Outside Lands 2022: Tough conflicts, must-see acts, what to drink & our very own scavenger hunt

Outside Lands 2022Photo by Marc Fong // Written by Molly Kish & Kevin Quandt //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 5th-7th, 2022 //

Outside Lands takes over Golden Gate Park this weekend in celebration of its 14th year. Growing in fans and footprint since 2007, it has become a pilar of the Bay Area music scene and remains widely known as one of the country’s top-rated festivals. OSL kicks off August with three-jam packed days of music, food, art and magic, and this year’s edition aims to maintain its legacy while also continuing to diversify the fest’s roster of genre-expanding talent.

Changes for this year include several new lounges, an expanded SOMA Tent and augmented-reality installations throughout the festival grounds. Food vendors appear to have a larger presence, and the Outsider Art showcases have returned with live painting, balloon art and crowd-controlled AV pathways.

With the lineup being stacked, there are definitely plenty of tough conflicts, many of which are forcing attendees to make some tough decisions. To help you navigate OSL 2022, we put together a guide of recommendations and scavenger hunt (PRINT HERE) so you can get the most out of the experience.

Plus, don’t forget to create your own schedule here!

Outside Lands 2022 - SOMA Tent

Tough Conflicts

Like death and taxes, one thing is for certain at any given music festival: the dreaded schedule conflicts that can dampen many attendees’ plans to see all their favorite artists. Unless you plan to work on your GGP sprinting skills, you’ll likely be forced to make some rather difficult decisions. Below, you’ll find a few of our toughest conflicts.

Dayglow (Friday, 5:20 p.m. Twin Peaks) vs. Washed Out (Friday, 5:20 p.m. Sutro)

This is kind of an interesting conflict as sonically, these two artists aren’t super far away from each other, yet a decade separates their rise to success. Dayglow, aka Sloane Struble, is a young Texan that continues to build his brand of throwback indie-pop in exciting ways that has been making waves with the younger demographic that is likely to be in strong attendance. His earworm tracks certainly bear influence from bands like Phoenix and Foster the People. I also have to believe Struble is keen on Washed Out in his formative years, hence why this conflict will be tough for the crowd and artist alike.

It’s been a couple years since the release of Washed Out’s last album, but that doesn’t mean the “godfather of chillwave” still can’t draw a crowd. It has been 13 years since this artist cemented his hipster status with “Feel It All Around” being featured as the opening track to the TV series “Portlandia”. Will we see a “generational divide” in the crowd between these two sets?

Green Day (Saturday, 8:25 p.m. Lands End) vs. Polo & Pan (Saturday, 8:30 p.m. Sutro)

It’s no big surprise that GD is up against one of the more popular dance acts on the bill for this year. The tricky part here is that both acts are simply crushing it with their current live show., Billie Joe and company put on one helluva headline performance at Lollapalooza over the past weekend, and you can surely bet they’ll only want to top it for their hometown crowd. That’s no easy feat as the power trio is widely known for their crowd interplay, covers and wall-to-wall energy.

Strike that 90’s punk angst against the French swagger of Polo & Pan, and we’ve got a real “Sophie’s choice” on our hands here. The Saturday party crowd is sure to be assembled in Lindley Meadow to hear the tropical-laced French house that is simply infectious.

Dixon (Sunday 3:30 p.m. SOMA Tent) vs. Wet Leg (Sunday 4 p.m. Sutro)

Sure, these two artists bring radically different music, so many fans of these acts won’t see this as a conflict. However, German powerhouse DJ Dixon is always worth catching, especially in the newly expanded SOMA Tent. Expect a pummeling mixture of techno and house, chock full of dramatic emotions that may transport you to the storied Berghain in Berlin. On the other hand, Wet Leg continue their dominant year as the tongue-in-cheek indie darlings hailing from Isle of Wight. Sure, Rhian Teasdale and Hester Chambers are still earning confidence onstage, but if you’re looking for more light-hearted guitar rock, head to Sutro.


Outside Lands 2022 - Illenium

Must-See Acts

Artist: Robert Glasper
Set date/time: Saturday, 2:50-3:40 p.m.
Location: Sutro

We’re thrilled to see some jazz make its way onto the OSL bill in 2022, and Glasper was a keen choice as he steps out to make a bigger name for himself after being a sideman for far too long. Even if the name isn’t recognizable, there’s little doubt that you’ve heard his playing on many of your favorite hip-hop releases of the past 10 years. He recently made waves at the Blue Note Jazz Festival in Napa this past weekend, playing in multiple configurations with various jazz and hip-hop stars. It wouldn’t surprise us if Dave Chappelle or Yasiin Bey (aka Mos Def) made a brief appearance for this afternoon set.

Artist: Illenium
Set date/time: Sunday, 8:20-9:35 p.m.
Location: Twin Peaks

It hasn’t been more than four years since we’ve seen Illenium grace the OSL bill, and we’ve included this selection as it’s billed as a “Special Hometown Performance.” What exactly does this mean? To be honest, we aren’t sure but are certainly curious to see what added production or even special guests Illenium may include. His bass-heavy selections that run the gamut of future bass to beat-driven pop-punk will certainly please the younger crowd, but his recent prevalence in the Las Vegas nightclub scene could pull the 30-something tech crowd to finish their weekend at Twin Peaks. Wonder who will have more lasers: Illenium or Posty? A laser battle in Golden Gate Park is the stuff we dream of, right?


Outside Lands 2022 - Beer Lands

Beer Lands

There’s little doubt that the masses that will stampede Golden Gate Park over the next three days will arrive thirsty. Literally. The beer-swilling variety know where to go for all things craft brews, and this year is no exception as the ever-changing list of breweries offers all our local favorites alongside some fresh choices. Also, don’t be fooled by the name, as Beer Lands offers options for cider (i.e. Ace and Golden State) and hard kombucha (i.e. Strainge Beast).

New to the “Beer Lineup” this year is a nice mix of up-and-coming local breweries. Santa Cruz’s buzzy Humble Sea will make their debut and are likely to offer some of their DDH hazy IPAs that have put them on the map in the past couple of years. SF’s Laughing Monk has no shortage of varieties to offer to attendees, but we think their Peach Kettle Sour or Prophetess Blonde Ale would go down easy in the Polo Fields. Old Caz Beer, out of Rohnert Park, are a young brew crew with a lot to offer, so keep your eyes peeled for potentially pouring their RPX Pale Ale and maybe they’ll even bring their Lavender Radler or Pineapple Seltzer. Golden State Cider of Sonoma will make their debut in 2022, yet the question remains if they will bring their Mighty Dry, Brut, Jamaica, Ginger Grass or maybe something exclusive to the festival. Come thirsty, my friends.

OUTSIDE LANDS 2022 SCAVENGER HUNT: PRINT HERE

Outside Lands - updated 2022 lineup

Just Like Heaven 2022: Pasadena’s own slice of indie-music bliss

Just Like Heaven 2022 - Interpol, Santigold & The ShinsPhotos by Josh Herwitt & courtesy of JLH with artwork by Melissa Herwitt // Written by Josh Herwitt //

Just Like Heaven //
Brookside at the Rose Bowl – Pasadena, CA
May 21st, 2022 //

For those of you in California who haven’t noticed yet, we’re right in the midst of festival season.

With Coachella wrapping up last month and Lightning in a Bottle as well as BottleRock taking place over Memorial Day weekend, 2022 has already brought the live music industry back to the Golden State in a big way (and let’s make sure we mention BeachLife Festival, too).

But for those of us who haven’t been attending music festivals for a few years in part due to the COVID-19 pandemic, it’s even more exciting when any concert promoter can assemble a lineup of great artists and bands to perform all on the same day. That’s what Goldenvoice did, in fact, when it announced the return of Just Like Heaven with a dream lineup for any indie-music fan during the mid-2000s, anchored by Interpol, Modest Mouse, The Shins and M.I.A. with Bloc Party, Franz Ferdinand, Chromeo, Santigold, Cut Copy, The Hives, Wolf Parade, Peaches and !!! also listed on the poster.

After taking over the Queen Mary Park in Long Beach for its debut in 2019, Just Like Heaven has found greener pastures to call home 35 miles north in Pasadena at the Brookside Golf Course adjacent to the Rose Bowl. It’s a proven location for hosting music festivals at this point after holding several large-scale events there before like Shaun White’s inaugural Air + Style and both editions of Goldenvoice’s two-day Arroyo Seco Weekend. But with the AEG-owned company’s other single-day fest Cruel World occupying the site two days the previous weekend and more music festivals like This Ain’t No Picnic scheduled for August, it’s safe to say that the Brookside is becoming quite a hotspot for Goldenvoice of late.

Just Like Heaven, nevertheless, seemingly fits the bill for Goldenvoice CEO Paul Tollett. And though the festival didn’t sell out nor was a second day added this time around, it still felt like quite a success given everything we have endured for more than two years. If anything, it was a brief reminder of what life felt like before the pandemic.

Just Like Heaven 2022 - Peaches


Peaches

While there wasn’t one performance at Just Like Heaven that stood above the rest, there were certainly highlights throughout the day — starting as early as 2 p.m. when Peaches stepped onto the main stage with an array of scantily-clad costumes to celebrate the belated 20th anniversary of her second LP The Teaches of Peaches. For those who got there in time to witness the Canadian electroclash musician in all her glory, it was 50 minutes we’ll never forget as Merrill Nisker delivered one erotic moment after the next alongside her backing band and backup dancers who were wearing as little as her. Sure, hearing Wolf Parade play 2005’s Apologies to the Queen Mary right after wasn’t quite as entertaining, but it did feel apropos given Just Like Heaven’s prior location, setting us up for an evening of classic indie rock.

By the time Franz Ferdinand took the stage for their 5:10 p.m. start, you could tell that the attendance had grown considerably compared to what it was earlier for late-afternoon sets by Kele Okereke, The Hives and Cut Copy. Of course the latter did their best to turn the daytime dance party up a notch with crowd-pleasers such as “Lights and Music” and “Hearts on Fire” off 2008’s In Ghost Colours, but it was Franz Ferndinand, Santigold and Bloc Party who shepherded us through the early evening (and one of them even made us pretend like we were back in 2005 listening to Silent Alarm for the first time again).

One of our only grievances with Just Like Heaven this year was scheduling Chromeo to perform exactly when The Shins were, leaving us less of an opportunity to catch both acts during the sunset. But James Mercer and his sidekicks made the most of it after a long time away from touring, offering 15 cuts across the band’s catalog before finishing with a rare cover of Tom Petty and the Heartbreakers’ “American Girl” as the sun fell behind the San Gabriel Mountains.

From there, the remaining hours of the festival belonged to Modest Mouse, M.I.A. and Interpol. With the first two receiving 60 minutes on their respective stages — Orion and Stardust — each made a point to placate the more casual listener with commercial hits like “Float On” and “Paper Planes” receiving their three minutes in the spotlight. But while some of the songs on Modest Mouse’s 2021 album The Golden Casket don’t translate as well to a live setting as their older material and M.I.A.’s show can often be a bit too bizarre for some, Interpol was there at the end to ground us and bring it all home.

The NYC post-punk revival trio has been on the road for about a month after completing The Other Side of Make-Believe, and although we will have to wait until mid-July for their seventh studio effort to arrive, Interpol did provide a preview of sorts with “Fables” and “Toni” sprinkled into a setlist highlighted by one of our personal favorites “Rest My Chemistry” from 2007’s Our Love to Admire. Yet, it was only fitting on this night for Interpol to also uncork “The Heinrich Maneuver” from the same record that hears frontman Paul Banks ask the audience in the opening lyric, “How are things on the West Coast?” before replying, “I hear you’re moving real fine.” With Just Like Heaven alive and well after a three-year hiatus and new music from Interpol on the horizon, there’s no doubt we are now.

Just Like Heaven boasts stellar 2022 lineup led by Interpol, Modest Mouse, The Shins & M.I.A.

Just Like Heaven - 2022 lineup

Just Like Heaven //
Brookside at the Rose Bowl – Pasadena, CA
May 21st, 2022 //

With California fully reopening last week on June 15th, normalcy is slowly but surely returning to the Golden State. And lucky for us, so is Just Like Heaven.

The one-day music festival put on by Goldenvoice made its debut in 2019 and proved to be an instant success — a second day was actually added after tickets sold out — with Phoenix, Yeah Yeah Yeahs, MGMT, Beach House, Passion Pit, Grizzly Bear, The Rapture, Miike Snow and more invading Queen Mary Park in Long Beach.

But after a two-year absence due to the COVID-19 pandemic, the show is ready to go on again next year and Just Like Heaven has dropped a 2022 roster that should be a dream come true for any indie music fan.

Migrating more than 30 miles north up the 710 Freeway to the Brookside Golf Course at the Rose Bowl, the fest will feature performances by Interpol, Modest Mouse, The Shins, M.I.A., Bloc Party, Franz Ferdinand, Chromeo, Santigold, Cut Copy, The Hives, Wolf Parade (performing their 2005 debut LP Apologies to the Queen Mary), Peaches, !!!, The Raveonettes and more for one Saturday in May. Check out the poster above for the rest of the lineup.

Want to go? Make sure to register for the presale here before GA passes go on sale this Thursday, June 24th at 10 a.m. PT for $139 (Tier 1) and eventually increase to $159 (Tier 2) and $179 (Tier 3). VIP, Saturday Clubhouse and Saturday Clubhouse Platinum tickets, meanwhile, will also be available for $349, $599 and $899 plus fees, respectively.

And while that’s quite a chunk of change to shell out for a bunch of indie artists and bands who might have peaked more than a decade ago, we still can’t remember the last time heaven ever looked this good.

Just Like Heaven 2022 - set times

UPDATE (April 25th): As the days count down to Just Like Heaven’s return in less than a month, this year’s set times have arrived. With the lineup being as stacked as it is, there of course are conflicts to sort out, whether it’s Wolf Parade vs. Kele Okereke, The Hives vs. Cut Copy, Franz Ferdinand and/or Bloc Party vs. Santigold, The Shins vs. Chromeo or Modest Mouse vs. M.I.A. Interpol, meanwhile, will headline as expected with no competition and the entire crowd to itself. Peep the full list above to see who’s playing on which stage and when.

Just Like Heaven 2022 - festival map

Just Like Heaven 2022 - parking map

Our favorite performances from 2018

Best live shows of 2018 - Foo Fighters, NxWorries, Pusha T & Courtney Barnett

Holy smokes, 2018 … you were a blur. Maybe it’s just us, but this year really did fly right by.

Before we officially say hello to 2019 though, it’s time for us to revisit the past 12 months at Showbams. Every year we have the great privilege of witnessing some amazing moments in live music, and this year was no different. While we can’t touch upon every performance we covered in looking back at the year that was, we still managed to see a wide variety of talent over the course of 2018.

Whittling down our list is never easy. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order), all of whom we either covered at their own show and/or at a music festival this year:

Aaron Neville, A.CHAL, Alanis Morissette, Alina Baraz, Allen Stone, Amen Dunes, Aminé, A Perfect Circle, Ari Lennox, A$AP Rocky, Aquilo, BADBADNOTGOOD, The Bangles, Belle & Sebastian, The Beta Machine, Billie Eilish, BØRNS, Carly Rae Jepsen, Cashmere Cat, Childish Major, Chromeo, CHVRCHES, Cigarettes After Sex, Cloud Nothings, Cuco, Cut Snake, CyHi the Prynce, Daniel Caesar, Deap Vally, Destroyer, Diet Cig, Drab Majesty, DRAM, The Dustbowl Revival, Erykah Badu, Fantastic Negrito, Future, Garbage, George Fitzgerald, Gomez, Gov’t Mule, Great Grandpa, Griz, The Growlers, Gucci Mane, HAERTS, H.E.R., Hot Flash Heat Wave, Ibeyi, Iggy Pop, Irma Thomas, Isaiah Rashad, Jaira Burns, Jamie xx, Jeff Goldblum and the Mildred Snitzer Orchestra, Jhené Aiko, John Maus, Josh Ritter & The Royal City Band, Joywave, JPEGMAFIA, Jungle, Kailee Morgue, Kaitlyn Aurelia Smith, Kamasi Washington, Kauf, Kelela, Kikagaku Moyo, Kings of Leon, Kopps, Laff Trax, Lion Babe, Lizzo, Lophile, Lord Huron, Los Lobos, Lucy Dacus, Margo Price, Miguel, Mija, Milk Carton Kids, ModPods, Moses Sumney, The Mother Hips, Mura Masa, Neil Young, N.E.R.D, North Mississippi Allstars, ODESZA, Pale Waves, Paula Frazer and Tarnation, Phantogram, Pharoah Sanders, Pixies, Polo & Pan, POND, Portugal. The Man, The Pretenders, Quicksand, Ravyn Lenae, Rivers Cuomo, The Revolution, Robert Plant, Rory Phillips, RÜFÜS DU SOL, Sabrina Claudio, Salt-N-Pepa, Santigold, Sasha Sloan, Seu Jorge, Shakey Graves, Shame, Shana Falana, Sharon Van Etten, Silk City, Sleigh Bells, Snoh Aalegra, Soccer Mommy, The Specials, The Spook School, Stephen Malkmus & the Jicks, Tame Impala, Tenacious D, Third Eye Blind, Tinashe, together PANGEA, TV on the Radio, Tycho, Typhoon, Uniform, Wafia, Waxahatchee, The Weeknd, Wet, William Tyler, Will Varley, Yen Yen, Zedd

Now, it’s time for The Bam Team to present our favorite performances from 2018.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2018

Listen to The Bam Team’s favorite songs of 2018:


Best of 2018 - Cut Copy

Cut Copy

Date: March 3rd
Location: Exposition Park – Los Angeles

For those in LA who missed Cut Copy 10 months ago when they visited the Shrine Expo Hall with De Lux, Palmbomen II and Cooper Saver also on the bill, their headlining performance last Friday at The Wiltern was another chance to dance the night away upon hearing several classics such as “Need You Now”, “Free Your Mind”, “Future”, “Hearts on Fire” and to close, “Lights & Music”. In fact, the last time that we caught them back in March, a mini downpour erupted at Shaun White’s Air + Style (read our festival review here), but it didn’t phase them. Who said playing — and dancing — in the rain isn’t fun anyway? -Josh Herwitt, photo courtesy of Air + Style


Best of 2018 - Washed Out

Washed Out

Date: March 4th
Location: Exposition Park – Los Angeles

In what was easily the most visually stimulating (and pleasing) show we witnessed at Expo Park, Ernest Greene, who performs under the moniker Washed Out, entranced a completely packed crowd at the smaller Summer Stage with a slew of trippy visuals and his chilled-out tunes. We had been wanting to see Washed Out in SoCal for several months now, ever since Greene released the project’s third LP Mister Mellow last year, and after missing his gig with Nick Murphy at the Shrine Expo Hall in October, we were glad to finally hear him play “Hard to Say Goodbye” (one of our favorite songs of 2017) and “Feel It All Around” live as any loyal “Portlandia” fan would be. With Toro y Moi venturing away from the chillwave movement he helped pioneer, it’s up to Greene to lead the charge, and so far, he has done one hell of a job. -Josh Herwitt, photo courtesy of Air + Style


Best of 2018 - Phoenix

Phoenix

Date: March 4th
Location: Exposition Park – Los Angeles

After what we thought was an underwhelming way to wrap up Day 1, Air + Style closed with a bang thanks to Phoenix’s energizing, 16-song set. The French indie-pop outfit have headlined Coachella before, and it was more than worthy of that billing for this occasion. Kicking things off with the opening track “J-Boy” from their sixth studio album Ti Amo that dropped back in June, Thomas Mars and company gave us exactly what we wanted to hear: a hit-ladden show featuring singles like “Lisztomania”, “Trying to Be Cool”, “Too Young” and “1901”. No, there wasn’t a Daft Punk or R. Kelly appearance — not that we expected one — but Phoenix put an exclamation point on an otherwise successful weekend. We may not have known the quartet could rock that hard after the last time we saw them, but we definitely do now. -Josh Herwitt, photo courtesy of Air + Style


Best of 2018 - Moby

Moby

Date: March 26th
Location: Apogee Studio – Santa Monica, CA

His guitar playing, meanwhile, may be just as impressive, if not surprising to some. Less than two weeks before Moby stepped into Bob Clearmountain’s diminutive recording studio, I was fortunate enough to catch him the final of his three shows at The Echo, and it was there as he performed a variety of songs from Everything Was Beautiful, and Nothing Hurt, Play and a few other albums, that I fully realized just how talented he is with a black Gibson SG in his hands. He may be an electronic musician, but unlike a lot of them today, Moby is a musician in every sense of the word. While his vocals at times sound more like spoken word than actual singing, he has found more than capable sidekicks in Julie Mintz (keyboards, vocals) and Mindy Jones (vocals) to assist him in that department. Jones’ ranging voice, in particular, is one that suits his music well, and when you hear her sing, her pipes elevate the song to a whole new level. -Josh Herwitt, photo by Brian Feinzimer


Best of 2018 - The War on Drugs

The War on Drugs

Date: April 13th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Weeks before The War on Drugs released their fourth LP A Deeper Understanding last year, we were fortunate enough to hear Adam Granduciel and company perform a handful of cuts from the new album in an intimate setting for KCRW. It was then and there that we knew the follow-up to 2014’s Lost in a Dream was another masterpiece, and that impression was only validated when A Deeper Understanding won the Grammy for “Best Rock Album” just a few months ago. On Day 1 of Coachella, the Philadelphia band brought some of those same songs we witnessed at Apogee Studio to life, though sadly, this time “Holding On” wasn’t part of the setlist. But we did get to experience “An Ocean in Between the Waves” in all of its glory, and we still have yet to come across another piece of music in more recent years that will make you want to play air guitar as much as the seven-minute track from Lost in a Dream does. Who said rock was dead? -Josh Herwitt, photo courtesy of Goldenvoice


Best of 2018 - Jamiroquai

Jamiroquai

Date: April 13th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Thirteen years. That’s how long it has been since Jamiroquai last performed in the U.S. With that in mind, there was no way we were going to miss Jay Kay and the rest of his sidekicks in favor of The Weeknd’s headlining performance (sorry, Abel), and after what ended up being close to a 90-minute set from the London nu-funk/acid jazz group, we had no regrets about our decision. The only regret we have is that they ran out of time and didn’t get to play their smash hit “Virtual Insanity” in its entirety, and you could tell Jay Kay felt bad about it as he jumped down from the stage to greet some overjoyed fans after wrapping the show up with “Love Foolosophy” from 2001’s A Funk Odyssey. But while Weekend 2 attendees got the full version of the Travelling Without Moving single, we were treated to a massive surprise when Snoop Dogg came out to rap on “Dr. Buzz” with a huge blunt in his hand. It was the kind of collaboration you never expect to see, except at Coachella of all places. -Josh Herwitt, photo courtesy of Coachella


Best of 2018 - Eminem

Eminem

Date: April 15th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

While we can’t say that we were completely thrilled with Goldenvoice’s choices for this year’s headliners, we were excited to see Eminem finally play Coachella (he had never performed in an official capacity before) and close out the festival on Sunday night. Sure, his newest album Revival didn’t exactly receive rave reviews from critics when it dropped at the end of 2017, but watching one of hip-hop’s most talented emcees run through his hits all while bringing out 50 Cent and Dr. Dre was undoubtedly THE highlight from Day 3. For this “stan,” just crossing Em off my concert bucket list would have been enough to send me home with a smile. Fortunately for those of us who were there though, the real Slim Shady lived up to the hype and more. -Josh Herwitt, photo courtesy of Coachella


Best of 2018 - Big K.R.I.T.

Big K.R.I.T.

Date: April 19th
Location: Echoplex – Los Angeles

At Echoplex, we were treated to the “rapper” and the man himself as bass-heavy party starters like the title-track opener and “Confetti” from 4eva Is a Mighty Long Time got everyone hyped, while Atlanta’s T.I. came out to perform his verse on “Big Bank”. After singling out one excited fan, who was wearing a shirt with a giant picture of his face, during the easygoing “1999” and paying homage to Southern rap pioneers UGK, Big K.R.I.T. took the latter half of his hour-long set to connect with the crowd. -Joseph Gray, photo by Joseph Gray


Best of 2018 - Soulwax

Soulwax

Date: April 19th
Location: The Fonda Theatre – Los Angeles

While Soulwax’s recorded music has always been perfectly enjoyable, in person it becomes something else entirely. Their new, three-drummer lineup was the ideal format to hear new tracks like “Is It Always Binary” while giving older tracks such as “KracK” a newly textured and complex sound. Sitting stage right, drummer Victoria Smith, for one, offered the group some serious personality thanks to her animated facial expressions. -Zach Bourque, photo by Zach Bourque


Best of 2018 - NxWorries

NxWorries

Date: June 16th
Location: The Queen Mary – Long Beach, CA

I fall somewhere in the middle between those two age groups, so it was fitting that the uber-talented rapper/singer/drummer Anderson .Paak had just walked onto the “Free Your Mind” main stage when I showed up. .Paak, 32, wore a smile as expressive as his music, packaged with a bright nautical-themed ensemble. He effortlessly impressed with standouts “Suede”, “Another Time” and “What More Can I Say” off Yes Lawd!, his 2016 LP with Los Angeles hip-hop producer Knxwledge as part of their collaborative project NxWorries (pronounced “No Worries”). The duo’s set would eventually culminate in a playful dance-off between women, which fans showed their appreciation for before .Paak and Knxwledge said their goodbyes. -Joseph Gray, photo by Joseph Gray


Best of 2018 - The Roots

The Roots

Date: June 16th
Location: The Queen Mary – Long Beach, CA

However, anticipation for The Roots kept me at the main stage. It proved to be a wise decision, as their nearly hour-long performance reminded me why the Grammy-winning band is still so revered after more than three decades. Black Thought got the crowd riled up with a 10-minute barrage of lyrical proficiency that so many have come to know as his “Hot 97 Freestyle” after it hit the internet in December and quickly went viral, while his bandmates exuberantly jumped with sousaphones and guitars during “You Got Me” and a number of other hits. But providing a jolt like he only can, the one and only Busta Rhymes showed up for a quick-but-memorable performance of “Put Your Hands Where My Eyes Can See” and “Pass the Courvoisier, Part II”. -Joseph Gray, photo by Joseph Gray


Best of 2018 - Melvins

Melvins

Date: July 16th
Location: Great American Music Hall – San Francisco

I’m far from an expert on this kind of thing (because I’m not), but I didn’t expect to see the Melvins perform with the amount of energy that they showcased. For a band that has been touring and putting out new material for the past 35 years, they performed as if everything depended on it. You weren’t going to catch “King Buzzo” standing in one place for too long, with his signature fro whipping in the wind from the fans that were on the stage, McDonald and Pinkus holding it down on their own instruments, and Crover beating the living hell out of his drums. Fans were ready to receive the band and responded to the various sonic blasts coming from the amplifiers. During the thrashy songs, they formed a brutal pit, and during the sludgier songs, they lit up joints and bobbed their heads to the music. -Andrew Pohl, photo by Mike Rosati


Best of 2018 - Glassjaw

Glassjaw

Date: July 20th
Location: Observatory OC – Santa Ana, CA

Glassjaw’s show covered their entire discography, and very few fan favorites were left off the setlist. While it was to be expected that newer tunes like “Shira” and “New White Extremity” would rock, it was staggering how well their older songs held up in a live setting. Palumbo’s voice, though slightly less manic than it once was, is still unmatched in its vocal range and shear intensity. -Zach Bourque, photo by Zach Bourque


Best of 2018 - Weezer

Weezer

Date: August 8th
Location: The Forum – Inglewood, CA

That’s not to say that Cuomo isn’t a talented musician. In fact, quite the opposite is true. The Harvard grad shreds without question, something I never really realized until he uncorked a number of guitar solos, whether it was during “Buddy Holly” to open Weezer’s performance or “Say It Ain’t So” (with a snippet of Black Sabbath’s “Paranoid”) to put a bow on the show. And while there aren’t many lead singers who can do both, Cuomo certainly remains among some elite company, with Jack White, Trey Anastasio (Phish), Jim James (My Morning Jacket) and Josh Homme (Queens of the Stone Age) also immediately coming to mind. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Florence + the Machine

Florence + the Machine

Date: August 11th
Location: Golden Gate Park – San Francisco

There was a bit of controversy surrounding Saturday’s main slot as Florence + the Machine officially made the move to full-blown festival headliner. Some festivalgoers had their own doubts after FYF Fest 2018 was canceled with a near-identical top billing, but Florence and her bandmates proved, many times over, that she is more than capable of commanding any stage as her energy is unlike many others. She debuted a brand-new show, which featured “June” in the opening slot and was book-ended by “Big God” and “Shake It Out” for a two-song encore. -Kevin Quandt, photo by Norm de Veyra


Best of 2018 - Janelle Monáe

Janelle Monáe

Date: August 12th
Location: Golden Gate Park – San Francisco

The incomparable Janelle Monáe was a tad late to take the stage, as she was fighting off a stomach bug, but when she did, she captivated the masses with a suite of tracks from her most recent release Dirty Computer and tossed in a fair amount of costume changes over a nearly hour-long set. Monáe proved that she’s easily one of the best in the business at the moment and will only continue to climb upwards. -Kevin Quandt, photo by Norm de Veyra


Best of 2018 - Deafheaven

Deafheaven

Date: August 18th
Location: The Wiltern – Los Angeles

Fortunately, Deafheaven haven’t bowed to convention or criticism. Their fourth studio album Ordinary Corrupt Human Love, which ANTI‐ released last month, is their arguably their most experimental to date, spanning more than an hour over seven songs. There’s a sense of angst and nostalgia in the music that leans far more positive and hopeful than their previous work. There are still echoes of black metal at times, but you can feel this is a band that’s embracing its differences instead of defending them. -Zach Bourque, photo by Zach Bourque


Best of 2018 - Jack White

Jack White

Date: August 19th
Location: Santa Barbara Bowl – Santa Barbara, CA

Yet, for as eclectic and wide-ranging as White’s output has been over two decades, it’s the unpredictable nature of his live shows that makes them so intriguing to see. This time, we were treated to a rare cover of The Stooges’ “T.V. Eye” from their 1970 album Fun House, as well as a number of fan favorites, from set closer “Ball and Biscuit” to an eight-song encore that featured “Icky Thump” (with some amusing “Icky Trump” messaging), “Steady, as She Goes” (with a snippet of Richard Berry’s 1955 song “Louie Louie”), and of course, what has easily become the biggest stadium anthem in the world, “Seven Nation Army”. And though the show didn’t conclude without a few hiccups during some of White’s improvised playing between songs, he hasn’t lost his unique ability to surprise an audience — whether it means bringing out his mother in Detroit to perform “Hotel Yorba” with him or covering Pearl Jam’s “Daughter” in Seattle — at any given moment, especially when we all aren’t staring down at our phones. -Josh Herwitt, photo courtesy of Jack White


Best of 2018 - David Byrne

David Byrne

Date: August 22nd
Location: Bill Graham Civic Auditorium – San Francisco

As the show progressed into his songs “Here” and “Lazy”, Byrne’s band joined him onstage. The light changed and filled in the stage, giving the audience a happier tone and providing a seamless transition into a Talking Heads interlude. Then, later on during “Blind”, one of the more stunning visual elements was made possible by a simple lamp that was placed in front of the band, casting whirling shadows on the strands of beads hanging behind them. -Tim O’Shea, photo by Tim O’Shea


Best of 2018 - The National

The National

Date: September 20th
Location: Hollywood Palladium – Los Angeles

Right before that final aforementioned single, they brought out Phoebe Bridgers to help them perform “Sorrow” from 2010’s High Violet, as Berninger and the 24-year-old singer-songwriter, who said during her brief opening set that The National were her favorite band, traded vocals on the tune they once played 105 times in a row, with the performance at an art installation in New York lasting all of six hours. We weren’t quite as fortunate to get that kind of show in LA, as The National opted for one of their more traditional, two-hour events. But whether you’ve been a fan from the start or one like myself who arrived rather late to the party, The National continue to make some of the most compelling music in rock, expanding their fan base with each and every album they release. That’s the sign of any good band these days, and though there’s only a handful of others that could even say the same right now, The National should take comfort in knowing they’re one of those select few. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Grizzly Bear

Grizzly Bear

Date: September 23rd
Location: Hollywood Bowl – Los Angeles

Similarly, the gig also marked one of Grizzly Bear’s last performances in support of their fifth LP Painted Ruins, which they released last year on RCA Records, and having already played a two-night run at The Wiltern back in December, this was more of a victory lap than a coming-out party. Unfortunately for us, the five-piece had to cut things short due to the venue’s strict Sunday night curfew, ending on a rather sudden note. That’s just part of the deal at the Bowl, though. For those of us who have to work on Monday morning, it’s actually more of a blessing in disguise than a disservice to the overall concert experience as we’ve come to realize. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Courtney Barnett

Courtney Barnett

Date: October 5th
Location: Greek Theatre – Los Angeles

When she wasn’t sharing the spotlight with Waxahatchee, Barnett was sharing it equally with the rest of her stellar backing band, but it was mostly just difficult to take your eyes off of her. Everything she does feels casual, from her outfit to her guitar playing, slinging her instrument around like it was an extension of herself. Even her delivery of the wrenching reality that the 30-year-old Australian singer-songwriter articulates so well is casual, singing like the end of the world isn’t a mere 22 years away. -Rochelle Shipman, photo by Rochelle Shipman


Best of 2018 - Greta Van Fleet

Greta Van Fleet

Date: October 6th
Location: Glen Helen Regional Park & Festival Grounds – San Bernardino, CA

By the time we got through security and stepped inside the gates, Manchester Orchestra had just finished their 45-minute set on the main stage, which essentially was the 65,000-person Glen Helen Amphitheater that was constructed back in 1982 for the first US Festival. Next up was Greta Van Fleet, and boy, do these kids know how to rock. Zeppelin clearly runs deep in these four Michiganders’ veins, as they showcased songs off their forthcoming debut album Anthem of the Peaceful Army with frontman Josh Kiszka commanding the stage and offering his best Robert Plant impression. He even dresses the part, sporting some tight, white jeans with a water-colored blouse and necklace of feathers while his brothers Jake and Sam wore vests or shirts that looked like what you would find at a vintage clothing store. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Foo Fighters

Foo Fighters

Date: October 6th
Location: Glen Helen Regional Park & Festival Grounds – San Bernardino, CA

As the Foos left the stage for their encore break, we waited patiently for them to return. The crowd, by now, had been taken for a two-hour ride with Grohl firmly at the wheel, pumping adrenaline into our veins with every minute that passed as the Foo Fighters know how to do so well during their usual two-and-a-half-hour jaunts. The video screens on each side of the stage were black until suddenly some backstage footage appeared showing Grohl with Krist Novoselic and what looked like Joan Jett. All of that would end up coming true in the last 30 minutes of Cal Jam 18, but it was a six-song encore with Grohl on drums, Novoselic on bass, the Foo Fighters’ Pat Smear on guitar and Deer Tick frontman John McAuley on both vocals and guitar as Kurt Cobain’s fill-in who got us hyped. Nirvana fans have waited 25 years for a reunion since Cobain’s sudden passing, and when you put it in perspective, it will probably go down as one of the year’s biggest surprises, even at a time in music when many industry experts say that rock now stands in the shadows of hip-hop and EDM. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Pusha T

Pusha T

Date: October 13th
Location: Middle Harbor Shoreline Park – Oakland

But U.S. Girls were the highlight of the weekend for us. A nine-piece experimental pop act, they put on a stunning 45-minute set that culminated in an entrancing rendition of “Time”, the closing track on their critically acclaimed studio effort In a Poem Unlimited, that lasted more than 10 minutes. The energy, instrumentation and vocal capabilities were absolutely stunning. Easily one of this year’s most exciting new acts, and we can’t wait to catch them again soon. -Brett Ruffenach, photo by Brendan Mansfield


Best of 2018 - U.S. Girls

U.S. Girls

Date: October 14th
Location: Middle Harbor Shoreline Park – Oakland

But U.S. Girls were the highlight of the weekend for us. A nine-piece experimental pop act, they put on a stunning 45-minute set that culminated in an entrancing rendition of “Time”, the closing track on their critically acclaimed studio effort In a Poem Unlimited, that lasted more than 10 minutes. The energy, instrumentation and vocal capabilities were absolutely stunning. Easily one of this year’s most exciting new acts, and we can’t wait to catch them again soon. -Brett Ruffenach, photo by Josh Withers


Best of 2018 - Daniel Caesar

Showbams_Sticker_Rectangle2

Dancing the night away with Cut Copy in LA

Cut CopyBy Josh Herwitt //

Cut Copy with Kauf //
The Wiltern – Los Angeles
September 7th, 2018 //

Cut Copy are no strangers to LA. If you didn’t know any better, you might think the synthpop outfit that spawned out of Dan Whitford’s solo DJ project actually lived in the City of Angels.

But the Australian four-piece undoubtedly enjoys coming to California every time it drops a new album, and with the release of their fifth LP Haiku from Zero nearly a year ago now, the past 12 months have been action-packed for Whitford (vocals, keyboards, guitar), Tim Hoey (guitars), Ben Browning (bass, vocals) and Mitchell Scott (drums, vocals).

Cut Copy

For those in LA who missed Cut Copy 10 months ago when they visited the Shrine Expo Hall with De Lux, Palmbomen II and Cooper Saver also on the bill, their headlining performance last Friday at The Wiltern was another chance to dance the night away upon hearing several classics such as “Need You Now”, “Free Your Mind”, “Future”, “Hearts on Fire” and to close, “Lights & Music”. In fact, the last time that we caught them back in March, a mini downpour erupted at Shaun White’s Air + Style (read our festival review here), but it didn’t phase them. Who said playing — and dancing — in the rain isn’t fun anyway?

Nevertheless, Cut Copy always know how to throw one of the best dance parties in the biz, and though they just finished their latest tour with three West Coast shows in LA, Berkeley (supporting Phoenix) and Portland last weekend, it’s plausible that these Aussies could be back in the states next year for some more dates, particularly once festival season officially returns. Until then, this one should hold us over.

Setlist:
Need You Now
Black Rainbows
Visions
Nobody Lost, Nobody Found
Airborne
Living Upside Down
Free Your Mind
Counting Down
Future
Pharaohs & Pyramids
Hearts on Fire
Standing in the Middle of the Field
Take Me Over
Out There on the Ice

Encore:
Meet Me in a House of Love
Lights & Music

Five highlights from Shaun White’s Air + Style 2018

Air + Style 2018Photos courtesy of Air + Style // Written by Josh Herwitt //

Shaun White Presents Air + Style //
Exposition Park – Los Angeles
March 3rd-4th, 2018 //

When three-time Olympic gold medalist Shaun White launched his first Air + Style contest on U.S. soil three years ago in Pasadena (read our review here), it had plenty of kinks to work out like any brand-new event has nowadays. Half snowboard competition and half music festival, Air + Style offered a different twist for those who enjoy a side of extreme sports with their live music, or vice versa.

And in many ways, it still does. Because when you get right down to it, there aren’t a whole lot of events out there, if any, where you can catch some of the best snowboarders in the world go big while also taking in performances from top-notch artists and bands across a wide-range of musical genres. There’s the X-Games of course, but after that, there’s not much else.

White, in that regard, has certainly created something fun and unique in a short amount of time. But as we realized upon arriving at Exposition Park for Air + Style’s fourth installment here in LA, it wasn’t hard to see that there’s a heavy emphasis placed on the music. Maybe it felt that way because this year marked the first time there was no big air event (and we were rather disappointed to find that out on Day 1), even if the consolation prize was moving to a street-style course for the snowboarders and adding skateboarding, which was another first for Air + Style’s LA edition. Or, maybe it was a Coachella-like lineup headlined by Zedd and Phoenix, coupled with the size of the two stages, that made it feel like so many other major music festivals in Southern California that we have previously attended. Even Phantogram frontwoman Sarah Barthel said it herself, calling Air + Style a “mini Coachella” during the group’s hour-long set on the ginormous Winter Stage.

Either way, in a city with so much to do and an overwhelming amount of options when it comes to live music, it’s impressive to see Air + Style still going strong and drawing large crowds like it did this year. It may have been just another way for “The Flying Tomato” to party with friends and celebrate his latest Olympic gold from Pyeongchang, but for us, it served as an opportunity to see some of our favorite musicians in action and catch some others we’ve been eager to check out for a while (more on that below). So, with that said, these are our five highlights from Air + Style 2018.


Air + Style 2018 - Cut Copy

Cut Copy

Whenever Australian four-piece Cut Copy come to town, you know you’re in for a dance party. But a rainy dance party? That’s something that none of us, including frontman Dan Whitford, saw coming. What blindsided all of us was an epic, approximately 10-minute downpour right in the middle of their set. And they thought it never rains in LA! Sorry, Danny boy … but well, it does — you know, every once in a while. As Whitford told the crowd, it was kind of amazing that their equipment didn’t short out, as we were treated to a lot of the usual favorites such as “Hearts on Fire” and “Lights and Music” as well as a few off 2017’s Haiku from Zero, including “Black Rainbows” and “Standing in the Middle of the Field”. For as many times as we’ve seen these guys take the stage over the years, they always seem to deliver — rain or shine.


Air + Style 2018 - DRAM
DRAM

Considering that we wouldn’t exactly call ourselves huge fans of Zedd, Saturday’s bill felt a bit lackluster compared to Sunday’s. But one of the biggest surprises from the weekend proved to be DRAM, who was on a mission to “spread love” while at Air + Style. With so many examples of hate and violence in recent months, it was an important reminder for all of us no matter the setting, and in this case, White’s festival seemed as good as any for Shelley Massenburg-Smith to promote more positivity. DRAM’s performance, though, was more than just one big love fest — rather, it felt like a celebration of life as he performed “Cute” and later “Broccoli” (even if it was sans Lil Yachty), eventually making his way into the crowd to show his fans some more … why yes, love. Keep spreading those good vibes, Big Baby DRAM. We’re all for it.


Air + Style 2018 - Washed Out

Washed Out

In what was easily the most visually stimulating (and pleasing) show we witnessed at Expo Park, Ernest Greene, who performs under the moniker Washed Out, entranced a completely packed crowd at the smaller Summer Stage with a slew of trippy visuals and his chilled-out tunes. We had been wanting to see Washed Out in SoCal for several months now, ever since Greene released the project’s third LP Mister Mellow last year, and after missing his gig with Nick Murphy at the Shrine Expo Hall in October, we were glad to finally hear him play “Hard to Say Goodbye” (one of our favorite songs of 2017) and “Feel It All Around” live as any loyal “Portlandia” fan would be. With Toro y Moi venturing away from the chillwave movement he helped pioneer, it’s up to Greene to lead the charge, and so far, he has done one hell of a job.


Air + Style 2018- Griz

Griz

Gosh, we can remember when Grant Kwiecinski, aka Griz, was first starting out and opening for his buddies in Big Gigantic more than five years ago. Fast forward to now, and the 27-year-old Detroit native has climbed higher and higher up the festival ladder. Melding hip-hop and electronic music to create his own future-funk sound, Kwiecinski knows how to get the party going with various elements of trip-hop, dubstep and glitch-hop all sprinkled into his tracks, but it’s his jazzy saxophone solos — and some slick guitar work from his sidekick/childhood friend Muzzy Bearr (born Dan Hacker) — that adds another element to the final product. And then there’s his stage production, which Kwiecinski has clearly taken up a few notches as the huge screen on the Summer Stage flashed psychedelic images that would also poke fun at the current state of American politics. After all, what kind of music festival would it be without a few Donald Trump references?


Air + Style 2018 - Phoenix

Phoenix

After what we thought was an underwhelming way to wrap up Day 1, Air + Style closed with a bang thanks to Phoenix’s energizing, 16-song set. The French indie-pop outfit have headlined Coachella before, and it was more than worthy of that billing for this occasion. Kicking things off with the opening track “J-Boy” from their sixth studio album Ti Amo that dropped back in June, Thomas Mars and company gave us exactly what we wanted to hear: a hit-ladden show featuring singles like “Lisztomania”, “Trying to Be Cool”, “Too Young” and “1901”. No, there wasn’t a Daft Punk or R. Kelly appearance — not that we expected one — but Phoenix put an exclamation point on an otherwise successful weekend. We may not have known the quartet could rock that hard after the last time we saw them, but we definitely do now.

Lo Moon are officially LA’s newest buzz band after their sold-out show at the Troubadour

Lo MoonBy Josh Herwitt //

Lo Moon with Psychic Twin //
Troubadour – West Hollywood, CA
November 16th, 2017 //

If there’s one public radio station in Los Angeles that always seems to have its finger on the pulse of all things music, it’s KCRW.

The NPR member station broadcasting from Santa Monica College has long had a penchant for discovering some of today’s most buzzworthy bands, and since 1977, its signature music program “Morning Becomes Eclectic” has played an instrumental role in maintaining what has been a strong track record for years. In fact, quite a few up-and-coming acts have come out of KCRW’s own backyard, whether it has been indie-rock groups like Silverlake’s Local Natives or solo artists such as Inglewood-bred jazz virtuoso Kamasi Washington.

But the latest group from the City of Angels to catch the station’s eye has been Lo Moon, the atmospheric, yet soulful indie-electronic trio that has only officially released three songs to date. One of them is called “Thorns”, which opened their sold-out show last Thursday at the Troubadour. With KCRW sponsoring the event, Illinois native/now LA transplant Erin Fein’s dreamy, synth-pop project Psychic Twin paved the way for the evening’s headliner, as a half-empty room prior to 9 p.m. turned into a crowded one 30 minutes later.

Despite what they call home right now, Lo Moon don’t consider themselves an “LA band,” at least not yet. All three full-time members — Matt Lowell (guitar, keyboards, vocals), Crisanta Baker (bass, keyboards, vocals) and Sam Stewart (guitar, keyboards, vocals) — arrived in LA from different parts of the world and wrote most of their forthcoming debut LP that’s due out next year in Seattle, a city Lowell says helped shape the album’s overall sound.

Lo Moon

Lo Moon, sonically, can be somewhat difficult to pin down. With a range of influences, their music has drawn comparisons to many of the UK’s biggest bands: Talk Talk, Cocteau Twins, My Bloody Valentine, Radiohead, Massive Attack and The xx, among others. That’s certainly some impressive company to be mentioned in when you get right down to it, especially for a band that took several months to unveil its second song. But Lo Moon have much more than just comparisons to hang their hat on at this point. The three-piece, for one, has inked a deal with Columbia Records and gotten the attention of former Death Cab for Cutie guitarist Chris Walla, who has since signed on to produce its first full length.

Lately though, Lowell, Baker, Stewart and touring member Sterling Laws (drums) have been hitting the road with some pretty big names, including AIR (read our show review here) and Phoenix, with shows lined up next month as support for London Grammar, Wilco frontman Jeff Tweedy and The War on Drugs. With those kind of opportunities this early in the band’s career, don’t be surprised if you find Lo Moon listed on the 2018 Coachella lineup in January.

Back at the Troubadour, Lo Moon ran through a number of tracks that we can expect to hear on their upcoming release, performing “The Right Thing” for the first time before closing the set on a high note with “This Is It”, their sophomore single that you could mistake for a Peter Gabriel song if you didn’t know any better. There’s no question Lowell and company have an affinity for synthesizers, and the limited studio material they’ve revealed so far suggests that. But what also makes them stand out is Lowell himself, who offered a poignant solo rendition on the piano titled “All In” to kick off the band’s brief encore.

Of course, as Lo Moon fans know or will come to know, the show couldn’t have ended without the song that started it all: “Loveless”. The sprawling, seven-minute anthem, which hooked a major record label, an A-list producer and listeners all over the world, is what initially put the threesome on the map, and with Laws’ drum rolls delivering one powerful crescendo after the next down the stretch, the crowd came visibly alive like it hadn’t all night. Sure, this may only be the beginning for these guys, but LA’s newest buzz band knows how to shoot for the moon.

Setlist:
Thorns
The Right Thing (live debut)
Wonderful Life
TTMYMO
Real Love
My Money
Camouflage
This Is It

Encore:
All In (Matt Lowell solo on piano)
Loveless