Noise Pop 2017 Shows of the Week // GO4FREE to Weyes Blood, Desert Daze Caravan, Kelis & more

Noise Pop 2017Written by Molly Kish & Brett Ruffenach //

Noise Pop //
Bay Area venues – San Francisco & Oakland
February 17th–27th, 2017 //

Noise Pop is officially here, and the Bay Area is serving as home to some of the world’s best independent artists this week. There’s so much to see and hear in some of our favorite bars and venues — and we want you to get out there and participate!

While most Noise Pop shows are sure to sell out, we have you covered with tickets to a wide variety of them. Pick your favorite show from the list below and enter to win tickets.

Hint: Those who directly tweet @showbams or tag us on Instagram with their personal requests will have that much better of a chance of winning!

Contests for all weekday shows end at 3 p.m. on the day of show. Contests for all weekend shows end at 3 p.m. this Friday.


Weyes Blood

Weyes Blood: February 21st (TUE) @ Swedish American Hall // BUY TICKETS
GunkTVRecords founder as well as longtime Ariel Pink collaborator Weyes Blood brings her ethereal edge to the Swedish American Hall. Accompanied by Half Waif, Young Moon and a celebration of 20 Minute Loop’s record release and 20th anniversary, this singer-songwriter showcase will be one for the books. – MK

Contest ends this Tuesday at 3 p.m.


Hazel English

Hazel English: February 21st (TUE) @ Rickshaw Stop // BUY TICKETS
Females are holding it down on Tuesday at Rickshaw Stop as Aussie-turned-Oakland-resident Hazel English gets top billing thanks to her interspersed, dreamy and melodic vocal abilities. Joined by sister artists Elsa y ElMar, Tanukichan and Maggie Y/O, the lineup offers a stacked bill that beautifully spans indie rock, shoegaze and pop. – MK

Contest ends this Tuesday at 3 p.m.


Desert Daze Caravan

Desert Daze Caravan: February 22nd (WED) @ The Chapel // BUY TICKETS
Desert Daze, the innovative psychedelic-rock festival that took place last October in Joshua Tree, is bringing a special showcase to Noise Pop that’s led by UK experimental-rock outfit Temples, who bring their 60’s vibes to The Chapel alongside intriguing up-and-comers like psych-R&B group Night Beats and the fast-and-fierce female rock duo Deap Vally. – BR

Contest ends this Wednesday at 3 p.m.


Kelis

Kelis: February 22nd (WED) @ 1015 Folsom // BUY TICKETS
Kelis is one of New York’s most famous female hip-hop acts over the last decade. Best known for her 2006 smash hit “Milkshake”, Kelis is surely one of the bossiest artists to take the stage at Noise Pop this year. Grab your diamonds and grills, folks. – BR

Contest ends this Wednesday at 3 p.m.


Julia Holter

Julia Holter (solo): February 22nd (WED) @ Swedish American Hall // BUY TICKETS
Singer, songwriter, director, composer and artist, Julia Holter continues to wear a number of different creative hats. Headlining a show full of baroque pop and ambient music, she’ll be joined by Midnight Sister, Madeline Kenney and Doncat for what should be a unforgettable night at the Swedish American Hall. – MK

Contest ends this Wednesday at 3 p.m.


Moon Duo

Moon Duo: February 23rd (THU) @ The Chapel // BUY TICKETS
Portland-based psychedelic-rock group Moon Duo combine the entrancing nature of shoegaze with the transcendent feeling of psych-rock and enough flange to satisfy even the most ardent Tame Impala fans. Touring in support of their new album Occult Architecture Vol. 1 & 2, Moon Duo’s visceral synth and entrancing guitar work is surely not something to miss. – BR

Contest ends Thursday, February 23rd at 3 p.m.


Japanese Breakfast

Japanese Breakfast: February 23rd (THU) @ Rickshaw Stop // BUY TICKETS
Thursday is all about avant-garde folk, with a roster featuring experimental fusions of pop, indie rock and world music. Philadelphia’s own Japanese Breakfast (born Michelle Zauner) headlines the show, which includes opening acts Miya Folick, Dante Elephante and Flying Circles for what is easily one of Noise Pop’s most unique lineups. – MK

Contest ends this Thursday at 3 p.m.


Barclay Crenshaw

Barclay Crenshaw: February 23rd (THU) @ 1015 Folsom // BUY TICKETS
As it turns out, Claude VonStroke’s real name is even cooler than his fake one. From the man behind the Bay Area’s favorite record label Dirtybird, Barclay Crewshaw is a new project that turns from VonStroke’s thumping upbeat house beats that we’ve come to love to the exciting world of experimental hip-hop, sometimes known as West Coast bass. His production skills are out of this world as he takes you on a spacious, booming and psychedelic journey that’s sure to satisfy any bass head’s appetite. – BR

Contest ends this Thursday at 3 p.m.


Crocodiles

Crocodiles: February 23rd (THU) @ Bottom of the Hill // BUY TICKETS
Hitting Bottom of the Hill with a wave of garage rock and punk, Crocodiles will be hitting the stage for a raucous warm-up on the final leg of their cross-country tour. They’ll be taking the stage alongside Hot Flash Heat Wave and NRVS LVRS, making it one of Noise Pop’s strongest and most compelling bills. – MK

Contest ends this Thursday at 3 p.m.


Kevin Abstract

Kevin Abstract: February 23rd (THU) @ The New Parish // BUY TICKETS
Kevin Abstract is a jack-of-all-trades. Filmmaker, writer, singer and songwriter, Abstract has managed to achieve quite a bit before he celebrates his 21st birthday this year. With a smooth flow and pop sensibility, he’s sure to deliver a powerful performance at The New Parish. – BR

Contest ends this Thursday at 3 p.m.


Deviation

Deviation: February 24th (FRI) @ 1015 Folsom // BUY TICKETS
With a lineup featuring Hudson Mohawke, Francois K, Teklife, Seven Davis Jr., Jay Daniel, and Benji B and Judah performing back to back, it’s hard to capture how much good music will be blaring through 1015’s numerous rooms during Deviation. Hudson Mohawke is likely the main draw for all future-beats fans, but it’s Teklife and BBC Radio 1’s Benji B who you should really stick around for. This should be a good one. – BR

Contest ends this Friday at 3 p.m.


The Joy Formidable

The Joy Formidable (acoustic): February 24th (FRI) @ Swedish American Hall // BUY TICKETS
Welsh alt-rock powerhouse The Joy Formidable return to the Bay to take over the Swedish American Hall with some help from Emily Jane White and Everyone Is Dirty. All three acts bring their own blend of pop, hi-fi, garage rock and post-punk, this is a true blend of local and international talent that knows how to push the envelope. – MK

Contest ends this Friday at 3 p.m.


Mothers

Mothers: February 24th (FRI) @ Brick & Mortar Music Hall // BUY TICKETS
Emerging from the tried-and-true arts and music scene in Athens, Ga., Mothers started as singer-songwriter Kristine Leschper’s solo project before morphing into a four-piece band. Combining Leschper’s haunting vocals and drummer Matthew Andregg’s punchy rhythms, Mothers have found an entrancing sound that is sure to captivate fans of female rock stars like Courtney Barnett and Angel Olsen. – BR

Contest ends this Friday at 3 p.m.


The Mother Hips

The Hip Replacements: February 24th (FRI) @ The New Parish // BUY TICKETS
One of the West Coast’s longstanding jam-rock bands, The Mother Hips are a California rock ‘n’ roll institution, touring the world and writing songs as both consummate instrumentalists and seasoned songwriters before Bill Clinton entered the White House. With singer/guitarist Tim Bluhm unable to perform due to an ongoing injury, the rest of the band — Greg Loiacono (guitar, vocals), John Hofer (drums) and Scott Thunes (bass) — will join forces with Bob Reed (Overwhelming Colorfast, Oranger), Johnny Irion and Dave Zirbel (San Geronimo) to unveil a mixture of songs by The Mother Hips and The Replacements on this night. – BR

Contest ends this Friday at 3 p.m.


The Family Crest

The Family Crest: February 25th (SAT) @ Swedish American Hall // BUY TICKETS
An evening of ensemble acts headlined by The Family Crest comes to the Swedish American Music Hall on Saturday, bringing an audible range of local talent to the stage at the intimate venue. In what promises to be a night of orchestral indie-rock bliss, all four acts will present their own unique genre-melding style, making for a neo-symphony on Saturday night. – MK

Contest ends this Friday at 3 p.m.


Ceremony

Ceremony: February 26th (SUN) @ The Chapel // BUY TICKETS
Ceremony are a no-nonsense punk band from Sonoma County. Both focused and at times sonically explosive, Ceremony have found their own sound and set themselves apart from similar-sounding groups such as Black Flag and Dillinger Escape Plan. They’re capable of balancing melody and musicianship with that intangible, white-knuckled feeling that can only be described as pure rock ‘n’ roll. – BR

Contest ends this Friday at 3 p.m.


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The 25 best live music acts of 2016

Best live music acts of 2016

As we officially place 2016 in the history books, it’s time to look back at all the live music we experienced this year. Last year we shared our 25 favorite live performers of 2015, so this year we thought we would do it again while excluding any artists we named in 2015. After all, who really wants to see the same acts listed two years in a row? That said, now that we’re two years removed, our 25 favorite live performers of 2014 were once again fair game.

After covering many excellent bands, musicians and DJs over the past 12 months, trimming our list down to 25 wasn’t easy and as usual, some difficult decisions had to be made. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order) whom we either covered at their own show and/or at a music festival this year:

Adrian Younge, Air, Alessia Cara, Alina Baraz, AlunaGeorge, Alvvays, The Arcs, A$AP Ferg, Atlas Genius, Aubrie Sellers, The Avett Brothers, Bag Raiders, Baio, Banks & Steelz, Bas, Battles, Beats Antique, Beach House, Best Coast, Big Freedia, Big Gigantic, Big Grams, Big Wild, Bloc Party, Bob Mould, The Boxer Rebellion, Brand New, Brett Dennen, The California Honeydrops, Capital Cities, Cate Le Bon, Chairlift, Chelsea Wolfe, !!! (Chk Chk Chk), Chris Robinson Brotherhood, Chuck Mosley, Chromeo, Claude VonStroke, The Claypool Lennon Delirium, Cold War Kids, The Crux, Dan Deacon, Danny Brown, Deftones, The Devil Makes Three, Dirtwire, Disclosure, DMA’s, DMX, Drew Holcomb and The Neighbors, Duran Duran, Every Time I Die, Emancipator Ensemble, Ezra Furman, Faith No More, The Faint, Fantastic Negrito, Femi Kuti, Florence + the Machine, Flume, Fruition, The Gaslamp Killer, Geographer, Glass Animals, Gorgon City, Grimes, Halsey, The Head and the Heart, Heartwatch, The Heavy, Highly Suspect, Hippie Sabotage, Holy Fuck, How to Dress Well, Hudson Mohawke, Hundred Waters, IAMX, Ibeyi, Ice Cube, Iggy Pop, The Infamous Stringdusters, Jack Beats, Jack Garratt, Jack Ü, James Bay, Jamie xx, J. Cole, Jimmie Vaughn, Jhené Aiko, The Joy Formidable, Joywave, Julia Holter, Julien Baker, Kaki King, Kamaiyah, Kamasi Washington, Kehlani, K.Flay, The Kills, Kurt Vile, Lafa Taylor, Lana Del Rey, Låpsley, Les Sins, Lettuce, Lionel Richie, Lord Huron, Little Scream, Lucius, M83, Major Lazer, Marian Hill, Mayer Hawthorne, MC YOGI, Methyl Ethel, Metric, Miami Horror, Mick Jenkins, Midi Matilda, Miguel Migs, Modest Mouse, Moon Taxi, M. Ward, Nahko & Medicine for the People, The Naked and Famous, Nas, Nathaniel Rateliff & The Night Sweats, Neon Indian, Nick Murphy (fka Chet Faker), Nite Jewel, Panic! at the Disco, Parliament-Funkadelic, Peaches, Petite Noir, The Pharcyde, The Polish Ambassador, Porches, Prince Rama, Purity Ring, Pusha T, Radiohead, Ra Ra Riot, The Regrettes, The Revivalists, RJD2, Rodrigo y Gabriela, Rogue Wave, Rubblebucket, Run the Jewels, The Russ Liquid Test, Ryan Adams, The Sam Chase & The Untraditional, Saosin, Sarah Neufeld, The Seshen, Shabazz Palaces, Shlohmo, Silversun Pickups, Snakehips, Solange, Son Little, St. Lucia, Stormzy, The Struts, STS9, Sturgill Simpson, Sufjan Stevens, Summer Cannibals, Sunflower Bean, Sigur Rós, St. Germain, Sylvan Esso, Tacocat, Taking Back Sunday, Tedeschi Trucks Band, Thao & the Get Down Stay Down, This Will Destroy You, Thomas Jack, Thundercat, Toro y Moi, Tortoise, Tory Lanez, Tourist, The Trims, Troye Sivan, Umphrey’s McGee, Viceroy, Vince Staples, Vokab Company, Walk the Moon, Warpaint, Wavves, Weezer, Wheeler Walker Jr., White Denim, Wild Belle, Wild Nothing, Years & Years, Yeasayer, YG, Young Fathers, Yuck, ZHU, Ziggy Marley.

Now, it’s time for The Bam Team to present our 25 favorite live performers of 2016.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2016

Listen to The Bam Team’s favorite songs of 2016:


Best Live Music Acts of 2015 #25 - Tycho

25. Tycho

For as much as Epoch was a surprise, so were Tycho’s two most recent shows in LA last week. It was the first time Hansen and company had played The Fonda Theatre since the Awake tour back in 2014, and Thursday’s sellout, which was announced less than a week before the show, along with the subsequent need to add a second date the next night, made it clear that more than ever, Angelinos have a strong appetite for what Hansen is doing on both a musical and visual level. It helps, too, that KCRW Music Director Jason Bentley, who opened the shows at The Fonda with a DJ set, has helped expose Tycho to a broader audience, whether through the “Morning Becomes Eclectic” theme song or live, in-studio performances by the band. Even nowadays with an abundance of streaming sites, you can’t underestimate the power of radio in a city with a driving culture as large as LA’s. And truth be told, Tycho is some of the best music to drive to, especially when you’re surrounded by nature. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #24 - Isaiah Rashad

24. Isaiah Rashad

And when it did, Rashad torpedoed onto stage and turned the restlessness in the room on its head with “Smile”, the apropos homecoming banger he released after years of uncertainty that followed his 2014 EP Cilvia Demo. It was fitting because prior to his reemergence, which was sparked by the song, Rashad admitted to being addicted to Xanax and alcohol, and it almost led to him being dropped from his West Coast record label on several occasions. From his issues with substance abuse to the tears he shed while listening to Kid Cudi’s music and his open-book thoughts on the humanizing of mental-health issues, Rashad’s journey from being the contemplative unknown in superstar Kendrick Lamar’s crew to a complete artist deserving of your attention has been steeped in honesty. -Joseph Gray, photo by Joseph Gray


Best Live Music Acts of 2015 #23 - Bob Moses

23. Bob Moses

Needless to say, worn-out axioms failed to apply in this scenario. Bob Moses silenced anyone attempting to pass them off as yet another contrived electropop outfit aiming to please the masses. At Mezzanine, both Howie and Vallance proved their prowess as EDM innovators, bringing more to the stage than a couple of laptops and a pretty light show. Surprising those unfamiliar with their work or expecting to be underwhelmed, Bob Moses have elevated the live electronic game for their respective contemporaries and succeeded in defining a new chapter for the genre — an innovative sound standard that’s all their own. -Molly Kish, photo by Lisette Worster


Best Live Music Acts of 2015 #22 - Floating Points

22. Floating Points

The band continued building on its rhythms and melodies, creating a hypnotic feeling that was filled with textured synthesizers, guitar pedals and consummate percussion, as laser patterns reflected each rise and fall during its lengthy jam sessions. As Sheppard and his sidekicks progressed through each track, the complexity of the laser projections grew into optical illusions that, almost like another musical instrument onstage, intertwined with the style and progression of the band’s production perfectly. With each song reaching a climax and eventual denouement, the artwork remained untouched for a few minutes so that fans could observe each piece before their very own eyes. -Brett Ruffenach, photo by Alister Mori


Best Live Music Acts of 2015 #21 - Ty Segall

21. Ty Segall

But Segall is no doubt a showman himself, and you’d be hard-pressed to find someone who expends as much energy onstage as he does in merely 90 minutes. His passion simply rubs off on his fans, who wasted little time climbing onstage and taking the plunge into a sea of hands for a couple of minutes. Segall, of course, also got in on the action at one point, as his shows are often known to feature crowd surfing from both band and audience members, and he made sure to take the mic stand with him while he horizontally slithered across the room. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #20 - Dr. Teeth and The Electric Mayhem

20. Dr. Teeth and The Electric Mayhem

One of the biggest questions on everyone’s mind coming into Outside Lands was, “Who were Dr. Teeth and The Electric Mayhem?” For those who knew, it was, “How in the hell were the Muppets going to fill a Sunday slot on the main stage?” Because the band had never played a show of such magnitude or outside the context of a TV/film studio, no one had any clue what to expect during this early-afternoon slot. Though some festivalgoers (mistakenly) decided to forego the experience altogether, those present will not forget the incredible feat that Another Planet Entertainment and Jim Henson Enterprises were able to pull off for what was one of the most emotionally nostalgic, blissfully complex and once-in-a-lifetime festival performances maybe ever. The Muppet house band both effortlessly managed to pluck the heartstrings of multiple generations of fans while delivering the most conceptually beautiful “love letter” to the city of SF, blanketing the grounds in a sea of love and collective euphoria for a brief, yet unforgettable moment. -Molly Kish, photo by Rochelle Shipman


Best Live Music Acts of 2015 #19 - RÜFÜS DU SOL

19. RÜFÜS DU SOL

By the time RÜFÜS made their entrance, the excitement in the room was at a fever pitch. The crowd was ready to dance from the very first beat (thanks to the excellent warm-up from Kllo and Yuma X), and they did just that. Lead singer Tyrone Lindqvist took center stage with great energy and proceeded to do the customary water bottle toss shortly after. Lindqvist set the tone right from the get-go for a high-energy, high-audience-participation set. The crowd responded in kind by getting down much harder than expected for a Wednesday night. Notably, there were surprisingly very few phones out as most attendees put away their cameras to make the most of every song. The intimate setting of The Fillmore could almost have been mistaken for the polo fields of Coachella, given how many girls-on-shoulders could be seen around the venue. -Geoff Hong, photo by Josh Herwitt


Best Live Music Acts of 2015 #18 - Rudimental

18. Rudimental

Through Rudimental tracks like “Not Giving In”, “Free” and “Waiting All Night”, the most unique element of the group’s live production was their charisma. Simply put, they look like they’re having fun. These aren’t tortured artists or cathartic performers — Rudimental are a band that loves the music they make. Even the band’s drummer, Beanie, easily one of the hardest working rhythmists on tour right now, managed to keep a smile on his face, racing through Rudimental’s repertoire of songs that were anywhere from 145 to 160 BPMs. The septet’s de-facto leader, DJ Locksmith, was surprisingly more in the background than you would expect from a typical DnB hype man. As Rudimental wrapped up their set with their chart-topping hit “Feel the Love”, the crowd joined in as the song ended, creating a shared moment at The Fox that perfectly reflected the intention of Rudimental — to spread the love. -Brett Ruffenach, photo by Marc Fong


Best Live Music Acts of 2015 #17 - BØRNS

17. BØRNS

On this night, that proverbial phrase seemingly rang true. It wasn’t just that BØRNS most likely amassed the largest attendance in the history of the Twilight Concert Series, but also the fact that it was easily one of the best shows I’ve ever witnessed at the Santa Monica Pier. One could certainly point to the opening of the Expo Line extension as a reason for the larger crowds so far this summer, which wasn’t all that noticeable during the series’ opening night with Mayer Hawthorne just the week prior, but that would simply be underestimating the exponential rise of Garrett Borns’ eponymous project. Since he relocated to Los Angeles in 2013 and signed with Interscope Records, the Michigan native has gone from supporting modest indie bands like MisterWives to selling out shows as a headliner in a matter of a year. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #16 - Flying Lotus

16. Flying Lotus

Brainfeeder founder, producer and unapologetic cultural mouthpiece Flying Lotus (born Steven Ellison) ended the night with a mildly controversial headlining set. Walking onstage and making what any FlyLo fan would recognize as an off-colored comment on the current presidential race may have proven too brazen for those not used to his brand. He let Captain Murphy out of the box a little early and road the wave of confusion into a heady, bass-driven assault on the conflicted crowd, providing the distinct audio punctuation point for the night’s bill of artists. Playing several tracks off of his 2014 LP You’re Dead! as well as various hits from high-profile hip-hop emcees like Travis Scott and Kendrick Lamar that he has produced over the years, Ellison stunned us all with his double-screen, audio-visual stage setup and plenty of bone-rattling bass drops. -Molly Kish, photo by Marc Fong


Best Live Music Acts of 2015 #15 - The Last Shadow Puppets

15. The Last Shadow Puppets

TLSP brought a strings section to their show, an added element that helped keep things fresh and new. The show began with the beautiful sounds of violins and cellos, but the moment TLSP got onstage, the whole floor at The Fillmore lit up in billows of smoke. I’m sure the band was stoned by the end of the show if it hadn’t been already, appearing beyond excited to be playing on a Sunday night in SF. Turner and Kane must have yelled out something about SF every few minutes and incorporated SF into some of their songs. They were so incredibly tight, and I felt their set in some ways was a bit better than what I had witnessed years ago — the mix and order of the songs felt more succinct at The Fillmore. -Rachel Goodman, photo by Diana Cordero


Best Live Music Acts of 2015 #14 - Miike Snow

14. Miike Snow

Sunday’s roster at Coachella last year was significantly weaker in comparison to Friday’s and Saturday’s. This year was much of the same, though Calvin Harris somehow proved to be an even worse headliner than Drake (we didn’t know that was possible). But one of the bright spots on Day 3 was no doubt Miike Snow’s 9:45 p.m. slot in the Mojave Tent, the same place where I discovered the Swedish trio back in 2010 during my first Coachella. Andrew Wyatt, Christian Karlsson and Pontus Winnberg have come a long way since then, and with three studio albums in their catalog, including their latest effort iii, they have more than enough material to fill out a 50-minute set and leave you wanting to hear more. -Josh Herwitt, photo by Norm de Veyra


Best Live Music Acts of 2015 #13 - Young Thug

13. Young Thug

Fresh off releasing the latest — and final — installment of his Slime Season mixtape trilogy, Young Thug took his place on the stage. Arriving in a white blouse, multicolored sequined jacket, dark shades, a polka-dot head scarf and remarkably slim, golden pants, he aligned such a rangy and vibrant uniform with his performance. There wouldn’t be any towering LED lights, stunts or stage diving. However, Young Thug, who for the majority of his roughly hour-long set played the lone wolf, delighted the crowd with his animated and bright delivery while running through thundering Slime Season 3 favorites like “With Them”, “Digits” and “Slime Shit”. The audience, ranging from high school seniors to seasoned workers likely with mortgages, strikingly recited every uncanny, controversial lyric and Ric Flair-esque “Woo!” like they had been analyzing them for years. -Joseph Gray, photo by Joseph Gray


Best Live Music Acts of 2015 #12 - Pretty Lights

12. Pretty Lights

Touring with a live band for the first time in 2013 — something that few other EDM artists have done to this day — he quickly changed the way electronic music can be experienced live. Fast forward to last Thursday, and we were once again treated to an electrifying Pretty Lights show that was more than just Smith behind a pair of Macbook Pros and two Akai MPD32s. Making his debut at the majestic Santa Barbara Bowl, he once again showed why he isn’t your typical EDM act. With Chris Karns and Big Wild providing support, Smith hit the stage at 8 p.m. with his bandmates — Karns, Borham Lee, Brandon Butler and Alvin Ford, Jr. — and put on a show that dazzled both sonically and visually. What was most impressive, though, was seeing how much of the performance was improvised, as the band transitioned from one jam to another while dropping in a number of remixes here and there. And as I looked on from my seat in the stands, I couldn’t help but think about how much the show reminded me of all the times I’ve seen STS9 perform live. It only seemed fitting considering that the livetronia band helped give Smith his start back in the day, and with the “EDM bubble” about to burst (that is, if it hasn’t already), it’s hopefully an approach more electronic artists will gravitate toward in the future. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #11 - Mac DeMarco

11. Mac DeMarco

The 26-year-old king of slacker rock, who over the past few years has become a fan favorite of many Bay Area audiophiles, never seems to hold back when he comes to town. His first night in SF last week saw him jump from The Indy’s balcony into an awaiting crowd (a feat that was later imitated by a female audience member at The Warfield the next night), run around half naked while playing new songs and perform a 25-minute cover of Eric Clapton’s 1971 hit single “Layla” with fart solos sprinkled throughout. -James Pawlish, photo by James Pawlish


Best Live Music Acts of 2015 #10 - Moderat

10. Moderat

Easily the most anticipated set of the weekend from this spectator’s vantage point, Moderat hadn’t toured since dropping a pair of EPs in 2014. But with the release of its third full-length album, aptly titled III, the Berlin-based supergroup comprised of Apparat’s Sascha Ring and Modeselektor members Gernot Bronsert and Sebastian Szary were primed to make their mark on the final day of LIB — and that they did. Beginning with “Ghostmother” off their latest LP, Moderat ran through a good chunk of new material, but nothing ignited the crowd more than their new single “Reminder”, which remains one of our favorite songs of the year so far. As we witnessed a few days earlier at The Fonda Theatre in LA, the group’s dark, minimalist stage setup with psychedelic flourishes paired nicely with Ring’s ethereal vocals. Of all the other performances throughout the weekend, Moderat’s 90-minute set undoubtedly stood as one of the brightest moments of LIB 2016. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #9 - Foals

9. Foals

Foals closed out their rambunctious set with a killer take on the title track “What Went Down” that brought lead singer/guitarist Yannis Philippakis diving into the crowd, giving fans one hell of a selfie and proving their rock credentials for good. After all, any band that can unite 20-something bros with 50-something grandparents gets a gold star in our book. Rock brings people together, and those who made it out to see this unicorn of a band won’t live to regret it. -Zach Bourque, photo by Steve Carlson


Best Live Music Acts of 2015 #9 - Tame Impala

8. Tame Impala

As they opened with the dream-inducing interlude “Nangs” from their latest studio album Currents, Tame Impala gave the crowd an ample minute and a half to commit to the spatial surroundings before jumping full throttle into an explosive rendition of lead single “Let It Happen,” playing the tracks in reverse order than they are on the LP. By the third song (as promised), the sky, having just turned black, was filled with a stadium’s worth of rainbow confetti as the band played the opening chords of 2012’s psuedo love ballad “Mind Mischief”. Followed by a rare performance — only the second time in three years — of “Music to Walk Home By” from 2012’s Lonerism, Tame Impala played a wide range of emotive classics while scrambling the brains of more than 8,500 audience members with their intense onslaught of sensory-overloading imagery and hypnotic light show. -Molly Kish, photo by James Pawlish


Best Live Music Acts of 2015 #7 - Jim James

7. Jim James

James is in rare company these days, amid a dying breed of guitar-rock gods like Jack White and Josh Homme who are not only capable of playing anything on six strings, but also on a myriad of instruments. And while Eternally Even feels in some ways like an opportunity for him to finally experiment more with keyboards, James made sure to remind his fans at the 90-year-old Orpheum Theatre last Friday that shredding is still a priority. Performing in his new hometown after officially moving to LA this year, he assumed the role of lead singer for much of the show as he and his bandmates from Twin Limb (also opening for James on this tour) played all of Eternally Even and half of Regions. But propped up by a stand onstage the whole time was James’ black Gibson axe, and you knew at some point during a two-hour set that he was going to unload some sick riffs like we have become accustomed to seeing from him at Jacket shows. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #6 - The National

6. The National

The real headline from The National’s performance was hands down the new material that was debuted, pretty much across their entire set, encore included. A rather standard opening of “Don’t Swallow the Cap” and “I Should Live in Salt” led into our first taste of the band’s upcoming LP in the form of “Checking Out”. Though many locals likely recognized this track from last year’s Treasure Island Music Festival (read our review here), it has tightened up over the past year and even begins to sound familiar as the Brooklyn-based five-piece begins to weave in more electronic, synth-like elements. -Kevin Quandt, photo by Steve Carlson


Coachella 2016 - Guns 'N Roses

5. Guns N’ Roses

There may have been no more talked-about act in Coachella’s 17-year history than Saturday’s headliner — and for good reason. Going back to 1993, it had been 23 years since Axl Rose and Slash last performed on the same stage together, and though some of that allure had worn off by the time they reached Indio thanks to a surprise show in LA and back-to-back nights in Las Vegas in prior weeks, Guns N’ Roses were still the talk of the town leading up to Coachella. In fact, all you had to do was look around on Saturday and see just how many GNR T-shirts were traversing the polo fields before their 10:30 p.m. set. When it came time to deliver, the original trio of Axl, Slash and bassist Duff McKagan most certainly did, while rhythm guitarist Richard Fortus and drummer Frank Ferrer proved to be more than suitable fill-ins for Izzy Stradlin and Steven Adler/Matt Sorum. Meanwhile, the surprise appearance by Angus Young couldn’t have come at a much better time after the announcement was made minutes before GNR’s set that Rose will be filling in for Brian Johnson on AC/DC’s remaining tour dates this year. GNR have always been one of my biggest bucket-list bands, and even if a broken leg prevented Axl from strutting and slithering across the stage like he once did as a brash, slender 21-year-old rock star, seeing one of my favorite childhood bands perform for two and a half hours felt all too surreal as I left the Empire Polo Club that night. -Josh Herwitt, photo courtesy of Coachella


Coachella 2016 - Sia

4. Sia

From the very beginning, Sia set herself apart from every other artist who took the Coachella Stage this year. With the Australian artist standing in the back of the stage, her set was more performance art than it was pop music. While her face was hidden thanks to her trademark wig, Sia’s voice stood front and center as she belted out every note to hits like “Diamonds”, “Bird Set Free” and “Titanium”. Throughout it all, different dancers and actors would come on stage, abstractly embodying the themes her songwriting often conveys: fear, anticipation, stress, anger, joy, love and most of all, doubt. As Kristen Wiig and Paul Dano contributed to the overall performance, the height of Sia’s conceptual masterpiece reached its peak with a breathtaking rendition of “Breathe Me”, bringing some of the audience to tears. It was the true headliner of Sunday night and among the top performances of the entire weekend. -Brett Ruffenach, photo courtesy of Coachella


Best Live Music Acts of 2015 #3 - Chance the Rapper

3. Chance the Rapper

In one of the few transcendent moments of the weekend, a set that had everyone throughout the fairgrounds hyped into an anticipatory frenzy, Chance the Rapper performed at the Lands End stage on Sunday afternoon for easily the largest crowd of the entire weekend. Even those who stood their ground through Third Eye Blind’s preceding set felt the drastic change in both crowd size and personal space as the polo fields flooded and temperatures rose. Even though Chance could have used this to his advantage and conducted an explosive show, igniting the tightly configured crowd into a combustive state, he instead took his fans “to church” with a spiritually centered gospel set, making sure everyone was attentive and of course, that “his part” resonated among the masses. -Molly Kish, photo by Norm de Veyra


Best Live Music Acts of 2015 #2 - LCD Soundsystem

2. LCD Soundsystem

Over the last couple of years, it’s hard to think of a band I have wanted to see more than LCD Soundsystem. Deeply tied to my formative years in college, the Brooklyn outfit’s return after a five-year hiatus was nothing short of stunning. Opening with the undeniably groovy “Us vs. Them” and covering a good chunk of their catalog over almost two hours, LCD certainly met the expectations of an eager crowd. James Murphy kept the banter between songs fairly short, and these indie heavyweights demonstrated a true dedication to their craft, starting fast with songs like “Movements” and “Yeah” before moving to more deep, tightly wound rhythms on “Someone Great” and “Home”. Though “Losing My Edge” was written more than 10 years ago, Murphy’s part-improvised, part-proclamation, part-perfectly-delivered rendition of the track seemed to really capture the attention of more casual LCD fans. Nearing the end of its set, the band covered “Heroes” by late collaborator David Bowie. I have seen many concerts as well as attended many festivals in my life, but this was truly among the most beautiful moments in live music I have ever experienced. Wrapping up their headlining performance with “All My Friends”, LCD Soundsystem proved to be among the top artists to ever grace the festival’s main stage. -Brett Ruffenach, photo by Norm de Veyra


Best Live Music Acts of 2015 #1 - Anderson .Paak

1. Anderson .Paak

I’m going to be completely honest: I went to SXSW this year to see .Paak because I knew once he played it, tickets to his shows would be impossible to get. Six months later, $30 tickets to his show in San Francisco at The Fillmore resold for upwards of $400. If you didn’t have another way to get into that show or rent to pay, it was worth it. The energy that comes out of .Paak while he’s performing is charming, infectious and unmatched. He splits his time roaming every inch of the stage and behind his drum set, often singing and rapping without missing a beat. At .Paak’s December show at the Hollywood Palladium in LA, Stevie Wonder came out not to sing, but to tell the crowd what a big fan he is. So basically, Stevie Wonder dropped by. OK, Anderson … we see you. -Rochelle Shipman, photo by Norm de Veyra

Outside Lands 2016

Showbams_Sticker_Rectangle2

BottleRock Napa Valley makes more strides in 2016

BottleRock Napa Valley 2016By Mike Rosati & Norm de Veyra //

BottleRock Napa Valley //
Napa Valley Expo – Napa, CA
May 27th-29th, 2016 //

BottleRock Napa Valley once again returned to downtown Napa over Memorial Day weekend for its fourth edition, boasting an improved fan experience and an eclectic bill of music over a three-day stretch.

Serving as this year’s headliners were Stevie Wonder, Florence & the Machine and Red Hot Chili Peppers, while other notable acts included The Lumineers, Death Cab for Cutie, Lenny Kravitz, Walk the Moon, Rodrigo y Gabriela, Ziggy Marley, Grouplove and more.

But some of the best performances of the weekend came from artists playing on the festival’s smaller stages, from Long Beach’s Cold War Kids to Welsh alt-rockers The Joy Formidable. The Suffers, a 10-piece soul band from Texas, made one of the biggest impressions on the final day of BottleRock, along with San Francisco indie-pop outfit Dangermaker and singer-songwriter Langhorne Slim.

BottleRock Napa Valley 2016 - Florence & the Machine


Florence & the Machine

Among all of the music being played, one of the highlights was undoubtedly the festival’s Williams-Sonoma Culinary Stage, which welcomed appearances by classic stoner-comedy duo Cheech & Chong (who kicked things off with a special show at The Uptown Theater in Napa the night before BottleRock) and celebrity chef Gordon Ramsay. Even “American Pie” actor Thomas Ian Nicholas joined in on the fun during a set dedicated to the 1999 film.

Showbams was on hand for all three days of BottleRock, noting an upgraded layout, more food/beverage options and better VIP accommodations than in past years. And though the festival still has room to grow, it has come a long way in a relatively short amount of time.

The Joy Formidable shatter ears in their return to SF

The Joy FormidableBy Kelly Diepenbrock //

The Joy Formidable with Everything Everything //
Great American Music Hall – San Francisco
March 30th, 2016 //

At their sold-out show last Wednesday, The Joy Formidable rocked the Great American Music Hall with a mix of fan favorites and brand-new music.

Opening for the North Wales trio were Everything Everything, an English indie-rock quartet with a uniquely soulful sound. Lead vocalist Jonathan Higgs jammed his way through their latest album Get to Heaven, comprised of heavy beats and psychological lyrics.

Releasing their third studio album Hitch last month, The Joy Formidable roared onstage and busted out ear-shattering hits like “Whirring” and “Endtapes”, only ever interrupted by lead vocalist Rhiannon “Ritzy” Bryan’s charmingly asides to the audience. Not to be overlooked were bassist Rhydian Dafydd and drummer Matt Thomas, whose energy brought a post-punk intensity to the performance that captivated the packed venue.

BottleRock drops 2016 lineup, led by Red Hot Chili Peppers, Stevie Wonder, Florence + the Machine

BottleRock Napa 2016 lineup

BottleRock Napa Valley //
Napa Valley Expo – Napa, CA
May 27th-29th, 2016 //

While everyone has been fixating on Monday night’s Coachella lineup announcement, which includes a reunited LCD Soundsystem and some form of Guns N’ Roses headlining the Indio festival, BottleRock Napa Valley was busy unveiling their own bill less than a day later.

The three-day festival in downtown Napa, which appeals to an older crowd than the aforementioned Coachella, announced its lineup early Tuesday and will welcome Red Hot Chili Peppers, Stevie Wonder and Florence + the Machine as headliners over Memorial Day weekend.

With more than 70 artists scheduled to perform across four stages, other noteworthy acts on this year’s lineup include The Lumineers, Death Cab for Cutie, Lenny Kravitz, Walk the Moon, Rodrigo y Gabriela, Ziggy Marley, Grouplove, Michael Franti & Spearhead, Gogol Bordello, Cold War Kids, Iration, Misterwives, Atlas Genius, Buddy Guy, Andrew McMahon in the Wilderness, The Pharcyde, The Joy Formidable, X Ambassadors, Ozomatli and Jamestown Revival.

BottleRock will also be bringing back and expanding its popular Culinary Stage that’s known for matching culinary stars up with celebrities, as last year’s festival saw Snoop Dogg teaming up with “Iron Chef” Masaharu Morimoto.

Tickets go on sale on Thursday, January 7th at 10 a.m. here and start at $269 for a three-day GA pass. VIP passes will be sold for $619, and a three-day platinum pass is as much as $3,100.

So, as you get ready for your “first taste of summer,” go back in time with our 2014 coverage.

New Music Tuesday: Bad Religion • Toro y Moi • Ra Ra Riot • The Joy Formidable • Nosaj Thing • FIDLAR • The Growlers • Foxygen

Bad Religion - True North

Every Tuesday, we focus on new music releases by naming our top tracks, album highlights, lowlights and important takeaways for select albums.


Bad ReligionTrue North

4-BamsTop Tracks:
“Past is Dead”
“Hello Cruel World”
“Dept. of False Hope”

Album Highlight: Bad Religion’s sound has been crafted over three and a half decades, and it hasn’t deviated much from a strong drive, mixed in with educated, anti-establishment lyrics and endless touring. Some faster tracks from the “80-85” era are a pleasant surprise.

Album Lowlight: A few odd songs like “Dharma and the Bomb” could have been omitted, as they are a little goofy and misplaced. If you aren’t a fan of 90’s punk drumming, this album may not be for you.

Takeaway: A must for any fan of Bad Religion or punk-tinged rock and roll fan. There are lots of thoughtful lyrics sung masterfully. True North continues a great punk rock tradition, what you’d expect from vets like Greg Graffin and Co.

~Kevin Quandt


Toro y MoiAnything in Return

4.5-BamsTop Tracks:
“So Many Details”
“Say That”
“Cola”
“Cake”

Album Highlight: Chazwick Bundick’s new LP Anything in Return is heavily dance-influenced compared to his prior works, and he’s brought a new beat to the table by lacing his first three tracks with UK deep house and R&B sensibilities. The opening section of the record has the freshest sound on the record.

Album Lowlight: It’s Toro y Moi’s longest record, and it does feel a bit long. “Touch” and “Day One” aren’t spectacular, but they aren’t bad either.

Takeaway: Anything in Return blends tracks influenced by dance (“Harm in Change” and “Say That”), R&B (“So Many Details”), micro-house (“Rose Quartz”), disco/chillwave (“Studies”), electronic pop (“Cake”) and funk (“High Living”). It’s a sexy, cohesive album, and Bundick takes a mature look at youthful living with his smooth lyrics. This is a winning record.

~Mike Frash


Ra Ra RiotBeta Love

4.5-BamsTop Tracks:
“Dance with Me”
“Is It Too Much”
“Angel, Please”
“Binary Mind”

Album Highlight: Ra Ra Riot’s new album Beta Love is upbeat and infectious, combining many elements from their previous work with a more developed electronic sound. If Ra Ra Riot was in the alpha phase before, they have certainly progressed into the Beta phase with ‘Beta Love.’

Album Lowlight: Nitpicking here, but the second half of the album doesn’t quite retain the all-out dance party of the first half. After “Angel, Please”, the LP settles down a little and takes the listener into a nocturnal state with “When I Dream”.

Takeaway: Ra Ra Riot has created a tremendous indie electropop album. The band’s sound has evolved, moving away from the heavier, classical sounding music to a more electronic, synth vibe. Ra Ra Riot purists might be skeptical towards the change, but I love it. One of the best albums in a very young 2013, IMO.

~Kevin Raos


The Joy FormidableWolf’s Law

3.5-BamsTop Tracks:
“This Ladder Is Ours”
“The Turnaround/Wolf’s Law”
“The Leaopard And the Lung”

Album Highlight: The second half of Wolf’s Law contains enjoyable tracks that don’t sound like the typical, upbeat alt rock this group usually puts out. Check out “The Leaopard And the Lung” and a slow but lovely “Silent Treatment.”

Album Lowlight: Why throw a 70-second gap in the middle of the last track “The Turnaround/Wolf’s Law”? Both the parts within this track are excellent and could have been bridged. I’m sure there’s a reason they weren’t completely merged, but it just breaks up a beautiful final song in an unspectacular way. And “Maw Maw Song” is a little meh.

Takeaway: The Joy Formidable produce a noisy wall of sound that abruptly comes and goes, and Ritzy Bryan’s guitar-work dominates this album. If you’re a fan of The Joy Formidable, give it a spin, but you may be stumped by the odd, yet entertaining second half of the record. Overall, there isn’t anything particularly groundbreaking to be found in this LP.

~Mike Frash


Nosaj ThingHome

3.5-BamsTop Tracks:
“Glue”
“Tell”
“Try” feat. Toro y Moi

Album Highlight: Subtle, yet contemporary beauty at its finest. Tracks such as “Distance” from LA electronic musician Jason Chung feature a fresher take on old legends like Boards of Canada. “Tell” leans closer to the dub-scape sound of London-based beat maker Burial.

Album Lowlight: Though it’s not Chung’s style, one bigger, fuller or faster track could have helped full-album listening experience. I had higher expectations, as this album was nearly four years in the making. I guess when you’re producing for hip-hop stars, it gets time-consuming.

Take-away: It was well worth the wait for Jason Chung’s new album under his Nosaj Thing monicker, as this fresh batch of progressive down-beat tracks is full of his unique sound.

~Kevin Quandt

FIDLARFIDLAR

3-BamsTop Tracks:
“Cheap Beer”
“Wake Bake Skate”
“5-9”
“Blackout Stout”
“No Waves”

Album Highlight: “Cheap Beer” is the lead single and party anthem of the album, leading into the record apologetically with screeching distortion, pelting lyrics and surf rock guitar riffs. The song sets course for a 14-track homage to the grittier side of punk rock, highlighting the angst of wasted youth set in the streets of LA.

Album Lowlight: “LDA”, reminiscent of a Ramones ballad, is a song that sidetracks from the anxious energy that keeps this album interesting. Appearing in rotation after the most lively track on the album “5-9”, the song stunts the manic motion of Fidlar’s material in what seems like a forced attempt to squeeze a cheesy love song into the mix.

Takeaway: “Paycheck,” a track which starts off unconventionally slow, is sung in unison, and is placed on the coattails of the least impressive song on the album. One might pass this up the first listen or two. The latter half of this song shreds, slapping the listener in the face with the albums’ strongest guitar solo.

~Molly Kish


The GrowlersHung at Heart

3.5-BamsTop Tracks:
“Someday”
“Naked Kids”
“One Million Lovers”
“Row”

Album Highlight: The opening one-two punch of “Someday” and “Naked Kids” gets the album started in a big way. “Someday” finds Brooks Nielson singing about the future and “when tall boys turn into champagne, and Bologna turns to steak”. “Naked Kids” is a slower-paced psychedelic ode to a lost lover, and he swears he’s changed and has had an epiphany. Great opening tracks here.

Album Lowlight: Every song seems to blend together — it’s hard to distinguish between different tracks. Dan Auerbach of The Black Keys was supposed to produce this album, but The Growlers weren’t happy with Auerbach’s touch, so they went back in the studio and did it their way. It does make me wonder what Auerbach could have done with these songs.

Takeaway: All in all, this album is enjoyable, especially the lyrics and the 60’s SoCal psych-rock vibe, but I feel it could have had stronger material. All the songs are good, but only a couple stand out from the others.

~Pete Mauch


FoxygenWe Are the 21st Century Ambassadors of Peace and Magic

4-BamsTop Tracks:
“Shuggie”
“We are the 21st Century Ambassadors of Peace and Magic”
“San Francisco”
“Oh Yeah”

Album Highlight: “We are the 21st Century Ambassadors of Peace and Magic” is the album’s title track and undoubtedly the strongest song. A psychedelic freak-out coated with soulful shrieks, impressive percussion, steady guitar riffs and someone ripping on the organ, Sam France and Jonathan Rado showcase their incredible musical talent and chops for songwriting.

Album Lowlight: The least complicated effort on the album, “No Destruction”, lacks in production value and lyrical content. It’s great in the context of a stripped-down country song, but it doesn’t quite fit in with the rest of the tracks on this album.

Takeaway: With its borderline obnoxious lyrical interludes, “On Blue Mountain” seems silly at first. I was at first deterred from what ends up being one of the most enigmatic tracks on the album. Approach this album with acceptance of the ironic song structure, and you’ll sure to be smitten by the end.

~Molly Kish

Coachella 2013: Predictions, wishes & rumors vs. reality

Coachella 2013By Mike Frash //

With a casual tweet, festival season is about to begin. Anticipation over the imminent 2013 Coachella lineup is building, and recent history shows the festival lineup could come this week.

Do you have your accommodations set? Hopefully your ticket is taken care of, because Coachella 2013 could already be close to sold out.

Presale ticketing for this year’s Coachella sold out within hours of going on sale both weekends last May, and it was the first time pre-sale sold out in such a quick fashion. The Coachella 2012 general on-sale sold out within an hour for both weekends a year ago, and if you weren’t ninja-quick at getting into the waiting room, you were shit out of luck. Take all this into account, and there might be a very limited amount of tickets available after the 2013 lineup drops. Is it possible Coachella 2013 is completely sold out from presale ticketing?

Coachella

Headliners: Reality vs. Rumors
The headliner rumors arrived early this year, with speculation over The Rolling Stones and Daft Punk dominating the conversation. At this point The Rolling Stones seems like the more likely of the two to be headlining, even though they haven’t played a whole lot of festivals since Altamont in 1969. Besides, Coachella rumors about Daft Punk and David Bowie playing Coachella are a yearly running gag at this point — we’ll believe it when we see it. Bowie even has a confirmed album coming out in the spring, but his bandmates are saying Ziggy has ruled out performing live … forever.

Reunions are a big part of Coachella’s top-notch lineups, and last year saw the regrouping of At The Drive-In, Pulp and Refused. This year it looks like The Postal Service and My Bloody Valentine could happen. Blur would also make sense since they reunited at the Olympics last year. Black Sabbath was reportedly on board to headline last year until they had to pull out at the last moment, and they have a new album coming out in June. Outkast would be the perfect hip-hop headliner, but that seems unlikely with Big Boi pushing his new LP. Wu-Tang Clan seems like the most likely rap act to play the main stage, but are they big enough to headline one of the three days each weekend?

Last year saw The Black Keys headline Friday along with Swedish House Mafia, and most people thought The Black Keys weren’t worthy of headliner status. But Coachella is good at king-making groups and artists, elevating them to the top level simply by making them headliners. Goldenvoice could repeat last year’s Friday concept by crowning Phoenix, The xx or Mumford and Sons headliners while putting deadmau5 on the top line to satiate the EDM masses.

Reality (likely headliners):
The Rolling Stones, The Postal Service, deadmau5, My Bloody Valentine, Black Sabbath, Pearl Jam, Phoenix, Red Hot Chili Peppers, Wu Tang Clan, No Doubt, Mumford & Sons, The xx

Rumors (probable wishlist-fiction):
Daft Punk, Outkast, David Bowie, Nine Inch Nails (How to Destroy Angels is likely)

Artists to see before they get big:
Last year, Frank Ocean, Kendrick Lamar, Death Grips, Azealia Banks, First Aid Kit, and lots of other artists performed at Coachella before getting exponentially bigger by the end of 2012. Possible contenders for 2013 include Angel Haze, AlunaGeorge, FIDLAR, Foxygen, Wilde Belle, & Earl Sweatshirt, although the hype for Earl is already tremendously loud.

Coachella

Best EDM acts most likely to not perform in the Sahara Tent:
• deadmau5
• Bassnectar
• Tiesto
• Simian Mobile Disco
• Andy Stott
• Nicolas Jaar
• Dan Deacon
• John Talabot
• Disclosure
• Totally Enormous Extinct Dinosaurs

Artists most likely to return for second consecutive year:
Kendrick Lamar and Dawes, because Dawes somehow plays every festival.

Headlines we’d like to see:
“Frank Ocean, Tyler The Creator join Earl Sweatshirt’s first solo set”
“Progressive-house trend baffles Sahara tent candy-kids”
“Thom Yorke, Bradford Cox & Trent Rezner play a combined 9 sets each weekend”
“Katie Perry attends Coachella again, never considered for performing duties.”

Plausible Acts We’d Like to See:
Alabama Shakes
alt-J
AlunaGeorge
Andy Stott
Angel Haze
Animal Collective
Atlas Sound
Atoms for Peace
Bassnectar
Bat for Lashes
Beach House
Ben Howard
Big Boi
Bjork
Black Sabbath
Blur
Cloud Nothings
Chromatics
Crystal Castles
CHVRCHES
Dan Deacon
Divine Fits
Disclosure
Die Antwoord
Django Django
Ducktails
Earl Sweatshirt
Father John Misty
Fiona Apple
Frightened Rabbit
Grimes
Grizzly Bear (Added 1.17.13)
Haim
Hot Chip
How to Dress Well
James Blake
Jamie Lidell
Japandroids
Jessie Ware
John Talabot
Jim James
Kendrick Lamar
Kishi Bashi
Killer Mike
Local Natives
New Order
Nicolas Jaar
Nick Cave and the Bad Seeds
Major Lazer
Matthew Dear
Mumford & Sons
Passion Pit
Penguin Prison
Phoenix
Pretty Lights
Sigur Ros
Skrillex
Spiritualized
Stars
STRFCKR
Tame Impala
The Faint
The Joy Formidable
The Knife
The Postal Service
The Rolling Stones
The Walkmen
The xx
Toro Y Moi
TNGHT
Ty Segall
Unknown Mortal Orchestra
Vampire Weekend
Warpaint
Wavves
Wild Belle
Wild Nothing
Yeah Yeah Yeahs
Yeasayer
Yo la Tengo
!!!

Coachella