The 25 best live music acts of 2016

Best live music acts of 2016

As we officially place 2016 in the history books, it’s time to look back at all the live music we experienced this year. Last year we shared our 25 favorite live performers of 2015, so this year we thought we would do it again while excluding any artists we named in 2015. After all, who really wants to see the same acts listed two years in a row? That said, now that we’re two years removed, our 25 favorite live performers of 2014 were once again fair game.

After covering many excellent bands, musicians and DJs over the past 12 months, trimming our list down to 25 wasn’t easy and as usual, some difficult decisions had to be made. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order) whom we either covered at their own show and/or at a music festival this year:

Adrian Younge, Air, Alessia Cara, Alina Baraz, AlunaGeorge, Alvvays, The Arcs, A$AP Ferg, Atlas Genius, Aubrie Sellers, The Avett Brothers, Bag Raiders, Baio, Banks & Steelz, Bas, Battles, Beats Antique, Beach House, Best Coast, Big Freedia, Big Gigantic, Big Grams, Big Wild, Bloc Party, Bob Mould, The Boxer Rebellion, Brand New, Brett Dennen, The California Honeydrops, Capital Cities, Cate Le Bon, Chairlift, Chelsea Wolfe, !!! (Chk Chk Chk), Chris Robinson Brotherhood, Chuck Mosley, Chromeo, Claude VonStroke, The Claypool Lennon Delirium, Cold War Kids, The Crux, Dan Deacon, Danny Brown, Deftones, The Devil Makes Three, Dirtwire, Disclosure, DMA’s, DMX, Drew Holcomb and The Neighbors, Duran Duran, Every Time I Die, Emancipator Ensemble, Ezra Furman, Faith No More, The Faint, Fantastic Negrito, Femi Kuti, Florence + the Machine, Flume, Fruition, The Gaslamp Killer, Geographer, Glass Animals, Gorgon City, Grimes, Halsey, The Head and the Heart, Heartwatch, The Heavy, Highly Suspect, Hippie Sabotage, Holy Fuck, How to Dress Well, Hudson Mohawke, Hundred Waters, IAMX, Ibeyi, Ice Cube, Iggy Pop, The Infamous Stringdusters, Jack Beats, Jack Garratt, Jack Ü, James Bay, Jamie xx, J. Cole, Jimmie Vaughn, Jhené Aiko, The Joy Formidable, Joywave, Julia Holter, Julien Baker, Kaki King, Kamaiyah, Kamasi Washington, Kehlani, K.Flay, The Kills, Kurt Vile, Lafa Taylor, Lana Del Rey, Låpsley, Les Sins, Lettuce, Lionel Richie, Lord Huron, Little Scream, Lucius, M83, Major Lazer, Marian Hill, Mayer Hawthorne, MC YOGI, Methyl Ethel, Metric, Miami Horror, Mick Jenkins, Midi Matilda, Miguel Migs, Modest Mouse, Moon Taxi, M. Ward, Nahko & Medicine for the People, The Naked and Famous, Nas, Nathaniel Rateliff & The Night Sweats, Neon Indian, Nick Murphy (fka Chet Faker), Nite Jewel, Panic! at the Disco, Parliament-Funkadelic, Peaches, Petite Noir, The Pharcyde, The Polish Ambassador, Porches, Prince Rama, Purity Ring, Pusha T, Radiohead, Ra Ra Riot, The Regrettes, The Revivalists, RJD2, Rodrigo y Gabriela, Rogue Wave, Rubblebucket, Run the Jewels, The Russ Liquid Test, Ryan Adams, The Sam Chase & The Untraditional, Saosin, Sarah Neufeld, The Seshen, Shabazz Palaces, Shlohmo, Silversun Pickups, Snakehips, Solange, Son Little, St. Lucia, Stormzy, The Struts, STS9, Sturgill Simpson, Sufjan Stevens, Summer Cannibals, Sunflower Bean, Sigur Rós, St. Germain, Sylvan Esso, Tacocat, Taking Back Sunday, Tedeschi Trucks Band, Thao & the Get Down Stay Down, This Will Destroy You, Thomas Jack, Thundercat, Toro y Moi, Tortoise, Tory Lanez, Tourist, The Trims, Troye Sivan, Umphrey’s McGee, Viceroy, Vince Staples, Vokab Company, Walk the Moon, Warpaint, Wavves, Weezer, Wheeler Walker Jr., White Denim, Wild Belle, Wild Nothing, Years & Years, Yeasayer, YG, Young Fathers, Yuck, ZHU, Ziggy Marley.

Now, it’s time for The Bam Team to present our 25 favorite live performers of 2016.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2016

Listen to The Bam Team’s favorite songs of 2016:


Best Live Music Acts of 2015 #25 - Tycho

25. Tycho

For as much as Epoch was a surprise, so were Tycho’s two most recent shows in LA last week. It was the first time Hansen and company had played The Fonda Theatre since the Awake tour back in 2014, and Thursday’s sellout, which was announced less than a week before the show, along with the subsequent need to add a second date the next night, made it clear that more than ever, Angelinos have a strong appetite for what Hansen is doing on both a musical and visual level. It helps, too, that KCRW Music Director Jason Bentley, who opened the shows at The Fonda with a DJ set, has helped expose Tycho to a broader audience, whether through the “Morning Becomes Eclectic” theme song or live, in-studio performances by the band. Even nowadays with an abundance of streaming sites, you can’t underestimate the power of radio in a city with a driving culture as large as LA’s. And truth be told, Tycho is some of the best music to drive to, especially when you’re surrounded by nature. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #24 - Isaiah Rashad

24. Isaiah Rashad

And when it did, Rashad torpedoed onto stage and turned the restlessness in the room on its head with “Smile”, the apropos homecoming banger he released after years of uncertainty that followed his 2014 EP Cilvia Demo. It was fitting because prior to his reemergence, which was sparked by the song, Rashad admitted to being addicted to Xanax and alcohol, and it almost led to him being dropped from his West Coast record label on several occasions. From his issues with substance abuse to the tears he shed while listening to Kid Cudi’s music and his open-book thoughts on the humanizing of mental-health issues, Rashad’s journey from being the contemplative unknown in superstar Kendrick Lamar’s crew to a complete artist deserving of your attention has been steeped in honesty. -Joseph Gray, photo by Joseph Gray


Best Live Music Acts of 2015 #23 - Bob Moses

23. Bob Moses

Needless to say, worn-out axioms failed to apply in this scenario. Bob Moses silenced anyone attempting to pass them off as yet another contrived electropop outfit aiming to please the masses. At Mezzanine, both Howie and Vallance proved their prowess as EDM innovators, bringing more to the stage than a couple of laptops and a pretty light show. Surprising those unfamiliar with their work or expecting to be underwhelmed, Bob Moses have elevated the live electronic game for their respective contemporaries and succeeded in defining a new chapter for the genre — an innovative sound standard that’s all their own. -Molly Kish, photo by Lisette Worster


Best Live Music Acts of 2015 #22 - Floating Points

22. Floating Points

The band continued building on its rhythms and melodies, creating a hypnotic feeling that was filled with textured synthesizers, guitar pedals and consummate percussion, as laser patterns reflected each rise and fall during its lengthy jam sessions. As Sheppard and his sidekicks progressed through each track, the complexity of the laser projections grew into optical illusions that, almost like another musical instrument onstage, intertwined with the style and progression of the band’s production perfectly. With each song reaching a climax and eventual denouement, the artwork remained untouched for a few minutes so that fans could observe each piece before their very own eyes. -Brett Ruffenach, photo by Alister Mori


Best Live Music Acts of 2015 #21 - Ty Segall

21. Ty Segall

But Segall is no doubt a showman himself, and you’d be hard-pressed to find someone who expends as much energy onstage as he does in merely 90 minutes. His passion simply rubs off on his fans, who wasted little time climbing onstage and taking the plunge into a sea of hands for a couple of minutes. Segall, of course, also got in on the action at one point, as his shows are often known to feature crowd surfing from both band and audience members, and he made sure to take the mic stand with him while he horizontally slithered across the room. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #20 - Dr. Teeth and The Electric Mayhem

20. Dr. Teeth and The Electric Mayhem

One of the biggest questions on everyone’s mind coming into Outside Lands was, “Who were Dr. Teeth and The Electric Mayhem?” For those who knew, it was, “How in the hell were the Muppets going to fill a Sunday slot on the main stage?” Because the band had never played a show of such magnitude or outside the context of a TV/film studio, no one had any clue what to expect during this early-afternoon slot. Though some festivalgoers (mistakenly) decided to forego the experience altogether, those present will not forget the incredible feat that Another Planet Entertainment and Jim Henson Enterprises were able to pull off for what was one of the most emotionally nostalgic, blissfully complex and once-in-a-lifetime festival performances maybe ever. The Muppet house band both effortlessly managed to pluck the heartstrings of multiple generations of fans while delivering the most conceptually beautiful “love letter” to the city of SF, blanketing the grounds in a sea of love and collective euphoria for a brief, yet unforgettable moment. -Molly Kish, photo by Rochelle Shipman


Best Live Music Acts of 2015 #19 - RÜFÜS DU SOL

19. RÜFÜS DU SOL

By the time RÜFÜS made their entrance, the excitement in the room was at a fever pitch. The crowd was ready to dance from the very first beat (thanks to the excellent warm-up from Kllo and Yuma X), and they did just that. Lead singer Tyrone Lindqvist took center stage with great energy and proceeded to do the customary water bottle toss shortly after. Lindqvist set the tone right from the get-go for a high-energy, high-audience-participation set. The crowd responded in kind by getting down much harder than expected for a Wednesday night. Notably, there were surprisingly very few phones out as most attendees put away their cameras to make the most of every song. The intimate setting of The Fillmore could almost have been mistaken for the polo grounds of Coachella, given how many girls-on-shoulders could be seen around the venue. -Geoff Hong, photo by Josh Herwitt


Best Live Music Acts of 2015 #18 - Rudimental

18. Rudimental

Through Rudimental tracks like “Not Giving In”, “Free” and “Waiting All Night”, the most unique element of the group’s live production was their charisma. Simply put, they look like they’re having fun. These aren’t tortured artists or cathartic performers — Rudimental are a band that loves the music they make. Even the band’s drummer, Beanie, easily one of the hardest working rhythmists on tour right now, managed to keep a smile on his face, racing through Rudimental’s repertoire of songs that were anywhere from 145 to 160 BPMs. The septet’s de-facto leader, DJ Locksmith, was surprisingly more in the background than you would expect from a typical DnB hype man. As Rudimental wrapped up their set with their chart-topping hit “Feel the Love”, the crowd joined in as the song ended, creating a shared moment at The Fox that perfectly reflected the intention of Rudimental — to spread the love. -Brett Ruffenach, photo by Marc Fong


Best Live Music Acts of 2015 #17 - BØRNS

17. BØRNS

On this night, that proverbial phrase seemingly rang true. It wasn’t just that BØRNS most likely amassed the largest attendance in the history of the Twilight Concert Series, but also the fact that it was easily one of the best shows I’ve ever witnessed at the Santa Monica Pier. One could certainly point to the opening of the Expo Line extension as a reason for the larger crowds so far this summer, which wasn’t all that noticeable during the series’ opening night with Mayer Hawthorne just the week prior, but that would simply be underestimating the exponential rise of Garrett Borns’ eponymous project. Since he relocated to Los Angeles in 2013 and signed with Interscope Records, the Michigan native has gone from supporting modest indie bands like MisterWives to selling out shows as a headliner in a matter of a year. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #16 - Flying Lotus

16. Flying Lotus

Brainfeeder founder, producer and unapologetic cultural mouthpiece Flying Lotus (born Steven Ellison) ended the night with a mildly controversial headlining set. Walking onstage and making what any FlyLo fan would recognize as an off-colored comment on the current presidential race may have proven too brazen for those not used to his brand. He let Captain Murphy out of the box a little early and road the wave of confusion into a heady, bass-driven assault on the conflicted crowd, providing the distinct audio punctuation point for the night’s bill of artists. Playing several tracks off of his 2014 LP You’re Dead! as well as various hits from high-profile hip-hop emcees like Travis Scott and Kendrick Lamar that he has produced over the years, Ellison stunned us all with his double-screen, audio-visual stage setup and plenty of bone-rattling bass drops. -Molly Kish, photo by Marc Fong


Best Live Music Acts of 2015 #15 - The Last Shadow Puppets

15. The Last Shadow Puppets

TLSP brought a strings section to their show, an added element that helped keep things fresh and new. The show began with the beautiful sounds of violins and cellos, but the moment TLSP got onstage, the whole floor at The Fillmore lit up in billows of smoke. I’m sure the band was stoned by the end of the show if it hadn’t been already, appearing beyond excited to be playing on a Sunday night in SF. Turner and Kane must have yelled out something about SF every few minutes and incorporated SF into some of their songs. They were so incredibly tight, and I felt their set in some ways was a bit better than what I had witnessed years ago — the mix and order of the songs felt more succinct at The Fillmore. -Rachel Goodman, photo by Diana Cordero


Best Live Music Acts of 2015 #14 - Miike Snow

14. Miike Snow

Sunday’s roster at Coachella last year was significantly weaker in comparison to Friday’s and Saturday’s. This year was much of the same, though Calvin Harris somehow proved to be an even worse headliner than Drake (we didn’t know that was possible). But one of the bright spots on Day 3 was no doubt Miike Snow’s 9:45 p.m. slot in the Mojave Tent, the same place where I discovered the Swedish trio back in 2010 during my first Coachella. Andrew Wyatt, Christian Karlsson and Pontus Winnberg have come a long way since then, and with three studio albums in their catalog, including their latest effort iii, they have more than enough material to fill out a 50-minute set and leave you wanting to hear more. -Josh Herwitt, photo by Norm de Veyra


Best Live Music Acts of 2015 #13 - Young Thug

13. Young Thug

Fresh off releasing the latest — and final — installment of his Slime Season mixtape trilogy, Young Thug took his place on the stage. Arriving in a white blouse, multicolored sequined jacket, dark shades, a polka-dot head scarf and remarkably slim, golden pants, he aligned such a rangy and vibrant uniform with his performance. There wouldn’t be any towering LED lights, stunts or stage diving. However, Young Thug, who for the majority of his roughly hour-long set played the lone wolf, delighted the crowd with his animated and bright delivery while running through thundering Slime Season 3 favorites like “With Them”, “Digits” and “Slime Shit”. The audience, ranging from high school seniors to seasoned workers likely with mortgages, strikingly recited every uncanny, controversial lyric and Ric Flair-esque “Woo!” like they had been analyzing them for years. -Joseph Gray, photo by Joseph Gray


Best Live Music Acts of 2015 #12 - Pretty Lights

12. Pretty Lights

Touring with a live band for the first time in 2013 — something that few other EDM artists have done to this day — he quickly changed the way electronic music can be experienced live. Fast forward to last Thursday, and we were once again treated to an electrifying Pretty Lights show that was more than just Smith behind a pair of Macbook Pros and two Akai MPD32s. Making his debut at the majestic Santa Barbara Bowl, he once again showed why he isn’t your typical EDM act. With Chris Karns and Big Wild providing support, Smith hit the stage at 8 p.m. with his bandmates — Karns, Borham Lee, Brandon Butler and Alvin Ford, Jr. — and put on a show that dazzled both sonically and visually. What was most impressive, though, was seeing how much of the performance was improvised, as the band transitioned from one jam to another while dropping in a number of remixes here and there. And as I looked on from my seat in the stands, I couldn’t help but think about how much the show reminded me of all the times I’ve seen STS9 perform live. It only seemed fitting considering that the livetronia band helped give Smith his start back in the day, and with the “EDM bubble” about to burst (that is, if it hasn’t already), it’s hopefully an approach more electronic artists will gravitate toward in the future. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #11 - Mac DeMarco

11. Mac DeMarco

The 26-year-old king of slacker rock, who over the past few years has become a fan favorite of many Bay Area audiophiles, never seems to hold back when he comes to town. His first night in SF last week saw him jump from The Indy’s balcony into an awaiting crowd (a feat that was later imitated by a female audience member at The Warfield the next night), run around half naked while playing new songs and perform a 25-minute cover of Eric Clapton’s 1971 hit single “Layla” with fart solos sprinkled throughout. -James Pawlish, photo by James Pawlish


Best Live Music Acts of 2015 #10 - Moderat

10. Moderat

Easily the most anticipated set of the weekend from this spectator’s vantage point, Moderat hadn’t toured since dropping a pair of EPs in 2014. But with the release of its third full-length album, aptly titled III, the Berlin-based supergroup comprised of Apparat’s Sascha Ring and Modeselektor members Gernot Bronsert and Sebastian Szary were primed to make their mark on the final day of LIB — and that they did. Beginning with “Ghostmother” off their latest LP, Moderat ran through a good chunk of new material, but nothing ignited the crowd more than their new single “Reminder”, which remains one of our favorite songs of the year so far. As we witnessed a few days earlier at The Fonda Theatre in LA, the group’s dark, minimalist stage setup with psychedelic flourishes paired nicely with Ring’s ethereal vocals. Of all the other performances throughout the weekend, Moderat’s 90-minute set undoubtedly stood as one of the brightest moments of LIB 2016. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #9 - Foals

9. Foals

Foals closed out their rambunctious set with a killer take on the title track “What Went Down” that brought lead singer/guitarist Yannis Philippakis diving into the crowd, giving fans one hell of a selfie and proving their rock credentials for good. After all, any band that can unite 20-something bros with 50-something grandparents gets a gold star in our book. Rock brings people together, and those who made it out to see this unicorn of a band won’t live to regret it. -Zach Bourque, photo by Steve Carlson


Best Live Music Acts of 2015 #9 - Tame Impala

8. Tame Impala

As they opened with the dream-inducing interlude “Nangs” from their latest studio album Currents, Tame Impala gave the crowd an ample minute and a half to commit to the spatial surroundings before jumping full throttle into an explosive rendition of lead single “Let It Happen,” playing the tracks in reverse order than they are on the LP. By the third song (as promised), the sky, having just turned black, was filled with a stadium’s worth of rainbow confetti as the band played the opening chords of 2012’s psuedo love ballad “Mind Mischief”. Followed by a rare performance — only the second time in three years — of “Music to Walk Home By” from 2012’s Lonerism, Tame Impala played a wide range of emotive classics while scrambling the brains of more than 8,500 audience members with their intense onslaught of sensory-overloading imagery and hypnotic light show. -Molly Kish, photo by James Pawlish


Best Live Music Acts of 2015 #7 - Jim James

7. Jim James

James is in rare company these days, amid a dying breed of guitar-rock gods like Jack White and Josh Homme who are not only capable of playing anything on six strings, but also on a myriad of instruments. And while Eternally Even feels in some ways like an opportunity for him to finally experiment more with keyboards, James made sure to remind his fans at the 90-year-old Orpheum Theatre last Friday that shredding is still a priority. Performing in his new hometown after officially moving to LA this year, he assumed the role of lead singer for much of the show as he and his bandmates from Twin Limb (also opening for James on this tour) played all of Eternally Even and half of Regions. But propped up by a stand onstage the whole time was James’ black Gibson axe, and you knew at some point during a two-hour set that he was going to unload some sick riffs like we have become accustomed to seeing from him at Jacket shows. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #6 - The National

6. The National

The real headline from The National’s performance was hands down the new material that was debuted, pretty much across their entire set, encore included. A rather standard opening of “Don’t Swallow the Cap” and “I Should Live in Salt” led into our first taste of the band’s upcoming LP in the form of “Checking Out”. Though many locals likely recognized this track from last year’s Treasure Island Music Festival (read our review here), it has tightened up over the past year and even begins to sound familiar as the Brooklyn-based five-piece begins to weave in more electronic, synth-like elements. -Kevin Quandt, photo by Steve Carlson


Coachella 2016 - Guns 'N Roses

5. Guns N’ Roses

There may have been no more talked-about act in Coachella’s 17-year history than Saturday’s headliner — and for good reason. Going back to 1993, it had been 23 years since Axl Rose and Slash last performed on the same stage together, and though some of that allure had worn off by the time they reached Indio thanks to a surprise show in LA and back-to-back nights in Las Vegas in prior weeks, Guns N’ Roses were still the talk of the town leading up to Coachella. In fact, all you had to do was look around on Saturday and see just how many GNR T-shirts were traversing the polo field before their 10:30 p.m. set. When it came time to deliver, the original trio of Axl, Slash and bassist Duff McKagan most certainly did, while rhythm guitarist Richard Fortus and drummer Frank Ferrer proved to be more than suitable fill-ins for Izzy Stradlin and Steven Adler/Matt Sorum. Meanwhile, the surprise appearance by Angus Young couldn’t have come at a much better time after the announcement was made minutes before GNR’s set that Rose will be filling in for Brian Johnson on AC/DC’s remaining tour dates this year. GNR have always been one of my biggest bucket-list bands, and even if a broken leg prevented Axl from strutting and slithering across the stage like he once did as a brash, slender 21-year-old rock star, seeing one of my favorite childhood bands perform for two and a half hours felt all too surreal as I left the Empire Polo Club that night. -Josh Herwitt, photo courtesy of Coachella


Coachella 2016 - Sia

4. Sia

From the very beginning, Sia set herself apart from every other artist who took the Coachella Stage this year. With the Australian artist standing in the back of the stage, her set was more performance art than it was pop music. While her face was hidden thanks to her trademark wig, Sia’s voice stood front and center as she belted out every note to hits like “Diamonds”, “Bird Set Free” and “Titanium”. Throughout it all, different dancers and actors would come on stage, abstractly embodying the themes her songwriting often conveys: fear, anticipation, stress, anger, joy, love and most of all, doubt. As Kristen Wiig and Paul Dano contributed to the overall performance, the height of Sia’s conceptual masterpiece reached its peak with a breathtaking rendition of “Breathe Me”, bringing some of the audience to tears. It was the true headliner of Sunday night and among the top performances of the entire weekend. -Brett Ruffenach, photo courtesy of Coachella


Best Live Music Acts of 2015 #3 - Chance the Rapper

3. Chance the Rapper

In one of the few transcendent moments of the weekend, a set that had everyone throughout the fairgrounds hyped into an anticipatory frenzy, Chance the Rapper performed at the Lands End stage on Sunday afternoon for easily the largest crowd of the entire weekend. Even those who stood their ground through Third Eye Blind’s preceding set felt the drastic change in both crowd size and personal space as the Polo Fields flooded and temperatures rose. Even though Chance could have used this to his advantage and conducted an explosive show, igniting the tightly configured crowd into a combustive state, he instead took his fans “to church” with a spiritually centered gospel set, making sure everyone was attentive and of course, that “his part” resonated among the masses. -Molly Kish, photo by Norm de Veyra


Best Live Music Acts of 2015 #2 - LCD Soundsystem

2. LCD Soundsystem

Over the last couple of years, it’s hard to think of a band I have wanted to see more than LCD Soundsystem. Deeply tied to my formative years in college, the Brooklyn outfit’s return after a five-year hiatus was nothing short of stunning. Opening with the undeniably groovy “Us vs. Them” and covering a good chunk of their catalog over almost two hours, LCD certainly met the expectations of an eager crowd. James Murphy kept the banter between songs fairly short, and these indie heavyweights demonstrated a true dedication to their craft, starting fast with songs like “Movements” and “Yeah” before moving to more deep, tightly wound rhythms on “Someone Great” and “Home”. Though “Losing My Edge” was written more than 10 years ago, Murphy’s part-improvised, part-proclamation, part-perfectly-delivered rendition of the track seemed to really capture the attention of more casual LCD fans. Nearing the end of its set, the band covered “Heroes” by late collaborator David Bowie. I have seen many concerts as well as attended many festivals in my life, but this was truly among the most beautiful moments in live music I have ever experienced. Wrapping up their headlining performance with “All My Friends”, LCD Soundsystem proved to be among the top artists to ever grace the festival’s main stage. -Brett Ruffenach, photo by Norm de Veyra


Best Live Music Acts of 2015 #1 - Anderson .Paak

1. Anderson .Paak

I’m going to be completely honest: I went to SXSW this year to see .Paak because I knew once he played it, tickets to his shows would be impossible to get. Six months later, $30 tickets to his show in San Francisco at The Fillmore resold for upwards of $400. If you didn’t have another way to get into that show or rent to pay, it was worth it. The energy that comes out of .Paak while he’s performing is charming, infectious and unmatched. He splits his time roaming every inch of the stage and behind his drum set, often singing and rapping without missing a beat. At .Paak’s December show at the Hollywood Palladium in LA, Stevie Wonder came out not to sing, but to tell the crowd what a big fan he is. So basically, Stevie Wonder dropped by. OK, Anderson … we see you. -Rochelle Shipman, photo by Norm de Veyra

Outside Lands 2016

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Yeasayer bring their A game to The Fillmore

YeasayerPhotos by Norm de Veyra // Written by Timothy Francis Alva-Melville //

Yeasayer with Young Magic, Miya Folick //
The Fillmore – San Francisco
May 31st, 2016 //

Walking into The Fillmore, the venue Brooklyn experimental rockers Yeasayer booked for the Bay Area stop on their recent U.S. tour, you could feel the deep synth bass, jerky snare-drum hits and the marching tom toms from opening act Young Magic.

Gliding through Isaac Emmanuel’s percussion was the ethereal, superimposed vocals and guitar work from Melati Malay. Young Magic added another piece to their already full sound with cellist Kelsey Lu — and to say the least, it was powerful. The group’s slightly dark and layered electronic sound still has an underlying groove that kept the audience in a state of mesmerized body shaking.

Yeasayer

For this writer, it was my first experience seeing Yeasayer, but hopefully not my last. Their performance was filled with spacey, lush sounds as well as wonderful falsetto harmonies, walking synthesizers and an organized chaos of instrumentation from a band on top of its game at the moment.

Many audience members were eating up every word, which was to be expected from a band as unique and entrenched in the indie seen as Yeasayer are. While I did overhear some fans say they wished Yeasayer played a few more older tunes, it was understandable that they wanted to showcase material from their recently released record Amen & Goodbye. Though you can’t please everyone, they certainly tried.

The show was energetic, and from what I could tell, the band seemed to be having a whole lot of fun performing live. Yeasayer packed a lot in, and hopefully their newest album title isn’t as much a foreboding message as it is a poetic concept so that we can see what else they have in store down the road.

Sasquatch! Music Festival releases 2016 lineup

Sasquatch! Music Festival - 2016 lineup

Sasquatch! Music Festival //
Gorge Amphitheatre – Quincy, WA
May 27th-30th, 2016 //

Returning to the majestic Gorge Amphitheatre over Memorial Day weekend, Sasquatch! Music Festival has dropped another impressive lineup for its 2016 edition.

Now in its 15th year, the Pacific Northwest fest organized by Adam Zacks and Live Nation will feature performances by The Cure, Florence + the Machine, Disclosure, Major Lazer, Alabama Shakes and a whole lot more over four action-packed days. Some of our favorites include Leon Bridges, Jamie xx, A$AP Rocky, Caribou, M83, Kurt Vile, Yeasayer, Mac DeMarco, Big Grams, Chet Faker, Lord Huron and Tycho. See the poster above for the full lineup.

If you’re thinking about going to Sasquatch! this May, you’ll need to act quickly. GA tickets go on sale Tuesday, January 12th (in other words, today) at 10 a.m. here, and VIP supertickets can also be purchased on the festival’s website here.

Last spring, Showbams made the trek to The Gorge to cover Sasquatch! for our first time, and we didn’t leave disappointed when it was all said and done. With another stellar bill of artists, Sasquatch! is sure to shine once again in 2016.

PHOTOS: Dispatch, Yeasayer at Frost Fest 5/17

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By Sterling Munksgard //

Frost Music & Arts Festival featuring Dispatch, Yeasayer & Paper Void //
Frost Amphitheater — Stanford University
May 17th, 2014 //

As the year comes to a finish on campus at Stanford, Frost Amphitheater played host to Dispatch, Yeasayer & Paper Void, an act comprised of Stanford students. It was a day of good times and fun in the sun, and Sterling Munksgard was on the scene capturing all the moments.

WIN TICKETS: Frost Music & Arts Festival with Dispatch, Yeasayer 5/17 (SAT)

Frost-Fest-_postPhotos by Marc Fong //

Enter to win a pair of free tickets to this festival day below.

Frost Music & Arts Festival featuring Dispatch, Yeasayer, Paper Void //
Frost Amphitheater – Stanford University
May 17th, 2014 (Saturday) // Doors 2PM, Live Music 3PM

Frost Fest is back this year and better than ever! Held at the historic Frost Amphitheater on the Stanford University Campus, the 2014 line-up features 14 art installations and music by Yeasayer, Dispatch and Paper Void! Uber will be providing $10 off to all attendees of the festival with use of the special discount code: uberFROST. Starting at 3pm sharp, come out and enjoy the beautiful weather, awesome entertainment and outdoor art installations. Tickets are well on their way to selling out, so enter to win your pair from Showbams below. -Molly Kish

Buy Tickets if you want to go!


Win-2-Tickets

Enter to win if you can attend this festival Saturday, May 17th at Stanford University.

Submit your full name and email address below.
Contest ends Friday, May 16th at Noon. Winners will be picked at random & notified by email. Your email will be kept private – we will share your email with no one.

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Frost fest

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We have three new mixes for you this week, including the latest from Goldroom, one from Chris Keating of Yeasayer, and a throwback mix by Hollertronix (Diplo + Lowbudget).

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GoldroomInverno Mix 2014



Los Angeles-based Goldroom recently released his latest seasonal mix as winter winds down and spring begins to slowly show itself. Starting off with a remix of his latest single “Embrace”, the mix winds through tracks from Wayward, Miami Horror, Cassian, All the Colours, and Hero. If you enjoy this installment, the others are equally as good.

Catch Goldroom headlining the Indpendent May 30th. Tickets are still available.


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Yeasayer ChrisDoo Wop REMIXED Disco MIXTAPE



Chris Keating, one of the founding members of Yeasayer, has put out three mixes from 2013 via Soundcloud. This one happens to be my favorite, though they are all worth checking out. This mix contains a combination of remixed doo wop classics and disco-tinged tunes ending with a remix of Cydi Lauper’s “Time After Time”. The other mixes can be streamed on Soundcloud here.


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Hollertronix (Diplo + Lowbudget) Never Scared



Our last mix is an (all vinyl!) throwback from 2003 by Diplo and Lowbudget, working together as Hollertronix to showcase what they played at their Hollertronix parties in Philadelphia. Even at 11 years old, this mix still holds up today with an eclectic blend of hip hop, pop, 80’s dance, eclectro, Baltimore Club, and more. Enjoy!


Outside Lands Music Festival 2013: Top Sets

Outside Lands 2013Photos by Tim Hampson (unless otherwise noted) // Written by Mike Frash, Molly Kish, Kevin Quandt, Kevin Raos, Sean Little & Dara Shulman //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 9th-11th, 2013 //

Outside Lands Music and Arts Festival is the ideal adult playground for live music fans — you can chow sardine chips and a Denogginizer from Drake’s while taking in a secret set in Choco Lands. Or maybe you prefer to laugh your face off at The Barbary or dance your ass off in the Heineken Dome. It may be a “walking festival” to some, but Outside Lands is at it’s best when you run. Feet don’t fail me now, use ’em while you got ’em.

San Francisco’s music fest is clearly in a groove now. A free comprehensive webcast was brought back this year, enticing future festival-goers near and far to be super jealous and to start saving money for next year. Beer Lands was moved to a strategically perfect spot opposite the Land’s End Stage on the Polo Field, making a quick stop-off convenient on the way to the next show. And it was cold — duh, it’s August in SF.

For the festival’s sixth incarnation, Outside Lands patrons witnessed the festival’s biggest headliner to date: Paul McCartney.

But Macca wasn’t the only auditory treat at Outside Lands. Here are our top sets from 2013.

Girls-on-Fire-Main-Stage-Tim

Paul-McCartney
DAY 1 ~ August 9, 2013

Paul McCartney ~ TOP SET
Friday • Land’s End Stage • 7:10 p.m.

It doesn’t get a whole lot better than Paul McCartney’s show, honestly, it’s nearly 3 hours of brilliantly competent showmanship, blazingly pleasing song selection and sheer crowd emotion. One highlight was watching Paul become giddy when Kronos Quartet joined him for a masterfully beautiful take on the tender Beatles classic, “Yesterday”. Even in his 70s, Macca keeps his crowds, and likely even himself, on their toes with an ever-changing setlist and bombastic surprises up his sleeve in the form of pyrotechnics during “Live and Let Die.” Selections from Wings were pleasantly received, especially “Band on the Run”. Closing the set, as he normally does, the crowd sang along to the timeless communal song “Hey Jude”. Friends locked arm in arm, and all was right in the world. Young and old were abuzz with the show they had witnessed on the exodus out of the park, whether it was vets finally hearing “Lovely Rita” or first-timers discussing their emotion during “Blackbird”. I mean, hey, it’s not everyday a legend plays your backyard. -KQ


Pretty Lights
Friday • Twin Peaks • 8:40 p.m.

Pretty Lights was the perfect Friday night closer for the Twin Peaks Stage and to oppose Sir Paul. Derek Vincent Smith featured most of his new album A Color Map of the Sun, plus the stand-by favorites remixed just enough on the fly to make them fresh and new. His musical ability is truly amazing, and his vibe was infectious as he’d build huge grooves then dropped them into massive basslines with his trademark soul vocals overlays that catapulted foggy Hellman Hallow to the stratosphere. Smith seemed genuinely happy and it bled into the crowd. By the night’s end, everyone was grooving and giving out high fives. –SL


Yeasayer
Friday • Twin Peaks Stage • 7 p.m.

Pitted against the incomparable Sir Paul at a festival is a spot that most bands would dread to be placed in. If you’re Yeasayer, however, it’s a challenge to be lived up to and utilized to your advantage. Knowing the crowd that evening would be filled with strictly die-hard fans, the boys pulled out all the stops. Playing a fan favorite set that included the most dance-heavy tracks from their entire catalogue, the intimate crowd was whipped into a collective frenzy. The best part — there was plenty of room for everyone to lose themselves in the energy of the moment. –MK


Chic---Eric-ShadenPhoto by Eric Shaden

CHIC featuring Nile Rodgers ~ TOP SET
Friday • Sutro Stage • 6:05 p.m.

The last-minute D’Angelo replacement was a surprise hit Friday evening at the Sutro Stage. Guitarist Nile Rodgers accompanied by a crew of horns and backup singers “le freaked” out the crowd with super funky dance hits. Rodgers expressed to the audience, “Now if this is your first Chic show, I have to make you understand something, you absolutely have to sing and you absolutely have to dance.” No problems there. Highlights include “We Are Family” “I’m Coming Out” and a groovy singalong to Daft Punk’s “Get Lucky” over the PA system after Rodgers had set down his electric guitar. –DS


The-National-PatPhoto by Pat Tyrrell (Cool Dads Rule)

The National
Friday • Land’s End Stage • 5 p.m.

As many learn every August, SF is not known for its stunning summer weather, but sometimes a little haze can add to the emotive release that is Matt Berninger and The National. However, the group lit the stage on fire with their stylish take on moody indie rock, opening with crowd-pleaser “Fake Empire” before fully utilizing Kronos Quartet’s strings on “I Should Live in Salt” and “Demons”, among others. Berninger’s characteristic baritone was strong, though not at it’s best on this day, but his lively mannerisms were in full effect as he paced nervously around on the large Land’s End stage. Once “Mr. November” had begun, it was inevitable that “Terrible Love” would close the set, but a late guest appearance in the form of Bob Weir of the Grateful Dead would truly put an exclamation point on this afternoon set. -KQ


Zedd
Friday • Twin Peaks • 5:25 p.m.

Zedd may not be the best DJ in the world, but his energy is hard to deny. It was the first truly “rager” set of the festival, and you could see people losing their minds all over the place, getting out the pent up energy they had been sitting on all week in anticipation of the Outside Lands. It ended up being a strong set and a lot of fun with hits “In My Mind” and “Clarity” satisfying the masses. –SL


Rhye
Friday • Sutro Stage • 4:45 p.m.

Rhye’s soothing sounds blanketed Lindley Meadow’s Sutro Stage at the midpoint of Day 1. The sun had fallen behind the eucalyptus trees, sprinkling the stage with beams of light — a perfect setting to relax to the peaceful beauty of Rhye. Rhye sounded excellent, delighting the crowd with many tracks from their 2013 debut album Woman. Minimal, yet captivating, Rhye demonstrated superior musical prowess with their performance, led by the delicate vocals of Mike Milosh. Their set was drawing to a close, and instead of squeezing in extras songs the group opted for a long version of the song “Open”. The extended version of the enchanting song highlighted the bands’ improvisational ability. Although very mellow, Rhye put on a magical performance. A must-see act. -KR


The Plump DJs
Friday • The Dome by Heineken • 4 p.m.

There’s nothing quite like an afternoon break-beat set in the Heineken Dome to get the blood moving. British duo, Plump DJs featuring Lee Rous and Andy Gardner, greeted the crowd with smiles on their faces and fists in the air. Although the Dome is slightly different than their usual SF stop, The Mighty in Potrero Hill, they brought their high-energy 2am beats to their Friday 4 p.m. set. Their beat selection was progressive and original; transitions and mixing were flawless as always. –DS


21-Pilots - PatPhoto by Pat Tyrrell

Twenty One Pilots
Friday • Twin Peaks Stage • 3:50 p.m.

Twenty One Pilots might be trying to be cool, and that seemed to be on the mind of Tyler Joseph, as he kept referencing the ‘cool factor’ in a self-depreciating way. But the duo turned the stage antics up to 11, performing backflips off the grand piano, jumping into the crowd, and donning a full ski mask while climbing to the top of the Twin Peaks stage. And ya know, as much as it was Macklemore-esque cheese, the passion and musicianship these two young men exhibited transcended any second thoughts. -MF


Wild-Belle-TimPhoto by Tom Hampson

Wild Belle ~ TOP SET
Friday • Twin Peaks Stage • 2:15 p.m.

Wild Belle has been making a splash since releasing their debut album in early 2013, and they have only been getting bigger. As one of the first acts of the weekend, Wild Belle got the crowd moving in a major way with their psychedelic reggae beats. Comprised of brother-sister duo Elliot and Natalie Bergman, Wild Belle were lucky enough to draw one of the only moments of sunshine the entire weekend. One could say it was the incredible vocals of Natalie Bergman that elicited the sun’s rays. Wild Belle has been progressively adding more pieces to the puzzle throughout their short career, and they unveiled their latest piece during their performance at Outside Lands. The newest addition to their live show is a large “wall of sound” speaker system meant to enhance their live sound, and boy did it sound good. Wild Belle was an unexpected jewel Friday and one of the reasons we go to festivals: to discover new music. -KR


Houndmouth - PatPhoto by Pat Tyrrell

Houndmouth
Friday • Panhandle Stage • 1:30 p.m.

Houndmouth provided a delightful opening to Outside Lands for many on the festival’s smallest stage, which is solar-powered. From the opening line of “Penitentiary”, which references San Francisco, the foursome brought bluesy gospel goodness right into everyone’s faces. With lyrics that seemed rooted in finding one’s self — and sobriety — Katie Toupin’s seductive stage presence and heavenly vocals were downright delightful. -MF


Midi Matilda
Friday • Twin Peaks Stage • 12:45 p.m.

For an early afternoon festival spot, Another Planet booked properly when deciding to put Midi Matilda on the Friday bill. Kicking off what undoubtedly was going to be a long weekend with bang, this percussion-heavy duo immediately got the crowd moving. Rife with dance-heavy beats, an animated stage show and no expense spared on the lights and fog machines, Midi Matilda came out swinging. The most memorable moment occurred when both guys jumped on the drum set during their last song to deliver a joint solo to close out the set. –MK


Mad-Rush-TimDAY 2 ~ August 10, 2013

Nine Inch Nails ~ TOP SET
Saturday • Land’s End Stage • 8:25 p.m.

Like The National, the fog which veiled the Land’s End stage created an aura of dark beauty for serious talent to shine through. Saturday’s headlining set by Trent Reznor and cohorts was one of nostalgia equally coupled with the future possibilities of Nine Inch Nails. Opening with a trio of new tracks that beckons closer to Radiohead and How to Destroy Angels than Pretty Hate Machine era industrial rock Nails, it was evident Reznor didn’t, nor shall he ever, miss a beat with his primary project. “1,000,000” into “March of the Pigs” picked up the energy, and built upon the ever-shifting new stage setup that has been winning accolades the past three banner festival performances (think Stop Making Sense meets Aliens). Though the masses were at Phoenix, the crowd energy was high, especially during “Terrible Lie” and “Closer”. As per usual, “Hurt” left the crowd in an introspective gloom, though their hearts were surely still pounding from the assault that is Nine Inch Nails live. -KQ


Phoenix
Saturday • Twin Peaks • 8:40 p.m.

French indie-rock sensation, Phoenix, rallied the youth with a strong set featuring many songs from their 2009 album Wolfgang Amedeus Phoenix. “Listomania,” “Rome,” and “1901” were just some of the highlights. Front man Thomas Mars was spot on with his vocals. “This next song is a dancing one, so feel free …” was followed by longtime fan favorite “If I Ever Feel Better”. They played a solid handful of tracks from their 2013 release Bankrupt! such as “SOS in Bel Air” and “Entertainment”, but the clear goal of Phoenix’s headlining festival set is get the crowd rallied and ready to dance. The rock riffs were on point and the visuals were equally entertaining and Mars crowd surfed the entire audience near the end of the set as has been the habit this tour. Yes, he safely made it back to the stage with a little help from his friends. -DS


Yeah-Yeah-Yeahs-PatPhoto by Pat Tyrrell

Yeah Yeah Yeahs
Saturday • Land’s End Stage • 6:30 p.m.

Equal parts punk rock and dance party, the Yeah Yeah Yeahs held nothing back Saturday, perfectly segueing into whichever headliner you chose to witness. Pulling hits from their entire body of work, the set was equally as entertaining for hardcore fans and new converts alike. The band’s energy was at an all-time high, transferring a sense of mania in the crowd, which created dance circles and mosh pits throughout the entire set. The polo fields were electric and gained much more raw energy during the last five minutes, when Karen O. decided to let her body do the talking. After her signature deep-throating, she not only placed the bedazzled microphone down her shirt, but also into the front of her pants, while further emphasizing her need to be heard. Saturday night had officially started, and from that moment on it was going to be epic, whichever stage you ended up at. –MK


Grizzly Bear
Saturday • Twin Peaks • 6:50 p.m.

One of the toughest decisions of the weekend was choosing the electricity of Karen O and Yeah Yeah Yeahs or the tightness of the well-toured Grizzly Bear. Well, everyone won in their respective choices, but Grizzly Bear’s growing crowd demonstrated that these Warp label, psych-folk rockers are more than capable of stepping up to the festival plate and knocking one out of the park, so to say. Shields was well represented on this final tour stop, after 105 shows on the road behind the release. The vocal interplay is one of their strongest suits as the responsibilities are well shared over their contagious take on the rising avant-rock sound. -KQ


The Mother Hips
Saturday • Panhandle Stage • 6:05 p.m.

Organizers of the festival always strive to showcase local Northern California acts, young and old, and this year, Chico’s own legendary act, the Mother Hips, brought their defining take on California rock and roll sound to the under-appreciated Panhandle Stage. “Toughie” opened this set before launching into “White Falcon Fuzz”, which showcased the raw, vibrant sounds of Tim Bluhm and the band. Though few were in attendance, at least a couple of patrons had to have been won over by the soul-drenched psychedelia that these vets bring every time they grace a stage. -KQ


Jurassic-5-Mike-FrashPhoto by Mike Frash

Jurassic 5 ~ TOP SET
Saturday • Land’s End Stage • 5 p.m.

Los Angeles hip hop ambassadors Jurassic 5 took the Land’s End stage to a BIG midday crowd, especially for a hip hop act at a primarily indie rock & electronic festival, which is a testament to their crossover appeal and lasting legacy. Maybe this demonstrates how hungry the people are for more hip hop and rap. The best part of the set went down when Cut Chemist scratched with a turntable guitar strapped to his chest while DJ Nu-Mark elicited sounds from the ridiculously large turntable set up square in the middle of the stage. This collective, allegedly in the midst of a ‘reunion tour’, has most definitely honed their act since Coachella, and festival-goers ate up every minute, following commands as if in a massive yoga class. –SL


Baauer
Saturday • Twin Peaks • 5:15 p.m.

Is the “Harlem Shake” dead? Yeah, but that still doesn’t mean that we can’t get thoroughly down to the bass-heavy set of this “Rookie/One-Hit-Wonder of the Year” candidate that goes by the name of Baauer. His take on Outkast’s “B.O.B” beckoned back to Big Boi’s triumphant set from last year’s Outside Lands, while simultaneously making asses shake and hands fly skyward in ecstasy. Much like Coachella, a youthful cult of EDM lovers are ever-present at any, and every, set that pulsated bass and catered to that beloved phenomena known as “the drop”. And surprisingly, the crowd kind of shrugged when his virally ubiquitous anthem was played, go figure. -KQ


Bombino
Saturday • Panhandle Stage • 4:30 p.m.

The energy Omara “Bombino” Moctar and his band Bombino exhibit while performing is the first thing that is noticeable. They are constantly moving, dancing — vibing to their own music. When a group creates good music, this physical ‘being in the moment’ presence is an effective way to draw the audience into your world, and this tactic worked for Bombino (both the man and the band) in Golden Gate Park. The group stays true to their African roots through their politically anthemic music, and they rock their Tuareg garb with pride, showcasing their culture on the road as the buzz grows with each performance. After seeing them at Outside Lands, it makes sense — they left it all on the Panhandle Stage, pouring their hearts into each song. -MF


Young-The-Giant-PatPhoto by Pat Tyrrell

Young the Giant
Saturday • Land’s End Stage • 3:40 p.m.

Sameer Gadhia is one helluva a front man, and YTG’s rise from the small stage in Orange County to the big show at events across the world is nothing less than earned. They filled both the Lands Stage and Polo Fields with infectious alterna-indie-pop offerings from their lone self-titled release. Luckily, the group had some new selections they were eager to test on the sizable early afternoon crowd, which seemed to go over well, especially to diehards awaiting new material. Singles “My Body” and “Cough Syrup” obviously received the loudest response, and Sameer’s venture down the center barricade further poured on the feverish energy they thrive on. -KQ


Youth Lagoon ~ TOP SET
Saturday • Twin Peaks Stage • 3:40 p.m.

“Robert De Niro” — Trevor Powers uttered the famous actor’s name casually between songs early in his set. Oddly there wasn’t any other memorable stage banter, just hypnotic renditions of the highlights from Powers’ recent Dropla. Youth Lagoon has always thrived on a sharp aural duality; the contrasting of minimalist, quiet soundscapes for half of a song — then BANG — the blooming, triply explorations are more exciting and create a more impacting memory in the listener. You could call it “post-drop” music. And on the Twin Peaks Stage where dance fans usually got their fix, the bass was body-rattling, forcing the maximal parts of the songs to hit harder than one might expect. Consequently, the crowd mostly obliged with the subtle, quiet parts, allowing “Mute” and “Dropla” to play quite nicely. -MF


Gary Clark Jr.
Saturday • Land’s End Stage • 2:20 p.m.

Gary Clark Jr. simply rips, there is no doubt about it. One should be careful to even consider covering a Jimi Hendrix song, but based on Clark’s rendition of “Third Stone From the Sun”, Jimi is smiling down at a man that is following in his footsteps over 50 years later. Clark floats around the stage with ease, flashing easy smiles then melting faces with his reverberating guitar solos. This was a set where it would be best to be close to the stage (or close to speakers) — the sound was entirely too low in some spots, allowing friendly festival conversations to drown out this 29 year-old legend in the making. “Bright Lights” ended the set per usual, coalescing the large audience into the moment. -MF


Atlas-Genius-PatPhoto by Pat Tyrrell

Atlas Genius
Saturday • Twin Peaks Stage • 2:10 p.m.

Another example of perfect placement, Atlas Genius continued Saturday with pop-centric bliss. Catching what little sunshine the weekend had to offer on the hillside of the Twin Peaks stage, one could view the expectedly young crowd so genuinely stoked to catch this band, and couldn’t help but make you smile. No matter how tired you were of hearing that top forty hit, you were undoubtedly up and dancing when it finally played. Spontaneously starting the morning with a sing-along really was a great way to kick off Saturday on the right foot. –MK


On-The-Rail-TimDAY 3 ~ August 11, 2013

Red Hot Chili Peppers
Sunday • Lands End Stage • 7:45 p.m.

Red Hot Chili Peppers closed out the festival Sunday evening, a slot many thought would be reserved for Sir Paul McCartney when the initial lineup dropped. Whether it was a scheduling conflict or Ranger Dave optimizing his own schedule, the Chili Peppers proved that they were up to the task. In a roughly two hour set, the Chili Peppers were playing with something to prove as they ripped through single after single with fervent intensity. Their energy did not cease for the duration of the show as the band took the audience on a musical journey of one of the most celebrated funk-rock bands in history. Hits like “Under the Bridge”, “Californication”, “Give it Away” & “Around the World” sent off the rock fans happy. After a sand-swept Coachella performance, expectations were not very high, so it’s not shocking that they exceeded them at Outside Lands. They might not be the most relevant bands in today’s musical landscape, but they proved they can still bring the freaky styley when the time is right. -KR


Kaskade ~ TOP SET
Sunday • Twin Peaks Stage • 8:25 p.m.

For those in dire need of one more dance party before the weekend came to a close, alas Ryan Raddon was primed to set the field ablaze with his hard-hitting take on deep-house music. The moist air felt nice as revelers fist-pumped and bounced to a particularly bass-heavy set from the longtime San Francisco resident and torch-bearer for the new American electronic sound which gained immense popularity some years back. A tasteful remix of Lana Del Rey’s “Young and Beautiful” was a highlight, and as 9:35PM ticked closer, many hoped the speakers wouldn’t compromise with dead silence. -KQ


Dillon Francis
Sunday • Panhandle Stage • 7:35 p.m.

Oddly placed at the Panhandle Stage, reminiscent of Wolfgang Gartner last year, there was no way Dilllon Francis wasn’t going to be a rager. Crowds rolled deep to watch this bass heavy set, and in no way did this DJ disappoint. Small stage be damned, Francis killed it, rattling off a consistent set of club bangers and EDM hits. The crowd ate up every second of the eardrum pounding womps, causing many members of the passing crowds to second guess the direction they were headed. The haystacks were packed deep with frottage and pool noodles dancing wildly. –MK


Vampire-Weekend-RyanPhoto by Ryan Shulman

Vampire Weekend ~ TOP SET
Sunday • Lands End Stage • 5:50 p.m.

Perhaps one of the most anticipated sets of the weekend came from one of the biggest bands of the year, Vampire Weekend. The Polo Field was packed as everyone and their mother (Hall and Oates performed before them) wanted a piece of the boys from the North East. Vampire Weekend came out firing contemporary classics “Cousins”, “White Sky” and “Cape Cod Kwassa Kwassa”. Next came the first offerings from their latest record Modern Vampires of the City, “Diane Young” and “Step”. Vampire Weekend dedicated “Step” to Bay Area hip hop legends Souls of Mischief, who were the song’s source of inspiration. Take one listen to Souls of Mischief’s “Step To My Girl” and you will hear the resemblance. During “Oxford Comma”, the camera zoomed in on a sign a fan created that read “I give a f*ck about an Oxford Comma.” Vampire Weekend wound down their set with “Giving Up the Gun” and my personal favorite from the new album “Hannah Hunt”. Two more tracks from their self-titled album concluded the impressive set with “One (Blake’s Got a New Face)” and “Walcott.”

Throughout the performance, the crowd was equally enamored with the older classics as they were with the new material. Vampire Weekend is currently at the top of their game, and their dominance was on full display as they delivered one of the strongest performances of the festival. They may not appear to be enjoying themselves while performing, but open your ears and listen for a moment — you will hear a band in their prime. -KR


A-TrakPhoto by Ryan Shulman

A-Trak
Sunday • Twin Peaks Stage • 5:10 p.m.

Producer, DJ/live mixer extraordinaire A-Trak brought the heat quickly Sunday, feverishly building to sneaky drops that revealed deliciously crunchy beats. The most pleasurable part about taking in Alain Macklovitch live is during transition time, when his scratching abilities deserve close up attention on the video screen. He does it all in a robotic trance; what A-Trak does is on par with what a jazz guitarist does in a blues club or what Ivan Neville did earlier in the day on the main stage — it’s freestyle jamming with pin-point control. After an almost EDM-free Saturday, A-Trak got things going the final day with Duck Sauce’s “Big Bad Wolf” and a raging remix of Kanye West’s “New Slaves”. Fool’s Gold! -MF


Hall-&-Oats-PatPhoto by Pat Tyrrell

Hall and Oates
Sunday • Lands End Stage • 4:20 p.m.

Everyone’s favorite 70’s and 80’s nostalgia act took to Land’s End Stage Sunday afternoon sandwiched between two of today’s most influential acts, Foals and Vampire Weekend. Hall and Oates have been the benefactors of a complete career resurgence despite the fact their only recent album was a Christmas record in 2006. A slow start to their set sent many people to Dawes and A-Trak, but those who stuck around were delighted with classic hits such as “Maneater”, “I Can’t Go for That (No Can Do)” and “Rich Girl”. The corny nostalgia was high, but so were the good times. You can’t ask more from a Sunday afternoon set. -KR


Head-and-The-Heart-Secret---MikePhoto by Mike Frash

The Head and The Heart (Secret Show)
Sunday • Choco Lands’ Hell Brew Review • 3:50 p.m.

The tweet came across at 3:30, which inspired thoughts of Jack White performing a special Choco Lands set last year on Sunday. Reeling off of the amazing Foals set, a quick solo sprint to the Hell Brew Review across from Lamb Lands paid off magnificently. The three mainstays from Head and The Heart emerged on the tiny vaudeville stage for a hushed acoustic set, which included their new song “Shake”. Then crowd-pleaser “Lost In My Mind” took center stage when Josiah Johnson asked the close proximity crowd mid song, “Does anyone want to come help sing with us up here?” The stage was quickly at maximum capacity, a couple drunk goofballs stood in front of the performers, and someone managed to pull the plug, ceasing all speaker sound. This only made the sing-along more essential, especially for a song that already relies heavily on community spirit. -MF


Foals-by-Ryan-ShulmanPhoto by Ryan Shulman

Foals ~ TOP SET
Sunday • Land’s End Stage • 2:50 p.m.

Front man Yannis Philippakis walks around with purpose, like he has a chip on his shoulder – something to prove. Maybe it’s hard to go from headliner back home in the UK, then play broad daylight performances in the US like they did at Outside Lands. Philippakis and lead guitarist Jimmy Smith are doing everything they can do to catch the US up to them as Foals gain more traction and success each week. The Polo Field was pretty packed as “Prelude” began, and once Smith appeared ripping on lead guitar, pure fire ensued. Foals purvey cutting edge rock – their so called “Math Rock” deals heavily in progressive time chord changes, while emphasizing the offbeat ‘ones’ and ‘threes’ in melodies that mimic rhythm. Absolute rager “Milk & Black Spiders” finished out the all-too short hour in manic fashion – come back to the Bay soon Foals for a proper show please. -MF


Kurt Vile and the Violators ~ TOP SET
Sunday • Sutro Stage • 2:30 p.m.

Sunday’s weather left a little to be desired, but that didn’t deter the throngs from arriving a bit early for the likes of Kurt Vile. This seasonal festival veteran’s breezy sound lent perfectly to the tepid atmosphere thick with “San Francisco cigarette” plumes. Nodding heads were rewarded with classics like “Freak Train” and newer offerings, “Wakin’ on a Pretty Daze” and “Girl Named Alex”. Some monitor issues didn’t slow the already laid back pace of the band, even when Foals’ sound started to bleed into Lindley Meadow. -KQ


Rudimental
Sunday • Twin Peaks Stage • 2:05 p.m.

An unexpected highlight on this year’s bill, this mash up of blues, rock, funk and soul with DNB percussion was legit. A lively and large band fronted by two modelesque vocalists (knock off Fergie included), the group is accompanied by an assortment of horns, drums, piano, guitar and a live DJ. Rudimental pumped up the crowd for a positively charged last day, and they proved to be an act worth seeing at any venue – whether you’re looking to start a party or keep the fire burning at the end of a festival weekend. –MK


Fishbone-RyanPhoto by Ryan Shulman

Fishbone
Sunday • Land’s End Stage • 1:30 p.m.

Fishbone rocked out Sunday afternoon with their ska/punk-rock hybrid sound. Angelo Moore, aka Dr. Madd Vibes, pumped crowd the crowd up with his high energy vocals and stage banter. Not only did Moore and audience members crowd surf during their fifty-minute set, but Moore introduced “Flying Jay”, clad in a red cape, the ultimate crowd-surfing trombone player. Moore also encouraged a mosh pit during their Sublime cover, “Date Rape”. Highlights included “Party at Ground Zero” and “Everyday Sunshine”, when Moore tried to solicit the sun to come out…the fog won. –DS


Ivan Neville’s Dumpstaphunk
Sunday • Land’s End Stage • 12:10 p.m.

The Sunday morning main stage “Gospel Slot” was appropriately given to Ivan Neville’s (and NOLA’s) Dumpstaphunk — where two bassists and double-bass drum work got booties shaken’ early. Original Neville Brother Ivan asked the crowd if we had been to New Orleans, and when we’d be going back — you’ve gotta love how musicians are the best sellers of tourism for the Crescent City. “Meanwhile…”, a song about still having a good time in post-Katrina NOLA, showcased the spirit of New Orleans perfectly. “You might as well have yourself a good time…there might not be a next time” — a refrain that glows longer then the verses that detail political corruption and violence. It may all read as a didactic song for the TV show Treme, but no one deals with hardship better than New Orleans, led by the “can’t stop, won’t stop” musicians that call the city home. -MF


Polo-Field-3-Tim

Beer Lands!

In only it’s second year onsite, Beer Lands has become a popular meeting spot, and, obviously, the place for the best local suds this region has to offer. An upgraded location in the Polo Fields, as opposed to tucked in the back of Lindley Meadow, made this spot even more popular and viable for social get-togethers. Doing away with the $1 ‘tickets’ as opposed to cash and card was a relief to those who would rather opt to not drink Heineken all day and night. Sierra Nevada offered a fragrant, herbal Saison exclusive to Outside Lands. Anchor Brewing brought their popular new California Lager and debuted an Autumn Maple Red Ale that was a tasty treat to those paying attention to the constantly rotating cast of taps. Drakes 1500 Pale Ale was this writers beverage of choice, but honestly, there were no losers in the bunch, and many look forward to this addition every year. Bottoms up. -KQ

Twin-Peaks-Scene-Tim

We didn’t catch them all this year! We missed Chromatics, The Tallest Man on Earth and Daughter — amongst others. What were your favorite shows at Outside Lands 2013?

Torch us in the “Comments” section below.

2013 Outside Lands schedule announced!

Outside LandsPhotos by Mark Fong // Written by Mike Frash //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 9th-11th, 2013 //

The schedule has been released for the completely sold-out 2013 Outside Lands Music Festival, meaning the schedule conflict stress has already begun. Some folks have the misplaced assumption that they can see half, or even most of the artists on the OSL bill. They are wrong. With four stages and long walks from Lands End/Sutro to Twin Peaks/Panhandle (and back), you won’t see more than 1/4 of the performers on any given day.

So, now it’s time to start dealing with this first-world festival problem by making some tough choices. But remember, you don’t have to commit! Sometimes it’s best to choose shows while at the fest based on your mood.

Here are the biggest conflicts we see on the schedule — along with the sets we are most likely to attend in bold.

OutsideLands
FRIDAY SCHEDULE // AUGUST 9th

Paul McCartney vs. Yeasayer, Chromatics & Pretty Lights
*Macca has a two-hour, 45-minute set!

The National vs. Rhye vs. Zedd vs. Stanton Warriors
• Band of Horses vs. Jessie Ware vs. Twenty One Pilots vs.
• Surfer Blood vs. Wild Belle vs. Jeffrey Ross
Smith Westerns vs. Midi Matilda

OutsideLands
SATURDAY SCHEDULE // AUGUST 10th

Nine Inch Nails vs. Phoenix

Yeah Yeah Yeahs vs. The Head & the Heart vs. Grizzly Bear
Jurassic 5 vs. Thao & The Get Down Stay Down vs. Baauer
• Young the Giant vs. Youth Lagoon
Gary Glark Jr. vs. Milo Greene vs. Atlas Genius

OutsideLands1
SUNDAY SCHEDULE // AUGUST 11th

• Red Hot Chilli Peppers vs. Dillon Francis, Kaskade

Vampire Weekend vs. Willie Nelson & Family vs. Matt & Kim vs. MS MR
• Dawes vs. A-Trak
Hall & Oates vs. Trombone Shorty vs. King Tuff
*4:20 Hall & Oats set. Just sayin’
Foals vs. Kurt Vile & The Violators vs. Deap Vally
*Winner of worst conflict: Foals vs. Kurt Vile


Check out our previous Outside Lands articles:
Outside Lands 2013 Beer/Artist Pairings
Outside Lands 2013: Ten sets not to miss
Outside Lands Music Festival Lineup 2013: Rumors vs. Reality

OutsideLands2

Yeasayer show mad love for SF at Mezzanine

YeasayerPhotos by Sam Heller

A highlight performance for Mezzanine’s 10 year Anniversary concert series in San Francisco, Yeasayer performed this past Friday to a sold out crowd, and they were accompanied by fast-rising Wild Belle as the featured act.

The club-sized venue provided the crowd with the most intimate show that Yeasayer has played in the Bay Area over the past 5 years. Having sold out both The Fillmore and Fox Theater their last two visits, the audience was treated to a side of the band that most had likely not yet witnessed. Stripped down to simple house lights and absent of their optically illusive stage designs, the band kept the show simple, treating the crowd to a performance-based set absent of the frills.

Their set list pulled from from all three of their full lengths with highlights such as “Ambling Alp,” “One” and “Reagan’s Skeleton” whipping the crowd into a full frenzy. The band fed off the energy running through the audience, which remained at an all time high throughout. At any point you could look around and catch crowd members fully immersed, singing along and dancing to every song. Everyone knew how lucky they were to be there and the feeling resonated mutually with the band.

At the end of their set, front man Chris Keating said, “I don’t live here, but I truly believe this is the best city.” Directly after the words were uttered, I received a text confirmation that they will be included on the Outside Lands 2013 bill. The Yeasayer love remains reciprocal in the Bay Area, and if last Friday is any indicator of what they have in store for August, their OSL festival set should not be missed.

Coachella conflicts: 2013 set times announced

Coachella-2013

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 12th-14th & April 19th-21st, 2013 //

Set times dropped Tuesday evening, and Coachella shared they had been battling agents all day to explain the delay. Sounds like a fascinating behind-the-scenes documentary …

Although set times didn’t unleash any surprise acts (what no Lou Reed replacement?), the brand new Yuma Dome is confirmed as the 6th main performance area, not including The Do Lab or Heineken Dome. The Yuma Dome will host Seth Troxler, DJ Harvey, Four Tet, Julio Bashmore, The 2 Bears, Jamie Jones, Jamie xx and so many more. This additional platform on the outskirts of the tents and Do Lab will be the anti-Sahara Tent with a minimalist-dance edge.


Friday features one of the most brutal headline conflicts in years. The Stone Roses are on a mondo reunion tour, while How to Destroy Angels and Earl Sweatshirt are playing their first major shows. Poliça will be performing in the Gobi Tent after The Shouting Matches, Justin Vernon’s (Bon Iver) new project. Vernon collaborated with the members of Poliça in his side project Gaynes. You connect the dots…

Toughest Conflicts:
• The Stone Roses vs. Earl Sweatshirt vs. How to Destroy Angels
• Blur vs. Grinderman
• Modest Mouse vs. Local Natives (SUNSET)
• Japandroids vs. alt-J
• Poliça vs. Jake Bugg
• The Shouting Matches vs. Youth Lagoon vs. Beardyman vs. C2C

Saturday headliners will depend on your energy and vibe, as Phoenix, Sigur Rós, Booka Shade, New Order and Knife Party will create inner-group conflicts. Upon seeing The xx above The Postal Service and Major Lazer at 6 p.m. while Moby sub-headlines the Sahara Tent, the “been fighting with agents all day” reference starts to make sense.

It’s almost as if Goldenvoice is attempting to set a new tone in the Sahara Tent this year after house-pop like David Guetta and Calvin Harris dominated last year. Are they challenging the Sahara stalwarts to go see Franz Ferdinand, Two Door Cinema Club or The xx … or go check out the Yuma during Moby?

Toughest Conflicts:
• Phoenix vs. Sigur Rós vs. Booka Shade vs. New Order vs. Knife Party
• Hot Chip vs. Yeasayer vs. Grizzly Bear (SUNSET)
• Danny Brown vs. Baauer vs. Savages
• Wild Nothing vs. Birdy Nam Nam vs. Action Bronson

Sunday will be a tale of two scenes. Eric Prydz and Disclosure will be packed while Dead Can Dance & Red Hot Chili Peppers should be relatively spacious. Tame impala secured a Sunset-ish slot, but Roodriguez and James Blake will be playing in the tents at the same time. Pretty Lights seems odd at 7:30, but he’s the only EDM artist to get a featured slot on an outdoor stage this year.

Toughest Conflicts:
• Eric Prydz vs. Disclosure
• Nick Cave and the Bad Seeds vs. OMD vs. The Faint
• Vampire Weekend vs. Pretty Lights vs. Father John Misty vs. La Roux (SUNSET)
• Tame Impala vs. James Blake vs. Rodriguez (SUNSET-ISH)
• Kurt Vile and the Violators vs. Grimes
• Thee Oh Sees vs. Jessie Ware vs. Jamie xx

Coachella 2013: What you should know before you go

Coachella 2013

So now that we have had time to let the 2013 Coachella line-up settle in, it’s pretty good, right? People were freakin’ out there for a minute. There has been a universal panning of the Red Hot Chilli Peppers performing as the closing headliner, even though they were a last hour addition. And rightfully so – there have been some popular sets that have shut down Coachella the past few years (Dre/Snoop, Kanye West, Gorillaz).

Goldenvoice clearly lost an expectation game with the reactions to the headliners this year, most notably due to the rumors swirling around Daft Punk and Rolling Stone. That didn’t stop them from selling out both weekends within a day, including weekend one within 15 minutes, so saying Goldenvoice lost anything is pure silliness.

Coachella 2013

Rock, particularly British Rock, leads the charge this year (Blur, The Stone Roses, the xx, New Order, Hot Chip, Grizzly Bear, James Blake, alt-J, Jessie Ware).

Conversely, Electronic Dance Music bro-house is gone compared to 2012. There is no major DJ act closing out a night on the main stage for the first time in years. There are no EDM acts on the top two lines of any day. It seems like a concerted effort was made by Goldenvoice to enact a change in direction, and it has been welcomed by many Coachella vets.

Subscribe to the Spotify Playlist Coachella 2013.
Coachella-2013Friday 2013

Friday should be a day to remember, as there are plenty of reunions and first time performances scheduled (see below). Lou Reed fits the “living legend” bill, Nick Cave’s supposedly on-hiatus Grinderman will appear for a one-off, and half of The Smiths songwriting partnership will be present with Johnny Marr performing. Bassnectar or Dog Blood (Skrillex & Boys Noize project) will close the Sahara Tent, and Justin Vernon’s new blues project The Shouting Matches will play one of their first shows. Hopefully Vernon sticks around for the weekends and makes some surprise appearances with the many acts he is associated with.

Friday Reunions

Damon Albarn’s Blur returning to the US for the first time since their reunion is a pretty big deal, though the American masses may not agree. Sure “Song 2” is a bit played out, but there are albums full of some of the best Brit-pop in decades. Songs like “Coffee and TV” and “She’s So High” beckon back to the 90s for many, but not all. Luckily this reunion is including Graham Coxon, a seminal part to the vocal arrangements of Blur. 


The co-headliner for Friday is also an English exported reunion, courtesy of the Manchester sound-makers The Stone Roses, fresh off a 15 year hiatus. Sure, New Order captured American fans a little more than the Roses, but they created a serious body of work for well over a decade starting in the mid-80s. John Squire’s guitar-work is something to marvel in as aspects of the Roses’ sound would be borrowed by some serious US acts like the Pixies. Having released an album last year, the Coachella masses should plan to hear these tracks coupled with hits like, “I Wanna Be Adored.”


Jurassic 5 is a name more fans will recognize over the one-two combo of Blur and the Roses. After a 6 year break, the LA hip-hop collective are back on the circuit with a banner set. The question will be if all the original members show up, as many of the artists have branched off to become successful solo artists; mainly Cut Chemist, Chali 2na and Nu-Mark. While the landscape of hip-hop has shifted a bit since their departure, tracks like “Quality Control” and “Concrete Schoolyard” will whip the crowd into a frenzy as equally as Danny Brown.

UPDATE – Jurassic 5 doesn’t know “How far” reunion can go.

Possible Friday Collaborations
Johnny Marr with Modest Mouse
Justin Vernon with Poliça

Friday Firsts (First shows ever/First in the US)

How To Destroy Angels – Trent, Marqueen, and Atticus will debut their newest project on Friday, and boy is it gonna be something. As many miss Nine Inch Nails, this band is pretty damned close in sound and personnel, and their two released EPs show great strength and should be an awesome early evening set in the warm desert winds. Look for their upcoming LP, and likely national tour. 


TNGHT – The duo that is Hudson Mohawke and Lunice has almost single handedly birthed the trap music sub-genre that is permeating bass music and hip-hop alike. Their debut EP is so fresh and hot, I needed an oven mitt to flip the vinyl. Having only played a show or two in NYC, this will be the marquee US debut of this Canadian meets Scottish production duo. The kids are gonna be losing their shit for this set, as trap is all the rage on the dance floor. Second in command to this movement is Baauer, who is featured this year as well. Will Kanye make an odd appearance on stage as he did in New York?


Earl Sweatshirt – Years in the making, and the anticipation is still sky high for Thebe’s live, full set premier. Expect massive crowds for this Odd Future cast-away, as his talent is undeniable, his story unbelievable and his allure is unquenchable. This set has lots of guest potential, as his OFWGKTA crew will likely be in tow for support both morally and lyrically. The Earl mixtape from a few years ago is such an impressive collection of explicit, yet Rhodes smart tunes that many fans are dying to hear them first hand from the man himself. Will Flying Lotus don his Captain Murphy cape and back Earl on the massive track “Between Friends?” Will Syd tha Kid be on the decks and buttons? 

Best Friday “Bottom-Liners”

Purity Ring’s sound is as future-pop as it gets, and the light-show matches the duo’s vibe and timing. Each light change is controlled by percussionist & beat-maker Corin Roddick’s drum strikes. Hopefully they are given a night tent set so they can show what they’ve got.

Jamie xx (Jamie Smith) is the chief producer, percussionist and DJ for The xx (performing Saturday), and he’s already well known for his progressive sound and excellent remixes.

•The lo-fi dream-pop from Trevor Powers’ Youth Lagoon will be a chill way to get started Friday.

Beardyman uses live sounds to make instant dance grooves, and it’s impressive how good he is at his niche skill.

Lord Huron is an indie-folk rock group on the rise. Their 2012 record Lonesome Dreams was highly underrated.

Palma Violets are a buzzy British psych-rock group that wil likely have a big year. Catch them early when most people haven’t arrived yet.

Coachella-2013Saturday 2013
Saturday is stacked: Phoenix, the xx, The Postal Service, Sigur Rós, New Order, Hot Chip, Grizzly Bear. If you are as excited as we are about the top two lines for Saturday, be ready to make tough decisions. There will be conflict. This doesn’t even include Yeasayer, Franz Ferdinand or Spiritualized into the conflict factor. Saturday is fucking stacked. It appears Knife Party will close the Sahara, and Simian Mobile Disco, Major Lazer & Richie Hawtin should deliver top notch electronic sets. Saturday also features FOALS, Ben Howard, Danny Brown, Janelle Monáe, Wild Nothing, El-P, & Booka Shade.

Saturday Reunions

The banner reunion on Saturday is squarely held by The Postal Service, the exciting collaboration of Ben Gibbard and Jimmy Tamborello. Their first announced show since 2005 came as a surprise to most music junkies as mumblings of The Smiths, as always, took first prize in the reunion hype category. Their upbeat electro-pop sound is pretty perfect for a sunset Saturday show, maybe warming up the majority to the dance-rock stylings of Phoenix later that night. Will Jenny Lewis make an appearance to sing as she did many times in their touring days a decade ago?


Many readers and attendees may not be familiar with The Make-Up, and that’s cool, but this soul-garage-politico-punk act is a force to see. The organ driven sound is highly infectious, and their live show has been compared to a punk rock gospel. Having only recently regrouped to play ATP, persuaded by Les Savvy Fav, this will be their marquee return, similar to Refused last year. Maybe Dischord co-owner Ian McKaye will accompany his labelmates for a track.


Violent Femmes slowly faded off the radar about 5 years ago as Gordon Gano and Brian Ritchie were tangled in royalty lawsuits stemming from the sale of “Blister in the Sun” to Wendy’s. It now appears the hatchet has been buried and they are returning to what they have been at for a couple of decades, making kitschy alternative rock. Their folk-driven sound is unmistakably likable, and devastatingly difficult to not sing along to. “Gone Daddy Gone” and “Add it Up” will be heard throughout the polo fields in the afternoon on Saturday. Will we get some surprise members to their infamous Horns of Dilemma? 


Toss The Descendents in the “sort-of reunion” column, but don’t diminish their key addition to the quintessential Southern California festival lineup. Birthed in Manhattan Beach in the late 70s, this seminal punk band that pioneered the skate, even pop-punk sound is still playing shows when singer Milo Aukerman can fit it between his demanding job as a biologist. Surely, the majority of attendees will recognize the Buddy Holly-glasses wearing frontman and his cartoonish caricature. They’ve been back at it a few years now, but mainly at small punk festivals, not the 80,000-size crowd that will be in attendance. Milo Goes to College is a must in your pre-fest rotation.

Possible collaborations:
Danny Brown & El-P
Danny Brown & Purity Ring
Ian McKaye with The Descendents

Saturday “Firsts:” (First shows ever/First in the US)

Savages – London’s all-female post-punk band have been building lots of buzz and lots of comparisons as they bring a fresh act to the music landscape this year. It’s hard to not hear Siouxsie and Banshees and the infectious howl of Karen O at first listen, but there’s a lot more going on here. Coachella will be their first trip across the ‘Pond’ and they will be hitting the road hard before, after and in the middle of the festival. 

Best Saturday “Bottom-Liners”

Birdy Nam Nam is a four man turntabilist crew from France, and their sound champions a mix of jazz, funk & downtempo. Asses will be shaking.

Action Bronson is fire breathin’ fat fuck who spits mostly about food, and he does it damn well over sick beats. All true.

•Bummed about no Warpaint? Get your girl power on early with Savages (check out the preview above).

•Singer-songwriter Kurt Vile made a delicious record with Smoke Ring For My Halo in 2011, and he’s got a new LP lined up for later this year. Preview his new songs in April.

•If you like Hot Chip, check out The 2 Bears, which is a DJ collaboration between Hot Chip’s Joe Goddard and producer Raf Rundell. Think Hot Chip’s tone with more dancing and less instruments.

Coachella-2013Sunday 2013

Sunday has the “dreaded” Red Hot Chili Peppers headlining, but Wu-Tang will get more love. Nick Cave and the Bad Seeds and RHCP may create the most empty scene on the main stage ever. Cool dads will profit. On the other side of the field Pretty Lights and Eric Prydz will be spilling ragers outside of the Sahara Tent parameter. If there is a god Tame Impala will get a sunset slot. Where will the house crew consisting of Julio Bashmore, Jamie Jones, Loco Dice, Maya Jane Coles, etc. end up? Sunday has a deep undercard with Grimes, the Faint, Father John Misty, Tanlines, Jessie Ware, Disclosure, Cloud Nothings & Thee Oh Sees.

Sunday Reunions

Wu Tang Clan’s inclusion this year isn’t so much a reunion, but a re-introduction. After talk of a new album around 2011 went quiet, fueled by reserved speculation by some members, it appears this new recording will see the light of day this year, and Coachella will likely mark the beginning of a busy year for RZA, GZA, Method Man, Raekwon, Ghostface Killah, Inspectah Deck, U-God, and Master Killah.

Possible Collaborations:
Jessie Ware live with Disclosure
Justin Vernon with James Blake

Sunday “Firsts:” (First shows ever/First in the US)

Excision – Many EDM artists are creating bigger, brighter and blinkier stages on the road and festival circuit, and Canadian brostep artist Excision is the next to toss his hat into the ring. Excision presents the Executioner will be making it’s big stage debut at Coachella after a few US dates. It promises to be loud, flashing and full of pre-pubescent kids losing their collective minds. 

La Roux – Even though the synth-pop princess and her producer aren’t a new act to the US or even Coachella, their cancellation from last year is being rectified with a slot in 2013. Look for some new material from this act in the upcoming year after a hiccup in the previous.

Best Sunday “Bottom-Liners:”

•Zachary Cole Smith from Beach Fossils started DIIV (originally “Dive” until they were sued) as a solo project, and their dreamy, building indie songs will put a smile on your face.

Little Green Cars offers five-part harmony anthems in the vein of Local Natives and First Aid Kit.

•The electro-pop group White Arrows put on a great show, and their set can get pleasantly psychedelic and heady at times.

Wild Belle is a prime candidate to be a 2013 breakout group, and their set at Treasure Island Music Festival went over well last October. Elliot and Natalie Bergman’s debut LP will arrive in March.

Subscribe to the Spotify Playlist Coachella 2013.

Coachella 2013

Coachella 2013: Predictions, wishes & rumors vs. reality

Coachella 2013By Mike Frash //

With a casual tweet, festival season is about to begin. Anticipation over the imminent 2013 Coachella lineup is building, and recent history shows the festival lineup could come this week.

Do you have your accommodations set? Hopefully your ticket is taken care of, because Coachella 2013 could already be close to sold out.

Presale ticketing for this year’s Coachella sold out within hours of going on sale both weekends last May, and it was the first time pre-sale sold out in such a quick fashion. The Coachella 2012 general on-sale sold out within an hour for both weekends a year ago, and if you weren’t ninja-quick at getting into the waiting room, you were shit out of luck. Take all this into account, and there might be a very limited amount of tickets available after the 2013 lineup drops. Is it possible Coachella 2013 is completely sold out from presale ticketing?

Coachella

Headliners: Reality vs. Rumors
The headliner rumors arrived early this year, with speculation over The Rolling Stones and Daft Punk dominating the conversation. At this point The Rolling Stones seems like the more likely of the two to be headlining, even though they haven’t played a whole lot of festivals since Altamont in 1969. Besides, Coachella rumors about Daft Punk and David Bowie playing Coachella are a yearly running gag at this point — we’ll believe it when we see it. Bowie even has a confirmed album coming out in the spring, but his bandmates are saying Ziggy has ruled out performing live … forever.

Reunions are a big part of Coachella’s top-notch lineups, and last year saw the regrouping of At The Drive-In, Pulp and Refused. This year it looks like The Postal Service and My Bloody Valentine could happen. Blur would also make sense since they reunited at the Olympics last year. Black Sabbath was reportedly on board to headline last year until they had to pull out at the last moment, and they have a new album coming out in June. Outkast would be the perfect hip-hop headliner, but that seems unlikely with Big Boi pushing his new LP. Wu-Tang Clan seems like the most likely rap act to play the main stage, but are they big enough to headline one of the three days each weekend?

Last year saw The Black Keys headline Friday along with Swedish House Mafia, and most people thought The Black Keys weren’t worthy of headliner status. But Coachella is good at king-making groups and artists, elevating them to the top level simply by making them headliners. Goldenvoice could repeat last year’s Friday concept by crowning Phoenix, The xx or Mumford and Sons headliners while putting deadmau5 on the top line to satiate the EDM masses.

Reality (likely headliners):
The Rolling Stones, The Postal Service, deadmau5, My Bloody Valentine, Black Sabbath, Pearl Jam, Phoenix, Red Hot Chili Peppers, Wu Tang Clan, No Doubt, Mumford & Sons, The xx

Rumors (probable wishlist-fiction):
Daft Punk, Outkast, David Bowie, Nine Inch Nails (How to Destroy Angels is likely)

Artists to see before they get big:
Last year, Frank Ocean, Kendrick Lamar, Death Grips, Azealia Banks, First Aid Kit, and lots of other artists performed at Coachella before getting exponentially bigger by the end of 2012. Possible contenders for 2013 include Angel Haze, AlunaGeorge, FIDLAR, Foxygen, Wilde Belle, & Earl Sweatshirt, although the hype for Earl is already tremendously loud.

Coachella

Best EDM acts most likely to not perform in the Sahara Tent:
• deadmau5
• Bassnectar
• Tiesto
• Simian Mobile Disco
• Andy Stott
• Nicolas Jaar
• Dan Deacon
• John Talabot
• Disclosure
• Totally Enormous Extinct Dinosaurs

Artists most likely to return for second consecutive year:
Kendrick Lamar and Dawes, because Dawes somehow plays every festival.

Headlines we’d like to see:
“Frank Ocean, Tyler The Creator join Earl Sweatshirt’s first solo set”
“Progressive-house trend baffles Sahara tent candy-kids”
“Thom Yorke, Bradford Cox & Trent Rezner play a combined 9 sets each weekend”
“Katie Perry attends Coachella again, never considered for performing duties.”

Plausible Acts We’d Like to See:
Alabama Shakes
alt-J
AlunaGeorge
Andy Stott
Angel Haze
Animal Collective
Atlas Sound
Atoms for Peace
Bassnectar
Bat for Lashes
Beach House
Ben Howard
Big Boi
Bjork
Black Sabbath
Blur
Cloud Nothings
Chromatics
Crystal Castles
CHVRCHES
Dan Deacon
Divine Fits
Disclosure
Die Antwoord
Django Django
Ducktails
Earl Sweatshirt
Father John Misty
Fiona Apple
Frightened Rabbit
Grimes
Grizzly Bear (Added 1.17.13)
Haim
Hot Chip
How to Dress Well
James Blake
Jamie Lidell
Japandroids
Jessie Ware
John Talabot
Jim James
Kendrick Lamar
Kishi Bashi
Killer Mike
Local Natives
New Order
Nicolas Jaar
Nick Cave and the Bad Seeds
Major Lazer
Matthew Dear
Mumford & Sons
Passion Pit
Penguin Prison
Phoenix
Pretty Lights
Sigur Ros
Skrillex
Spiritualized
Stars
STRFCKR
Tame Impala
The Faint
The Joy Formidable
The Knife
The Postal Service
The Rolling Stones
The Walkmen
The xx
Toro Y Moi
TNGHT
Ty Segall
Unknown Mortal Orchestra
Vampire Weekend
Warpaint
Wavves
Wild Belle
Wild Nothing
Yeah Yeah Yeahs
Yeasayer
Yo la Tengo
!!!

Coachella

Showbams’ best live music photography of 2012

Ultraísta at The Independent – By Michael Frash
Ultraísta

Click a photo to view full size.
Click the band and venue link to view the photo’s full article.
Click the photographer name to view more photos.

M83 at Treasure Island Music Festival – By Marc Fong
M83

Future Islands at The Independent – By Maggie Corwin
Future Islands

Die Antwoord at The Fox Theater – By Marc Fong
Die-Antwoord

Charles Bradley at Royce Hall – By Pete Mauch
Charles-Bradley

Santigold at The Fox Theater – By Michael Frash
Santigold

The Lumineers at The Chapel – By Marc Fong
The Lumineers

Best Coast at Treasure Island Music Festival – By Marc Fong
Best-Coast

The Faint at Regency Ballroom – By Michael Frash
The-Faint

Yeasayer at The Fox Theater – By Marc Fong
Yeasayer

Japandroids at The Fillmore – By Michael Frash
Japandroids

How To Dress Well at Rickshaw Stop – By Michael Frash
How-to-Dress-Well

Blondfire at Rickshaw Stop – By Maggie Corwin
Blondfire

The xx at Treasure Island Music Festival – By Marc Fong
The-xx

Geographer at Bonfire Sessions – By Michael Frash
Geographer

Gossip at Treasure Island Music Festival – By Marc Fong
Gossip

Simian Mobile Disco at Mezzanine – By Michael Frash
Simian-Mobile-Disco

Devine Fits at Treasure Island Music Festival – By Marc Fong
Devine Fits

Knife Party at The Fox Theater – By Marc Fong
Knife-Party

Red Baraat at Hardly Strictly Bluegrass – By Michael Frash
Red-Baraat

Of Monsters and Men at Not So Silent Night – By Michael Frash
Of-Monsters-&-Men

Electric Guest at The Independent – By Michael Frash
Electric-Guest

Bloc Party at The Fox Theater – By Michael Frash
Bloc-Party

Bombay Bicycle Club at The Fillmore – By Chaya Kranz
Bombay-Bicycle-Club

Tame Impala at The Fillmore – By Michael Frash
Tame-Impala

Matthew Dear at Treasure Island Music Festival – By Michael Frash
Mathew-Dear

Father John Misty at Bonfire Sessions – By Michael Frash
Father-John-Misty

Rufus & Martha Wainwright at The Fox Theater – By Marc Fong
Rufus-Wainwright

Bassnectar at Bill Graham Civic Auditorium – By Marc Fong
Bassnectar

Jack White at Not So Silent Night – By Michael Frash
Jack-White

Sea Wolf at The Independent – By Marc Fong
Sea-Wolf

The Shins at Not So Silent Night – By Michael Frash
The-Shins

Wilco at The Greek Theater – By Michael Frash
Wilco

White Fence at Bonfire Sessions – By Michael Frash
White-Fence

Django Django at The Independent – By Michael Frash
Django-Django

Justice at The Warfield – By Michael Frash
Justice

…And You Will Know Us By The Trail Of Dead at The Independent – By Marc Fong
You Will Know Us...

Best tracks of 2012

Some of our favorite tracks in 2012 are from The Lumineers, Tame Impala, Japandroids, Father John Misty, & Electric Guest.

The Lumineers, Tame Impala, Japandroids, Father John Misty, & Electric Guest created classic songs in 2012.

Showbams contributors have listed their favorite tracks of the year.
What were your favorite songs in 2012? Leave a comment below.

View our Best Shows of 2012
View our Best Albums of 2012


Mike Frash San Francisco @MikeFrash
Subscribe to Mike’s “Best Tracks of 2012” Playlist on Spotify.

1. Sun Kil Moon “Among the Leaves”

When a song get’s it’s 50th play and just gets better, you know you’ve found something special. This song showcases Mark Kozelek’s voice and songwriting perfectly, and is so good he named the album after it. With every spin the descriptive lyrics evolve in the mind of listener. Kozelek tells the tale of a girl he sees around town and wants to help. And when the wind instruments kick in, the song takes off and flies.

2. Tame Impala“Feels Like We Only Go Backwards”

This track might me the most simple song from Lonerism, but it is also the most memorable. It’s plenty trippy like the rest of the album, and it’s also the most catchy song – the one that’s still bouncing around your head a day later. “It feels like we only go backwards, but every part of me says go ahead.” This refrain so basic yet effective, and Kevin Parker’s familiar vocals blend seamlessly into Tame Impala’s psychedelic fuzz rock.

3. Passion Pit“It’s Not My Fault, I’m Happy”

Once Michael Angelakos’s bi-polar disorder disorder and attempted suicides were made public, this album and track worked on a higher level. It may be the most biographical song on Gossamer (that says a lot), and the penultimate track steps into anthem territory with confessional optimism. It’s like Michael is telling himself, repeating over and over, that he’s going to make it. Knowing the context of the song makes it more effective, but the biographical background is not needed to know this song is great.

4. Japandroids“Fire’s Highway”
5. Frank Ocean“Pyramids”
6. The xx“Angels”
7. John Talabot“Destiny” feat. Pional
8. Fiona Apple“Every Single Night”
9. Tanlines“Brothers”
10.House“Kindness”

Honorable Mention:
Killer Mike – “Reagan”
The Presets – “Fall”
Wild Nothing – “Paradise”


Pete Mauch Los Angeles @PeteMauch

1. Father John Misty“Hollywood Forever Cemetery Sings”

2. Neil Young“Walk Like a Giant”

3. Trey Anastasio“Scabbard”

4. Tame Impala “Apocalypse Dreams”
5. Neil Young“Ramada Inn”
6. Kendrick Lamar“Swimming Pools”
7. Alabama Shakes“Hold on”
8. Lumineers“Ho Hey”
9. Gary Clark Jr.“Numb”
10.Jack White“Freedom at 21”


Molly Kish San Francisco @MollyKish

1. Lumineers “Ho Hey”

Due to the incredible commercial success of the Lumineers self-titled debut, you couldn’t escape this song in 2012. Infectiously simple both in lyrics and structure, this song’s basic pop composition grabs it’s audience’s attention immediately and has you singing along from the first listen. An instant crowd pleaser and multi-format radio hit, I still have yet to change the dial.

2. Azealia Banks“212”

A Hard hitting hip hop club hit, this song’s dirty beat and even filthier flow is an immediate dance party call to arms. Bursting onto the scene with this track produced by Lazy J, Azaelia Banks jumped into the female rap game spitting fire. Incorporating the repetitive use of the word cunt into a chorus and making it contagiously catchy and not crude: genius.

3. The Presets“Youth in Trouble”

The Presets came back to the EDM scene after a four year hiatus and did so with authority. Starting off one of this year’s best dance albums, this standout track is a club banger. With its extreme builds, relentless bass line and scream along party lyrics, the Presets win my “drop of the year” award in this bar setting track.

4. Electric Guest“This Head I Hold”
5. Fiona Apple“Hot Knife”
6. The xx“Reunion”
7. Kishi Bashi“Bright Whites”
8. Dr. John“Locked Down”
9. Yeasayer“Reagan’s Skeleton”
10.Bloc Party“Octopus”

Honorable Mentions
Passion Pit“I’ll be Alright”


Kevin Raos San Francisco @kevinraos

1. Tame Impala“Apocalypse Dreams”

Best track on the best album of the year. The more I listen to this album the more my opinion of it morphs and shifts. That’s one of the best things about an album like this – you hear something new every time you listen.

2. Electric Guest“This Head I Hold”

This song sounds like it could have been written 50 years ago. Classic sound, classic song. One of my favorites of the year.

3. Lana Del Rey“Born to Die”

I put this in my top 3 simply because I want to comment about my love/hate fascination with Lana Del Rey. Lana Del Rey’s fragile demeanor and futile resistance towards fame make her one of the most interesting artist of 2012. I’m not a giant fan of her music as a whole, but I LOVE this song.

4. alt-J “Fitzpleasure”
5. Stepdad“My Leather, My Fur, My Nails”
6. Django Django“Default”
7. Passion Pit“Carried Away”
8. Memory Tapes“Thru the Field”
9. Trey Anastasio“Scabbard”
10.Matthew Dear“Her Fantasy”


Eric Shaden San Francisco @3ricShaden

1. Major Lazer feat. Amber of Dirty Projectors“Get Free”

2. Kendrick Lamar“Swimming Pools (Drank)”

3. Passion Pit “Constant Conversations”

4. MIA“Bad Girls”
5. Santigold“Disparate Youth”
6. Hot Chip“Motion Sickness”
7. Purity Ring“Lofticries”
8. Frank Ocean“Thinkin Bout You”
9. Chairlift“Sidewalk Safari”
10.RAC feat. Penguin Prison“Hollywood”


Kevin Quandt San Francisco @KJQuandt

1. TNGHT“Higher Ground”

The duo of Hudson Mohawke and Lunice brought their unique brands of production into one insanely big release this year. This highlight track, among others, features chopped vocals, a plethora of hand-clapping and a massive bass tuba beat that has been destroying dance floors the better part of 2012. Higher Ground begs to be properly rhymed over, but in the meantime the production is the shining light of the year.

2. Pond“Eye Pattern Blindness”

What an epic rock track these Aussies churned out this year. Taking notes from Floyd and Zeppelin equally have helped these lads write and perform a rock masterpiece full of twist and turns, not to mention it clocks in at a rare 6 minutes. Syd Barrett is smiling down from above.

3. Japandroids“House That Heaven Built”

From the distorted wall of guitar to the infectious chorus, epitomizing the sound of Brian King and David Prowse, this track has angst and energy slathered all over it. These guys don’t write typical rock and roll songs, and it is refreshing to see their hard work paying off in dividends. A true rock gem for the ages.

4. Father John Misty“Hollywood Cemetery Forever Sings”
5. The Allah-Las“Tell Me What’s on Your Mind”
6. How to Destroy Angels “Keep it Together”
7. Cloud Nothings“Wasted Days”
8. Jack White“Love Interruption”
9. Clark“Secret”
10.Woods“Size Meets Sound”

Honorable Mentions:
Liars – “No. 1 Against the Rush”
Thee Oh Sees – “Lupine Dominus”
Chromatics – “Kill For Love”


Sean Little San Francisco @splittle

1. Nikki & The Dove“Mother Protect” (Goldroom Remix)

Nikki & The Dove are great as is, but what Goldroom does with this track is reinvent it in a way that’s thoughtful and massive all at once. It’s one of those rare remixes that you hear after the original, and never listen to the original again. It’s that good. Goldroom has really blown up over the last year, touring the globe and this is the track that arguably started it all as it was supported by Aeroplane and The Magician among others giving it, and him, serious credibility. Keep him on your radar and expect more of this for a long time to come.

2. Bicep“Vision of Love”

This is stripped down, essential house. This track could be thrown into any 90’s house set and not skip a beat, which is a testament to Bicep and how they hone their craft. Two dudes from Ireland that just seem to constantly pump out hits and push the party and boundaries. This is the song that shows less can be more, and stripped down production can have a big impact especially when compared with many of today’s overproduced tracks. When the pianos come back in at 3:39 it’s all over.

3. Moonlight Matters“Come For Me” (Might Mouse Remix)

This is huge. It’s just euphoria in a song. I’ve ended more than a few sets with this and hands are in the air, drinks are being tossed around and people are just losing their shit. Don’t sleep on this stellar remix as many people have and it’s a shame. Words don’t do it just so just listen and wait for it to kick in.

4. Waze & Odyssey“Love that (Burns Hot Enough)”
5. ColeCo“Rickey Smiley”
6. Moon Boots“Off My Mind”
7. Presets“Ghosts”
8. Van She“Jamaica”
9. Lykke Li – “I Follow Rivers” (The Magician Remix)
10.Chris Malinchak“The Fourth”

Yeasayer’s Chris Keating says ‘Just go with the flow’

Photos by Marc Fong // Written by Molly Kish //

Showbams had the opportunity to speak with Yeasayer frontman Chris Keating while the Brooklyn-based band was in San Francisco.


Showbams: I know you and Anand grew up in Baltimore and played in a band in high school together. Were you both in a barbershop quartet?

Keating: Sort of (laughs). We kind of went to a school that was very small and had a lot of theater going on. We did everything that you could possibly do in terms of singing and acting and all that kind of normally really dorky stuff. It actually probably was really dorky, we just really enjoyed anything that had to do with trying out. Like different musicals and theater and all that stuff, that seemed really cool to us! It was a school that had a really good emphasis on being creative and we didn’t have a football team or anything like that. Everyone sort of engaged in theater and different kind of creative pursuits, even the kids would normally not do that kind of thing.

Showbams: Ira, who is Anand’s cousin, and Jason came aboard in 2006, when you guys were relocating back to New York to form what the band has now become today. Do you feel like having this history, with the strong ties between you guys as both family and long term friends has played a significant role in the bands success? Or was it a little more difficult having that kind of background together?

Keating: Um, I mean it probably helped in terms of … well, I don’t know, there was never really another option for us to break up? I mean, growing up together, Anand and I have been friends for so long, it sort of keeps you well, and you’re just in it! You’ve been friends since you were ten years old anyways. You’re going to have disagreements in the studio, and natural tensions that arise on tour and while songwriting, just like any band does. But, they’re never that severe, because you’ve been friends forever. Any challenge seems really do-able.

Showbams: I know that between 2007-2010, amidst releasing your first two full-length albums, you guys were really busy touring with MGMT and Man Man, playing heavily on the festival circuit and contributing to the Dark Was the Night compilation, amongst many other projects. In 2008, you took part in one of the more memorable “La Blogotheque” sessions post-show at the Nouveau Casino. Can you go into a little more detail on how that experience for was for you guys?

Keating: Yeah, we were familiar with the project and I’m sure that we all agreed to do it at some point. But I think that this was our first show in Paris and you know in the early days, driving all over Europe by yourself, you’d get to the venue just in time to play and you’d be wiped out by the end of the show. The last thing you want to do is an impromptu performance, somewhere in Paris (laughs).

But it actually turned out being great, and I think even though our hesitancy to do it was reflected in that movie, it made it really interesting. We since have become really good friends with the guys that do it and Vincent Moon, who is one of the creators of the project — we continue to run into them all over the world, like in Argentina and Australia or different places like that, just randomly on the street. I swear that we are somehow connected to him. It’s very weird. I mean, we don’t even talk that much, but we’ll just run into him all over the world. That’s what he does now, travel and make music documentaries, so you know.

Showbams: Did you guys ever really have any route that you wanted to go in that session, or were you just kind of rolling with it and seeing what happens?

Keating: With that project in particular, we had no idea what we were doing. I mean we were just like whatever, wherever you want to go. So we ended up in the metro and someone’s apartment, I don’t even know whose apartment that was (laughs) … I don’t even actually remember how we got home. I also don’t remember where we stayed; it was kind of very vague. But often times, that is the best thing you can do, just go with the flow.

Showbams: In April of that year you guys released End Blood for Record Store Day. Was this an intended release date, or did it just fall into place naturally?

Keating: Yeah, well, the temples of culture for me growing up were video stores and record stores. Unfortunately, those places are few and far between nowadays, so when the opportunity like that comes to make something physical for a release that’s all about independent record stores, then it becomes a nice chance to do that.

Showbams: In that sense, what’s your favorite way to release new music and discover new music yourself?

Keating: My favorite way to release it, having said that, I’m a fan of the physical releases, but at the same time, I really appreciate the model that happens with a lot of hip-hop and electronic music in which different artists release something as soon as it’s done, almost as a trial run. I know people like Four Tet and Gold Panda or Kanye, you know throw something out on the Internet or their website for people to comment on. I think it’s really interesting to know that something was done that week and it’s already out there, as opposed to the normal six-month lag time between making an album and it actually becoming a physical release. I think that’s interesting and it’s important to embrace, but at the same time, I’m staring at my vinyl collection right now and I enjoy listening to albums. I feel like some of the best songs on albums are not necessarily the singles. That’s why it always becomes a treat to put on an album; you have to flip over the sides.

Showbams: With Fragrant World this past December, you debuted tracks via your website’s visual scavenger hunt before the official release date. This was a really interesting take on avoiding the whole piracy issue and became a very incorporating experience for your fans. Whose decision was it to release the album that way?

Keating: I don’t know whose initial idea it was, I just know that you have to embrace the idea of YouTube or the fact that if you don’t make visual content for your songs, someone else will. Sometimes that might be a good thing and other times that could end up being a blurry photograph of the band from 6 years ago spiraling around, so … being in a band for me, some of the most exciting things you get to do is collaborating with visual artists, producers or other talented people in the industry.

Yoshi was a video artist whose work I really enjoyed, and the project became a nice excuse to collaborate with him. I was like, “Hey, do you want to make visuals that are not going to be videos and that are not going to come out on TV? You can do whatever you want, make it your vision.” We told him vaguely what we thought it should look like, and he just ran with it for every song and it turned out really well.

Showbams: After catching you guys at the Fox in Oakland, the videos seem almost directly correlated with the new set design on the tour and had a lot of similar elements to it. You guys are generally known to have a pretty intense visual show. What was the direction and inspiration behind the latest Yeasayer stage?

Keating: Yoshi’s videos definitely influenced the look of everything, and in general, I kind of really enjoy fully immersive art environments, where artists are taking over an entire space. Like some of the art movements that were started in the 60’s, for instance by Dan Flavin and James Turell. I find the spaces that they create to be incredibly powerful and moving and beautiful. So, in taking a cue from some of those artists, I try to just craft a stage show that’s a little more immersive and exciting than your standard rock club light show, which becomes a challenge because we’re up on a stage and you can’t take over the whole club. Then, you have to make something that can move every day you know, we’ve got set up and break down in a few hours.

My idea originally was to take over every space and have the audience involved in the light show, if we had millions of dollars we could totally try and do that. Or time, if we had more time, we could do it without the money. If we just had like 2-3 days between every show.

We were really fortunate to have The Creator’s Project back the project. We worked with a really great designer who’s based on the West Coast named Casey Reas and an architecture firm who we all collaborated together with to form an amazing dedicated team who comes on tour with us. They are pretty much like an extension of the band. They really make it happen every day.

Showbams: How did you guys first get affiliated with The Creators Project?

Keating: The directors of the three videos that we made on our last album were a team, Kirby and Julia. They go by the name of “Radical Friend” and made the video for “Ambling Alp”. They’re good friends of mine, and they got involved with “The Creators Project” through making videos for us and other people. They initially told me about it. It just seemed like a great organization, in that every artist I liked was being linked through this broader thing called “The Creators Project,” and I wanted to know what it was. So, I went to a couple events, DJ’d one for them and then slowly started the conversation of whether it was possible to do a touring show instead of just the one-off shows they were doing. I know they did something in the Bay Area and in New York, London, Seoul and Beijing I think. I thought it would be interesting to take the show all over the country and then all over Europe.