, who really wants to see the same acts listed two years in a row? That said, now that we’re two years removed, our 25 favorite live performers of 2014 were once again fair game.

After covering many excellent bands, musicians and DJs over the past 12 months, trimming our list down to 25 wasn’t easy and as usual, some difficult decisions had to be made. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order) whom we either covered at their own show and/or at a music festival this year:

Adrian Younge, Air, Alessia Cara, Alina Baraz, AlunaGeorge, Alvvays, The Arcs, A$AP Ferg, Atlas Genius, Aubrie Sellers, The Avett Brothers, Bag Raiders, Baio, Banks & Steelz, Bas, Battles, Beats Antique, Beach House, Best Coast, Big Freedia, Big Gigantic, Big Grams, Big Wild, Bloc Party, Bob Mould, The Boxer Rebellion, Brand New, Brett Dennen, The California Honeydrops, Capital Cities, Cate Le Bon, Chairlift, Chelsea Wolfe, !!! (Chk Chk Chk), Chris Robinson Brotherhood, Chuck Mosley, Chromeo, Claude VonStroke, The Claypool Lennon Delirium, Cold War Kids, The Crux, Dan Deacon, Danny Brown, Deftones, The Devil Makes Three, Dirtwire, Disclosure, DMA’s, DMX, Drew Holcomb and The Neighbors, Duran Duran, Every Time I Die, Emancipator Ensemble, Ezra Furman, Faith No More, The Faint, Fantastic Negrito, Femi Kuti, Florence + the Machine, Flume, Fruition, The Gaslamp Killer, Geographer, Glass Animals, Gorgon City, Grimes, Halsey, The Head and the Heart, Heartwatch, The Heavy, Highly Suspect, Hippie Sabotage, Holy Fuck, How to Dress Well, Hudson Mohawke, Hundred Waters, IAMX, Ibeyi, Ice Cube, Iggy Pop, The Infamous Stringdusters, Jack Beats, Jack Garratt, Jack Ü, James Bay, Jamie xx, J. Cole, Jimmie Vaughn, Jhené Aiko, The Joy Formidable, Joywave, Julia Holter, Julien Baker, Kaki King, Kamaiyah, Kamasi Washington, Kehlani, K.Flay, The Kills, Kurt Vile, Lafa Taylor, Lana Del Rey, Låpsley, Les Sins, Lettuce, Lionel Richie, Lord Huron, Little Scream, Lucius, M83, Major Lazer, Marian Hill, Mayer Hawthorne, MC YOGI, Methyl Ethel, Metric, Miami Horror, Mick Jenkins, Midi Matilda, Miguel Migs, Modest Mouse, Moon Taxi, M. Ward, Nahko & Medicine for the People, The Naked and Famous, Nas, Nathaniel Rateliff & The Night Sweats, Neon Indian, Nick Murphy (fka Chet Faker), Nite Jewel, Panic! at the Disco, Parliament-Funkadelic, Peaches, Petite Noir, The Pharcyde, The Polish Ambassador, Porches, Prince Rama, Purity Ring, Pusha T, Radiohead, Ra Ra Riot, The Regrettes, The Revivalists, RJD2, Rodrigo y Gabriela, Rogue Wave, Rubblebucket, Run the Jewels, The Russ Liquid Test, Ryan Adams, The Sam Chase & The Untraditional, Saosin, Sarah Neufeld, The Seshen, Shabazz Palaces, Shlohmo, Silversun Pickups, Snakehips, Solange, Son Little, St. Lucia, Stormzy, The Struts, STS9, Sturgill Simpson, Sufjan Stevens, Summer Cannibals, Sunflower Bean, Sigur Rós, St. Germain, Sylvan Esso, Tacocat, Taking Back Sunday, Tedeschi Trucks Band, Thao & the Get Down Stay Down, This Will Destroy You, Thomas Jack, Thundercat, Toro y Moi, Tortoise, Tory Lanez, Tourist, The Trims, Troye Sivan, Umphrey’s McGee, Viceroy, Vince Staples, Vokab Company, Walk the Moon, Warpaint, Wavves, Weezer, Wheeler Walker Jr., White Denim, Wild Belle, Wild Nothing, Years & Years, Yeasayer, YG, Young Fathers, Yuck, ZHU, Ziggy Marley.

Now, it’s time for The Bam Team to present our 25 favorite live performers of 2016.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2016

Listen to The Bam Team’s favorite songs of 2016:

25. Tycho

For as much as Epoch was a surprise, so were Tycho’s two most recent shows in LA last week. It was the first time Hansen and company had played The Fonda Theatre since the Awake tour back in 2014, and Thursday’s sellout, which was announced less than a week before the show, along with the subsequent need to add a second date the next night, made it clear that more than ever, Angelinos have a strong appetite for what Hansen is doing on both a musical and visual level. It helps, too, that KCRW Music Director Jason Bentley, who opened the shows at The Fonda with a DJ set, has helped expose Tycho to a broader audience, whether through the “Morning Becomes Eclectic” theme song or live, in-studio performances by the band. Even nowadays with an abundance of streaming sites, you can’t underestimate the power of radio in a city with a driving culture as large as LA’s. And truth be told, Tycho is some of the best music to drive to, especially when you’re surrounded by nature. -Josh Herwitt, photo by Josh Herwitt

24. Isaiah Rashad

And when it did, Rashad torpedoed onto stage and turned the restlessness in the room on its head with “Smile”, the apropos homecoming banger he released after years of uncertainty that followed his 2014 EP Cilvia Demo. It was fitting because prior to his reemergence, which was sparked by the song, Rashad admitted to being addicted to Xanax and alcohol, and it almost led to him being dropped from his West Coast record label on several occasions. From his issues with substance abuse to the tears he shed while listening to Kid Cudi’s music and his open-book thoughts on the humanizing of mental-health issues, Rashad’s journey from being the contemplative unknown in superstar Kendrick Lamar’s crew to a complete artist deserving of your attention has been steeped in honesty. -Joseph Gray, photo by Joseph Gray

23. Bob Moses

Needless to say, worn-out axioms failed to apply in this scenario. Bob Moses silenced anyone attempting to pass them off as yet another contrived electropop outfit aiming to please the masses. At Mezzanine, both Howie and Vallance proved their prowess as EDM innovators, bringing more to the stage than a couple of laptops and a pretty light show. Surprising those unfamiliar with their work or expecting to be underwhelmed, Bob Moses have elevated the live electronic game for their respective contemporaries and succeeded in defining a new chapter for the genre — an innovative sound standard that’s all their own. -Molly Kish, photo by Lisette Worster

22. Floating Points

The band continued building on its rhythms and melodies, creating a hypnotic feeling that was filled with textured synthesizers, guitar pedals and consummate percussion, as laser patterns reflected each rise and fall during its lengthy jam sessions. As Sheppard and his sidekicks progressed through each track, the complexity of the laser projections grew into optical illusions that, almost like another musical instrument onstage, intertwined with the style and progression of the band’s production perfectly. With each song reaching a climax and eventual denouement, the artwork remained untouched for a few minutes so that fans could observe each piece before their very own eyes. -Brett Ruffenach, photo by Alister Mori

21. Ty Segall

But Segall is no doubt a showman himself, and you’d be hard-pressed to find someone who expends as much energy onstage as he does in merely 90 minutes. His passion simply rubs off on his fans, who wasted little time climbing onstage and taking the plunge into a sea of hands for a couple of minutes. Segall, of course, also got in on the action at one point, as his shows are often known to feature crowd surfing from both band and audience members, and he made sure to take the mic stand with him while he horizontally slithered across the room. -Josh Herwitt, photo by Josh Herwitt

20. Dr. Teeth and The Electric Mayhem

One of the biggest questions on everyone’s mind coming into Outside Lands was, “Who were Dr. Teeth and The Electric Mayhem?” For those who knew, it was, “How in the hell were the Muppets going to fill a Sunday slot on the main stage?” Because the band had never played a show of such magnitude or outside the context of a TV/film studio, no one had any clue what to expect during this early-afternoon slot. Though some festivalgoers (mistakenly) decided to forego the experience altogether, those present will not forget the incredible feat that Another Planet Entertainment and Jim Henson Enterprises were able to pull off for what was one of the most emotionally nostalgic, blissfully complex and once-in-a-lifetime festival performances maybe ever. The Muppet house band both effortlessly managed to pluck the heartstrings of multiple generations of fans while delivering the most conceptually beautiful “love letter” to the city of SF, blanketing the grounds in a sea of love and collective euphoria for a brief, yet unforgettable moment. -Molly Kish, photo by Rochelle Shipman

19. RÜFÜS DU SOL

By the time RÜFÜS made their entrance, the excitement in the room was at a fever pitch. The crowd was ready to dance from the very first beat (thanks to the excellent warm-up from Kllo and Yuma X), and they did just that. Lead singer Tyrone Lindqvist took center stage with great energy and proceeded to do the customary water bottle toss shortly after. Lindqvist set the tone right from the get-go for a high-energy, high-audience-participation set. The crowd responded in kind by getting down much harder than expected for a Wednesday night. Notably, there were surprisingly very few phones out as most attendees put away their cameras to make the most of every song. The intimate setting of The Fillmore could almost have been mistaken for the polo fields of Coachella, given how many girls-on-shoulders could be seen around the venue. -Geoff Hong, photo by Josh Herwitt

18. Rudimental

Through Rudimental tracks like “Not Giving In”, “Free” and “Waiting All Night”, the most unique element of the group’s live production was their charisma. Simply put, they look like they’re having fun. These aren’t tortured artists or cathartic performers — Rudimental are a band that loves the music they make. Even the band’s drummer, Beanie, easily one of the hardest working rhythmists on tour right now, managed to keep a smile on his face, racing through Rudimental’s repertoire of songs that were anywhere from 145 to 160 BPMs. The septet’s de-facto leader, DJ Locksmith, was surprisingly more in the background than you would expect from a typical DnB hype man. As Rudimental wrapped up their set with their chart-topping hit “Feel the Love”, the crowd joined in as the song ended, creating a shared moment at The Fox that perfectly reflected the intention of Rudimental — to spread the love. -Brett Ruffenach, photo by Marc Fong

17. BØRNS

On this night, that proverbial phrase seemingly rang true. It wasn’t just that BØRNS most likely amassed the largest attendance in the history of the Twilight Concert Series, but also the fact that it was easily one of the best shows I’ve ever witnessed at the Santa Monica Pier. One could certainly point to the opening of the Expo Line extension as a reason for the larger crowds so far this summer, which wasn’t all that noticeable during the series’ opening night with Mayer Hawthorne just the week prior, but that would simply be underestimating the exponential rise of Garrett Borns’ eponymous project. Since he relocated to Los Angeles in 2013 and signed with Interscope Records, the Michigan native has gone from supporting modest indie bands like MisterWives to selling out shows as a headliner in a matter of a year. -Josh Herwitt, photo by Josh Herwitt

16. Flying Lotus

Brainfeeder founder, producer and unapologetic cultural mouthpiece Flying Lotus (born Steven Ellison) ended the night with a mildly controversial headlining set. Walking onstage and making what any FlyLo fan would recognize as an off-colored comment on the current presidential race may have proven too brazen for those not used to his brand. He let Captain Murphy out of the box a little early and road the wave of confusion into a heady, bass-driven assault on the conflicted crowd, providing the distinct audio punctuation point for the night’s bill of artists. Playing several tracks off of his 2014 LP You’re Dead! as well as various hits from high-profile hip-hop emcees like Travis Scott and Kendrick Lamar that he has produced over the years, Ellison stunned us all with his double-screen, audio-visual stage setup and plenty of bone-rattling bass drops. -Molly Kish, photo by Marc Fong

15. The Last Shadow Puppets

TLSP brought a strings section to their show, an added element that helped keep things fresh and new. The show began with the beautiful sounds of violins and cellos, but the moment TLSP got onstage, the whole floor at The Fillmore lit up in billows of smoke. I’m sure the band was stoned by the end of the show if it hadn’t been already, appearing beyond excited to be playing on a Sunday night in SF. Turner and Kane must have yelled out something about SF every few minutes and incorporated SF into some of their songs. They were so incredibly tight, and I felt their set in some ways was a bit better than what I had witnessed years ago — the mix and order of the songs felt more succinct at The Fillmore. -Rachel Goodman, photo by Diana Cordero

14. Miike Snow

Sunday’s roster at Coachella last year was significantly weaker in comparison to Friday’s and Saturday’s. This year was much of the same, though Calvin Harris somehow proved to be an even worse headliner than Drake (we didn’t know that was possible). But one of the bright spots on Day 3 was no doubt Miike Snow’s 9:45 p.m. slot in the Mojave Tent, the same place where I discovered the Swedish trio back in 2010 during my first Coachella. Andrew Wyatt, Christian Karlsson and Pontus Winnberg have come a long way since then, and with three studio albums in their catalog, including their latest effort iii, they have more than enough material to fill out a 50-minute set and leave you wanting to hear more. -Josh Herwitt, photo by Norm de Veyra

13. Young Thug

Fresh off releasing the latest — and final — installment of his Slime Season mixtape trilogy, Young Thug took his place on the stage. Arriving in a white blouse, multicolored sequined jacket, dark shades, a polka-dot head scarf and remarkably slim, golden pants, he aligned such a rangy and vibrant uniform with his performance. There wouldn’t be any towering LED lights, stunts or stage diving. However, Young Thug, who for the majority of his roughly hour-long set played the lone wolf, delighted the crowd with his animated and bright delivery while running through thundering Slime Season 3 favorites like “With Them”, “Digits” and “Slime Shit”. The audience, ranging from high school seniors to seasoned workers likely with mortgages, strikingly recited every uncanny, controversial lyric and Ric Flair-esque “Woo!” like they had been analyzing them for years. -Joseph Gray, photo by Joseph Gray

12. Pretty Lights

Touring with a live band for the first time in 2013 — something that few other EDM artists have done to this day — he quickly changed the way electronic music can be experienced live. Fast forward to last Thursday, and we were once again treated to an electrifying Pretty Lights show that was more than just Smith behind a pair of Macbook Pros and two Akai MPD32s. Making his debut at the majestic Santa Barbara Bowl, he once again showed why he isn’t your typical EDM act. With Chris Karns and Big Wild providing support, Smith hit the stage at 8 p.m. with his bandmates — Karns, Borham Lee, Brandon Butler and Alvin Ford, Jr. — and put on a show that dazzled both sonically and visually. What was most impressive, though, was seeing how much of the performance was improvised, as the band transitioned from one jam to another while dropping in a number of remixes here and there. And as I looked on from my seat in the stands, I couldn’t help but think about how much the show reminded me of all the times I’ve seen STS9 perform live. It only seemed fitting considering that the livetronia band helped give Smith his start back in the day, and with the “EDM bubble” about to burst (that is, if it hasn’t already), it’s hopefully an approach more electronic artists will gravitate toward in the future. -Josh Herwitt, photo by Josh Herwitt

11. Mac DeMarco

The 26-year-old king of slacker rock, who over the past few years has become a fan favorite of many Bay Area audiophiles, never seems to hold back when he comes to town. His first night in SF last week saw him jump from The Indy’s balcony into an awaiting crowd (a feat that was later imitated by a female audience member at The Warfield the next night), run around half naked while playing new songs and perform a 25-minute cover of Eric Clapton’s 1971 hit single “Layla” with fart solos sprinkled throughout. -James Pawlish, photo by James Pawlish

10. Moderat

Easily the most anticipated set of the weekend from this spectator’s vantage point, Moderat hadn’t toured since dropping a pair of EPs in 2014. But with the release of its third full-length album, aptly titled III, the Berlin-based supergroup comprised of Apparat’s Sascha Ring and Modeselektor members Gernot Bronsert and Sebastian Szary were primed to make their mark on the final day of LIB — and that they did. Beginning with “Ghostmother” off their latest LP, Moderat ran through a good chunk of new material, but nothing ignited the crowd more than their new single “Reminder”, which remains one of our favorite songs of the year so far. As we witnessed a few days earlier at The Fonda Theatre in LA, the group’s dark, minimalist stage setup with psychedelic flourishes paired nicely with Ring’s ethereal vocals. Of all the other performances throughout the weekend, Moderat’s 90-minute set undoubtedly stood as one of the brightest moments of LIB 2016. -Josh Herwitt, photo by Josh Herwitt

9. Foals

Foals closed out their rambunctious set with a killer take on the title track “What Went Down” that brought lead singer/guitarist Yannis Philippakis diving into the crowd, giving fans one hell of a selfie and proving their rock credentials for good. After all, any band that can unite 20-something bros with 50-something grandparents gets a gold star in our book. Rock brings people together, and those who made it out to see this unicorn of a band won’t live to regret it. -Zach Bourque, photo by Steve Carlson

8. Tame Impala

As they opened with the dream-inducing interlude “Nangs” from their latest studio album Currents, Tame Impala gave the crowd an ample minute and a half to commit to the spatial surroundings before jumping full throttle into an explosive rendition of lead single “Let It Happen,” playing the tracks in reverse order than they are on the LP. By the third song (as promised), the sky, having just turned black, was filled with a stadium’s worth of rainbow confetti as the band played the opening chords of 2012’s psuedo love ballad “Mind Mischief”. Followed by a rare performance — only the second time in three years — of “Music to Walk Home By” from 2012’s Lonerism, Tame Impala played a wide range of emotive classics while scrambling the brains of more than 8,500 audience members with their intense onslaught of sensory-overloading imagery and hypnotic light show. -Molly Kish, photo by James Pawlish

7. Jim James

James is in rare company these days, amid a dying breed of guitar-rock gods like Jack White and Josh Homme who are not only capable of playing anything on six strings, but also on a myriad of instruments. And while Eternally Even feels in some ways like an opportunity for him to finally experiment more with keyboards, James made sure to remind his fans at the 90-year-old Orpheum Theatre last Friday that shredding is still a priority. Performing in his new hometown after officially moving to LA this year, he assumed the role of lead singer for much of the show as he and his bandmates from Twin Limb (also opening for James on this tour) played all of Eternally Even and half of Regions. But propped up by a stand onstage the whole time was James’ black Gibson axe, and you knew at some point during a two-hour set that he was going to unload some sick riffs like we have become accustomed to seeing from him at Jacket shows. -Josh Herwitt, photo by Josh Herwitt

6. The National

The real headline from The National’s performance was hands down the new material that was debuted, pretty much across their entire set, encore included. A rather standard opening of “Don’t Swallow the Cap” and “I Should Live in Salt” led into our first taste of the band’s upcoming LP in the form of “Checking Out”. Though many locals likely recognized this track from last year’s Treasure Island Music Festival (read our review here), it has tightened up over the past year and even begins to sound familiar as the Brooklyn-based five-piece begins to weave in more electronic, synth-like elements. -Kevin Quandt, photo by Steve Carlson

5. Guns N’ Roses

There may have been no more talked-about act in Coachella’s 17-year history than Saturday’s headliner — and for good reason. Going back to 1993, it had been 23 years since Axl Rose and Slash last performed on the same stage together, and though some of that allure had worn off by the time they reached Indio thanks to a surprise show in LA and back-to-back nights in Las Vegas in prior weeks, Guns N’ Roses were still the talk of the town leading up to Coachella. In fact, all you had to do was look around on Saturday and see just how many GNR T-shirts were traversing the polo fields before their 10:30 p.m. set. When it came time to deliver, the original trio of Axl, Slash and bassist Duff McKagan most certainly did, while rhythm guitarist Richard Fortus and drummer Frank Ferrer proved to be more than suitable fill-ins for Izzy Stradlin and Steven Adler/Matt Sorum. Meanwhile, the surprise appearance by Angus Young couldn’t have come at a much better time after the announcement was made minutes before GNR’s set that Rose will be filling in for Brian Johnson on AC/DC’s remaining tour dates this year. GNR have always been one of my biggest bucket-list bands, and even if a broken leg prevented Axl from strutting and slithering across the stage like he once did as a brash, slender 21-year-old rock star, seeing one of my favorite childhood bands perform for two and a half hours felt all too surreal as I left the Empire Polo Club that night. -Josh Herwitt, photo courtesy of Coachella

4. Sia

From the very beginning, Sia set herself apart from every other artist who took the Coachella Stage this year. With the Australian artist standing in the back of the stage, her set was more performance art than it was pop music. While her face was hidden thanks to her trademark wig, Sia’s voice stood front and center as she belted out every note to hits like “Diamonds”, “Bird Set Free” and “Titanium”. Throughout it all, different dancers and actors would come on stage, abstractly embodying the themes her songwriting often conveys: fear, anticipation, stress, anger, joy, love and most of all, doubt. As Kristen Wiig and Paul Dano contributed to the overall performance, the height of Sia’s conceptual masterpiece reached its peak with a breathtaking rendition of “Breathe Me”, bringing some of the audience to tears. It was the true headliner of Sunday night and among the top performances of the entire weekend. -Brett Ruffenach, photo courtesy of Coachella

3. Chance the Rapper

In one of the few transcendent moments of the weekend, a set that had everyone throughout the fairgrounds hyped into an anticipatory frenzy, Chance the Rapper performed at the Lands End stage on Sunday afternoon for easily the largest crowd of the entire weekend. Even those who stood their ground through Third Eye Blind’s preceding set felt the drastic change in both crowd size and personal space as the polo fields flooded and temperatures rose. Even though Chance could have used this to his advantage and conducted an explosive show, igniting the tightly configured crowd into a combustive state, he instead took his fans “to church” with a spiritually centered gospel set, making sure everyone was attentive and of course, that “his part” resonated among the masses. -Molly Kish, photo by Norm de Veyra

2. LCD Soundsystem

Over the last couple of years, it’s hard to think of a band I have wanted to see more than LCD Soundsystem. Deeply tied to my formative years in college, the Brooklyn outfit’s return after a five-year hiatus was nothing short of stunning. Opening with the undeniably groovy “Us vs. Them” and covering a good chunk of their catalog over almost two hours, LCD certainly met the expectations of an eager crowd. James Murphy kept the banter between songs fairly short, and these indie heavyweights demonstrated a true dedication to their craft, starting fast with songs like “Movements” and “Yeah” before moving to more deep, tightly wound rhythms on “Someone Great” and “Home”. Though “Losing My Edge” was written more than 10 years ago, Murphy’s part-improvised, part-proclamation, part-perfectly-delivered rendition of the track seemed to really capture the attention of more casual LCD fans. Nearing the end of its set, the band covered “Heroes” by late collaborator David Bowie. I have seen many concerts as well as attended many festivals in my life, but this was truly among the most beautiful moments in live music I have ever experienced. Wrapping up their headlining performance with “All My Friends”, LCD Soundsystem proved to be among the top artists to ever grace the festival’s main stage. -Brett Ruffenach, photo by Norm de Veyra

1. Anderson .Paak

I’m going to be completely honest: I went to SXSW this year to see .Paak because I knew once he played it, tickets to his shows would be impossible to get. Six months later, $30 tickets to his show in San Francisco at The Fillmore resold for upwards of $400. If you didn’t have another way to get into that show or rent to pay, it was worth it. The energy that comes out of .Paak while he’s performing is charming, infectious and unmatched. He splits his time roaming every inch of the stage and behind his drum set, often singing and rapping without missing a beat. At .Paak’s December show at the Hollywood Palladium in LA, Stevie Wonder came out not to sing, but to tell the crowd what a big fan he is. So basically, Stevie Wonder dropped by. OK, Anderson … we see you. -Rochelle Shipman, photo by Norm de Veyra

Filed Under: Best of 2016, Editor's Picks, Featured Tagged With: A$AP Ferg, Adrian Younge, Air, Alessia Cara, Alina Baraz, AlunaGeorge, Alvvays, Anderson .Paak, Anderson .Paak & The Free Nationals, Atlas Genius, Aubrie Sellers, Bag Raiders, Baio, Banks & Steelz, Bas, Battles, BØRNS, Beach House, Beats Antique, Bernhoft and The Shudderbugs, Best Coast, Best of 2016, Big Freedia, Big Gigantic, Big Grams, Big Wild, Black Milk & Nat Turner, Bloc Party, Bob Moses, Bob Mould, Brand New, Brett Dennen, Capital Cities, Cate le Bon, Chairlift, Chance The Rapper, Chelsea Wolfe, CHK CHK CHK, Chris Robinson Brotherhood, Chromeo, Chuck Mosley, Claude VonStroke, Cold War Kids, Dan Deacon, Danny Brown, Deftones, Dirtwire, Disclosure, DMA's, DMX, Dr. Teeth and The Electric Mayhem, Drew Holcomb and The Neighbors, Duran Duran, Early November, Emancipator Ensemble, Every Time I Die, Eyes on the Shore, Ezra Furman, Faith No More, Fantastic Negrito, Fell Runner, Femi Kuti, Floating Points, Florence & the Machine, Flume, Flying Lotus, FOALS, Fruition, Geographer, Glass Animals, Gorgon City, Grimes, Guns N' Roses, Halsey, Heartwatch, Highly Suspect, Hippie Sabotage, Holy Fuck, How to Dress Well, Hudson Mohawke, Hundred Waters, Iamsu!, IAMX, Ibeyi, Ice Cube, Iggy Pop, Isaiah Rashad, J. Cole, Jack Ü, Jack Beats, Jack Garratt, James Bay, Jamie xx, Jhené Aiko, Jidenna, Jim James, Jimmie Vaughn, Joywave, Julia Holter, Julien Baker, k.flay, Kaki King, Kamaiyah, Kamasi Washington, Kehlani, Kurt Vile, Kurt Vile & The Violators, Lafa Taylor, Lana Del Rey, Lapsley, LCD Soundsystem, Les Sins, Lettuce, Lionel Richie, Little Scream, Lord Huron, Lucius, M. Ward, M83, Mac Demarco, Major Lazer, Marian Hill, Mayer Hawthorne, MC YOGI, Methyl Ethel, Metric, Miami Horror, Mick Jenkins, Midi Matilda, Miguel Migs, Miike Snow, Moderat, Modest Mouse, Moon Taxi, My Morning Jacket, Nahko & Medicine for the People, Nas, Nathaniel Rateliff & The Night Sweats, Neon Indian, Nick Murphy (fka Chet Faker), Nite Jewel, Oh Pep!, Oh Wonder, Panic! At The Disco, Parliament-Funkadelic, Peaches, Petite Noir, Porches, Pretty Lights, Prince Rama, Purity Ring, Pusha T, Ra Ra Riot, Radiohead, RÜFÜS DU SOL, Rin Tin Tiger, RJD2, Rodrigo y Gabriela, Rogue Wave, Rubblebucket, Rudimental, Run The Jewels, Ryan Adams, Saosin, Sarah Neufeld, Shabazz Palaces, Shlohmo, Sia, Sigur Ros, Silversun Pickups, snakehips, Solange, Son Little, St. Germain, St. Lucia, Stormzy, STS9, Sturgill Simpson, Sufjan Stevens, Summer Cannibals, Sunflower Bean, Sylvan Esso, Tacocat, Taking Back Sunday, Tame Impala, Tedeschi Trucks Band, Thao & The Get Down Stay Down, The Arcs, The Avett Brothers, The Boxer Rebellion, The California Honeydrops, The Claypool Lennon Delirium, The Crux, The Devil Makes Three, The Faint, The Gaslamp Killer, The Head and The Heart, The Heavy, The Infamous Stringdusters, The Joy Formidable, The Kills, The Last Shadow Puppets, The Lone Bellow, The Naked and Famous, The National, The Pharcyde, The Polish Ambassador, The Regrettes, The Revivalists, The Rubens, The Russ Liquid Test, The Sam Chase & The Untraditional, The Seshen, The Struts, The Trims, This Will Destroy You, Thomas Jack, Thundercat, Toro Y Moi, Tortoise, Tory Lanez, Tourist, Troye Sivan, Ty Segall, Tycho, Umphrey's McGee, Viceroy, Vince Staples, Vokab Company, Walk the Moon, Warpaint, Wavves, Weezer, Wheeler Walker Jr., White Denim, Wild Belle, Wild Nothing, Years & Years, Yeasayer, YG, Young Fathers, Yuck, zhu, Ziggy Marley

The National continue to prove they’re one of the best bands out there today

August 2, 2016 by Kevin J Quandt 1 Comment

Photos by Steve Carlson // Written by Kevin Quandt //

The National with The Lone Bellow //
The Greek Theatre – U.C. Berkeley
July 29th, 2016 //

A rather convincing argument can be made for The National being one of the most significant bands in rock ‘n’ roll over the past decade. Friday night’s return to the Greek Theatre at U.C. Berkeley continued to assist this argument as Matt Berninger and company played a stunning show to a growing, devout crowd on a quintessentially foggy Bay Area summer night. While this tour stop featured a slightly more subdued version of Berninger onstage, this evening wasn’t about his antics, but rather experimenting with a sizable handful of new tracks.

As large music festivals continue to dominate the landscape from May to October across the country and beyond, “non-shed” summer tours are becoming an endangered species. Luckily, The National have had their fill with these events and decided to take a little West Coast jaunt with fellow New York outfit The Lone Bellow, as the indie-leaning folk/blues group brought a surprising amount of energy to an already packed venue. There’s little doubt that frontman Zach Williams and his band won over new fans as their electric stage presence was pretty hard to deny through a genuine engagement with the crowd that was palpable.

As much as this sounds like a surprising move, one that could be seen as a risk, the foreign instrumentation is falling nicely into place as fans begin to get a broader scope of the group’s seventh full length. “Find a Way” is another example of this shifting sound, one that could be attributed to Berninger’s side project EL VY, which he formed with Brent Knopf of Menomena, from the past year. Similar to other indie-rock bands like The Walkmen, The National are on a keen path to continually evolving their sound as they age with their stunning catalog.

Other highlights from the Greek show was the sole West Coast rendition of “Slow Show”, an always-blistering rendition of “England” and a nod to the Grateful Dead and their home turf. While many in the know were aware that Bob Weir was playing a little more than 100 miles away in Wheatland, Calif., that still didn’t stop Berninger from offering a guest tease as the group quipped about his past sit-in from 2014 and launched into the Bonnie Dobson track “Morning Dew”. Though this may have been the shortest rendition of the track many Dead fans have heard, it was Berninger’s baritone vocals that added an intense weight to the GD classic. The connection that The National’s five core members seem to have to the music of the Dead is unwavering, and as they gear up for the live debut of the album, one can only imagine how special the Eaux Claires set next weekend in Eau Claire, Wis., will be.

Berkeley received a fairly similar encore to the one the band performed the previous night in Los Angeles, though theirs had Annie Clark, aka St. Vincent, singing on new ballad “Prom Song 13th Century (Frankie & Johnny)” and Adam Granduciel of The War on Drugs playing along to “Terrible Love”. On this night, Berninger was the sole spectacle for the band’s final songs as he climbed into the crowd, eventually making his way about halfway up the stone seats while getting the occasional “vocal guest” on a raucous version of “Mr. November”. Berninger is one helluva frontman and is truly a massive appeal to their live performance. Watching him onstage can be compared to other “mad geniuses” like Monet, as witnessing the cathartic process of a man pour his soul out to others is one that is both personal and increasingly hard to look away from.

Setlist:
Don’t Swallow the Cap
I Should Live in Salt
Bloodbuzz Ohio
Checking Out (new song)
Afraid of Everyone
Squalor Victoria
I Need My Girl
This Is the Last Time
Sometimes I Don’t Think (new song)
Find a Way (new song)
Sea of Love
Slow Show
The Lights (new song)
Pink Rabbits
England
Morning Dew (Bonnie Dobson cover)
Fake Empire
The Day I Die (new song)

Encore:
Prom Song 13th Century (Frankie & Johnny) (new song)
Mr. November
Terrible Love

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: The Greek Theater, The Lone Bellow, The National

20 moments we won’t forget from Treasure Island Music Festival 2015

October 22, 2015 by The Bam Team 2 Comments

Photos by Marc Fong // Written by Mike Frash, Molly Kish & Anthony Sanchez //

Treasure Island Music Festival //
Treasure Island – San Francisco
October 17th-18th, 2015 //

There is no question Treasure Island Music Festival has one of the best locations and views in live music.

But Mother Nature had some things to say about the environment around the fest this year. For one, the drought has chased away the lovely grass that’s been present in years past. And with winds from 10-20 mph, it got a bit more dusty than usual. You can’t control the weather, and the grounds this year were a brutal reminder of how much California needs some damn rain.

Other than that, it was status quo for the Festival in the Bay — good times and no festy FOMO. Here are 20 moments and sets that will be ingrained in our brains.

The biggest news from Treasure Island Music Festival: The National have emerged as true festival headliners. Known for their pensive lyrics and sorrowful tone, The National injected their songs with accelerated BPM and an uplifting layering of melody, making the experience all the more magnificent. The setlist was still heavy on Trouble Will Find Me and High Violet songs, but it all felt new, more grateful, inspiring and majestic than before. Many of the highlights were one-offs and new cuts: Laura Mayberry duetted with a very present Matt Berninger on “I Need My Girl”, a cover of “Peggo-O” and with a shout-out to Bob Weir and new song “Checking Out” (it was called “Roman Candle” when they played it in Los Angeles earlier in the weekend). The effort was A1 all around, and we left wanting more.

Run the Jewels completely reigned over the crowd, flowing over heavy-hitting beats by El-P with a lively performance we all expected, willing all hands in the air. Yet another example of El Producto and Killer Mike bossing, per usual.

Father John (Sassypants) Misty has his festival game on point, and he has progressed his I Love You Honeybear songs into epic plateaus since premiering them in the Santa Cruz mountains last February (read about it here). He spewed banter like an Stephen Colbert-esque contrarian, saying, “Look at these suckers with their hair blowing all over the place.” And as he approached the mic for more improv-snark later on, Tillman paused to say, “Sorry, I have nothing to say. Ha.” FJM was speechless for once, but granted, it might have been set up for “Bored in the USA”, a song that should be considered an American classic at this point.

Easily one of the most opinion-generating sets of the weekend, FKA twigs left everything she had on the Bridge Stage for a captive audience of conflicting critics. Washing over the sizable crowd backed by dramatic stage lights and eerily haunting vocals, the pint-sized powerhouse tangoed her way through a fog-laced set alongside fellow voguing backup dancers and band. Even with her set pushing the avant-garde limits for a good portion of the TIMF crowd, FKA twigs undoubtedly left an impression on everyone in attendance and held her own as headliner support in a considerably stacked bill.

Giving the last performance in support their already-classic Lost in the Dream, The War on Drugs end an album cycle with a few questions in mind. Can they get better from here, and could they headline festivals next time around?

Panda Bear delightfully assaulted the festival-weary crowd’s senses with a mind-melting IDM exclamation point. He treated his crowd to one last collectively-uncomfortable group moment, brought on by delightfully weird music and intense background visuals designed by Danny Perez.

Fresh off the release of their second studio album, CHVRCHES‘ Lauren Mayberry commanded the stage with a palpable enthusiasm and chops of a veteran frontwoman. Her epic vocals cut through the encroaching fog as she danced wildly around the Bridge Stage.

Ex Hex served up the best shred-dueling guitar moment during their amazing mid-day slot on Sunday.

Hudson Mohawke demonstrated the kind of talent and energy that keeps him on speed dial for the likes of Drake and Kanye West, firing off club bangers in a set replete with custom lighting and live drummers.

Armed with a full roster of touring vocalists, the UK electronic duo Gorgon City blew the Saturday afternoon crowd away with soulful renditions of “Unmissable” and “Real”. Set highlights including numerous extended versions of crowd favorite album cuts and easily the best midday dance party of the weekend, spurred by an audience-rousing rendition of “Here for You”.

Viet Cong‘s Matt Flegal mentioned, “We had Sunday afternoons in mind when we wrote this stuff” with juuuuust a dash of irony. Maybe “Sunday Afternoon” would be a solid choice for the group’s new name? Maybe not, but drummer Mike Wallace is the heartbeat of this excellent doom-indie act.

When you look at the TIMF 2015 lineup, Sound Tribe Sector 9 (STS9) is the fish out of water with their jam-band roots. But Sound Tribe got the love from a dance-happy crowd on Saturday, one that was there largely for the mau5.

Big Grams impressed with their live debut to close out the Tunnel Stage on Saturday. How could the combo of Big Boi and Phantogram not bring the fire? Plus, Run the Jewels guested for “Born to Shine”.

Vampire Weekend bassist Baio and his early-riser electronic set was replete with a Eurythmics cover “Here Comes the Rain Again”.

Cashmere Cat (pictured above) breezed through an electrifying set of R&B-infused trap sensations while Bob Moses set the tone on Saturday, moving the crowd as they watched the projected overcast clouds head back over to SF, leaving the island awash in sunshine and vibes.

Jose Gonzalez stretched out his best hits with multiple drummers and an idyllic TIMF sound for the festival’s second day. You know a set is good when it goes by that quickly.

Shamir (pictured above) showed sass and chops beyond his years — and why he’s a 2015 breakout act. Meanwhile, damn, Ought sure is proficient, and they unveil beauty through repetition and punk mentality. Their purposeful presence and pointed music makes you think their best is yet to come.

Deerhunter‘s Bradford Cox talked about how he decided on the way over to the island that he wouldn’t play many songs, how he took ayahuasca on Saturday night in LA and he was surprised at how reserved the TIMF audience was. He said we were “polite like the Japanese.” Bradford, that’s what we call “respect” — and you’ve earned it. Those who expected lots of new material from the group’s wondrous new album, Fading Frontier, left the island bummed out. Others like myself, who got on the Bradford Cox express train without hesitation, enjoyed a wandering, masterful set that took cues from the sentiment of The War on Drugs as well as the psychedelic repetition of Panda Bear. Cox even thanked these two bands by name before wrapping up.

So, what were your favorite moments from TIMF 2015?

Treasure Island Music Festival 2015 - Father John Misty

Treasure Island Music Festival 2015 - CHRVCHES

Treasure Island Music Festival 2015 - STS9

Treasure Island Music Festival 2015 - Viceroy

Treasure Island Music Festival 2015 - Lower Dens

Treasure Island Music Festival 2015 - Run the Jewels

Treasure Island Music Festival 2015 - Shamir

Treasure Island Music Festival 2015 - Deerhunter

Treasure Island Music Festival 2015 - Gorgon City

Treasure Island Music Festival 2015 - Ex Hex

Treasure Island Music Festival 2015 - FKA twigs

Treasure Island Music Festival 2015 - Panda Bear

Treasure Island Music Festival 2015 - The War on Drugs

Treasure Island Music Festival 2015 - Deadmau5

Filed Under: Editor's Picks, Featured, Festival Reviews, Festivals, Treasure Island Music Festival Tagged With: Baio, Big Boi, Big Grams, Bob Moses, Cashmere Cat, Chvrches, Deerhunter, Ex Hex, Father John Misty, FKA twigs, Gorgon City, Hudson Mohawke, Jose Gonzalez, Ought, Panda Bear, Phantogram, Run The Jewels, Shamir, Sound Tribe Sector 9 (STS9), The National, The War on Drugs, Treasure Island Music Festival, Treasure Island Music Festival 2015, Viet Cong

Treasure Island Music Festival drops 2015 set times

October 8, 2015 by Josh Herwitt 1 Comment

Treasure Island Music Festival //
Treasure Island – San Francisco
October 17th-18th, 2015 //

Treasure Island Music Festival has released the set times for its 2015 edition, and festivalgoers can now start making arrangements for next weekend’s festivities.

Below is this year’s TIMF schedule, including the set times for the first-ever Blah Blah Blah Comedy Tent presented by Funny Or Die.

SATURDAY, October 17th

Music: Bridge Stage
9:25-10:55 p.m.: deadmau5
7:45-8:35 p.m.: FKA twigs
6:10-7:00 p.m.: STS9
4:35-5:25 p.m.: Run the Jewels
3:00-3:50 p.m.: Gorgon City
1:30-2:15 p.m.: Viceroy
Noon-12:45 p.m.: Skylar Spence

Music: Tunnel Stage
8:35-9:20 p.m.: Big Grams
7:00-7:40 p.m.: Hudson Mohawke
5:25-6:05 p.m.: Cashmere Cat
3:50-4:30 p.m.: Shamir
2:15-2:55 p.m.: Baio
12:45-1:25 p.m.: Bob Moses

Blah Blah Blah Comedy Tent presented by Funny Or Die
6:40-7:45 p.m.: Tim Heidecker, Jonah Ray, Jermaine Fowler
5:00-6:15 p.m.: Tim Heidecker, Jon Dore, Barry Rothbart, Max Silvestri
3:25-4:30 p.m.: Jonah Ray, Jon Dore, Max Silvestri, Barry Rothbart
1:55-2:55 p.m.: Hey™: An Afternoon with Kate Berlant and John Early

Silent Disco powered by Jukely
8:45-11:00 p.m.: Corey Sizemore
6:45-8:45 p.m.: Trackstar
4:30-6:45 p.m.: Gordo Cabeza
2:15-4:30 p.m.: Saqi
Noon-2:15 p.m.: Duffrey

SUNDAY, October 18th

Music: Bridge Stage
9:20-10:35 p.m.: The National
7:30-8:30 p.m.: Chvrches
5:50-6:40 p.m.: The War on Drugs
4:15-5:05 p.m.: Father John Misty
2:45-3:30 p.m.: Jose Gonzalez
1:20-2:00 p.m.: Mikal Cronin
Noon-12:40 p.m.: Ought

Music: Tunnel Stage
8:30-9:15 p.m.: Panda Bear
6:40-7:25 p.m.: Deerhunter
5:05-5:45 p.m.: Drive Like Jehu
3:30-4:10 p.m.: Lower Dens
2:00-2:40 p.m.: Ex Hex
12:40-1:20 p.m.: Viet Cong

Blah Blah Blah Comedy Tent presented by Funny Or Die
6:15-7:30 p.m.: Jerrod Carmichael, Chris Gethard, Michelle Wolf, Guy Branum
5:00-5:45 p.m.: Talk Show: The Game Show with Guy Branum & Special Guests
3:30-4:15 p.m.: With Special Guest Lauren Lapkus featuring Kate Berlant & John Early
1:45-3:00 p.m.: Jerrod Carmichael, Chris Gethard, Michelle Wolf, Jermaine Fowler
12:20-1:15 p.m.: Throwing Shade Podcast Live

Silent Disco powered by Jukely
8:00-10:00 p.m.: Janaka Selekta
6:00-8:00 p.m.: DJ Mancub
4:00-6:00 p.m.: Motion Potion
2:00-4:00 p.m.: Kimba
Noon-2:00 p.m.: Rachel Torro

Filed Under: Featured, Festivals Tagged With: Azealia Banks, Baio, Bob Moses, Cashmere Cat, Chvrches, Deadmau5, Deerhunter, Drive Like Jehu, El Hex, Father John Misty, FKA twigs, Funny Or Die, Gorgon City, Hudson Mohawke, Jose Gonzalez, Lower Dens, Mikal Cronin, Ought, Panda Bear, Run The Jewels, Shamir, Skylar Spence, Sound Tribe Sector 9 (STS9), STS9, The National, The War on Drugs, Treasure Island Music Festival, Treasure Island Music Festival 2015, Viceroy, Viet Cong

Treasure Island Music Festival releases 2015 daily lineups

September 15, 2015 by Josh Herwitt 1 Comment

Treasure Island Music Festival //
Treasure Island – San Francisco
October 17th-18th, 2015 //

With the ninth annual Treasure Island Music Festival a little more than a month away, the two-day festival has released the daily lineups for its 2015 edition.

Above are the artists who are set to perform on Saturday and Sunday at this year’s fest.

Single-day GA and VIP passes will go on sale this Thursday, September 17th at 10 a.m. for $95 and $179.50, respectively. You can buy your single-day tickets here.

The perks of a VIP pass include a preferred viewing area next to the main stage, an exclusive tented lounge with a full bar, special restroom facilities as well as food concessions and additional amenities.

Meanwhile, single-day parking passes are now available for $45, and GA weekend passes can still be purchased for $169.50 along with VIP weekend passes for $315. For those driving to the festival, two-day parking passes cost $80.

Featuring an impressive lineup of music and its first-ever comedy tent in partnership with Funny or Die that will include 15 comedians over two days (the comedy lineup has yet to be announced still), Treasure Island Music Festival is sure to deliver once again in 2015. After all, it’s a big reason why TIMF is one of our eight California music festivals you won’t want to miss before the end of 2015.

So, if you’re already bursting at the seams to get back on the island for two days full of fun next month, make sure to relive the best and worst of 2014’s festival here.

Filed Under: Featured, Festivals Tagged With: Azealia Banks, Baio, Bob Moses, Cashmere Cat, Chvrches, Deadmau5, Deerhunter, Drive Like Jehu, El Hex, Father John Misty, FKA twigs, Gorgon City, Hudson Mohawke, Jose Gonzalez, Lower Dens, Mikal Cronin, Ought, Panda Bear, Run The Jewels, Shamir, Skylar Spence, Sound Tribe Sector 9 (STS9), STS9, The National, The War on Drugs, Treasure Island Music Festival, Treasure Island Music Festival 2015, Viceroy, Viet Cong

Treasure Island Music Festival unveils 2015 lineup featuring headliners The National, Deadmau5

June 9, 2015 by Josh Herwitt 1 Comment

Treasure Island Music Festival //
Treasure Island – San Francisco
October 17th-18th, 2015 //

After bringing Outkast and Massive Attack to the bay last fall, Treasure Island Music Festival has released the lineup for its 2015 edition — and it’s another doozy.

Taking over the island in mid-October, Brooklyn indie rockers The National and Canadian progressive-house producer Deadmau5 will headline the two-day festival, while Robyn (with La Bagatelle Magique), CHVRCHES, The War on Drugs, Azealia Banks, Father John Misty, STS9, Run the Jewels, Panda Bear, Gorgon City and Jose Gonzalez are just some of the other highlights on this year’s bill.

But don’t sleep on some other artists further down on the poster, including Atlanta five-piece Deerhunter, Norwegian producer/DJ Cashmere Cat, San Diego post-hardcore band Drive Like Jehu, Ty Segall contributor Mikal Cronin and Canadian post-punk outfit Viet Cong, which we had the pleasure of witnessing at Rickshaw Stop back in March.

Tickets go on sale this Thursday, June 11th here starting at 10 a.m. and include two-day GA passes for an early-bird price of $149.50 (before increasing to $169.50) as well as two-day VIP passes for $315.

In the meantime, you can relive the best and worst of 2014’s festival here.

Filed Under: Featured, Festivals Tagged With: Azealia Banks, Baio, Bob Moses, Cashmere Cat, Chvrches, Deadmau5, Deerhunter, Drive Like Jehu, El Hex, Father John Misty, Gorgon City, Hudson Mohawke, Jose Gonzalez, La Bagatelle Magique, Lower Dens, Mikal Cronin, Ought, Panda Bear, Robyn, Run The Jewels, Shamir, Skylar Spence, Sound Tribe Sector 9 (STS9), STS9, The National, The War on Drugs, TIMF, TIMF 2015, Treasure Island Music Festival, Treasure Island Music Festival 2015, Viceroy, Viet Cong

The 25 best live music acts of 2014

December 2, 2014 by The Bam Team 2 Comments

It’s that palpable sense of excitement in the crowd, how musicians can seize the moment and make you feel something unexpected or enlightening. Being able to connect with music through a collective experience is breathtaking when it happens, especially when you can tell fellow fans (and sometimes the artists themselves) are affected similarly. Nothing beats a transformative show that takes you to another place — or one that just fucking rocks.

Showbams covered many excellent bands, musicians and DJs throughout 2014 — the following 25 acts are our favorite live performers of the year.

Showbams’ Top 50 Albums of 2014
The Bam Team’s 5 Favorite Shows, Albums & Songs of 2014

Listen to The Bam Team’s favorite songs of 2014:

25. Sylvan Esso

Singer Amelia Meath’s voice sparkles with the tone of Feist and the intonation of Regina Spektor, while Nick Sanborn’s live production hits the sweat spot of trending sound in 2014 — the wobbles and looping vocals are somehow familiar and fresh all at once. -Mike Frash, photo by James Nagel

24. Fucked Up

Now, it’s hard to not say that [Damian] Abraham is the show here. Not only because he is a musical madman who would rather be in the pit with his fans than on the stage with his longtime band, but also because frankly, the rest of the band seemed aloof at times. Sure, all but one help in the vocal department, but trying to compete for attention with Abraham would be a futile effort. The frontman, now shirtless (which is tradition), was cruising all over The Indy like a whirlwind. First, he was up in the seats on house right, and the next thing you know, he is having a full-blown mock-luchadore wrestling match with a fan in front of the stage. I kid you not. -Kevin Quandt, photo by Pedro Paredes

23. Parquet Courts

Andrew Savage and his newly-grown Sideshow Bob-esque afro couldn’t help but remark on the younger members of the crowd having the time of their life; “Sure like watching you boys move around out there,” he stated with a smirk. “Stoned and Starving” was oddly missing from the night’s set, possibly a product of not being awarded the headlining set on this night. Whatever, Parquet Courts don’t give a fuck. -Kevin Quandt, photo by Kory Thibeault

22. Disclosure

It was refreshing to witness intelligent dance music prospering, playing to an enthusiastic & packed Greek Theater Berkeley for the first ever “Wild Life”. Disclosure are revamping contemporary dance music by repurposing past elements into poppy, progressive packages, which is consequently influencing mainstream music in a meaningful way. -Mike Frash, photo by Sam Heller

21. Blood Orange

Dev Hynes and company gifted us with a performance abundant in groove and energy. The crowd intensity quickly translated from the stage onto the entire venue, with the London-native acting as the master of ceremony, surrounded by talent. Samantha Urbani’s (Friends singer and Hynes’ girlfriend) vocals on “It is What It Is” were beautiful and hypnotic, and put the audience in a soothing stage that was only broken when Dev Hynes decided to bring the house down with an explosive version of “Uncle Ace”. -Pedro Paredes, photo by Pedro Paredes

20. Deerhoof

The ever evolving musical dialect that Deerhoof have created for them, and them alone is a big takeaway. The four members share a vernacular on stage that only they speak. Greg Saunier’ musical training allow him to ebb and flow with the other members on stage; never playing over Satomi’s dainty vocals while allowing Dietrich to expand on his freakish chords. -Kevin Quandt, photo by Greg RaMar

19. Rubblebucket

It should be stated that Kalmia Traver is one of the best frontwoman in the business. She truly is the full package as she sings with a rigorous passion, dances joyously, plays baritone sax and wins the adoration of nearly every member of the audience. Her dedication is refreshing and infectious. The group’s sound has evolved to a more varied palette as comparisons to Arcade Fire could begin to fester in one’s mind. -Kevin Quandt, photo by Kory Thibeault

18. Volcano Choir

It was the minimalist songs, complimented by reverent crowd silence and attention, that were the memorable highlights…attempts at discovering new sound spaces is an absolute success for Volcano Choir, making Bon Iver seem almost boring in retrospect. It’s understandable why Vernon said this might be his new band — Vernon’s claim to fame almost seems superfluous now. -Mike Frash, photo by Chaya Frash

17. Connan Mockasin

It’s about time that the US markets pay a little more attention to this dream-psych export that has made waves in a handful of international markets, and for good reason. Sure, the likes of Ariel Pink and Animal Collective are hailed as gods in the genre, but Connan has something a little more unique to offer us. -Kevin Quandt, photo by Pedro Paredes

16. Sun Kil Moon

Before launching into “I Watched the Film The Song Remains the Same”, something rather extraordinary happened. He looked at a young male fan in the front and asked why he had headphones on his head. Then Kozelek forcefully stated, “You look like a fucking douchebag”, filling the venue with tension and a bit of laughter. This happened right before playing a track about coming to terms with once bullying a kid on the playground in his youth. In the song he discusses the incident, “though I grinned, deep inside I was hurting.” It appears this whole incident was a creative, effective way to foreshadow and show his contradictory nature, as opposed to him being horribly passive aggressive. -Mike Frash, Photo Courtesy of Sun Kil Moon

15. Sharon Van Etten

Despite her songs being so often daunting and bleak in nature, Van Etten was able to break up the heaviness with the levity of her between song banter. One crowd member shouted to Van Etten that she should do standup comedy, to which Van Etten responded, “So you’re saying my music career is over,” to even more laughter…Songs from her new release are much fuller in comparison to earlier Van Etten offerings and the benefit was instantly felt when performed with her talented band. -Mark E. Ortega, photo by Pedro Paredes

14. The National

Grown to be more comfortable with themselves, poised and energetic with precise control, The National’s music is more accessible and impactful than ever before, and the group is pulling it off in front of the biggest audiences of their career. Slowly winning over fans for 15 years, The National have earned it. -Mike Frash, photo by James Nagel

13. Flume

In the past year, Flume’s set has become more sophisticated, led by a restrained approach that intermingles hip-hop, trap, R&B and rap. The drops are inverted in their intensity compared to traditional EDM, offering slight delays and unpredictable syncopation…his ability to curate a festival-sized mega party cannot be questioned at this point. Fortune favors the bold. -Mike Frash, photo by Josh Herwitt

12. Ryan Adams

Ryan Adams impressed this year with sets laced full of cuts from his remarkable self-titled album, his 14th and newest. At his headlining show at Hardly Strictly Bluegrass, Adams transitioned his endearing goof-spaz stage banter into an impromptu gem of a song revolving around a someone holding balloons in the back of the show taking place in Golden Gate Park. -Mike Frash, photo by Pedro Paredes

11. OutKast

OutKast was the reunion tour of the year, hitting a festival in nearly every region of the world. While Big Boi is the consistent, poised professional day after day, his partner André 3000 a bit of a wildcard, as we all witnessed as he turned his back on Coachella audience on opening night. But Dré’s rhymes were clean and on point as he sported a jumpsuit that told you how he really felt night to night. -Mike Frash, photo by Marc Fong

10. Future Islands

Sam Herring is in no rush, and he takes it slow while the bass line marks a steady beat. He wants the people not just to feel, but to listen as well, and he takes time to give some context before commencing a new song.It became clear that Herring is all about making a connection with the audience…his style seems to draw inspiration from multiple sources, and I can’t help but to be reminded of the insane intensity of Ian Curtis, the shamanic charisma of Jim Morrison, and the storytelling skills of Johnny Cash. -Pedro Paredes, photo by Pedro Paredes

9. DARKSIDE

Simmering melodic-based atmosphere moved to dramatic slow-builds, and Nicolas Jaar would introduce a track along the way — all while creating tension. Then well-deserved bass drops revealed themselves in both sneaky and progressive ways, establishing a prolonged release in the form of the crowd losing their shit to four on the floor house beats and body-shaking bass…One of the most memorable transitions came deep into “Paper Trails” when the drop developed over four quick beats in a measure, from no bass to full on bass domination. It was a striking example of Jaar’s original, crafty abilities in the moment. -Mike Frash, Photo by James Nagel

8. tUnE-yArDs

Driven by percussion, vocals and ecstatic hyperactivity, tUnE-yArDs win with a lighthearted, quirky mentality that skewers conformity…this show had all the indications of an essential live performance; the music was thoroughly impacting, and the crowd was completely immersed and wide-eyed throughout, taking in tUnE-yArDs’ breathtaking sonic concoctions. -Mike Frash, photo by Pedro Paredes

7. Mac Demarco

DeMarco’s fans screamed in sheer delight as he transformed himself into some sort of pop-slacker, earning hoots and howls from a bevy of females in the crowd. His rise to King Weirdo status has been swift, and it’s been for good reason. His likeability, coupled with his unique playing style, is pretty damned infectious, after all. -Kevin Quandt, photo by Pedro Paredes

6. Arcade Fire

Throughout the Reflektor tour, Arcade Fire premiered a new cover each night. For example, halfway through their epic Coachella set, the band broke into the opening notes of Blondie’s “Heart of Glass”, only to be joined by Debbie Harry of Blondie fame for this full rendition. Arcade Fire successfully cultivated a party atmosphere, adding to the high level of revelry already there. -Molly Kish, Photo courtesy of Arcade Fire.

5. Run the Jewels

Much like at a Phish or Die Antwoord audience, most everyone in the room at Run the Jewels was there in “full buy-in” mode, not worried about what someone might think of you by getting a bit too into the moment. Which, when you think about it, is pretty elusive for a rap act that is beloved by the indie blogosphere and its readers. Yet, there is a collective acceptance, a mentality that has bubbled up from impromptu social media memes, gifs and videos that are moving RTJ into mainstream mentality. -Mike Frash, photo by Alfonso Solis

4. St. Vincent

Captivating an audience has never been much of an issue for St. Vincent due to the incredible musical talent Annie Clark possesses. Her amazing skills as songwriter, lyricist and guitar-shredding icon are nearly unmatchable in contemporary pop. This tour however is incredibly unique, in that it finally showcases these undeniable aspects of Clark on a grand scale. From the production elements to various costume and instrument changes amidst an encapsulating set design, Clark has finally emerged as a true rock star. -Molly Kish, photo by Pedro Paredes

3. The War on Drugs

Adam Granduciel has arrived to the next level, as The War on Drugs have broken through the underground in a big way with their latest release entitled, Lost in a Dream. The subsequent, and long awaited, tour has been nothing short of fantastic as an expanded band has led to their most sonically pleasing tour to date. -Kevin Quandt, photo by Sterling Munksgard

2. ATOMIC BOMB! The Music of William Onyeabor

Luaka Bop founder and musical virtuoso David Byrne unearthed Onyeabor’s self-released eight album discography and organized a top secret live music project called “ATOMIC BOMB! The Music of William Onyeabor”, bringing it to life on stage at the Warfield Tuesday for the third time ever.

With an all-star cast of incredible artists, the Atomic Bomb! band took the stage in a handful of lucky cities to provide a near-religious experience (mock-secular program included), reviving the spirit of Onyeabor’s body of work. Lending their various talents to the incredible performance, Alexis Taylor (Hot Chip), Kele Okereke (Bloc Party), Pat Mahoney (LCD Soundsystem), Joshua Redman, Money Mark, The Lijadu Sisters and Sinkane (the musical director) were accompanied by Byrne (along with a full horn section and backing band). -Molly Kish, photo by Marc Fong

1. Jack White

It’s been Jack White’s year on the live music circuit. His endless Bonnaroo headlining set this year is now a recognizable career milestone based on word of mouth alone. He severely twisted his ankle in SF and kept touring against the advice of his doctor. Jack seemed more focused and engaged than on prior tours, while also appearing authentic, positive, comfortable and likable. Labeled as grumpy, sad and controlling in the past, White embodied the ambassador of fun, and a sharp haircut seemingly signified the “new” Jack White further. The newest item of actual substance is that the man is in the prime of his career, playing truly epic shows, proving to be the biggest rock star in the world with grit night after night. Without question, Jack White is one of the best live artists of 2014 — and now with a humble, inclusive attitude, his stock should only rise further. -Mike Frash, photo by David James Swanson

Filed Under: Best of 2014, Featured Tagged With: Arcade Fire, Atomic Bomb, Blood Orange, Connan Mockasin, Darkside, David Byrne, Death from Above 1979, Deerhoof, Flume, Future Islands, Jack White, Mac Demarco, Nine Inch Nails, OutKast, Parquet Courts, Rubblebucket, Run The Jewels, Ryan Adams, Sharon Van Etten, St. Vincent, Sun Kil Moon, Sylvan Esso, The National, The War on Drugs, tUnE-yArDs, Volcano Choir

First City Festival continues to raise bar in second year

August 29, 2014 by Molly Kish 1 Comment

Photos by Pedro Paredes // Written by Molly Kish //

First City Festival //
Monterey County Fairgrounds – Monterey, CA
August 23rd-24th, 2014 //

First City Festival celebrated its second year this past weekend in Monterey with gorgeous weather, enthusiastic crowds and a lineup filled with incredible talent. In a setting that felt as though it was constructed to host the effortlessly engaging festival, the Monterey County Fairgrounds perfectly displayed what many of the artists and attendees quickly deemed “the most peaceful and beautiful festival we’ve ever been to”.

We were here yesterday and this is the most peaceful/beautiful festival we've ever been to." @CultsCultsCults @FirstCityFest

— Showbams (@showbams) August 25, 2014

Even while boasting two days and three stages full of some of the biggest names currently touring in rock and indie music, FCF managed to curate an intimate experience across the board for both the bands and their adoring fans. In fact, creating an atmosphere that bridges the gap between the performers and audience members is rarely seen in a festival context and with artists of such caliber.

PERFECTLY PICTURESQUE SETTING

The proximity of the fairgrounds contributed heavily to the tone of this past weekend’s event, allowing casual traversing throughout the festival grounds and for crowds to escape the bustle and stress that most anticipate when trying to navigate amidst conflicting set times and stage distances. Notably, the stage positions in relation to their audience gave fans ample room to really take in and enjoy each performance, providing crowds comfortable accommodations scattered throughout the festival’s scenic surroundings. Sprawling lawns and benches under the shade of languid cypress trees, along with aesthetic touches of hanging chandeliers and multicolored spotlights, added to the natural beauty of the fairgrounds. Even in the rodeo area of the Redwood Stage, crowds could get as close as they wanted to the main attractions to elevate their experience in the seated boxes and perimeter rows, or they simply could enjoy the show underneath the glowing strings of bulbs hanging above that illuminated each evening’s final performance.

The National’s Matt Berninger

INTERPERSONAL ARTIST EXPERIENCES

The festival’s artists even took note and spoke directly to their audiences while performing on stage, as well as took in their peers’ performances amongst the crowd. All throughout the weekend, you could saunter around the fairgrounds and catch many of the artists taking pictures, talking with fans, catching another band’s set or jumping on a carnival ride. Many artists took advantage of how intimate the venue was and set out to have personal discourses with their audience by ways of:

• commenting on attendees’ outfits (“I see you blue shorts” – Tanlines)
• encouraging audience participation (“those bubbles are really doing it for me” – Future Islands)
• holding an impromptu singalong (“Happy Birthday” – The Naked and Famous)
• incorporating the audience into their performance altogether (The National’s Matt Berninger stage diving and leading a procession, sharing the microphone and singing with crowd members throughout the entire duration of a song)

VIP TREATMENT FOR ALL

Most festivals go out of their way to truly separate their VIP ticket holders from the general admission crowds, segregating the very important people who choose to drop extra cash from the masses while still providing a memorable festival experience. Whereas FCF did offer perks to the VIP bracelet elite, the other ticket holders weren’t completely left out of the festival’s atypical accommodations. After all, the benefits of simply attending FCF regardless of admission status far surmounted the expectations of many audience members and truly set the bar for competing festivals nationwide.

• Cocktails, micro brews and artisan food options were available to purchase throughout the festival regardless of someone’s wristband ranking
• Access to indoor bathrooms, charging stations and seated areas at all stages we’re open to the general public
• The Monterey County Carnival was also free to everyone who attended (although VIP ticket holders could jump ahead of the line)
• Lines were near obsolete throughout the entire fairgrounds, with the worst being the 15-minute wait while security checked your belongings upon entering

Future Islands’ Sam Herring

BEST OF THE FEST

Beyond the overall successes of the festival, there were also plenty of musical moments and entertainment highlights over the course of the two days at the fairgrounds. Here are some of our favorites from the weekend.

Most Underrated Festival Fare: Gerard’s Paella (vegan)
Best Commitment to Character: Puddles Pity Party (crowd roaming and panhandling between sets)
Best Set to Kick Start Your Morning: Lake St. Dive
Most Crowd Inspiring Performance: Future Islands
Set Most Likely to Break the Soundboard: How to Dress Well
Snarkiest Band Banter: Tanlines
Biggest Distraction (tie): Low-flying planes preparing to land over the Cypress Stage; Phantogram lead singer Sarah Barthel’s hypnotizing hot pants and accentuated legs
Best Time Travel Moment: “Funky” Beck’s disco-fueled, throwback interlude

"If you’re ever wondering what its like in a Russian nightclub in'91, this is it right here!" @beck @FirstCityFest

— Showbams (@showbams) August 24, 2014

Best Carnival Ride: Wave swinger from Neverland Ranch (watch here)
Most Enthusiastic Marketplace Crew: Festival poster booth (igniting post-fest dance parties)
Greatest Between Set Activity: Vinyl perusing at the Beat Swap Meet
Most Unnecessary Festival Accessory: Beacon, flag or group location device
Most Memorable Moment: The National’s unlit romp through the rodeo crowd
Best Reason to Come Back Next Year: To experience the festival’s accessibility before it blows up

Future Island’s Sam Herring

The National’s Matt Berninger

Filed Under: Featured, Festivals Tagged With: Beck, Best Coast, First City Festival, Future Islands, How to Dress Well, Lake St. Dive, Monterey County Fairgrounds, Phantogram, Puddles Pity Party, Tanlines, The Naked and Famous, The National

The National showcase natural evolution, continue to inspire

April 28, 2014 by Mike Frash 1 Comment

Photos by James Nagel // Written by Mike Frash //

The National with Portugal. The Man //
The Greek Theatre – U.C. Berkeley
April 26th, 2014 //

The National’s music can be taken as moody, or perhaps even depressing on the surface level by those not familiar with their work. Some of The National’s most rewarding auditory gems only reveal themselves upon repeat listens, and through this repetition, it’s easier to identify and appreciate the crafty song structures and oddly pleasurable feeling the National can provide. But enigmatic constructs can be thrown out the window when it comes to experiencing The National live. Their performance at the Greek Theatre Saturday showed they have grown to be more comfortable with themselves, evolving for the better while steadfastly staying true to their roots.

So what has changed? One obvious, noteworthy shift is they command theaters now, two nights in a row this past weekend in Berkeley, while eliciting rapturous crowd engagement — silence during the quiet parts while compelling the crowd to carry the load on “Vanderlyle Crybaby Geeks” to end the show, no small feat at an 8,500 person venue. Frontman Matt Berninger mentioned early on it was good to be back. The last time The National played on the U.C. Berkeley campus was with Modest Mouse and REM in 2008. Now six years later, the performance Saturday offered an experience that was segmented into two distinct halves.

The first section of the concert showcased much of the excellent material from Trouble Will Find Me, The National’s sixth album, released in May 2013. There was a sense of arrival with the new music, that they’ve ‘figured it out’ in their lyrical storytelling. There are more direct statements of clarity and satisfaction, admitting “tiny bubbles hang above me, it’s a sign that someone loves me” to open the show stands in stark contrast to the passive aggressive, latent adolescent state of mind found in “Mr. November”. The newest record is less snarky, more direct, as though the guys in The National have grown up substantially.

The songwriting will never be cheery (and let’s hope it never is), but there is more confidence and awareness lyrically. Berninger may claim that “when I walk into a room, I do not light it up” in “Demons”, but that notion is see-through self-degrading hyperbole in the context of the performances this past weekend.

While there is a slightly brighter outlook to the new words, more “Sea of Love” than “Terrible Love”, Berninger, the Dessner & the Devendorf brothers have banded together to create music more springy and full of life, often faster with a more uplifting tonal quality than previous efforts. Some older tracks are treated through this prism — “England”, a somber song from High Violet, was crisp and faster, allowing the song to soar higher, and to be more inspiring live.

If the performance was front loaded with new material, the second half favored the wants and needs of longtime fans. Unsurprisingly, it’s the older material that inspires Berninger to channel his one of a kind angst-joy spectacle. In “Squalor Victoria”, Berninger added a line about his “little brother the fuck up,” slamming the mic & stand to the floor, a coy plug for his brother Tom’s documentary titled Mistaken By Strangers, chronicling the singer’s little brother being a little fuck up on the National’s High Violet tour. “Abel” was a platform for Berninger to lose himself in punk rock intensity as he used to do more often, while per usual, “Fake Empire” and “Mr. November” found the lead man not only reaching out to the audience, but running through it as well.

Poised and energetic with precise control, The National’s music is more accessible and impactful than ever before, and the group is pulling it off in front of the biggest audiences of their career. Slowly winning over fans for 15 years, The National have earned it.

Show Notes:

•Portugal. The Man, the opener of the night, were an interesting contrast of falsetto versus baritone between Portugal’s John Gourley and The National’s Matt Berninger.

•”About Today” was one of the most poignant songs of the evening toward the end of the first set. The cut from Cherry Tree was a treat.

•The follow up performance Sunday, April 27th featured The Grateful Dead’s Bob Weir for “I Know You Rider” and “Terrible Love” during the encore. Sunday’s setlist included nine songs that weren’t played on Saturday.

•The National uses basic video production equipment in a very effective way. GoPro cameras flank the artists, and the imagery is filtered with glich-filled, broken pixilation, reflecting the fractured feeling of disconnect found in The National’s music.

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: Greek Theatre Berkeley, Portugal. The Man, The National

Showbams’ 40 best albums of 2013

December 3, 2013 by The Bam Team 4 Comments

“Best of” lists are always subjective, and this one is no anomaly. When it comes to the best albums of any given year, we can most likely agree that the best records are excellent from beginning to end — no “skip ahead” songs — and that groundbreaking new music can emerge from any genre.

At the same time, we imprint music on moments in our lives, and this will always influence personal taste. Combine these past influences with modern streaming capabilities in 2013, where new records are now accessible before an album release date, and our collective creation and criticism of music begins to transform, adapt and influence more rapidly.

Here are our most addictive albums of 2013, the records we couldn’t stop spinning.

01. Arcade Fire – Reflektor
02. Disclosure – Settle
03. Atoms For Peace – Amok
04. FOALS – Holy Fire
05. Vampire Weekend – Modern Vampires of the City
06. Daft Punk – Random Access Memories
07. Kurt Vile – Wakin On a Pretty Daze
08. James Blake – Overgrown
09. White Denim – Corsicana Lemonade
10. Toro Y Moi – Anything In Return

11. Rhye – Woman
12. Darkside – Psychic
13. Boards of Canada – Tomorrow’s Harvest
14. The National – Trouble Will Find Me
15. My Bloody Valentine – m b v
16. Sigur Rós – Kveikur
17. Parquet Courts – Light Up Gold
18. Danny Brown – Old
19. Holy Ghost! – Dynamics
20. Jagwar Ma – Howlin

21. Run the Jewels (El-P & Killer Mike) – Run the Jewels
22. Washed Out – Paracosm
23. Classixx – Hanging Gardens
24. Hanni El Khatib – Head In The Dirt
25. Queens of the Stone Age – …Like Clockwork
26. The Strokes – Comedown Machine
27. Thee Oh Sees – Floating Coffin
28. Volcano Choir – Repave
29. A$AP Rocky – LONG.LIVE.A$AP
30. Anders Osborne – Peace

31. Jon Hopkins – Immunity
32. Yeah Yeah Yeahs – Mosquito
33. King Krule – 6 Feet Beneath The Moon
34. Kanye West – Yeezus
35. Mount Kimbie – Cold Spring Fault Less Youth
36. Superhuman Happiness – Hands
37. Bonobo – The North Borders
38. Tyler, the Creator – Wolf
39. Phoenix – Bankrupt!
40. Phosphorescent – Muchacho

Vampire Weekend at Fox Theater Oakland 4/17. Photo by Marc Fong.

Mike Frash // Founder, Editor, Columnist // @MikeFrash

Vampire Weekend – Modern Vampires of the City
The focus on larger themes of mortality and spirituality in Modern Vampires of the City have catapulted this indie group from angst-ridden collegians to mainstream players — and in the process Ezra Koenig and company crafted an American classic. Compulsively listenable, this record matured with age in 2013, just like the artistic path Vampire Weekend seem to be on. The album continuously waxes poetically about death and higher powers, and “Unbelievers” sums it up best: “Girl you and I will die unbelievers, bound to the tracks of the train.” The ambiguousness is biting, as it is tough to tell if the statement is earnest atheism or harsh criticism of Godless existence. In “Step”, we’re told, “Wisdom’s a gift but you’ll trade it for youth, age is an honor it’s still not the truth…we know the true death, the true way of all flesh. Everyone’s dying, but girl – you’re not old yet.” Even “Dianne Young” is a double entendre for ‘dying young’. Every track is filled with high-level substance lyrically, but sonically it’s multi-faceted as well, melding baroque sensibilities and African grooves at a wonderfully variant pace throughout. Ultimately, it’s a supremely empowering coming of age album from Vampire Weekend, one that stares mortality in the face while celebrating time’s finite quality.

Run the Jewels (El-P & Killer Mike) – Run the Jewels
Early in Run The Jewels, Killer Mike announces, “Producer gave me a beat, said it’s the ‘beat of the year’, I said ‘El-P didn’t do it, so get the fuck outa here.’ El-P, the sole producer of rap music’s most dynamic duo, bases his production in captivating weirdness, micro-sampling everything from classic organ to nintendo glitch sounds to electric guitar, building epic beats for Killer Mike & El-P to deliver clever rhymes, based both in reality and playful hyperbole. One of Run The Jewels’ greatest successes is that it can be both funny and deadly serious within the same song, and often within in the same flow or line at times. So motherfuckin’ grimy, “Job Well Done” highlights how successfully dolphin sounds can contrast with aggressive lyricism, for example. Killer Mike broaches serious topics, bringing up the “elephant in the room” whenever possible, and EL-P is hyperactive and light-hearted as he spits his ‘future shit’. Put these two together and you have the best hip hop album in years.

FOALS – Holy Fire
The beauty is in the build with FOALS, and that is the case with Holy Fire more than prior album as the UK-based festival-headliners-in-the-making have largely abandoned their post-dance punk sound aesthetic for a more ballad-based approach. Sure, “My Number” and “Providence” continue the upbeat, math rock-dance-freak-outs, but overall FOALS have centered their 2013 record around patient song development in order to establish more memorable, ecstatic moments. “Milk & Black Spiders” does just that, taking a full three minutes and forty five seconds to reach it’s blissful summit. “Late Night” is a harrowing slow burner, repeating the line, “Calling out your name,” asking for the subject of the song to “Stay with me.” Lead singer Yannis Philippakis’ impassioned vocals, paired with the band’s guitar interplay and non-standard rhythms make FOALS a unique force in the world of modern rock.

The National – Trouble Will Find Me
Matt Berninger has a way with words — who else could make the phrase “full of punks and cannonballers” sound eloquent and measured in the track “I Need My Girl”? The National thrives on non-literal lyricism, but the instrumental elements from The National in Trouble Will Find Me prop the singing up on a pedestal better than prior records. Void of any filler, this contemplative record easily allows the listener to take their own meaning from any given track, applying it internally. The first half impresses quickly with “I Should Live In Salt” through “Sea Of Love”, but it is the second half that solidifies the effort as The National’s best work to date. An album that also gets more addictive with subsequent listens, Trouble Will Find Me works well as both a “pick me up” record and one to embrace life’s good times, an odd duality indeed.

Volcano Choir – Repave
Who needs Bon Iver when Justin Vernon is making music like he has with The Shouting Matches and Volcano Choir in 2013? Vernon, the creative centerpiece behind Bon Iver, announced while promoting Repave that Volcano Choir is his new band. Arguably, this is a genius move, as Vernon is exhibiting a higher level of confidence and innovation with this possibly permanent collaboration with members of Collections of Colonies of Bees. Repave traverses a path that balances grandiose and minimalism, choosing off-beat, unexpectedly contrasting moments to ‘drop the sound hammer’ in both “Comrade” and “Byegone”. “Drop the sound hammer” refers to the mesmerizing technique Volcano choir uses to quickly transition from falsetto-based minimalist intros into hard-hitting Philip Glass-like synth blasts and authoritative drums. I’m fine with Vernon considering himself a legend, as long as he continues creating music with cryptic, poetic lyrics and the progressive intermingling of intense and soothing sounds.

06. Darkside – Psychic
07. James Blake – Overgrown
08. Arcade Fire – Reflektor
09. Rhye – Woman
10. Disclosure – Settle
11. Kurt Vile – Wakin On a Pretty Daze
12. My Bloody Valentine – m b v
13. Atoms for Peace – Amok
14. Foxygen – We Are The 21st Century Ambassadors of Peace & Magic
15. Washed Out – Paracosm
16. Daft Punk – Random Access Memories
17. Bonobo – The North Borders
18. Phosphorescent – Muchacho
19. Jagwar Ma – Howlin
20. John Vanderslice – Dagger Beach

Atoms for Peace at Treasure Island Music Festival 10/19. Photo by Marc Fong.

Molly Kish // Artist Relations Manager, Columnist // @MollyKish

Atoms For Peace – Amok
Alternative Rock super group Atoms for Peace delivered one of the most evocative, skillfully executed and notable debuts of 2013, completely as expected. Bringing together some of the most innovative, iconic and artistically defining tastemakers of the past two decades (most notably Thom Yorke & Flea), Atoms for Peace composed a near-perfect representation of contemporary sound evolution. Touring this past year promoting Amok through intermittent concert dates and festival-headlining performances, Atoms for Peace captivated live audiences on a global scale while generating critical acclaim, and for good reason.

Toro Y Moi – Anything in Return
Drawing artistic influence from elements of 90s dance music while paying homage to the iconic hip hop sounds of the era, Chaz Bundick departed from his signature “chillwave” style to compose his third studio album, Anything in Return. Revisiting harder house elements from his 2010 debut Causers of This, Bundick taps into a funky soundscape filled with intensified vocals and hard hitting jam-based percussion. Paying homage to legendary producer J Dilla, Anything in Return touches upon intimate subject matter while remaining accessibly pop-driven, delivering Bundick’s “biggest sounding” album to date.

Disclosure – Settle
UK sibling duo Disclosure was one of the most successful breakout acts of the past year, largely in part to the global commercial appeal of their debut album, Settle. Mixing the perfect blend of R&B vocals, UK garage, two step and deep house cuts, Settle is a seamless composition of dance floor ready hits. Disclosure’s first full length succeeded in curating a sound both primed for the band’s spellbinding live improvisation and the album’s inevitable mainstream sampling and remixes.

Daft Punk – Random Access Memories
Preceding its April release date with a show-stopping album trailer debut at Coachella (and nationally syndicated on Saturday Night Live) and a video website series presented by The Creators Project, Daft Punk set the bar early this year for the future of mainstream album promotional campaigns. Defying the expectations of their devoted fan base along with the speculatory opinions of many EDM counterparts, Random Access Memories marks the band’s groundbreaking introduction of live musicians into their otherwise strictly electronic body of work. Their most successful album to date, Random Access Memories is a definitive album that highlights the robots’ personal influence, and the effect is a lasting impact on popular music.

Arcade Fire – Reflektor
Arcade Fire’s Reflektor serves as a testament to their creative ingenuity as a modern art rock group. Its evolutionary sound was produced by nu-disco vanguard James Murphy and features collaborations with David Bowie, Kid Koala and an armada of additional percussionists and recording personnel. Promoted and released through an ingenious guerrilla marketing campaign, intriguing the attention of a frothing worldwide audience.

06. Vampire Weekend – Modern Vampires of the City
07. Kanye West – Yeezus
08. Washed Out – Paracosm
09. Holy Ghost – Dynamics
10. Phoenix – Bankrupt!
11. Devendra Banhart – Mala
12. Major Lazer – Free The Universe
13. Yeah Yeah Yeahs – Mosquito
14. Starfucker – Miracle Mile
15. Cut Copy – Free Your Mind
16. Franz Ferdinand – Right Thoughts, Right Words, Right Action
17. Classixx – Hanging Gardens
18. The Strokes – Comedown Machine
19. St. Lucia – When The Night
20. Jay Z – Magna Carta

Thee Oh Sees at Phono Del Sol 7/13. Photo by Mike Frash.

Kevin Quandt // Assistant Editor, Columnist // @KJQuandt

Parquet Courts – Light Up Gold
In a year with many strong rookie efforts (Haim, Disclosure, Lorde, etc.), it was this Brooklyn quartet that rejuvenated garage-tinged, punk rock with a blisteringly fierce debut LP, Light Up Gold. Opening track “Master of My Craft” lets us know we are in for one helluva a ride and it doesn’t let up in the least as Andrew Savage belts out anthems full of modern tales of urban decay and the slacker lifestyle. This we do-whatever-the-fuck-we-want mentality was also clearly present on a recently released EP entitled Tally All the Things That You Broke, which was equally as impressive as the full length. Alas, all is not lost when it comes to irreverent rock music in a sea of shiny synths and EDM takeovers.

My Bloody Valentine – m b v
If this album was a person, it could legally drink in this country. Now, after that fact settles in, we can concentrate on how impressive m b v actually is. Kevin Shields and cohorts took 22 years to deliver this baby and it is chock-full of all the aural beauty that made these shoegaze legends modern rock royalty a couple of decades ago. Standout final track “wonder 2” is a whirling dervish of otherworldly drums, guitars and distorted vocals, slowly building into one serious rapture. Attention to detail is not lost on this album as meticulous craftsmanship is ever-present, especially when listened to fully, or in the distinct ‘3 EP’ structure that m b v is recorded in. All I ask Kevin Shields is that I don’t have to wait till I’m almost 50 years old to hear another new release from My Bloody Valentine.

Arcade Fire – Reflektor
There’s little surprise that this ‘double’ release ended in my, and many others, top albums list. Why? Because Arcade Fire make great albums, and I enjoy great albums. The grab bag of influences on this album is truly startling and lends much to it’s overall success whether it be deep Haitian rhythms or the the electro-dance production of James Murphy. With so many standout tracks, it really makes you wonder what they are putting in the water up in Canada. “Joan of Arc”, “Normal Person”, “Afterlife” and so many others create something fully unique and fully Arcade Fire.

Boards of Canada – Tomorrow’s Harvest
It was a bit of a long wait for fans of BoC, but well worth the interesting journey that was to become Tomorrow’s Harvest and it’s unique marketing campaign which precluded the June release. Not much has changed from the ambient electronic soundscapes that put these Scots on the map nearly two decades ago. What makes Boards so significant is their knowledge of analogue gear they use to transform sound into warm ambience that is loaded with emotion, complexity and cinematic themes. Songs like “Nothing Is Real” fully demonstrate their textbook mix of instrumentation and warm, vintage synths which gracefully paint a picture of the natural world which we live in. It’s albums like this which should make every listener wanna go out and spend four figures on some serious headphones, and Boards of Canada wouldn’t object.

Thee Oh Sees – Floating Coffin
It’s been a long time coming for the San Francisco garage titans that, most popularly, go by Thee Oh Sees. John Dwyer once used this moniker as his solo effort, but eventually became his primary effort, eventually growing from one man to a full blown band. Floating Coffin shows a shifting of the tide as the once tin-can recording sound has matured to a sonic boom of heavy guitar, driving rhythm and quintessential weirdo vocal. All these elements, and many more, equated to the most comprehensive sounding release in their extensive discography. “Come From the Mountain” opens this album with atomic bomb-shredding guitar and doesn’t really relent from this style till the soothing album closer, “Minotaur”. What’s most profound about Floating Coffin is that they have arrived with a permanent lineup, a better produced sound and a band mentality that creates a more unified front as opposed to it being solely Dwyer’s project. Oh yeah, they are also straight bananas on stage.

06. Disclosure – Settle
07. King Krule – 6 Feet Beneath the Moon
08. The National – Trouble Will Find Me
09. Atoms for Peace – Amok
10. Tyler, the Creator – Wolf
11. Jon Hopkins – Immunity
12. Kurt Vile – Wakin On a Pretty Daze
13. Rhye – Woman
14. Danny Brown – Old
15. David Bowie – The Next Day
16. Vampire Weekend – Modern Vampires in the City
17. White Denim – Corsica Lemonade
18. Queens of the Stone Age – …Like Clockwork
19. Pickwick – Can’t Talk Medicine
20. Mount Kimbie – Cold Spring Fault Less Youth

White Denim at Bill Graham Civic Center 10/31. Photo by James Nagel.

Pete Mauch // Festival Manager & Columnist // @PeteMauch

Arcade Fire – Reflektor
All-star collaboration of these Canadian rockers and producer James Murphy proved a success with their fourth release. The album, filled with instant hits like “Reflektor” and “Here Comes the Night Time”, is heavily influenced by traditional Haitian music that adds a deep rhythm to the elongated grooves, but the real treat is how its all tied together. Arcade Fire let loose on Reflektor, finding comfort in initiating a party atmosphere while staying confident with a dash of weirdness.

Jagwar Ma – Howlin
There seems to be a psychedelic air blowing in Australia these days, and Jagwar Ma’s debut album is filled with trippy yet danceable songs like the opening pair “What Love” and “Uncertainty”. “Come Save Me” evokes a dream land where the Beach Boys created acid-dance music. This album is gonna get a lot of play on Friday nights for many years to come.

White Denim – Corsicana Lemonade
These Texas rockers put out an intense album in 2013 filled with screaming guitar solos layered over intense time signatures and wailing vocals, but White Denim makes it all sound so simple. Songs like “Pretty Green” and “Cheer Up/Blues Ending” are straight up rocking songs, rooted in the genre’s past while offering a progressive take at where rock is heading. It never hurts to have Jeff Tweedy producing as well.

Daft Punk – Random Access Memories
The instantly classic single “Get Lucky”, the summer anthem of 2013, is still hyper-catchy, but “Instant Crush”, “Lose Yourself to Dance” & “Doin’ It Right” succeed as pleasantly repetitious tunes that represent a variety of decades. What makes Random Access Memories work completely is all the mellow cuts, perfect for bedtime or a drive down the coast. The music lesson that is “Giorgio by Moroder” just takes off after the ballsy call to include an interview with Giorgio Morodor before launching into an exploratory space jam.

Anders Osborne – Peace
Underground New Orleans guitar slayer Anders Osborne released a very impressive long player, filled with deep personal songs that are truly outstanding. Title track “Sentimental Times” showcases Osbornes’ brilliant songwriting, and his guitar work is simply phenomenal and engrossing. Personal favorite “Sara Anne” begins with a reggae feel that builds into a great bouncy song that has me repeating it often.

06. Kurt Vile – Wakin On a Pretty Daze
07. Atoms For Peace – Amok
08. Sigur Rós – Kveikur
09. Superhuman Happiness – Hands
10. FOALS – Holy Fire
11. Holy Ghost! – Dynamics
12. Jonathan Wilson – Fanfare
13. Youth Lagoon – Wondrous Bughouse
14. Darkside – Psychic
15. Bonobo – The North Borders
16. Phosphorescent – Muchacho
17. Savages – Silence Yourself
18. Deerhunter – Monomania
19. Ty Segall – Sleeper
20. Jim James – Regions of Light and Sound of God

Toro Y Moi at Fox Theater Oakland 11/15. Photo by James Nagel.

Kevin Raos // Columnist // @Semirec

Toro Y Moi – Anything in Return
Toro Y Moi just keeps getting better and better with subsequent listens. Part dance, part melancholy electro, Anything in Return strikes many different chords. From feelings of longing and romance, to coming to terms with growing up, Anything in Return ranges the emotionally gamut. This album stood the test of time in 2013, being one the first albums of 2013 to make a dramatic impact, then remaining front of mind come Christmas time.

Rhye – Woman
Woman is the mellow album of the year — If you need to relax, fall asleep, or just chill out, this is the album for you. A go-to in the bedroom, Rhye’s Woman also has the uncanny ability to cradle and comfort you from start to finish. Equally as good in a live setting, Woman proves excellent musicianship can flourish in downtempo form. The record’s male vocalist, Milosh, also released an excellent solo record titled “Jetlag” in late 2013 that clicks at a slightly faster tempo.

White Denim – Corsicana Lemonade
Funky, fresh and just downright dirty, the guys from Austin can bring the heat. Corsicana Lemonade is an album that might not make many end of the year album lists, but it should not be overlooked. Cool and collected while still being rhythmically aggressive, Corsicana Lemonade pushes forward an innovative rock sound that should make The Black Keys nervous their throne is currently up for grabs.

Danny Brown – Old
Danny Brown’s Old creates a new genre of hip hop, one with an electronic psyche. Old may offend some and be lost on others, but Brown’s distinctive voice and tongue-flaunting rhymes constitute a “grower”. Here we have a rapper who isn’t afraid to talk about more than banging it out in the streets, and all together Brown breathes more fresh air into a hip hop landscape that has been seeing a resurgence the past few years.

Vampire Weekend – Modern Vampires of the City
It’s tough to deny that indie kings Vampire Weekend are on top of their game right now. If you haven’t heard of these A-Punks that escaped from Cape Cod, you surely have been living under a rock. With Modern Vampires of the City, an already huge band has gotten huger, blasting off into new territory more than in previous efforts. Did I mention they shout out Oakland and Alameda, too?

06. FOALS – Holy Fire
07. Sigur Rós – Kveikur
08. Boards of Canada – Tomorrow’s Harvest
09. Atoms For Peace – Amok
10. Disclosure – Settle
11. James Blake – Overgrown
12. Arcade Fire – Reflektor
13. Darkside – Psychic
14. Kurt Vile – Wakin On a Pretty Daze
15. Jon Hopkins – Immunity
16. Camera Obscura – Desire Lines
17. Wild Belle – Idles
18. Nine Inch Nails – Hesitation Marks
19. Blood Orange – Cupid Deluxe
20. Laura Marling – Once I Was An Eagle

Classixx at Fox Theater Oakland 11/15. Photo by James Nagel.

Sean Little // Columnist // @Splittle

FOALS – Holy Fire
FOALS have made their best album to date with Holy Fire. It’s a wall of sonic noise mixed with strong doses of angst that starts with “Prelude” and continues to pin listeners to their seats until the last track. The British quintet have produced my number one record of the year, and their live performance is one to see if you haven’t.

Classixx – Hanging Gardens
Classixx made a superb album here. Being a primarily electronic poduction group, their skills show something much deeper and diverse as they move from bouncey disco tracks to deeper, more evocative tracks like “Borderline” where they showcase their ability to craft a tune that hits heart strings and nods heads. Classixx are vastly underrated and should be given a serious listen, even by non-electronic fans.

Disclosure – Settle
What can be said that hasn’t already about this brotherly duo? They hit the scene hard and made a lot of people snap their heads in their direction. Their production quality and use of instruments in their sets has turned many notions of a “DJ” set on its head and opened the doors for a whole new type of set that calls to the crowd more. This album is full of gems that will surely go down in dance history as classics.

Hanni El Khatib – Head In The Dirt
Hanni grew up immensely since his last album and really fine-tuned his sound. This is a pure rock album with no pretense. If you arere tired of pop rock bands trying to make the next iPod commercial-worthy track and long for a record that slaps you in the face to wake you up while still being a tad gentle about it, this is the one for you.

A$AP Rocky – LONG.LIVE.A$AP
Hip Hop has fallen to the wayside in years past as electronic has made its resurgence. Fans have grown weary of the over-produced, same old lyric songs that most artists offer. A$AP though brings in, what I consider to be the finest hip hop album of the year. Production by Skrillex, and cameos by Florence Welch, Drake, and Birdyman attest to his range not just as a rapper but as a producer and curator as well.

06. James Blake – Overgrown
07. Queens of the Stoneage – …Like Clockwork
08. The Strokes – Comedown Machine
09. Daft Punk – Random Access Memories
10. DJ Koze – Amygdala
11. Atlas Genius – When It Was Now
12. Portugal. The Man – Evil Friends
13. Bass Drum of Death – S/T
14. Yeah Yeah Yeahs – Mosquito
15. MS MR – Second Hand Rapture
16. Tesla Boy – The Universe Made of Darkness
17. Franz Ferdinand – Right Thoughts, Right Words, Right Action
18. Cut Copy – Free Your Mind
19. Ryan Hemsworth – Guilt Trips
20. The Weeknd – Kiss Land

Filed Under: Best of 2013, Editor's Picks, Featured Tagged With: Anders Osborne, Arcade Fire, Atoms for Peace, Best Albums of 2013, Boards of Canada, Bonobo, Classixx, Daft Punk, Danny Brown, Darkside, Disclosure, El-P & Killer Mike as Run the Jewels, FOALS, Hanni El Khatib, Holy Ghost, Jagwar Ma, James Blake, Jon Hopkins, Kanye West, King Krule, Kurt Vile, Mount Kimbie, My Bloody Valentine, Parquet Courts, Phoenix, Phosphorescent, Queens of the Stone Age, Rhye, Sigur Ros, Superhuman Happiness, The National, The Strokes, Thee Oh Sees, Toro Y Moi, Tyler the Creator, Vampire Weekend, Volcano Choir A$AP Rocky, Washed Out, White Denim, Yeah Yeah Yeah's

Outside Lands 2013: Here are our top sets from this year’s festival

August 16, 2013 by The Bam Team 6 Comments

Photos by Tim Hampson, Pat Tyrrell & Eric Shaden // Written by Mike Frash, Molly Kish, Kevin Quandt, Kevin Raos, Sean Little & Dara Shulman //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 9th-11th, 2013 //

Outside Lands Music and Arts Festival is the ideal adult playground for live music fans — you can chow sardine chips and a Denogginizer from Drake’s while taking in a secret set in Choco Lands. Or maybe you prefer to laugh your face off at The Barbary or dance your ass off in the Heineken Dome. It may be a “walking festival” to some, but Outside Lands is at it’s best when you run. Feet don’t fail me now, use ’em while you got ’em.

SF’s music fest is clearly in a groove now. A free comprehensive webcast was brought back this year, enticing future festival-goers near and far to be super jealous and to start saving money for next year. Beer Lands was moved to a strategically perfect spot opposite the Land’s End Stage on the polo fields, making a quick stop-off convenient on the way to the next show. And it was cold — duh, it’s August in the Bay Area.

For the festival’s sixth incarnation, Outside Lands patrons witnessed the festival’s biggest headliner to date: Paul McCartney.

But Macca wasn’t the only auditory treat at Outside Lands. Here are our top sets from 2013.

DAY 1

Midi Matilda
Friday • Twin Peaks Stage • 12:45 p.m.

For an early afternoon festival spot, Another Planet booked properly when deciding to put Midi Matilda on the Friday bill. Kicking off what undoubtedly was going to be a long weekend with bang, this percussion-heavy duo immediately got the crowd moving. Rife with dance-heavy beats, an animated stage show and no expense spared on the lights and fog machines, Midi Matilda came out swinging. The most memorable moment occurred when both guys jumped on the drum set during their last song to deliver a joint solo to close out the set. –MK

Houndmouth
Friday • Panhandle Stage • 1:30 p.m.

Houndmouth provided a delightful opening to Outside Lands for many on the festival’s smallest stage, which is solar-powered. From the opening line of “Penitentiary”, which references San Francisco, the foursome brought bluesy gospel goodness right into everyone’s faces. With lyrics that seemed rooted in finding one’s self — and sobriety — Katie Toupin’s seductive stage presence and heavenly vocals were downright delightful. -MF

Wild Belle

Wild Belle ~ TOP SET
Friday • Twin Peaks Stage • 2:15 p.m.

Wild Belle has been making a splash since releasing their debut album in early 2013, and they have only been getting bigger. As one of the first acts of the weekend, Wild Belle got the crowd moving in a major way with their psychedelic reggae beats. Comprised of brother-sister duo Elliot and Natalie Bergman, Wild Belle were lucky enough to draw one of the only moments of sunshine the entire weekend. One could say it was the incredible vocals of Natalie Bergman that elicited the sun’s rays. Wild Belle has been progressively adding more pieces to the puzzle throughout their short career, and they unveiled their latest piece during their performance at Outside Lands. The newest addition to their live show is a large “wall of sound” speaker system meant to enhance their live sound, and boy did it sound good. Wild Belle was an unexpected jewel Friday and one of the reasons we go to festivals: to discover new music. -KR

Twenty One Pilots
Friday • Twin Peaks Stage • 3:50 p.m.

Twenty One Pilots might be trying to be cool, and that seemed to be on the mind of Tyler Joseph, as he kept referencing the ‘cool factor’ in a self-depreciating way. But the duo turned the stage antics up to 11, performing backflips off the grand piano, jumping into the crowd, and donning a full ski mask while climbing to the top of the Twin Peaks stage. And ya know, as much as it was Macklemore-esque cheese, the passion and musicianship these two young men exhibited transcended any second thoughts. -MF

The Plump DJs
Friday • The Dome by Heineken • 4 p.m.

There’s nothing quite like an afternoon break-beat set in the Heineken Dome to get the blood moving. British duo, Plump DJs featuring Lee Rous and Andy Gardner, greeted the crowd with smiles on their faces and fists in the air. Although the Dome is slightly different than their usual SF stop, The Mighty in Potrero Hill, they brought their high-energy 2 a.m. beats to their Friday 4 p.m. set. Their beat selection was progressive and original; transitions and mixing were flawless as always. –DS

Rhye
Friday • Sutro Stage • 4:45 p.m.

Rhye’s soothing sounds blanketed Lindley Meadow’s Sutro Stage at the midpoint of Day 1. The sun had fallen behind the eucalyptus trees, sprinkling the stage with beams of light — a perfect setting to relax to the peaceful beauty of Rhye. Rhye sounded excellent, delighting the crowd with many tracks from their 2013 debut album Woman. Minimal, yet captivating, Rhye demonstrated superior musical prowess with their performance, led by the delicate vocals of Mike Milosh. Their set was drawing to a close, and instead of squeezing in extras songs the group opted for a long version of the song “Open”. The extended version of the enchanting song highlighted the bands’ improvisational ability. Although very mellow, Rhye put on a magical performance. A must-see act. -KR

The National
Friday • Land’s End Stage • 5 p.m.

As many learn every August, SF is not known for its stunning summer weather, but sometimes a little haze can add to the emotive release that is Matt Berninger and The National. However, the group lit the stage on fire with their stylish take on moody indie rock, opening with crowd-pleaser “Fake Empire” before fully utilizing Kronos Quartet’s strings on “I Should Live in Salt” and “Demons”, among others. Berninger’s characteristic baritone was strong, though not at it’s best on this day, but his lively mannerisms were in full effect as he paced nervously around on the large Land’s End stage. Once “Mr. November” had begun, it was inevitable that “Terrible Love” would close the set, but a late guest appearance in the form of Bob Weir of the Grateful Dead would truly put an exclamation point on this afternoon set. -KQ

Zedd
Friday • Twin Peaks • 5:25 p.m.

Zedd may not be the best DJ in the world, but his energy is hard to deny. It was the first truly “rager” set of the festival, and you could see people losing their minds all over the place, getting out the pent up energy they had been sitting on all week in anticipation of the Outside Lands. It ended up being a strong set and a lot of fun with hits “In My Mind” and “Clarity” satisfying the masses. –SL

CHIC featuring Nile Rodgers

CHIC featuring Nile Rodgers ~ TOP SET
Friday • Sutro Stage • 6:05 p.m.

The last-minute D’Angelo replacement was a surprise hit Friday evening at the Sutro Stage. Guitarist Nile Rodgers accompanied by a crew of horns and backup singers “le freaked” out the crowd with super funky dance hits. Rodgers expressed to the audience, “Now if this is your first Chic show, I have to make you understand something, you absolutely have to sing and you absolutely have to dance.” No problems there. Highlights included “We Are Family”, “I’m Coming Out” and a groovy singalong to Daft Punk’s “Get Lucky” over the PA system after Rodgers had set down his electric guitar. –DS

Yeasayer
Friday • Twin Peaks Stage • 7 p.m.

Pitted against the incomparable Sir Paul at a festival is a spot that most bands would dread to be placed in. If you’re Yeasayer, however, it’s a challenge to be lived up to and utilized to your advantage. Knowing the crowd that evening would be filled with strictly die-hard fans, the boys pulled out all the stops. Playing a fan favorite set that included the most dance-heavy tracks from their entire catalogue, the intimate crowd was whipped into a collective frenzy. The best part — there was plenty of room for everyone to lose themselves in the energy of the moment. –MK

Paul McCartney ~ TOP SET
Friday • Land’s End Stage • 7:10 p.m.

It doesn’t get a whole lot better than Paul McCartney’s show, honestly, it’s nearly 3 hours of brilliantly competent showmanship, blazingly pleasing song selection and sheer crowd emotion. One highlight was watching Paul become giddy when Kronos Quartet joined him for a masterfully beautiful take on the tender Beatles classic, “Yesterday”. Even in his 70s, Macca keeps his crowds, and likely even himself, on their toes with an ever-changing setlist and bombastic surprises up his sleeve in the form of pyrotechnics during “Live and Let Die.” Selections from Wings were pleasantly received, especially “Band on the Run”. Closing the set, as he normally does, the crowd sang along to the timeless communal song “Hey Jude”. Friends locked arm in arm, and all was right in the world. Young and old were abuzz with the show they had witnessed on the exodus out of the park, whether it was vets finally hearing “Lovely Rita” or first-timers discussing their emotion during “Blackbird”. I mean, hey, it’s not everyday a legend plays your backyard. -KQ

Pretty Lights
Friday • Twin Peaks • 8:40 p.m.

Pretty Lights was the perfect Friday night closer for the Twin Peaks Stage and to oppose Sir Paul. Derek Vincent Smith featured most of his new album A Color Map of the Sun, plus the stand-by favorites remixed just enough on the fly to make them fresh and new. His musical ability is truly amazing, and his vibe was infectious as he’d build huge grooves then dropped them into massive basslines with his trademark soul vocals overlays that catapulted foggy Hellman Hallow to the stratosphere. Smith seemed genuinely happy and it bled into the crowd. By the night’s end, everyone was grooving and giving out high fives. –SL

DAY 2

Atlas Genius

Atlas Genius
Saturday • Twin Peaks Stage • 2:10 p.m.

Another example of perfect placement, Atlas Genius continued Saturday with pop-centric bliss. Catching what little sunshine the weekend had to offer on the hillside of the Twin Peaks stage, one could view the expectedly young crowd so genuinely stoked to catch this band, and couldn’t help but make you smile. No matter how tired you were of hearing that top forty hit, you were undoubtedly up and dancing when it finally played. Spontaneously starting the morning with a sing-along really was a great way to kick off Saturday on the right foot. –MK

Youth Lagoon ~ TOP SET
Saturday • Twin Peaks Stage • 3:40 p.m.

“Robert De Niro” — Trevor Powers uttered the famous actor’s name casually between songs early in his set. Oddly there wasn’t any other memorable stage banter, just hypnotic renditions of the highlights from Powers’ recent Dropla. Youth Lagoon has always thrived on a sharp aural duality; the contrasting of minimalist, quiet soundscapes for half of a song — then BANG — the blooming, triply explorations are more exciting and create a more impacting memory in the listener. You could call it “post-drop” music. And on the Twin Peaks Stage where dance fans usually got their fix, the bass was body-rattling, forcing the maximal parts of the songs to hit harder than one might expect. Consequently, the crowd mostly obliged with the subtle, quiet parts, allowing “Mute” and “Dropla” to play quite nicely. -MF

Gary Clark Jr.
Saturday • Land’s End Stage • 2:20 p.m.

Gary Clark Jr. simply rips, there is no doubt about it. One should be careful to even consider covering a Jimi Hendrix song, but based on Clark’s rendition of “Third Stone From the Sun”, Jimi is smiling down at a man that is following in his footsteps over 50 years later. Clark floats around the stage with ease, flashing easy smiles then melting faces with his reverberating guitar solos. This was a set where it would be best to be close to the stage (or close to speakers) — the sound was entirely too low in some spots, allowing friendly festival conversations to drown out this 29 year-old legend in the making. “Bright Lights” ended the set per usual, coalescing the large audience into the moment. -MF

Young the Giant
Saturday • Land’s End Stage • 3:40 p.m.

Sameer Gadhia is one helluva a front man, and YTG’s rise from the small stage in Orange County to the big show at events across the world is nothing less than earned. They filled both the Lands Stage and polo fields with infectious alterna-indie-pop offerings from their lone self-titled release. Luckily, the group had some new selections they were eager to test on the sizable early afternoon crowd, which seemed to go over well, especially to diehards awaiting new material. Singles “My Body” and “Cough Syrup” obviously received the loudest response, and Sameer’s venture down the center barricade further poured on the feverish energy they thrive on. -KQ

Bombino
Saturday • Panhandle Stage • 4:30 p.m.

The energy Omara “Bombino” Moctar and his band Bombino exhibit while performing is the first thing that is noticeable. They are constantly moving, dancing — vibing to their own music. When a group creates good music, this physical ‘being in the moment’ presence is an effective way to draw the audience into your world, and this tactic worked for Bombino (both the man and the band) in Golden Gate Park. The group stays true to their African roots through their politically anthemic music, and they rock their Tuareg garb with pride, showcasing their culture on the road as the buzz grows with each performance. After seeing them at Outside Lands, it makes sense — they left it all on the Panhandle Stage, pouring their hearts into each song. -MF

Jurassic 5

Jurassic 5 ~ TOP SET
Saturday • Land’s End Stage • 5 p.m.

Los Angeles hip hop ambassadors Jurassic 5 took the Land’s End stage to a BIG midday crowd, especially for a hip hop act at a primarily indie rock & electronic festival, which is a testament to their crossover appeal and lasting legacy. Maybe this demonstrates how hungry the people are for more hip hop and rap. The best part of the set went down when Cut Chemist scratched with a turntable guitar strapped to his chest while DJ Nu-Mark elicited sounds from the ridiculously large turntable set up square in the middle of the stage. This collective, allegedly in the midst of a ‘reunion tour’, has most definitely honed their act since Coachella, and festival-goers ate up every minute, following commands as if in a massive yoga class. –SL

Baauer
Saturday • Twin Peaks • 5:15 p.m.

Is the “Harlem Shake” dead? Yeah, but that still doesn’t mean that we can’t get thoroughly down to the bass-heavy set of this “Rookie/One-Hit-Wonder of the Year” candidate that goes by the name of Baauer. His take on Outkast’s “B.O.B” beckoned back to Big Boi’s triumphant set from last year’s Outside Lands, while simultaneously making asses shake and hands fly skyward in ecstasy. Much like Coachella, a youthful cult of EDM lovers are ever-present at any, and every, set that pulsated bass and catered to that beloved phenomena known as “the drop”. And surprisingly, the crowd kind of shrugged when his virally ubiquitous anthem was played, go figure. -KQ

The Mother Hips
Saturday • Panhandle Stage • 6:05 p.m.

Organizers of the festival always strive to showcase local Northern California acts, young and old, and this year, Chico’s own legendary act, the Mother Hips, brought their defining take on California rock and roll sound to the under-appreciated Panhandle Stage. “Toughie” opened this set before launching into “White Falcon Fuzz”, which showcased the raw, vibrant sounds of Tim Bluhm and the band. Though few were in attendance, at least a couple of patrons had to have been won over by the soul-drenched psychedelia that these vets bring every time they grace a stage. -KQ

Yeah Yeah Yeahs
Saturday • Land’s End Stage • 6:30 p.m.

Equal parts punk rock and dance party, the Yeah Yeah Yeahs held nothing back Saturday, perfectly segueing into whichever headliner you chose to witness. Pulling hits from their entire body of work, the set was equally as entertaining for hardcore fans and new converts alike. The band’s energy was at an all-time high, transferring a sense of mania in the crowd, which created dance circles and mosh pits throughout the entire set. The polo fields were electric and gained much more raw energy during the last five minutes, when Karen O. decided to let her body do the talking. After her signature deep-throating, she not only placed the bedazzled microphone down her shirt, but also into the front of her pants, while further emphasizing her need to be heard. Saturday night had officially started, and from that moment on it was going to be epic, whichever stage you ended up at. –MK

Grizzly Bear
Saturday • Twin Peaks • 6:50 p.m.

One of the toughest decisions of the weekend was choosing the electricity of Karen O and Yeah Yeah Yeahs or the tightness of the well-toured Grizzly Bear. Well, everyone won in their respective choices, but Grizzly Bear’s growing crowd demonstrated that these Warp label, psych-folk rockers are more than capable of stepping up to the festival plate and knocking one out of the park, so to say. Shields was well represented on this final tour stop, after 105 shows on the road behind the release. The vocal interplay is one of their strongest suits as the responsibilities are well shared over their contagious take on the rising avant-rock sound. -KQ

Nine Inch Nails ~ TOP SET
Saturday • Land’s End Stage • 8:25 p.m.

Like The National, the fog which veiled the Land’s End stage created an aura of dark beauty for serious talent to shine through. Saturday’s headlining set by Trent Reznor and cohorts was one of nostalgia equally coupled with the future possibilities of Nine Inch Nails. Opening with a trio of new tracks that beckons closer to Radiohead and How to Destroy Angels than Pretty Hate Machine era industrial rock Nails, it was evident Reznor didn’t, nor shall he ever, miss a beat with his primary project. “1,000,000” into “March of the Pigs” picked up the energy, and built upon the ever-shifting new stage setup that has been winning accolades the past three banner festival performances (think Stop Making Sense meets Aliens). Though the masses were at Phoenix, the crowd energy was high, especially during “Terrible Lie” and “Closer”. As per usual, “Hurt” left the crowd in an introspective gloom, though their hearts were surely still pounding from the assault that is Nine Inch Nails live. -KQ

Phoenix
Saturday • Twin Peaks • 8:40 p.m.

French indie-rock sensation, Phoenix, rallied the youth with a strong set featuring many songs from their 2009 album Wolfgang Amedeus Phoenix. “Listomania,” “Rome,” and “1901” were just some of the highlights. Front man Thomas Mars was spot on with his vocals. “This next song is a dancing one, so feel free …” was followed by longtime fan favorite “If I Ever Feel Better”. They played a solid handful of tracks from their 2013 release Bankrupt! such as “SOS in Bel Air” and “Entertainment”, but the clear goal of Phoenix’s headlining festival set is get the crowd rallied and ready to dance. The rock riffs were on point and the visuals were equally entertaining and Mars crowd surfed the entire audience near the end of the set as has been the habit this tour. Yes, he safely made it back to the stage with a little help from his friends. -DS

DAY 3

Dumpstaphunk
Sunday • Land’s End Stage • 12:10 p.m.

The Sunday morning main stage “Gospel Slot” was appropriately given to Ivan Neville’s (and NOLA’s) Dumpstaphunk — where two bassists and double-bass drum work got booties shaken’ early. Original Neville Brother Ivan asked the crowd if we had been to New Orleans, and when we’d be going back — you’ve gotta love how musicians are the best sellers of tourism for the Crescent City. “Meanwhile…”, a song about still having a good time in post-Katrina NOLA, showcased the spirit of New Orleans perfectly. “You might as well have yourself a good time…there might not be a next time” — a refrain that glows longer then the verses that detail political corruption and violence. It may all read as a didactic song for the TV show Treme, but no one deals with hardship better than New Orleans, led by the “can’t stop, won’t stop” musicians that call the city home. -MF

Fishbone
Sunday • Land’s End Stage • 1:30 p.m.

Fishbone rocked out Sunday afternoon with their ska/punk-rock hybrid sound. Angelo Moore, aka Dr. Madd Vibes, pumped crowd the crowd up with his high energy vocals and stage banter. Not only did Moore and audience members crowd surf during their fifty-minute set, but Moore introduced “Flying Jay”, clad in a red cape, the ultimate crowd-surfing trombone player. Moore also encouraged a mosh pit during their Sublime cover, “Date Rape”. Highlights included “Party at Ground Zero” and “Everyday Sunshine”, when Moore tried to solicit the sun to come out…the fog won. –DS

Rudimental
Sunday • Twin Peaks Stage • 2:05 p.m.

An unexpected highlight on this year’s bill, this mash up of blues, rock, funk and soul with DNB percussion was legit. A lively and large band fronted by two modelesque vocalists (knock off Fergie included), the group is accompanied by an assortment of horns, drums, piano, guitar and a live DJ. Rudimental pumped up the crowd for a positively charged last day, and they proved to be an act worth seeing at any venue – whether you’re looking to start a party or keep the fire burning at the end of a festival weekend. –MK

Kurt Vile and the Violators ~ TOP SET
Sunday • Sutro Stage • 2:30 p.m.

Sunday’s weather left a little to be desired, but that didn’t deter the throngs from arriving a bit early for the likes of Kurt Vile. This seasonal festival veteran’s breezy sound lent perfectly to the tepid atmosphere thick with “San Francisco cigarette” plumes. Nodding heads were rewarded with classics like “Freak Train” and newer offerings, “Wakin’ on a Pretty Daze” and “Girl Named Alex”. Some monitor issues didn’t slow the already laid back pace of the band, even when FOALS’ sound started to bleed into Lindley Meadow. -KQ

FOALS

FOALS ~ TOP SET
Sunday • Land’s End Stage • 2:50 p.m.

Front man Yannis Philippakis walks around with purpose, like he has a chip on his shoulder – something to prove. Maybe it’s hard to go from headliner back home in the UK, then play broad daylight performances in the US like they did at Outside Lands. Philippakis and lead guitarist Jimmy Smith are doing everything they can do to catch the US up to them as FOALS gain more traction and success each week. The polo fields were pretty packed as “Prelude” began, and once Smith appeared ripping on lead guitar, pure fire ensued. FOALS’ purvey cutting-edge rock – their so-called “math rock” deals heavily in progressive time chord changes, while emphasizing the offbeat ones and threes in melodies that mimic rhythm. Absolute rager “Milk & Black Spiders” finished out the all-too short hour in manic fashion — come back to the Bay soon FOALS for a proper show please. -MF

The Head and The Heart (secret show)
Sunday • Choco Lands’ Hell Brew Review • 3:50 p.m.

The tweet came across at 3:30, which inspired thoughts of Jack White performing a special Choco Lands set last year on Sunday. Reeling off of FOALS’ amazing set, a quick solo sprint to the Hell Brew Review across from Lamb Lands paid off magnificently. The three mainstays from Head and The Heart emerged on the tiny vaudeville stage for a hushed acoustic set, which included their new song “Shake”. Then crowd-pleaser “Lost In My Mind” took center stage when Josiah Johnson asked the close proximity crowd mid song, “Does anyone want to come help sing with us up here?” The stage was quickly at maximum capacity, a couple drunk goofballs stood in front of the performers, and someone managed to pull the plug, ceasing all speaker sound. This only made the sing-along more essential, especially for a song that already relies heavily on community spirit. -MF

Hall and Oates
Sunday • Lands End Stage • 4:20 p.m.

Everyone’s favorite 70’s and 80’s nostalgia act took to Land’s End Stage Sunday afternoon sandwiched between two of today’s most influential acts, FOALS and Vampire Weekend. Hall and Oates have been the benefactors of a complete career resurgence despite the fact their only recent album was a Christmas record in 2006. A slow start to their set sent many people to Dawes and A-Trak, but those who stuck around were delighted with classic hits such as “Maneater”, “I Can’t Go for That (No Can Do)” and “Rich Girl”. The corny nostalgia was high, but so were the good times. You can’t ask more from a Sunday afternoon set. -KR

A-Trak
Sunday • Twin Peaks Stage • 5:10 p.m.

Producer, DJ/live mixer extraordinaire A-Trak brought the heat quickly Sunday, feverishly building to sneaky drops that revealed deliciously crunchy beats. The most pleasurable part about taking in Alain Macklovitch live is during transition time, when his scratching abilities deserve close up attention on the video screen. He does it all in a robotic trance; what A-Trak does is on par with what a jazz guitarist does in a blues club or what Ivan Neville did earlier in the day on the main stage — it’s freestyle jamming with pin-point control. After an almost EDM-free Saturday, A-Trak got things going the final day with Duck Sauce’s “Big Bad Wolf” and a raging remix of Kanye West’s “New Slaves”. Fool’s Gold! -MF

Vampire Weekend

Vampire Weekend ~ TOP SET
Sunday • Lands End Stage • 5:50 p.m.

Perhaps one of the most anticipated sets of the weekend came from one of the biggest bands of the year, Vampire Weekend. The polo fields were packed as everyone and their mother (Hall and Oates performed before them) wanted a piece of the boys from the North East. Vampire Weekend came out firing contemporary classics “Cousins”, “White Sky” and “Cape Cod Kwassa Kwassa”. Next came the first offerings from their latest record Modern Vampires of the City, “Diane Young” and “Step”. Vampire Weekend dedicated “Step” to Bay Area hip hop legends Souls of Mischief, who were the song’s source of inspiration. Take one listen to Souls of Mischief’s “Step To My Girl” and you will hear the resemblance. During “Oxford Comma”, the camera zoomed in on a sign a fan created that read “I give a f*ck about an Oxford Comma.” Vampire Weekend wound down their set with “Giving Up the Gun” and my personal favorite from the new album “Hannah Hunt”. Two more tracks from their self-titled album concluded the impressive set with “One (Blake’s Got a New Face)” and “Walcott.”

Throughout the performance, the crowd was equally enamored with the older classics as they were with the new material. Vampire Weekend is currently at the top of their game, and their dominance was on full display as they delivered one of the strongest performances of the festival. They may not appear to be enjoying themselves while performing, but open your ears and listen for a moment — you will hear a band in their prime. -KR

Dillon Francis
Sunday • Panhandle Stage • 7:35 p.m.

Oddly placed at the Panhandle Stage, reminiscent of Wolfgang Gartner last year, there was no way Dilllon Francis wasn’t going to be a rager. Crowds rolled deep to watch this bass heavy set, and in no way did this DJ disappoint. Small stage be damned, Francis killed it, rattling off a consistent set of club bangers and EDM hits. The crowd ate up every second of the eardrum pounding womps, causing many members of the passing crowds to second guess the direction they were headed. The haystacks were packed deep with frottage and pool noodles dancing wildly. –MK

Red Hot Chili Peppers
Sunday • Lands End Stage • 7:45 p.m.

Red Hot Chili Peppers closed out the festival Sunday evening, a slot many thought would be reserved for Sir Paul McCartney when the initial lineup dropped. Whether it was a scheduling conflict or Ranger Dave optimizing his own schedule, the Chili Peppers proved that they were up to the task. In a roughly two hour set, the Chili Peppers were playing with something to prove as they ripped through single after single with fervent intensity. Their energy did not cease for the duration of the show as the band took the audience on a musical journey of one of the most celebrated funk-rock bands in history. Hits like “Under the Bridge”, “Californication”, “Give it Away” & “Around the World” sent off the rock fans happy. After a sand-swept Coachella performance, expectations were not very high, so it’s not shocking that they exceeded them at Outside Lands. They might not be the most relevant bands in today’s musical landscape, but they proved they can still bring the freaky styley when the time is right. -KR

Kaskade ~ TOP SET
Sunday • Twin Peaks Stage • 8:25 p.m.

For those in dire need of one more dance party before the weekend came to a close, alas Ryan Raddon was primed to set the field ablaze with his hard-hitting take on deep-house music. The moist air felt nice as revelers fist-pumped and bounced to a particularly bass-heavy set from the longtime San Francisco resident and torch-bearer for the new American electronic sound which gained immense popularity some years back. A tasteful remix of Lana Del Rey’s “Young and Beautiful” was a highlight, and as 9:35PM ticked closer, many hoped the speakers wouldn’t compromise with dead silence. -KQ

Beer Lands!

In only it’s second year onsite, Beer Lands has become a popular meeting spot, and, obviously, the place for the best local suds this region has to offer. An upgraded location in the polo fields, as opposed to tucked in the back of Lindley Meadow, made this spot even more popular and viable for social get-togethers. Doing away with the $1 ‘tickets’ as opposed to cash and card was a relief to those who would rather opt to not drink Heineken all day and night. Sierra Nevada offered a fragrant, herbal Saison exclusive to Outside Lands. Anchor Brewing brought their popular new California Lager and debuted an Autumn Maple Red Ale that was a tasty treat to those paying attention to the constantly rotating cast of taps. Drakes 1500 Pale Ale was this writers beverage of choice, but honestly, there were no losers in the bunch, and many look forward to this addition every year. Bottoms up. -KQ

We didn’t catch them all this year! We missed Chromatics, The Tallest Man on Earth and Daughter — amongst others. What were your favorite shows at Outside Lands 2013?

Torch us in the “Comments” section below.

More Girls On Shoulders - by Ryan Shulman