Outside Lands 2018: A return to form in Year 11

Outside Lands 2018Photos by Norm de Veyra // Written by Kevin Quandt //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 10th-12th, 2018 //

As another summer festival season winds down, we look back at the 2018 edition of Outside Lands with highlights, thoughts, musings and enough images to make you nostalgic for the Bay Area’s banner music festival. With the Superfly, Another Planet Entertainment and Starr Hill event celebrating its 11th edition, this incarnation of the annual Golden Gate Park soirée saw more of a return to form over the past year while also experiencing a notable shift in the sound that could be heard emanating through the eucalyptus and other flora.

While cancellations left a slightly sour taste in the mouths of last year’s attendees, this year only saw limited lineup hiccups. However, the bigger story at hand surrounds the changing tides of popular music. Sure, you’ve heard folks state “rock is dead,” but is a once-amusing quip starting to take greater shape as the youth clamor for a different sound and aesthetic? Though it was pretty evident on the 2018 lineup poster when it dropped in April, this query started to take greater shape once you were on the grounds and bouncing between sets. So, let’s jump straight into this now.

Outside Lands 2018 - Billie Eilish


Billie Eilish

Friday

Day 1 at Outside Lands tends to be a slow trickle of fans entering the park as some are able to play hooky, bounce from the office early or only show up for the headliners. Sure, some folks had to deal with longer-than-expected box office lines and others even had to bear the fest’s new bag policies, but luckily those in attendance were blessed with some clear skies instead of the usual August dread of the Outer Lands.

While Billie Eilish was relishing in her rising appeal on the Lands End stage, covering Drake and running through the majority of her singles, Rex Orange County was trying his hand at something a bit new and terrifying. The UK wunderkind was forced to play his first-ever solo festival set as his band and their gear ran into transit issues on the way to SF from the Pacific Northwest. The young crooner seemed a bit nervous about this predicament but competently knocked out a solid, eight-song performance that included “Sunflower” and closer “Loving Is Easy”.

N.E.R.D., meanwhile, played their first SF show in many years to a raucous crowd, opening with “Anti Matter” as a hyped Pharrell Williams feverishly worked every corner of the huge Lands End stage. The set featured a massive medley of tracks by The Neptunes, a cover of “Seven Nation Army” and a double dose of “Lemon” to send us on our way to the next set.

Simultaneously, Carly Rae Jepsen was apparently throwing down one of Outside Lands’ most enjoyable performances in front of a rather large crowd. While the pop sensation pleased the masses with a rendition of her breakout hit “Call Me Maybe”, she also performed more recent songs like “Emotion”.

ODESZA obviously drew a large crowd for their main stage afternoon showcase, putting the spotlight on the changing tides and tastes of the youth music market. That kind of youthful angst and energy seemed to be danced out to ODESZA, DJ Snake and Big Gigantic compared to the pits of rock bands from the 2000’s, be it Queens of the Stone Age, System of a Down or Deftones.

With the under-25 crowd predominantly stationed at Lands End, you could say there was a more intimate feeling at Twin Peaks for Father John Misty. Touting his expanded band that featured a string section and dialing back his quirky stage banter, Josh Tillman’s latest tour has been pretty much about presenting his music as faithfully as he can. “Nancy From Now On” opened his career-spanning performance as the shadows began to drape the park.

While FJM’s attendance was noticeably a bit small for a rock act, the king of “jizz jazz,” aka Mac DeMarco, was able to attract a rowdy crowd for his closing set on the Sutro stage. When the synth sections of “On the Level” opened DeMarco’s set, a certain air of relaxation swept the crowd as various smokeables were consumed in honor of indie-slacker royalty onstage.

Abel Tesfaye, popularly known as The Weeknd, enjoyed a sort of victory lap as he headlined the festival’s first day with an onslaught of hits such as “Starboy”, “Can’t Feel My Face” and “The Hills”, along with a few select covers of Future, Belly, Drake and Ty Dolla $ign. Though Tesfaye’s current large-scale show is nothing new to the live music circuit, he still threw one helluva party before sending the masses into the wilds of the City.

Outside Lands 2018 - Florence + the Machine


Florence + the Machine

Saturday

It has been a couple of years since Outside Lands was fortunate enough to have a truly clear, sunny Saturday — and not just for a few hours, but the whole damn day. Plus, it was topped off with another insanely gorgeous sunset, but let’s not jump the gun here.

As the day got underway, New York indie artist Amen Dunes performed an extremely tight set, showcasing his wavy take on psychedelic rock/folk. Led by Damon McMahon, the trio played heavy off its most recent release Freedom while also not completely ignoring its back catalog. Moreover, McMahon’s stage presence was infectious and somewhat akin to R.E.M.’s Michael Stipe, as his slender build moved to the emotive nature of his craft.

On the opposite end of the spectrum, Lizzo was bringing down the early-afternoon house as she decimated the Lands End stage. “Fitness” opened her 10-song set as her pair of dancers, as well as Lizzo herself, left everything on the stage for the sizable crowd that was yearning for her energy, and some even yearned for a shot of tequila from her bottle of Patrón as she entered the photo pit for an up-close appearance during closing song “Good as Hell”.

When the Lizzo crowd dispersed, Broken Social Scene fans got prime real estate to catch the Canadian indie-rock demigods perform a blistering set of guitar-heavy tunes like opener “KC Accidental” and closer “Anthems for a Seventeen Year-Old Girl”. Even in such a large setting, the massive band was able to cook up a sense of intimacy and really engage.

While OSL this year leaned more toward R&B, electronic pop and other hip genres, UK jazz purveyors GoGo Penguin delivered a stunning set of avant-garde-leaning jazz. This punchy trio showed their chops over tracks like “One Percent” and set closer “Window” and could easily be compared to The Bad Plus. GoGo were a perfect palate cleanser before heading to more current stylings from either SOB X RBE or CHVRCHES.

Local legend Tycho performed to an enthusiastic crowd while Scott Hansen stated this would be the last incarnation of this phase for the group (we look forward to the next chapter). Back over at Lands End, Bon Iver delivered a prototypically powerful set as the sunlight dwindled, simultaneously providing a seriously stunning sunset.

As the limited amount of darkness fell over the park, one-third of The xx was preparing to hold court as the Sutro crowd swelled, moving their dancing feet to the new-school dance pioneer known as Jamie xx (born James Smith). Even as Jamie xx eased into his intro (The Animals’ “San Francisco Nights”) and more fans pushed in, it was rather evident that the Sutro’s sound system wasn’t able to fully reach the volume many were looking for. But an Above & Beyond nod (“Sun in Your Eyes”) eventually led straight into Smith’s mix of “On Hold” and all was right in the world, if only for about eight minutes.

There was a bit of controversy surrounding Saturday’s main slot as Florence + the Machine officially made the move to full-blown festival headliner. Some festivalgoers had their own doubts after FYF Fest 2018 was canceled with a near-identical top billing, but Florence and her bandmates proved, many times over, that she is more than capable of commanding any stage as her energy is unlike many others. She debuted a brand-new show, which featured “June” in the opening slot and was book-ended by “Big God” and “Shake It Out” for a two-song encore.

Outside Lands 2018 - Janelle Monáe


Janelle Monáe

Sunday

On the final day, the weather was back on track; by that, I mean it was cold, blustery and generally moist. Most were thankful for the two previous days as opposed to three days of “Karl the Fog,” as has been tradition for a good 3-4 years now.

The early afternoon of Sunday bore witness to some very lively performances from up-and-comers like Rainbow Kitten Surprise and Hobo Johnson & the Lovemakers, both of who are primed to make moves in the festival circuit over the next year if they play their cards right.

Continuing with the trend of electro-leaning acts playing to some big crowds, BØRNS fully commanded a youthful contingent with hits such as “10,000 Emerald Pools” and set closer “Electric Love”.

The incomparable Janelle Monáe was a tad late to take the stage, as she was fighting off a stomach bug, but when she did, she captivated the masses with a suite of tracks from her most recent release Dirty Computer and tossed in a fair amount of costume changes over a nearly hour-long set. Monáe proved that she’s easily one of the best in the business at the moment and will only continue to climb upwards.

Over at the Twin Peaks stage, The Internet was trying to hash out some sort of technical difficulties before beginning their abbreviated performance, which seemed to be a little lopsided and uneven as they did their best to deal with the 30 minutes that they had left. Fortunately, “Girl” got the majority who stuck around swaying to Syd’s sultry vocals and generally chilled demeanor.

Portugal. The Man held a fleeting rock slot on the main stage, putting their quirky brand of psych-leaning pop rock on display. Moreover, they tossed in some oddly placed Pink Floyd and Beatles covers before closing with their breakthrough hit “Feel It Still”.

Aussie newcomer Tash Sultana, meanwhile, was putting on a masterclass in instrumentation and looping. Sultana has really had one of the biggest breakout years in independent music, and it was clearly evident as she had a carefree stage presence backed by some truly unique, solo-delivered music ripe with psychedelic and world elements. The 23-year-old is certainly a name to watch over the next year and beyond.

As the last set of OSL artists got ready to play, James Blake brought us to church for this year’s final performance on the Sutro stage, failing to disappoint while the fog grew slightly thicker in Lindley Meadow. Highlights from Blake’s dreamy set were easily his take on Untold’s track “Stop What You’re Doing” and a semi-rare rendition of “Modern Soul”.

Some say Janet Jackson couldn’t pull in big crowds amid the current shifting landscape of large-scale music festivals, and although she didn’t pull in record-breaking numbers on a rugged SF night, it was clearly evident that those fans who stayed to watch her were all-in. Jackson’s career-spanning show touched on more than 35 songs and was accompanied by some fierce choreography and production elements. Sure, she wasn’t singing much of the time, but that didn’t stop a wide range of fans from showering Jackson with affection. Her closing performance was highlighted by “That’s the Way Love Goes” and later on, the MJ collaboration “Scream” that transitioned into “Rhythm Nation”.

As the music festival industry continues to deal with a shifting crowd and demand, Outside Lands regained its stride after a few hiccups in 2017. And while this year’s lineup might not have appealed to the core demographic from its incarnation, the event still offers something for everyone.

Outside Lands 2018: Don’t miss these performances

Outside LandsPhoto by Marc Fong // Written by Kevin Quandt //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 10th-12th, 2018 //

Well, another year of Outside Lands descends upon our foggy metropolis once again, packing a varied, even genre-shifting bill of up-and-coming acts across three days and a multitude of stages. And as the music festival celebrates its 11th year in Golden Gate Park, Another Planet Entertainment and Superfly continue to stack on new and exciting elements. Some changes that attendees should be in store for include a slightly updated location for the Gastromagic stage and the addition of a cannabis-centric installation, appropriately named Grass Lands. In the meanwhile, let’s dig into what this event is all about … the music.

Also, don’t forget to create your own schedule here.


Outside Lands 2018 - Carly Rae Jepsen

This is ladies’ night … oh, what a night

Artist: Carly Rae Jepsen
Set date/time: Friday, 5:15-6:05 p.m.
Location: Twin Peaks

The “Call Me Maybe” star has shifted her sound over the past few years, and while she has traded in some of her pop sentiment for something more akin to indie dance, she has held steadfast to her popularity. Her Outside Lands Night Show at The Independent sold out in record time, but those shut out will still be able to see her on Day 1. While we haven’t seen much new music from CRJ, clamoring fans can hope to hear a new track or two.

Artist: Florence + the Machine
Set date/time: Saturday, 8:25-9:55 p.m.
Location: Lands End

It has been a long three years for Florence Welch fans as they patiently awaited the follow-up to 2015’s How Big, How Blue, How Beautiful. Alas, the indie-rock queen has returned, making the jump to festival headliner with her beauty-meets-power stage presence. While Florence + the Machine might not seem like top-billing material, her live show will definitely command your attention. Plus, this set will also be a tad more special now with the cancellation of FYF, making this her first U.S. performance since the release of her fourth LP High as Hope as well as the debut of her brand-new stage setup.

Artist: Tash Sultana
Set date/time: Sunday, 6:15-7:05 p.m.
Location: Sutro

While the two aforementioned female artists have become household names over the last half decade, it’s 23-year-old Tash Sultana who is poised to make the larger splash at Outside Lands in 2018. This Australian export has been turning heads in big ways for the past year or so and is on the cusp of stardom. While Sultana’s true calling is the guitar, this multi-instrumentalist weaves psych-leaning rock with reggae flare through a multitude of loops. Her artistry is hard to deny and will easily pull you in on Day 3.


Outside Lands 2018 - Florence + the Machine

For the indie heads

Artist: Father John Misty
Set date/time: Friday, 6:50-7:50 p.m.
Location: Twin Peaks

The return of Josh Tillman to Golden Gate Park took a solid six years to come to fruition, and boy how things have changed since those early Fear Fun days. Long gone are the days of LSD-slogan shirts and kitschy, from-the-pulpit rants, which he has traded in for a slick new, no-BS style that’s truly refreshing. The release of his fourth studio album God’s Favorite Customer in June, with its string flourishes and lush organ arrangements, has given fans a multifaceted LP to dig into as Tillman still strives to provide lyrics that are part reflection, part meta. Expect at Outside Lands a largely expanded live band, coupled with less witty banter.

Artist: Jamie xx
Set date/time: Saturday, 7:35-8:50 p.m.
Location: Sutro

Even though some might claim that this year’s Outside Lands lineup looks a tad homogenized on paper, there are luckily a few rare treats that make a fest vet perk up, and in 2018, Jamie xx (born James Smith) holds that title. Other banner dance names such as DJ Snake and ODESZA may pull larger crowds, but the purists will surely congregate for one-third of The xx as Smith lays down far-out selections as well as tracks from his 2015 banner release In Colour. Jamie xx live sets have become increasingly rare nowadays, so this performance will likely serve as the best jumping off point for your Day 2 closer, whether you go with Future or Florence.

Artist: James Blake
Set date/time: Sunday, 7:35-8:45 p.m.
Location: Sutro

SF was treated to a handful of James Blake shows in December at the Herbst Theatre, but we’ll certainly take another appearance from this UK dubstepper-gone-crooner. Some new material has trickled out over the last year with his next record on the horizon … somewhere. However, the main reason we included him in this list has more to do with location, time and vibe. With the Sutro stage hosting a more electronic lineup in 2018 (i.e. Jamie xx, Big Gigantic and Tycho) than in years past, the thought and likelihood of a thick fog rolling through GGP’s eucalyptus grove as the final light dwindles gives us those sought-after music chills. If he plays “Modern Soul” though, we’ll have to upgrade that status to full-blown goose pimples.


Outside Lands 2018 - James Blake

Rising to the top

Artist: Cuco
Set date/time: Saturday, 2:20-3:05 p.m.
Location: Sutro

This LA native has recently captured the attention of music lovers both young and old with his blend of jizz jazz, downtempo beats and multilingual singles. Fans of Mac DeMarco and The Internet should plan to be in attendance for this one as Omar Banos’ lo-fi song crafting will unequivocally get you swaying on a Saturday afternoon at Outside Lands. Moreover, his super-fresh collaborative track titled “Drown” that he dropped with fellow heatseeker Clairo should soon send his stock flying through the roof.

Artist: Hobo Johnson & the Lovemakers
Set date/time: Sunday, 1:10-1:55 p.m.
Location: Sutro

Frank Lopes, aka Hobo Johnson, arrived in 2018 out of nowhere due to the popularity of his breakout single “Peach Scone” along with its viral music video for NPR’s Tiny Desk Contest. This quirky collective whips up a musical style that’s unlike any other and what some might label as spoken word and/or alternative hip-hop. Sure, there’s a layer of novelty to Johnson’s select tracks, but he’s simply lovable and so easy to root for, much like his contemporary Rex Orange County.

Outside Lands - 2018 lineup

Outside Lands releases its 2018 schedule

Outside Lands - 2018 schedule

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 10th-12th, 2018 //

With Outside Lands just a little more than two weeks away, the three-day music festival has revealed what many fans have been waiting for since this year’s lineup dropped: set times!

Check out the fest’s schedule for its 11th edition here and start making your plans for which artists you’ll be seeing at Golden Gate Park this August.

As usual, there are enough scheduling conflicts to sort through in 2018. Friday’s action will see festivalgoers choosing between Rex Orange County/Perfume Genius, N.E.R.D./Chicano Batman/Carly Rae Jepsen, ODESZA/The Growlers/Father John Misty and The Weeknd/Mac DeMarco/Beck, while Saturday offers its own assortment of difficult decisions with Broken Social Scene, Poolside and Daniel Caesar pitted up against one another. Of course, there’s also CHVRCHES vs. Big Gigantic, Bon Iver vs. Tycho and Florence + the Machine vs. Future that the masses will have to consider on Day 2.

Outside Lands 2018 - daily lineups

Sunday’s slate offers even more, with Janelle Monáe and LP scheduled only 15 minutes apart and The Internet on 10 minutes later. Portugal. The Man’s and Tash Sultana’s performances, meanwhile, are only separated by five minutes, and to close out the weekend, attendees will have to choose between Janet Jackson and DJ Snake, which presents quite a dichotomy.

Trying to decide who to see might feel a little overwhelming right now, but just remember you really can’t go wrong with whatever you choose. Much like every year, there are so many good options at Outside Lands that it’s not worth stressing over in the long run. Just be sure to wear a comfortable pair of shoes and download the mobile app here before you head to the park.

Overjoyed for Outside Lands’ return? Take a peek at our coverage from 2017 here.

Outside Lands - 2018 lineup

Arroyo Seco Weekend 2018: Ringing in summer at Goldenvoice’s chilled-out Coachella for grown-ups

Arroyo Seco Weekend 2018Photos courtesy of Arroyo Seco Weekend // Written by Josh Herwitt //

Arroyo Seco Weekend //
Brookside at the Rose Bowl – Pasadena, CA
June 23rd-24th, 2018 //

No matter how old you are, going to a music festival can be a taxing and tiring affair. There’s a lot of walking, a lot of standing, a good amount of dancing and/or rocking out (depending, of course, on your energy level), and more walking and standing. If “festival shape” isn’t a catch phrase yet, it certainly should be. Because for some of us aging live music fans, being on your feet 8-10 hours and in the sun for two, three or four straight days isn’t as easy as it used to be.

Music festivals, in that regard, are designed primarily for the young and youthful, or at least for those who remain young at heart. So, when famed Southern California concert promoter Goldenvoice, best known for founding and organizing the world-renowned Coachella Valley Music and Arts Festival every April, announced last year that it would be launching a brand-new, two-day event in Pasadena focused on various forms of rock, funk, folk and country, it served as an opportunity for a different generation of live music fans to experience the same platform that has dominated the industry for the past decade (and for some who are parents, possibly understand why their kids like going to Coachella so much).

Arroyo Seco Weekend 2018 - Neil Young + Promise of the Real


Neil Young + Promise of the Real

With its second installment now in the books, Arroyo Seco Weekend has already carved out a solid niche in Los Angeles’ massive live music scene with a winning combination: great music and high-quality, top-notch local food and drink. It’s the same formula that has made Outside Lands Music Festival in San Francisco a huge success for longer than 10 years, but it’s still one that had also been largely absent from Southern California music festivals until four years ago when Goldenvoice started making a concerted effort to partner with top-notch LA eateries and restaurants for both weekends of Coachella. That’s where the comparisons end, though.

Arroyo Seco is really its own thing. There’s no denying, even after only a couple of years on the calendar, that it fosters a much different vibe than Coachella or Goldenvoice’s other LA area music festival, FYF Fest, which was surprisingly canceled five weeks after dropping its 2018 lineup due to reportedly poor ticket sales. But with a clear identity from the start, ASW stands more than a fighting chance at a time when music festivals are sadly a dime a dozen (except for the ticket price).

Arroyo Seco Weekend 2018 - Robert Plant and the Sensational Space Shifters


Robert Plant and the Sensational Space Shifters

Goldenvoice CEO Paul Tollett and his team, for one, came out of the gate swinging for ASW’s inaugural edition with a roster led by the late Tom Petty, which unfortunately ended up to be one of his final performances before his unexpected death, and British folk rockers Mumford and Sons, plus Alabama Shakes, Weezer, The Meters, The Shins, Dawes, Fitz & the Tantrums, Live, Andrew Bird, Broken Social Scene, Lukas Nelson & Promise of the Real, Charles Bradley & The Extraordinaires, Galactic and many more all making appearances. That didn’t mean, of course, it was void of suffering a letdown in Year 2, but such a thought was quickly put to rest when the fest’s 2018 bill came out and proved to be equally good, if not better than what 2017 offered. With rock legends like Neil Young and Robert Plant sharing the top of the poster with modern-day rock stars such as Jack White and Kings of Leon, ASW made sure to cater to more than four generations of live music fans, much like the longtime New Orleans Jazz & Heritage Festival — which White, Lukas Nelson + Promise of the Real (who also often serve as Young’s backing band), Irma Thomas and Aaron Neville, fittingly enough, all played this year — does each spring in The Big Easy. Throw in some nicer weather and some California-cool flavoring, and you’ve essentially got ASW. So, call it “#Dadchella” if you want, but that won’t stop those of us who are currently in our 30’s, 40’s, 50’s and 60’s from going again.

If rock is supposedly “dead” like so many say it is these days, you wouldn’t know it from the size of the crowd that descended upon the Brookside Golf Course adjacent to the Rose Bowl Stadium on a couple of hot summer days. ASW, rather, proved just the opposite, with even a few throwbacks, the Pretenders and Alanis Morrisette most notably, drawing large numbers over at the main stage. Then there were singer-songwriters Seu Jorge, Shakey Graves, Margo Price and Dwight Twilley, as well as blues savior Gary Clark Jr., pouring out their hearts and souls in what felt like a family-friendly environment (maybe the baby strollers helped). And how about Inglewood-bred jazz virtuoso Kamasi Washington mesmerizing with a powerful, mid-afternoon set? There were plenty of memories to be made at ASW in 2018, and we were just grateful to be there to bear witness to them.

Outside Lands taps The Weeknd, Florence + the Machine, Janet Jackson to lead 2018 lineup

Outside Lands - 2018 lineup

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 10th-12th, 2018 //

Outside Lands is bringing some heavy hitters to Golden Gate Park this August.

The three-day music festival, which celebrated its 10th anniversary last year, has inked The Weeknd, Florence + the Machine and Janet Jackson to headline its 2018 edition, and we had good reason to believe that the latter, who was already confirmed for FYF Fest in July, would come true as early as a few days ago.

Last week, Ranger Dave started releasing lineup clues via Twitter, including one in particular that indicated Jackson would be on the bill as well as others hinting that Bon Iver, Huey Lewis and the News, Mac DeMarco, Jessie Ware, Big Gigantic, BØRNS, Rex Orange County, SOBxRBE and to get things started, Portugal. The Man, would perform.

Now, we have this year’s complete roster that also boasts Future, Beck, ODESZA, DJ Snake, N.E.R.D., CHVRCHES, James Blake, Jamie xx, Illenium, Tycho, Father John Misty, Carly Rae Jepsen, Chromeo, The Internet, Gryffin, The Growlers, Tash Sultana, Broken Social Scene, Rainbow Kitten Surprise, Daniel Caesar, Perfume Genius, Goldlink, Chicano Batman, Jessie Reyez, LP, Sabrina Claudio, Margo Price, Kelela, Claptone, The Mountain Goats, Lauv, Lizzo, Whethan, Smokepurpp, Quinn XCII, Poolside, Bahamas, CUCO, Amen Dunes, Shannon and the Clams, Aquilo and many more.

The festival’s culinary program, meanwhile, will continue to expand in 2018, with access to more than 200 menu items from some of the Bay Area’s top restaurants that you’ll be able to pair with hundreds of Northern Californian wines and beers and a collection of the region’s best cocktail bars. Taste of the Bay Area, Wine Lands, Beer Lands, The Back Wine, Cocktail Magic and GastroMagic are all back as well, so there’s plenty to be excited about in regard to the unique food and drink experiences that Outside Lands has to offer (and stayed tuned for the full food and drink lineup coming soon).

Moreover, adding to the overall experience will be Outsider Art, Eco Lands and The Barbary, which is named in honor of SF’s Barbary Coast district and features some of the best comedy and cabaret around. The environment has long been an important cause for Outside Lands, and its organizers aren’t afraid to say that after contributing more than $20 million to the SF Recreation & Park Department and rather remarkably turning 91 percent of 2017’s waste into reusable, recyclable and compostable materials.

Outside Lands has delivered seven consecutive sellouts since 2011, so you won’t want to wait on getting your tickets when they go on sale here this Thursday, April 5th at 10 a.m. PT. Plus, for the first time ever, the fest is offering fans the option for a three-day GA and VIP layaway plan that will allow them to pay for their passes in four installments. After last year saw an increase in ticket prices, three-day GA passes will start once again at $375 while VIP passes will be available for $795.

UPDATE (June 5th): Outside Lands has revealed its daily lineups for 2018, with The Weeknd gracing the stage Friday, Florence + the Machine playing Saturday and Janet Jackson closing down the festival Sunday. See the daily schedules below before single-day tickets go on sale for $149.50 (GA) and $345 (VIP) this Thursday, June 7th at 10 a.m. PT here.

Outside Lands 2018 - daily lineups

If you’re excited for Outside Lands now, make sure to check out our coverage from 2017 here.

Outside Lands 2017

Our favorite performances from 2017

Best live shows of 2017 - The xx, Miguel, Moderat & Coldplay

2017, where the hell did you go? It just felt like the other day that we were ringing in a new year, and yet, here we are again as we plow straight ahead into 2018.

But before we officially put a bow on 2017, it’s time for us to revisit the past 12 months at Showbams. This year, we had the opportunity to capture many amazing moments in live music, and while we couldn’t pay homage to every single performance we witnessed, we made a conscious effort to include a wide range of talent spread across the industry.

Whittling down our list, though, was not that easy. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order) whom we either covered at their own show and/or at a music festival this year:

21 Savage, The Accidentals, Action Bronson, Alice Cooper, Alina Baraz, alt-J, Amber Mark, Andrew McMahon in the Wilderness, Animal Collective, Atlas Genius, The Avalanches, The Band Perry, Beach Slang, Belle and Sebastian, Black Moth Super Rainbow, Bleachers, Blonde Redhead, Bob Moses, Car Seat Headrest, Cate Le Bon, Cigarettes After Sex, Circles Around the Sun, City of Caterpillar, The Coathangers, Claude VonStroke, Chris Robinson, Con Brio, Conor Oberst, Courtney Barnett & Kurt Vile, Crystal Castles, The Crystal Method, Daniel Caesar, Dawes, Dead Meadow, Deafheaven, Deep Purple, Diet Cig, DIIV, Dirty Dozen Brass Band, Dr. Dog, Dr. Octagon, Duke Dumont, Eagles of Death Metal, Electric Guest, Emancipator, Emily King, Empire of the Sun, Foxygen, Future Islands, Gabriel Garzón-Montano, Gatecreeper, Girl Talk, Gone Is Gone, Grizzly Bear, Gucci Mane, Hamilton Leithauser, Hazel English, Hinds, The Hip Replacements, Hiss Golden Messenger, How to Dress Well, Iggy Pop, Isaiah Rashad, Jack Johnson, Jagwar Ma, Jamestown Revival, Jamie Isaac, Jay 305, Jen Cloher, Jessica Hernandez & The Deltas, Jessie Ware, Jim James, JR JR, Julie Byrne, Julien Baker, Justice, Karen Elson, Karl Denson’s Tiny Universe, KAYTRANADA, Kelis, K. Flay, Khalid, Khruangbin, Kilo Kish, King Gizzard and the Lizard Wizard, Kurt Vile, La Femme, LANY, Lauv, L.A. Witch, Lettuce, Lil Yachty, Little Dragon, Lo Moon, Lorde, Lord Huron, Miike Snow, Milky Chance, Minus the Bear, Mister Heavenly, MØ, Mondo Cozmo, Neon Indian, Nicki Bluhm, Norah Jones, North Mississippi Allstars, NVO, Oh Sees, OK Go, Once and Future Band, Pallbearer, The Palms, Passion Pit, Peaches, Perfume Genius, Petit Biscuit, Phoebe Bridgers, Playboi Carti, Pond, Porcelain Raft, PRAYERS, The Radio Dept., Real Estate, The Revivalists, Royal Blood, Sampha, ScHoolboy Q, Sheer Mag, serpentwithfeet, Silversun Pickups, Sleep, Sleigh Bells, SOFI TUKKER, Solange, Spiritualized, Styles P, Sunflower Beam, Talib Kweli, Tank and The Bangas, Tash Sultana, Tei Shi, Temples, Tennis, Tennyson, Thou, Thundercat, TOBACCO, Touché Amoré, Tool, Tove Lo, Travis Scott, Twin Peaks, Ty Segall, Unknown Mortal Orchestra, Vagabon, Vance Joy, Vic Mensa, Warpaint, Weezer, White Fence, Woods, YG, Young the Giant.

Now, it’s time for The Bam Team to present our favorite performances from 2017.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2017

Listen to The Bam Team’s favorite songs of 2017:


Best of 2017 - Run the Jewels

Run the Jewels

Date: February 1st
Location: Shrine Expo Hall – Los Angeles

Yet, in just four years, Run the Jewels have already reached hip-hop’s mountaintop with their politically charged lyrics and hard-hitting beats. Just take last Wednesday’s sold-out show in LA for example. With the duo’s third studio album still only a few weeks old, 5,000 or so fans poured into the spacious Shrine Expo Hall to watch El-P and Killer Mike fuck shit up (for lack of a better term). And that’s exactly what they did after opening sets from The Gaslamp Killer, Nick Hook, Gangasta Boo and CUZ. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - BADBADNOTGOOD

BADBADNOTGOOD

Date: February 23rd
Location: The Fillmore – San Francisco

As one of the bands to take the coveted headlining spot for NoisePop25, BADBADNOTGOOD seemed as — perhaps more — excited as all of the fans who made it to their sold-out show at The Fillmore. Combining consummate instrumentation with classic MC-style showmanship led by drummer Alexander Sowinski, the Canadian jazz-rock quartet has mastered the art of keeping the audience guessing where they’re going. -Brett Ruffenach, photo by James Pawlish


Best of 2017 - Spoon

Spoon

Date: March 7th
Location: Apogee Studio – Santa Monica, CA

In total, Spoon performed five songs from the new record, including “First Caress” to open a brief encore that left us eager for more. But as the five-piece rocked “Rainy Taxi” from 2014’s They Want My Soul to close, I couldn’t help but think to myself that this is one band I never should have slept on. -Josh Herwitt, photo by Larry Hirshowitz


Best of 2017 - Sigur Rós

Sigur Rós

Date: April 8th
Location: Greek Theatre – Berkeley, CA

Now a trio, Sigur Rós have been delivering goosebumps for over two decades — and it’s a delight to hear Jónsi’s voice-as-an-instrument this clear, this powerful and as confident as ever. It would be a wonderful treat to check in on this outfit every 5-10 years going forward and realize they are still going strong. -Mike Frash, photo by James Nagel


Best of 2017 - DREAMCAR

DREAMCAR

Date: April 9th
Location: Great American Music Hall – San Francisco

Fresh off a stop at Berkeley’s Hearst Greek Theatre the night before, Adams showcased some older favorites and a slew of new tunes from his 16th and latest studio album Prisoner, which came out in February. SoCal fans were treated to some extended full-band jamming, a couple of solo acoustic performances and Adams’ usual witty banter over the course of the evening.
-Jared Stossel, photo by Jared Stossel


Best of 2017 - A Perfect Circle

A Perfect Circle

Date: April 13th
Location: Bill Graham Civic Auditorium – San Francisco

In the world of rock supergroups, there are few that have sprung up in the last few decades that can hold a candle to A Perfect Circle. From the onset, APC have been a powerhouse on the senses, combining members from bands such as Tool, The Smashing Pumpkins, Failure, Primus and more over the years. Their body of work has been met with high praise across the board, and they have been able to solidify themselves as one of the most unique and tenured groupings out there, as opposed to bands like Zwan and Velvet Revolver. -Andrew Pohl, photo by Mike Rosati


Best of 2017 - Radiohead

Radiohead

Date: April 14th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Yes, the sound problems (all three instances) put a real damper on what was easily one of the most anticipated performances of the weekend. This was the third time Goldenvoice called on Radiohead to headline Coachella, and for one of rock’s most important bands over the last 30 years, it certainly wasn’t a charm as the saying goes. In that moment, it was pretty hard not to feel bad for Thom Yorke, who could only make light of the situation by cracking a joke even if it wasn’t supposed to be one — or so he claimed. But Radiohead more than made up for it with a masterful setlist that opened with A Moon Shaped Pool cuts “Daydreaming”, “Desert Island Disk” and “Ful Stop” before circling back to older hits such as “Everything in Its Right Place”, “There There”, “Idioteque” and even “Creep”. -Josh Herwitt, photo courtesy of Coachella


Best of 2017 - Kendrick Lamar

Kendrick Lamar

Date: April 16th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

All hail, King Kendrick! Or should we say “Kung Fu Kenny?” The Compton rapper reached hip-hop’s mountaintop more than two years ago with his Grammy-winning masterpiece To Pimp a Butterfly, but headlining Coachella was still on his to-do list. In fact, it was only the second time he had ever been booked to perform at Coachella after being listed on the last line of the 2012 poster. Closing out the fest is no short order for any artist, let alone one who dropped his new album less than 48 hours before taking the stage, but K-Dot lived up to the billing with a show that provoked as much thought as it entertained. -Josh Herwitt, photo courtesy of Coachella


Best of 2017 - The xx

The xx

Date: April 17th
Location: Bill Graham Civic Auditorium – San Francisco

Playfully alluding to their material’s emotional sentiment, Romy Madley Croft (vocals, guitar) and Oliver Sim (bass, vocals) managed to entrance all of us with their tension-filled gazes and syncopated dance moves. Prolonging vocal arrangements, especially during their accelerated live interpretation of “Infinity”, were also stunning to witness. About halfway through the set, Jamie Smith (beats, MPC, production), aka Jamie xx, took the lead and transformed the room into a giant disco party thanks to an onslaught of consecutive dance hits before finishing with “Loud Places” from his 2015 solo LP In Colour. -Molly Kish, photo by Norm de Veyra


Best of 2017 - Moderat

Moderat

Date: April 20th
Location: Mayan Theater – Los Angeles

Moderat subsequently circled back to III, performing “Intruder” before exiting the stage to a rousing applause. Yet, when the house lights didn’t come on right away, the suspense began to build once again. Less than a minute later, the three-piece reemerged, giving the audience more than its money’s worth. Two-encore shows are usually reserved for high-profile groups with extensive catalogs like Radiohead, but Moderat have never played by any rules. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - The Flaming Lips

The Flaming Lips

Date: May 9th
Location: The Theatre at Ace Hotel – Los Angeles

The Lips, of course, made sure to play that song, and even though it was without Watts, it still proved to be an unforgettable moment due to the fact that Coyne rode a life-size unicorn from one end of the stage to the other as he belted out lines like “Yeah, there should be unicorns / The ones with the purple eyes / It should be loud as fuck / Hope the swans don’t die” to open the tune while wearing a big smile across his face. If that’s not psychedelic to you, then I don’t know what is. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - Ryan Adams

Ryan Adams

Date: June 3rd
Location: Greek Theatre – Los Angeles

Fresh off a stop at Berkeley’s Hearst Greek Theatre the night before, Adams showcased some older favorites and a slew of new tunes from his 16th and latest studio album Prisoner, which came out in February. SoCal fans were treated to some extended full-band jamming, a couple of solo acoustic performances and Adams’ usual witty banter over the course of the evening.
-Stephanie Port, photo by Stephanie Port


Best of 2017 - Jay Som

Jay Som

Date: June 17th
Location: Potrero del Sol Park – San Francisco

Melina Duterte’s band goes by the name Jay Som and hails from Oakland. Do yourself a favor and remember this name: Jay Som. The Polyvinyl-signed songstress bathed the crowd at the Potrero Stage in her dreamy vocals and inanely catchy tunes that appeal to a wide-range of music fan; her songs could feel just as viable in the 90’s college rock area as they do today. Highlights from the set included a vibe-soaked rendition of “Baybee” as well as “The Bus Song”, arguably the artist’s first real “hit.” -Kevin Quandt, photo by Emmeline Munson


Best of 2017- AIR

AIR

Date: June 23rd
Location: The Masonic – San Francisco

AIR’s live performances focus on capturing the crisp, detailed production style that the duo has honed over two decades. It’s a vibrant, textured sound. Centered around acoustic guitar, synthesizers and the breathy timbre of the duo’s immaculate harmonized vocals, the use of live drums helped round out the contrast between both the artificial and acoustic sounds in songs like “Cherry Blossom Girl”. -Brett Ruffenach, photo by Steve Carlson


Best of 2017 - PLANETARIUM

PLANETARIUM

Date: July 21st
Location: Fox Theater Oakland – Oakland

PLANETARIUM’s music, which channels Stevens’ reflections on astronomy, science and even the intricacies of human consciousness, is a fusion of styles from all four band members that evokes feelings of unity. The group’s performance was accompanied by otherworldly visuals that filled the backdrop as it traversed the Solar System with quite a few emotionally charged songs inspired by the planets and other celestial bodies like “Neptune” and “Jupiter”. -Norm de Veyra, photo by Norm de Veyra


Best of 2017 - The Drums

The Drums

Date: July 21st
Location: The Fillmore – San Francisco

By the time The Drums took the stage, the intimate venue was packed to the brim with fans. The Brooklyn outfit made as much of an impression as it did when frontman Jonathan Pierce and company exploded onto the scene in 2009 with their initial EP Summertime! From then on, it became glaringly obvious with their eccentric band members and seemingly effortless style that they possessed an energetic presence. And at their SF show, it didn’t take long for the capacity crowd to fall into a groove as the venue’s whole atmosphere lit up. -Jacqueline Moore, photo by Jacqueline Moore


Best of 2017 - Miguel

Miguel

Date: July 23rd
Location: Annenberg Space for Photography – Los Angeles

Once the sun set and Miguel stepped onstage, the audience was transported somewhere else entirely. Born and raised in LA, the 31-year-old’s silky-smooth voice floated through the cool evening breeze over the twinkle lights in the trees, giving the impression of an island retreat rather than a concert in the park. -Rochelle Shipman, photo by Rochelle Shipman


Best of 2017 - The War on Drugs

The War on Drugs

Date: August 5th
Location: Apogee Studio – Santa Monica, CA

Granduciel’s raspy voice, as well as his driving (no pun intended) guitar rhythms and reverb-laden riffs, are largely what separates The War on Drugs from the rest in a crowded indie-rock scene, but the sum of the band’s parts — Charlie Hall (drums), David Hartley (bass), Anthony LaMarca (guitar, keyboards), Robbie Bennett (keyboards) and finally Jon Natchez (saxophone, keyboards) — also creates a sound that while familiar, still feels uniquely different. -Josh Herwitt, photo by Larry Hirshowitz


Best of 2017 - Gorillaz

Gorillaz

Date: August 11th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

Easily one of the most anticipated acts of the weekend, Gorillaz’s Humanz tour made its West Coast debut on Day 1 at OSL. After a six-year hiatus, expectations ran extremely high for this headlining performance. On previous tours, the band’s members had played second fiddle to the cartoon projections of their alter egos onstage, but everyone was visible this time around. Several collaborators from Gorillaz’s previous albums, including Kali Uchis, Yukimi Nagano and Del the Funky Homosapien, came out to join them, and the Damon Albarn-led group still pulled some even bigger surprises with cameos appearances from De la Soul and Pusha T. -Molly Kish, photo by James Pawlish


Best of 2017 - Cage the Elephant

Cage the Elephant

Date: August 12th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

While the cancellation of Queens of the Stone Age was a blow a week prior to the event, the replacement that was lined up more than delivered a blistering set of rock ‘n’ roll. Cage the Elephant are now being widely considered festival-headliner material, and frontman Matt Shultz is making a strong claim for that accolade as he continues to elevate his stage act to near-Mick Jagger levels of pomp and energy. “Come a Little Closer” and “Ain’t No Rest for the Wicked” received hearty sing-alongs from a decidedly youthful crowd as Cage have become a favorite of Generation Z. -Kevin Quandt, photo by Marc Fong


Best of 2017 - J.I.D

J.I.D

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

While the headliners thrilled as expected, it was at the side “Day” and “Night” stages where the festival’s biggest highlights were generated. J.I.D, the rising Atlanta rapper who is signed to J. Cole’s Dreamville imprint, absolutely thrilled during his set. Dazzling with his rapid-fire and agile flow, J.I.D showed off his ability to command a crowd with songs such as “General” and “EdEddnEddy” before jumping into the crowd for the tempo-changing hit “Never” that left the crowd chanting for “one more song!” -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman


Best of 2017 - SZA

SZA

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

Saturday, meanwhile, featured the vintage gospel spirit and warm vibes that have elevated Chicago emcee Chance the Rapper to superstardom. Earlier in the day, SZA, this summer’s breakout star, delivered her first festival performance since the release of her well-received debut album Ctrl. Swaying, spinning and singing her raw emotions and shortcomings while coming of age, the Top Dawg Entertainment songstress didn’t disappoint. -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman


Best of 2017 - Bonobo

Bonobo (Live)

Date: September 27th
Location: Greek Theatre – Los Angeles

The real reason things felt different this time around, though, was the music. Extending and reimagining his tracks for easily one of the largest crowds he has ever performed in front of, Bonobo followed an uplifting opening set from Canadian electronic duo Bob Moses with an array of soothing sounds that paired beautifully with his lighting setup and entrancing stage production in the same way Scott Hansen (aka Tycho) creates an awe-inspiring audio-visual experience during his live-band performances. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - Coldplay

Coldplay

Date: October 4th
Location: Levi’s Stadium – Santa Clara, CA

Coldplay took the stage shortly before 9 p.m. as a video montage of fans who introduced them as “the biggest band in the world” played onstage. While I’m pretty sure there are a few other artists or groups from their side of the pond (ehem, U2) who might take issue with that claim, they certainly did nothing during their electric, almost two-hour performance to dissuade that sort of thinking. Chris Martin and company, in fact, wasted no time getting down to business, flooding the stadium with confetti and firing off pyrotechnics at a steady clip while opening with “A Head Full of Dreams” and subsequently all throughout the night. -Steve Carlson, photo by Steve Carlson


Best of 2017 - Broken Social Scene

Broken Social Scene

Date: October 26th
Location: Fox Theater Oakland – Oakland

Here’s the thing about BSS — after 15 years, the web of musicians that makes up the collective have created their own individual projects, from Metric to Stars to Feist to Do Make Say Think to Emily Haines & The Soft Skeleton. And while many of the band’s members who have gone on to find success in their own solo careers didn’t happen to join the group on this particular tour, the sense of professionalism built into the BSS live experience remains prevalent. Every person who stepped onstage demonstrated consummate abilities in their own realms, never missing a beat or a note. -Brett Ruffenach, photo by Norm de Veyra

Best of 2017 - Jim James

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Back on the road, Broken Social Scene rock The Fox with a career-spanning set

Broken Social ScenePhotos by Norm de Veyra // Written by Brett Ruffenach //

Broken Social Scene with The Belle Game //
Fox Theater Oakland – Oakland
October 26th, 2017 //

To cap off a stellar “Rocktober” season in the Bay Area, one of the true titans of early-aughts indie rock brought their All-Star lineup of musicians to the Fox Theater Oakland as Toronto’s Broken Social Scene headlined with support from The Belle Game.

With the venue beginning to fill up, The Belle Game arrived onstage. Their music combines rock-band sensibilities with a dreamy, ethereal pop sound to create a powerful effect. It was quite clear that Broken Social Scene, Arcade Fire, Grizzly Bear and other heavy hitters from the mid-2000’s were a major influence on their sound.

A five-piece act hailing from Vancouver, The Belle Game’s greatest asset — the stunning vocal range of lead singer Andrea Lo — became clear from their rendition of “Spirit”, the lead single off their sophomore LP Fear/Nothing. Through soaring synths and reverb-heavy guitar effects, they certainly garnered a few new fans in Oakland this time around.

Broken Social Scene

After a short break, Broken Social Scene took the stage as an eight-piece band backed by a six-piece horns section. They kicked things off with the thumping and fast-paced “KC Accidental” from 2002’s You Forgot It in People, which quickly demonstrated the roles of all four guitarists onstage and the unstoppable power of drummer Justin Peroff.

Racing through the first three tunes of what would be a career-spanning, 20-song set, BSS eventually revealed what the rush was all about — the horn section joining them featured members of the Brooklyn-based afrobeat band Antibalas, and they had a gig to play just a block away at The New Parish later that night. Nevertheless, it was a special way to get the show started.

In my head, I counted 22 different people taking stage at one point or another. It was one of those shows where the crowd roared in excitement at the opening notes of each song, from older tracks like “Fire Eye’d Boy” on their 2005 self-titled LP to newer material off their 2017 studio effort Hug of Thunder, including a booming version of “Halfway Home”.

Broken Social Scene

At The Fox, BSS’ newest female vocalist, Ariel Engle, was able to confidently fill the shoes of her predecessors Emily Haines and Leslie Feist. For “Stay Happy”, the first track demanding two female vocalists, The Belle Game’s own Andrea Lo joined Engle onstage. This song was a personal highlight of the set for me; not only is it one of BSS’ best cuts off of Hug of Thunder, but they cleverly turned the glitchy, staccato guitar lick into a cool saxophone melody.

As the night went on, Lo joined Engle onstage once again to sing one of the Canadian outfit’s most famous songs: “Anthems for a Seventeen Year-Old Girl”. But instead of using the studio version’s heavy vocal distortion, Lo and Engle sang, perfectly in sync, contrasting harmonies that produced a repetitive, swelling effect. It was truly a breathtaking moment to witness.

BSS were certainly feeling the love, too. After closing their set with “It’s All Gonna Break”, they returned for an encore, informing us that they had time for only one more song.

Broken Social Scene

But in an attempt to decide whether to play “Lover’s Spit” or “Cause = Time” by the crowd’s applause, BSS founding member and bandleader Brendan Canning said that they were just going to have to do both. I initially took this as an (admittedly successful) attempt to rile up the crowd, but after later seeing a picture of the setlist, it looked like the band chose to play an additional three songs due to the energy in the room.

Here’s the thing about BSS — after 15 years, the web of musicians that makes up the collective have created their own individual projects, from Metric to Stars to Feist to Do Make Say Think to Emily Haines & The Soft Skeleton. And while many of the band’s members who have gone on to find success in their own solo careers didn’t happen to join the group on this particular tour, the sense of professionalism built into the BSS live experience remains prevalent. Every person who stepped onstage demonstrated consummate abilities in their own realms, never missing a beat or a note.

Fortunately for those who didn’t make it to this incredible show, word on the street is they’ll be heading back to The Fox early next year for Noise Pop 2018.

Setlist:
KC Accidental
7/4 (Shoreline)
Halfway Home
Protest Song
Fire Eye’d Boy
Texico Bitches
Stars and Sons
World Sick
Stay Happy
Hug of Thunder
Sweetest Kill
Skyline
Almost Crimes
Major Label Debut (Fast)
Ibi Dreams of Pavement (A Better Day)
Looks Just Like the Sun
Anthems for a Seventeen Year-Old Girl
It’s All Gonna Break

Encore:
Lover’s Spit
Play Video
Cause = Time