Coachella drops 2018 set times & map changes

Coachella 2018

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 13th-15th & April 20th-22nd, 2018 //

Breathe easy, Coachellans. All of your scheduling conflicts have finally arrived.

The three-day, two-weekend music and arts festival has delivered this year’s set times just after 7 p.m. PT (7:02 p.m. to be exact), precisely one hour later than it did in 2017.

Part of going to Coachella is having to make some tough decisions when it comes to choosing which artists to see, and veterans like ourselves have become quite used to experiencing this #FirstWorldProblem over the years.

But now that the cat is out of the bag, you can start mapping out your 2018 schedule if you’re headed to the Empire Polo Club this weekend.

So, what’s your biggest conflict on this year’s schedule and who are you most excited to see?

WEEKEND 1 SET TIMES

Coachella 2018 - Friday set times

Coachella 2018 - Saturday set times

Coachella 2018 - Sunday set times

WEEKEND 2 SET TIMES

Coachella 2018 - Friday set times

Coachella 2018 - Saturday set times

Coachella 2018 - Sunday set times

Over the last several years, it has become more common to see the folks at Goldenvoice make some slight tweaks to Coachella’s Weekend 2 set times after the first weekend ends (the most notable might have been in 2015 when Florence Welch broke her foot during her performance Sunday on the main stage), and the same has proven to be the case in 2018, starting on Day 1 with Benjamin Clementine’s set being moved from the Gobi Tent to the Coachella Stage. Rick G., meanwhile, has been moved into Clementine’s 1:30 p.m. slot in the Gobi Tent, with DMM no longer preceding it at 12:30 p.m.

Some other noteworthy changes for Friday are Fisher, who didn’t perform during Weekend 1 but will replace B.Traits in the Yuma Tent, and Late Night Laggers, who were the first act to perform in the Sahara Tent on Day 1 but won’t be back for Weekend 2. Absent from Friday’s Mojave Tent lineup is Smiles Davis, which consequently has pushed Francesa Harding’s set back to 12:25 p.m., and Chulita Vinyl Club has replaced Jim Smith.

On Saturday, hip-hop producer Ahwlee will fill in for Salami Rose and Joe Lewis in the Mojave Tent, while Ron Gallo has been moved from the Gobi Tent, which lost Birdtastique and added Loboman, to the Sonora Stage, where Bane’s World, Otoboke Beaver and Mild High Club have all moved back one hour and five minutes to make up for the loss of R.O.C. Furthermore, Feel Good Green has replaced Palm Desert DJ Alf Alpha at the Outdoor Theatre, and Mexico City’s N.A.A.F.I. has been added to the Sahara Tent lineup in place of Jimbo Jenkins. The Coachella Stage also now has an eighth performer, with Gabe Real + Juicewon kicking things off at 1:25 p.m. on Day 2.

The third and final day of the festival’s second weekend sees the removal of Gabe Real from the Coachella Stage, leaving LION BABE as its first act to perform, while Los Angeles-based producer nostradahm will fill in for Juice won at the Outdoor Theatre. In the meantime, the Gobi, Mojave and Sahara Tents will each have new openers on Sunday: mr. rotu (replacing Phantom Thrett), VNSSA (replacing Pax) and EMME (replacing CVSS), respectively. And we couldn’t not mention that Jessie Ware’s set at the Outdoor Theatre has been moved back 15 minutes (as well as MAGIC GIANT’s by 10 to 2:25 p.m.), meaning that Weekend 2 attendees will have to settle for only 35 minutes from the UK singer-songwriter rather than 50.

Coachella 2018 - Weekend 2 set time updates

UPDATE (April 20th): Weekend 2 changes! Goldenvoice has announced some more tweaks to the schedule, with Jessie Ware moving from the Outdoor Theatre at 5:55 p.m. on Sunday to the Coachella Stage at 2:50 p.m. on Saturday (we have to think it has something to do with Cardi B performing around the same time after she drew one of the biggest crowds during Weekend 1). The other alterations are related to Sunday’s set times in the Sahara Tent, as Illenium (now at 6:35 p.m.) and French Montana (now at 8:05 p.m.) have switched places. Petit Biscuit will still precede both at 5:10 p.m., while chart-topping hip-hop trio Migos are expected to hit the stage at 9:30 p.m., although we’ll see if they’re a little more punctual this time compared to the first weekend of the festival, technical difficulties and all. Of course, we recommend downloading the Coachella app on your mobile device to receive the latest updates if you’re out in Indio for the festivities.

MAP

Several hours before revealing its Weekend 1 set times, the festival unveiled this year’s map, and it looks quite a bit different in comparison to some of Coachella’s past editions.

Last year, Coachella made some notable changes to its map, with the Mojave and Gobi Tents switching places and the addition of a third VIP section named “Hacienda Del Toro” that sat in between the Gobi and Sahara Tents. Goldenvoice even offered an updated location for the GA beer garden on that side of the polo field, which was supposed to improve the traffic flow behind the Sahara Tent, though we’re not sure it totally worked to be honest.

Now, the Mojave Tent has been moved far away from the Gobi Tent and into the same area that the Sahara Tent once occupied (next to the VIP Rose Garden). In its place will be the Sonora Stage, which Coachella introduced last year, with the third VIP section (no longer named “Hacienda Del Toro”) directly behind it rather than off to the side. The Gobi Tent, meanwhile, has moved back to its old confines closer to the Outdoor Theatre, where the Mojave Tent was located just a year ago.

Coachella - 2018 map

Another brand-new addition for Goldenvoice’s signature event is the Indio Central Market, a covered food hall that will feature 15 different restaurants and be situated behind the Sonora Stage. Inside will not only be New York City burger chain Shake Shack for the very first time, but also street food stand Cena, Moby’s vegan restaurant Little Pine and David Chang’s fried chicken sandwich shop Fuku. So, make sure to come hungry if you’re going to Coachella this year — we know we will.

But the biggest modification to the fest’s layout has to be the Sahara Tent’s new home after seeing the massive stage outgrow its longstanding location over the last decade. Positioned next to the main entrance, it will sit just in front of the Cantina and Beer Barn with the iconic ferris wheel and The Do LaB Stage nearby. And from what we can decipher by looking at the map, it appears that the Sahara Tent will be not as long as it used to be, but instead wider, a structural adjustment that was likely made to fit the space within the grounds.

We’ll make sure to give our two cents about these changes and much more when we return from the desert to share our favorite moments from this year’s installment, but as we often like to say around this time … Happy Coachella!

Coachella wastes no time, revealing 2018 lineup headlined by The Weeknd, Beyoncé & Eminem

Coachella - 2018 lineup

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 13th-15th & April 20th-22nd, 2018 //

Well, that didn’t take long.

Just one day into the New Year, and Coachella has already revealed its 2018 lineup, signaling to music fans worldwide that festival season isn’t far off.

After it was reported almost two weeks ago that this year’s headliners would be The Weeknd, Beyoncé and Eminem, that indeed will be the scenario, marking the first time in all 19 years that the three-day, two-weekend event won’t have a rock act topping its bill (a real sign of the times as some might say). Coachella’s 2018 edition will also serve as Beyoncé’s official debut after being forced to cancel last year due to pregnancy, as well as Eminem’s (the only time he has appeared was as a guest back in 2012 during Snoop Dogg’s and Dr. Dre’s headlining set). The Weeknd will be back on the polo fields for the first time since 2015, when the R&B singer closed the main stage on Saturday night as a sub-headliner after Jack White’s headlining slot.

Other notable names listed on the festival’s famed poster this year include HAIM, ODESZA, Kygo, Jamiroquai, Portugal. The Man, David Byrne, St. Vincent, The War on Drugs, alt-J, A Perfect Circle, Fleet Foxes, Chromeo, MØ, Chic feat. Nile Rodgers, Kamasi Washington and Jungle. The undercard, meanwhile, does feature some buzzworthy indie-rock acts such as Perfume Genius, BØRNS and King Krule, but as was the case in 2017, there continues to be more of a focus on hip-hop and R&B, as evidenced by this year’s headliner selections along with the second-line poster placement of SZA, Tyler, the Creator, Migos, Vince Staples, Post Malone, Cardi B and Miguel.

Coachella’s first weekend is scheduled for April 13th-15th, with its second weekend slated for April 20th-22nd. All tickets will go on sale for both weekends this Friday, January 5th at Noon PT here.

Got your sights set on the California desert this April? Relive our five favorite moments, from Radiohead to Kendrick Lamar, after last year’s festival.

Coachella 2017

Missy Elliott, Björk, Frank Ocean & Nine Inch Nails to headline FYF Fest 2017

FYF Fest - 2017 lineup

FYF Fest //
Exposition Park – Los Angeles
July 21st-23rd, 2017 //

Year after year, FYF Fest has continued to pull bigger and better artists. And this summer, that trend will continue as FYF moves up a whole month and expands from two to three days with Missy Elliott, Björk, Frank Ocean and Nine Inch Nails set to headline the festival’s 14th annual edition after last year’s impressive lineup.

Now in July but still returning to Exposition Park near downtown LA, FYF will also include performances from A Tribe Called Quest, Erykah Badu, Iggy Pop, Solange, Run the Jewels, Flying Lotus, .Anderson Paak & The Free Nationals, MGMT, Nicolas Jaar, Slowdive, Angel Olsen, Little Dragon, Kehlani, Majid Jordan, King Krule, 6lack, Sleep, Thundercat, Blonde Redhead, The Drums, Grandaddy, The Black Madonna, Mura Masa, Ty Segall, Seun Kuti & Egypt 80, The Faint, Cap’n Jazz, BADBADNOTGOOD, Motor City Drum Ensemble, Noname, John Talabot, Beach Fossils, DJ Harvey, Temples, Perfume Genius, Thee Oh Sees, Whitney, Tiga, Hundred Waters, Moses Sumney, Mitski, Joey Purp, S U R V I V E, Horse Meat Disco, Kamaiyah, Cherry Glazerr and more. Check out the poster above for the rest of the lineup.

This will be the first time performing at FYF for all four headliners, though some might recall that Frank Ocean had to cancel the week of the fest in 2015 (and was replaced by Kanye West) after originally earning top billing next to Morrissey. Missy Elliott and Björk will co-headline Friday’s bill, while Frank Ocean and Nine Inch Nails will serve as the main acts for Saturday and Sunday, respectively. For the record, FYF marks Elliott’s only scheduled show so far this year while Blonde Redhead will use their set to perform their 2000 album Melody of Certain Damaged Lemons in its entirety. It will also be Motor City Drum Ensemble’s first show in the U.S. since 2010 as well as the U.S. debuts of Helena Hauff and Nadia Rose. And as you might have noticed from scanning the lineup, comedy will be back at the festival for the first time since 2013 compliments of Hannibal Buress.

Produced in association with LA concert promoter Goldenvoice, FYF will sell weekend passes for $299, with single-day passes also available for $125 and weekend VIP passes available for $549. Tickets can be purchased starting this Friday, March 24th at 12 p.m. here, and payment plans will once again be offered — this time in four stages.

2017 FYF Fest postcard

King Krule: From the bedroom to the big rooms

King-Krule_post

Photos by James Nagel (from 12/16/13 show) // Written by Kevin Quandt

King Krule with TOPS
The Independent – San Francisco
December 17, 2013

As the state of the music industry continues to shift to places unknown, it begins to usher in a new era of talent and artist viability where artists are able to promote themselves to the world without help from big labels and agencies. Young Archy Marshall was not unlike other suburban London youths as he wrote of his teenage troubles and strummed his guitar in his bedroom till the wee hours. He eventually started to track these songs in the same space, which led to self-released EPs that began to garner attention on the internet outlets so many frequent. From there, a star was born. In the short few years since King Krule, aka Zoo Kid, has been on the musical radar, he has grown from bedroom crooner to sell-out inducing star.

King-Krule_post1

The second of two capacity nights at the Independent captivated many, while the other handful lost themselves to the soulful music pumping from the stage in an effortless manner. At five till ten, the eclectic-looking band of players casually strolled out and launched into the set with little recognition of the crowd, which would eventually become a theme. Opening with “Has This Hit?” it was evident that the young leader had gained much stage experience in the past year-plus. Once removing his guitar, Archy was free to grab the mic and explore the stage while loosening up to “Bleak Bake”, a favorite off of his EP that features a beat comparable to Toro Y Moi on a desert island. Obviously, the star of the song, and show overall, is Archy’s sublimely dynamic vocals.

In a year of music where talented singers came crushing from the British Isles in the form of Jessie Ware, James Blake and London Grammar, it was no surprise that King Krule received equal accolades for his characteristic pitch, and growl, that all comes together so pleasingly. “The Krockadile” was especially strong on stage as rhythmic guitar flourishes punctuated a jazzy beat, this was all topped off with the unique vocal phrasing and pitch shifts. At times i couldn’t ignore an odd comparison that kept on creeping into my psyche, and that was of similarities to the late Amy Winehouse. The effortlessness of their talent is hard to ignore while combining elements of the past with a fully contemporary perspective.

King-Krule_post

In the middle of the set the band featured “Noose of Jah City”, the spotlight track off his previous EP that received accolades and repeat listening, alike. “Baby Blue” led into “Cementality” which featured Archy sitting at the keys. “Easy Easy” proved to be a crowd favorite as he seemed to leave the majority of the fireworks till the second half of a near-hour long set as the band added slight interludes and solos that allowed the gifted players to stretch their legs and show off their respective chops. Banter was sparse, as the 19 year old seemed so ingrained in the task at hand. The encore would feature the ballad-leaning “Portrait in Black and Blue”, before the quartet ended a massively successful multi-day run at one of San Francisco’s heralded rooms.

Showbams’ top tracks of 2013

Best-tracks-post

Sometimes the more music you listen to, the feeling of missing out on a song or an album can make you feel a little neurotic. You simply can’t give every piece of good music it’s proper due. So when it comes to picking your favorite songs, a safe bet is to pick the songs that not only soundtracked your year but also helped define it.

Showbams presents our Contributor top tracks of 2013. What are your favorite tracks of this dwindling year? Holler with links in the comment section…


James Blake at Treasure Island Music Festival 10/19. Photo by Marc Fong.

James Blake at Treasure Island Music Festival 10/20. Photo by Marc Fong.

Mike Frash // Founder, Editor, Columnist // @MikeFrash

01. James Blake – “Retrograde”
“Retrograde” perfectly represents the state of music in 2013, providing an amalgamation of cutting edge electronic, bass & R&B sensibilities. Also, the track is hauntingly memorable — How many contemporaries can use their pitch-shifting croon-hum as a low melodic layer like this? Lyrically, manipulative seduction is the center piece as Blake propositions his subject, asking to “show me where you fit.” Retrograde means ‘moving backwards’, and the theme is splendidly represented in the song’s payoff through elongated synth that modulates enough to sound like slow degradation.


02. Disclosure – “When A Fire Starts To Burn”
The mantra of the year, “When A Fire Starts To Burn” can ignite a party or help work get done faster. Somehow the motivational speech sample never tires, and it’s one of the only samples on Settle, proving the keen production sense Guy and Howard Lawrence have ingrained in them. The simple four on the floor house beat slightly evolves every 16 bars, allowing the sample to dominate throughout. An instant classic, it’s a track that uses long-used underground themes and brings them to the forefront as Disclosure continues to explode with popularity.


03. Arcade Fire – “Afterlife”
The penultimate song from Reflektor explicitly stares death in the face and dares you to live. More than any other song on the record, “Afterlife” successfully digs into the idea of what happens when we die in Arcade Fire’s serious, intense style. The song offers multiple rhetorical questions that function as a challenge. Our time is finite, and love should be the focus. “It’s just an afterlife with you…”


04. Foals – “Milk & Black Spiders”
So much of Foals’ music is about being on the verge of total loss, although the message is almost always vague. A far cry from yelling at “Cassius” that she’s “second best”, “Milk & Black Spiders” centers on the idea of confidence in finding the right mate and openly admitting it. Found in an album full of potential top tracks, this cut contains the best moment of the album at about 3:30. Is it hyperbole to consider this one of the most euphoric crescendo of all time?


05. my bloody valentine – “in another way”
To be truly understood, my bloody valentine needs to be felt, not only heard. To experience MBV live or in the comfort of your living space like the Maxwell Guy is encouraged (although it may be too late to catch them live). The sound is jarring at first, but upon adapting to the volume level, “in another way” transforms into magnificent hypnotism once the first major chords hit. It’s like a persistent, awesome airplane is taking off in your face, in a very good way…

06. Baths – “No Eyes”
07. Vampire Weekend – “Hannah Hunt”
08. Kanye West feat. Frank Ocean – “New Slaves”
09. The National – “I Need My Girl”
10. Rhye – “Open”
11. Volcano Choir – “Byegone”
12. Phosphorescent – “Song For Zula”
13. Run the Jewels – “Job Well Done (feat. Until the Ribbon Breaks)”
14. Mount Kimbie – “Made To Stray”
15. Kurt Vile – “Wakin on a Pretty Day”
16. Darkside – “Paper Trails”
17. Autre Ne Veut – “Play by Play”
18. Jon Hopkins – “Breath This Air”
19. Haim – “Falling”
20. Bill Callahan – “Small Plane”


Vampire Weekend at Fox Theater Oakland 4/17. Photo by Marc Fong.

Vampire Weekend at Fox Theater Oakland 4/17. Photo by Marc Fong.

Molly Kish // Artist Relations Manager, Columnist // @MollyKish

01. Vampire Weekend – “Unbelievers”
Far from the New England prep rock of their previous two albums, the boys of Vampire Weekend explore new territory both in songwriting and soundscape on their 2013 release Modern Vampires of the City. This breakout pop gem explores the frivolity of faith, dissecting spirituality in the context of a contemporary domestic relationship. Paying homage to blissful rockabilly melodies executed by such greats as Buddy Holly and the Crickets and Jerry Lee Lewis, Vampire Weekend put a current spin on an archetypal pop formula, composing easily one of the best tracks of 2013.


02. Big Black Delta – “Side of the Road”
Jonathan Bates, of Mellowdrone fame, delivers one of the catchiest terrestrial dance jams of 2013 with the lead single off of his debut album, Big Black Delta. A solo project, Bates performs the entire song through layers of modified vocals, electronic improvisation and innovatively tracked percussion. He succeeds in developing an addictive one man dance party that’s just as entertaining to see live as it is to listen to on record and calls for near immediate loops of repetitive play.


03. Disclosure -“F For You”
UK sibling duo Disclosure deliver one of the hardest hitting and simplistically rendered club hits of 2013 with “F For You.” Stripping away frivolous electronic production, they find success in a modest deep house composition featuring a pulsating baseline, repetitive chorus and a stylistically pert, finger-snapping beat. The song’s sassy subject matter and infectious groove are bound to get any dance floor moving and set the song apart as a standout hit on the band’s 2013 debut album.


04. Yeah Yeah Yeahs – “Sacrilege”
Departing from their traditionally art punk mold, the Yeah Yeah Yeah’s burst back on the scene with the first single off of their fourth studio album, Mosquito. Highlighting rooted soul riffs and Karen O’s bluesy wails, the beat driven arrangement pays homage to the band’s time spent writing and recording in New Orleans. The track in a fiery choral cameo by the Broadway Inspirational Voices Choir and serves as the band’s rousing call to arms for their alternative counterparts. The song exemplifies the band’s successful feat in retaining some of the genres fearlessness and artistic credulity as well as their willingness to step outside of the convoluted mainstream box.


05. Holy Ghost! – “Dumb Disco Ideas”
Often compared to fellow DFA records’ flagship artist LCD Soundsystem, Holy Ghost! assumed the label’s inherent responsibility of producing the next wave of synth-pop super hits with their 2013 album Dynamics. The most comparable track, coming in the form of this funk laden jam, draws directly from the genre-defining record label’s indisputable formula for discotheque domination. Rhythmically resonating with old and new fans alike, Holy Ghost! seamlessly transitioned into their new reign of the DFA universe with this stand out party anthem that floored live music venues and festival stages, all summer long.

06. Daft Punk – “Get Lucky”
07. Atoms for Peace – “Default”
08. Arcade Fire – “Here Comes the Nighttime”
09. Toro Y Moi – “Say That”
10. Empire of the Sun – “Alive”
11. Cut Copy – “Free Your Mind”
12. STRFKR – “While I’m Alive”
13. Jagwar Ma – “Man I Need”
14. Phoenix – “S.O.S. in Bel Air”
15. Washed Out – “All I Know”
16. Kanye West – “Black Skinhead”
17. CSS – “Into the Sun”
18. Devendra Banhart – “You’re Fine Petting Duck”
19. Wild Belle – “Another Girl”
20. The Strokes – “One Way Trigger”


Palma Violets at The Independent 4/23. Photo by James Nagel.

Palma Violets at The Independent 4/23. Photo by James Nagel.

Kevin Quandt // Assistant Editor, Columnist // @KJQuandt

01. Daft Punk – “Get Lucky”
When the ‘Song of the Summer’ (sorry “Blurred Lines”) is as thoroughly enjoyable as this interstellar first single off of RAM, you know you won’t get nearly as tired of it as past summertime jams. “Get Lucky” is still is as fresh as the first time it was debuted on a Saturday night at Coachella, eventually ruling airwaves across multiple genres all over the globe. This track has it all; from a space disco groove that rivals any legendary disco jam to the sultry vocals of the multi-talented Pharrell Williams. Was it the single that most fans were expecting? Probably not, but lends even more to the production and writing talent of these two mysterious French robots that most of us know by the name of Daft Punk. Though we haven’t seen how it’ll shake out on stage, if ever, it is sure to be on repeat for the foreseeable future. 


02. Foxygen – “No Destruction”
What a fun slice of American tinged psych-pop these young San Franciscans delivered this year. Sure this band has had a rough year on the road, but these issues never diminished their stellar sophomore release, spotlighted by this rousing tale of youthful urban life and love. Dylan-esque crooning coupled with phrasing that would make Ray Davies blush lends a nod to some of rocks legends in the form of “No Destruction”. Every listen also shines more light on the storyboard that these lyrics build, adding another key component to Foxygen’s success.  


03. Foals – “My Number”
I’m not sure exactly when Foals became masters of catchy song structures, but many are happy to hear this British act upping their game to dazzling new heights. The formula of placing the hook early in the track is part of the key, and this is not to mention the amazing returns to said hook while balancing afro-inspired guitar lines, piercing melodies and unpredictable rhythm shifts. “My Number” signifies the next era for Foals while displaying they are ready to leave the clubs to larger theaters while bearing the banner of Bono-esque grandeur in the face of a changing landscape in popular rock music. 


04. King Krule – “Baby Blue”
Young Archie Marshall has come along way for a 19 year old Brit with a refreshing spin on bedroom-produced darkwave music. Though in all honesty, King Krule can not be defined as he bends genre lines all over his debut LP, 6 Feet Beneath the Moon. Archie’s unique vocal stylings paint a brilliantly simple portrait of love lost over a stripped down production that is akin to the muted style that launched acts like the XX and Toro Y Moi. The baritone delivery pitches and bends on the singer’s whim over gentle guitar flourishes and minimal beat production equally something fully unique. In an age of EDM maximalism, it’s tracks like this that demonstrate the idea of ‘less is more.’ 


05. London Grammar – “Hey Now”
London Grammar may not be an artist that the majority are familiar with, but a head-turning debut LP released in the fall has garnered this trip-hop trio much deserved attention. Hannah Reid’s vocals soar all over this chilled-out track that slowly builds to a mellow peak that could remind you of early Zero 7 (the Sia years). A feature on Disclosure’s album closer and vocal comparisons to Jessie Ware are promising signs for these up-and-comers that understand restraint can be extremely powerful as demonstrated in this powerful single.  

06. Arcade Fire – “Afterlife”
07. Parquet Courts – “Stoned and Starving”
08. Palma Violets – “Best of Friends”
09. Kanye West feat. Frank Ocean – “New Slaves”
10. Jake Bugg – “Lightning Bolt”
11. A$AP Ferg feat. A$AP Rocky – “Shabba”
12. HAIM – “The Wire”
13. Queens of the Stone Age – “My God is the Sun”
14. Vampire Weekend – “Diane Young”
15. The National – “Humiliation”
16. Ducktails – “The Flower Lane”
17. Deerhunter – “Dream Captain”
18. Jon Hopkins – “Open Eye Signal”
19. iceage – “Ecstasy”
20. White Fence – “Pink Gorilla”


Holy Ghost! at Treasure Island Music Festival 10/19.

Holy Ghost! at Treasure Island Music Festival 10/19.

Pete Mauch // Festival Manager & Columnist // @PeteMauch

01. Daft Punk – “Get Lucky”    
The summer anthem is just too good to be denied the number one spot. With Nile Rodgers laying down the funk chords on guitar and Pharrell Williams’s resurgence back on the scene with smooth croons, it gives the song has some serious lasting power.


02. Kurt Vile – “Wakin On a Pretty Day”
Best morning song ever besides Dylan’s “New Morning”? I absolutely love waking up to this song — it’s bright, catchy guitar licks are matched perfectly with Vile’s earnest lyrics about solitude, yet he’s optimistic about this pretty day. 


03. Foals – “My Number”  
This song come firing out of the gates with infectious dance grooves that are nearly impossible to not move your feet to. The hypnotizing multi-guitar work is such a great complement to the vocals on this should-be hit single.


04. Jagwar Ma – “Come Save Me”
If the Beach Boys started to make electrified, psychedelic dance songs then I suspect it would sound a lot like this. These Australian rockers put together one hell of a dream-like track this year.


05. Superhuman Happiness – “Sentimental Pieces”
One of the most fun and creative songs I’ve heard in a long while. The way they combine dance grooves, hand claps, piano work, and some serious vocal harmonizing is quite impressive.

06. Holy Ghost! – “Dumb Disco Ideas”
07. Earl Sweatshirt – “Chum”
08. White Denim – “Pretty Green”
09. Sigur Rós – “Isjaki”
10. Phosphorescent – “Song for Zula”
11. Youth Lagoon – “Mute”
12. Savages – “She Will”
13. Anders Osborne – “Peace”
14. Ty Segall – “Sleeper”
15. Atoms for Peace – “Judge, Jury, and Executioner”
16. Jim James – “Know Til Now”
17. Deerhunter – “Back to the Middle”
18. Johnathon Wilson – “Moses Pain”
19. Bonobo –  “Cirrus”
20. Darkside – “Paper Trails”


Washed Out at First City Festival 8/24. Photo by Marc Fong.

Washed Out at First City Festival 8/24. Photo by Marc Fong.

Kevin Raos // Columnist // @Semirec

01. Vampire Weekend – “Hannah Hunt”
The best song, on perhaps the best album of the year, “Hannah Hunt” is an instant classic. Modern Vampires of the City is littered with tracks that will be considered amongst Vampire Weekend’s best, and “Hannah Hunt” leads the pack. Despite the lack of “quirkiness” that Vampire Weekend is sometimes known for, the track gently builds the listener up to one of the most jubilant climaxes found on any record this year.


02. Youth Lagoon – “Raspberry Cane”
Another song that builds you up and sweeps you off your feet, “Raspberry Cane” is a bright spot on Wondrous Bughouse, a sophomore effort that fell slightly short of expectations. Hauntingly fascinating and beautifully psychedelic, this song takes the listener on a musical journey.  


03. Arcade Fire – “Afterlife”
“Afterlife” is a song that took a few years to see the light of day. When it was released, Win Butler commented on the history of this song, saying it began “with a Haitian percussion loop we recorded way back at the end of the The Suburbs tour and “took a while to get the chorus right.” Enter producer James Murphy and the result is an extremely danceable synth-pop tune that is up there with the year’s pedigree.


04. Rhye – “Open”
Passion oozes from this song. Simple and pure love in it’s most basic form. Lyrics, musicianship and delivery make this track one of the most soothing songs of the year. Turn this on,  embrace those you love, and all will be right in the world if only for a couple minutes.


05. Washed Out – “It All Feels Right”
The title of this song says it best. Washed Out’s sunbathed reverb vibes can instantly transport you to a beach and put a beverage in your hand. Fact. Move aside “Get Lucky”, this was the summer anthem of 2013 on my stereo.

06. Major Lazer – “Get Free”
07. Wild Belle – “Keep You”
08. Holy Ghost! – “Dumb Disco Ideas”
09. Yeah Yeah Yeahs – “Sacrilege”
10. James Blake – “Retrograde”
11. Phosphorescent – “The Quotidian Beasts”
12. Daft Punk – “Instant Crush”
13. Boards of Canada – “Nothing is Real”
14. Mikal Cronin – “Weight”
15. Sigur Rós – “Brennisteinn”
16. Kurt Vile – “Wakin on a Pretty Day”
17. Phoenix – “Trying to Be Cool”
18. Foxygen – “San Francisco”
19. Junip – “Line of Fire”
20. Disclosure – “White Noise (feat. AlunaGeorge)”


Cut Copy at Fox Theater Oakland 11/02. Photo by James Nagel.

Cut Copy at Fox Theater Oakland 11/02. Photo by James Nagel.

Brooks Rocco // Columnist // @brooksrocco

01. Jagwar Ma – “Uncertainty”
In the wholly subjective exercise of selecting a favorite song of a year, one must consider one’s most notable experiences, focusing upon those driven by the most notable soundtracks. 2013’s best dance party, in my little sphere of dominion, was Jagwar Ma’s headlining set at Rickshaw Stop, and it was the song ‘Uncertainty’ that made me most notably lose control of my senses. Even upon sober reflection, the song (defining the tone of the album it appears on) is a sledgehammer of a good time, a song that revels in the Clichés that in an earlier year would have manifested in sardonic irony. It’s finally time to embrace what works, and in doing so, create the future that pushes towards the goal: a musical tribute to our ecstatic humanity, as we remain fueled by uncertainties.


02. Deafheaven – “Dream House”
In some ways, “Dream House” is the end of black metal. It’s been a long time coming though, with American kids raised on the stuff tilting their combo amps backward, screaming their fresh-faced idolatry for the legends that dared to not give a fuck. With the pink Pitchfork kiss of approval, black metal has become another texture in the tech-savvy hipster’s chest, to be yanked out when the time is appropriate (then and only then!). ‘Dream House’ is the black metal song that everyone can agree on. Euronymous is Dead. Long live Black Metal.


03. Cave – “Arrow’s Myth”
Shifting space, coagulating color, sound, motion; breaking barriers, and driving the motorized swirl ever farther, Cave returned in 2013 with some of their most funky and delicately harmonious hues yet. Once again they delivered just the right the stuff we all need—imbalance your chemicals (whatever that means to you), throw on “Arrow’s Myth”, and wrap your head around whatever comes natural. If it feels good, right?


04. Carcass – “A Congealed Clot of Blood”
I got a little worried when I found out Andy Sneap was producing the followup to Carcass’ swan song, Surgical Steel, as said producer is the type of surgeon to sterilize all his instruments thoroughly before performing his delicate incisions. Fortunately, this sublime return to force by the UK legends is necrotising death metal masterpiece; ‘A Congealed Clot of Blood’ worthy amongst their greatest.


05. my bloody valentine – “in another way”
I wasn’t listening to Loveless in the 90’s like it was my religion. In my erumpent musical debut, I was blasting stuff like Emperor, Dissection, Meshuggah; bands louder, noisier, and far, far more unsettling than My Bloody Valentine. But for a lot of people, MBV were the anti-music of their spheres. That said, the night m b v dropped, I got sucked into the tornado along with everyone else.  A cursory pirated listen and I was in. ‘in another way’ was the tune that made me whip out the plastic capital and order the wax. Full disclosure for Mr. Shields: it was that guitar.  How did you…

06. RP Boo – “Invisibu Boogie!”

07. Dispirit – “All Paths End The Same”

08. David Bowie – “Where Are We Now?”

09. Föllakzoid – “9”

10. Foals – “Late Night”

11. Thee Oh Sees – “No Spell”

12. Mikal Cronin – “Shout It Out”

13. The Five Eyes – “HEY HEY NSA (Tinfoil in Every Hat)”

14. The Knife – “Old Dreams Waiting to be Realized”

15. Kanye West – “On Sight”

16. Uncle Acid & The Deadbeats – “Desert Ceremony”

17. Parquet Courts – “Master of My Craft”

18. Cut Copy – “Free Your Mind”

19. Anthroprophh – “Hermit”

20. Telekinesis – “Power Lines”


MS MR at The Independent 6/16. Photo by James Nagel.

MS MR at The Independent 6/16. Photo by James Nagel.

Nikki De Martini // Columnist & Photographer // @SweetSoundBites

01. M.I.A. –  “Y.A.L.A.”
Seducingly rhythmic percussion loops, heavy dropping bass lines and a shining bratty-tude mock US society fads on this effortless dance track from my favorite Sri Lankan West-Londoner. M.I.A.’s signature ballsy Bollywood flavor minus the familiarity of foghorns will make you want to get up and dance before realizing what she’s singing about sets in and when it does, this track gets even better. “Y.A.L.A.” makes me wonder why Interscope Records repeatedly shelved her 4th album for not being “dark” or “controversial” enough.


 
02. RAC Featuring Kelle Okereke and MNDR – “Let Go”
As a fan of MNDR for years and a Bloc Party fan for even longer, this collaborative RAC track won me over since the very first time hearing it — the emotionally charged lyrics paired with it’s uplifting melody just melt into one so well.


 
03. MS MR – “Hurricane”
Easily one of my favorite tracks off of their breakthrough debut album, the first single “Hurricane” showcases the multitude of MS MR’s talents to a tee with rich, relatable lyrics and an underlying electro-pop essence wrapped up and delivered in a neat indie rock fashion.


 
04. Arctic Monkeys – “Do I Wanna Know?”
It’s heavy drums, low bass chords and dirty guitar licks reminiscent of The Black Keys are that draw me to this song. Then the lyrics hit and that was it. Every time I hear this song I turn it up and sing along.


 
05. Schoolboy Q Featuring Kendrick Lamar – “Collard Greens”
The catchy hooks and layered verses are a throw back to old school “dirty” rap yet remain fresh, leaving me hungry for more Kendrick Lamar!  


 
06. Lana Del Rey – “Summertime Sadness” (Cedric Gervais remix)
07. LORDE – “Team”
08. Cage the Elephant – “It’s Just Forever (featuring Alison Mosshart)”
09. Yeah Yeah Yeahs – “Wedding Song”
10. Queens of the Stone Age – “Sat by the Ocean”
11. Jay Z – “Tom Ford”
12. Little Boots – “Strangers”
13. Portugal the Man – “Purple Yellow Red and Blue”
14. VV Brown – “Apple”
15. Sleigh Bells – “Bitter Rivals”
16. Broken Bells – “Holding on for Life”
17. NONONO – “Pumping Blood”
18. CSS – “Hangover”
19. Atlas Genius – “Electric”
20. Smallpools – “Dreaming”


Atoms For Peace at Treasure Island Music Festival 10/19. Photo by Marc Fong.

Atoms For Peace at Treasure Island Music Festival 10/19. Photo by Marc Fong.

Pedro Paredes // Photographer // @pedropar

01. Atoms for Peace – “Before Your Very Eyes”
Every great album needs an opening song worthy of it, and “Before Your Very Eyes” gives just that to the supergroup formed by members of Radiohead (Thom Yorke, Nigel Godrich), Red Hot Chili Peppers (Flea), Beck (Joey Waronker) and Forro in The Dark (Mauro Refosco). With dense, steady percussions, electronic arrangements, a simple guitar section, and the soft sound of Thom Yorke’s voice, this song walks to the beat of life and death, joy and sorrow, and begins the path for one of the best albums of 2013.


02. Vampire Weekend – “Obvious Bicycle”
Vampire Weekend’s first song of their amazing Modern Vampires of the City sets the mood for an album that takes a different route from their previous work, with a warmer, more mature sound. A beautiful song for a beautiful album.   


03. James Blake – “Retrograde”
Melodic Bass Music are the words James Blake chose to describe his work, and “Retrograde” seems to fit that description quite well. It’s a love song for the future, coming from the darkness of the dawn.


03. Nick Cave and the Bad Seeds – “Jubilee Street”
Nick Cave is a natural storyteller that makes use of his musical talent to make any story come alive (his music scores for films like ‘The Assassination of Jesse James’ or ‘The Proposition’ are enough to prove my point)  Jubilee Street starts simple, growing in complexity in the subtlest of ways, beautifully contained under the spell of Nick Cave’s voice.


05. Blood Orange – “It is What it Is”
“It is What it Is” is exactly what it should be — Deliciously elegant, precise, presenting a new version of 80’s pop-reset. This song is the cherry on top of one of the best albums of 2013.

06. Mutual Benefit – “Golden Wake”
07. Arcade Fire – “Here Comes the Night Time”
08. Daft Punk – “Instant Crush”
09. Lorde – “Royals”
10. William Tyler – “Cadillac Dessert”
11. Kurt Vile – “Wakin on a Pretty Day”
12. Phosphorescent – “Ride On/Right On”
13. Deerhunter – “Back to the Middle”
14. Darkside – “Paper Trails”
15. Nine Inch Nails – “Copy of A”
16. Parquet Courts – “Stoned and Starving”
17. Low – “Plastic Cup”
18. Blue Hawaii – “Try To Be”
19. Yeah Yeah Yeahs – “Despair”
20. Foxygen – “No Destruction”

Showbams’ 40 best albums of 2013

Best-Albums-of-2013

“Best of” lists are always subjective, and this one is no anomaly. When it comes to the best albums of any given year, we can most likely agree that the best records are excellent from beginning to end — no “skip ahead” songs — and that groundbreaking new music can emerge from any genre.

At the same time, we imprint music on moments in our lives, and this will always influence personal taste. Combine these past influences with modern streaming capabilities in 2013, where new records are now accessible before an album release date, and our collective creation and criticism of music begins to transform, adapt and influence more rapidly.

Here are our most addictive albums of 2013, the records we couldn’t stop spinning.

01. Arcade FireReflektor
02. DisclosureSettle
03. Atoms For PeaceAmok
04. FoalsHoly Fire
05. Vampire WeekendModern Vampires of the City
06. Daft PunkRandom Access Memories
07. Kurt VileWakin On a Pretty Daze
08. James BlakeOvergrown
09. White DenimCorsicana Lemonade
10. Toro Y MoiAnything In Return

11. RhyeWoman
12. DarksidePsychic
13. Boards of CanadaTomorrow’s Harvest
14. The NationalTrouble Will Find Me
15. My Bloody Valentinem b v
16. Sigur RósKveikur
17. Parquet CourtsLight Up Gold
18. Danny BrownOld
19. Holy Ghost!Dynamics
20. Jagwar MaHowlin

21. Run the Jewels (El-P & Killer Mike) – Run the Jewels
22. Washed OutParacosm
23. ClassixxHanging Gardens
24. Hanni El KhatibHead In The Dirt
25. Queens of the Stone Age…Like Clockwork
26. The StrokesComedown Machine
27. Thee Oh SeesFloating Coffin
28. Volcano ChoirRepave
29. A$AP RockyLONG.LIVE.A$AP
30. Anders OsbornePeace

31. Jon HopkinsImmunity
32. Yeah Yeah YeahsMosquito
33. King Krule6 Feet Beneath The Moon
34. Kanye WestYeezus
35. Mount KimbieCold Spring Fault Less Youth
36. Superhuman Happiness – Hands
37. BonoboThe North Borders
38. Tyler, the CreatorWolf
39. PhoenixBankrupt!
40. PhosphorescentMuchacho


Vampire Weekend at Fox Theater Oakland 4/17. Photo by Marc Fong.


Vampire Weekend at Fox Theater Oakland 4/17. Photo by Marc Fong.

Mike Frash // Founder, Editor, Columnist // @MikeFrash

Vampire WeekendModern Vampires of the City
1The focus on larger themes of mortality and spirituality in Modern Vampires of the City have catapulted this indie group from angst-ridden collegians to mainstream players — and in the process Ezra Koenig and company crafted an American classic. Compulsively listenable, this record matured with age in 2013, just like the artistic path Vampire Weekend seem to be on. The album continuously waxes poetically about death and higher powers, and “Unbelievers” sums it up best: “Girl you and I will die unbelievers, bound to the tracks of the train.” The ambiguousness is biting, as it is tough to tell if the statement is earnest atheism or harsh criticism of Godless existence. In “Step”, we’re told, “Wisdom’s a gift but you’ll trade it for youth, age is an honor it’s still not the truth…we know the true death, the true way of all flesh. Everyone’s dying, but girl – you’re not old yet.” Even “Dianne Young” is a double entendre for ‘dying young’. Every track is filled with high-level substance lyrically, but sonically it’s multi-faceted as well, melding baroque sensibilities and African grooves at a wonderfully variant pace throughout. Ultimately, it’s a supremely empowering coming of age album from Vampire Weekend, one that stares mortality in the face while celebrating time’s finite quality.

Run the Jewels (El-P & Killer Mike)Run the Jewels
2Early in Run The Jewels, Killer Mike announces, “Producer gave me a beat, said it’s the ‘beat of the year’, I said ‘El-P didn’t do it, so get the fuck outa here.’ El-P, the sole producer of rap music’s most dynamic duo, bases his production in captivating weirdness, micro-sampling everything from classic organ to nintendo glitch sounds to electric guitar, building epic beats for Killer Mike & El-P to deliver clever rhymes, based both in reality and playful hyperbole. One of Run The Jewels’ greatest successes is that it can be both funny and deadly serious within the same song, and often within in the same flow or line at times. So motherfuckin’ grimy, “Job Well Done” highlights how successfully dolphin sounds can contrast with aggressive lyricism, for example. Killer Mike broaches serious topics, bringing up the “elephant in the room” whenever possible, and EL-P is hyperactive and light-hearted as he spits his ‘future shit’. Put these two together and you have the best hip hop album in years.

FoalsHoly Fire
3The beauty is in the build with Foals, and that is the case with Holy Fire more than prior album as the UK-based festival-headliners-in-the-making have largely abandoned their post-dance punk sound aesthetic for a more ballad-based approach. Sure, “My Number” and “Providence” continue the upbeat, math rock-dance-freak-outs, but overall Foals have centered their 2013 record around patient song development in order to establish more memorable, ecstatic moments. “Milk & Black Spiders” does just that, taking a full three minutes and forty five seconds to reach it’s blissful summit. “Late Night” is a harrowing slow burner, repeating the line, “Calling out your name,” asking for the subject of the song to “Stay with me.” Lead singer Yannis Philippakis’ impassioned vocals, paired with Foals’ guitar interplay and non-standard rhythms make Foals a unique force in the world of modern rock.

The NationalTrouble Will Find Me
4Matt Berninger has a way with words — who else could make the phrase “full of punks and cannonballers” sound eloquent and measured in the track “I Need My Girl”? The National thrives on non-literal lyricism, but the instrumental elements from The National in Trouble Will Find Me prop the singing up on a pedestal better than prior records. Void of any filler, this contemplative record easily allows the listener to take their own meaning from any given track, applying it internally. The first half impresses quickly with “I Should Live In Salt” through “Sea Of Love”, but it is the second half that solidifies the effort as The National’s best work to date. An album that also gets more addictive with subsequent listens, Trouble Will Find Me works well as both a “pick me up” record and one to embrace life’s good times, an odd duality indeed.

Volcano ChoirRepave
5Who needs Bon Iver when Justin Vernon is making music like he has with The Shouting Matches and Volcano Choir in 2013? Vernon, the creative centerpiece behind Bon Iver, announced while promoting Repave that Volcano Choir is his new band. Arguably, this is a genius move, as Vernon is exhibiting a higher level of confidence and innovation with this possibly permanent collaboration with members of Collections of Colonies of Bees. Repave traverses a path that balances grandiose and minimalism, choosing off-beat, unexpectedly contrasting moments to ‘drop the sound hammer’ in both “Comrade” and “Byegone”. “Drop the sound hammer” refers to the mesmerizing technique Volcano choir uses to quickly transition from falsetto-based minimalist intros into hard-hitting Philip Glass-like synth blasts and authoritative drums. I’m fine with Vernon considering himself a legend, as long as he continues creating music with cryptic, poetic lyrics and the progressive intermingling of intense and soothing sounds.

06. Darkside – Psychic
07. James Blake – Overgrown
08. Arcade Fire – Reflektor
09. Rhye – Woman
10. Disclosure – Settle
11. Kurt Vile – Wakin On a Pretty Daze
12. My Bloody Valentine – m b v
13. Atoms for Peace – Amok
14. Foxygen – We Are The 21st Century Ambassadors of Peace & Magic
15. Washed Out – Paracosm
16. Daft Punk – Random Access Memories
17. Bonobo – The North Borders
18. Phosphorescent – Muchacho
19. Jagwar Ma – Howlin
20. John Vanderslice – Dagger Beach


Atoms For Peace at Treasure Island Music Festival 10/19. Photo by Marc Fong.


Atoms for Peace at Treasure Island Music Festival 10/19. Photo by Marc Fong.

Molly Kish // Artist Relations Manager, Columnist // @MollyKish

Atoms For PeaceAmok
1Alternative Rock super group Atoms for Peace delivered one of the most evocative, skillfully executed and notable debuts of 2013, completely as expected. Bringing together some of the most innovative, iconic and artistically defining tastemakers of the past two decades (most notably Thom Yorke & Flea), Atoms for Peace composed a near-perfect representation of contemporary sound evolution. Touring this past year promoting Amok through intermittent concert dates and festival-headlining performances, Atoms for Peace captivated live audiences on a global scale while generating critical acclaim, and for good reason.

Toro Y MoiAnything in Return
2Drawing artistic influence from elements of 90s dance music while paying homage to the iconic hip hop sounds of the era, Chaz Bundick departed from his signature “chillwave” style to compose his third studio album, Anything in Return. Revisiting harder house elements from his 2010 debut Causers of This, Bundick taps into a funky soundscape filled with intensified vocals and hard hitting jam-based percussion. Paying homage to legendary producer J Dilla, Anything in Return touches upon intimate subject matter while remaining accessibly pop-driven, delivering Bundick’s “biggest sounding” album to date.

DisclosureSettle
3UK sibling duo Disclosure was one of the most successful breakout acts of the past year, largely in part to the global commercial appeal of their debut album, Settle. Mixing the perfect blend of R&B vocals, UK garage, two step and deep house cuts, Settle is a seamless composition of dance floor ready hits. Disclosure’s first full length succeeded in curating a sound both primed for the band’s spellbinding live improvisation and the album’s inevitable mainstream sampling and remixes.

Daft PunkRandom Access Memories
4Preceding its April release date with a show-stopping album trailer debut at Coachella (and nationally syndicated on Saturday Night Live) and a video website series presented by The Creators Project, Daft Punk set the bar early this year for the future of mainstream album promotional campaigns. Defying the expectations of their devoted fan base along with the speculatory opinions of many EDM counterparts, Random Access Memories marks the band’s groundbreaking introduction of live musicians into their otherwise strictly electronic body of work. Their most successful album to date, Random Access Memories is a definitive album that highlights the robots’ personal influence, and the effect is a lasting impact on popular music.

Arcade FireReflektor
5Arcade Fire’s Reflektor serves as a testament to their creative ingenuity as a modern art rock group. Its evolutionary sound was produced by nu-disco vanguard James Murphy and features collaborations with David Bowie, Kid Koala and an armada of additional percussionists and recording personnel. Promoted and released through an ingenious guerrilla marketing campaign, intriguing the attention of a frothing worldwide audience.

06. Vampire Weekend – Modern Vampires of the City
07. Kanye West – Yeezus
08. Washed Out – Paracosm
09. Holy Ghost – Dynamics
10. Phoenix – Bankrupt!
11. Devendra Banhart – Mala
12. Major Lazer – Free The Universe
13. Yeah Yeah Yeahs – Mosquito
14. Starfucker – Miracle Mile
15. Cut Copy – Free Your Mind
16. Franz Ferdinand – Right Thoughts, Right Words, Right Action
17. Classixx – Hanging Gardens
18. The Strokes – Comedown Machine
19. St. Lucia – When The Night
20. Jay Z – Magna Carta


Thee Oh Sees at Phono Del Sol 7/13. Photo by Mike Frash.


Thee Oh Sees at Phono Del Sol 7/13. Photo by Mike Frash.

Kevin Quandt // Assistant Editor, Columnist // @KJQuandt

Parquet CourtsLight Up Gold
1In a year with many strong rookie efforts (Haim, Disclosure, Lorde, etc.), it was this Brooklyn quartet that rejuvenated garage-tinged, punk rock with a blisteringly fierce debut LP, Light Up Gold. Opening track “Master of My Craft” lets us know we are in for one helluva a ride and it doesn’t let up in the least as Andrew Savage belts out anthems full of modern tales of urban decay and the slacker lifestyle. This we do-whatever-the-fuck-we-want mentality was also clearly present on a recently released EP entitled Tally All the Things That You Broke, which was equally as impressive as the full length. Alas, all is not lost when it comes to irreverent rock music in a sea of shiny synths and EDM takeovers. 

My Bloody Valentinem b v
2If this album was a person, it could legally drink in this country. Now, after that fact settles in, we can concentrate on how impressive m b v actually is. Kevin Shields and cohorts took 22 years to deliver this baby and it is chock-full of all the aural beauty that made these shoegaze legends modern rock royalty a couple of decades ago. Standout final track “wonder 2” is a whirling dervish of otherworldly drums, guitars and distorted vocals, slowly building into one serious rapture. Attention to detail is not lost on this album as meticulous craftsmanship is ever-present, especially when listened to fully, or in the distinct ‘3 EP’ structure that m b v is recorded in. All I ask Kevin Shields is that I don’t have to wait till I’m almost 50 years old to hear another new release from My Bloody Valentine.

Arcade FireReflektor
3There’s little surprise that this ‘double’ release ended in my, and many others, top albums list. Why? Because Arcade Fire make great albums, and I enjoy great albums. The grab bag of influences on this album is truly startling and lends much to it’s overall success whether it be deep Haitian rhythms or the the electro-dance production of James Murphy. With so many standout tracks, it really makes you wonder what they are putting in the water up in Canada. “Joan of Arc”, “Normal Person”, “Afterlife” and so many others create something fully unique and fully Arcade Fire. 

Boards of CanadaTomorrow’s Harvest
4It was a bit of a long wait for fans of BoC, but well worth the interesting journey that was to become Tomorrow’s Harvest and it’s unique marketing campaign which precluded the June release. Not much has changed from the ambient electronic soundscapes that put these Scots on the map nearly two decades ago. What makes Boards so significant is their knowledge of analogue gear they use to transform sound into warm ambience that is loaded with emotion, complexity and cinematic themes. Songs like “Nothing Is Real” fully demonstrate their textbook mix of instrumentation and warm, vintage synths which gracefully paint a picture of the natural world which we live in. It’s albums like this which should make every listener wanna go out and spend four figures on some serious headphones, and Boards of Canada wouldn’t object.

Thee Oh SeesFloating Coffin
5It’s been a long time coming for the San Francisco garage titans that, most popularly, go by Thee Oh Sees. John Dwyer once used this moniker as his solo effort, but eventually became his primary effort, eventually growing from one man to a full blown band. Floating Coffin shows a shifting of the tide as the once tin-can recording sound has matured to a sonic boom of heavy guitar, driving rhythm and quintessential weirdo vocal. All these elements, and many more, equated to the most comprehensive sounding release in their extensive discography. “Come From the Mountain” opens this album with atomic bomb-shredding guitar and doesn’t really relent from this style till the soothing album closer, “Minotaur”. What’s most profound about Floating Coffin is that they have arrived with a permanent lineup, a better produced sound and a band mentality that creates a more unified front as opposed to it being solely Dwyer’s project. Oh yeah, they are also straight bananas on stage.

06. Disclosure – Settle
07. King Krule – 6 Feet Beneath the Moon
08. The National – Trouble Will Find Me
09. Atoms for Peace – Amok
10. Tyler, the Creator – Wolf
11. Jon Hopkins – Immunity
12. Kurt Vile – Wakin On a Pretty Daze
13. Rhye – Woman
14. Danny Brown – Old 
15. David Bowie – The Next Day
16. Vampire Weekend – Modern Vampires in the City
17. White Denim – Corsica Lemonade
18. Queens of the Stone Age – …Like Clockwork
19. Pickwick – Can’t Talk Medicine
20. Mount Kimbie – Cold Spring Fault Less Youth


White Denim at Bill Graham Civic Center 10/31. Photo by James Nagel.


White Denim at Bill Graham Civic Center 10/31. Photo by James Nagel.

Pete Mauch // Festival Manager & Columnist // @PeteMauch

Arcade FireReflektor
1All-star collaboration of these Canadian rockers and producer James Murphy proved a success with their fourth release. The album, filled with instant hits like “Reflektor” and “Here Comes the Night Time”, is heavily influenced by traditional Haitian music that adds a deep rhythm to the elongated grooves, but the real treat is how its all tied together. Arcade Fire let loose on Reflektor, finding comfort in initiating a party atmosphere while staying confident with a dash of weirdness.

Jagwar MaHowlin
2There seems to be a psychedelic air blowing in Australia these days, and Jagwar Ma’s debut album is filled with trippy yet danceable songs like the opening pair “What Love” and “Uncertainty”. “Come Save Me” evokes a dream land where the Beach Boys created acid-dance music. This album is gonna get a lot of play on Friday nights for many years to come.

White DenimCorsicana Lemonade
3These Texas rockers put out an intense album in 2013 filled with screaming guitar solos layered over intense time signatures and wailing vocals, but White Denim makes it all sound so simple. Songs like “Pretty Green” and “Cheer Up/Blues Ending” are straight up rocking songs, rooted in the genre’s past while offering a progressive take at where rock is heading. It never hurts to have Jeff Tweedy producing as well.

Daft PunkRandom Access Memories
4The instantly classic single “Get Lucky”, the summer anthem of 2013, is still hyper-catchy, but “Instant Crush”, “Lose Yourself to Dance” & “Doin’ It Right” succeed as pleasantly repetitious tunes that represent a variety of decades. What makes Random Access Memories work completely is all the mellow cuts, perfect for bedtime or a drive down the coast. The music lesson that is “Giorgio by Moroder” just takes off after the ballsy call to include an interview with Giorgio Morodor before launching into an exploratory space jam. 

Anders OsbornePeace 
5Underground New Orleans guitar slayer Anders Osborne released a very impressive long player, filled with deep personal songs that are truly outstanding. Title track “Sentimental Times” showcases Osbornes’ brilliant songwriting, and his guitar work is simply phenomenal and engrossing. Personal favorite “Sara Anne” begins with a reggae feel that builds into a great bouncy song that has me repeating it often.

06. Kurt Vile – Wakin On a Pretty Daze
07. Atoms For Peace – Amok
08. Sigur Rós – Kveikur
09. Superhuman Happiness – Hands
10. Foals – Holy Fire
11. Holy Ghost! – Dynamics
12. Jonathan Wilson – Fanfare
13. Youth Lagoon – Wondrous Bughouse
14. Darkside – Psychic
15. Bonobo – The North Borders
16. Phosphorescent – Muchacho
17. Savages – Silence Yourself
18. Deerhunter – Monomania
19. Ty Segall – Sleeper
20. Jim James – Regions of Light and Sound of God


Toro Y Moi at Fox Theater Oakland 11/15.


Toro Y Moi at Fox Theater Oakland 11/15. Photo by James Nagel.

Kevin Raos // Columnist // @Semirec

Toro Y MoiAnything in Return
1Toro Y Moi just keeps getting better and better with subsequent listens. Part dance, part melancholy electro, Anything in Return strikes many different chords. From feelings of longing and romance, to coming to terms with growing up, Anything in Return ranges the emotionally gamut. This album stood the test of time in 2013, being one the first albums of 2013 to make a dramatic impact, then remaining front of mind come Christmas time.

RhyeWoman
2Woman is the mellow album of the year — If you need to relax, fall asleep, or just chill out, this is the album for you. A go-to in the bedroom, Rhye’s Woman also has the uncanny ability to cradle and comfort you from start to finish. Equally as good in a live setting, Woman proves excellent musicianship can flourish in downtempo form. The record’s male vocalist, Milosh, also released an excellent solo record titled “Jetlag” in late 2013 that clicks at a slightly faster tempo.

White DenimCorsicana Lemonade
3Funky, fresh and just downright dirty, the guys from Austin can bring the heat. Corsicana Lemonade is an album that might not make many end of the year album lists, but it should not be overlooked. Cool and collected while still being rhythmically aggressive, Corsicana Lemonade pushes forward an innovative rock sound that should make The Black Keys nervous their throne is currently up for grabs.

Danny BrownOld
4Danny Brown’s Old creates a new genre of hip hop, one with an electronic psyche. Old may offend some and be lost on others, but Brown’s distinctive voice and tongue-flaunting rhymes constitute a “grower”. Here we have a rapper who isn’t afraid to talk about more than banging it out in the streets, and all together Brown breathes more fresh air into a hip hop landscape that has been seeing a resurgence the past few years.

Vampire WeekendModern Vampires of the City
5It’s tough to deny that indie kings Vampire Weekend are on top of their game right now. If you haven’t heard of these A-Punks that escaped from Cape Cod, you surely have been living under a rock. With Modern Vampires of the City, an already huge band has gotten huger, blasting off into new territory more than in previous efforts. Did I mention they shout out Oakland and Alameda, too?

06. Foals – Holy Fire
07. Sigur Rós – Kveikur
08. Boards of Canada – Tomorrow’s Harvest
09. Atoms For Peace – Amok
10. Disclosure – Settle
11. James Blake – Overgrown
12. Arcade Fire – Reflektor
13. Darkside – Psychic
14. Kurt Vile – Wakin On a Pretty Daze
15. Jon Hopkins – Immunity
16. Camera Obscura – Desire Lines
17. Wild Belle – Idles
18. Nine Inch Nails – Hesitation Marks
19. Blood Orange – Cupid Deluxe
20. Laura Marling – Once I Was An Eagle


Classixx at Fox Theater Oakland 11/15. Photo by James Nagel.


Classixx at Fox Theater Oakland 11/15. Photo by James Nagel.

Sean Little // Columnist // @Splittle

FoalsHoly Fire
1Foals have made their best album to date with Holy Fire. It’s a wall of sonic noise mixed with strong doses of angst that starts with “Prelude” and continues to pin listeners to their seats until the last track. The British quintet have produced my number one record of the year, and their live performance is one to see if you haven’t.

ClassixxHanging Gardens
2Classixx made a superb album here. Being a primarily electronic poduction group, their skills show something much deeper and diverse as they move from bouncey disco tracks to deeper, more evocative tracks like “Borderline” where they showcase their ability to craft a tune that hits heart strings and nods heads. Classixx are vastly underrated and should be given a serious listen, even by non-electronic fans.

DisclosureSettle
3What can be said that hasn’t already about this brotherly duo? They hit the scene hard and made a lot of people snap their heads in their direction. Their production quality and use of instruments in their sets has turned many notions of a “DJ” set on its head and opened the doors for a whole new type of set that calls to the crowd more. This album is full of gems that will surely go down in dance history as classics.

Hanni El KhatibHead In The Dirt
4Hanni grew up immensely since his last album and really fine-tuned his sound. This is a pure rock album with no pretense. If you arere tired of pop rock bands trying to make the next iPod commercial-worthy track and long for a record that slaps you in the face to wake you up while still being a tad gentle about it, this is the one for you.

A$AP RockyLONG.LIVE.A$AP
5Hip Hop has fallen to the wayside in years past as electronic has made its resurgence. Fans have grown weary of the over-produced, same old lyric songs that most artists offer. A$AP though brings in, what I consider to be the finest hip hop album of the year. Production by Skrillex, and cameos by Florence Welch, Drake, and Birdyman attest to his range not just as a rapper but as a producer and curator as well.

06. James Blake – Overgrown
07. Queens of the Stoneage – …Like Clockwork
08. The Strokes – Comedown Machine
09. Daft Punk – Random Access Memories
10. DJ Koze – Amygdala
11. Atlas Genius – When It Was Now
12. Portugal. The Man – Evil Friends
13. Bass Drum of Death – S/T
14. Yeah Yeah Yeahs – Mosquito
15. MS MR – Second Hand Rapture
16. Tesla Boy – The Universe Made of Darkness
17. Franz Ferdinand – Right Thoughts, Right Words, Right Action
18. Cut Copy – Free Your Mind
19. Ryan Hemsworth – Guilt Trips
20. The Weeknd – Kiss Land