Outside Lands cancels 2020 edition, reveals lineup for 2021 with Tame Impala, Lizzo & The Strokes

Outside Lands - 2021 lineup

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 6th-8th, 2021 //

As most of us know by now, 2020 has been a really rough year for the music industry. The coronavirus disease 2019 (COVID-19) pandemic has completely wiped out the concert and festival circuits, with free live streams and drive-in performances serving as our indefinite replacement during these strange and unpredictable days, weeks and months.

So when multiple major events like South by Southwest, Ultra Music Festival and Coachella canceled their 2020 editions and the entire U.S. shut down in March, it seemed unlikely that Outside Lands would actually transpire this summer.

Now that forecast has been officially confirmed, with the three-day music festival announcing that it will not take over Golden Gate Park during the weekend of August 7th-9th this year. It’s sad news for many in the Bay Area community and beyond, but OSL organizers did their very best to lift fans’ spirits by not only releasing the fest’s 2021 dates but also unveiling its lineup.

The 13th installment, in fact, will see Tame Impala, Lizzo and The Strokes each make their OSL headlining debuts with a solid undercard behind them that’s led by Tyler, the Creator, Vampire Weekend, J Balvin, Kehlani, The 1975, ZHU and Young Thug. The undercard might even be better, though (if you can believe that).

Other notable names on next year’s roster include Khruangbin, Beach House, Bonobo, Nelly, Brittany Howard, Burna Boy, Melanie Martinez, Polo & Pan, Big Thief, Troyboi, Angel Olsen, SOFI TUKKER, EARTHGANG, Tones and I, EOB, Sharon Van Etten, Marc Rebillet, A R I Z O N A, JPEGMAFIA, Dr. Dog, Shiba San, Boy Pablo, Rico Nasty and more.

UPDATE (Jan. 12th): As COVID-19 cases continue to surge across the country, The 1975 have made the difficult decision to cancel all of their tour dates scheduled for 2021, including Outside Lands in August. The good news is that they’ll be replaced by RÜFÜS DU SOL, who made their OSL debut in 2016 and have swiftly climbed the festival ranks since issuing 2018’s Solace. “We have fond memories of playing the Panhandle stage at Outside Lands five years ago and we are excited to be back this year,” the Australian alt-dance trio says in a statement.

Outside Lands 2021 might feel like a long way away at this point, but it will be here before you know it so don’t forget to purchase your tickets when they go on sale here this Thursday, June 25th at 10 a.m. PT — Eager Beaver passes that were bought in 2020 will also be honored while those who choose to roll over their admission to the following year by July 24th will also have the opportunity to win exclusive upgrades and other prizes — and make sure to check out our coverage from 2019 here.

Outside Lands 2019

FYF Fest cancels 2018 edition in stunning move

FYF Fest 2018

FYF Fest //
Exposition Park – Los Angeles
July 21st-22nd, 2018 //

In some stunning news on a Sunday, Goldenvoice has announced that the 2018 edition of FYF Fest has been canceled.

Just five weeks after revealing a female-focused lineup that saw Florence + The Machine and Janet Jackson booked as headliners, the renowned Southern California concert promoter has shockingly pulled the plug on the longtime LA music festival, explaining via its social media channels that organizers were “unable to present an experience on par with the expectations of our loyal fans and the Los Angeles music community this year.”

After expanding to three days last year, FYF was scaling back to two for its 15th installment this July, but as Billboard first reported, low ticket sales forced “the difficult decision” to be made with more than two months to go.

However, former Pavement frontman Stephen Malkmus, who was set to perform at FYF this year with his band The Jicks, put the blame squarely on himself and other artists, citing the need for better songwriting.

Whether you agree with Malkmus or not (or you’re just bummed to hear about the shutdown like us), uncertainty surrounded FYF’s 2018 return after the festival quickly became mired in controversy when sexual misconduct allegations involving its original founder Sean Carlson surfaced in November. And even though Goldenvoice had already bought out Carlson’s stake to acquire sole ownership of the event and had veteran booking agent Jennifer Yacoubian in charge of securing talent, it wasn’t enough in the end to entice fans to shell out $249 for a GA weekend pass (or a whopping $549 for VIP). If you did buy one, fear not — ticket holders will receive full refunds over the next few days, so you’ll get your money back soon.

The news, however, raises bigger questions about the future of music festivals in the U.S. as the marketplace becomes more competitive and oversaturated. Because now that FYF’s own future is looking rather bleak, there’s really no telling where the industry goes from here.

FYF Fest - 2018 lineup

Coachella drops 2018 set times & map changes

Coachella 2018

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 13th-15th & April 20th-22nd, 2018 //

Breathe easy, Coachellans. All of your scheduling conflicts have finally arrived.

The three-day, two-weekend music and arts festival has delivered this year’s set times just after 7 p.m. PT (7:02 p.m. to be exact), precisely one hour later than it did in 2017.

Part of going to Coachella is having to make some tough decisions when it comes to choosing which artists to see, and veterans like ourselves have become quite used to experiencing this #FirstWorldProblem over the years.

But now that the cat is out of the bag, you can start mapping out your 2018 schedule if you’re headed to the Empire Polo Club this weekend.

So, what’s your biggest conflict on this year’s schedule and who are you most excited to see?

WEEKEND 1 SET TIMES

Coachella 2018 - Friday set times

Coachella 2018 - Saturday set times

Coachella 2018 - Sunday set times

WEEKEND 2 SET TIMES

Coachella 2018 - Friday set times

Coachella 2018 - Saturday set times

Coachella 2018 - Sunday set times

Over the last several years, it has become more common to see the folks at Goldenvoice make some slight tweaks to Coachella’s Weekend 2 set times after the first weekend ends (the most notable might have been in 2015 when Florence Welch broke her foot during her performance Sunday on the main stage), and the same has proven to be the case in 2018, starting on Day 1 with Benjamin Clementine’s set being moved from the Gobi Tent to the Coachella Stage. Rick G., meanwhile, has been moved into Clementine’s 1:30 p.m. slot in the Gobi Tent, with DMM no longer preceding it at 12:30 p.m.

Some other noteworthy changes for Friday are Fisher, who didn’t perform during Weekend 1 but will replace B.Traits in the Yuma Tent, and Late Night Laggers, who were the first act to perform in the Sahara Tent on Day 1 but won’t be back for Weekend 2. Absent from Friday’s Mojave Tent lineup is Smiles Davis, which consequently has pushed Francesa Harding’s set back to 12:25 p.m., and Chulita Vinyl Club has replaced Jim Smith.

On Saturday, hip-hop producer Ahwlee will fill in for Salami Rose and Joe Lewis in the Mojave Tent, while Ron Gallo has been moved from the Gobi Tent, which lost Birdtastique and added Loboman, to the Sonora Stage, where Bane’s World, Otoboke Beaver and Mild High Club have all moved back one hour and five minutes to make up for the loss of R.O.C. Furthermore, Feel Good Green has replaced Palm Desert DJ Alf Alpha at the Outdoor Theatre, and Mexico City’s N.A.A.F.I. has been added to the Sahara Tent lineup in place of Jimbo Jenkins. The Coachella Stage also now has an eighth performer, with Gabe Real + Juicewon kicking things off at 1:25 p.m. on Day 2.

The third and final day of the festival’s second weekend sees the removal of Gabe Real from the Coachella Stage, leaving LION BABE as its first act to perform, while Los Angeles-based producer nostradahm will fill in for Juice won at the Outdoor Theatre. In the meantime, the Gobi, Mojave and Sahara Tents will each have new openers on Sunday: mr. rotu (replacing Phantom Thrett), VNSSA (replacing Pax) and EMME (replacing CVSS), respectively. And we couldn’t not mention that Jessie Ware’s set at the Outdoor Theatre has been moved back 15 minutes (as well as MAGIC GIANT’s by 10 to 2:25 p.m.), meaning that Weekend 2 attendees will have to settle for only 35 minutes from the UK singer-songwriter rather than 50.

Coachella 2018 - Weekend 2 set time updates

UPDATE (April 20th): Weekend 2 changes! Goldenvoice has announced some more tweaks to the schedule, with Jessie Ware moving from the Outdoor Theatre at 5:55 p.m. on Sunday to the Coachella Stage at 2:50 p.m. on Saturday (we have to think it has something to do with Cardi B performing around the same time after she drew one of the biggest crowds during Weekend 1). The other alterations are related to Sunday’s set times in the Sahara Tent, as Illenium (now at 6:35 p.m.) and French Montana (now at 8:05 p.m.) have switched places. Petit Biscuit will still precede both at 5:10 p.m., while chart-topping hip-hop trio Migos are expected to hit the stage at 9:30 p.m., although we’ll see if they’re a little more punctual this time compared to the first weekend of the festival, technical difficulties and all. Of course, we recommend downloading the Coachella app on your mobile device to receive the latest updates if you’re out in Indio for the festivities.

MAP

Several hours before revealing its Weekend 1 set times, the festival unveiled this year’s map, and it looks quite a bit different in comparison to some of Coachella’s past editions.

Last year, Coachella made some notable changes to its map, with the Mojave and Gobi Tents switching places and the addition of a third VIP section named “Hacienda Del Toro” that sat in between the Gobi and Sahara Tents. Goldenvoice even offered an updated location for the GA beer garden on that side of the polo field, which was supposed to improve the traffic flow behind the Sahara Tent, though we’re not sure it totally worked to be honest.

Now, the Mojave Tent has been moved far away from the Gobi Tent and into the same area that the Sahara Tent once occupied (next to the VIP Rose Garden). In its place will be the Sonora Stage, which Coachella introduced last year, with the third VIP section (no longer named “Hacienda Del Toro”) directly behind it rather than off to the side. The Gobi Tent, meanwhile, has moved back to its old confines closer to the Outdoor Theatre, where the Mojave Tent was located just a year ago.

Coachella - 2018 map

Another brand-new addition for Goldenvoice’s signature event is the Indio Central Market, a covered food hall that will feature 15 different restaurants and be situated behind the Sonora Stage. Inside will not only be New York City burger chain Shake Shack for the very first time, but also street food stand Cena, Moby’s vegan restaurant Little Pine and David Chang’s fried chicken sandwich shop Fuku. So, make sure to come hungry if you’re going to Coachella this year — we know we will.

But the biggest modification to the fest’s layout has to be the Sahara Tent’s new home after seeing the massive stage outgrow its longstanding location over the last decade. Positioned next to the main entrance, it will sit just in front of the Cantina and Beer Barn with the iconic ferris wheel and The Do LaB Stage nearby. And from what we can decipher by looking at the map, it appears that the Sahara Tent will be not as long as it used to be, but instead wider, a structural adjustment that was likely made to fit the space within the grounds.

We’ll make sure to give our two cents about these changes and much more when we return from the desert to share our favorite moments from this year’s installment, but as we often like to say around this time … Happy Coachella!

FYF Fest moves back to two days with Florence + The Machine, Janet Jackson headlining in 2018

FYF Fest - 2018 lineup

FYF Fest //
Exposition Park – Los Angeles
July 21st-22nd, 2018 //

After expanding to three days for the first time last summer and facing a widely publicized sexual misconduct scandal involving its original founder Sean Carlson just several months ago, FYF Fest has made its 2018 return official with another buzzworthy lineup.

But FYF’s announcement for its 15th edition doesn’t come without some noteworthy changes. The LA festival, for one, is moving back to two days this July, and with longtime Goldenvoice booking agent Jennifer Yacoubian now in charge of securing talent, it’s going in a somewhat different direction with this year’s roster.

In fact, Goldenvoice, which teamed up with Carlson as FYF co-promoters in 2011 and are currently the event’s sole owners, has taken some heat in recent years for its festival bills lacking female artists, and it appears Paul Tollett and company have gotten the message pretty loud and clear by billing Florence + the Machine and Janet Jackson as headliners.

Although last year’s installment of FYF had a good amount of female representation between Missy Elliott, Björk, Erykah Badu, Solange, Angel Olsen, Kehlani and some others, it seems as if Goldenvoice has made even more of a point to continue that trend in 2018, marking the first performance at the festival for either headliner and Jackson’s only scheduled show in LA as of right now.

Meanwhile, FYF has some other major gets to hang its hat on, including My Bloody Valentine, who will be playing their only West Coast date of the year, as well as the debuts of Future, The xx, St. Vincent, Charlotte Gainsbourg and Kali Uchis. Of course, many fans of the festival will also be excited to see another crowd favorite listed on the lineup in The Breeders, while other names that are worth noting include Amber Mark, Car Seat Headrest, Daniel Caesar, Daphni, Destroyer, Glassjaw, Mount Kimbie, Nils Frahm, Protomartyr, Rhye, serpentwithfeet, Skepta, Stephen Malkmus & The Jicks, Sudan Archives, The Internet, U.S. Girls and Unknown Mortal Orchestra. Check out the poster above for the rest of the lineup.

FYF will be back at Exposition Park for a fifth straight year despite our hopes that it would return to LA State Historic Park following a three-year, $20-million renovation project that saw it reopen last April and host KCRW’s inaugural Skyline festival (read our review here). Alas, that unfortunately won’t be the case as festivalgoers will have to endure Expo Park’s unforgiving landscape of mostly asphalt and concrete (we just wish there was more green grass to roam — that’s all).

Weekend passes to FYF will be sold for $249, with single-day passes also available for $149 and weekend VIP passes available for $549. Tickets can be purchased starting next Friday, April 6th at 12 p.m. here. American Express Card Members will be able to purchase passes before the general public has a chance to, beginning Tuesday, April 3rd at 10 a.m. through Thursday, April 5th at 10 p.m. PT.

Ready for the “best weekend of summer” to return? Check out our past FYF coverage here.

FYF Fest 2018

Goldenvoice announces 2018 Coachella sideshows

Goldenvoice Presents: April 2018

It’s Valentine’s Day, so what could be a better way to celebrate love — or least your love for live music — than with a whole slew of newly announced shows?

Well, with Coachella’s 19th edition just a couple of months away, Goldenvoice has done it again, assembling another massive list of April sideshows at various venues all across the greater Los Angeles landscape, including some in Orange County (at The Observatory and Constellation Room), Santa Barbara County (at the Santa Barbara Bowl and The Arlington Theatre) and the desert (at Pappy & Harriet’s).

Sister trio HAIM kick off the festivities with their headlining performance at arguably our favorite Southern California venue, the Santa Barbara Bowl, on Saturday, April 7th before things ramp up the ensuing week with Kali Uchis, Chromeo, Tyler, the Creator, St. Vincent, Portugal. The Man (with Cherry Glazerr), Perfume Genius (with Big Thief), Princess Nokia, PVRIS, Marian Hill, Fleet Foxes, Carpenter Brut, Tash Sultana, The Drums & Alvvays (with Fazerdaze), alt-J (with BØRNS), Migos, The Bronx, Greta Van Fleet, A Perfect Circle, Yaeji, Angel Olsen, Jessie Ware, BROCKHAMPTON, First Aid Kit, Japanese Breakfast (with Snail Mail), Kelela, Rolling Blackouts Coastal Fever, Buscabulla (with The Marías), Priests, MØ, Jorja Smith & Tom Misch, ODESZA, Miguel, Boogarins (with B Boys & Señor Kino), Ron Gallo, Moon Boots (Live), The War on Drugs, Jungle, Soulwax, Petit Biscuit, 6lack, Aurora, Motor City Drum Ensemble (with Talaboman), Los Ángeles Azules, The Drums, Hayley Kiyoko and Elohim all playing — some even more than once — inside and/or outside of LA’s city limits.

Unlike last year’s sideshows, which included a special showcase at the Palm Springs Air Museum the night before Coachella’s first weekend featuring several artists from British independent record label Young Turks, Goldenvoice has opted not to go down that route again. The two gigs that mirror that mini festival the closest both take place on Thursday, April 19th, as Motor City Drum Ensemble performs at the Palm Springs Air Museum with Talaboman and Los Ángeles Azules invades the Riverside County Fairgrounds with Cuco, Helado Negro and Ocho Ojos just one day before Coachella Weekend 2 commences at the Empire Polo Club. Check out the full list of sideshows in the poster above.

Year after year, Goldenvoice seemingly continues to outdo itself with more and more shows in and around Coachella, and this April the renowned concert promoter has done its best to give music fans in Southern California a little bit of everything, from electro funk and indie folk to hip-hop and alternative R&B. But at first glance, the 2018 sideshows that stick out the most to us include the following: Chromeo at the El Rey Theatre, St. Vincent at The Orpheum Theatre, Perfume Genius (with Big Thief) at The Mayan, Fleet Foxes at the Warner Grand Theater, Tash Sultana at the Fox Theater Pomona, The Drums & Alvvays co-headlining (with Fazerdaze) at Pappy & Harriet’s, alt-J (with BØRNS) at the Santa Barbara Bowl, Migos at The Observatory, A Perfect Circle at The Arlington Theatre, Japanese Breakfast (with Snail Mail) at The Roxy, The War on Drugs at the Fox Theater Pomona, Jungle at Pappy & Harriet’s, Soulwax at The Fonda Theatre, 6lack at The Novo and Portugal. The Man (with Chicano Batman and Deap Vally) at the Santa Barbara Bowl.

Tickets for most of the sideshows go on sale here this Friday, February 16th at Noon PT with the rest of them available on Friday, February 23rd at Noon PT or Friday, March 2nd at Noon PT.

Goldenvoice

Coachella wastes no time, revealing 2018 lineup headlined by The Weeknd, Beyoncé & Eminem

Coachella - 2018 lineup

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 13th-15th & April 20th-22nd, 2018 //

Well, that didn’t take long.

Just one day into the New Year, and Coachella has already revealed its 2018 lineup, signaling to music fans worldwide that festival season isn’t far off.

After it was reported almost two weeks ago that this year’s headliners would be The Weeknd, Beyoncé and Eminem, that indeed will be the scenario, marking the first time in all 19 years that the three-day, two-weekend event won’t have a rock act topping its bill (a real sign of the times as some might say). Coachella’s 2018 edition will also serve as Beyoncé’s official debut after being forced to cancel last year due to pregnancy, as well as Eminem’s (the only time he has appeared was as a guest back in 2012 during Snoop Dogg’s and Dr. Dre’s headlining set). The Weeknd will be back on the polo fields for the first time since 2015, when the R&B singer closed the main stage on Saturday night as a sub-headliner after Jack White’s headlining slot.

Other notable names listed on the festival’s famed poster this year include HAIM, ODESZA, Kygo, Jamiroquai, Portugal. The Man, David Byrne, St. Vincent, The War on Drugs, alt-J, A Perfect Circle, Fleet Foxes, Chromeo, MØ, Chic feat. Nile Rodgers, Kamasi Washington and Jungle. The undercard, meanwhile, does feature some buzzworthy indie-rock acts such as Perfume Genius, BØRNS and King Krule, but as was the case in 2017, there continues to be more of a focus on hip-hop and R&B, as evidenced by this year’s headliner selections along with the second-line poster placement of SZA, Tyler, the Creator, Migos, Vince Staples, Post Malone, Cardi B and Miguel.

Coachella’s first weekend is scheduled for April 13th-15th, with its second weekend slated for April 20th-22nd. All tickets will go on sale for both weekends this Friday, January 5th at Noon PT here.

Got your sights set on the California desert this April? Relive our five favorite moments, from Radiohead to Kendrick Lamar, after last year’s festival.

Coachella 2017

Missy Elliott, Björk, Frank Ocean & Nine Inch Nails to headline FYF Fest 2017

FYF Fest - 2017 lineup

FYF Fest //
Exposition Park – Los Angeles
July 21st-23rd, 2017 //

Year after year, FYF Fest has continued to pull bigger and better artists. And this summer, that trend will continue as FYF moves up a whole month and expands from two to three days with Missy Elliott, Björk, Frank Ocean and Nine Inch Nails set to headline the festival’s 14th annual edition after last year’s impressive lineup.

Now in July but still returning to Exposition Park near downtown LA, FYF will also include performances from A Tribe Called Quest, Erykah Badu, Iggy Pop, Solange, Run the Jewels, Flying Lotus, .Anderson Paak & The Free Nationals, MGMT, Nicolas Jaar, Slowdive, Angel Olsen, Little Dragon, Kehlani, Majid Jordan, King Krule, 6lack, Sleep, Thundercat, Blonde Redhead, The Drums, Grandaddy, The Black Madonna, Mura Masa, Ty Segall, Seun Kuti & Egypt 80, The Faint, Cap’n Jazz, BADBADNOTGOOD, Motor City Drum Ensemble, Noname, John Talabot, Beach Fossils, DJ Harvey, Temples, Perfume Genius, Thee Oh Sees, Whitney, Tiga, Hundred Waters, Moses Sumney, Mitski, Joey Purp, S U R V I V E, Horse Meat Disco, Kamaiyah, Cherry Glazerr and more. Check out the poster above for the rest of the lineup.

This will be the first time performing at FYF for all four headliners, though some might recall that Frank Ocean had to cancel the week of the fest in 2015 (and was replaced by Kanye West) after originally earning top billing next to Morrissey. Missy Elliott and Björk will co-headline Friday’s bill, while Frank Ocean and Nine Inch Nails will serve as the main acts for Saturday and Sunday, respectively. For the record, FYF marks Elliott’s only scheduled show so far this year while Blonde Redhead will use their set to perform their 2000 album Melody of Certain Damaged Lemons in its entirety. It will also be Motor City Drum Ensemble’s first show in the U.S. since 2010 as well as the U.S. debuts of Helena Hauff and Nadia Rose. And as you might have noticed from scanning the lineup, comedy will be back at the festival for the first time since 2013 compliments of Hannibal Buress.

Produced in association with LA concert promoter Goldenvoice, FYF will sell weekend passes for $299, with single-day passes also available for $125 and weekend VIP passes available for $549. Tickets can be purchased starting this Friday, March 24th at 12 p.m. here, and payment plans will once again be offered — this time in four stages.

2017 FYF Fest postcard

Hardly Strictly Bluegrass 2015 spreads contagious smiles across Golden Gate Park

Hardly Strictly Bluegrass Festival 2015 - The Stone Foxes


The Stone Foxes

Photos by Tom Dellinger // Written by Mike Frash //

Hardly Strictly Bluegrass 2015 //
Golden Gate Park – San Francisco
October 2nd-4th, 2015 //

Oh Hardly Strictly Bluegrass, how the Bay Area loves you. It may be hard for those outside of Northern California to imagine how such a massive gathering of celebratory music lovers “chillax” in harmony, spreading contagious smiles with strangers and friends alike. But it happens every year in early October thanks to the late, great Warren Hellman.

See some of what you missed via the eye candy below, whether you were at the three-day fest witnessing your own slice of life or watching from home on the webcast. And if you couldn’t make it, there’s always next year.

Sasquatch! continues to reign supreme as the Pacific Northwest’s premier music festival

Sasquatch! Music FestivalPhotos by Pedro Paredes // Written by Nik Crossman //

Sasquatch! Music Festival //
Gorge Amphitheatre – Quincy, WA
May 22nd-25th, 2015 //

2015 marked the 14th successful year of Sasquatch! Music Festival thanks to a hunch followed by a Pacific Northwest concert promoter. Back in 2002, when the U.S. festival scene was an infant, Adam Zacks decided to try his luck with an untapped market and bring the festival experience to the Pacific Northwest. The single-day festival sold out its first year, quickly validating Zacks’ hunch and setting the stage for one of the world’s most unique festival experiences.

Embracing the culture of the Pacific Northwest, Sasquatch! caters to the growing breed of indie-centric fans caring just as much about the festival experience (if not more) than the music itself. Over the last 14 years, Sasquatch! has become a “must-do” for festivalgoers and continues to impress with a stellar lineup playing against the majestic backdrop of The Gorge.

So, when I fell into tickets the week before the festival, I jumped at the opportunity to see some of my favorite bands jam out at Mother Nature’s cathedral. Having no campsite and no ride to/from the festival, I posted a Hail Mary message on the Sasquatch! Facebook page, asking a bunch of strangers to take me in as one of their own … and it worked! That’s when I realized Sasquatch! is more than the music — it’s coming together as a community to lend a hand and help a fellow human.

The two-hour drive from Seattle to The Gorge wet the appetite for the alluring landscapes to come. My two new friends and I arrived Friday afternoon, just in time to set up camp and catch the sun fall behind the mountainous horizon.

Sasquatch! - Little Dragon


Little Dragon

Friday

Kicking off the festival, Friday’s lineup included the sounds of Ought, Mother Mother, Gogol Bordello, Action Bronson, Angel Olsen, AlunaGeorge, Little Dragon, Of Monsters and Men, Sleater-Kinney and of course, Flume, the 23-year-old Australian DJ/producer who has been taking the electronic music scene by storm since dropping his debut album in 2012. Despite a little rain early Friday night, the festival was in full swing and the energy inside the grounds built on itself with each performance. The unique sound of Little Dragon had the crowd flowing together, sprinkling in rumors and heightened anticipation for SBTRK‘s set on Sunday night. “Will Little Dragon come out for ‘Wildfire’?!” By the time Flume dropped his first beat at the Bigfoot Stage, the energy was palpable and everyone could feel why this young DJ was chosen to close out Friday night.

Sasquatch! -  Modest Mouse


Modest Mouse

Saturday

With the loving melodies of Milo Green rushing over the Bigfoot State by mid-day, Twenty One Pilots picked up the tempo with an animated performance on the Sasquatch Stage, where the dynamic duo commanded their early-day crowd. Sylvan Esso threw down a Bigfoot dance party when their hit “Coffee” ignited the entire crowd to dance along with the ever-so-strange Amelia Meath on stage. Chromeo‘s love for themselves may only be surpassed by the massive turnout the funky duo brought to Sasquatch! main stage early in the evening. Their funk-tastic sound and vibrant stage presence was perfectly timed to set the stage for following acts like Glass Animals, Kiesza, Modest Mouse, ODESZA and Spoon. Kiesza took the El Chupacabra tent by stormy lights and surprisingly produced more vigor into the crowd than the Seattle duo ODESZA, who seemed to play a more mellow version of themselves than most are familiar with. Just down the hill from ODESZA, 22-year-old rock band Spoon spilled heavy guitar riffs over the crowd and presented an alternative ending to Saturday’s electronic scene. For the second night in a row, Sasquatch! closed out the night with a young, up-and-coming electronic act, staying true to their committed mix bag of new and established performers.

Sasquatch! - St. Vincent


St. Vincent

Sunday

Milky Chance wooed the crowd at the Sasquatch Stage in the late afternoon on Sunday with their unique electro-folk-reggae sounds, lead vocalists Clemens Rehbein’s deep, melodic vocals and the magnificent backdrop of The Gorge. Shortly after Milky Chance stirred the crowd, the unlikely future of rap, Kate Tempest, lived up to her reputation as a force to be reckoned with while showering the crowd with positive affirmations. The sun started setting behind The Gorge while the idiosyncratic St. Vincent moved so distinctly across the stage like an elegant robot, convincing the crowd they made the right choice. The sultry vixen Lana Del Rey attracted one of the largest crowds to the Sasquatch Stage on Sunday night. While Del Rey is not as active as some of her siren peers, her presence was not lacking. Captivating the masses while her white dress blew in the wind, Del Rey abandoned the stage to walk among her amorous fans before leaving her set early to pass the spotlight to an epic instrumental jam session by her band. Madeon, the 21-year-old child prodigy, proved himself once again in the El Chupacabra late on Sunday night when he led the crowd on a fantastic journey of impeccable mashups and psychedelic lights.

Sasquatch! - Slow Magic


Slow Magic

Monday

Monday was the last day of the four-day festival, and the crowds started to thin between the intermittent rain clouds playing hide and seek with the sun. Monday was also the day of drums, at least in the El Chupacabra. Armed only with a wolf mask, laptop and two drumsticks, Slow Magic kicked off the night in the Spanish-flavored tent with a one-of-a-kind experience. With his rare combination of synth and live drumming, Slow Magic is re-imagining electronic music as we know it. Not far behind the solo drumming DJ were the three-piece veterans The Glitch Mob. The trio conquered the stage with their new musical element “The Blade,” which combines both lights and instruments into something that looks like it came out of a space-age movie scene. Drumming their way into the bones of the crowd, The Glitch Mob elicited some of the most hands-in-the-air praise I saw all weekend. They closed out Sasquatch! with a bang, literally.

Sasquatch! Music Festival

Camping

The Sasquatch! campgrounds were far from organized, which presents pros and cons, pending what you’re after. The grueling trek from general camping to the grounds made going to the festival more of a commitment than many appreciated. After a few journeys to and from, premium camping seemed well worth the investment. The wheel-and-spoke layout of the grounds made it easy to find other campsites and stumble into the food trucks for a late-night zombie dog. The camping community itself was friendly and full of love for each other, inviting neighbors to play beer darts and other awesome lawn games.

Sasquatch! Music Festival

Activities

Despite the loving nature of the campers, the Sasquatch! campgrounds lacked the festival-sponsored activities so many of us have come to appreciate and expect like morning yoga classes at Coachella and personal development workshops at Lightning in a Bottle (LIB). The Sasquatch! community inside the grounds attempted to provide this outlet with a vintage arcade, self-defense demonstrations and community dance parties, but they fell short relative to other festivals. One could also argue the lack of art installations throughout the Sasquatch! grounds presents an area of improvement for the festival. That is, until they’re reminded of the natural art blanketing all of The Gorge. Well done, Mother Nature!

Sasquatch! Music Festival

Sustainability

While LIB has been dubbed as “The Greenest Festival in America,” you’d think all festivals would have a strong commitment to sustainably responsible business practices by now. This was an oversight for Sasquatch!, as recycling bins were nowhere to be found and trash cans were often overflowing — a pretty easy, yet significant improvement that needs to be made.

Showbams’ Top 50 albums of 2014

Best-albums-2014-coverBy Mike Frash, Josh Herwitt, Molly Kish, Steve Wandrey & Kevin Quandt //

Showbams presents the Top 50 albums released in 2014 (yes, all of 2014) that we just can’t stop listening to.

These are the albums that made us double-take upon first listen, while also being auditory art pieces that we continue to spin as we head into 2015. They are the bundles of songs that innovated and inspired us more than the rest, signifying musical progression, defining our time with a soundtrack that challenges traditional expectations, while boldly trekking into new frontiers of pop music.

Because as music continues to become more accessible, the bridge between independent and mainstream gets shorter each year.

The 25 Best Live Music Acts of 2014
Showbams’ Top 50 Albums of 2014

Listen to The Bam Team’s favorite songs of 2014:


1. Run the JewelsRun the Jewels 2

run-the-jewelsSo often sequels don’t deliver, but ascending hip-hop stars Killer Mike and El-P have simply progressed their brilliance as Run The Jewels one year removed from their first official collaboration. From the top of RTJ2, Michael Render manages to set a higher bar for pumped-up aggression, there’s more social activism laced throughout, more special guests that only add to the fuck boy-crushing populist mentality. And compared to RTJ1, there are more stand-alone gems that are primed for remixing and cultural integration. The sequencing is superb, and El and Mike are having more fun than ever as they tour the world and snowball momentum with their brand of hardcore, yet intricate rap that contains shades of weird. Like a championship baseball team, the songs in the two hole through cleanup hitter offer the biggest impact, wreaking instant classics upon us with masterful experimental production from El-P that emits new, subtle surprises the more you listen. As the album unfolds, tales of police brutality (“Early”), introspection and personal improvement (“Crown”), along with over the top raunch (“Love Again”) prove RTJ2 shines in every moment in a variety of ways through multiple lanes of success. -Mike Frash


2. The War on DrugsLost in the Dream

war-on-drugs-lost-in-dream-album-coverWhen a truly inspired artist borrows from the past while looking to the future, the outcome can be something fully new and exciting, which is what we have here. The brilliance of Adam Granduciel lies in his delivery, both musically and lyrically, crooning about the sometimes-not-so-simple intricacies of existence. Life, love and everything else in between can be tricky, yet Granduciel calmly assures us that things can work out.

Granduciel knows how to structure albums with the best of them — this acutely demonstrated via the nine-minute, sprawling opener “Under the Pressure”. First single “Red Eyes” keeps on a similar path as we sink deeper in, bobbing along to the pounding drum machine that has been a constant over the years for the Philly-based band. “Disappearing” takes us soaring above the clouds as we hear new, thrilling piano instrumentation with warm bass lines, creating a sense of weightlessness and flight. An extremely strong finishing track, “In Reverse” perfectly captures the fleeting minutes on this release before jarring us back into a slightly crueler reality. The long play of this record is so rewarding, and it grows with hopes that more can be brought into the light. Oh, and that the state rock ‘n’ roll is just fine. -Kevin Quandt


3. D’Angelo and the VanguardBlack Messiah

dangelo-black-messiahThere’s an intentional off-kilter spontaneity and cohesive force at the center of D’Angelo’s first album in 15 years, Black Messiah. The percussive and vocal syncopation here makes the off-beat feel natural — layered vocals get treated with filters and are multi-tracked to lend an unfamiliar presence to the back-and-forth vocal pitch shifts D’Angelo employs from line to line.

The end product is a record that possesses its own musical language, telling stories that are incredibly meaningful, but achieve balance between serious and playful, while always being sexy. The confusing, driving funk of the first two cuts give way to “The Charade”, which manages to hit a rare aural sweat spot of ultra-pleasurability. But then “Sugah Daddy” follows as an unplanned Sunday in the park, with vocal scats skipping along to the breezy song’s pacing. D’Angelo arguably can now join the ranks of the all-time great R&B/soul artists with the delivery of his long-awaited third record. -MF


4. Future IslandsSingles

Future IslandSingles jumps right out of the gates, showing its cards early, presenting the listener with Future Island’s trademark new-school, new-wave sound. Samuel Herring’s vocals are stunning as he pitches and growls through tales of the tougher side of love. It’s pretty, gripping and powerful while also holding certain pop sentiments, lending to an overall lightness while being arresting. “Seasons (Waiting On You)” is a quintessential slice of the emotion this band has become well known for both onstage and in the studio. “Doves” balances all the elements nicely, shining a light on the top-notch production featured on Singles. -KQ


5. Aphex TwinSyro

FINAL MASTER SYRO DIGIPAK.inddRichard D. James has been practically an enigma for the last decade plus, hiding out in a small Scottish village of 300 and releasing no new music as Aphex Twin since 2006. But the long layoff hasn’t changed the fact that he remains one of the most unique and influential electronic producers in the game today. Some of James’ best material on Syro comes early on, from his club-oriented mixes like “minipops 67 [120.2]” to the techno funk ­he crafts on the ensuing “XMAS_EVET10 [120]” and “produk 29 [101].” These aren’t beats designed to make you sweat your ass off — if anything, the cerebral nature of James’ work makes him the ultimate antithesis of the current EDM scene. -Josh Herwitt


6. Flying LotusYou’re Dead!

Flylo_youre_deadOn Flying Lotus’s latest record You’re Dead!, the Los Angeles producer forgoes the acid kool-aide test for a cyanide kool-aide dive straight into a fourth dimensional confrontation with the afterlife. You’re Dead masterfully trips through the journey of the soul into the next episode with sun-scorched psychedelia, 8-bit snapshots of g-funk and gorgeously redemptive jazz. The cold transition between the frantic jazz freak out of Kendrick Lamar featuring “Never Catch Me” and the cooled-out West Coast bounce of Snoop Dogg and FlyLo alter-ego Captain Murphy’s “Dead Man’s Tetris” highlights the producer’s prolific ability to craft varying hip-hop textures. FlyLo fully buries his new album’s death aesthetic through ecstatic, free-form layers of acid jazz and sprawling EDM planes of sound. -John Venanzi, Community Review


7. St. VincentSt. Vincent

St. VincentAnnie Clark ups the electronic ante on her fourth studio album. Branching out of her experimental indie-pop compositions, she embraces more cohesive arrangements that ironically focus her creativity on deconstructed production and sound obstruction. Both equally impressive in sound quality and sass, the opening tracks “Rattlesnake” and “Birth in Reverse” set the tone for the rest of the records’ exciting stylistic shifts and the intriguing unveiling of Clark’s gritty rock goddess persona. “Digital Witness” is a spot-on snapshot of our brave new 21st century day-to-day reality. Unapologetic, raw and sonically genius, St. Vincent is Clark’s breakthrough moment, and she appears to be doing it all with ease. -Molly Kish


8. Mac DeMarcoSalad Days

Mac DemarcoMac DeMarco’s signature style is here. It’s still fresh and in ways stronger than ever; it’s more pointed, focused and accessible. DeMarco is able to write in a way that allows the listener to easily empathize with him, as he turns his issues into ones that most of us have dealt with at some point. In “Chamber of Reflection”, it’s easy to really feel a sense of solitude. “Goodbye Weekend” sounds like a stoney Sunday afternoon coming to a soothing end. Every track has a personality of its own while holding up the overall ethos of the album. This album is lighthearted enough for multiples listens in a row with its breezy beach vibe, but also easily induces deep thoughts with its many lyrical gems. -Steve Wandrey


9. CaribouOur Love

our-loveWhat we have here is one of the most addictive albums of 2014. Our Love keeps deep house in its front pocket with steady beats per minute and an introspective mantra-centric lyrical conceit, but it’s also exploratory in nature, finding success in consistently building toward intense, euphoric plateaus. A steady flow of pleasant sounds ascend into impacting transcendence with “Can’t Do Without You”, “Silver” and “Your Love Will Set You Free”, and you must give Snaith extra credit for the masterful pacing and song-to-song flow — there is never a “skip ahead” moment. Like many classic albums, it opens up if you give it more time to radiate around your head, and listening to it becomes more pleasurable over time, even though it is mostly presented in poetic simplicity. -MF


10. Sun Kil MoonBenji

Sun Kil MoonBenji must be interpreted as a concept album about death, but more importantly, it’s about the importance details related to memory. For example, the title is taken from what seems like a throw-away line toward the end of the breathtaking “Micheline”. It’s powerful, visceral storytelling that is self-reflexive and biographical, yet so relatable that it compels personal introspection from the listener’s own experiences. Mark Kozelek’s lyrics are the centerpiece of the listening experience — they are so deep and resonant that the instrumentals and production are absorbed secondarily, although the stripped-down approach is intentional and noteworthy. Built around obsessing about the state of human demise — and the randomness of it — it’s easy to join Kozelek’s dire state of mind hours or days after listening. -MF


11. Todd Terje – It’s Album Time
12. Ryan Adams – Ryan Adams
13. Sharon Van Etten – Are We There
14. Spoon – They Want My Soul
15. Ariel Pink – pom pom
16. Beck – Morning Phase
17. Jack White – Lazaretto
18. The Black Keys – Turn Blue
19. Tycho — Awake
20. TV on the Radio – Seeds

21. Sturgill Simpson – Metamodern Sounds in Country Music
22. Tweedy – Sukierae
23. Jungle – Jungle
24. Temples – Sun Structures
25. tUnE-yArDs – Nikki Nack
26. Death from Above 1979 – The Physical World
27. Ty Segall – Manipulator
28. The Antlers – Familiars
29. Real Estate – Atlas
30. Angel Olsen – Burn Your Fire For No Witness

31. Cold War Kids – Hold My Home
32. Interpol – El Pintor
33. Alt-J – This Is All Yours
34. Swans – To Be Kind
35. Strand of Oaks – HEAL
36. White Fence – For the Recently Found Innocent
37. Freddie Gibbs & Madlib – Piñata
38. Phantogram – Voices
39. Broken Bells – After the Disco
40. SOHN – Tremors

41. The New Pornographers – Brill Bruisers
42. Thom Yorke – Tomorrow’s Modern Boxes
43. Karen O — Crush Songs
44. Chet Faker – Built on Glass
45. Woods – With Light and with Love
46. Cloud Nothings – Here and Nowhere Else
47. Kishi Bashi – Lighght
48. Mark McGuire – Along The Way
49. Courtney Barnett – The Double EP: A Sea of Split Peas
50. Adult Jazz – Gist Is

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10.future-islands

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12.Ryan Adams

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Spoon

Tycho

TVOTR

Temples

8.tune-yards

Real-Estate

Interpol

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Angel Olsen’s fire burns for SF at Great American Music Hall

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By Katy Meacham //

Angel Olsen with Cian Nugent //
Great American Music Hall — San Francisco
Monday March 3rd, 2014 //

On a rainy Monday night at The Great American Music Hall, a large crowd gathered together for a cozy evening with Cian Nugent and Angel Olson.

Cian Nugent, a young guitarist and composer from Dublin, started the evening with lovely guitar picking and atmospheric melodies. Many of his songs were instrumental while others he sang over in a soft voice. His whimsical songs played out over the crowd as everyone began to settle in. It all felt very appropropriate for the historic venue, and for a moment we were all taken to another moment in time.

Up next was Angel Olson and her band. The indie singer-songwriter started her set with a single, “High-Five”, from her new album, Burn Your Fire for No Witness. It being one of the more upbeat and energetic songs on the album, it was a kicking opener, her voice crystal clear impressed immediately. One of the most remarkable things about Olson’s voice is how it changes in a moment’s time. One second you’re listening to an old country singer, reminiscent of Emmylou Harris and Jolie Holland, then suddenly she’s whispering, throaty, or both. She has complete control.

She focused on the new album, almost entirely. For most songs Olsen was backed by a three-piece band. She intertwined more up-tempo songs like, “Stars” and “Forgiven/Forgotten” with slower, more personal songs, never allowing the energy to build too much. There was a deliberate pause between each song as she sipped her beer and made the audience truly digest each song. Her slower songs echoed over the silenced crowd.

It’s not only her voice that can capture the audience, but also the intimacy of her lyrics. You almost want to thank her for sharing. Her songs of love lost or personal grief sink in deep, and they are things we can all relate to. For her last song of the night, “White Fire”, she played it alone. The song is reminiscent of Leonard Cohen’s guitar picking and deliberate lyrics. It was so quiet and personal, and also happens to be the namesake for the album. “If you’ve still got some light in you/Then go before it’s gone/Burn your fire for no witness/It’s the only way it’s done.” This seems inherently Angel Olson, songs about acceptance and truth with small glimpses of hope. Thank you for sharing Angel, seriously, thank you.

WIN TICKETS: Angel Olsen at Great American Music Hall 3/3

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Enter to win a pair of free tickets to this show below.

Angel Olsen with Cian Nugent //
Great American Music Hall — San Francisco
March 3rd, 2014 (Monday) //

Signs of life for innovative rock are strong so far in 2014, and Angel Olsen has a lot to do with it. Olsen’s excellent new record, Burn Your Fire For No Witness (Jagjaguwar), takes indie-folk singer-songwriting to the next level with echoing guitar reverb and subversive lyrics that aren’t just passionate, but also authentic and earnist without being overbearing. Her compelling vocals speak of tough times and desperation, yet combined with sonically dazzling instrumentation, Olsen’s output turns into cathartic bliss.

Buy tickets if you know you want to go!


Win-2-Tickets

Enter to win if you can attend this show Monday, March 3rd at Great American Music Hall in San Francisco.

Submit your full name and email address below.
Contest ends Monday, March 3rd at Noon. Winners will be picked at random & notified by email. Your email will be kept private – we will share your email with no one.

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