FYF Fest cancels 2018 edition in stunning move

FYF Fest 2018

FYF Fest //
Exposition Park – Los Angeles
July 21st-22nd, 2018 //

In some stunning news on a Sunday, Goldenvoice has announced that the 2018 edition of FYF Fest has been canceled.

Just five weeks after revealing a female-focused lineup that saw Florence + The Machine and Janet Jackson booked as headliners, the renowned Southern California concert promoter has shockingly pulled the plug on the longtime LA music festival, explaining via its social media channels that organizers were “unable to present an experience on par with the expectations of our loyal fans and the Los Angeles music community this year.”

After expanding to three days last year, FYF was scaling back to two for its 15th installment this July, but as Billboard first reported, low ticket sales forced “the difficult decision” to be made with more than two months to go.

However, former Pavement frontman Stephen Malkmus, who was set to perform at FYF this year with his band The Jicks, put the blame squarely on himself and other artists, citing the need for better songwriting.

Whether you agree with Malkmus or not (or you’re just bummed to hear about the shutdown like us), uncertainty surrounded FYF’s 2018 return after the festival quickly became mired in controversy when sexual misconduct allegations involving its original founder Sean Carlson surfaced in November. And even though Goldenvoice had already bought out Carlson’s stake to acquire sole ownership of the event and had veteran booking agent Jennifer Yacoubian in charge of securing talent, it wasn’t enough in the end to entice fans to shell out $249 for a GA weekend pass (or a whopping $549 for VIP). If you did buy one, fear not — ticket holders will receive full refunds over the next few days, so you’ll get your money back soon.

The news, however, raises bigger questions about the future of music festivals in the U.S. as the marketplace becomes more competitive and oversaturated. Because now that FYF’s own future is looking rather bleak, there’s really no telling where the industry goes from here.

FYF Fest - 2018 lineup

FYF Fest moves back to two days with Florence + The Machine, Janet Jackson headlining in 2018

FYF Fest - 2018 lineup

FYF Fest //
Exposition Park – Los Angeles
July 21st-22nd, 2018 //

After expanding to three days for the first time last summer and facing a widely publicized sexual misconduct scandal involving its original founder Sean Carlson just several months ago, FYF Fest has made its 2018 return official with another buzzworthy lineup.

But FYF’s announcement for its 15th edition doesn’t come without some noteworthy changes. The LA festival, for one, is moving back to two days this July, and with longtime Goldenvoice booking agent Jennifer Yacoubian now in charge of securing talent, it’s going in a somewhat different direction with this year’s roster.

In fact, Goldenvoice, which teamed up with Carlson as FYF co-promoters in 2011 and are currently the event’s sole owners, has taken some heat in recent years for its festival bills lacking female artists, and it appears Paul Tollett and company have gotten the message pretty loud and clear by billing Florence + the Machine and Janet Jackson as headliners.

Although last year’s installment of FYF had a good amount of female representation between Missy Elliott, Björk, Erykah Badu, Solange, Angel Olsen, Kehlani and some others, it seems as if Goldenvoice has made even more of a point to continue that trend in 2018, marking the first performance at the festival for either headliner and Jackson’s only scheduled show in LA as of right now.

Meanwhile, FYF has some other major gets to hang its hat on, including My Bloody Valentine, who will be playing their only West Coast date of the year, as well as the debuts of Future, The xx, St. Vincent, Charlotte Gainsbourg and Kali Uchis. Of course, many fans of the festival will also be excited to see another crowd favorite listed on the lineup in The Breeders, while other names that are worth noting include Amber Mark, Car Seat Headrest, Daniel Caesar, Daphni, Destroyer, Glassjaw, Mount Kimbie, Nils Frahm, Protomartyr, Rhye, serpentwithfeet, Skepta, Stephen Malkmus & The Jicks, Sudan Archives, The Internet, U.S. Girls and Unknown Mortal Orchestra. Check out the poster above for the rest of the lineup.

FYF will be back at Exposition Park for a fifth straight year despite our hopes that it would return to LA State Historic Park following a three-year, $20-million renovation project that saw it reopen last April and host KCRW’s inaugural Skyline festival (read our review here). Alas, that unfortunately won’t be the case as festivalgoers will have to endure Expo Park’s unforgiving landscape of mostly asphalt and concrete (we just wish there was more green grass to roam — that’s all).

Weekend passes to FYF will be sold for $249, with single-day passes also available for $149 and weekend VIP passes available for $549. Tickets can be purchased starting next Friday, April 6th at 12 p.m. here. American Express Card Members will be able to purchase passes before the general public has a chance to, beginning Tuesday, April 3rd at 10 a.m. through Thursday, April 5th at 10 p.m. PT.

Ready for the “best weekend of summer” to return? Check out our past FYF coverage here.

FYF Fest 2018

Missy Elliott, Björk, Frank Ocean & Nine Inch Nails to headline FYF Fest 2017

FYF Fest - 2017 lineup

FYF Fest //
Exposition Park – Los Angeles
July 21st-23rd, 2017 //

Year after year, FYF Fest has continued to pull bigger and better artists. And this summer, that trend will continue as FYF moves up a whole month and expands from two to three days with Missy Elliott, Björk, Frank Ocean and Nine Inch Nails set to headline the festival’s 14th annual edition after last year’s impressive lineup.

Now in July but still returning to Exposition Park near downtown LA, FYF will also include performances from A Tribe Called Quest, Erykah Badu, Iggy Pop, Solange, Run the Jewels, Flying Lotus, .Anderson Paak & The Free Nationals, MGMT, Nicolas Jaar, Slowdive, Angel Olsen, Little Dragon, Kehlani, Majid Jordan, King Krule, 6lack, Sleep, Thundercat, Blonde Redhead, The Drums, Grandaddy, The Black Madonna, Mura Masa, Ty Segall, Seun Kuti & Egypt 80, The Faint, Cap’n Jazz, BADBADNOTGOOD, Motor City Drum Ensemble, Noname, John Talabot, Beach Fossils, DJ Harvey, Temples, Perfume Genius, Thee Oh Sees, Whitney, Tiga, Hundred Waters, Moses Sumney, Mitski, Joey Purp, S U R V I V E, Horse Meat Disco, Kamaiyah, Cherry Glazerr and more. Check out the poster above for the rest of the lineup.

This will be the first time performing at FYF for all four headliners, though some might recall that Frank Ocean had to cancel the week of the fest in 2015 (and was replaced by Kanye West) after originally earning top billing next to Morrissey. Missy Elliott and Björk will co-headline Friday’s bill, while Frank Ocean and Nine Inch Nails will serve as the main acts for Saturday and Sunday, respectively. For the record, FYF marks Elliott’s only scheduled show so far this year while Blonde Redhead will use their set to perform their 2000 album Melody of Certain Damaged Lemons in its entirety. It will also be Motor City Drum Ensemble’s first show in the U.S. since 2010 as well as the U.S. debuts of Helena Hauff and Nadia Rose. And as you might have noticed from scanning the lineup, comedy will be back at the festival for the first time since 2013 compliments of Hannibal Buress.

Produced in association with LA concert promoter Goldenvoice, FYF will sell weekend passes for $299, with single-day passes also available for $125 and weekend VIP passes available for $549. Tickets can be purchased starting this Friday, March 24th at 12 p.m. here, and payment plans will once again be offered — this time in four stages.

2017 FYF Fest postcard

Showbams’ top shows of 2013

Top-Shows-of-2013

It’s been a rich year for music, but since most artists no longer rake in as much cash as they did in the past from record sales, performing live has become more essential. Easy access to streaming and torrents has created a world where music fans cultivate an increasingly wide-ranging palette. In turn, festivals have become exponentially more popular, out of necessity and due to the communal, diverse experiences festivals offer.

Most of the Showbams Team lives and frequents concerts in the Bay Area music scene (that’s what the “BAMS” in “Showbams” stands for), so many of our staff picks for best shows of 2013 took place in or around San Francisco.

The best live music performers blow minds on a nightly basis as they zig zag across the world, so if an act made our list, they probably left a lasting impact near you as well.

Click the links below to view the original show review.

El-P & Killer Mike as Run The Jewels - Photo by James Nagel

El-P & Killer Mike as Run The Jewels // Photo by James Nagel

Mike Frash // Founder, Editor, Columnist // @MikeFrash

01. El-P & Killer Mike (Run The Jewels) – The Independent – July 31st
El-P & Killer Mike provided the most engrossing live performance I witnessed this past year, both in their opening solo sets and their combined tour de force as Run The Jewels. Killer Mike, perhaps the most fascinating rapper on the planet, had the audience in the palm of his hands by enforcing crowd participation while performing “R.A.P. Music” and an a cappella version of “Reagan”. El-P’s set contrasted perfectly with Mike’s more message-driven set, but the the most magical moments occurred when the duo donned their “36” Chains”. The super-clever spits came at machine gun pace, faster than brains can process, and El-P’s weird, abrasive-yet-fun production work kept the show flowing at a delightfully hyperactive pace. The future is blindingly bright for Run The Jewels as they aim to take the throne.

02. Nine Inch Nails – Outside Lands – August 10th
Nine Inch Nails triumphantly returned this summer after a couple last minute personnel changes, but in the end it felt as though Trent Reznor knows exactly what he is doing. Far from feeling like a greatest hits nostalgia show (while they did play nearly all their big singles), Nine Inch Nails guided the uninitiated (including myself) by unfolding the performance in segments. Starting with “Copy of A” from this year’s Hesitation Marks, the first portion was distinctively electronic as shadows silhouetted the players onto the background of the stage. Then the stage opened up to reveal a live drum set, and a handful of pure rock tracks took over. From there, the mix of crunchy, industrialized rock and alternative metal that NIN is known for, including “March of the Pigs” and “Head Like a Hole”, became the focal point. In all honesty, show closer “Hurt” elicited some tears. The experience was intense, surprisingly dance-oriented and breathtakingly emotional.

03. Savages – The Independent – September 29th
Savages made a big splash this year with their album Silence Yourself, and much of the publicity for the all female foursome out of London came from their phone “ban” at concerts. The idea behind this was to instill the idea of immersion into concert goers. Savages successfully put on a show that exhibited a “live in the moment” mentality through their songs and stage presence, and in turn the audience followed Jenny Beth and company to be hypnotically entranced. Savages curated a wholly attentive experience through the use of contrast, most notably in their look, their use of black and white, and the way Savages ultimately contrast with every other group that performs live.

04. Foals – Coachella (Weekend 1) – April 12th
05. Atoms For Peace – Treasure Island Music Festival – October 29th
06. Deerhunter – FYF – August 24th
07. Bassnectar – Fox Theater Oakland – September 19th
08. Alt-J – Not So Silent Night at Oracle Arena – December 7th
09. The Flaming Lips and Tame Impala with White Denim – Bill Graham Civic – October 31th
10. Eric Prydz – Coachella (Weekend 1) – April 14th


Phoenix // Photo by Chaya Frash

Phoenix // Photo by Chaya Frash

Molly Kish // Artist Relations Manager, Columnist // @MollyKish

01. Phoenix – The Independent – April 1st
Preceding the release of their arena-filling 2013 smash album Bankrupt!, Phoenix stopped by San Francisco’s very own 500 person capacity venue to debut the new material. A last minute performance hosted a packed crowd of industry professionals and die-hard fans alike, and the setting felt more like a jam packed album release party than legitimate rock show. The French foursome dynamically performed their brand new tracks, fully engaging the attention of the audience through an intense stage show which fully used the venue’s limited space. Lead singer Thomas Mars even went as far as to stage dive, crowd surf, scale the back wall and return back full circle mid-encore without missing a beat. Catching a band of this magnitude, in a venue this size, performing yet to be released material was a once in a lifetime opportunity and one that anyone lucky enough to experience will undoubtedly remember forever.

02. Fiona Apple and Blake Mills – Zellerbach Hall at UC Berkely – October 8th
The only Bay Area stop on their “Anything We Want Tour”, guitar prodigy Blake Mills and the combustible Fiona Apple headlined an intimate performance this past October at UC Berkeley’s Zellerbach Hall. Billed as joint headliners, Mills and Apple playfully supported and challenged each other for command of the completely improvised set list and cohesively chaotic stage show that unveiled. The lecture hall audience was treated to a concert that highlighed both artists individuality, and as a collaborative duo, exercising complete creative control over an occasionally uncomfortably raw, extremely uncensored and truly unique live music experience.

03. Matthew Dear – Mezzanine – May 22nd
Catching the Ghostly International co-founder and experimental dance artist Matthew Dear in the spatial dimensions of the Mezzanine is amazing enough, however if the dance floor is nowhere near half capacity, you’re in for an unforgettable, private performance. Accompanied by a four person live band, Matthew Dear took the stage this past May with the bravado of a veteran rock star. Playing as though he were performing to a sold out arena, he dramatically danced and belted his way through crowd rousing favorites from his entire catalogue. Stage show theatrics involving the dismemberment of dozens of white roses and passionate crowd interactions stunned the unassuming audience members. The band dynamics, amazing set list and impeccably charismatic Matthew Dear ultimately enticed the intrigue of the entirely undersold venue, prompting everyone to actively participate in the spectacle that evening.

04. Major Lazer – The Independent – March 28th
05. Moving Units – DNA Lounge – September 11th
06. Washed Out – Rickshaw Stop – August 29th
07. Toro Y Moi – The Independent – March 2nd
08. The Postal Service – The Greek Theater Berkeley – July 27th
09. Yeasayer – Mezzanine – April 12th
10. Muse – Oracle Arena – January 28th


Arcade Fire as The Reflektors // Photo by Kevin Quandt

Arcade Fire as The Reflektors // Photo by Kevin Quandt

Kevin Quandt // Assistant Editor, Columnist // @KJQuandt

01. Arcade Fire as The Reflektors – Hollywood Palladium – October 31st
When I was lucky enough to score a ticket to this Halloween extravaganza, I knew I would be in for something special as I was in the process of falling in love with Reflektor. After donning a sharp suit and heading to Hollywood Boulevard, my show companion and I began to realize this was gonna be something special. The Palladium was alive as soon as you walked though the doors as revelers danced, socialized and admired each others outfits worn on this night. Obviously the band played heavy on the new tracks and the crowd was eating out of their hand for the duration with highlights such as “Here Comes the Night Time” and “We Exist”, to name a few. The evening didn’t end once the performance was done as the band joined the crowd for a post-show dance party to rival most. By the time we cruised out into the chilly night we were pretty thoroughly damp from the sweat that had amassed inside, and all was right on a Halloween in Hollywood.

02. Tame Impala – Coachella (Weekend 1) – April 14th
The continuously impressive Australian act delivered a loaded 40 minute set displaying their ability to crush, and expand, tracks on stage like rock and roll champs. Blustery winds blew through the Empire Polo Fields,  shaking the rows of palm trees behind the stage as if nature was swaying to the psychedelic goodness being enjoyed by the sizable crowd. The conditions may have led to some minor issues with a MIDI keyboard, but that didn’t phase them in the least and powered into a different direction without missing a beat. “Elephant” had an extended interlude before closing with old classic, “Half Full Glass of Wine”. Optimism at it’s finest.

03. Paul McCartney – Outside Lands – August 9th
A Friday night set just shy of 40 songs punctuated the first day of Outside Lands as living legend Paul McCartney captivated a packed crowd. Though not my first time seeing Sir Paul show, it was a special one in many ways on a foggy summer evening. The tenderness of “Blackbird” is always a thing of beauty, and the recently road-approved Beatles tune “Lovely Rita” were just a few of the highlights from this banner set. Macca has got it, straight up. I have preached to the power of his show since I was 15 years old, and on this night many got to experience that power first hand.

04. Phish – Lake Tahoe Outdoor Arena at Harveys – July 31st
05. Holy Ghost! – Treasure Island Music Festival – October 19th
06. Mac DeMarco – FYF – August 25th
07. David Byrne & St. Vincent – Fox Theater Oakland – July 21st
08. Thee Oh Sees – The Independent – January 11th
09. Pickwick – The Getty Center – Los Angeles, CA – July 13th
10. The Walkmen & Father John Misty – The Fillmore – January 24th


Sigur Rós // Photo by Marc Fong

Sigur Rós // Photo by Marc Fong

Pete Mauch // Festival Manager & Columnist // @PeteMauch

01. Sigur Rós – Coachella (Weekend 2) – April 20th
Icelandic rockers Sigur Rós closed out night two of Coachella and put on an amazing performance that was highlighted by one of the most impressive visually striking stage set ups that I’ve seen. In addition to the mesmerizing video screen portrayal of various beautiful landscapes, the stage also had lamps with exposed bulbs that would light up in time to the music. The band was joined by a string and horn section for this unique experience, adding great texture to their already layered sound. The set was heavy on newer songs from their most recent album Kveikur with older tracks sprinkled in, which pleased new and old fans alike.  Sigur Rós provide a truly amazing experience.

02. M83 with Hollywood Bowl Orchestra – Hollywood Bowl – September 22nd
French indie-pop rockers stepped it up at the Hollywood Bowl this year with a little help from the in house orchestra.  It’s always tricky when mixing string instruments with electronic synthesizers, not to mention the full band, but M83 found the perfect medium. The band worked through most of their big hits like “Midnight City” and “Wait” with serious ambition and the subtle compliments from the orchestra really made the overall sound fuller.

03. Tame Impala – Fox Theater Pomona – May 30th  
This Australian Psychedelic band had a banner year as they played all over the world, but on this particular night in Pomona they showcased why they are going to be one of the biggest bands around. Their sound is pure psychedelic bliss that oozes ever so sweetly over your ears. The band weaved effortlessly between older tracks like “Desire Be Desire Go” and newer songs like the ever so popular “Elephant” and “Feels Like We Only Go Backwards”. After a solid two plus hour set, Tame Impala walked off the stage and I found myself standing there speechless. 

04. Phish – Dicks Sporting Goods Arena – Commerce City, CO – August 31st
05. Medeski Martin & Wood – UCLA Royce Hall – April 26th
06. Eric McFadden with Nels Cline and Mike Watt  –  The Mint – Los Angeles, CA – January 16th
07. Femi Kuti and The Positive Force – The El Rey Theater – Los Angeles, CA – January 18th
08. The Rolling Stones – Staples Center – Los Angeles, CA – May 3rd
09. Jim James – The Fonda Theater – Los Angeles, CA – May 11th
10. Anders Osborne with Neal Casal and Karl Denson’s Tiny Universe- The El Rey Theater – Los Angeles, CA – October 24th


Alt-J // Photo by Sam Heller

Alt-J // Photo by Sam Heller

Kevin Raos // Columnist // @Semirec

01. Phish – Lake Tahoe Outdoor Arena at Harveys – July 31st
In late July Phish performed two concerts at Harvey’s Lake Tahoe Outdoor Arena. Night 2 of the run contained one of the most infamous moments in recent Phish history: The Tahoe Tweezer. This 36 minute jam odyssey has already found it’s place in Phish lore as one of the defining moments of the current era of Phish. It’s not just the length that makes this jam so impressive, but also the song’s content, as Phish and the audience interact back and forth driving the jam deeper and deeper. Magical moments of improvisation like this do not come around very often. WOO!

02. Bjork – Craneway Pavilion – Richmond, CA – May 28th
This was my first time having the pleasure of seeing Bjork live, and she fully lived up to the hype. The entire crowd was on pins and needles as she performed her 2011 album, Biophilia, in it’s entirety. It was an audio/visual experience unlike any other concert, complete with a Tesla Coil instrument controlled by iPads and a series of sound-generating pendulums to accompany Bjork’s majestic voice. Bjork is a talent unlike anything I have ever seen live.

03. Tom Waits – Bridge School Benefit (Shoreline Ampitheatre) – October 27th
Checked a big one off the bucket list with this performance at Neil young’s annual Bridge School Benefit. It’s a wonder why Mr. Waits doesn’t tour more often as he is as talented, and as much of a showman, as he ever was. His voice sounded great, including the usual gritty and rawness that you can expect. One of the longer sets of the evening, Waits plucked tunes from his entire catalogue, yet he pulled mostly from his latest record Bad As Me. Don’t miss a chance to see Tom Waits as his shows are few and far between these days. A truly special individual and unique talent to behold.

04. Tame Impala – Fox Theater Oakland – May 29th
05. Sigur Ros – Fox Theater Oakland – April 16th
06. Alt-J – Fox Theater Oakland – August 29th
07. Nine Inch Nails – Outside Lands – August 10th
08. Rhye – Outside Lands – August 9th
09. Alabama Shakes – Fox Theater Oakland – March 5th
10. Bassnectar – Hangout Music Festival – Gulf Shores, AL – May 18th


Shpongle // Photo by Mike Frash

Shpongle // Photo by Mike Frash

The Festival Lawyer // Columnist // @FestivalLawyer

01. Shpongle – Sea of Dreams at Concourse Exhibition Center in SF – December 31st (2012)
Just a really interesting, weird and exotic New Year’s Eve show. He had a performance art group that accompanied him that night as well as a live violinist. This combo led to a really trippy, trance inducing sight and sound experience. So cool.  

02. The Cure – Austin City Limits – October 12th
When I first saw the Cure I was an eyeliner-wearing 80’s Goth kid. ACL has a 10 o’clock curfew, so when their set got close to 10 o’clock, Robert Smith announced, “Listen, we are going to play all the hits that we can until they shut us down.”  What followed next was just a very cool trip down memory lane.  Funny how music can just instantly take us back to a time or memory in our life.

03. Muse – Oracle Arena – January 28th
It’s always weird to see how much shit people talk about Muse. They seriously have a stage act only rivaled by groups like Swedish House Mafia (I still call SHM’s set at Coachella “The Night of a Million Lasers.”)  Muse combines moving TV sets, lasers, even robots all combined with the stage bravado of legendary UK acts like Queen. If you can’t sing along with me at the top of your lungs to “Uprising” then you just are really missing out on a terrific experience. 

04. Yeah Yeahs Yeahs – Coachella (Weekend 2) – April 19th
05. Bassnectar – Coachella (Weekend 2) – April 19th
06. Father John Misty – Fillmore – June 21st
07. Iggy Pop and the Stooges – C2SV Festival – St. James Park – San Jose, CA – September 28th
08. Disclosure – Treasure Island Music Fest – October 19th
09. Paul McCartney – Outside Lands – August 9th
10. Arctic Monkeys – Coachella (Weekend 2) – April 19th


Thundercat // Photo by James Nagel

Thundercat // Photo by James Nagel

James Nagel // Photographer // @JdropsKnowledge

01. Thundercat – The Independent – November 13th
Stephen Bruner delivered a performance that felt truly unique, deviating from the standards set on his album by slapping some soulful, jazzy rhythms on his epic bass. He wrapped the entire audience with the warm embrace of his music in the most personal, improvesed way. 

02. Savages- The Independent – September 27th
Jenny Beth is a goddamn rockstar. Period. 

03. The Flaming Lips with Tame Impala and White Denim – Bill Graham Civic – October 31st
This show was truly a surreal experience and did not disappoint when it came to the scope of the production. Confetti and balloons rained down endlessly it seemed, while the visual and lighting components completely enhanced this drone-filled yet enlightening event. 

04. Toro Y Moi – Fox Theater Oakland – November 15th
05. Cut Copy – Fox Theater Oakland – November 2nd
06. Digitalism – The Independent – May 7th
07. !!! – Great American Music Hall – March 1st
08. El-P and Killer Mike (Run The Jewels) – The Independent – July 31st
09. Grouplove – The Independent – September 14th
10. Palma Violets – The Independent – April 25th


The Black Keyes // Photo by Sterling Munksgard

The Black Keyes // Photo by Sterling Munksgard

Sterling Munksgard // Photographer // @sterlingmphoto

01. The Black Keys – Bottle Rock – Napa, CA – May 10th 
Bottle Rock was a first-year festival situated in the Napa wine country, and it featured a lineup which rivaled many well-established festivals. The Black Keys brought their in-your-face attitude and rocked the crowd good and hard. Bottle Rock was my fourth Keys show and they still had me singing along and dancing. 

02. Empire of the Sun – Life Is Beautiful in Las Vegas, NV – October 27th
When I got home from this festival and showed my photos to friends and family, many people asked, “what kind of music was Empire of the Sun?” The only thing I could come up with was the showmanship of Kiss and the sound and style of Phoenix. But classification aside, this band was not only one of my favorites to watch on stage in 2013 but one of my favorite to photograph. Next time they are in town I will for sure be at their show.  

03. Dave Matthews Band and Gogol Bordello – Jiffy Lube Live – Bristow, VA – July 27th
DMB keeps me coming back for more. At 60+ shows they still keep turning out new tunes and bringing back songs that haven’t been played in years. This show had many highlights including a show opening “Ants Marching”, something that band hadn’t done since 2004.  The band also busted out fan favorites such as “Granny”, “Spoon”, “Long Black Veil”, “Crazy Easy”, and “#41”.  

04. Tedeschi Trucks Band and The Black Crowes – Bill Graham Civic – December 14th
05. Imagine Dragons – Life is Beautiful – Las Vegas – October 27th
06. JJ Grey & Mofro – The Fillmore – November 15th
07. Grateful Grass feat. Keller Williams, Keith Moseley, Michael Kang and Jeff Austin – Rex Benefit – The Fillmore – December 7th
08. Sleigh Bells – Treasure Island Festival – October 20th
09. The Lumineers and Dr. Dog – The Greek Theater Berkeley – April 19th
10. Edward Sharpe and the Magnetic Zeros – Portland Rose Festival – Portland, OR – May 25th


!!! // Photo by James Nagel

!!! // Photo by James Nagel

Dara Shulman // Columnist

01. David Byrne and St. Vincent – Fox Theater Oakland – July 21st
Byrne’s eclectic and eccentric sound, coupled with St. Vincent’s own quirkiness and talent, proved to be a fantastic performance. Creating rich, warm sound, the eight-piece brass band was as impressive as the two talented singers themselves. Playing mostly off their solid album, Love This Giant, the combination of choreography and Talking Heads songs turned out to be the icing on the cake.

02. Paul McCartney – Outside Lands – August 9th
It’s not every day you get to see a Beatle play a three-hour set complete with fireworks. McCartney wowed the packed main stage playing his hits from the Beatles, Wings and his solo efforts. It’s hard to determine which was more impressive, the acoustic set which included a beautiful “Blackbird” or the set-closing sing-along that was “Hey Jude”. Eight more songs over two encores only helped to make this an all-time show.

03. !!! – Great American Music Hall – March 1st
Vocalist and dance machine Nic Offer never fails to entertain the crowd. Offer and the band were on fire when they debuted songs such as “Slyd” off their fifth-album release Thr!!!er. Their upbeat, dance rock kept the crowd moving throughout the show.

04. Foals – Outside Lands – August 11th
05. Atoms for Peace – Treasure Island Music Festival – October 19th
06. Vampire Weekend – Outside Lands – August 11th
07. Primus – High Sierra Music Festival – July 5th
08. Holy Ghost! – Treasure Island Music Festival – October 19th
09. Cut Copy – Fox Theater – November 2nd
10. Robert Plant and the Sensational Space Shifters – High Sierra Music Festival – July 4th


View the Showbams 40 Best Albums of 2013
View the Showbams Contributor Picks for Best Songs of 2013
View the Showbams picks for Best Live Music Venues in 2013

Live music artists ignite the dawn of a smartphone backlash

Phones-at-Shows

By Mike Frash //

Mobile technology and social media have advanced exponentially the past five to ten years, connecting scores of individuals that would have never met a decade ago, enabling us to share narcissistic musings and photos at a moment’s notice. (Unsurprisingly, “Selfie” is the “Word of the Year”.) Bottom line — It’s mostly a glorious thing to live in the age of information and rapidly expanding technology.

But holy shit do we misuse it sometimes. Our social behaviors frankly haven’t caught up to our relatively newfangled devices that are always available in our pockets and purses.

The Pope’s inauguration at the Vatican, in 2005 & 2013.


It’s all changed so quickly, hasn’t it? Communication abilities, access to content & opinions, the structure of web-based writing itself and a pervasive social media mentality have all collided and intermingled magnificently since Steve Jobs introduced the iPhone in 2007. Consequently a massive smartphone market has flourished, and a large majority of us have gotten a bit more ADHD.

Our collective focus and attention span have changed significantly, taking a turn for the horrible. It’s become second nature for many to plug-in to their smartphones while mentally checking out of their immediate surroundings, whether we’re riding the bus, enjoying drinks with friends or experiencing a concert.

Daniel Goleman, author of Focus: The Hidden Driver of Excellence, recently said, “We have a world that’s been engineered to distract us.” This can’t be denied when a Facebook update, tweet or Instagram upload is always only a finger tap or two away.

One of the most contentious issues revolving around smartphones today is crowd-based photography and videography at shows. A continuous lack of technology awareness from just one individual can inhibit the live music experience for those around the bright screen being held just above eye level. Not only is the screen-addicted cinematographer distracted, but so is everyone else, including the artists on stage.

So is this the new normal, or is this a trend that can be addressed and changed? There are a handful of artists that have spoken out this year, igniting what might be the roots of a mainstream “be where you are” backlash in the world of live music.

Savages1

In the year that Arcade Fire’s Win Butler crooned, “We fell in love when I was nineteen / And I was staring at a screen,” many artists have fought back against concert camera phone use, putting their proverbial foot down explicitly, politely and absurdly.

UK-based Savages fired the loudest, most forceful warning shot of 2013. The all-female foursome released their debut album Silence Yourself to critical acclaim, taking the ethos of the record on the road with them by banning phones based on the idea of immersion. For every show, they put up signs that read:

Our goal is to discover better ways of living and experiencing music. We believe that the use of phones to film and take pictures during a gig prevents all of us from totally immersing ourselves. Let’s make this evening special. Silence your phones.

That show at the Independent in San Francisco was special because of Savages’ intense, smart use of contrast and due to the room’s communal, energetic focus. The phone ban helped, keeping most devices out of sight.

Savages haven’t been alone this past year shaming phones at shows. Prince threatened to boot any patrons caught playing director on his west coast club tour, and the Artist excluded all media photographers outright. Yeah Yeah Yeah’s phone ban sign was way more punk than Savages’ nuanced approach, advising that ticket holders “PUT THAT SHIT AWAY.” Neko Case stopped her show in Cincinnati multiple times October 22, threatening to end the show early because of flashing phone photos, finally saying “Just put away the cameras. It isn’t going to kill you, but it might kill me.” David Byrne & St. Vincent, She & Him, The Polyphonic Spree & Bjork all prohibited phone photography or asked for devices to be put away mid-show this year as well.

Ever the groundbreaker, Jack White was the one to get the ball rolling in the summer of 2012. Rumor spread that the young living legend demanded that fans avoid social media and not take photos during his show, and the public backlash was surprising brutal. White’s label Third Man Records later clarified, “the only thing that we’ve ever asked of the audience is to not take pictures or videos while holding up their camera phones, etc that block other peoples view or otherwise hinder other fans concert experiences.” The message continued, “Along with that, the bigger idea is for people to experience the event with their own eyes and not watch an entire show through a tiny screen in their hand.”

Father John Misty performed through a giant iPhone on his recently wrapped solo tour. Perhaps J. Tillman wanted to treat the audience to the same visual that has been thrown in his face the past two years. But Father John Misty gets bonus points for referring to himself as “content.”

Father-John-Misty

Some artists are using mobile technology to enhance their live performance. Dan Deacon told his fans to download his interactive app before his show via a projected message at the venue. Then during one song late in the set, he instructed the audience to pull phones out, launch the app, and dance with it. Deacon controlled the color blasts and strobe effects that emanated from scattered smartphones, using the devices to bring the collective attention of the crowd together. Pretty Lights followed suit this year at Outside Lands with a much bigger audience.

So the possibilities for using our pocket computers to enhance the live music experience are out there and will likely gain steam.

Author Daniel Goleman explains the phenomenon quite effectively:

We all are carrying technological devices, our phones, our iPads, and whatever it may be, and they are diabolically designed to take advantage of the weaknesses of our attention system and nab us, and keep us nabbed. And so we’re constantly fighting distractions. That’s why, I think focus is more important than ever.

Phones-at-Shows

Certainly there is a difference between popping out your Android for 10 seconds to snap off a couple shots versus literally shooting an entire concert on your smartphone with it’s shitty sound recording capabilities.

The Festival Lawyer explained this best in his Upgrade article:

Maybe you might want to record the whole show on your iPhone (or now iPads? seriously?) and just stand there and focus on getting the best video and pics. I’m not here to judge or scold you. Although I do feel the need to point out that you will NEVER watch that stupid motherfucking shaky video again and you are watching something through a tiny screen that is actually happening really big and loud RIGHT IN FRONT OF YOU LIVE!!! (Umm…actually maybe I am judging you a tiny bit. Sorry.)

Ultimately, it’s about finding balance between capturing the moment and immersing in the moment.

When someone is shooting a song-long video during a show, staring through a screen version of their current reality, and thinking about their friends watching it on YouTube later, that person is simply not in the moment.

The musical moments that give us auditory pleasure and ingrain in our memories are significantly more powerful and important than anything that can be captured on a phone.

Just take a look at the Jimmy Kimmel crowd at their outdoor stage…

This is the new normal — we’re all photographers. (Granted, people that go to a free taping in Los Angeles don’t represent a typical concert crowd.)

We are moving toward a world where we are more connected to our phones than each other. Many of us (yes, including myself) are too damned dependent on digital devices.

It’s a bit scary to contemplate a generation born with Facebook accounts. A generation of kids that are given tablets to stop them from crying at a restaurant. A third generation that is routinely fed amphetamine-based drugs when focus is an issue, even though we don’t teach attention-based skill strategies (yet).

In his book, Goleman wrote, “Today’s children are growing up in a new reality, one where they are attuning more to machines and less to people than has ever been true in human history. That’s troubling for several reasons. For one, the social and emotional circuitry of a child’s brain learns from contact and conversation with everyone it encounters over the course of a day. These interactions mold brain circuitry; the fewer hours spent with people— and the more spent staring at a digitized screen— portends deficits.”

The problem here is way bigger than just experiencing a show through a smartphone.

Phone zombies can SnapChat all day if they want to, but it’s critical that we live in the moment as much as possible and enjoy who we are with. The key is to identify screen addiction, set new habits through cognitive control & repetition, and be where you are to the best of your ability in this distracting age of information.

Be-Where-You-Are


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Coachella 2013: Predictions, wishes & rumors vs. reality

Coachella 2013By Mike Frash //

With a casual tweet, festival season is about to begin. Anticipation over the imminent 2013 Coachella lineup is building, and recent history shows the festival lineup could come this week.

Do you have your accommodations set? Hopefully your ticket is taken care of, because Coachella 2013 could already be close to sold out.

Presale ticketing for this year’s Coachella sold out within hours of going on sale both weekends last May, and it was the first time pre-sale sold out in such a quick fashion. The Coachella 2012 general on-sale sold out within an hour for both weekends a year ago, and if you weren’t ninja-quick at getting into the waiting room, you were shit out of luck. Take all this into account, and there might be a very limited amount of tickets available after the 2013 lineup drops. Is it possible Coachella 2013 is completely sold out from presale ticketing?

Coachella

Headliners: Reality vs. Rumors
The headliner rumors arrived early this year, with speculation over The Rolling Stones and Daft Punk dominating the conversation. At this point The Rolling Stones seems like the more likely of the two to be headlining, even though they haven’t played a whole lot of festivals since Altamont in 1969. Besides, Coachella rumors about Daft Punk and David Bowie playing Coachella are a yearly running gag at this point — we’ll believe it when we see it. Bowie even has a confirmed album coming out in the spring, but his bandmates are saying Ziggy has ruled out performing live … forever.

Reunions are a big part of Coachella’s top-notch lineups, and last year saw the regrouping of At The Drive-In, Pulp and Refused. This year it looks like The Postal Service and My Bloody Valentine could happen. Blur would also make sense since they reunited at the Olympics last year. Black Sabbath was reportedly on board to headline last year until they had to pull out at the last moment, and they have a new album coming out in June. Outkast would be the perfect hip-hop headliner, but that seems unlikely with Big Boi pushing his new LP. Wu-Tang Clan seems like the most likely rap act to play the main stage, but are they big enough to headline one of the three days each weekend?

Last year saw The Black Keys headline Friday along with Swedish House Mafia, and most people thought The Black Keys weren’t worthy of headliner status. But Coachella is good at king-making groups and artists, elevating them to the top level simply by making them headliners. Goldenvoice could repeat last year’s Friday concept by crowning Phoenix, The xx or Mumford and Sons headliners while putting deadmau5 on the top line to satiate the EDM masses.

Reality (likely headliners):
The Rolling Stones, The Postal Service, deadmau5, My Bloody Valentine, Black Sabbath, Pearl Jam, Phoenix, Red Hot Chili Peppers, Wu Tang Clan, No Doubt, Mumford & Sons, The xx

Rumors (probable wishlist-fiction):
Daft Punk, Outkast, David Bowie, Nine Inch Nails (How to Destroy Angels is likely)

Artists to see before they get big:
Last year, Frank Ocean, Kendrick Lamar, Death Grips, Azealia Banks, First Aid Kit, and lots of other artists performed at Coachella before getting exponentially bigger by the end of 2012. Possible contenders for 2013 include Angel Haze, AlunaGeorge, FIDLAR, Foxygen, Wilde Belle, & Earl Sweatshirt, although the hype for Earl is already tremendously loud.

Coachella

Best EDM acts most likely to not perform in the Sahara Tent:
• deadmau5
• Bassnectar
• Tiesto
• Simian Mobile Disco
• Andy Stott
• Nicolas Jaar
• Dan Deacon
• John Talabot
• Disclosure
• Totally Enormous Extinct Dinosaurs

Artists most likely to return for second consecutive year:
Kendrick Lamar and Dawes, because Dawes somehow plays every festival.

Headlines we’d like to see:
“Frank Ocean, Tyler The Creator join Earl Sweatshirt’s first solo set”
“Progressive-house trend baffles Sahara tent candy-kids”
“Thom Yorke, Bradford Cox & Trent Rezner play a combined 9 sets each weekend”
“Katie Perry attends Coachella again, never considered for performing duties.”

Plausible Acts We’d Like to See:
Alabama Shakes
alt-J
AlunaGeorge
Andy Stott
Angel Haze
Animal Collective
Atlas Sound
Atoms for Peace
Bassnectar
Bat for Lashes
Beach House
Ben Howard
Big Boi
Bjork
Black Sabbath
Blur
Cloud Nothings
Chromatics
Crystal Castles
CHVRCHES
Dan Deacon
Divine Fits
Disclosure
Die Antwoord
Django Django
Ducktails
Earl Sweatshirt
Father John Misty
Fiona Apple
Frightened Rabbit
Grimes
Grizzly Bear (Added 1.17.13)
Haim
Hot Chip
How to Dress Well
James Blake
Jamie Lidell
Japandroids
Jessie Ware
John Talabot
Jim James
Kendrick Lamar
Kishi Bashi
Killer Mike
Local Natives
New Order
Nicolas Jaar
Nick Cave and the Bad Seeds
Major Lazer
Matthew Dear
Mumford & Sons
Passion Pit
Penguin Prison
Phoenix
Pretty Lights
Sigur Ros
Skrillex
Spiritualized
Stars
STRFCKR
Tame Impala
The Faint
The Joy Formidable
The Knife
The Postal Service
The Rolling Stones
The Walkmen
The xx
Toro Y Moi
TNGHT
Ty Segall
Unknown Mortal Orchestra
Vampire Weekend
Warpaint
Wavves
Wild Belle
Wild Nothing
Yeah Yeah Yeahs
Yeasayer
Yo la Tengo
!!!

Coachella