Depeche Mode – Showbams

Albums you’ll want to hear in 2017

For as bad as 2016 might have been, there’s no question it yielded some excellent albums. So, what’s in store for 2017? It’s still early, but from what we know right now, there’s plenty of new music on the horizon — and a lot of it we can’t wait to get our hands on.

Here are 10 upcoming albums (in chronological order by release date) that you’ll want to hear and could very well end up being on some “Best of 2017” lists in another 12 months.

Bonobo – Migration

Release date: January 13th
Record label: Ninja Tune

British musician, producer and DJ Simon Green has organically built a loyal following among electronic music fans for almost two decades with a unique sound that combines downtempo electronica with trip-hop and world-music influences. Since 2013’s The North Borders, he has moved to Los Angeles and recorded his sixth LP Migration, which boasts a few notable guest appearances from Nick Murphy (fka Chet Faker), Rhye and Hundred Waters.

The Flaming Lips – Oczy Mlody

Release date: January 13th
Record label: Warner Bros.

Wayne Coyne and his psychedelic sidekicks have been busy over the last few years, recording Beatles cover album With a Little Help From My Fwends in 2014 and releasing a collaborative LP with Miley Cyrus the following year. On their 15th studio effort, the difficult-to-pronounce Oczy Mlody that drops on Coyne’s birthday, the Lips return to the days of Yoshimi Battles the Pink Robots and get a little help from their pop-star “fwend” on closing track “We a Famly”.

SOHN – Rennen

Release date: January 13th
Record label: 4AD

London native Christopher Taylor has been known for working extensively with such artists as BANKS, Lana Del Rey and Rhye, but his transition in becoming a legitimate solo act was cemented with the release of his 2014 debut LP Tremors, which peaked at No. 31 on the UK charts. Now calling LA his home, he has spent the last three years constructing Rennen, his second record as SOHN that’s led by “Signal” and its frighteningly beautiful music video.

The xx – I See You

Release date: January 13th
Record label: Young Turks

No impending album in the first quarter of 2017 may have as much hype around it as The xx’s I See You, their long-awaited follow-up to 2012’s Coexist. The build-up to its release in the last few months has seen the London trio perform on SNL, where they showcased lead single “On Hold” and debuted “I Dare You”, and play shows in Eastern Europe to go along with the news of guitarist/vocalist Romy Madley Croft’s recent engagement.

Cloud Nothings – Life Without Sound

Release date: January 27th
Record label: Carpark Records

Lo-fi noise rockers Cloud Nothings have come a long way since Dylan Baldi started recording songs in his parents’ basement. With their last two LPs — 2012’s Attack on Memory and 2014’s Here and Nowhere Else — garnering critical acclaim from the music media, the four-piece will release Life Without Sound, its fifth studio album and first with lead guitarist Chris Brown now officially a member of the band, later this month.

Japandroids – Near to the Wild Heart of Life

Release date: January 27th
Record label: ANTI-

Known for their DIY approach and high-energy performances, Brian King and David Prowse are back after what some may have considered a brief hiatus since touring in support of their 2012 studio album Celebration Rock. This time, the Canadian garage-punk duo is signed to a new label, with its third LP Near to the Wild Heart of Life set to drop on ANTI- in a couple of weeks before embarking on a 20-date North American tour this winter.

Elbow – Little Fictions

Release date: February 3rd
Record label: Polydor

2017 marks a big year for Elbow. The Mercury Prize winners have been going at it for 20 years, and to celebrate the occasion, frontman Guy Garvey and company are unveiling their seventh studio album Little Fictions, which features collaborations with The Hallé Orchestra and their choir after longtime drummer Richard Jupp announced in 2016 that he was leaving the group to pursue other creative projects, from expanding his drum school to various charity work.

Sampha – Process

Release date: February 3rd
Record label: Young Turks

Sampha Sisay, who performs under his mononymous stage name, has built much of his reputation on working with high-profile artists like Drake, Kanye West and Solange. But almost seven years after unveiling his debut EP Sundanza, the South London electronic musician, singer-songwriter and producer is finally dropping his own full-length effort, highlighted by previously released singles “Timmy’s Prayer” and “Blood on Me”.

Ryan Adams – Prisoner

Release date: February 17th
Record label: PAX AM/Blue Note

At the age of 42, Ryan Adams is as prolific as any musician out there right now, with Prisoner marking his 16th LP and the follow-up to his Taylor Swift cover album. And while he has been teasing the record for about six months, originally hinting at a possible November release, the alt-country songwriter gets ready for his next chapter, which he says was inspired by 80’s rock giants like Bruce Springsteen and AC/DC despite coping with a very public divorce at the time.

The Shins – Headworms

Release date: March 10
Record label: Columbia

By the time The Shins unleash their fifth LP this March, it will be nearly five years between album releases for the Portland-based outfit. Of course, it’s no secret that bandleader James Mercer keeps a tight schedule between The Shins and Broken Bells, but on Heartworms, the Albuquerque native made sure to include “So Now What”, the song he wrote for the “Wish I Was Here” soundtrack that he later said was “one of the best things” he has ever done.

The following artists and bands are expected to release new albums in 2017 but have yet to confirm an official release date and/or an album title:

ANTEMASQUE
Arcade Fire
Broken Social Scene
Bruce Springsteen
Chic
Chromatics
Depeche Mode
Diddy
DJ Premier
Gorillaz
Grizzly Bear
GZA
Haim
Jesu/Sun Kil Moon
John Mayer
Kanye West
The Killers
LCD Soundsystem
Lupe Fiasco
Major Lazer
Mastodon
Modest Mouse
My Morning Jacket
The National
The Offspring
Pond
Ride
Sky Ferreira
Spiritualized
St. Vincent
T.I.
Troye Sivan
Vampire Weekend
Wyclef Jean
Zack de la Rocha

New Music Tuesday: Depeche Mode • The Strokes • Wavves

Every Tuesday, we focus on new music releases by naming our top tracks, album highlights, lowlights and important takeaways for select albums.

Depeche Mode – Delta Machine

Top Tracks:
“Heaven”
“Secret to the End”
“Alone”

Album Highlights: The song that grabs me the most is “Alone”, as it features Dave Grahan’s haunting baritone voice while Martin Gore lays down many layers of synth and drumbeats. The first single off Delta Machine, “Heaven” is close to the classic style of Depeche Mode, with more harmonies between the singers, and it’s fuzzy sound quality provides the listener with classic Depeche Mode peripherals.

Album Lowlight: Depeche Mode knows what works for them so they stick to it. I would of liked to see some different styles in some of the songs, but they didn’t deviate too far from their past work. It’s hard to blame Depeche Mode for sticking to their sound, as 80’s synth-based music is present today more than ever.

Takeaway: These 80’s electro-pop Veterans churned out another album of synth-heavy tunes that evoke many past memories of their previous work. Diehard Depeche Mode fans will probably enjoy this album just for the sole purpose of having new tracks to listen to, but I don’t see many new fans being won over by this record.

~Pete Mauch

The Strokes – Comedown Machine

Top Tracks:
“Slow Animals”
“Happy Ending”
“All the Time”
“One Way Trigger”

Album Highlights: A subtle step in a soulful direction, the Strokes branch out with R&B vocals and baseline tricks they have unfortunately kept hidden up their sleeves until this album. Sandwiched between choruses defined by their signature guitar riffs and lyrical structure, “Slow Animals” isn’t too far out of their comfort zone, but resonates nonetheless. Hearing Casablanca’s range in a different tone is refreshing, and the band’s baritone harmonizing is not only catchy but sheds a whole new light on where the band could be headed in the long term.

Album Lowlight: Cut “Call It Fate, Call It Karma” in half and it still would have had the same creative impact without seeming pretentiously drawn out. I may have just had too high of expectations for what the Strokes could’ve done with a traditional samba, but this one falls short regardless of my preconceived notions. The track sounds like Casablanca is drunkenly crooning in a bathtub down the hallway, trying to be drowned out by his neighbors’ french pop vinyls.

Takeaway: Taking a note from their Beggar’s Group labelmates Beirut, the Strokes introduce an electro element to the album with the accordion-simulated pop gem “One Way Trigger”. Pulsating drums, Spanish guitar and Casablanca’s gorgeous falsettos make this easily the most catchy and energetic track on the album. It’s destined for commercial airplay and chart-topping success. Summer time hit is written all over it.

~Molly Kish

Wavves – Afraid of Heights

Top Tracks:
“Sail to the Sun”
“Afraid of Heights” feat. Jenny Lewis
“Beat Me Up”

Album Highlights: Nathan Williams’ Wavves are at it again, doing what they generally do best; write angst-ridden songs coupled with his nasal voice and insanely poppy guitar hooks. However, on this current release we see Wavves take advantage of their signing to a major label, which in turn means a slight departure from the lo-fi sound. Production really shines through here for this still-young band. Lyrically, Williams has not strayed too far from his dropout, stoner ethos we have become used to. “I’ll always be on my own,” is shouted on track “Demon to Lean On.”

Album Lowlight: The release of King of the Beach many years ago cemented the band’s status as a contender in the running for the garage rock crown. A high profile relationship with Bethany Consentino of Best Coast catapulted the band further, but after many years and many similar acts, the formula is starting to wear thin for Williams. The album clocks in at over 40 minutes, an impressive feat, but can tend to drag on towards the end.

Takeaway: Fans of the band will surely eat up this album, playing it on heavy rotation most of the summertime, understandably. Though it is more polished than previous efforts, it is still gonna make the kids stage dive and pogo along at their shows, as demonstrated at Bottom of the Hill last weekend. Self-loathing has never been more fun!

~Kevin Quandt