The Bam Team’s 5 Favorite Shows, Albums & Songs of 2018

David Byrne at Bill Graham Civic Auditorium


David Byrne at Bill Graham Civic Auditorium // Showbams’ Photo of the Year, by Tim O’Shea

We have to be honest: 2018 was kind of a weird year for music. Sure, there were some major highlights — many of them listed below, in fact — but we also saw a serious changing of the guard. The decline of mainstream rock and the continued rise of hip-hop, R&B and pop was more noticeable than ever, from this year’s Coachella lineup to the cancellation of FYF Fest, making us wonder what the next twist or turn will be for the industry now that the demand for EDM has started to cool off following its boom circa 2012. That said, we still listened to a lot of new albums and caught plenty of concerts over the last 12 months, and it’s once again time for us to share our annual “Best of” lists, much like we have done over the past several years (see our 2017 picks here).

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2018.

See our favorite performances from 2018 here.

Listen to The Bam Team’s favorite songs of 2018:


Jamiroquai at Coachella 2018


Jamiroquai at Coachella 2018 // Photo courtesy of Coachella

Josh Herwitt // Los Angeles

Top 5 Shows of 2018
1. Queens of the Stone Age at The Forum – Inglewood, CA – February 17th
Just more than two months after his infamous assault on a photographer at The Forum for KROQ’s Almost Acoustic Christmas, Queens of the Stone Age leader Josh Homme made his return to the LA arena for a proper, sold-out affair with UK rock duo Royal Blood delivering what proved to be a headbanging opening set. From there, it only got better as Homme and the boys dazzled with a headlining performance that even included Villains producer Mark Ronson sitting in for most of the five-song encore and the band’s live debut of its “Goodbye Yellow Brick Road” cover. You can bet Elton John, whom Homme actually collaborated with during the writing and recording of QOTSA’s sixth album …Like Clockwork, would have been proud. I always know when I’ve seen a good rock ‘n’ roll show because my neck will be sore the following day, but after this one, it was sore for the next three days. Ouch.

2. Nine Inch Nails at Hollywood Palladium – Los Angeles, CA – December 12th, 14th-15th
3. Jamiroquai at Coachella, Weekend 1 – Indio, CA – April 13th
4. David Byrne at Santa Barbara Bowl – Santa Barbara, CA – August 24th
5. Foo Fighters/Nirvana reunion at Cal Jam 18 – San Bernadino, CA – October 6th

Top 5 Albums of 2018
1. Jungle – For Ever
Unlike previous years, picking a favorite album in 2018 wasn’t quite as easy for me. I’ll admit that I didn’t hear every one that was released this year, but I listened to a lot of them. So, call me boring and short-sighted if you like, but nothing totally knocked my socks off. After much deliberation, it was Jungle’s sophomore LP For Ever that stood the test of time for me (no pun intended). The English soul collective’s follow-up to its 2014 self-titled debut doesn’t veer off in a completely different direction from what came before, but it still moves the sonic needle forward enough. After two full lengths, Jungle have shown a knack for writing catchy, dance-fueled tunes that transport you to a different time and place — even if it’s only for a three- or four-minute stretch.

2. Khruangbin – Con Todo El Mundo
3. Arctic Monkeys – Tranquility Base Hotel & Casino
4. Kamasi Washington – Heaven and Earth
5. Big Red Machine – Big Red Machine

Top 5 Songs of 2018
1. Nine Inch Nails – “Over and Out”
When I first listened to Bad Witch, I immediately knew this one was my favorite track on the album. But hearing it performed live on the final night of NIN’s “Cold and Black and Infinite” North American tour sealed it for top honors in 2018. Layering a brooding, yet funky bass line on top of a glitchy, experimental beat, Trent Reznor shows that he isn’t just playing it safe and merely saving his creativity for scoring films with bandmate and longtime collaborator Atticus Ross. You can tell Reznor had his late friend David Bowie in mind when he wrote the song too as he conjures up an even deeper baritone from behind the microphone than the one we have come to know over the last 30 years.

2. Childish Gambino – “This Is America”
3. Jungle – “Heavy, California”
4. Wild Nothing – “Partners in Motion”
5. The Raconteurs – “Now That You’re Gone”


Richard Russell - Everything Is Recorded

Molly Kish // San Francisco

Top 5 Shows of 2018
1. David Byrne at Fox Theater Oakland – Oakland, CA – August 16th
In support of his seventh solo album American Utopia, musical virtuoso David Byrne hit the road for one of this year’s most creative and ambitious tours. Over more than 150 dates that spanned the entire globe, the 66-year-old delivered Broadway-caliber performances with a traveling 11-piece band that served as a traveling retrospective of his solo and collaborative work. Meanwhile, the tour also doubled as a platform for him to deliver his “Reasons to Be Cheerful” manifestos on civic engagement, climate/energy, culture, economics, education, health, science/technology and urban transportation. He partnered with HeadCount while encouraging audiences every night to engage in public discourse through social media and their own personal stories on his website. And as a result, Byrne elevated the concert-going experience into more of an interactive, performance-art space that his fans became a living, breathing part of.

2. Young Fathers at The Independent – San Francisco, CA – November 10th
3. Erykah Badu & Thundercat at The Armory – San Francisco, CA – February 14th
4. Beck at The Independent – San Francisco, CA – August 8th
5. LCD Soundsystem with TV on the Radio at Greek Theatre Berkeley – Berkeley, CA – April 27th-28th

Top 5 Albums of 2018
1. Richard Russell – Everything Is Recorded by Richard Russell
A multi-artist project released as the debut album of XL Recordings founder Richard Russell, Everything Is Recorded is collaborative effort representing the ties between past and present sounds currently shaping the framework of hip-hop, funk and soul. Featuring collaborations with Sampha, Kamasi Washington, Syd, Damon Albarn, Peter Gabriel, Ibeyi, Obongjayar and more, the album also plays as the soundtrack to a 30-minute film, which documents the time each spent in the studio during its conception and is interspliced with archival footage of Gil Scott-Heron and Curtis Mayfield. With its underlying themes of loss and isolation, Everything Is Recorded effectively communicates Russell’s emotional journey as he battles a debilitating autoimmune disease in hope of finding salvation through the shared experience of creating a beautifully mastered piece of art.

2. George Fitzgerald – All That Must Be
3. Pusha T – DAYTONA
4. Robyn – Honey
5. Khruangbin – Con Todo El Mundo

Top 5 Songs of 2018
1. Childish Gambino – “This Is America”
If any song embodied the insanity and collective discontent of 2018, it was definitely Childish Gambino’s epic single “This Is America”. The juxtaposition of an a cappella choir leading into Donald Glover’s soft crooning over island beats and drum samples before staunchly diverting to a menacing base line reminiscent of 90’s gangster rap — as well as the hortative delivery of degrading lyrics about the current state of violence and American ideals — is near-perfect. Of course, the provocative music video that accompanied the track’s surprise release during his “Saturday Night Live” debut was incredible. The song, lyrics, video and marketing campaign could not have been a more flawless “slice of life” reflection of modern American society and justifiably has boomeranged into probably the most important moment of Childish Gambino’s career so far.

2. The Presets – “Downtown Shutdown”
3. Jon Hopkins – “Everything Connected”
4. Jungle – “Casio”
5. Parquet Courts – “Wide Awake”


Kevin Quandt // San Francisco

Top 5 Shows of 2018
1. David Byrne at Jazzfest – New Orleans, LA – April 29th
You know what they say: the first time is always the best. With David Byrne’s 2018 “American Utopia Tour” being universally acclaimed as one of the most enigmatic live shows of the year, it’s not surprising to see it top other “Best of” lists. Byrne and his merry band of “unplugged” pranksters created a feast for the eyes and ears, and his daytime set on the Gentilly Stage did not disappoint at all. While his Fox Theater Oakland shows were more intimate and featured some more dynamic lighting features, his performance at Jazzfest back in April was the most memorable for NOLA revelers.

2. Jamiroquai at Bill Graham Civic Auditorium – San Francisco, CA – April 17th
3. Polo & Pan at The Independent – San Francisco, CA – June 20th
4. Nine Inch Nails at Bill Graham Civic Auditorium – San Francisco, CA – December 4th
5. Rolling Blackouts Coastal Fever at Primavera Sound – Barcelona, Spain – June 2nd

Top 5 Albums of 2018
1. Khruangbin – Con Todo El Mundo
What a banner year for this Texas trio! Khruangbin have been on a steady rise the past few years as they turn on the masses to their infectious amalgamation of psychedelic soul, Thai surf rock and subtle funk. Having cemented their reputation as beasts in a live setting, Con Todo El Mundo proved their knack for penning tunes of equal strength with its emotive first single “Friday Morning” serving as a clear standout. “Evan Finds the Third Room” has also become a fan favorite, and the accompanying music video only lends to its growing charm. The sky’s the limit for Laura, Mark and DJ, so grab your ticket to fly.

2. Hookworms – Microshift
3. Amen Dunes – Freedom
4. Shame – Songs of Praise
5. Stephen Malkmus and the Jicks – Sparkle Hard

Top 5 Songs of 2018
1. Jonathan Wilson – “Trafalgar Square”
LA producer-turned-frontman Jonathan Wilson churned out one helluva album opener for his third solo LP Rare Birds, as this six-plus-minute romp has all the right pieces for true liftoff. A proper intro leads into a riff so heavy that it’ll break your mama’s back. Top-notch production is key to this track, as Wilson is a wiz behind the boards. As you cruise down the 405 with this whopper blaring, you’d be hard-pressed not to nod along. Extra points for those of you with a 1970’s convertible, too.

2. Tom Misch – “Water Baby” feat. Loyle Carner
3. Childish Gambino – “This Is America”
4. Jonathan Something – “Happy Day”
5. Men I Trust – “Seven”


Shame - Songs of Praise

Andrew Pohl // San Francisco

Top 5 Shows of 2018
1. The Smashing Pumpkins at Oracle Arena – Oakland, CA – August 27th
The Smashing Pumpkins are the quintessential 90’s arena-rock band, and they fully lived up to that billing at Oracle Arena for their Bay Area stop over the summer. I’ve seen them several times over the years, and although this time it was pegged as a “reunion tour” (minus D’Arcy, sigh), you never know what you’re going to get from them. Billy Corgan led the band through over three hours’ worth of material with some killer stage production to go with it. The show was definitely a marathon, but totally worth being there for. It came to light later that Corgan was also fighting off a bad case of food poisoning, but it didn’t show. It was great to see James Iha and Jimmy Chamberlain back onstage, too — the way it should be.

2. Nine Inch Nails at Bill Graham Civic Auditorium – San Francisco, CA – December 3rd
3. Against Me! & Turbonegro at UC Theatre – Berkeley, CA – May 25th
4. Alkaline Trio at The Warfield – San Francisco, CA – October 6th
5. Back To The Beach Festival – Huntington Beach, CA – April 28th-29th

Top 5 Albums of 2018
1. Shame – Songs of Praise
This album hit me like a ton of bricks in the best way. I had heard a ton of hype around Songs of Praise before giving it a first listen, and usually I am a healthy skeptic, but good Lord, does this record rip. It has a dark flavor and carries with it a lot of angst, and you can’t help but get caught up in the hooks that Shame offer. These five lads from South London simply killed it.

2. IDLES – Joy as an Act of Resistance
3. Kamasi Washington – Heaven and Earth
4. Hot Snakes – Jericho Sirens
5. Snail Mail – Lush

Top 5 Songs of 2018
1. Shame – “Concrete”
Conjuring up the ghost of Joy Division’s Ian Curtis without sounding like a complete poser is challenging for newer post-punk bands it seems — except for Shame’s Charlie Steen. Paired with some brilliant instrumentation, I just couldn’t stop listening to “Concrete” when I first heard it. I must have listened to the track a solid 10 times in a row on the first go. This song has an infectious quality to it and is a straight-up ripper.

2. The Soft White Sixties – “I Still Love You, San Francisco”
3. Hot Snakes – “Six Wave Hold-Down”
4. IDLES – “Colossus”
5. The Sword – “Come and Gone”

Showbams_Sticker_Rectangle2

Our favorite performances from 2017

Best live shows of 2017 - The xx, Miguel, Moderat & Coldplay

2017, where the hell did you go? It just felt like the other day that we were ringing in a new year, and yet, here we are again as we plow straight ahead into 2018.

But before we officially put a bow on 2017, it’s time for us to revisit the past 12 months at Showbams. This year, we had the opportunity to capture many amazing moments in live music, and while we couldn’t pay homage to every single performance we witnessed, we made a conscious effort to include a wide range of talent spread across the industry.

Whittling down our list, though, was not that easy. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order) whom we either covered at their own show and/or at a music festival this year:

21 Savage, The Accidentals, Action Bronson, Alice Cooper, Alina Baraz, alt-J, Amber Mark, Andrew McMahon in the Wilderness, Animal Collective, Atlas Genius, The Avalanches, The Band Perry, Beach Slang, Belle and Sebastian, Black Moth Super Rainbow, Bleachers, Blonde Redhead, Bob Moses, Car Seat Headrest, Cate Le Bon, Cigarettes After Sex, Circles Around the Sun, City of Caterpillar, The Coathangers, Claude VonStroke, Chris Robinson, Con Brio, Conor Oberst, Courtney Barnett & Kurt Vile, Crystal Castles, The Crystal Method, Daniel Caesar, Dawes, Dead Meadow, Deafheaven, Deep Purple, Diet Cig, DIIV, Dirty Dozen Brass Band, Dr. Dog, Dr. Octagon, Duke Dumont, Eagles of Death Metal, Electric Guest, Emancipator, Emily King, Empire of the Sun, Foxygen, Future Islands, Gabriel Garzón-Montano, Gatecreeper, Girl Talk, Gone Is Gone, Grizzly Bear, Gucci Mane, Hamilton Leithauser, Hazel English, Hinds, The Hip Replacements, Hiss Golden Messenger, How to Dress Well, Iggy Pop, Isaiah Rashad, Jack Johnson, Jagwar Ma, Jamestown Revival, Jamie Isaac, Jay 305, Jen Cloher, Jessica Hernandez & The Deltas, Jessie Ware, Jim James, JR JR, Julie Byrne, Julien Baker, Justice, Karen Elson, Karl Denson’s Tiny Universe, KAYTRANADA, Kelis, K. Flay, Khalid, Khruangbin, Kilo Kish, King Gizzard and the Lizard Wizard, Kurt Vile, La Femme, LANY, Lauv, L.A. Witch, Lettuce, Lil Yachty, Little Dragon, Lo Moon, Lorde, Lord Huron, Miike Snow, Milky Chance, Minus the Bear, Mister Heavenly, MØ, Mondo Cozmo, Neon Indian, Nicki Bluhm, Norah Jones, North Mississippi Allstars, NVO, Oh Sees, OK Go, Once and Future Band, Pallbearer, The Palms, Passion Pit, Peaches, Perfume Genius, Petit Biscuit, Phoebe Bridgers, Playboi Carti, Pond, Porcelain Raft, PRAYERS, The Radio Dept., Real Estate, The Revivalists, Royal Blood, Sampha, ScHoolboy Q, Sheer Mag, serpentwithfeet, Silversun Pickups, Sleep, Sleigh Bells, SOFI TUKKER, Solange, Spiritualized, Styles P, Sunflower Beam, Talib Kweli, Tank and The Bangas, Tash Sultana, Tei Shi, Temples, Tennis, Tennyson, Thou, Thundercat, TOBACCO, Touché Amoré, Tool, Tove Lo, Travis Scott, Twin Peaks, Ty Segall, Unknown Mortal Orchestra, Vagabon, Vance Joy, Vic Mensa, Warpaint, Weezer, White Fence, Woods, YG, Young the Giant.

Now, it’s time for The Bam Team to present our favorite performances from 2017.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2017

Listen to The Bam Team’s favorite songs of 2017:


Best of 2017 - Run the Jewels

Run the Jewels

Date: February 1st
Location: Shrine Expo Hall – Los Angeles

Yet, in just four years, Run the Jewels have already reached hip-hop’s mountaintop with their politically charged lyrics and hard-hitting beats. Just take last Wednesday’s sold-out show in LA for example. With the duo’s third studio album still only a few weeks old, 5,000 or so fans poured into the spacious Shrine Expo Hall to watch El-P and Killer Mike fuck shit up (for lack of a better term). And that’s exactly what they did after opening sets from The Gaslamp Killer, Nick Hook, Gangasta Boo and CUZ. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - BADBADNOTGOOD

BADBADNOTGOOD

Date: February 23rd
Location: The Fillmore – San Francisco

As one of the bands to take the coveted headlining spot for NoisePop25, BADBADNOTGOOD seemed as — perhaps more — excited as all of the fans who made it to their sold-out show at The Fillmore. Combining consummate instrumentation with classic MC-style showmanship led by drummer Alexander Sowinski, the Canadian jazz-rock quartet has mastered the art of keeping the audience guessing where they’re going. -Brett Ruffenach, photo by James Pawlish


Best of 2017 - Spoon

Spoon

Date: March 7th
Location: Apogee Studio – Santa Monica, CA

In total, Spoon performed five songs from the new record, including “First Caress” to open a brief encore that left us eager for more. But as the five-piece rocked “Rainy Taxi” from 2014’s They Want My Soul to close, I couldn’t help but think to myself that this is one band I never should have slept on. -Josh Herwitt, photo by Larry Hirshowitz


Best of 2017 - Sigur Rós

Sigur Rós

Date: April 8th
Location: Greek Theatre – Berkeley, CA

Now a trio, Sigur Rós have been delivering goosebumps for over two decades — and it’s a delight to hear Jónsi’s voice-as-an-instrument this clear, this powerful and as confident as ever. It would be a wonderful treat to check in on this outfit every 5-10 years going forward and realize they are still going strong. -Mike Frash, photo by James Nagel


Best of 2017 - DREAMCAR

DREAMCAR

Date: April 9th
Location: Great American Music Hall – San Francisco

Fresh off a stop at Berkeley’s Hearst Greek Theatre the night before, Adams showcased some older favorites and a slew of new tunes from his 16th and latest studio album Prisoner, which came out in February. SoCal fans were treated to some extended full-band jamming, a couple of solo acoustic performances and Adams’ usual witty banter over the course of the evening.
-Jared Stossel, photo by Jared Stossel


Best of 2017 - A Perfect Circle

A Perfect Circle

Date: April 13th
Location: Bill Graham Civic Auditorium – San Francisco

In the world of rock supergroups, there are few that have sprung up in the last few decades that can hold a candle to A Perfect Circle. From the onset, APC have been a powerhouse on the senses, combining members from bands such as Tool, The Smashing Pumpkins, Failure, Primus and more over the years. Their body of work has been met with high praise across the board, and they have been able to solidify themselves as one of the most unique and tenured groupings out there, as opposed to bands like Zwan and Velvet Revolver. -Andrew Pohl, photo by Mike Rosati


Best of 2017 - Radiohead

Radiohead

Date: April 14th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Yes, the sound problems (all three instances) put a real damper on what was easily one of the most anticipated performances of the weekend. This was the third time Goldenvoice called on Radiohead to headline Coachella, and for one of rock’s most important bands over the last 30 years, it certainly wasn’t a charm as the saying goes. In that moment, it was pretty hard not to feel bad for Thom Yorke, who could only make light of the situation by cracking a joke even if it wasn’t supposed to be one — or so he claimed. But Radiohead more than made up for it with a masterful setlist that opened with A Moon Shaped Pool cuts “Daydreaming”, “Desert Island Disk” and “Ful Stop” before circling back to older hits such as “Everything in Its Right Place”, “There There”, “Idioteque” and even “Creep”. -Josh Herwitt, photo courtesy of Coachella


Best of 2017 - Kendrick Lamar

Kendrick Lamar

Date: April 16th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

All hail, King Kendrick! Or should we say “Kung Fu Kenny?” The Compton rapper reached hip-hop’s mountaintop more than two years ago with his Grammy-winning masterpiece To Pimp a Butterfly, but headlining Coachella was still on his to-do list. In fact, it was only the second time he had ever been booked to perform at Coachella after being listed on the last line of the 2012 poster. Closing out the fest is no short order for any artist, let alone one who dropped his new album less than 48 hours before taking the stage, but K-Dot lived up to the billing with a show that provoked as much thought as it entertained. -Josh Herwitt, photo courtesy of Coachella


Best of 2017 - The xx

The xx

Date: April 17th
Location: Bill Graham Civic Auditorium – San Francisco

Playfully alluding to their material’s emotional sentiment, Romy Madley Croft (vocals, guitar) and Oliver Sim (bass, vocals) managed to entrance all of us with their tension-filled gazes and syncopated dance moves. Prolonging vocal arrangements, especially during their accelerated live interpretation of “Infinity”, were also stunning to witness. About halfway through the set, Jamie Smith (beats, MPC, production), aka Jamie xx, took the lead and transformed the room into a giant disco party thanks to an onslaught of consecutive dance hits before finishing with “Loud Places” from his 2015 solo LP In Colour. -Molly Kish, photo by Norm de Veyra


Best of 2017 - Moderat

Moderat

Date: April 20th
Location: Mayan Theater – Los Angeles

Moderat subsequently circled back to III, performing “Intruder” before exiting the stage to a rousing applause. Yet, when the house lights didn’t come on right away, the suspense began to build once again. Less than a minute later, the three-piece reemerged, giving the audience more than its money’s worth. Two-encore shows are usually reserved for high-profile groups with extensive catalogs like Radiohead, but Moderat have never played by any rules. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - The Flaming Lips

The Flaming Lips

Date: May 9th
Location: The Theatre at Ace Hotel – Los Angeles

The Lips, of course, made sure to play that song, and even though it was without Watts, it still proved to be an unforgettable moment due to the fact that Coyne rode a life-size unicorn from one end of the stage to the other as he belted out lines like “Yeah, there should be unicorns / The ones with the purple eyes / It should be loud as fuck / Hope the swans don’t die” to open the tune while wearing a big smile across his face. If that’s not psychedelic to you, then I don’t know what is. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - Ryan Adams

Ryan Adams

Date: June 3rd
Location: Greek Theatre – Los Angeles

Fresh off a stop at Berkeley’s Hearst Greek Theatre the night before, Adams showcased some older favorites and a slew of new tunes from his 16th and latest studio album Prisoner, which came out in February. SoCal fans were treated to some extended full-band jamming, a couple of solo acoustic performances and Adams’ usual witty banter over the course of the evening.
-Stephanie Port, photo by Stephanie Port


Best of 2017 - Jay Som

Jay Som

Date: June 17th
Location: Potrero del Sol Park – San Francisco

Melina Duterte’s band goes by the name Jay Som and hails from Oakland. Do yourself a favor and remember this name: Jay Som. The Polyvinyl-signed songstress bathed the crowd at the Potrero Stage in her dreamy vocals and inanely catchy tunes that appeal to a wide-range of music fan; her songs could feel just as viable in the 90’s college rock area as they do today. Highlights from the set included a vibe-soaked rendition of “Baybee” as well as “The Bus Song”, arguably the artist’s first real “hit.” -Kevin Quandt, photo by Emmeline Munson


Best of 2017- AIR

AIR

Date: June 23rd
Location: The Masonic – San Francisco

AIR’s live performances focus on capturing the crisp, detailed production style that the duo has honed over two decades. It’s a vibrant, textured sound. Centered around acoustic guitar, synthesizers and the breathy timbre of the duo’s immaculate harmonized vocals, the use of live drums helped round out the contrast between both the artificial and acoustic sounds in songs like “Cherry Blossom Girl”. -Brett Ruffenach, photo by Steve Carlson


Best of 2017 - PLANETARIUM

PLANETARIUM

Date: July 21st
Location: Fox Theater Oakland – Oakland

PLANETARIUM’s music, which channels Stevens’ reflections on astronomy, science and even the intricacies of human consciousness, is a fusion of styles from all four band members that evokes feelings of unity. The group’s performance was accompanied by otherworldly visuals that filled the backdrop as it traversed the Solar System with quite a few emotionally charged songs inspired by the planets and other celestial bodies like “Neptune” and “Jupiter”. -Norm de Veyra, photo by Norm de Veyra


Best of 2017 - The Drums

The Drums

Date: July 21st
Location: The Fillmore – San Francisco

By the time The Drums took the stage, the intimate venue was packed to the brim with fans. The Brooklyn outfit made as much of an impression as it did when frontman Jonathan Pierce and company exploded onto the scene in 2009 with their initial EP Summertime! From then on, it became glaringly obvious with their eccentric band members and seemingly effortless style that they possessed an energetic presence. And at their SF show, it didn’t take long for the capacity crowd to fall into a groove as the venue’s whole atmosphere lit up. -Jacqueline Moore, photo by Jacqueline Moore


Best of 2017 - Miguel

Miguel

Date: July 23rd
Location: Annenberg Space for Photography – Los Angeles

Once the sun set and Miguel stepped onstage, the audience was transported somewhere else entirely. Born and raised in LA, the 31-year-old’s silky-smooth voice floated through the cool evening breeze over the twinkle lights in the trees, giving the impression of an island retreat rather than a concert in the park. -Rochelle Shipman, photo by Rochelle Shipman


Best of 2017 - The War on Drugs

The War on Drugs

Date: August 5th
Location: Apogee Studio – Santa Monica, CA

Granduciel’s raspy voice, as well as his driving (no pun intended) guitar rhythms and reverb-laden riffs, are largely what separates The War on Drugs from the rest in a crowded indie-rock scene, but the sum of the band’s parts — Charlie Hall (drums), David Hartley (bass), Anthony LaMarca (guitar, keyboards), Robbie Bennett (keyboards) and finally Jon Natchez (saxophone, keyboards) — also creates a sound that while familiar, still feels uniquely different. -Josh Herwitt, photo by Larry Hirshowitz


Best of 2017 - Gorillaz

Gorillaz

Date: August 11th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

Easily one of the most anticipated acts of the weekend, Gorillaz’s Humanz tour made its West Coast debut on Day 1 at OSL. After a six-year hiatus, expectations ran extremely high for this headlining performance. On previous tours, the band’s members had played second fiddle to the cartoon projections of their alter egos onstage, but everyone was visible this time around. Several collaborators from Gorillaz’s previous albums, including Kali Uchis, Yukimi Nagano and Del the Funky Homosapien, came out to join them, and the Damon Albarn-led group still pulled some even bigger surprises with cameos appearances from De la Soul and Pusha T. -Molly Kish, photo by James Pawlish


Best of 2017 - Cage the Elephant

Cage the Elephant

Date: August 12th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

While the cancellation of Queens of the Stone Age was a blow a week prior to the event, the replacement that was lined up more than delivered a blistering set of rock ‘n’ roll. Cage the Elephant are now being widely considered festival-headliner material, and frontman Matt Shultz is making a strong claim for that accolade as he continues to elevate his stage act to near-Mick Jagger levels of pomp and energy. “Come a Little Closer” and “Ain’t No Rest for the Wicked” received hearty sing-alongs from a decidedly youthful crowd as Cage have become a favorite of Generation Z. -Kevin Quandt, photo by Marc Fong


Best of 2017 - J.I.D

J.I.D

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

While the headliners thrilled as expected, it was at the side “Day” and “Night” stages where the festival’s biggest highlights were generated. J.I.D, the rising Atlanta rapper who is signed to J. Cole’s Dreamville imprint, absolutely thrilled during his set. Dazzling with his rapid-fire and agile flow, J.I.D showed off his ability to command a crowd with songs such as “General” and “EdEddnEddy” before jumping into the crowd for the tempo-changing hit “Never” that left the crowd chanting for “one more song!” -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman


Best of 2017 - SZA

SZA

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

Saturday, meanwhile, featured the vintage gospel spirit and warm vibes that have elevated Chicago emcee Chance the Rapper to superstardom. Earlier in the day, SZA, this summer’s breakout star, delivered her first festival performance since the release of her well-received debut album Ctrl. Swaying, spinning and singing her raw emotions and shortcomings while coming of age, the Top Dawg Entertainment songstress didn’t disappoint. -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman


Best of 2017 - Bonobo

Bonobo (Live)

Date: September 27th
Location: Greek Theatre – Los Angeles

The real reason things felt different this time around, though, was the music. Extending and reimagining his tracks for easily one of the largest crowds he has ever performed in front of, Bonobo followed an uplifting opening set from Canadian electronic duo Bob Moses with an array of soothing sounds that paired beautifully with his lighting setup and entrancing stage production in the same way Scott Hansen (aka Tycho) creates an awe-inspiring audio-visual experience during his live-band performances. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - Coldplay

Coldplay

Date: October 4th
Location: Levi’s Stadium – Santa Clara, CA

Coldplay took the stage shortly before 9 p.m. as a video montage of fans who introduced them as “the biggest band in the world” played onstage. While I’m pretty sure there are a few other artists or groups from their side of the pond (ehem, U2) who might take issue with that claim, they certainly did nothing during their electric, almost two-hour performance to dissuade that sort of thinking. Chris Martin and company, in fact, wasted no time getting down to business, flooding the stadium with confetti and firing off pyrotechnics at a steady clip while opening with “A Head Full of Dreams” and subsequently all throughout the night. -Steve Carlson, photo by Steve Carlson


Best of 2017 - Broken Social Scene

Broken Social Scene

Date: October 26th
Location: Fox Theater Oakland – Oakland

Here’s the thing about BSS — after 15 years, the web of musicians that makes up the collective have created their own individual projects, from Metric to Stars to Feist to Do Make Say Think to Emily Haines & The Soft Skeleton. And while many of the band’s members who have gone on to find success in their own solo careers didn’t happen to join the group on this particular tour, the sense of professionalism built into the BSS live experience remains prevalent. Every person who stepped onstage demonstrated consummate abilities in their own realms, never missing a beat or a note. -Brett Ruffenach, photo by Norm de Veyra

Best of 2017 - Jim James

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The Bam Team’s 5 Favorite Shows, Albums & Songs of 2017

Coldplay at Levi's Stadium


Coldplay at Levi’s Stadium // Showbams’ Photo of the Year, by Steve Carlson

Let’s be frank: 2017 had its ups and downs. And when it came to the political sector in this country, it was mostly the latter during Year 1 of the Trump administration. But as art often does in times of turmoil, music flourished in new and exciting ways. From stripper-turned-rapper Cardi B topping the charts to veteran alt-psych rockers Portugal. The Man filling the airwaves for Top 40 radio stations all over America, there were plenty of unexpected twists and turns this year. Amid all of them, we still managed to consume a healthy diet of music, both live and recorded, and once again it’s time for us to ante up our annual “Best of” lists, much like we have done each of the past few years (see our 2016 picks here).

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2017.

See our favorite performances from 2017 here.

Listen to The Bam Team’s favorite songs of 2017:


Nine Inch Nails at FYF Fest 2017


Nine Inch Nails at FYF Fest 2017 // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2017
1. Tool at The Gorge Amphitheatre – George, WA – June 17th
What could be a better bachelor party than getting to watch your favorite band at the most scenic outdoor music venue in the U.S.? Seeing any concert at The Gorge would likely be a surreal experience, but my first trip to Washington’s holy grail was that much more special with Tool returning to the amphitheater for the first time since 2006. And even though their gap between albums has stretched to more than 10 years, Maynard and company still know how to elevate the live show to new heights both sonically and visually. Talk about a dream come true for this die-hard fan.

2. Nine Inch Nails at FYF Fest – Los Angeles, CA – July 23rd
3. LCD Soundsystem at Hollywood Palladium – Los Angeles, CA – November 18th
4. Gorillaz at The Forum – Inglewood, CA – October 5th
5. Radiohead at Coachella, Weekend 1 – Indio, CA – April 14th

Top 5 Albums of 2017
1. The War on DrugsA Deeper Understanding
Adam Granduciel had to know that it would take a monumental effort to match, let alone top, 2014’s Lost in the Dream (one of our favorite albums that year), but The War on Drugs’ primary songwriter and band leader delivered another masterpiece in late August with the release of A Deeper Understanding. It’s an album that will touch your heart and soothe your soul as the LP moves seamlessly from one track to the next, and you’d be hard-pressed to find a much better soundtrack for the road over the last 10-15 years. A Deeper Understanding doesn’t need to win a Grammy in 2018 to validate its legitimacy as an Album of the Year candidate, but it certainly wouldn’t hurt either.

2. Slowdive – Slowdive
3. The xx – I See You
4. The National – Sleep Well Beast
5. Grizzly BearPainted Ruins

Top 5 Songs of 2017
1. The War on Drugs – “Holding On”
There’s something about Adam Granduciel’s guitar playing that will make you want to play air guitar, and maybe no better example of that is the second single from The War on Drugs’ fourth studio album A Deeper Understanding. For nearly six minutes, Granduciel takes his listeners on a ride through peaks and valleys, as the song finishes with him doing what he does best: shredding. But what makes “Holding On” even more powerful is its music video starring actor Frankie Faison, who plays a middle-aged man coping with his wife’s passing. It’s a sad, yet touching story written by Granduciel’s girlfriend, Krysten Ritter, that offers an important reminder about love and just how precious it is.

2. Kendrick Lamar – “DNA.”
3. Washed Out – “Hard to Say Goodbye”
4. The National – “The System Only Dreams in Total Darkness”
5. Nine Inch Nails – “Less Than”


Sigur Rós at Greek Theatre Berkeley


Sigur Rós at Greek Theatre Berkeley // Photo by James Nagel

Brett Ruffenach // San Francisco

Top 5 Shows of 2017
1. Solange at FORM Arcosanti – Arcosanti, AZ – May 12th
Taking the stage in the amphitheater of Arcosanti, a scenic artist compound that’s built into the canyons sitting north of Phoenix, Solange and her nine-piece crew brought her critically acclaimed LP A Seat at the Table to life right before our eyes. As an album entrenched in the modern experience of the black woman, Solange’s live production turned these themes into one visually stunning, intricately choreographed and sonically vibrant experience, coupled with a subtle balance of strength and vulnerability. Deep bass, soaring harmonies and tight rhythms made each song a joy to watch, including older hits like “T.O.N.Y.” After a year that was as emotionally taxing as 2017 was, it was a breath of fresh air to watch Solange present her own truth, her own experience with such bravado and mastery.

2. Gorillaz at Outside Lands Music and Arts Festival – San Francisco, CA – August 11th
3. Sigur Rós at Greek Theatre – Berkeley, CA – April 8th
4. Mitski at FORM Arcosanti – Arcosanti, AZ – May 13th
5. Kevin Morby at Great American Music Hall – San Francisco, CA – September 23rd

Top 5 Albums of 2017
1. Father John Misty – Pure Comedy
Pure Comedy captures a different perspective in this politically drenched culture we’re in now — one that chooses to embrace the insanity of it all and laugh, as privileged and unhelpful as that might be. “She’s like, ‘Oh great, that’s just what we all need / Another white guy in 2017 / Who takes himself so goddamn seriously'” croons Josh Tillman. His lyrics in “Leaving LA” are just one of several scores of quotable lines that fill this nihilist-yet-comforting, saddening-yet-hilarious album. Being a privileged white man who lives in a liberal bubble, this album marks the definition of a guilty pleasure for me. Pleasure, because it is sharp, honest and bold. Guilt, because I am capable of even laughing in the first place.

2. Broken Social Scene – Hug of Thunder
3. Sylvan Esso – What Now
4. Lorde – Melodrama
5. Brockhampton – SATURATION II

Top 5 Songs of 2017
1. Courtney Barnett & Kurt Vile – “Over Everything”
Its jangly guitars and wonky rhythm, combined with the chemistry of Courtney Barnett’s and Kurt Vile’s singing and occasional harmonizations, make “Over Everything” my favorite song of 2017. It’s an instant earworm — the cadence of Barnett’s and Vile’s lyricism gives the duo a distinct identity but still allows them to come together at the right moments to make the song feel whole. And after watching them make their live debut at Hardly Strictly Bluegrass earlier this year, they continue to raise my spirits and remind me to wear earplugs.

2. Real Estate – “Darling”
3. Selena Gomez – “Bad Liar”
4. Kendrick Lamar – “DNA.”
5. Bonobo – “Bambro Koyo Ganda”


J.I.D at Day N Night Fest 2017


J.I.D at Day N Night Fest 2017 // Photo by Rochelle Shipman

Rochelle Shipman // Los Angeles

Top 5 Shows of 2017
1. J.I.D at Day N Night Fest – Anaheim, CA – September 9th
The J. Cole-signed rapper proved to be much more than just another name from Atlanta with a nonstop, energetic set that established him as a young goat. Keep tabs on this one.

2. Sonder at The Masonic Lodge at Hollywood Forever – Los Angeles, CA – April 19th
3. Anderson .Paak & The Free Nationals at FYF Fest – Los Angeles, CA – July 21st
4. Gorillaz at Outside Lands Music and Arts Festival – San Francisco, CA – August 11th
5. Erykah Badu at FYF Fest – Los Angeles, CA – July 22nd

Top 5 Albums of 2017
1. Smino – blkswn
This album brings nothing but warm vibes and impressive wordplay from the fast-rising St. Louis emcee. Since it dropped in March, not a week goes by that I don’t bump this debut for me and all my neighbors.

2. Kendrick Lamar – DAMN.
3. Dirty Projectors – Dirty Projectors
4. Phoebe Bridgers – Stranger in the Alps
5. Tyler, the Creator – Flower Boy

Top 5 Songs of 2017
1. Smino – “Anita”
The dude rhymes “ice cream” with “chocolate” and gets away with it. Enough said.

2. Cardi B – “Bodak Yellow”
3. Dirty Projectors – “Up in Hudson”
4. Vince Staples – “Love Can Be…”
5. Phoebe Bridgers – “Funeral”


Slowdive - Slowdive

Andrew Pohl // San Francisco

Top 5 Shows of 2017
1. Slowdive at Fox Theater Oakland – Oakland, CA – October 28th
This was my first time seeing Slowdive, and they completely took my breath away. It was one of those perfect shows in which the sound was on point, the band brought its A game and the visual elements complimented the music just right. They played cuts from their entire catalog, and by the end of the night, the audience was completely happy.

2. Quicksand at Great American Music Hall – San Francisco, CA – September 8th
3. LCD Soundsystem at Bill Graham Civic Auditorium – San Francisco, CA – November 15th
4. Band Together Bay Area: Metallica, G-Eazy, Rancid, Dave Matthews, Dead & Company and Raphael Saadiq at AT&T Park – San Francisco, CA – November 9th
5. Roger Waters at Oracle Arena – Oakland, CA – June 10th

Top 5 Albums of 2017
1. Slowdive – Slowdive
A totally perfect album from start to finish. There have been a lot of bands that have emulated Slowdive’s dream-pop/shoegaze sound over the past few years, but this album, their first in 22 years, proves why the UK group is one of the genre’s true originals. Lush soundscapes, paired with gorgeous vocals, made for what was easily my most-listened-to album of the year.

2. LCD Soundsystem – American Dream
3. Quicksand – Interiors
4. Versing – Nirvana
5. Hobosexual – Monolith

Top 5 Songs of 2017
1. Quicksand – “Illuminant”
I had been waiting so patiently for the new Quicksand album to drop, and when they released this single, it was one of those completely satisfying musical moments. From that opening riff to the breakdown, “Illuminant” showcases the post-hardcore band’s evolution since the early 90’s while remaining true to its roots. Interiors is a fantastic album front to back, but this song is the one that stands out the most.

2. Slowdive – “Star Roving”
3. Elbow – “Magnificent (She Says)”
4. LCD Soundsystem – “Call the Police”
5. Versing – “Body Chamber”

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Courtney Barnett & Kurt Vile aren’t there yet, but they could be on the verge of something great

Courtney Barnett & Kurt VileBy Pedro Paredes //

Courtney Barnett & Kurt Vile with Jen Cloher //
Fox Theater Oakland – Oakland
October 18th, 2017 //

Courtney Barnett and Kurt Vile have both released albums that I count among my favorites of the 2010’s, so when I heard they would be performing together at the Fox Theater Oakland, I made sure to quickly clear my schedule and get ready for a night out.

On tour in support of their new collaborative album Lotta Sea Lice, the duo took the stage to almost-packed venue. Australian singer-songwriter Jen Cloher (who is also Barnett’s partner and musical collaborator) opened the show and played a fantastic set that left the audience ready for the main act.

Courtney Barnett & Kurt Vile

Around 9 p.m., the duo and accompanying band members (which included Sleater-Kinney’s Janett Weiss on drums) were eagerly received by the crowd. Their set included almost every song from the new album (sans “Peppin Tom”) and a few extras, such as a rendition of Kurt Vile’s “Pretty Pimpin” and Barnett’s “Avant Gardener”, which was among the best received songs. My personal favorite was “Continental Breakfast” (I recommend you watch the video clip here if you haven’t already).

As much as I enjoyed the show, I have to admit that the sensation I got was more like being a witness to the beginning of something great. Just like their album, their live show felt like two talented musicians still getting to know each other as they playfully experimented with their sound, but still not at the point of flowing as one cohesive unit. Although this union might be far from over, I can’t wait to hear what’s next.

Setlist:
Over Everything
Let It Go
Fear Is Like a Forest (Jen Cloher & The Endless Sea cover)
Out of the Woodwork (Courtney Barnett cover)
Continental Breakfast
On Script
On Tour (Kurt Vile cover)
Depreston (Courtney Barnett cover)
Life Like This (Kurt Vile cover)
Blue Cheese
Dead Fox (Courtney Barnett cover)
Untogether (Belly cover)

Encore:
Elvis Presley Blues (Gillian Welch cover)
Pretty Pimpin (Kurt Vile cover)
Avant Gardener (Courtney Barnett cover)

The 25 best live music acts of 2016

Best live music acts of 2016

As we officially place 2016 in the history books, it’s time to look back at all the live music we experienced this year. Last year we shared our 25 favorite live performers of 2015, so this year we thought we would do it again while excluding any artists we named in 2015. After all, who really wants to see the same acts listed two years in a row? That said, now that we’re two years removed, our 25 favorite live performers of 2014 were once again fair game.

After covering many excellent bands, musicians and DJs over the past 12 months, trimming our list down to 25 wasn’t easy and as usual, some difficult decisions had to be made. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order) whom we either covered at their own show and/or at a music festival this year:

Adrian Younge, Air, Alessia Cara, Alina Baraz, AlunaGeorge, Alvvays, The Arcs, A$AP Ferg, Atlas Genius, Aubrie Sellers, The Avett Brothers, Bag Raiders, Baio, Banks & Steelz, Bas, Battles, Beats Antique, Beach House, Best Coast, Big Freedia, Big Gigantic, Big Grams, Big Wild, Bloc Party, Bob Mould, The Boxer Rebellion, Brand New, Brett Dennen, The California Honeydrops, Capital Cities, Cate Le Bon, Chairlift, Chelsea Wolfe, !!! (Chk Chk Chk), Chris Robinson Brotherhood, Chuck Mosley, Chromeo, Claude VonStroke, The Claypool Lennon Delirium, Cold War Kids, The Crux, Dan Deacon, Danny Brown, Deftones, The Devil Makes Three, Dirtwire, Disclosure, DMA’s, DMX, Drew Holcomb and The Neighbors, Duran Duran, Every Time I Die, Emancipator Ensemble, Ezra Furman, Faith No More, The Faint, Fantastic Negrito, Femi Kuti, Florence + the Machine, Flume, Fruition, The Gaslamp Killer, Geographer, Glass Animals, Gorgon City, Grimes, Halsey, The Head and the Heart, Heartwatch, The Heavy, Highly Suspect, Hippie Sabotage, Holy Fuck, How to Dress Well, Hudson Mohawke, Hundred Waters, IAMX, Ibeyi, Ice Cube, Iggy Pop, The Infamous Stringdusters, Jack Beats, Jack Garratt, Jack Ü, James Bay, Jamie xx, J. Cole, Jimmie Vaughn, Jhené Aiko, The Joy Formidable, Joywave, Julia Holter, Julien Baker, Kaki King, Kamaiyah, Kamasi Washington, Kehlani, K.Flay, The Kills, Kurt Vile, Lafa Taylor, Lana Del Rey, Låpsley, Les Sins, Lettuce, Lionel Richie, Lord Huron, Little Scream, Lucius, M83, Major Lazer, Marian Hill, Mayer Hawthorne, MC YOGI, Methyl Ethel, Metric, Miami Horror, Mick Jenkins, Midi Matilda, Miguel Migs, Modest Mouse, Moon Taxi, M. Ward, Nahko & Medicine for the People, The Naked and Famous, Nas, Nathaniel Rateliff & The Night Sweats, Neon Indian, Nick Murphy (fka Chet Faker), Nite Jewel, Panic! at the Disco, Parliament-Funkadelic, Peaches, Petite Noir, The Pharcyde, The Polish Ambassador, Porches, Prince Rama, Purity Ring, Pusha T, Radiohead, Ra Ra Riot, The Regrettes, The Revivalists, RJD2, Rodrigo y Gabriela, Rogue Wave, Rubblebucket, Run the Jewels, The Russ Liquid Test, Ryan Adams, The Sam Chase & The Untraditional, Saosin, Sarah Neufeld, The Seshen, Shabazz Palaces, Shlohmo, Silversun Pickups, Snakehips, Solange, Son Little, St. Lucia, Stormzy, The Struts, STS9, Sturgill Simpson, Sufjan Stevens, Summer Cannibals, Sunflower Bean, Sigur Rós, St. Germain, Sylvan Esso, Tacocat, Taking Back Sunday, Tedeschi Trucks Band, Thao & the Get Down Stay Down, This Will Destroy You, Thomas Jack, Thundercat, Toro y Moi, Tortoise, Tory Lanez, Tourist, The Trims, Troye Sivan, Umphrey’s McGee, Viceroy, Vince Staples, Vokab Company, Walk the Moon, Warpaint, Wavves, Weezer, Wheeler Walker Jr., White Denim, Wild Belle, Wild Nothing, Years & Years, Yeasayer, YG, Young Fathers, Yuck, ZHU, Ziggy Marley.

Now, it’s time for The Bam Team to present our 25 favorite live performers of 2016.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2016

Listen to The Bam Team’s favorite songs of 2016:


Best Live Music Acts of 2015 #25 - Tycho

25. Tycho

For as much as Epoch was a surprise, so were Tycho’s two most recent shows in LA last week. It was the first time Hansen and company had played The Fonda Theatre since the Awake tour back in 2014, and Thursday’s sellout, which was announced less than a week before the show, along with the subsequent need to add a second date the next night, made it clear that more than ever, Angelinos have a strong appetite for what Hansen is doing on both a musical and visual level. It helps, too, that KCRW Music Director Jason Bentley, who opened the shows at The Fonda with a DJ set, has helped expose Tycho to a broader audience, whether through the “Morning Becomes Eclectic” theme song or live, in-studio performances by the band. Even nowadays with an abundance of streaming sites, you can’t underestimate the power of radio in a city with a driving culture as large as LA’s. And truth be told, Tycho is some of the best music to drive to, especially when you’re surrounded by nature. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #24 - Isaiah Rashad

24. Isaiah Rashad

And when it did, Rashad torpedoed onto stage and turned the restlessness in the room on its head with “Smile”, the apropos homecoming banger he released after years of uncertainty that followed his 2014 EP Cilvia Demo. It was fitting because prior to his reemergence, which was sparked by the song, Rashad admitted to being addicted to Xanax and alcohol, and it almost led to him being dropped from his West Coast record label on several occasions. From his issues with substance abuse to the tears he shed while listening to Kid Cudi’s music and his open-book thoughts on the humanizing of mental-health issues, Rashad’s journey from being the contemplative unknown in superstar Kendrick Lamar’s crew to a complete artist deserving of your attention has been steeped in honesty. -Joseph Gray, photo by Joseph Gray


Best Live Music Acts of 2015 #23 - Bob Moses

23. Bob Moses

Needless to say, worn-out axioms failed to apply in this scenario. Bob Moses silenced anyone attempting to pass them off as yet another contrived electropop outfit aiming to please the masses. At Mezzanine, both Howie and Vallance proved their prowess as EDM innovators, bringing more to the stage than a couple of laptops and a pretty light show. Surprising those unfamiliar with their work or expecting to be underwhelmed, Bob Moses have elevated the live electronic game for their respective contemporaries and succeeded in defining a new chapter for the genre — an innovative sound standard that’s all their own. -Molly Kish, photo by Lisette Worster


Best Live Music Acts of 2015 #22 - Floating Points

22. Floating Points

The band continued building on its rhythms and melodies, creating a hypnotic feeling that was filled with textured synthesizers, guitar pedals and consummate percussion, as laser patterns reflected each rise and fall during its lengthy jam sessions. As Sheppard and his sidekicks progressed through each track, the complexity of the laser projections grew into optical illusions that, almost like another musical instrument onstage, intertwined with the style and progression of the band’s production perfectly. With each song reaching a climax and eventual denouement, the artwork remained untouched for a few minutes so that fans could observe each piece before their very own eyes. -Brett Ruffenach, photo by Alister Mori


Best Live Music Acts of 2015 #21 - Ty Segall

21. Ty Segall

But Segall is no doubt a showman himself, and you’d be hard-pressed to find someone who expends as much energy onstage as he does in merely 90 minutes. His passion simply rubs off on his fans, who wasted little time climbing onstage and taking the plunge into a sea of hands for a couple of minutes. Segall, of course, also got in on the action at one point, as his shows are often known to feature crowd surfing from both band and audience members, and he made sure to take the mic stand with him while he horizontally slithered across the room. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #20 - Dr. Teeth and The Electric Mayhem

20. Dr. Teeth and The Electric Mayhem

One of the biggest questions on everyone’s mind coming into Outside Lands was, “Who were Dr. Teeth and The Electric Mayhem?” For those who knew, it was, “How in the hell were the Muppets going to fill a Sunday slot on the main stage?” Because the band had never played a show of such magnitude or outside the context of a TV/film studio, no one had any clue what to expect during this early-afternoon slot. Though some festivalgoers (mistakenly) decided to forego the experience altogether, those present will not forget the incredible feat that Another Planet Entertainment and Jim Henson Enterprises were able to pull off for what was one of the most emotionally nostalgic, blissfully complex and once-in-a-lifetime festival performances maybe ever. The Muppet house band both effortlessly managed to pluck the heartstrings of multiple generations of fans while delivering the most conceptually beautiful “love letter” to the city of SF, blanketing the grounds in a sea of love and collective euphoria for a brief, yet unforgettable moment. -Molly Kish, photo by Rochelle Shipman


Best Live Music Acts of 2015 #19 - RÜFÜS DU SOL

19. RÜFÜS DU SOL

By the time RÜFÜS made their entrance, the excitement in the room was at a fever pitch. The crowd was ready to dance from the very first beat (thanks to the excellent warm-up from Kllo and Yuma X), and they did just that. Lead singer Tyrone Lindqvist took center stage with great energy and proceeded to do the customary water bottle toss shortly after. Lindqvist set the tone right from the get-go for a high-energy, high-audience-participation set. The crowd responded in kind by getting down much harder than expected for a Wednesday night. Notably, there were surprisingly very few phones out as most attendees put away their cameras to make the most of every song. The intimate setting of The Fillmore could almost have been mistaken for the polo grounds of Coachella, given how many girls-on-shoulders could be seen around the venue. -Geoff Hong, photo by Josh Herwitt


Best Live Music Acts of 2015 #18 - Rudimental

18. Rudimental

Through Rudimental tracks like “Not Giving In”, “Free” and “Waiting All Night”, the most unique element of the group’s live production was their charisma. Simply put, they look like they’re having fun. These aren’t tortured artists or cathartic performers — Rudimental are a band that loves the music they make. Even the band’s drummer, Beanie, easily one of the hardest working rhythmists on tour right now, managed to keep a smile on his face, racing through Rudimental’s repertoire of songs that were anywhere from 145 to 160 BPMs. The septet’s de-facto leader, DJ Locksmith, was surprisingly more in the background than you would expect from a typical DnB hype man. As Rudimental wrapped up their set with their chart-topping hit “Feel the Love”, the crowd joined in as the song ended, creating a shared moment at The Fox that perfectly reflected the intention of Rudimental — to spread the love. -Brett Ruffenach, photo by Marc Fong


Best Live Music Acts of 2015 #17 - BØRNS

17. BØRNS

On this night, that proverbial phrase seemingly rang true. It wasn’t just that BØRNS most likely amassed the largest attendance in the history of the Twilight Concert Series, but also the fact that it was easily one of the best shows I’ve ever witnessed at the Santa Monica Pier. One could certainly point to the opening of the Expo Line extension as a reason for the larger crowds so far this summer, which wasn’t all that noticeable during the series’ opening night with Mayer Hawthorne just the week prior, but that would simply be underestimating the exponential rise of Garrett Borns’ eponymous project. Since he relocated to Los Angeles in 2013 and signed with Interscope Records, the Michigan native has gone from supporting modest indie bands like MisterWives to selling out shows as a headliner in a matter of a year. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #16 - Flying Lotus

16. Flying Lotus

Brainfeeder founder, producer and unapologetic cultural mouthpiece Flying Lotus (born Steven Ellison) ended the night with a mildly controversial headlining set. Walking onstage and making what any FlyLo fan would recognize as an off-colored comment on the current presidential race may have proven too brazen for those not used to his brand. He let Captain Murphy out of the box a little early and road the wave of confusion into a heady, bass-driven assault on the conflicted crowd, providing the distinct audio punctuation point for the night’s bill of artists. Playing several tracks off of his 2014 LP You’re Dead! as well as various hits from high-profile hip-hop emcees like Travis Scott and Kendrick Lamar that he has produced over the years, Ellison stunned us all with his double-screen, audio-visual stage setup and plenty of bone-rattling bass drops. -Molly Kish, photo by Marc Fong


Best Live Music Acts of 2015 #15 - The Last Shadow Puppets

15. The Last Shadow Puppets

TLSP brought a strings section to their show, an added element that helped keep things fresh and new. The show began with the beautiful sounds of violins and cellos, but the moment TLSP got onstage, the whole floor at The Fillmore lit up in billows of smoke. I’m sure the band was stoned by the end of the show if it hadn’t been already, appearing beyond excited to be playing on a Sunday night in SF. Turner and Kane must have yelled out something about SF every few minutes and incorporated SF into some of their songs. They were so incredibly tight, and I felt their set in some ways was a bit better than what I had witnessed years ago — the mix and order of the songs felt more succinct at The Fillmore. -Rachel Goodman, photo by Diana Cordero


Best Live Music Acts of 2015 #14 - Miike Snow

14. Miike Snow

Sunday’s roster at Coachella last year was significantly weaker in comparison to Friday’s and Saturday’s. This year was much of the same, though Calvin Harris somehow proved to be an even worse headliner than Drake (we didn’t know that was possible). But one of the bright spots on Day 3 was no doubt Miike Snow’s 9:45 p.m. slot in the Mojave Tent, the same place where I discovered the Swedish trio back in 2010 during my first Coachella. Andrew Wyatt, Christian Karlsson and Pontus Winnberg have come a long way since then, and with three studio albums in their catalog, including their latest effort iii, they have more than enough material to fill out a 50-minute set and leave you wanting to hear more. -Josh Herwitt, photo by Norm de Veyra


Best Live Music Acts of 2015 #13 - Young Thug

13. Young Thug

Fresh off releasing the latest — and final — installment of his Slime Season mixtape trilogy, Young Thug took his place on the stage. Arriving in a white blouse, multicolored sequined jacket, dark shades, a polka-dot head scarf and remarkably slim, golden pants, he aligned such a rangy and vibrant uniform with his performance. There wouldn’t be any towering LED lights, stunts or stage diving. However, Young Thug, who for the majority of his roughly hour-long set played the lone wolf, delighted the crowd with his animated and bright delivery while running through thundering Slime Season 3 favorites like “With Them”, “Digits” and “Slime Shit”. The audience, ranging from high school seniors to seasoned workers likely with mortgages, strikingly recited every uncanny, controversial lyric and Ric Flair-esque “Woo!” like they had been analyzing them for years. -Joseph Gray, photo by Joseph Gray


Best Live Music Acts of 2015 #12 - Pretty Lights

12. Pretty Lights

Touring with a live band for the first time in 2013 — something that few other EDM artists have done to this day — he quickly changed the way electronic music can be experienced live. Fast forward to last Thursday, and we were once again treated to an electrifying Pretty Lights show that was more than just Smith behind a pair of Macbook Pros and two Akai MPD32s. Making his debut at the majestic Santa Barbara Bowl, he once again showed why he isn’t your typical EDM act. With Chris Karns and Big Wild providing support, Smith hit the stage at 8 p.m. with his bandmates — Karns, Borham Lee, Brandon Butler and Alvin Ford, Jr. — and put on a show that dazzled both sonically and visually. What was most impressive, though, was seeing how much of the performance was improvised, as the band transitioned from one jam to another while dropping in a number of remixes here and there. And as I looked on from my seat in the stands, I couldn’t help but think about how much the show reminded me of all the times I’ve seen STS9 perform live. It only seemed fitting considering that the livetronia band helped give Smith his start back in the day, and with the “EDM bubble” about to burst (that is, if it hasn’t already), it’s hopefully an approach more electronic artists will gravitate toward in the future. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #11 - Mac DeMarco

11. Mac DeMarco

The 26-year-old king of slacker rock, who over the past few years has become a fan favorite of many Bay Area audiophiles, never seems to hold back when he comes to town. His first night in SF last week saw him jump from The Indy’s balcony into an awaiting crowd (a feat that was later imitated by a female audience member at The Warfield the next night), run around half naked while playing new songs and perform a 25-minute cover of Eric Clapton’s 1971 hit single “Layla” with fart solos sprinkled throughout. -James Pawlish, photo by James Pawlish


Best Live Music Acts of 2015 #10 - Moderat

10. Moderat

Easily the most anticipated set of the weekend from this spectator’s vantage point, Moderat hadn’t toured since dropping a pair of EPs in 2014. But with the release of its third full-length album, aptly titled III, the Berlin-based supergroup comprised of Apparat’s Sascha Ring and Modeselektor members Gernot Bronsert and Sebastian Szary were primed to make their mark on the final day of LIB — and that they did. Beginning with “Ghostmother” off their latest LP, Moderat ran through a good chunk of new material, but nothing ignited the crowd more than their new single “Reminder”, which remains one of our favorite songs of the year so far. As we witnessed a few days earlier at The Fonda Theatre in LA, the group’s dark, minimalist stage setup with psychedelic flourishes paired nicely with Ring’s ethereal vocals. Of all the other performances throughout the weekend, Moderat’s 90-minute set undoubtedly stood as one of the brightest moments of LIB 2016. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #9 - Foals

9. Foals

Foals closed out their rambunctious set with a killer take on the title track “What Went Down” that brought lead singer/guitarist Yannis Philippakis diving into the crowd, giving fans one hell of a selfie and proving their rock credentials for good. After all, any band that can unite 20-something bros with 50-something grandparents gets a gold star in our book. Rock brings people together, and those who made it out to see this unicorn of a band won’t live to regret it. -Zach Bourque, photo by Steve Carlson


Best Live Music Acts of 2015 #9 - Tame Impala

8. Tame Impala

As they opened with the dream-inducing interlude “Nangs” from their latest studio album Currents, Tame Impala gave the crowd an ample minute and a half to commit to the spatial surroundings before jumping full throttle into an explosive rendition of lead single “Let It Happen,” playing the tracks in reverse order than they are on the LP. By the third song (as promised), the sky, having just turned black, was filled with a stadium’s worth of rainbow confetti as the band played the opening chords of 2012’s psuedo love ballad “Mind Mischief”. Followed by a rare performance — only the second time in three years — of “Music to Walk Home By” from 2012’s Lonerism, Tame Impala played a wide range of emotive classics while scrambling the brains of more than 8,500 audience members with their intense onslaught of sensory-overloading imagery and hypnotic light show. -Molly Kish, photo by James Pawlish


Best Live Music Acts of 2015 #7 - Jim James

7. Jim James

James is in rare company these days, amid a dying breed of guitar-rock gods like Jack White and Josh Homme who are not only capable of playing anything on six strings, but also on a myriad of instruments. And while Eternally Even feels in some ways like an opportunity for him to finally experiment more with keyboards, James made sure to remind his fans at the 90-year-old Orpheum Theatre last Friday that shredding is still a priority. Performing in his new hometown after officially moving to LA this year, he assumed the role of lead singer for much of the show as he and his bandmates from Twin Limb (also opening for James on this tour) played all of Eternally Even and half of Regions. But propped up by a stand onstage the whole time was James’ black Gibson axe, and you knew at some point during a two-hour set that he was going to unload some sick riffs like we have become accustomed to seeing from him at Jacket shows. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #6 - The National

6. The National

The real headline from The National’s performance was hands down the new material that was debuted, pretty much across their entire set, encore included. A rather standard opening of “Don’t Swallow the Cap” and “I Should Live in Salt” led into our first taste of the band’s upcoming LP in the form of “Checking Out”. Though many locals likely recognized this track from last year’s Treasure Island Music Festival (read our review here), it has tightened up over the past year and even begins to sound familiar as the Brooklyn-based five-piece begins to weave in more electronic, synth-like elements. -Kevin Quandt, photo by Steve Carlson


Coachella 2016 - Guns 'N Roses

5. Guns N’ Roses

There may have been no more talked-about act in Coachella’s 17-year history than Saturday’s headliner — and for good reason. Going back to 1993, it had been 23 years since Axl Rose and Slash last performed on the same stage together, and though some of that allure had worn off by the time they reached Indio thanks to a surprise show in LA and back-to-back nights in Las Vegas in prior weeks, Guns N’ Roses were still the talk of the town leading up to Coachella. In fact, all you had to do was look around on Saturday and see just how many GNR T-shirts were traversing the polo field before their 10:30 p.m. set. When it came time to deliver, the original trio of Axl, Slash and bassist Duff McKagan most certainly did, while rhythm guitarist Richard Fortus and drummer Frank Ferrer proved to be more than suitable fill-ins for Izzy Stradlin and Steven Adler/Matt Sorum. Meanwhile, the surprise appearance by Angus Young couldn’t have come at a much better time after the announcement was made minutes before GNR’s set that Rose will be filling in for Brian Johnson on AC/DC’s remaining tour dates this year. GNR have always been one of my biggest bucket-list bands, and even if a broken leg prevented Axl from strutting and slithering across the stage like he once did as a brash, slender 21-year-old rock star, seeing one of my favorite childhood bands perform for two and a half hours felt all too surreal as I left the Empire Polo Club that night. -Josh Herwitt, photo courtesy of Coachella


Coachella 2016 - Sia

4. Sia

From the very beginning, Sia set herself apart from every other artist who took the Coachella Stage this year. With the Australian artist standing in the back of the stage, her set was more performance art than it was pop music. While her face was hidden thanks to her trademark wig, Sia’s voice stood front and center as she belted out every note to hits like “Diamonds”, “Bird Set Free” and “Titanium”. Throughout it all, different dancers and actors would come on stage, abstractly embodying the themes her songwriting often conveys: fear, anticipation, stress, anger, joy, love and most of all, doubt. As Kristen Wiig and Paul Dano contributed to the overall performance, the height of Sia’s conceptual masterpiece reached its peak with a breathtaking rendition of “Breathe Me”, bringing some of the audience to tears. It was the true headliner of Sunday night and among the top performances of the entire weekend. -Brett Ruffenach, photo courtesy of Coachella


Best Live Music Acts of 2015 #3 - Chance the Rapper

3. Chance the Rapper

In one of the few transcendent moments of the weekend, a set that had everyone throughout the fairgrounds hyped into an anticipatory frenzy, Chance the Rapper performed at the Lands End stage on Sunday afternoon for easily the largest crowd of the entire weekend. Even those who stood their ground through Third Eye Blind’s preceding set felt the drastic change in both crowd size and personal space as the Polo Fields flooded and temperatures rose. Even though Chance could have used this to his advantage and conducted an explosive show, igniting the tightly configured crowd into a combustive state, he instead took his fans “to church” with a spiritually centered gospel set, making sure everyone was attentive and of course, that “his part” resonated among the masses. -Molly Kish, photo by Norm de Veyra


Best Live Music Acts of 2015 #2 - LCD Soundsystem

2. LCD Soundsystem

Over the last couple of years, it’s hard to think of a band I have wanted to see more than LCD Soundsystem. Deeply tied to my formative years in college, the Brooklyn outfit’s return after a five-year hiatus was nothing short of stunning. Opening with the undeniably groovy “Us vs. Them” and covering a good chunk of their catalog over almost two hours, LCD certainly met the expectations of an eager crowd. James Murphy kept the banter between songs fairly short, and these indie heavyweights demonstrated a true dedication to their craft, starting fast with songs like “Movements” and “Yeah” before moving to more deep, tightly wound rhythms on “Someone Great” and “Home”. Though “Losing My Edge” was written more than 10 years ago, Murphy’s part-improvised, part-proclamation, part-perfectly-delivered rendition of the track seemed to really capture the attention of more casual LCD fans. Nearing the end of its set, the band covered “Heroes” by late collaborator David Bowie. I have seen many concerts as well as attended many festivals in my life, but this was truly among the most beautiful moments in live music I have ever experienced. Wrapping up their headlining performance with “All My Friends”, LCD Soundsystem proved to be among the top artists to ever grace the festival’s main stage. -Brett Ruffenach, photo by Norm de Veyra


Best Live Music Acts of 2015 #1 - Anderson .Paak

1. Anderson .Paak

I’m going to be completely honest: I went to SXSW this year to see .Paak because I knew once he played it, tickets to his shows would be impossible to get. Six months later, $30 tickets to his show in San Francisco at The Fillmore resold for upwards of $400. If you didn’t have another way to get into that show or rent to pay, it was worth it. The energy that comes out of .Paak while he’s performing is charming, infectious and unmatched. He splits his time roaming every inch of the stage and behind his drum set, often singing and rapping without missing a beat. At .Paak’s December show at the Hollywood Palladium in LA, Stevie Wonder came out not to sing, but to tell the crowd what a big fan he is. So basically, Stevie Wonder dropped by. OK, Anderson … we see you. -Rochelle Shipman, photo by Norm de Veyra

Outside Lands 2016

Showbams_Sticker_Rectangle2

First Times: Covering a show at the Hollywood Bowl

Kurt Vile & The ViolatorsBy Josh Herwitt //

Sufjan Stevens with Kurt Vile and The Violators, Ibeyi //
Hollywood Bowl – Los Angeles
August 7th, 2016 //

No matter what you think of LA, whether you love it, hate it or hold no opinion of it at all, the Hollywood Bowl has remained universally loved as one of the city’s most prized possessions. It’s safe to say that the Bowl, as us Angelinos like to call it for short, has always stood as one of the world’s most legendary outdoor music venues. In fact, it’s still considered the “largest natural amphitheater” in the U.S. (whatever that means) at 17,500, but just do a quick Google search for “best outdoor music venues in the U.S.” and you’ll see how often it’s included in listicles ranking the best amphitheaters in the country. For that reason alone — although the glitz and glamour of LA have certainly never hurt — there has always been an understanding within the music industry that any artist who headlines a show inside the Bowl’s iconic band shell has officially “made it.”

Though I don’t know if the same can be said for my music journalism career, there have been at least a few bright spots, one as most recently as last Sunday, when I was invited to cover my first show at the Bowl. It might sound cliché (actually it definitely sounds cliché), but never in my wildest dreams did I ever think I would get credentialed for a show at one of music’s most storied and historic venues, one that I grew up going to regularly as a kid. When you write for a small music blog like this one, getting the opportunity to cover a show at the Bowl doesn’t come around all that often, if ever. And what a show it turned out to be.

With a bill headlined by neo-psychedelic folk singer-songwriter Sufjan Stevens and featuring sets from lo-fi indie rocker Kurt Vile with his backing band, The Violators, and French-Cuban soul/R&B duo Ibeyi, the lineup of performers on this night was eclectic to say the least. Yet, with two of the three acts already in California to play Outside Lands Music and Arts Festival (read our review here), NPR member station KCRW made sure to take advantage for its World Festival series.

Sufjan Stevens


Sufjan Stevens

It’s always tough for an opener to play the Bowl, and unfortunately Ibeyi had to find that out the hard way for its first appearance. With the show’s early start time due to the Bowl’s 10:30 p.m. curfew on Sundays (it slides back to 11 p.m. Monday-Saturday), most of the seats were empty when twin sisters Lisa-Kaindé Diaz and Naomi Diaz took the stage at 7 p.m. sharp. It wasn’t until 7:40 p.m., when Vile and his three bandmates were subsequently up next, that the amphitheater started to fill up, especially in the upper-level sections. Vile, who has been touring heavily since the release of his sixth solo album b’lieve I’m goin down…, let out a few hoots and hollers as he opened his 50-minute set, doing his best to pump up the somewhat subdued crowd. But it was his music that ultimately got fans excited, leaning heavily on his newest material as he moved between electric guitar, acoustic guitar and banjo.

The spectacle of the night, however, was no doubt Sufjan Stevens’ set. The Michigan native, who professed his love for his home state on his 2003 LP, had it pretty rough growing up, as he details in “Should Have Known Better” from his latest studio effort Carrie & Lowell. The album, which recounts some of the more unsettling moments Stevens shared with his late mother (Carrie) and stepfather (Lowell) — including times when Carrie abandoned him as a child — and the emotional pain he felt following her death in 2012, has taken his career of almost 20 years to new heights, with many music critics pronouncing it his best yet.

On this evening though, Stevens did his best to spin things in a positive light, proclaiming at one point that he wanted to “sing about life” after spending “a year-and-a-half singing about death.” “Feel your heart and your lungs and the warmth of your skin, and know you’re alive,” he told us in between songs while preaching that we as a society need “less resistance” and “more acceptance.” Coming from a man who dons a pair of giant wings, a neon-colored track suit and at times, a bizarre balloon costume onstage, a spiritual pep talk as such could sound like a bunch of hocus pocus to glass-half-empty types. But the stories Stevens tells on Carrie & Lowell are real and heartfelt, ones that take guts to broadcast publicly like he does, and with a rainbow of fluorescent lights covering the Bowl’s band shell once night fell, the final stop on his 2016 summer tour felt more like a celebration of sorts than a memorial service. So, as the man in a foil-like suit ran through the crowd at the start of his encore, which concluded with a tribute to another one of his fallen heroes in Prince, I couldn’t help but smile and take it all in, knowing full well that the chance to cover a show at the Bowl may never come my way again.

SUFJAN STEVENS

Setlist:
Seven Swans
Too Much
All of Me Wants All of You
Come On! Feel the Illinoise!
I Walked
Vesuvius
Blue Bucket of Gold
Fourth of July
Should Have Known Better
Carrie & Lowell
I Want to Be Well
Impossible Soul
Chicago

Encore:
Concerning the UFO Sighting Near Highland, Illinois
For the Widows in Paradise, For the Fatherless in Ypsilanti
Kiss (Prince cover) (with Moses Sumney)

KURT VILE & THE VIOLATORS

Setlist:
Dust Bunnies
I’m an Outlaw
Jesus Fever
Goldtone
KV Krimes
Walkin’ on a Pretty Day
Pretty Pimpin’
Puppet for the Man
Freak Train

IBEYI

Setlist:
Elleggua
Lost in My Mind
Mama Says
I’m on My Way
Oya
Think of You
Oddudua
River

Sasquatch! Music Festival releases 2016 lineup

Sasquatch! Music Festival - 2016 lineup

Sasquatch! Music Festival //
Gorge Amphitheatre – Quincy, WA
May 27th-30th, 2016 //

Returning to the majestic Gorge Amphitheatre over Memorial Day weekend, Sasquatch! Music Festival has dropped another impressive lineup for its 2016 edition.

Now in its 15th year, the Pacific Northwest fest organized by Adam Zacks and Live Nation will feature performances by The Cure, Florence + the Machine, Disclosure, Major Lazer, Alabama Shakes and a whole lot more over four action-packed days. Some of our favorites include Leon Bridges, Jamie xx, A$AP Rocky, Caribou, M83, Kurt Vile, Yeasayer, Mac DeMarco, Big Grams, Chet Faker, Lord Huron and Tycho. See the poster above for the full lineup.

If you’re thinking about going to Sasquatch! this May, you’ll need to act quickly. GA tickets go on sale Tuesday, January 12th (in other words, today) at 10 a.m. here, and VIP supertickets can also be purchased on the festival’s website here.

Last spring, Showbams made the trek to The Gorge to cover Sasquatch! for our first time, and we didn’t leave disappointed when it was all said and done. With another stellar bill of artists, Sasquatch! is sure to shine once again in 2016.

Showbams’ top tracks of 2013

Best-tracks-post

Sometimes the more music you listen to, the feeling of missing out on a song or an album can make you feel a little neurotic. You simply can’t give every piece of good music it’s proper due. So when it comes to picking your favorite songs, a safe bet is to pick the songs that not only soundtracked your year but also helped define it.

Showbams presents our Contributor top tracks of 2013. What are your favorite tracks of this dwindling year? Holler with links in the comment section…


James Blake at Treasure Island Music Festival 10/19. Photo by Marc Fong.

James Blake at Treasure Island Music Festival 10/20. Photo by Marc Fong.

Mike Frash // Founder, Editor, Columnist // @MikeFrash

01. James Blake – “Retrograde”
“Retrograde” perfectly represents the state of music in 2013, providing an amalgamation of cutting edge electronic, bass & R&B sensibilities. Also, the track is hauntingly memorable — How many contemporaries can use their pitch-shifting croon-hum as a low melodic layer like this? Lyrically, manipulative seduction is the center piece as Blake propositions his subject, asking to “show me where you fit.” Retrograde means ‘moving backwards’, and the theme is splendidly represented in the song’s payoff through elongated synth that modulates enough to sound like slow degradation.


02. Disclosure – “When A Fire Starts To Burn”
The mantra of the year, “When A Fire Starts To Burn” can ignite a party or help work get done faster. Somehow the motivational speech sample never tires, and it’s one of the only samples on Settle, proving the keen production sense Guy and Howard Lawrence have ingrained in them. The simple four on the floor house beat slightly evolves every 16 bars, allowing the sample to dominate throughout. An instant classic, it’s a track that uses long-used underground themes and brings them to the forefront as Disclosure continues to explode with popularity.


03. Arcade Fire – “Afterlife”
The penultimate song from Reflektor explicitly stares death in the face and dares you to live. More than any other song on the record, “Afterlife” successfully digs into the idea of what happens when we die in Arcade Fire’s serious, intense style. The song offers multiple rhetorical questions that function as a challenge. Our time is finite, and love should be the focus. “It’s just an afterlife with you…”


04. Foals – “Milk & Black Spiders”
So much of Foals’ music is about being on the verge of total loss, although the message is almost always vague. A far cry from yelling at “Cassius” that she’s “second best”, “Milk & Black Spiders” centers on the idea of confidence in finding the right mate and openly admitting it. Found in an album full of potential top tracks, this cut contains the best moment of the album at about 3:30. Is it hyperbole to consider this one of the most euphoric crescendo of all time?


05. my bloody valentine – “in another way”
To be truly understood, my bloody valentine needs to be felt, not only heard. To experience MBV live or in the comfort of your living space like the Maxwell Guy is encouraged (although it may be too late to catch them live). The sound is jarring at first, but upon adapting to the volume level, “in another way” transforms into magnificent hypnotism once the first major chords hit. It’s like a persistent, awesome airplane is taking off in your face, in a very good way…

06. Baths – “No Eyes”
07. Vampire Weekend – “Hannah Hunt”
08. Kanye West feat. Frank Ocean – “New Slaves”
09. The National – “I Need My Girl”
10. Rhye – “Open”
11. Volcano Choir – “Byegone”
12. Phosphorescent – “Song For Zula”
13. Run the Jewels – “Job Well Done (feat. Until the Ribbon Breaks)”
14. Mount Kimbie – “Made To Stray”
15. Kurt Vile – “Wakin on a Pretty Day”
16. Darkside – “Paper Trails”
17. Autre Ne Veut – “Play by Play”
18. Jon Hopkins – “Breath This Air”
19. Haim – “Falling”
20. Bill Callahan – “Small Plane”


Vampire Weekend at Fox Theater Oakland 4/17. Photo by Marc Fong.

Vampire Weekend at Fox Theater Oakland 4/17. Photo by Marc Fong.

Molly Kish // Artist Relations Manager, Columnist // @MollyKish

01. Vampire Weekend – “Unbelievers”
Far from the New England prep rock of their previous two albums, the boys of Vampire Weekend explore new territory both in songwriting and soundscape on their 2013 release Modern Vampires of the City. This breakout pop gem explores the frivolity of faith, dissecting spirituality in the context of a contemporary domestic relationship. Paying homage to blissful rockabilly melodies executed by such greats as Buddy Holly and the Crickets and Jerry Lee Lewis, Vampire Weekend put a current spin on an archetypal pop formula, composing easily one of the best tracks of 2013.


02. Big Black Delta – “Side of the Road”
Jonathan Bates, of Mellowdrone fame, delivers one of the catchiest terrestrial dance jams of 2013 with the lead single off of his debut album, Big Black Delta. A solo project, Bates performs the entire song through layers of modified vocals, electronic improvisation and innovatively tracked percussion. He succeeds in developing an addictive one man dance party that’s just as entertaining to see live as it is to listen to on record and calls for near immediate loops of repetitive play.


03. Disclosure -“F For You”
UK sibling duo Disclosure deliver one of the hardest hitting and simplistically rendered club hits of 2013 with “F For You.” Stripping away frivolous electronic production, they find success in a modest deep house composition featuring a pulsating baseline, repetitive chorus and a stylistically pert, finger-snapping beat. The song’s sassy subject matter and infectious groove are bound to get any dance floor moving and set the song apart as a standout hit on the band’s 2013 debut album.


04. Yeah Yeah Yeahs – “Sacrilege”
Departing from their traditionally art punk mold, the Yeah Yeah Yeah’s burst back on the scene with the first single off of their fourth studio album, Mosquito. Highlighting rooted soul riffs and Karen O’s bluesy wails, the beat driven arrangement pays homage to the band’s time spent writing and recording in New Orleans. The track in a fiery choral cameo by the Broadway Inspirational Voices Choir and serves as the band’s rousing call to arms for their alternative counterparts. The song exemplifies the band’s successful feat in retaining some of the genres fearlessness and artistic credulity as well as their willingness to step outside of the convoluted mainstream box.


05. Holy Ghost! – “Dumb Disco Ideas”
Often compared to fellow DFA records’ flagship artist LCD Soundsystem, Holy Ghost! assumed the label’s inherent responsibility of producing the next wave of synth-pop super hits with their 2013 album Dynamics. The most comparable track, coming in the form of this funk laden jam, draws directly from the genre-defining record label’s indisputable formula for discotheque domination. Rhythmically resonating with old and new fans alike, Holy Ghost! seamlessly transitioned into their new reign of the DFA universe with this stand out party anthem that floored live music venues and festival stages, all summer long.

06. Daft Punk – “Get Lucky”
07. Atoms for Peace – “Default”
08. Arcade Fire – “Here Comes the Nighttime”
09. Toro Y Moi – “Say That”
10. Empire of the Sun – “Alive”
11. Cut Copy – “Free Your Mind”
12. STRFKR – “While I’m Alive”
13. Jagwar Ma – “Man I Need”
14. Phoenix – “S.O.S. in Bel Air”
15. Washed Out – “All I Know”
16. Kanye West – “Black Skinhead”
17. CSS – “Into the Sun”
18. Devendra Banhart – “You’re Fine Petting Duck”
19. Wild Belle – “Another Girl”
20. The Strokes – “One Way Trigger”


Palma Violets at The Independent 4/23. Photo by James Nagel.

Palma Violets at The Independent 4/23. Photo by James Nagel.

Kevin Quandt // Assistant Editor, Columnist // @KJQuandt

01. Daft Punk – “Get Lucky”
When the ‘Song of the Summer’ (sorry “Blurred Lines”) is as thoroughly enjoyable as this interstellar first single off of RAM, you know you won’t get nearly as tired of it as past summertime jams. “Get Lucky” is still is as fresh as the first time it was debuted on a Saturday night at Coachella, eventually ruling airwaves across multiple genres all over the globe. This track has it all; from a space disco groove that rivals any legendary disco jam to the sultry vocals of the multi-talented Pharrell Williams. Was it the single that most fans were expecting? Probably not, but lends even more to the production and writing talent of these two mysterious French robots that most of us know by the name of Daft Punk. Though we haven’t seen how it’ll shake out on stage, if ever, it is sure to be on repeat for the foreseeable future. 


02. Foxygen – “No Destruction”
What a fun slice of American tinged psych-pop these young San Franciscans delivered this year. Sure this band has had a rough year on the road, but these issues never diminished their stellar sophomore release, spotlighted by this rousing tale of youthful urban life and love. Dylan-esque crooning coupled with phrasing that would make Ray Davies blush lends a nod to some of rocks legends in the form of “No Destruction”. Every listen also shines more light on the storyboard that these lyrics build, adding another key component to Foxygen’s success.  


03. Foals – “My Number”
I’m not sure exactly when Foals became masters of catchy song structures, but many are happy to hear this British act upping their game to dazzling new heights. The formula of placing the hook early in the track is part of the key, and this is not to mention the amazing returns to said hook while balancing afro-inspired guitar lines, piercing melodies and unpredictable rhythm shifts. “My Number” signifies the next era for Foals while displaying they are ready to leave the clubs to larger theaters while bearing the banner of Bono-esque grandeur in the face of a changing landscape in popular rock music. 


04. King Krule – “Baby Blue”
Young Archie Marshall has come along way for a 19 year old Brit with a refreshing spin on bedroom-produced darkwave music. Though in all honesty, King Krule can not be defined as he bends genre lines all over his debut LP, 6 Feet Beneath the Moon. Archie’s unique vocal stylings paint a brilliantly simple portrait of love lost over a stripped down production that is akin to the muted style that launched acts like the XX and Toro Y Moi. The baritone delivery pitches and bends on the singer’s whim over gentle guitar flourishes and minimal beat production equally something fully unique. In an age of EDM maximalism, it’s tracks like this that demonstrate the idea of ‘less is more.’ 


05. London Grammar – “Hey Now”
London Grammar may not be an artist that the majority are familiar with, but a head-turning debut LP released in the fall has garnered this trip-hop trio much deserved attention. Hannah Reid’s vocals soar all over this chilled-out track that slowly builds to a mellow peak that could remind you of early Zero 7 (the Sia years). A feature on Disclosure’s album closer and vocal comparisons to Jessie Ware are promising signs for these up-and-comers that understand restraint can be extremely powerful as demonstrated in this powerful single.  

06. Arcade Fire – “Afterlife”
07. Parquet Courts – “Stoned and Starving”
08. Palma Violets – “Best of Friends”
09. Kanye West feat. Frank Ocean – “New Slaves”
10. Jake Bugg – “Lightning Bolt”
11. A$AP Ferg feat. A$AP Rocky – “Shabba”
12. HAIM – “The Wire”
13. Queens of the Stone Age – “My God is the Sun”
14. Vampire Weekend – “Diane Young”
15. The National – “Humiliation”
16. Ducktails – “The Flower Lane”
17. Deerhunter – “Dream Captain”
18. Jon Hopkins – “Open Eye Signal”
19. iceage – “Ecstasy”
20. White Fence – “Pink Gorilla”


Holy Ghost! at Treasure Island Music Festival 10/19.

Holy Ghost! at Treasure Island Music Festival 10/19.

Pete Mauch // Festival Manager & Columnist // @PeteMauch

01. Daft Punk – “Get Lucky”    
The summer anthem is just too good to be denied the number one spot. With Nile Rodgers laying down the funk chords on guitar and Pharrell Williams’s resurgence back on the scene with smooth croons, it gives the song has some serious lasting power.


02. Kurt Vile – “Wakin On a Pretty Day”
Best morning song ever besides Dylan’s “New Morning”? I absolutely love waking up to this song — it’s bright, catchy guitar licks are matched perfectly with Vile’s earnest lyrics about solitude, yet he’s optimistic about this pretty day. 


03. Foals – “My Number”  
This song come firing out of the gates with infectious dance grooves that are nearly impossible to not move your feet to. The hypnotizing multi-guitar work is such a great complement to the vocals on this should-be hit single.


04. Jagwar Ma – “Come Save Me”
If the Beach Boys started to make electrified, psychedelic dance songs then I suspect it would sound a lot like this. These Australian rockers put together one hell of a dream-like track this year.


05. Superhuman Happiness – “Sentimental Pieces”
One of the most fun and creative songs I’ve heard in a long while. The way they combine dance grooves, hand claps, piano work, and some serious vocal harmonizing is quite impressive.

06. Holy Ghost! – “Dumb Disco Ideas”
07. Earl Sweatshirt – “Chum”
08. White Denim – “Pretty Green”
09. Sigur Rós – “Isjaki”
10. Phosphorescent – “Song for Zula”
11. Youth Lagoon – “Mute”
12. Savages – “She Will”
13. Anders Osborne – “Peace”
14. Ty Segall – “Sleeper”
15. Atoms for Peace – “Judge, Jury, and Executioner”
16. Jim James – “Know Til Now”
17. Deerhunter – “Back to the Middle”
18. Johnathon Wilson – “Moses Pain”
19. Bonobo –  “Cirrus”
20. Darkside – “Paper Trails”


Washed Out at First City Festival 8/24. Photo by Marc Fong.

Washed Out at First City Festival 8/24. Photo by Marc Fong.

Kevin Raos // Columnist // @Semirec

01. Vampire Weekend – “Hannah Hunt”
The best song, on perhaps the best album of the year, “Hannah Hunt” is an instant classic. Modern Vampires of the City is littered with tracks that will be considered amongst Vampire Weekend’s best, and “Hannah Hunt” leads the pack. Despite the lack of “quirkiness” that Vampire Weekend is sometimes known for, the track gently builds the listener up to one of the most jubilant climaxes found on any record this year.


02. Youth Lagoon – “Raspberry Cane”
Another song that builds you up and sweeps you off your feet, “Raspberry Cane” is a bright spot on Wondrous Bughouse, a sophomore effort that fell slightly short of expectations. Hauntingly fascinating and beautifully psychedelic, this song takes the listener on a musical journey.  


03. Arcade Fire – “Afterlife”
“Afterlife” is a song that took a few years to see the light of day. When it was released, Win Butler commented on the history of this song, saying it began “with a Haitian percussion loop we recorded way back at the end of the The Suburbs tour and “took a while to get the chorus right.” Enter producer James Murphy and the result is an extremely danceable synth-pop tune that is up there with the year’s pedigree.


04. Rhye – “Open”
Passion oozes from this song. Simple and pure love in it’s most basic form. Lyrics, musicianship and delivery make this track one of the most soothing songs of the year. Turn this on,  embrace those you love, and all will be right in the world if only for a couple minutes.


05. Washed Out – “It All Feels Right”
The title of this song says it best. Washed Out’s sunbathed reverb vibes can instantly transport you to a beach and put a beverage in your hand. Fact. Move aside “Get Lucky”, this was the summer anthem of 2013 on my stereo.

06. Major Lazer – “Get Free”
07. Wild Belle – “Keep You”
08. Holy Ghost! – “Dumb Disco Ideas”
09. Yeah Yeah Yeahs – “Sacrilege”
10. James Blake – “Retrograde”
11. Phosphorescent – “The Quotidian Beasts”
12. Daft Punk – “Instant Crush”
13. Boards of Canada – “Nothing is Real”
14. Mikal Cronin – “Weight”
15. Sigur Rós – “Brennisteinn”
16. Kurt Vile – “Wakin on a Pretty Day”
17. Phoenix – “Trying to Be Cool”
18. Foxygen – “San Francisco”
19. Junip – “Line of Fire”
20. Disclosure – “White Noise (feat. AlunaGeorge)”


Cut Copy at Fox Theater Oakland 11/02. Photo by James Nagel.

Cut Copy at Fox Theater Oakland 11/02. Photo by James Nagel.

Brooks Rocco // Columnist // @brooksrocco

01. Jagwar Ma – “Uncertainty”
In the wholly subjective exercise of selecting a favorite song of a year, one must consider one’s most notable experiences, focusing upon those driven by the most notable soundtracks. 2013’s best dance party, in my little sphere of dominion, was Jagwar Ma’s headlining set at Rickshaw Stop, and it was the song ‘Uncertainty’ that made me most notably lose control of my senses. Even upon sober reflection, the song (defining the tone of the album it appears on) is a sledgehammer of a good time, a song that revels in the Clichés that in an earlier year would have manifested in sardonic irony. It’s finally time to embrace what works, and in doing so, create the future that pushes towards the goal: a musical tribute to our ecstatic humanity, as we remain fueled by uncertainties.


02. Deafheaven – “Dream House”
In some ways, “Dream House” is the end of black metal. It’s been a long time coming though, with American kids raised on the stuff tilting their combo amps backward, screaming their fresh-faced idolatry for the legends that dared to not give a fuck. With the pink Pitchfork kiss of approval, black metal has become another texture in the tech-savvy hipster’s chest, to be yanked out when the time is appropriate (then and only then!). ‘Dream House’ is the black metal song that everyone can agree on. Euronymous is Dead. Long live Black Metal.


03. Cave – “Arrow’s Myth”
Shifting space, coagulating color, sound, motion; breaking barriers, and driving the motorized swirl ever farther, Cave returned in 2013 with some of their most funky and delicately harmonious hues yet. Once again they delivered just the right the stuff we all need—imbalance your chemicals (whatever that means to you), throw on “Arrow’s Myth”, and wrap your head around whatever comes natural. If it feels good, right?


04. Carcass – “A Congealed Clot of Blood”
I got a little worried when I found out Andy Sneap was producing the followup to Carcass’ swan song, Surgical Steel, as said producer is the type of surgeon to sterilize all his instruments thoroughly before performing his delicate incisions. Fortunately, this sublime return to force by the UK legends is necrotising death metal masterpiece; ‘A Congealed Clot of Blood’ worthy amongst their greatest.


05. my bloody valentine – “in another way”
I wasn’t listening to Loveless in the 90’s like it was my religion. In my erumpent musical debut, I was blasting stuff like Emperor, Dissection, Meshuggah; bands louder, noisier, and far, far more unsettling than My Bloody Valentine. But for a lot of people, MBV were the anti-music of their spheres. That said, the night m b v dropped, I got sucked into the tornado along with everyone else.  A cursory pirated listen and I was in. ‘in another way’ was the tune that made me whip out the plastic capital and order the wax. Full disclosure for Mr. Shields: it was that guitar.  How did you…

06. RP Boo – “Invisibu Boogie!”

07. Dispirit – “All Paths End The Same”

08. David Bowie – “Where Are We Now?”

09. Föllakzoid – “9”

10. Foals – “Late Night”

11. Thee Oh Sees – “No Spell”

12. Mikal Cronin – “Shout It Out”

13. The Five Eyes – “HEY HEY NSA (Tinfoil in Every Hat)”

14. The Knife – “Old Dreams Waiting to be Realized”

15. Kanye West – “On Sight”

16. Uncle Acid & The Deadbeats – “Desert Ceremony”

17. Parquet Courts – “Master of My Craft”

18. Cut Copy – “Free Your Mind”

19. Anthroprophh – “Hermit”

20. Telekinesis – “Power Lines”


MS MR at The Independent 6/16. Photo by James Nagel.

MS MR at The Independent 6/16. Photo by James Nagel.

Nikki De Martini // Columnist & Photographer // @SweetSoundBites

01. M.I.A. –  “Y.A.L.A.”
Seducingly rhythmic percussion loops, heavy dropping bass lines and a shining bratty-tude mock US society fads on this effortless dance track from my favorite Sri Lankan West-Londoner. M.I.A.’s signature ballsy Bollywood flavor minus the familiarity of foghorns will make you want to get up and dance before realizing what she’s singing about sets in and when it does, this track gets even better. “Y.A.L.A.” makes me wonder why Interscope Records repeatedly shelved her 4th album for not being “dark” or “controversial” enough.


 
02. RAC Featuring Kelle Okereke and MNDR – “Let Go”
As a fan of MNDR for years and a Bloc Party fan for even longer, this collaborative RAC track won me over since the very first time hearing it — the emotionally charged lyrics paired with it’s uplifting melody just melt into one so well.


 
03. MS MR – “Hurricane”
Easily one of my favorite tracks off of their breakthrough debut album, the first single “Hurricane” showcases the multitude of MS MR’s talents to a tee with rich, relatable lyrics and an underlying electro-pop essence wrapped up and delivered in a neat indie rock fashion.


 
04. Arctic Monkeys – “Do I Wanna Know?”
It’s heavy drums, low bass chords and dirty guitar licks reminiscent of The Black Keys are that draw me to this song. Then the lyrics hit and that was it. Every time I hear this song I turn it up and sing along.


 
05. Schoolboy Q Featuring Kendrick Lamar – “Collard Greens”
The catchy hooks and layered verses are a throw back to old school “dirty” rap yet remain fresh, leaving me hungry for more Kendrick Lamar!  


 
06. Lana Del Rey – “Summertime Sadness” (Cedric Gervais remix)
07. LORDE – “Team”
08. Cage the Elephant – “It’s Just Forever (featuring Alison Mosshart)”
09. Yeah Yeah Yeahs – “Wedding Song”
10. Queens of the Stone Age – “Sat by the Ocean”
11. Jay Z – “Tom Ford”
12. Little Boots – “Strangers”
13. Portugal the Man – “Purple Yellow Red and Blue”
14. VV Brown – “Apple”
15. Sleigh Bells – “Bitter Rivals”
16. Broken Bells – “Holding on for Life”
17. NONONO – “Pumping Blood”
18. CSS – “Hangover”
19. Atlas Genius – “Electric”
20. Smallpools – “Dreaming”


Atoms For Peace at Treasure Island Music Festival 10/19. Photo by Marc Fong.

Atoms For Peace at Treasure Island Music Festival 10/19. Photo by Marc Fong.

Pedro Paredes // Photographer // @pedropar

01. Atoms for Peace – “Before Your Very Eyes”
Every great album needs an opening song worthy of it, and “Before Your Very Eyes” gives just that to the supergroup formed by members of Radiohead (Thom Yorke, Nigel Godrich), Red Hot Chili Peppers (Flea), Beck (Joey Waronker) and Forro in The Dark (Mauro Refosco). With dense, steady percussions, electronic arrangements, a simple guitar section, and the soft sound of Thom Yorke’s voice, this song walks to the beat of life and death, joy and sorrow, and begins the path for one of the best albums of 2013.


02. Vampire Weekend – “Obvious Bicycle”
Vampire Weekend’s first song of their amazing Modern Vampires of the City sets the mood for an album that takes a different route from their previous work, with a warmer, more mature sound. A beautiful song for a beautiful album.   


03. James Blake – “Retrograde”
Melodic Bass Music are the words James Blake chose to describe his work, and “Retrograde” seems to fit that description quite well. It’s a love song for the future, coming from the darkness of the dawn.


03. Nick Cave and the Bad Seeds – “Jubilee Street”
Nick Cave is a natural storyteller that makes use of his musical talent to make any story come alive (his music scores for films like ‘The Assassination of Jesse James’ or ‘The Proposition’ are enough to prove my point)  Jubilee Street starts simple, growing in complexity in the subtlest of ways, beautifully contained under the spell of Nick Cave’s voice.


05. Blood Orange – “It is What it Is”
“It is What it Is” is exactly what it should be — Deliciously elegant, precise, presenting a new version of 80’s pop-reset. This song is the cherry on top of one of the best albums of 2013.

06. Mutual Benefit – “Golden Wake”
07. Arcade Fire – “Here Comes the Night Time”
08. Daft Punk – “Instant Crush”
09. Lorde – “Royals”
10. William Tyler – “Cadillac Dessert”
11. Kurt Vile – “Wakin on a Pretty Day”
12. Phosphorescent – “Ride On/Right On”
13. Deerhunter – “Back to the Middle”
14. Darkside – “Paper Trails”
15. Nine Inch Nails – “Copy of A”
16. Parquet Courts – “Stoned and Starving”
17. Low – “Plastic Cup”
18. Blue Hawaii – “Try To Be”
19. Yeah Yeah Yeahs – “Despair”
20. Foxygen – “No Destruction”

Showbams’ 40 best albums of 2013

Best-Albums-of-2013

“Best of” lists are always subjective, and this one is no anomaly. When it comes to the best albums of any given year, we can most likely agree that the best records are excellent from beginning to end — no “skip ahead” songs — and that groundbreaking new music can emerge from any genre.

At the same time, we imprint music on moments in our lives, and this will always influence personal taste. Combine these past influences with modern streaming capabilities in 2013, where new records are now accessible before an album release date, and our collective creation and criticism of music begins to transform, adapt and influence more rapidly.

Here are our most addictive albums of 2013, the records we couldn’t stop spinning.

01. Arcade FireReflektor
02. DisclosureSettle
03. Atoms For PeaceAmok
04. FoalsHoly Fire
05. Vampire WeekendModern Vampires of the City
06. Daft PunkRandom Access Memories
07. Kurt VileWakin On a Pretty Daze
08. James BlakeOvergrown
09. White DenimCorsicana Lemonade
10. Toro Y MoiAnything In Return

11. RhyeWoman
12. DarksidePsychic
13. Boards of CanadaTomorrow’s Harvest
14. The NationalTrouble Will Find Me
15. My Bloody Valentinem b v
16. Sigur RósKveikur
17. Parquet CourtsLight Up Gold
18. Danny BrownOld
19. Holy Ghost!Dynamics
20. Jagwar MaHowlin

21. Run the Jewels (El-P & Killer Mike) – Run the Jewels
22. Washed OutParacosm
23. ClassixxHanging Gardens
24. Hanni El KhatibHead In The Dirt
25. Queens of the Stone Age…Like Clockwork
26. The StrokesComedown Machine
27. Thee Oh SeesFloating Coffin
28. Volcano ChoirRepave
29. A$AP RockyLONG.LIVE.A$AP
30. Anders OsbornePeace

31. Jon HopkinsImmunity
32. Yeah Yeah YeahsMosquito
33. King Krule6 Feet Beneath The Moon
34. Kanye WestYeezus
35. Mount KimbieCold Spring Fault Less Youth
36. Superhuman Happiness – Hands
37. BonoboThe North Borders
38. Tyler, the CreatorWolf
39. PhoenixBankrupt!
40. PhosphorescentMuchacho


Vampire Weekend at Fox Theater Oakland 4/17. Photo by Marc Fong.


Vampire Weekend at Fox Theater Oakland 4/17. Photo by Marc Fong.

Mike Frash // Founder, Editor, Columnist // @MikeFrash

Vampire WeekendModern Vampires of the City
1The focus on larger themes of mortality and spirituality in Modern Vampires of the City have catapulted this indie group from angst-ridden collegians to mainstream players — and in the process Ezra Koenig and company crafted an American classic. Compulsively listenable, this record matured with age in 2013, just like the artistic path Vampire Weekend seem to be on. The album continuously waxes poetically about death and higher powers, and “Unbelievers” sums it up best: “Girl you and I will die unbelievers, bound to the tracks of the train.” The ambiguousness is biting, as it is tough to tell if the statement is earnest atheism or harsh criticism of Godless existence. In “Step”, we’re told, “Wisdom’s a gift but you’ll trade it for youth, age is an honor it’s still not the truth…we know the true death, the true way of all flesh. Everyone’s dying, but girl – you’re not old yet.” Even “Dianne Young” is a double entendre for ‘dying young’. Every track is filled with high-level substance lyrically, but sonically it’s multi-faceted as well, melding baroque sensibilities and African grooves at a wonderfully variant pace throughout. Ultimately, it’s a supremely empowering coming of age album from Vampire Weekend, one that stares mortality in the face while celebrating time’s finite quality.

Run the Jewels (El-P & Killer Mike)Run the Jewels
2Early in Run The Jewels, Killer Mike announces, “Producer gave me a beat, said it’s the ‘beat of the year’, I said ‘El-P didn’t do it, so get the fuck outa here.’ El-P, the sole producer of rap music’s most dynamic duo, bases his production in captivating weirdness, micro-sampling everything from classic organ to nintendo glitch sounds to electric guitar, building epic beats for Killer Mike & El-P to deliver clever rhymes, based both in reality and playful hyperbole. One of Run The Jewels’ greatest successes is that it can be both funny and deadly serious within the same song, and often within in the same flow or line at times. So motherfuckin’ grimy, “Job Well Done” highlights how successfully dolphin sounds can contrast with aggressive lyricism, for example. Killer Mike broaches serious topics, bringing up the “elephant in the room” whenever possible, and EL-P is hyperactive and light-hearted as he spits his ‘future shit’. Put these two together and you have the best hip hop album in years.

FoalsHoly Fire
3The beauty is in the build with Foals, and that is the case with Holy Fire more than prior album as the UK-based festival-headliners-in-the-making have largely abandoned their post-dance punk sound aesthetic for a more ballad-based approach. Sure, “My Number” and “Providence” continue the upbeat, math rock-dance-freak-outs, but overall Foals have centered their 2013 record around patient song development in order to establish more memorable, ecstatic moments. “Milk & Black Spiders” does just that, taking a full three minutes and forty five seconds to reach it’s blissful summit. “Late Night” is a harrowing slow burner, repeating the line, “Calling out your name,” asking for the subject of the song to “Stay with me.” Lead singer Yannis Philippakis’ impassioned vocals, paired with Foals’ guitar interplay and non-standard rhythms make Foals a unique force in the world of modern rock.

The NationalTrouble Will Find Me
4Matt Berninger has a way with words — who else could make the phrase “full of punks and cannonballers” sound eloquent and measured in the track “I Need My Girl”? The National thrives on non-literal lyricism, but the instrumental elements from The National in Trouble Will Find Me prop the singing up on a pedestal better than prior records. Void of any filler, this contemplative record easily allows the listener to take their own meaning from any given track, applying it internally. The first half impresses quickly with “I Should Live In Salt” through “Sea Of Love”, but it is the second half that solidifies the effort as The National’s best work to date. An album that also gets more addictive with subsequent listens, Trouble Will Find Me works well as both a “pick me up” record and one to embrace life’s good times, an odd duality indeed.

Volcano ChoirRepave
5Who needs Bon Iver when Justin Vernon is making music like he has with The Shouting Matches and Volcano Choir in 2013? Vernon, the creative centerpiece behind Bon Iver, announced while promoting Repave that Volcano Choir is his new band. Arguably, this is a genius move, as Vernon is exhibiting a higher level of confidence and innovation with this possibly permanent collaboration with members of Collections of Colonies of Bees. Repave traverses a path that balances grandiose and minimalism, choosing off-beat, unexpectedly contrasting moments to ‘drop the sound hammer’ in both “Comrade” and “Byegone”. “Drop the sound hammer” refers to the mesmerizing technique Volcano choir uses to quickly transition from falsetto-based minimalist intros into hard-hitting Philip Glass-like synth blasts and authoritative drums. I’m fine with Vernon considering himself a legend, as long as he continues creating music with cryptic, poetic lyrics and the progressive intermingling of intense and soothing sounds.

06. Darkside – Psychic
07. James Blake – Overgrown
08. Arcade Fire – Reflektor
09. Rhye – Woman
10. Disclosure – Settle
11. Kurt Vile – Wakin On a Pretty Daze
12. My Bloody Valentine – m b v
13. Atoms for Peace – Amok
14. Foxygen – We Are The 21st Century Ambassadors of Peace & Magic
15. Washed Out – Paracosm
16. Daft Punk – Random Access Memories
17. Bonobo – The North Borders
18. Phosphorescent – Muchacho
19. Jagwar Ma – Howlin
20. John Vanderslice – Dagger Beach


Atoms For Peace at Treasure Island Music Festival 10/19. Photo by Marc Fong.


Atoms for Peace at Treasure Island Music Festival 10/19. Photo by Marc Fong.

Molly Kish // Artist Relations Manager, Columnist // @MollyKish

Atoms For PeaceAmok
1Alternative Rock super group Atoms for Peace delivered one of the most evocative, skillfully executed and notable debuts of 2013, completely as expected. Bringing together some of the most innovative, iconic and artistically defining tastemakers of the past two decades (most notably Thom Yorke & Flea), Atoms for Peace composed a near-perfect representation of contemporary sound evolution. Touring this past year promoting Amok through intermittent concert dates and festival-headlining performances, Atoms for Peace captivated live audiences on a global scale while generating critical acclaim, and for good reason.

Toro Y MoiAnything in Return
2Drawing artistic influence from elements of 90s dance music while paying homage to the iconic hip hop sounds of the era, Chaz Bundick departed from his signature “chillwave” style to compose his third studio album, Anything in Return. Revisiting harder house elements from his 2010 debut Causers of This, Bundick taps into a funky soundscape filled with intensified vocals and hard hitting jam-based percussion. Paying homage to legendary producer J Dilla, Anything in Return touches upon intimate subject matter while remaining accessibly pop-driven, delivering Bundick’s “biggest sounding” album to date.

DisclosureSettle
3UK sibling duo Disclosure was one of the most successful breakout acts of the past year, largely in part to the global commercial appeal of their debut album, Settle. Mixing the perfect blend of R&B vocals, UK garage, two step and deep house cuts, Settle is a seamless composition of dance floor ready hits. Disclosure’s first full length succeeded in curating a sound both primed for the band’s spellbinding live improvisation and the album’s inevitable mainstream sampling and remixes.

Daft PunkRandom Access Memories
4Preceding its April release date with a show-stopping album trailer debut at Coachella (and nationally syndicated on Saturday Night Live) and a video website series presented by The Creators Project, Daft Punk set the bar early this year for the future of mainstream album promotional campaigns. Defying the expectations of their devoted fan base along with the speculatory opinions of many EDM counterparts, Random Access Memories marks the band’s groundbreaking introduction of live musicians into their otherwise strictly electronic body of work. Their most successful album to date, Random Access Memories is a definitive album that highlights the robots’ personal influence, and the effect is a lasting impact on popular music.

Arcade FireReflektor
5Arcade Fire’s Reflektor serves as a testament to their creative ingenuity as a modern art rock group. Its evolutionary sound was produced by nu-disco vanguard James Murphy and features collaborations with David Bowie, Kid Koala and an armada of additional percussionists and recording personnel. Promoted and released through an ingenious guerrilla marketing campaign, intriguing the attention of a frothing worldwide audience.

06. Vampire Weekend – Modern Vampires of the City
07. Kanye West – Yeezus
08. Washed Out – Paracosm
09. Holy Ghost – Dynamics
10. Phoenix – Bankrupt!
11. Devendra Banhart – Mala
12. Major Lazer – Free The Universe
13. Yeah Yeah Yeahs – Mosquito
14. Starfucker – Miracle Mile
15. Cut Copy – Free Your Mind
16. Franz Ferdinand – Right Thoughts, Right Words, Right Action
17. Classixx – Hanging Gardens
18. The Strokes – Comedown Machine
19. St. Lucia – When The Night
20. Jay Z – Magna Carta


Thee Oh Sees at Phono Del Sol 7/13. Photo by Mike Frash.


Thee Oh Sees at Phono Del Sol 7/13. Photo by Mike Frash.

Kevin Quandt // Assistant Editor, Columnist // @KJQuandt

Parquet CourtsLight Up Gold
1In a year with many strong rookie efforts (Haim, Disclosure, Lorde, etc.), it was this Brooklyn quartet that rejuvenated garage-tinged, punk rock with a blisteringly fierce debut LP, Light Up Gold. Opening track “Master of My Craft” lets us know we are in for one helluva a ride and it doesn’t let up in the least as Andrew Savage belts out anthems full of modern tales of urban decay and the slacker lifestyle. This we do-whatever-the-fuck-we-want mentality was also clearly present on a recently released EP entitled Tally All the Things That You Broke, which was equally as impressive as the full length. Alas, all is not lost when it comes to irreverent rock music in a sea of shiny synths and EDM takeovers. 

My Bloody Valentinem b v
2If this album was a person, it could legally drink in this country. Now, after that fact settles in, we can concentrate on how impressive m b v actually is. Kevin Shields and cohorts took 22 years to deliver this baby and it is chock-full of all the aural beauty that made these shoegaze legends modern rock royalty a couple of decades ago. Standout final track “wonder 2” is a whirling dervish of otherworldly drums, guitars and distorted vocals, slowly building into one serious rapture. Attention to detail is not lost on this album as meticulous craftsmanship is ever-present, especially when listened to fully, or in the distinct ‘3 EP’ structure that m b v is recorded in. All I ask Kevin Shields is that I don’t have to wait till I’m almost 50 years old to hear another new release from My Bloody Valentine.

Arcade FireReflektor
3There’s little surprise that this ‘double’ release ended in my, and many others, top albums list. Why? Because Arcade Fire make great albums, and I enjoy great albums. The grab bag of influences on this album is truly startling and lends much to it’s overall success whether it be deep Haitian rhythms or the the electro-dance production of James Murphy. With so many standout tracks, it really makes you wonder what they are putting in the water up in Canada. “Joan of Arc”, “Normal Person”, “Afterlife” and so many others create something fully unique and fully Arcade Fire. 

Boards of CanadaTomorrow’s Harvest
4It was a bit of a long wait for fans of BoC, but well worth the interesting journey that was to become Tomorrow’s Harvest and it’s unique marketing campaign which precluded the June release. Not much has changed from the ambient electronic soundscapes that put these Scots on the map nearly two decades ago. What makes Boards so significant is their knowledge of analogue gear they use to transform sound into warm ambience that is loaded with emotion, complexity and cinematic themes. Songs like “Nothing Is Real” fully demonstrate their textbook mix of instrumentation and warm, vintage synths which gracefully paint a picture of the natural world which we live in. It’s albums like this which should make every listener wanna go out and spend four figures on some serious headphones, and Boards of Canada wouldn’t object.

Thee Oh SeesFloating Coffin
5It’s been a long time coming for the San Francisco garage titans that, most popularly, go by Thee Oh Sees. John Dwyer once used this moniker as his solo effort, but eventually became his primary effort, eventually growing from one man to a full blown band. Floating Coffin shows a shifting of the tide as the once tin-can recording sound has matured to a sonic boom of heavy guitar, driving rhythm and quintessential weirdo vocal. All these elements, and many more, equated to the most comprehensive sounding release in their extensive discography. “Come From the Mountain” opens this album with atomic bomb-shredding guitar and doesn’t really relent from this style till the soothing album closer, “Minotaur”. What’s most profound about Floating Coffin is that they have arrived with a permanent lineup, a better produced sound and a band mentality that creates a more unified front as opposed to it being solely Dwyer’s project. Oh yeah, they are also straight bananas on stage.

06. Disclosure – Settle
07. King Krule – 6 Feet Beneath the Moon
08. The National – Trouble Will Find Me
09. Atoms for Peace – Amok
10. Tyler, the Creator – Wolf
11. Jon Hopkins – Immunity
12. Kurt Vile – Wakin On a Pretty Daze
13. Rhye – Woman
14. Danny Brown – Old 
15. David Bowie – The Next Day
16. Vampire Weekend – Modern Vampires in the City
17. White Denim – Corsica Lemonade
18. Queens of the Stone Age – …Like Clockwork
19. Pickwick – Can’t Talk Medicine
20. Mount Kimbie – Cold Spring Fault Less Youth


White Denim at Bill Graham Civic Center 10/31. Photo by James Nagel.


White Denim at Bill Graham Civic Center 10/31. Photo by James Nagel.

Pete Mauch // Festival Manager & Columnist // @PeteMauch

Arcade FireReflektor
1All-star collaboration of these Canadian rockers and producer James Murphy proved a success with their fourth release. The album, filled with instant hits like “Reflektor” and “Here Comes the Night Time”, is heavily influenced by traditional Haitian music that adds a deep rhythm to the elongated grooves, but the real treat is how its all tied together. Arcade Fire let loose on Reflektor, finding comfort in initiating a party atmosphere while staying confident with a dash of weirdness.

Jagwar MaHowlin
2There seems to be a psychedelic air blowing in Australia these days, and Jagwar Ma’s debut album is filled with trippy yet danceable songs like the opening pair “What Love” and “Uncertainty”. “Come Save Me” evokes a dream land where the Beach Boys created acid-dance music. This album is gonna get a lot of play on Friday nights for many years to come.

White DenimCorsicana Lemonade
3These Texas rockers put out an intense album in 2013 filled with screaming guitar solos layered over intense time signatures and wailing vocals, but White Denim makes it all sound so simple. Songs like “Pretty Green” and “Cheer Up/Blues Ending” are straight up rocking songs, rooted in the genre’s past while offering a progressive take at where rock is heading. It never hurts to have Jeff Tweedy producing as well.

Daft PunkRandom Access Memories
4The instantly classic single “Get Lucky”, the summer anthem of 2013, is still hyper-catchy, but “Instant Crush”, “Lose Yourself to Dance” & “Doin’ It Right” succeed as pleasantly repetitious tunes that represent a variety of decades. What makes Random Access Memories work completely is all the mellow cuts, perfect for bedtime or a drive down the coast. The music lesson that is “Giorgio by Moroder” just takes off after the ballsy call to include an interview with Giorgio Morodor before launching into an exploratory space jam. 

Anders OsbornePeace 
5Underground New Orleans guitar slayer Anders Osborne released a very impressive long player, filled with deep personal songs that are truly outstanding. Title track “Sentimental Times” showcases Osbornes’ brilliant songwriting, and his guitar work is simply phenomenal and engrossing. Personal favorite “Sara Anne” begins with a reggae feel that builds into a great bouncy song that has me repeating it often.

06. Kurt Vile – Wakin On a Pretty Daze
07. Atoms For Peace – Amok
08. Sigur Rós – Kveikur
09. Superhuman Happiness – Hands
10. Foals – Holy Fire
11. Holy Ghost! – Dynamics
12. Jonathan Wilson – Fanfare
13. Youth Lagoon – Wondrous Bughouse
14. Darkside – Psychic
15. Bonobo – The North Borders
16. Phosphorescent – Muchacho
17. Savages – Silence Yourself
18. Deerhunter – Monomania
19. Ty Segall – Sleeper
20. Jim James – Regions of Light and Sound of God


Toro Y Moi at Fox Theater Oakland 11/15.


Toro Y Moi at Fox Theater Oakland 11/15. Photo by James Nagel.

Kevin Raos // Columnist // @Semirec

Toro Y MoiAnything in Return
1Toro Y Moi just keeps getting better and better with subsequent listens. Part dance, part melancholy electro, Anything in Return strikes many different chords. From feelings of longing and romance, to coming to terms with growing up, Anything in Return ranges the emotionally gamut. This album stood the test of time in 2013, being one the first albums of 2013 to make a dramatic impact, then remaining front of mind come Christmas time.

RhyeWoman
2Woman is the mellow album of the year — If you need to relax, fall asleep, or just chill out, this is the album for you. A go-to in the bedroom, Rhye’s Woman also has the uncanny ability to cradle and comfort you from start to finish. Equally as good in a live setting, Woman proves excellent musicianship can flourish in downtempo form. The record’s male vocalist, Milosh, also released an excellent solo record titled “Jetlag” in late 2013 that clicks at a slightly faster tempo.

White DenimCorsicana Lemonade
3Funky, fresh and just downright dirty, the guys from Austin can bring the heat. Corsicana Lemonade is an album that might not make many end of the year album lists, but it should not be overlooked. Cool and collected while still being rhythmically aggressive, Corsicana Lemonade pushes forward an innovative rock sound that should make The Black Keys nervous their throne is currently up for grabs.

Danny BrownOld
4Danny Brown’s Old creates a new genre of hip hop, one with an electronic psyche. Old may offend some and be lost on others, but Brown’s distinctive voice and tongue-flaunting rhymes constitute a “grower”. Here we have a rapper who isn’t afraid to talk about more than banging it out in the streets, and all together Brown breathes more fresh air into a hip hop landscape that has been seeing a resurgence the past few years.

Vampire WeekendModern Vampires of the City
5It’s tough to deny that indie kings Vampire Weekend are on top of their game right now. If you haven’t heard of these A-Punks that escaped from Cape Cod, you surely have been living under a rock. With Modern Vampires of the City, an already huge band has gotten huger, blasting off into new territory more than in previous efforts. Did I mention they shout out Oakland and Alameda, too?

06. Foals – Holy Fire
07. Sigur Rós – Kveikur
08. Boards of Canada – Tomorrow’s Harvest
09. Atoms For Peace – Amok
10. Disclosure – Settle
11. James Blake – Overgrown
12. Arcade Fire – Reflektor
13. Darkside – Psychic
14. Kurt Vile – Wakin On a Pretty Daze
15. Jon Hopkins – Immunity
16. Camera Obscura – Desire Lines
17. Wild Belle – Idles
18. Nine Inch Nails – Hesitation Marks
19. Blood Orange – Cupid Deluxe
20. Laura Marling – Once I Was An Eagle


Classixx at Fox Theater Oakland 11/15. Photo by James Nagel.


Classixx at Fox Theater Oakland 11/15. Photo by James Nagel.

Sean Little // Columnist // @Splittle

FoalsHoly Fire
1Foals have made their best album to date with Holy Fire. It’s a wall of sonic noise mixed with strong doses of angst that starts with “Prelude” and continues to pin listeners to their seats until the last track. The British quintet have produced my number one record of the year, and their live performance is one to see if you haven’t.

ClassixxHanging Gardens
2Classixx made a superb album here. Being a primarily electronic poduction group, their skills show something much deeper and diverse as they move from bouncey disco tracks to deeper, more evocative tracks like “Borderline” where they showcase their ability to craft a tune that hits heart strings and nods heads. Classixx are vastly underrated and should be given a serious listen, even by non-electronic fans.

DisclosureSettle
3What can be said that hasn’t already about this brotherly duo? They hit the scene hard and made a lot of people snap their heads in their direction. Their production quality and use of instruments in their sets has turned many notions of a “DJ” set on its head and opened the doors for a whole new type of set that calls to the crowd more. This album is full of gems that will surely go down in dance history as classics.

Hanni El KhatibHead In The Dirt
4Hanni grew up immensely since his last album and really fine-tuned his sound. This is a pure rock album with no pretense. If you arere tired of pop rock bands trying to make the next iPod commercial-worthy track and long for a record that slaps you in the face to wake you up while still being a tad gentle about it, this is the one for you.

A$AP RockyLONG.LIVE.A$AP
5Hip Hop has fallen to the wayside in years past as electronic has made its resurgence. Fans have grown weary of the over-produced, same old lyric songs that most artists offer. A$AP though brings in, what I consider to be the finest hip hop album of the year. Production by Skrillex, and cameos by Florence Welch, Drake, and Birdyman attest to his range not just as a rapper but as a producer and curator as well.

06. James Blake – Overgrown
07. Queens of the Stoneage – …Like Clockwork
08. The Strokes – Comedown Machine
09. Daft Punk – Random Access Memories
10. DJ Koze – Amygdala
11. Atlas Genius – When It Was Now
12. Portugal. The Man – Evil Friends
13. Bass Drum of Death – S/T
14. Yeah Yeah Yeahs – Mosquito
15. MS MR – Second Hand Rapture
16. Tesla Boy – The Universe Made of Darkness
17. Franz Ferdinand – Right Thoughts, Right Words, Right Action
18. Cut Copy – Free Your Mind
19. Ryan Hemsworth – Guilt Trips
20. The Weeknd – Kiss Land

MIDTERM REPORT: Best Albums of 2013

BEST-ALBUMS-so-far-2013Photos by Marc Fong and Mike Frash

Is 2013 the year digital dance music makes the big leap, fully taking over the Top 40 but also ingraining itself into the hearts of critics? Daft Punk made all the noise as the year was young, but young EDM-upstarts Disclosure, Flume & Jagwar Ma have all made an impact on the Bam Team.

That stated, the musical output in 2013 so far is pretty damn strong overall. And just think, we will be hearing new LPs from Arcade Fire, Earl Sweatshirt, Washed Out, Ty Segall, Franz Ferdinand, Nine Inch Nails, Arctic Monkeys, Holy Ghost!, Chvrches, and many more still. Take a gander at our favorite albums of the year as of July 17, 2013 – What are we missing?

*Any album released in the US in the year 2013 is eligible for Best Albums of 2013.
**Check out all of our music reviews from 2013.

Vampire Weekend

Mike Frash
1. Vampire Weekend – Modern Vampires of the City
2. Disclosure – Settle
3. The National – Trouble Will Find Me
4. James Blake – Overgrown
5. Foals – Holy Fire
6. Flume – Flume
7. Foxygen – We Are The 21st Century Ambassadors of Peace & Magic
8. Daft Punk – Random Access Memories
9. Jagwar Ma – Howlin
10. Baths – Obsidian

Phoenix

Molly Kish
1. Atoms For Peace – AMOK
2. Vampire Weekend – Modern Vampires of the City
3. Disclosure – Settle
4. Toro Y Moi – Anything In Return
5. Phoenix – Bankrupt!
6. STRFKR – Miracle Mile
7. Devandra Banhart – Mala
8. Major Lazer – Free the Universe 
9. Cold War Kids – Dear Miss Lonelyhearts
10. Yeah Yeah Yeahs – Mosquito

Thee-oh-Sees

Kevin Quandt
1. my bloody valentine – m b v
2. The National – Trouble Will Find Me
3. Boards of Canada – Tomorrow’s Harvest
4. Kurt Vile – Wakin on a Pretty Daze
5. Thee oh Sees – Floating Coffin
6. Vampire Weekend – Modern Vampires of the City
7. Disclosure – Settle
8. Rhye – Woman
9. Foxygen – We Are the 21st Century Ambassadors of Peace & Magic
10. A$AP Rocky – Long Live A$AP

Sigur-Ros

Pete Mauch
1. Sigur Ros – Kveikur

2. Daft Punk – Random Access Memories
3. Superhuman Happiness – Hands
4. Foals – Holy Fire
5. Boards of Canada – Tomorrows Harvest
6. Deerhunter – Monomania
7. Youth Lagoon – Wondrous Bughouse
8. Bonobo – The North Borders
9. Kurt Vile and The Violators – Walkin’ On A Pretty Daze
10. Disclosure – Settle

Toro Y Moi

Kevin Raos
1. Toro Y Moi – Anything In Return
2. Rhye – Woman
3. Vampire Weekend – Modern Vampires of the City
4. Boards of Canada – Tomorrow’s Harvest
5. Sigur Ros – Kveikur
6. Foals – Holy Fire
7. Foxygen – We Are the 21st Century Ambassadors of Peace & Magic
8. Camera Obscura – Camera Obscura
9. Atoms for Peace – AMOK
10. Portugal. The Man – Evil Friends

Classixx

Sean Little
1. Flume – Flume
2. Daft Punk – Random Access Memories
3. Classixx – Hanging Gardens
4. Jessie Ware – Devotion
5. Hanni El Kattib – Head In The Dirt
6. Disclosure – Settle
7. Queens of the Stone Age – …Like Clockwork
8. Empire of the Sun – Ice on the Dune
9. Portugal. The Man – Evil Friends
10. DJ Koze – Amygdala

Starfucker5

Eric Shaden
1.  Jagwar Ma – Howlin
2.  James Blake – Overgrown
3.  Daft Punk – Random Access Memories  
4.  Starfucker – Miracle Mile
5.  Disclosure – Settle
6.  Phoenix – Bankrupt!
7.  Boards of Canada – Tomorrow’s Harvest
8.  Autre Ne Veut – Anxiety 
9.  Major Lazer – Free the Universe 
10. Thundercat – Apocalypse 

MS MR
Nikki De Martini
1. MS MR – Secondhand Rapture
2. Deap Vally – Sistrionix
3. Yeah Yeah Yeahs – Mosquito
4: CSS – Planta 
5: Little Boots – Nocturnes
6. Portugal The Man – Evil Friends 
7. Cold War Kids – Dear Miss Lonelyhearts
8. Kanye West – Yeezus
9. Great Gatsby Soundtrack
10. Sigur Ros – Kveikur

Coachella conflicts: 2013 set times announced

Coachella-2013

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 12th-14th & April 19th-21st, 2013 //

Set times dropped Tuesday evening, and Coachella shared they had been battling agents all day to explain the delay. Sounds like a fascinating behind-the-scenes documentary …

Although set times didn’t unleash any surprise acts (what no Lou Reed replacement?), the brand new Yuma Dome is confirmed as the 6th main performance area, not including The Do Lab or Heineken Dome. The Yuma Dome will host Seth Troxler, DJ Harvey, Four Tet, Julio Bashmore, The 2 Bears, Jamie Jones, Jamie xx and so many more. This additional platform on the outskirts of the tents and Do Lab will be the anti-Sahara Tent with a minimalist-dance edge.


Friday features one of the most brutal headline conflicts in years. The Stone Roses are on a mondo reunion tour, while How to Destroy Angels and Earl Sweatshirt are playing their first major shows. Poliça will be performing in the Gobi Tent after The Shouting Matches, Justin Vernon’s (Bon Iver) new project. Vernon collaborated with the members of Poliça in his side project Gaynes. You connect the dots…

Toughest Conflicts:
• The Stone Roses vs. Earl Sweatshirt vs. How to Destroy Angels
• Blur vs. Grinderman
• Modest Mouse vs. Local Natives (SUNSET)
• Japandroids vs. alt-J
• Poliça vs. Jake Bugg
• The Shouting Matches vs. Youth Lagoon vs. Beardyman vs. C2C

Saturday headliners will depend on your energy and vibe, as Phoenix, Sigur Rós, Booka Shade, New Order and Knife Party will create inner-group conflicts. Upon seeing The xx above The Postal Service and Major Lazer at 6 p.m. while Moby sub-headlines the Sahara Tent, the “been fighting with agents all day” reference starts to make sense.

It’s almost as if Goldenvoice is attempting to set a new tone in the Sahara Tent this year after house-pop like David Guetta and Calvin Harris dominated last year. Are they challenging the Sahara stalwarts to go see Franz Ferdinand, Two Door Cinema Club or The xx … or go check out the Yuma during Moby?

Toughest Conflicts:
• Phoenix vs. Sigur Rós vs. Booka Shade vs. New Order vs. Knife Party
• Hot Chip vs. Yeasayer vs. Grizzly Bear (SUNSET)
• Danny Brown vs. Baauer vs. Savages
• Wild Nothing vs. Birdy Nam Nam vs. Action Bronson

Sunday will be a tale of two scenes. Eric Prydz and Disclosure will be packed while Dead Can Dance & Red Hot Chili Peppers should be relatively spacious. Tame impala secured a Sunset-ish slot, but Roodriguez and James Blake will be playing in the tents at the same time. Pretty Lights seems odd at 7:30, but he’s the only EDM artist to get a featured slot on an outdoor stage this year.

Toughest Conflicts:
• Eric Prydz vs. Disclosure
• Nick Cave and the Bad Seeds vs. OMD vs. The Faint
• Vampire Weekend vs. Pretty Lights vs. Father John Misty vs. La Roux (SUNSET)
• Tame Impala vs. James Blake vs. Rodriguez (SUNSET-ISH)
• Kurt Vile and the Violators vs. Grimes
• Thee Oh Sees vs. Jessie Ware vs. Jamie xx

New Music Tuesday: James Blake • Jake Bugg • The Knife • Kurt Vile • The Dear Hunter • White Fence

James Blake - Overgrown

Every Tuesday, we focus on new music releases by naming our top tracks, album highlights, lowlights and important takeaways for select albums.


James BlakeOvergrown

4-BamsTop Tracks:
“Retrograde”
“Voyeur”
“Digital Lion”

Album Highlights: James Blake continues his standout formula with his sophomore LP; confessional musings with vocal modulation and repetitive lyrics are matched by deconstructed R&B dub step beats and orchestral builds. The most successful tracks are the ones that discover new territory within Blunt’s sound aesthetic. “Voyeur” drops into a blissful dance track for the last third of the cut, driven by moaning synths and surprisingly, a cowbell. “Digital Lion” possesses a tribal ethos that will entice auditory climaxes at concerts all over the world throughout 2013. “Retrograde” is the quintessential track of the record – Blake’s wordless crooning grows into haunting vocal layering as the song progresses.

Album Lowlight: In the end it can be classified as moody music, in that you need to be somewhere between a mellow or drab mood to really get into Blake’s music. Lots of folks will give Overgrown a cursory listen and not notice the intricacies of the record. This would be a mistake.

Takeaway: While this record is a bit of a grower and is exponentially better upon repeat listens, it’s still hypnotic fresh out of the box. The collaboration with RZA on “Take a Fall For Me” flashes even further genre-diverse potential in Blake. With a range that extends from gospel to electronic music to hip hop, the future is blindingly bright for the young British artist. At the age of 24, Blake has crafted an impressive second record with less obvious singles than his self titled debut, yet as a whole his newest effort is more cohesive. It’s worth reiterating how impressive Blake’s writing is. Gems like “I don’t want to be a star, but a stone on the shore, no door frame to wall, when everything’s overgrown” display seriously mature songwriting skills.

~Mike Frash


Jake BuggJake Bugg

3.5-BamsTop Tracks:
“Two Fingers”
“Broken”
“Lightning Bolt”

Album Highlights: It’s impossible not to sound hyperbolic in describing 19 year-old Jake Bugg. England’s finest and fastest-rising young artist has created a record exploding with exported Americana at it’s best. No shit, it sounds like Joan Baez is about to pop up and start a duet at any moment. All you have to do is listen to the first two tracks “Lightning Bolt” and “Two Fingers” to recognize the kid’s got it. These two songs would have been radio hits in the 60’s, and they should be now. “Broken” is a remarkably beautiful song, one that is lovable at first listen. The low-fi, one-take production works well, and it reinforces Bugg’s throwback sound.

Album Lowlight: Bugg’s lyrics would benefit from a bit more bite – maybe some contempt for society or a cause to rally for (or against) would give some songs more meaning. His songwriting point of view will only strengthen and mature with time.

Takeaway: He’s Dylan without the drawn out vocal exclamations, or Kristian Matsson (The Tallest Man on Earth) with less passionate howls. And I feel fine making these comparisons, as Bugg’s self-titled debut exhibits songwriting potential that could be on par with the aforementioned by the time the he finishes puberty. Plan on watching Jake Bugg’s career evolve indefinitely – he’s sure to keep gaining popularity going forward, and deservedly so.

~Mike Frash


The KnifeShaking the Habitual

2.5-BamsTop Tracks:
“A Tooth for an Eye”
“Full of Fire”
“Without You My Life Would Be Boring”

Album Highlight: “Without You My Life Would Be Boring” being the crowning achievement of their fourth studio album, this beat-driven banger exemplifies the Swedish duo’s ferocious return to the EDM scene after a seven-year hiatus. Karrin Andersson’s layered vocals pitch perfectly with the varied flute samples and southeast instrumentation. A looping rhythm section composed of tribal drum rolls and feverish tambourines keep pace throughout the entire track, and this ups the ante in respect to the band’s production quality and composition.

Album Lowlight: Clocking in at a whopping 19:52, “Old Dreams Waiting to Be Realized” is more of a glorified soundscape than a corresponding track within the record. Waiting for the musical substance to kick in becomes a perilous journey through distant distortion and ambiguous song structure. I envision this piece contextually effective as a cinematic score or accompanying an art installation. Interesting as it is to listen to The Knife on an experimental level, the track placement as well as duration push the limits artistically into semi-obnoxious territory.

Takeaway: Marching to the beat of their own drum machines, Karrin Andresson and Olof Dreijer destroy the sample-laden “Full of Fire” with masterfully quirky cohesion. The Knife sibling’s chemistry, even amidst the structure of the most complicated effort on the album, can be heard and it is captivating. The song is elaborate and possesses a sound quality that at times can be overwhelming. However, true to The Knife’s form, it compels the listener’s attention and will provoke most to make an attempt at comprehending it’s complexity.

~Molly Kish


Kurt VileWakin on a Pretty Daze

4-BamsTop Tracks:
“Girl Called Alex”
“Pure Rain”
“Shame Chamber”

Album Highlights: God Bless Kurt Vile. He is truly a beautifully patient writer, musician and performer whom creates some of the most genuine music of our time, not to mention he is consistent. The wait after 2011’s blisteringly magnificent Smoke Ring as My Halo was well worth it with a full, even lengthy, album packed neatly with Vile’s signature psychedelia. The title track leads off with a hazy acoustic romp that sets the tone for the majority, and this song is full of Vile’s twang-electric solos that one can easily get lost in. Vile’s everyman confessional comes through on “Too Hard” with lyrics like “Take your time/ so they say/ that’s gotta be the best way.” Displaying a lyrical maturity akin to the Walkmen would be a fair comparison.

Album Lowlight: No huge departure in sound, just a tightening of a signature style. Though “Air Bud” does add a synth layer that is a bit more contemporary for this artist. Lengthy songs may prove difficult to those whom don’t possess musical patience.

Takeaway: Upwards and onwards is a great way to describe this album, as well as Vile’s future in the industry. Banner sets at Coachella will likely prove to be a highlight, and the accompanying tour is sure to generate buzz, as has proven true in the past for the Philly native. Songs like “Girl Called Alex” sludge along in an upbeat manner, building precisely with warm organ flourishes in the background, equally a sonic thickness he has become so praised for. Wakin on a Pretty Daze is likely to be the soundtrack of the summer, and for excellent reason.

~Kevin Quandt


The Dear HunterMigrant

3.5-BamsTop Tracks:
“Shame”
“Shouting in the Rain”
“Girl”

Album Highlights: A small indie rock band originating from Rhode Island, The Dear Hunter has been making a splash in the indie scene since 2006. Brainchild of Casey Crescenzo, The Dear Hunter’s 5th album Migrant is a departure from their previous conceptual album The Color Spectrum. Casey’s powerful and emotional lyrics, both in delivery and content, are the clear highlight of this record. Haunting at times, Crescenzo’s commanding lyrics take the listener on a euphonious journey. This lyrical adventure is something listeners have become accustomed to when listening to The Dear Hunter albums.

Album Lowlight: The same reason I praise it above, is the same reason I criticize it here. Casey’s lyrics are powerful, but at times they become effusive. I almost had lyrical fatigue a couple of times listening to this record. This criticism however, is likely a personal preference, and should not be judged until you hear this record for yourself.

Takeaway: The Dear Hunter’s music falls somewhere in the indie, progressive, post-rock genre. Mixing traditional rock instrumentation with a string accompaniment, Migrant incorporates many styles to create a unique blend of “rock.” The Dear Hunter is a band that has had great critical reception, yet they have not taken off with widespread audiences. They are a well-kept secret of the indie music scene that has earned them an extremely loyal and dedicated following. Perhaps it is the concept albums of the past that have prevented them from breaking through with the masses? The talent and star power are there, it’s just a matter of putting this music on as many ears as possible.

~Kevin Raos


White FenceCyclops Reap

3-BamsTop Tracks:
“Beat”
“Make Them Dinner at Our Shoes”
“To the Boy I Jumped in the Hemlock Alley”

Album Highlights: Here comes another serving of Tim Presley’s patented brand of lo-fi psychedelic guitar rock. This time we are treated to a single release, as opposed to the double album that was Family Perfume. Presley re-imagines the era of trippy rock and roll that dominated the late 60s with his nasal, English-tinged vocals coupled with twangy guitars swirling to create an aural whirlwind. “New Edinburgh” fully displays the fuzzy sound that has become characteristic of this project. One can only hope to snatch up a vinyl copy of this album, as that seems to be the way it was meant to be heard.

Album Lowlight: At times the production can come across as too busy as seen in first single “Pink Gorilla.” In a live format, the band has a much crisper sound that is a little more palpable for the masses.

Takeaway: One of the more unique acts championing the lo-fi psychedelic sound at the moment, and this album shows off the production skills Presley has gained over the past decade. White Fence has garnered some solid critical success in the past few years, and will likely add-on to that even if the masses prefer the more slick take on 60s psychedelia played by the likes of Foxygen and Tame Impala.

~Kevin Quandt

Coachella 2013: What you should know before you go

Coachella 2013

So now that we have had time to let the 2013 Coachella line-up settle in, it’s pretty good, right? People were freakin’ out there for a minute. There has been a universal panning of the Red Hot Chilli Peppers performing as the closing headliner, even though they were a last hour addition. And rightfully so – there have been some popular sets that have shut down Coachella the past few years (Dre/Snoop, Kanye West, Gorillaz).

Goldenvoice clearly lost an expectation game with the reactions to the headliners this year, most notably due to the rumors swirling around Daft Punk and Rolling Stone. That didn’t stop them from selling out both weekends within a day, including weekend one within 15 minutes, so saying Goldenvoice lost anything is pure silliness.

Coachella 2013

Rock, particularly British Rock, leads the charge this year (Blur, The Stone Roses, the xx, New Order, Hot Chip, Grizzly Bear, James Blake, alt-J, Jessie Ware).

Conversely, Electronic Dance Music bro-house is gone compared to 2012. There is no major DJ act closing out a night on the main stage for the first time in years. There are no EDM acts on the top two lines of any day. It seems like a concerted effort was made by Goldenvoice to enact a change in direction, and it has been welcomed by many Coachella vets.

Subscribe to the Spotify Playlist Coachella 2013.
Coachella-2013Friday 2013

Friday should be a day to remember, as there are plenty of reunions and first time performances scheduled (see below). Lou Reed fits the “living legend” bill, Nick Cave’s supposedly on-hiatus Grinderman will appear for a one-off, and half of The Smiths songwriting partnership will be present with Johnny Marr performing. Bassnectar or Dog Blood (Skrillex & Boys Noize project) will close the Sahara Tent, and Justin Vernon’s new blues project The Shouting Matches will play one of their first shows. Hopefully Vernon sticks around for the weekends and makes some surprise appearances with the many acts he is associated with.

Friday Reunions

Damon Albarn’s Blur returning to the US for the first time since their reunion is a pretty big deal, though the American masses may not agree. Sure “Song 2” is a bit played out, but there are albums full of some of the best Brit-pop in decades. Songs like “Coffee and TV” and “She’s So High” beckon back to the 90s for many, but not all. Luckily this reunion is including Graham Coxon, a seminal part to the vocal arrangements of Blur. 


The co-headliner for Friday is also an English exported reunion, courtesy of the Manchester sound-makers The Stone Roses, fresh off a 15 year hiatus. Sure, New Order captured American fans a little more than the Roses, but they created a serious body of work for well over a decade starting in the mid-80s. John Squire’s guitar-work is something to marvel in as aspects of the Roses’ sound would be borrowed by some serious US acts like the Pixies. Having released an album last year, the Coachella masses should plan to hear these tracks coupled with hits like, “I Wanna Be Adored.”


Jurassic 5 is a name more fans will recognize over the one-two combo of Blur and the Roses. After a 6 year break, the LA hip-hop collective are back on the circuit with a banner set. The question will be if all the original members show up, as many of the artists have branched off to become successful solo artists; mainly Cut Chemist, Chali 2na and Nu-Mark. While the landscape of hip-hop has shifted a bit since their departure, tracks like “Quality Control” and “Concrete Schoolyard” will whip the crowd into a frenzy as equally as Danny Brown.

UPDATE – Jurassic 5 doesn’t know “How far” reunion can go.

Possible Friday Collaborations
Johnny Marr with Modest Mouse
Justin Vernon with Poliça

Friday Firsts (First shows ever/First in the US)

How To Destroy Angels – Trent, Marqueen, and Atticus will debut their newest project on Friday, and boy is it gonna be something. As many miss Nine Inch Nails, this band is pretty damned close in sound and personnel, and their two released EPs show great strength and should be an awesome early evening set in the warm desert winds. Look for their upcoming LP, and likely national tour. 


TNGHT – The duo that is Hudson Mohawke and Lunice has almost single handedly birthed the trap music sub-genre that is permeating bass music and hip-hop alike. Their debut EP is so fresh and hot, I needed an oven mitt to flip the vinyl. Having only played a show or two in NYC, this will be the marquee US debut of this Canadian meets Scottish production duo. The kids are gonna be losing their shit for this set, as trap is all the rage on the dance floor. Second in command to this movement is Baauer, who is featured this year as well. Will Kanye make an odd appearance on stage as he did in New York?


Earl Sweatshirt – Years in the making, and the anticipation is still sky high for Thebe’s live, full set premier. Expect massive crowds for this Odd Future cast-away, as his talent is undeniable, his story unbelievable and his allure is unquenchable. This set has lots of guest potential, as his OFWGKTA crew will likely be in tow for support both morally and lyrically. The Earl mixtape from a few years ago is such an impressive collection of explicit, yet Rhodes smart tunes that many fans are dying to hear them first hand from the man himself. Will Flying Lotus don his Captain Murphy cape and back Earl on the massive track “Between Friends?” Will Syd tha Kid be on the decks and buttons? 

Best Friday “Bottom-Liners”

Purity Ring’s sound is as future-pop as it gets, and the light-show matches the duo’s vibe and timing. Each light change is controlled by percussionist & beat-maker Corin Roddick’s drum strikes. Hopefully they are given a night tent set so they can show what they’ve got.

Jamie xx (Jamie Smith) is the chief producer, percussionist and DJ for The xx (performing Saturday), and he’s already well known for his progressive sound and excellent remixes.

•The lo-fi dream-pop from Trevor Powers’ Youth Lagoon will be a chill way to get started Friday.

Beardyman uses live sounds to make instant dance grooves, and it’s impressive how good he is at his niche skill.

Lord Huron is an indie-folk rock group on the rise. Their 2012 record Lonesome Dreams was highly underrated.

Palma Violets are a buzzy British psych-rock group that wil likely have a big year. Catch them early when most people haven’t arrived yet.

Coachella-2013Saturday 2013
Saturday is stacked: Phoenix, the xx, The Postal Service, Sigur Rós, New Order, Hot Chip, Grizzly Bear. If you are as excited as we are about the top two lines for Saturday, be ready to make tough decisions. There will be conflict. This doesn’t even include Yeasayer, Franz Ferdinand or Spiritualized into the conflict factor. Saturday is fucking stacked. It appears Knife Party will close the Sahara, and Simian Mobile Disco, Major Lazer & Richie Hawtin should deliver top notch electronic sets. Saturday also features FOALS, Ben Howard, Danny Brown, Janelle Monáe, Wild Nothing, El-P, & Booka Shade.

Saturday Reunions

The banner reunion on Saturday is squarely held by The Postal Service, the exciting collaboration of Ben Gibbard and Jimmy Tamborello. Their first announced show since 2005 came as a surprise to most music junkies as mumblings of The Smiths, as always, took first prize in the reunion hype category. Their upbeat electro-pop sound is pretty perfect for a sunset Saturday show, maybe warming up the majority to the dance-rock stylings of Phoenix later that night. Will Jenny Lewis make an appearance to sing as she did many times in their touring days a decade ago?


Many readers and attendees may not be familiar with The Make-Up, and that’s cool, but this soul-garage-politico-punk act is a force to see. The organ driven sound is highly infectious, and their live show has been compared to a punk rock gospel. Having only recently regrouped to play ATP, persuaded by Les Savvy Fav, this will be their marquee return, similar to Refused last year. Maybe Dischord co-owner Ian McKaye will accompany his labelmates for a track.


Violent Femmes slowly faded off the radar about 5 years ago as Gordon Gano and Brian Ritchie were tangled in royalty lawsuits stemming from the sale of “Blister in the Sun” to Wendy’s. It now appears the hatchet has been buried and they are returning to what they have been at for a couple of decades, making kitschy alternative rock. Their folk-driven sound is unmistakably likable, and devastatingly difficult to not sing along to. “Gone Daddy Gone” and “Add it Up” will be heard throughout the polo fields in the afternoon on Saturday. Will we get some surprise members to their infamous Horns of Dilemma? 


Toss The Descendents in the “sort-of reunion” column, but don’t diminish their key addition to the quintessential Southern California festival lineup. Birthed in Manhattan Beach in the late 70s, this seminal punk band that pioneered the skate, even pop-punk sound is still playing shows when singer Milo Aukerman can fit it between his demanding job as a biologist. Surely, the majority of attendees will recognize the Buddy Holly-glasses wearing frontman and his cartoonish caricature. They’ve been back at it a few years now, but mainly at small punk festivals, not the 80,000-size crowd that will be in attendance. Milo Goes to College is a must in your pre-fest rotation.

Possible collaborations:
Danny Brown & El-P
Danny Brown & Purity Ring
Ian McKaye with The Descendents

Saturday “Firsts:” (First shows ever/First in the US)

Savages – London’s all-female post-punk band have been building lots of buzz and lots of comparisons as they bring a fresh act to the music landscape this year. It’s hard to not hear Siouxsie and Banshees and the infectious howl of Karen O at first listen, but there’s a lot more going on here. Coachella will be their first trip across the ‘Pond’ and they will be hitting the road hard before, after and in the middle of the festival. 

Best Saturday “Bottom-Liners”

Birdy Nam Nam is a four man turntabilist crew from France, and their sound champions a mix of jazz, funk & downtempo. Asses will be shaking.

Action Bronson is fire breathin’ fat fuck who spits mostly about food, and he does it damn well over sick beats. All true.

•Bummed about no Warpaint? Get your girl power on early with Savages (check out the preview above).

•Singer-songwriter Kurt Vile made a delicious record with Smoke Ring For My Halo in 2011, and he’s got a new LP lined up for later this year. Preview his new songs in April.

•If you like Hot Chip, check out The 2 Bears, which is a DJ collaboration between Hot Chip’s Joe Goddard and producer Raf Rundell. Think Hot Chip’s tone with more dancing and less instruments.

Coachella-2013Sunday 2013

Sunday has the “dreaded” Red Hot Chili Peppers headlining, but Wu-Tang will get more love. Nick Cave and the Bad Seeds and RHCP may create the most empty scene on the main stage ever. Cool dads will profit. On the other side of the field Pretty Lights and Eric Prydz will be spilling ragers outside of the Sahara Tent parameter. If there is a god Tame Impala will get a sunset slot. Where will the house crew consisting of Julio Bashmore, Jamie Jones, Loco Dice, Maya Jane Coles, etc. end up? Sunday has a deep undercard with Grimes, the Faint, Father John Misty, Tanlines, Jessie Ware, Disclosure, Cloud Nothings & Thee Oh Sees.

Sunday Reunions

Wu Tang Clan’s inclusion this year isn’t so much a reunion, but a re-introduction. After talk of a new album around 2011 went quiet, fueled by reserved speculation by some members, it appears this new recording will see the light of day this year, and Coachella will likely mark the beginning of a busy year for RZA, GZA, Method Man, Raekwon, Ghostface Killah, Inspectah Deck, U-God, and Master Killah.

Possible Collaborations:
Jessie Ware live with Disclosure
Justin Vernon with James Blake

Sunday “Firsts:” (First shows ever/First in the US)

Excision – Many EDM artists are creating bigger, brighter and blinkier stages on the road and festival circuit, and Canadian brostep artist Excision is the next to toss his hat into the ring. Excision presents the Executioner will be making it’s big stage debut at Coachella after a few US dates. It promises to be loud, flashing and full of pre-pubescent kids losing their collective minds. 

La Roux – Even though the synth-pop princess and her producer aren’t a new act to the US or even Coachella, their cancellation from last year is being rectified with a slot in 2013. Look for some new material from this act in the upcoming year after a hiccup in the previous.

Best Sunday “Bottom-Liners:”

•Zachary Cole Smith from Beach Fossils started DIIV (originally “Dive” until they were sued) as a solo project, and their dreamy, building indie songs will put a smile on your face.

Little Green Cars offers five-part harmony anthems in the vein of Local Natives and First Aid Kit.

•The electro-pop group White Arrows put on a great show, and their set can get pleasantly psychedelic and heady at times.

Wild Belle is a prime candidate to be a 2013 breakout group, and their set at Treasure Island Music Festival went over well last October. Elliot and Natalie Bergman’s debut LP will arrive in March.

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Coachella 2013