SF Show of the Week // GO4FREE to Japandroids at The Fillmore 3/15 (WED)

JapandroidsWritten by Brett Ruffenach //

Japandroids with Craig Finn & The Uptown Controllers //
The Fillmore – San Francisco
March 15th, 2017 //

Singer/guitarist Brian King and drummer David Prowse are all who make up Japandroids. Listening to their music, it may surprise you that there are only two members in the band. With a sound big enough to fill arenas, you’d expect them to be more than just a duo, but somehow they manage to the find the energy simply within themselves.

Releasing their critically acclaimed debut LP Post Nothing back in 2009, Japandroids broke into the mainstream with their 2012 follow-up Celebration Rock, certified by UPROXX music critic Steven Hyden as one of the greatest records to drive a car to and get in a fight to — an opinion that’s hard to disagree with if you ask me. In January, the Canadian garage rockers released Near to the Wild Heart of Life, a blistering, full-length assault that further expands their sound into more pop-friendly territory.

With their capabilities onstage receiving equal acclaim to their studio efforts, it’s no surprise that they’re playing two nights at The Fillmore, with the second show set for this Wednesday. Tickets are available for $25, or you could win a pair of tickets by submitting your full name and email below.

Contest ends this Wednesday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Thao (of The Get Down Stay Down): March 15th (WED) @ The Chapel
Emily Wells: March 16th (THUR) @ The New Parish
Keys N Krates: March 17th (FRI) @ 1015 Folsom
G. Love & Special Sauce: March 17th (FRI) @ The Independent
Poor Man’s Whiskey: March 18th (SAT) @ Great American Music Hall
Xiu Xiu: March 19th (SUN) @ The Chapel


Win-2-Tickets

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

Like Showbams on Facebook, follow Showbams on Twitter and follow Showbams on Instagram. Subscribe to our social channels for a better chance to win!

CONTEST CLOSED.

Showbams_Sticker_Rectangle2

Albums you’ll want to hear in 2017

2017 albumsWritten by Josh Herwitt //

For as bad as 2016 might have been, there’s no question it yielded some excellent albums. So, what’s in store for 2017? It’s still early, but from what we know right now, there’s plenty of new music on the horizon — and a lot of it we can’t wait to get our hands on.

Here are 10 upcoming albums (in chronological order by release date) that you’ll want to hear and could very well end up being on some “Best of 2017” lists in another 12 months.


Bonobo – Migration

Bonobo - Migration

Release date: January 13th
Record label: Ninja Tune

British musician, producer and DJ Simon Green has organically built a loyal following among electronic music fans for almost two decades with a unique sound that combines downtempo electronica with trip-hop and world-music influences. Since 2013’s The North Borders, he has moved to Los Angeles and recorded his sixth LP Migration, which boasts a few notable guest appearances from Nick Murphy (fka Chet Faker), Rhye and Hundred Waters.


The Flaming Lips – Oczy Mlody

The Flaming Lips - Oczy Mlody

Release date: January 13th
Record label: Warner Bros.

Wayne Coyne and his psychedelic sidekicks have been busy over the last few years, recording Beatles cover album With a Little Help From My Fwends in 2014 and releasing a collaborative LP with Miley Cyrus the following year. On their 15th studio effort, the difficult-to-pronounce Oczy Mlody that drops on Coyne’s birthday, the Lips return to the days of Yoshimi Battles the Pink Robots and get a little help from their pop-star “fwend” on closing track “We a Famly”.


SOHN – Rennen

SOHN - Rennen

Release date: January 13th
Record label: 4AD

London native Christopher Taylor has been known for working extensively with such artists as BANKS, Lana Del Rey and Rhye, but his transition in becoming a legitimate solo act was cemented with the release of his 2014 debut LP Tremors, which peaked at No. 31 on the UK charts. Now calling LA his home, he has spent the last three years constructing Rennen, his second record as SOHN that’s led by “Signal” and its frighteningly beautiful music video.


The xx – I See You

The xx - I See You

Release date: January 13th
Record label: Young Turks

No impending album in the first quarter of 2017 may have as much hype around it as The xx’s I See You, their long-awaited follow-up to 2012’s Coexist. The build-up to its release in the last few months has seen the London trio perform on SNL, where they showcased lead single “On Hold” and debuted “I Dare You”, and play shows in Eastern Europe to go along with the news of guitarist/vocalist Romy Madley Croft’s recent engagement.


Cloud Nothings – Life Without Sound

Cloud Nothings - Life Without Sound

Release date: January 27th
Record label: Carpark Records

Lo-fi noise rockers Cloud Nothings have come a long way since Dylan Baldi started recording songs in his parents’ basement. With their last two LPs — 2012’s Attack on Memory and 2014’s Here and Nowhere Else — garnering critical acclaim from the music media, the four-piece will release Life Without Sound, its fifth studio album and first with lead guitarist Chris Brown now officially a member of the band, later this month.


Japandroids – Near to the Wild Heart of Life

Japandroids - Near to the Wild Heart of Life

Release date: January 27th
Record label: ANTI-

Known for their DIY approach and high-energy performances, Brian King and David Prowse are back after what some may have considered a brief hiatus since touring in support of their 2012 studio album Celebration Rock. This time, the Canadian garage-punk duo is signed to a new label, with its third LP Near to the Wild Heart of Life set to drop on ANTI- in a couple of weeks before embarking on a 20-date North American tour this winter.


Elbow – Little Fictions

Elbow - Little Fictions

Release date: February 3rd
Record label: Polydor

2017 marks a big year for Elbow. The Mercury Prize winners have been going at it for 20 years, and to celebrate the occasion, frontman Guy Garvey and company are unveiling their seventh studio album Little Fictions, which features collaborations with The Hallé Orchestra and their choir after longtime drummer Richard Jupp announced in 2016 that he was leaving the group to pursue other creative projects, from expanding his drum school to various charity work.


Sampha – Process

Sampha - Process

Release date: February 3rd
Record label: Young Turks

Sampha Sisay, who performs under his mononymous stage name, has built much of his reputation on working with high-profile artists like Drake, Kanye West and Solange. But almost seven years after unveiling his debut EP Sundanza, the South London electronic musician, singer-songwriter and producer is finally dropping his own full-length effort, highlighted by previously released singles “Timmy’s Prayer” and “Blood on Me”.


Ryan Adams – Prisoner

Ryan Adams - Prisoner

Release date: February 17th
Record label: PAX AM/Blue Note

At the age of 42, Ryan Adams is as prolific as any musician out there right now, with Prisoner marking his 16th LP and the follow-up to his Taylor Swift cover album. And while he has been teasing the record for about six months, originally hinting at a possible November release, the alt-country songwriter gets ready for his next chapter, which he says was inspired by 80’s rock giants like Bruce Springsteen and AC/DC despite coping with a very public divorce at the time.


The Shins – Headworms

The Shins - Heartworms

Release date: March 10
Record label: Columbia

By the time The Shins unleash their fifth LP this March, it will be nearly five years between album releases for the Portland-based outfit. Of course, it’s no secret that bandleader James Mercer keeps a tight schedule between The Shins and Broken Bells, but on Heartworms, the Albuquerque native made sure to include “So Now What”, the song he wrote for the “Wish I Was Here” soundtrack that he later said was “one of the best things” he has ever done.


The following artists and bands are expected to release new albums in 2017 but have yet to confirm an official release date and/or an album title:

ANTEMASQUE
Arcade Fire
Broken Social Scene
Bruce Springsteen
Chic
Chromatics
Depeche Mode
Diddy
DJ Premier
Gorillaz
Grizzly Bear
GZA
Haim
Jesu/Sun Kil Moon
John Mayer
Kanye West
The Killers
LCD Soundsystem
Lupe Fiasco
Major Lazer
Mastodon
Modest Mouse
My Morning Jacket
The National
The Offspring
Pond
Ride
Sky Ferreira
Spiritualized
St. Vincent
T.I.
Troye Sivan
Vampire Weekend
Wyclef Jean
Zack de la Rocha


Treasure Island Music Festival 2013: Top sets

TIMF_postPhotos by Marc Fong

Treasure Island Music Festival delivered one its best artist lineups in recent years October 19 & 20, allowing fans to immerse themselves in some of the best progressive dance and indie rock today. The festival seemed louder this year (that’s a good thing), and a sold out Saturday raged harder than most other TIMF days in the past. Sunday featured many acts with a tendency to inspire dancing and earplug use more than past Treasure Island Sundays (that is also a good thing).

Thoughts of lovely Indian Summer evenings were washed away by cold evenings, something that was on the mind of many artists. In the world of live music, artists are forced to choose style over function in relation to the idea of look versus comfort. Brian King from Japandroids must wear his white t-shirt and Alexis Krauss from Sleigh Bells has to show some leg, but fest-goers can wrap themselves in emergency blankets, furry costumes and bundles of layers. So we had that going for us.

View our show reviews below, including eight performances named TOP SET, along with hundreds of artist and scene photos.

SATURDAY

Saturday ~ October 19, 2013

Atoms-For-Peace1
Atoms For Peace ~ TOP SET
Saturday • Bridge Stage • 9:25pm

Thom Yorke does not like “playing at sea”, so don’t hold your breath in regards to Atoms For Peace playing SS Coachella anytime soon. Thom might not win any new fans with his ‘witty banter’, but the infectious cacophony he produced with Flea, Nigel Godrich, Joey Waronker and Mauro Refosco was difficult to ignore, or stand still to. Barrage is one word that comes to mind as you are pummeled by bass and drums at almost every moment, and it’s evident Flea loves the challenge of bringing the most complex afro-funk bass lines he humanly can. Atoms can’t slow down, they go hard the whole show. Hell, even the originally sedate UNKLE track “Rabbit in Your Headlight” had a rousing pulse to it. This is where Yorke wants to be, this is the sound that he wants to produce, especially as he brings his hyper-rhythmic love over into his primary project. -Kevin Quandt


Phantogram
Phantogram
Saturday • Tunnel Stage • 8:35pm

Phantogram are back on the road, road testing new material from their new self-titled EP and a forthcoming long player, and they closed out the Tunnel Stage Saturday with a rocking psychedelic dance party. “Black Out Days” packs a punch as powerful as “Don’t Move”, which closed out the set. “Nothing But Trouble” and “Howling at the Moon” (song titles unconfirmed) were two tracks the band unveiled despite commenting that they probably should not be playing them. Despite a few technical glitches and unwanted feedback, Sarah Barthel’s voice was flawless and the new material received a big response, adding up to one of the many highlights Saturday night. -Kevin Raos


Little-Dragon
Little Dragon
Saturday • Bridge Stage • 7:40pm

Swedish electro-pop group Little Dragon continues to mature with age. Performing on the big stage towards the end of the night, they were certainly granted the respect that they deserve. Having just wrapped the recording of their fourth studio album due in the spring, Little Dragon was eager to demonstrate their evolved sound to the eager crowd, giving older songs a new, sonically swirling spin while debuting a new song or two. Fronted by the talented vocals of Yukimi Nagano, Little Dragon sounded as good as ever on the island. -KR


Holy-Ghost
Holy Ghost! ~ TOP SET
Saturday • Tunnel Stage • 6:50pm

The largest act off DFA Records to be part of the bill since LCD Soundsystem, Holy Ghost! kept the “dance bar” raised high during their Sunset shift on Saturday at the Tunnel stage. Predominately playing tracks off their recently released 2013 album Dynamics, the New York disco distributors started a dance party almost immediately as the first notes hit the audience’s ears. Electrifying the crowd with new sing along favorites “Dumb Disco Ideas” and “Dance a Little Closer,” the Bay Area got a taste of what these boys will have on deck for their just announced New Year’s Eve headlining show at The Independent. -Molly Kish


Major-Lazer
Major Lazer
Saturday • Bridge Stage • 5:55pm

For a festival act, it’s hard to top the energy that Diplo and the Major Lazer crew bring to the stage. Riding a tsunami of booty clapping trap music into the rest of the evening’s insane line up, the crowd lost their collective minds witnessing the onstage antics and bone shattering bass lines of Major Lazer’s early evening set. Vuvuzelas blared, sirens rang and between the acts’ revamped hype-man roster, twerk army and Diplo’s human hamster ball, the festival escalated quite rapidly into full-throttle rage mode. -MK


DJ-Falcon
DJ Falcon
Saturday • Tunnel Stage • 5:10pm

French DJ & producer Stéphane Quême, aka DJ Falcon, had a prime time slot on paper, but his audience was rather small. It looked like most folks were taking a breather or getting food between Disclosure and Major Lazer. While there was plenty of space at the Tunnel Stage for DJ Falcon, it was filled out by dance-heads that had to keep the train moving. The set ended with Daft Punk’s “Get Lucky” into “Give Life Back to Music”, but the set would have had a bigger impact by ending with his own Random Access Memories cut “Contact”. -Mike Frash


Disclosure
Disclosure ~ TOP SET
Saturday • Bridge Stage • 4:20pm

The brothers Lawrence returned to the Bay Area for their second ever show, exemplifying how much things can change in the course of a year. Disclosure attracted the most dense and one of the most mentally immersed crowds of the weekend — it’s safe to say the UK duo are the most popular electronic act on the planet at the moment. From the moment these two fans set the tone of the show by sharing a lollipop, Guy and Howard Lawrence performed most of the tracks off their landmark first LP Settle, adding live drum and bass instrumentation. “Help Me Lose My Mind” was especially effective at slowing down the BPMs late in the set while keeping emotions high. If they could manage to bring along the likes of Jessie Ware, Aluna Francis, London Grammar & Sam Smith on tour with them to sing in the flesh, Disclosure would pack in arenas from Sydney to San Francisco. -MF


Poolside
Poolside
Saturday • Tunnel Stage • 3:35pm

Poolside curated a mellow, island vibe that suited the bright afternoon sun at the Tunnel stage. Ultra-catchy songs like “Why You Wanna”, “Do You Believe” and “Slow Down” deliver seductive mantras that are hypnotic, yet keep you swaying to the beat. A bonus Poolside highlight came for those that were lucky enough to stick around after Atoms for Peace had finished for an intimate Poolside DJ set on the way out. -KR


Danny-Brown
Danny Brown
Saturday • Bridge Stage • 2:45pm

This late addition to the lineup was embraced, even if we had to lose the UK rarity that is Tricky, and his early Saturday showcase allowed him to span his releases more fully, primarily with the release of Old. A long intro built hype nicely, and by the time Danny Brown sauntered onto stage, the youthful crowd was revved up and eating from the MCs hand for the remainder of a high-energy set. Highlights included “Radio Song” and “Monopoly” off XXX. The sky’s the limit for Brown as he settles into his newfound ‘King of Weird’ title. -KQ


Robert-DeLong
Robert DeLong
Saturday • Tunnel Stage • 2:00pm

21st century one man band Robert DeLong inspired early movement from the audience with his danceable, percussive beats. Equipped with an array of musical toys, DeLong demonstrated his ability to create deep layers of sound with only the use of his two hands. Robert DeLong is clearly a drummer at heart, however he takes his music to another level, synchronizing his beats through the tip of his drum stick. DeLong continues to build smart and innovative beats in a live environment, surpassing many of his ‘button-pushing’ peers in technique and output. -KR


ADULT.
Saturday • Bridge Stage • 1:15pm

Goth electro rockers ADULT. warmed up the main stage in a big way Saturday. Dressed in all black with a heavy dose of leather, singer Nicola Kuperus and beatmaker Adam Lee Miller, were battling the heat of the sun the entire set. Kuperus commented on her desire for the sun to go away and contemplated refuge under the stage. Kuperos, however, found relief from the sun during the final two songs when she jumped into the audience to perform at crowd level. Kuperos eventually found a patch of shade to the left of the stage under a tree to close out the set. -KR


SUNDAY
Sunday ~ October 20, 2013

Beck
Beck ~ TOP SET
SUNDAY • Bridge Stage • 9:25pm

Beck emerged for his Sunday headlining set about 25 minutes after the printed time, but he more than made up for it by playing a collection of upbeat material to help “keep us warm” well past 11pm. All in all, the set was a greatest hits showcase — the Bay Area weekend warriors still rocking on the island heard “Devil’s Haircut”, “Loser”, “E-Pro”, “Girl”, and to end the night “Where It’s At”. New songs like “I Won’t Be Long” and “Defriended” didn’t get played, but the final show of the fest did see one of the only guest appearances of the weekend. Beck treated the Bay to the live debut of “Let’s Get Lost” from the Twilight:Eclipse soundtrack, enlisting Alexis Krauss from Sleigh Bells for the wonderful duet. This surprise was only topped when Beck reminded us he was ‘bringing that quiet storm’ during “I Wanna Get With You (And Your Sister, Debra)”. Beck showed, yet again, that he is one of the coolest guys in music. -MF


Sleigh-Bells
Sleigh Bells
SUNDAY • Tunnel Stage • 8:30pm

Alexis Krauss and Derek E. Miller closed down the Tunnel Stage on a bitterly chilly Sunday evening. Though many in the crowd, and likely on stage, weren’t too cold for too long as the energy levels rose quickly as thick riffs and bombastic beats came rushing from off the Bay. “Comeback Kid” and “Tiger Kit” were early highlights in the set. Showbams contributors were commenting that Sleigh Bells has become a quintessentially solid festival band that all can enjoy and head-band along to. Even though it was the second to last set of the event, it would’t be the last time Alexis graced the stage on this night. -KQ


Animal-Collective
Animal Collective ~ TOP SET
SUNDAY • Bridge Stage • 7:40pm

Ramping up the “weird” during the festival’s most surreal performance, Animal Collective pulled out rare cuts and old classics for their Sunday night set on the Bridge Stage. Bringing along their all-consuming, giant mouth set design from the Centipede HZ tour this past year, the boys blew the minds of the early evening crowd with their intense visuals, spasmodic stage show and extended psychedelic jam session. Shying away from the radio hits, Animal Collective delved deep into their catalogue for a surprising set list with songs like “The Purple Bottle”, catering to an audience full of devoted fans and impressed noobs. A bold scheduling call for the traditionally more mellow of the two days, Animal Collective fulfilled the TIMF diversity quotient while properly mind-fucking the withstanding festival-weary crowd. -MK


Japandroids
Japandroids
SUNDAY • Tunnel Stage • 6:50pm

It’s hard to fathom how many miles on the road Brian Davis and David Prowse have racked up since the release of Celebration Rock. Treasure Island was their last show in the continent for a while, but they continue on to far off places before taking their well-earned break. In the meantime, the Canadian duo did their best to shake off the brisk wind by blazing through songs like “The Night of Wine and Roses” and “Fire’s Highway”. The enthusiastic crowd bopped along in a combination of adoration and warmth.  -KQ


James-Blake
James Blake ~ TOP SET
SUNDAY • Bridge Stage • 6:00pm

James Blake‘s sound fit the moment exquisitely as the sun began to disappear behind a long band of fog that threatened to take over Treasure Island. Blake now tours as a trio, wisely adding live percussion to enhance his dreamy soundscapes. Confident yet mostly stoic, Blake’s measured vocals hung in the brisk fall air to mostly pin-drop silence. The progressive nature of the 25-year old’s music suddenly feels so familiar since Blake blasted into the worldwide music scene four years ago. Maybe its a product of his influence, or just the fact that his heavenly voice, modulated or not, blends so well with his post-dubstep-based production. This set elicited gasps of joy from the throngs of female fans along the stage rail, and the ending of “Overgrown” had an orgasmic effect on a couple of people near me. Set placement of songs was ideal — “Retrograde” and “The Wilhelm Scream” bookended the performance perfectly, and “Voyeur” stole the show, igniting an extended dance session. James Blake is simply a legend in the making. -MF


Real-Estate
Real Estate
SUNDAY • Tunnel Stage • 5:10pm

Sunday afternoons don’t get much more ideal than sail boats as a backdrop, sun in our eyes and Real Estate churning out their breezy style of surfed-out indie rock. However, this set was not a showcase of previously released material, but rather a showcase of new material, and even a new touring keyboard player. Even with a few brand new songs filling their set, Real Estate still managed to represent both of their stellar releases. “Green Aisles” was especially strong as a large palm tree behind the stage swayed along with the crowd. -KQ


Starfucker
STRFKR
SUNDAY • Bridge Stage • 4:20pm

STRFKR sees you’re confetti cannons and giant hamster ball Diplo and ‘raises you’ a crowd surfing astronaut and an army of blow up dolls! STRFKR pulled out all of the stops for their over the top afternoon performance. Pulling from their four full length albums, the boys were out there to get the crowd moving. While catching the last glimpses of sunlight on the Bridge Stage, the band executed one of their most polished Bay Area performances to date amongst a complete shit show of on stage distractions and “hype animals.” Dancing furries, a sumo wrestling battle and simulated oral sex/bestiality provided humorous stage antics for the second half of the set. Depending on your mindset during this point in the weekend, the show either came off as unnecessary overcompensation or one of the best shows Sunday. -MK


HAIM
HAIM ~ TOP SET
SUNDAY • Tunnel Stage • 3:35pm

How is it possible that the spunky LA-based sister trio HAIM has never played a proper set in San Francisco until TIMF? Well, if life is about first impressions, the Bay Area is smitten. Part of HAIM’s success lies in their equal value and contributions to the group — Este, Danielle & Alana Haim share singing duties, adorable stage banter and the ability to play their instruments magnificently. Most of all though, it’s HAIM’s fearless and passionate approach to everything they do that is most memorable. They are all very comfortable on stage, as seen through their ‘in the moment’ mentality, responding to calls from the crowd and telling people to throw their food on stage for a mid-set snack. “Honey and I” got a stripped down treatment that worked well, something the ladies said they did specially for SF. Asking if we were ready to dance, HAIM launched into “Forever”, and TIMF obliged. This international sensation has finally played the other end of their home state, and HAIM is likely to play theater-sized venues next time they are back. -MF


Treasure Island Music Festival: Seven reasons to go big

TIMF-FAN

The seventh annual Treasure Island Music Festival returns October 19-20, and the top-notch lineup is as strong as ever. The acts slated to perform are so good, we suggest that you go big. ‘Going Big’ can mean a lot of things here: Getting a two-day VIP pass, taking in every single set and even riding the Ferris Wheel after a couple of Spicy Pies all count. For the first year, only two-day GA, VIP & parking passes are available for purchase, and there is no guarantee single day passes will be sold.

In honor of the seventh iteration of this quintessential Bay Area Festival, here are seven reasons to go big.


1. Now that is a headliner!

Atoms for Peace

Short of Radiohead, there are few acts as highly sought after as Atoms for Peace. Besides the group’s resounding star power with Thom Yorke and Flea, not to mention Nigel Godrich, Joey Waronker and percussionist Mauro Refosco, Atoms are not constant touring machines like some acts on the bill such as Major Lazer or Sleigh Bells. AMOK’s release was months ago, but is still on constant rotation for many (including this writer), but it’s anyone’s guess how some of these dynamic songs will transcribe to a large, live format.

Band members have been leaking footage of their rehearsals on YouTube, and dropping some seriously exciting nuggets of possibility that make their second touring cycle even more thrilling. Case in point: the video of Thom performing 1998’s heralded UNKLE collaboration, “Rabbit in Your Headlights”. Not only is this an amazing track that Radiohead never attempted, but it pretty much confirms the inclusion of non-Atoms material on stage this run. Will the rehearsed Hail to the Thief B-Side “Paperbag Writer” be present on this tour? Well, guess you’ll have to be on the island to see if the Bay Area is graced with one, or more, of these contemporary gems.


2. “All the best Saturdays are spent dancing!”

The Dance Sets – Disclosure, Holy Ghost, DJ Falcon, Major Lazer, Robert DeLong, Phantogram, Poolside

Per the usual, TI will be split stylistically into two days with Saturday being dominated by all things dance and electronic music, so no moping about or standing with your hands in your pockets. Atoms for Peace will close the first day, but the pulsating lead up to the headliners will generate lots of buzz before the final act even struts out. Disclosure finally return to the Bay after their premier show last fall, and with a highly regarded debut record in June, they are sure to gain new fans and get festivalgoers of all ages into a frenzy with their patented house-oriented 2-step/garage hybrid. Holy Ghost! is the newest DFA Records darlings who have been selling out shows and turning heads this spring, even before releasing their much anticipated sophomore effort, Dynamics. Their deep synth-laden take on disco-pop is infectious, so don’t miss this duo. French producer DJ Falcon is yet another act who has been garnering a great deal of attention with his work on Daft Punk’s Random Access Memories – he produced the intense, final track “Contact”. Expect a set heavy on house tunes, and one wouldn’t be remiss in hoping to dance to some Daft cuts during his time slot. 

Major Lazer and Robert Delong will also get the spotlight on Saturday. Major Lazer is backed by the big name that is Diplo, not to mention a sizable stage production, and Robert DeLong is a rising star in his own right. Diplo melds the sounds of the Caribbean into a bass-heavy conglomeration, while DeLong takes his EDM sensibility and mixes in alternative rock influences, creating something partially poppy, but fully pleasing on the dance floor. Each act will showcase the cross-pollination that dance music is currently embracing. 


3. “Logistics matter, folks.”
Treasure-Island-Music-Festival

The venue/setup/schedule

Sure, at first glance the idea of reasonably large festival on the less-than-oft-visited island halfway across the Bay Bridge may seem like a logistical nightmare, but after six years the folks at Another Planet Entertainment and Noise Pop have this event running like a well-oiled machine. For driving patrons, on site parking passes are available, but the sheer majority will be making the pilgrimage to Treasure Island via luxurious busses that are plentiful and organized. The Civic Center will the be launching-off point this year for the second time, as I suppose APE is hopeful the Giants make the playoffs, leaving AT&T park as an unviable option. Once on TI, life is easy – everything is contained and well laid out – making the best use of an otherwise small green-strip of grass facing downtown San Francisco. Lastly, TI’s site says that there will be a carpooling option coming soon, so there may be even more ways to pack onto this tiny rock.

Scheduling music for a large-scale music festival is never an easy venture, and this dubious responsibility is bound to create gripes while pleasing others equally. Alas, this is not an issue at Treasure Island as there is no overlap between artists on the two stages, making any competition a moot point. Another way of saying this is that you can literally see every act, every song and every moment that happens, making it vastly appealing after making grueling decisions at Coachella, Outside Lands and other massive music festivals throughout the summer.


4. “The coolest Scientologist in the World is a headliner.”

Beck

It seems fitting that Beck Hansen stands atop the lineup this year, as he has been rather fond of the Bay Area recently with both a tour warm-up show in Santa Cruz and a feature at Davies Symphony Hall, with both appearances shedding more light on his paper-bound “album”, Song Reader. Beck and band will be heading out in the summer to shake off those touring cobwebs, while likely testing out loads of new tunes of the acoustic variety as part of the Americana-rama tour alongside Bob Dylan and Wilco. “Defriended” is a brand spanking new track on the electronic side of things (view it above), and is chock full of bizarre beats, assaulting drum flourishes and Beck’s characteristic croon soaring high overhead. The increase in Beck news has many music fans eagerly awaiting a new record, and it appears Beck is working on a second album for late 2013 that will be the proper follow-up to 2008’s Modern Guilt. It’s safe to say that the festival will be closed out on Sunday in a show-stopping manner that only Beck can provide.


5. “Sunday was made for rocking!”

The Rock Sets – Japandroids, Sleigh Bells & Palma Violets

Just as Saturday leans towards the cutting edge of electronic music, the rock-leaning acts will likely take to the stages on Sunday. Japandroids, Sleigh Bells, and Palma Violets are three superb groups that will surely bring some seriously needed guitar-driven energy to the masses. Japandroids have been touring furiously behind last year’s heralded release, Celebration Rock, and will thrive in an afternoon slot to those looking for blistering anthemic rock and roll. Similar to Japandroid’s minimal band member formula, singer Alexis Krauss and guitarist Derek Miller combine forces as Sleigh Bells, and after a few months missing from the live circuit they are ramping up again. Their play on dance-noise-punk is slightly electrified and heavy on gripping guitar riffs – Sleigh Bells is sure to get a strong reaction from the crowd. Palma Violets are a newer name that many may have glanced over with the lineup release. These exciting British young’uns are making waves with their patented play on harder-edged Brit-rock, accompanied by a raucous stage presence to match their catchy debut album.


6. “The ideal sunset show.”

James Blake

James Blake’s songs can be enhanced by listening to them at special moments. Fire up “The Wilhelm Scream” at 2am after partying all night or listen to his cover of Joni Mitchell’s “A Case of You” in the early morning for example. But no James Blake live music scenario could possibly be better than an early evening set on Treasure Island with the sun starting to fade behind Alcatraz and the Golden Gate Bridge. With golden hour rays of light bathing upon a mellow Sunday crowd, could Blake’s post-dubstep crooning go down in any better environment? The 21st century troubadour released a more cohesive album with his sophomore effort Overgrown in April, and he’ll have this new material ingrained in his psyche by October after playing it live throughout 2013. It doesn’t matter how many red bulls, beers or unknowing friends tempt you to go to the Silent Disco during this set – get close for this one and absorb the mellowed bass blasts.


7. “It all comes back to the Indie sets.”

Animal Collective, Lord Huron, HAIM

Indie rock is always a genre that’s represented at Treasure Island Music Festival, but it’s less present than prior years. Animal Collective and their delirious, neo-psychedelia can be classified in many ways: Certainly they have indie influences present in their sound, but they also purvey elements of experimental freak folk and electronic noise pop that sways between the concepts of repetition and ambience. In a word, Animal Collective is unique, and they curate a live experience that makes it easy to float away from the daily grind. LA-based Lord Huron are pure indie with an Americana bent, and their rolling tunes inspire feelings of big open spaces – perfect for TIMF. Haim, one of the biggest up-and-coming acts around, will make their Bay Area debut at TIMF. The all-female group from Southern California have played in Los Angeles over 20 times, but never for their neighbors to the north. Haim has drawn comparisons to Fleetwood Mac, but their quirky back beat and fast paced lyrics translate to a fascinating contemporary mix of pop, R&B and indie rock.


Coachella Review: Top Sets Weekend 1

Coachella

Coachella Weekend 1 came and went like a flash as it usually does. The build up is the slow part: You make your predictions, do your homework after the lineup drops, fret over the soul-crushing set times – then throw your plans in the trash and have some fucking fun.

Twas a unique weekend as each day was different from the other, and not just by which acts were on what stages at any given time. Friday, the masses showed up early and entry was a hassle due to it, and a few gate-crashing episodes due to slow security lines raised anxiety even before stepping foot in the concert venue itself. However, the majority did not stick around for the midnight action shared between highly buzzed acts. Saturday brought a more unified crowd to sing along to the Femmes classics and nervously await a certain special guest to make an appearance with Phoenix. As a whole, this was the best day for the overall experience we have come to know and love out in Indio. Sunday was a bit mild on banner moments, and the winds seemed to dominate as a theme, both for those withstanding and those retreating the gale. Goose pimples and bandana face-masks were plentiful as the event winded down, just to do it all over again next week. Even with a musically less eventful Coachella, compared to year’s past, it was the musical adventure so many long for year round.

Here are the most memorable sets we witnessed, for better or worse.

Day-1--PPIT

The Shouting MatchesGobi Tent, 2:05
Coachella Weekend 1 featured a premier performance from Justin Vernon’s über-blues project. The Bon Iver frontman played it cool most of the set behind dark glasses, laying out thick, bluesy guitar riffs. Jack-of-all-trades Phil Cook took over stage banter duties for most of the set, allowing Vernon to try his hat at slow-grinding bluesman. The Shouting Matches explored a couple lengthy jams that worked well. ~MF

Dillon Francis2:30
Crowds swelled rather early compared to year’s past, and many eager youths were chomping at the bit with the lengthy entry lines trying to catch the buzzy Dillon Francis. An upgraded, arena-sized Sahara tent was packed early on with throngs of fresh attendees bouncing to “Bootleg Fireworks” and other stylistic electronic mash-ups for the primarily under-21 masses. ~KQ

Jake BuggMojave Tent, 3:05 TOP SET
The teenage prodigy Jake Bugg impressed thoroughly at his early tent set, but it wasn’t only due to his excellent acoustic versions of “Two Fingers” and “Simple As This.” Bugg plugged in and let loose with his electric guitar for about half the set, and these songs proved to be the most successul and surprising. The young British singer-songwriter has already honed his live skills and is worth seeing live before his next trip through the states, when he’ll be packing theater-sized venues. ~MF

Divine FitsOutdoor Theatre, 4:35
Britt Daniel (Spoon) and Dan Boeckner (Wolf Parade) brought their newish outfit to the Outdoor Theatre for an afternoon of power-pop rock. Coupling the unmistakable vocals of Daniel with the heavy chorded guitar romp that is Boeckner added up to an impressive performance. “My Love is Real” was a highlight as drummer Sam Brown of New Bomb Turks added thick rhythm for the sun drenched crowd to sway and stomp to. ~KQ

JapandroidsGobi Tent, 5:00
Vancouver-based duo Japandroids had a tough time getting started due to sound issues, something that permeated the Gobi Tent Friday (the sound at TNGHT & Earl Sweatshirt was muted, but FOALS sounded great). Finally the set appeared ready to begin, until Brian King ran off stage, most likely to take a piss. David Prowse followed him offstage, then they returned to the stage to start “Fire’s Highway,” and we all discovered the sound was as shitty as it was when they were sound-checking. I’ve heard Japandroids play with immaculate sound quality, so it was time to move on… ~MF
Japandroids

∆(Alt-J)Mohave Tent, 5:20
This british quintet was a highlight of the day as they charmed a large crowd with their quintessentially unique take an indie rock, playing heavily off debut album An Awesome Wave. Cartoonish may be the best way to describe the singing style of Joe Newman, but once you’ve acquired the taste, it’s no joke and it shined brightly on the Mojave Stage. “Breezblocks” received a wonderful reception as revelers shook and weaved to the hypnotic rhythm while reciting the grand chorus. ~KQ

Local NativesOutdoor Theatre, 7pm
A calm mellow fell over the crowd for the majority of the Local Natives sunset time slot at the Outdoor Theatre. Some enjoyed the slightly closer and better beer garden, while others neatly filled a sizable chunk of real estate in front of the stage. “Sun Hands” was the perfect shock to attendees before sending them back out into the great wild that is the Empire Polo Fields. ~KQ

Dog BloodSahara Tent, 7:40
Combine Skrillex and Boys Noize and you have the two-headed EDM monster fans are getting to know as Dog Blood. This recent collaboration made waves at Ultra this year, and they blew minds in the thickly packed Sahara for a hard driving amalgamation of many of the current electronic styles. The sound resonating from the beefed up DJ booth wasn’t fully Skrillex, nor Boys Noize, which was refreshing to hear from these two superstars. ~KQ

Yeah Yeah YeahsCoachella Stage, 8:40
Karen O commands crowds with the best of them, and every big performance from Yeah Yeah Yeahs confirms her place as one of the most enigmatic bandleaders of our time. She oozed intensity and sensuality while bopping all over the largest stage during hailed tracks like “Zero” and set closer “Maps.” The new tracks sounded as artsy and danceable as ever and Mosquito is sure to catch some serious attention as they prepare for a lengthy summer season. ~KQ

FOALSGobi Tent, 10:50-11:40 TOP SET
FOALS destroyed their set against tough competition, making everyone present forget they were missing Blur & Jurassic 5. “Inhaler” and “Milk & Black Spiders” from FOALS’ 2013 LP Holy Fire were set highlights, but tracks from all three of their full length records were present in the setlist. The British group is pure fire in concert, producing surprisingly technical live versions of their songs while at the same time extending or intensifying some sounds or instruments in response to the audience reaction in the moment. ~MF
FOALS

How to Destroy AngelsMojave Tent, 12:00 TOP SET
Trent Reznor’s new project took the stage for the second time ever, and the multi-dimensional presentation wowed the surprisingly sparse crowd in the Mojave Tent. “The Wake Up” began the set with the group veiled behind a curtain of white strings, creating an eerie outline of Atticus Ross, Rob Sheridan and the mystifying Marqueen Manndig. Presentation appeared to be key in the short time this act will be on the road before the return of NIN, even though the wall of sound aspect was a treat for the diehard fans of Reznor and everything he touches. ~KQ
How-to-Destroy-Angels

Earl SweatshirtGobi Tent, 12:05
Sure, Friday at midnight was undoubtedly one of the most stacked schedule times, but the lack of throngs at Odd Future wunderkid Earl Sweatshirt’s banner set showed that one can’t be in more than one place at a time, which is a massive dilemma at Coachella. New single “Whoa” was delivered confidently, even if the sound was less than stellar. Tyler, the Creator aided his LA bud on old rarity “Orange Juice” and crowd favorite “AssMilk” while climbing scaffolding and generally causing a ruckus. ~KQ


Day-2

Danny BrownOutdoor Theater, 3pm
Another moderatly hot day welcomed the wrist-banded festivilians to a more unified day and night compared to the calm finish of day 1. Detroit-born, gap-toothed hip-hop artist Danny Brown brought a feverish set of his unique brand of profane-ridden tunes to the Outdoor Theatre. His nasally delivery could be compared to Andre 3000, while his melodic flow is so neatly packed and wickedly clever it makes folks chuckle in awe. ~KQ

Zane LoweYuma Tent, 3:00
The BBC 1 Radio DJ hailing from New Zealand played a spirited set of electro-house in the new official sixth stage. The Yuma Tent was an air conditioned oasis for dance purists needing a respite from the elements while also not wanting to rest their dancing feet. A hard wood floor was a proper addition to this space. Lowe kept things straight ahead, pounding the sizable system with original beats and a mixed set of dance styles before the tent packed up for The 2 Bears. ~KQ

The inaugural Yuma Tent was so intimate with such quality DJs that most festival-goers did not have the opportunity to see some highly anticipated shows. Many people bought tickets for Coachella this year so they could dance to their favorite progressive DJs, but ultimately you had to sacrifice lots of other shows and wait in long lines to experience the Yuma Tent. This should be remedied for 2014, as Jamie xx would have probably filled out the Mojave Tent. Make the Yuma Tent bigger.
Yuma-Tent

Ben HowardOutdoor Theatre, 4:10
Ben Howard, another Brit, brought his soft semi-folk-rock material to a scorching Outdoor Stage, and the tunes he played were pretty standard. That is until “The Fear,” which built to an explosive peak not captured on Every Kingdom. It might have made sense to put 2 Chainz on the Outdoor and Ben Howard in the Mojave Tent based on the crowds. ~MF
Ben-Howard

Violent FemmesCoachella Stage, 6:05
Many weren’t aware that this was to be the first show from the folk-punk legends in over six years. Furthermore, many of the younger patrons were likely completely unfamiliar with this act besides the occasional play on KROQ and other national alternative rock radio stations. What a surprise when they launched into their self-titled premier album, playing it in full. Classics like “Blister in the Sun,” “Add It Up,” and “Gone Daddy Gone” were passionately crooned by the majority of the crowd. ~KQ

Major LazerMojave Stage, 6:25
Why Major Lazer didn’t play the Sahara is a mystery to me, but the EDM masses made the rare pilgrimage to Mojave to lap up Diplo’s worldly party. A frenetic set kept everyone jumping to Major Lazer hits like “Pon de Floor” and the ubiquitous Baauer banger “Harlem Shake” alike. Jillionaire is one helluva hype man keeping the crowd fully engaged at every track, instructing the crowd to remove their shirts, hold them in the air, eventually demanding they be tossed into the desert air in dance ecstasy. Many bros obliged. ~KQ
Major-Lazer

Hot ChipCoachella Stage, 7:35
What a perfect sunset Saturday dance party. It was a set full of hits like “One Life Stand,” “Over and Over,” & “Ready For The Floor,” along with the amazing “Flutes.” This show conflicted with Yeasayer, Grizzly Bear, & Julio Bashmore, so there was plenty of room to shake it. Guitarist Pat Mahoney, also from LCD Soundsystem, added a busy 70’s guitar riff to many songs, including most of the new tracks from In Our Heads. ~MF

The Postal ServiceCoachella Stage, 8:50 TOP SET
The Postal Service show was surely one of the best pop sets of the weekend thanks to Jennie Lewis. Ben Gibbard, Jimmy Tamborello & Jen Wood were flawless as well, but Lewis’s sultry charisma, timing and all-around perfection made this a top set for me. From the building beat in “The District Sleeps Alone Tonight” to the outro of “Brand New Colony,” where “everything will change” was repeated until the session ended, the crowd was zoned in. As the last line was harmonized, I looked up to see all the Coachella spotlights meeting at a point in the sky directly above us and instantly was struck by goosebumps. ~MF

DescendentsOutdoor Stage, 9:05
Milo Aukerman and band were treated to an evening slot on the 2nd largest stage, up against the breezy Postal Service reunion. Manhattan Beach local punk legends treated their fans to classics like opener “Everything Sucks,” “Suburban Home,” and “I’m the One.” Though Aukerman’s voice is not the youthful squeal it once was, they still deliver in a pleasing way, especially to a home town-ish crowd that grew up on their classic releases. ~KQ

Moby (DJ set)Sahara Tent, 9:55
It was another tough conflict-ridden time slot, as The xx, Two Door Cinema Club, Janelle Monáe & Franz Ferdinand all rubbed up against one-another. So how the hell did I end up at Moby? It’s a good question, and one I haven’t quite figured out yet. Sometimes, after all the planning, it’s best to go by your mood and follow your friends. That’s what happened here, and I’m glad I did. I was prime for for a euphoric dance party, and this DJ set from Moby sampled from a large variety of music and pop culture to create a fun, upbeat show. ~MF
Moby

PhoenixCoachella Stage, 11:35
When Daft Punk is confirmed in the house, and they play a preview video the night before, and you consider Daft Punk showed up with Phoenix at Madison Square Garden in 2010, it’s kind of a no brainer to see the Phoenix set just in case. Well I became a sucker to the Daft Punk hype machine, but in this case I still won because I saw Phoenix perform live. R Kelly appeared as the special guest, spittin’ “Ignition” over a remixed “1901” and “Chloroform.” Thomas Mars has been finishing his recent shows by going to the back of the venue, thanking the audience, then crowd surfing back to the stage. Well, the crowd surfing didn’t quite work so well for the first festival try. Mars got hung up by grabbers multiple times, almost hung himself with his pink microphone cable, and he got knocked around on the dismount. The rest of the band had already extended the “Entertainment” reprise multiple times, and Mars was too winded to deliver the final line of the night. All he could get out was “Thank you Coachella!” I wonder if he’ll attempt this again Weekend 2. ~MF

Sigur RósOutdoor Stage, 11:50 TOP SET
While a sizable chunk of the crowd awaited what potential surprise guest may come out with Phoenix on the Main Stage, a devote crowd enjoyed the sonic brain massage that is Iceland’s own Sigur Rós. Having seen this band since their first US performances, they are best enjoyed outside, whether it be in the fog swept fields of Golden Gate Park or the warm Indio evenings. The set featured a horn section, string section and a full piano, not to mention the Hopelandish, angelic singing and bowed guitar brilliance of frontman, Jónsi. Few live musical experiences can match up to the usual set closer, “Untitled #8,” and this rendition was no different. Truly one of the most transcendental builds in live music, it left most viewers floating out of the venue for the wrap to the second day. ~KQ


Day-3

DIIVMojave Tent, 2:30
Zachary Cole Smith has had a busy year after departing from Beach Fossils, but his diligence has paid off in dividends as DIIV has quickly garnered critical success as they win over new fans across the country. “Sometime” and “Doused” displayed their art-gaze rock style quite nicely among other tracks off the sublime album Oshin. ~KQ
DIIV

Thee Oh SeesGobi Tent, 3:15 TOP SET
John Dwyer brought his disturbingly rocking flavor of psychedelic garage to the Gobi Tent for an unforgettable afternoon set. There was no let up after the first note (“The Dream”) as the pit grew and more joined in the pogo fever that swept the crowd during tracks like “Contraption/Soul Desert,” “Lupine Dominus,” and “Meat Step Lively.” Dwyer pulled Ty Segall from the VIP section to play tambourine the majority of the set, a nod to the tightness of the San Francisco garage-rock family. Look for a whirlwind summer as they release the scorching new album The Floating Coffin. ~KQ

Jessie WareMojave Tent, 3:45
Jessie Ware is a star in the making. Her pop music has a dance edge to it, but it’s her natural charisma and mannerisms that communicate so effectively to the audience, making her super likable. She has a killer smile and knows she’s hot shit. “If You’re Never Gonna Move,” “Wildest Moments” and the rest of her tracks were well received, including an impromptu new song that she performed with her slightly embarrassed drummer Dornik Leigh to end the set. ~MF
Jessie-Ware

Kurt Vile and the ViolatorsOutdoor Stage, 3:55
As the winds started to relieve the weathered festival goers, Vile brought a cool breeze of his own to the Outdoor Theatre while Gaslight Anthem wailed on the big top. Vile couldn’t help but make a quip at the Springsteen-esque vocals pumping a good hundred yards from where he was churning out laid-back tunes. Opening with the title track off his recent Wakin on a Pretty Daze displayed his fondness for his new material, especially track “A Girl Named Alex,” which is quickly becoming a fan favorite. Vile and band may have been better served in one of the tents, but nothing fazed this prolific up-and-coming song writer. ~KQ

Social DistortionCoachella Stage, 6:00
Orange County was fully represented by the legendary punk band Social Distortion and their fondly aging frontman, Mike Ness. What an honor for them to play the Main Stage, opening with “I Was Wrong” and including their stellar version of Johnny Cash’s “Ring of Fire.” They nodded back to the old days with a personal fave “Mommy’s Little Monster.” I applaud Goldenvoice in their decision to spotlight music that is quintessential to this geographic region of Southern California. ~KQ

Tame ImpalaOutdoor Stage, 6:25 TOP SET
As the gusty winds upgraded to blustery, Australian fuzz rockers churned up a storm of their own opening with “Solitude is Bliss.” Kevin Parker was visibly thrilled at the environment he found himself in, and this feeling was contagious to the crowd who were coming to the climax of their long weekend. This set was more exploratory than usual with an extended jam revolving around the heavy-as-lead single, “Elephant.” Palm trees swaying behind the Outdoor Theatre were all the visuals the fans needed, in total contrast to the Sahara rave, to reach even greater heights. “Enders Toi” was aborted as some of their equipment was giving the band trouble, luckily that didn’t distract the band from continuing on. “Half Glass Full of Wine” closed an impressive showing from the growing act that continues to thrill fans of rock and roll. ~KQ
Tame-Impala

Pretty LightsOutdoor Stage, 7:45
The Pretty Lights show took place out in windy, open space, but that didn’t stop one of the best dance sets of the weekend. Derek Vincent Smith curated a varying set, beginning with his patented downtempo trip-hop/dubstep cuts, but then the set transitioned into Pretty Lights remixes, including Pink Floyd’s “Time” and his tripple-threat remix of Radiohead, Nirvana & NIN. Overall, the set was geared toward the masses or for someone’s first Pretty Lights show. Of course, the open air light show was excellent, and it didn’t matter that the screens had been lowered due to the sandstorm. ~MF
Pretty-Lights

The FaintMojave Tent, 8:30
Post-punk dance act the Faint have returned to the live circuit and regained their title as one of the most exciting bands to see, especially in a festival setting. Todd Fink sauntered out with his signature hat and launched into “The Conductor” before tearing through favorite “Glass Danse” off of the acclaimed album, Dance Macabre. With dance music and live rock becoming better bed fellows, one has to respect one of the originators from the last decade. “ParanoiaAttack” would be their last song, and everyone caught their breath before facing the now moderate sandstorm wreaking havoc on the polo fields. ~KQ

Eric PrydzSaharah Tent, 10:40 TOP SET
Choosing Eric Prydz to end the weekend was a rather easy choice, and it was done before we knew it would be smart to hide in the Sahara Arena to avoid the weather. The LA-Based Swedish DJ is worthy of headliner status at this point, as his progressive electro house is eclectic enough, unpredictable most of the time, and beyond fun. Prydz provided a massive exclamation point to a weekend that was packed with excitement. His hyperactive M83 cover of “Midnight City” was placed perfectly, and “Call On Me” signalled the end to the weekend musically. That was until the roadies decided to prank the buzzing crowd, continuously coming back and putting their arms in the air to falsely signal one more song. ~MF
Eric-Prydz


What were your top sets? Leave a comment!

Coachella conflicts: 2013 set times announced

Coachella-2013

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 12th-14th & April 19th-21st, 2013 //

Set times dropped Tuesday evening, and Coachella shared they had been battling agents all day to explain the delay. Sounds like a fascinating behind-the-scenes documentary …

Although set times didn’t unleash any surprise acts (what no Lou Reed replacement?), the brand new Yuma Dome is confirmed as the 6th main performance area, not including The Do Lab or Heineken Dome. The Yuma Dome will host Seth Troxler, DJ Harvey, Four Tet, Julio Bashmore, The 2 Bears, Jamie Jones, Jamie xx and so many more. This additional platform on the outskirts of the tents and Do Lab will be the anti-Sahara Tent with a minimalist-dance edge.


Friday features one of the most brutal headline conflicts in years. The Stone Roses are on a mondo reunion tour, while How to Destroy Angels and Earl Sweatshirt are playing their first major shows. Poliça will be performing in the Gobi Tent after The Shouting Matches, Justin Vernon’s (Bon Iver) new project. Vernon collaborated with the members of Poliça in his side project Gaynes. You connect the dots…

Toughest Conflicts:
• The Stone Roses vs. Earl Sweatshirt vs. How to Destroy Angels
• Blur vs. Grinderman
• Modest Mouse vs. Local Natives (SUNSET)
• Japandroids vs. alt-J
• Poliça vs. Jake Bugg
• The Shouting Matches vs. Youth Lagoon vs. Beardyman vs. C2C

Saturday headliners will depend on your energy and vibe, as Phoenix, Sigur Rós, Booka Shade, New Order and Knife Party will create inner-group conflicts. Upon seeing The xx above The Postal Service and Major Lazer at 6 p.m. while Moby sub-headlines the Sahara Tent, the “been fighting with agents all day” reference starts to make sense.

It’s almost as if Goldenvoice is attempting to set a new tone in the Sahara Tent this year after house-pop like David Guetta and Calvin Harris dominated last year. Are they challenging the Sahara stalwarts to go see Franz Ferdinand, Two Door Cinema Club or The xx … or go check out the Yuma during Moby?

Toughest Conflicts:
• Phoenix vs. Sigur Rós vs. Booka Shade vs. New Order vs. Knife Party
• Hot Chip vs. Yeasayer vs. Grizzly Bear (SUNSET)
• Danny Brown vs. Baauer vs. Savages
• Wild Nothing vs. Birdy Nam Nam vs. Action Bronson

Sunday will be a tale of two scenes. Eric Prydz and Disclosure will be packed while Dead Can Dance & Red Hot Chili Peppers should be relatively spacious. Tame impala secured a Sunset-ish slot, but Roodriguez and James Blake will be playing in the tents at the same time. Pretty Lights seems odd at 7:30, but he’s the only EDM artist to get a featured slot on an outdoor stage this year.

Toughest Conflicts:
• Eric Prydz vs. Disclosure
• Nick Cave and the Bad Seeds vs. OMD vs. The Faint
• Vampire Weekend vs. Pretty Lights vs. Father John Misty vs. La Roux (SUNSET)
• Tame Impala vs. James Blake vs. Rodriguez (SUNSET-ISH)
• Kurt Vile and the Violators vs. Grimes
• Thee Oh Sees vs. Jessie Ware vs. Jamie xx

Coachella 2013: Predictions, wishes & rumors vs. reality

Coachella 2013By Mike Frash //

With a casual tweet, festival season is about to begin. Anticipation over the imminent 2013 Coachella lineup is building, and recent history shows the festival lineup could come this week.

Do you have your accommodations set? Hopefully your ticket is taken care of, because Coachella 2013 could already be close to sold out.

Presale ticketing for this year’s Coachella sold out within hours of going on sale both weekends last May, and it was the first time pre-sale sold out in such a quick fashion. The Coachella 2012 general on-sale sold out within an hour for both weekends a year ago, and if you weren’t ninja-quick at getting into the waiting room, you were shit out of luck. Take all this into account, and there might be a very limited amount of tickets available after the 2013 lineup drops. Is it possible Coachella 2013 is completely sold out from presale ticketing?

Coachella

Headliners: Reality vs. Rumors
The headliner rumors arrived early this year, with speculation over The Rolling Stones and Daft Punk dominating the conversation. At this point The Rolling Stones seems like the more likely of the two to be headlining, even though they haven’t played a whole lot of festivals since Altamont in 1969. Besides, Coachella rumors about Daft Punk and David Bowie playing Coachella are a yearly running gag at this point — we’ll believe it when we see it. Bowie even has a confirmed album coming out in the spring, but his bandmates are saying Ziggy has ruled out performing live … forever.

Reunions are a big part of Coachella’s top-notch lineups, and last year saw the regrouping of At The Drive-In, Pulp and Refused. This year it looks like The Postal Service and My Bloody Valentine could happen. Blur would also make sense since they reunited at the Olympics last year. Black Sabbath was reportedly on board to headline last year until they had to pull out at the last moment, and they have a new album coming out in June. Outkast would be the perfect hip-hop headliner, but that seems unlikely with Big Boi pushing his new LP. Wu-Tang Clan seems like the most likely rap act to play the main stage, but are they big enough to headline one of the three days each weekend?

Last year saw The Black Keys headline Friday along with Swedish House Mafia, and most people thought The Black Keys weren’t worthy of headliner status. But Coachella is good at king-making groups and artists, elevating them to the top level simply by making them headliners. Goldenvoice could repeat last year’s Friday concept by crowning Phoenix, The xx or Mumford and Sons headliners while putting deadmau5 on the top line to satiate the EDM masses.

Reality (likely headliners):
The Rolling Stones, The Postal Service, deadmau5, My Bloody Valentine, Black Sabbath, Pearl Jam, Phoenix, Red Hot Chili Peppers, Wu Tang Clan, No Doubt, Mumford & Sons, The xx

Rumors (probable wishlist-fiction):
Daft Punk, Outkast, David Bowie, Nine Inch Nails (How to Destroy Angels is likely)

Artists to see before they get big:
Last year, Frank Ocean, Kendrick Lamar, Death Grips, Azealia Banks, First Aid Kit, and lots of other artists performed at Coachella before getting exponentially bigger by the end of 2012. Possible contenders for 2013 include Angel Haze, AlunaGeorge, FIDLAR, Foxygen, Wilde Belle, & Earl Sweatshirt, although the hype for Earl is already tremendously loud.

Coachella

Best EDM acts most likely to not perform in the Sahara Tent:
• deadmau5
• Bassnectar
• Tiesto
• Simian Mobile Disco
• Andy Stott
• Nicolas Jaar
• Dan Deacon
• John Talabot
• Disclosure
• Totally Enormous Extinct Dinosaurs

Artists most likely to return for second consecutive year:
Kendrick Lamar and Dawes, because Dawes somehow plays every festival.

Headlines we’d like to see:
“Frank Ocean, Tyler The Creator join Earl Sweatshirt’s first solo set”
“Progressive-house trend baffles Sahara tent candy-kids”
“Thom Yorke, Bradford Cox & Trent Rezner play a combined 9 sets each weekend”
“Katie Perry attends Coachella again, never considered for performing duties.”

Plausible Acts We’d Like to See:
Alabama Shakes
alt-J
AlunaGeorge
Andy Stott
Angel Haze
Animal Collective
Atlas Sound
Atoms for Peace
Bassnectar
Bat for Lashes
Beach House
Ben Howard
Big Boi
Bjork
Black Sabbath
Blur
Cloud Nothings
Chromatics
Crystal Castles
CHVRCHES
Dan Deacon
Divine Fits
Disclosure
Die Antwoord
Django Django
Ducktails
Earl Sweatshirt
Father John Misty
Fiona Apple
Frightened Rabbit
Grimes
Grizzly Bear (Added 1.17.13)
Haim
Hot Chip
How to Dress Well
James Blake
Jamie Lidell
Japandroids
Jessie Ware
John Talabot
Jim James
Kendrick Lamar
Kishi Bashi
Killer Mike
Local Natives
New Order
Nicolas Jaar
Nick Cave and the Bad Seeds
Major Lazer
Matthew Dear
Mumford & Sons
Passion Pit
Penguin Prison
Phoenix
Pretty Lights
Sigur Ros
Skrillex
Spiritualized
Stars
STRFCKR
Tame Impala
The Faint
The Joy Formidable
The Knife
The Postal Service
The Rolling Stones
The Walkmen
The xx
Toro Y Moi
TNGHT
Ty Segall
Unknown Mortal Orchestra
Vampire Weekend
Warpaint
Wavves
Wild Belle
Wild Nothing
Yeah Yeah Yeahs
Yeasayer
Yo la Tengo
!!!

Coachella

Showbams’ best live music photography of 2012

Ultraísta at The Independent – By Michael Frash
Ultraísta

Click a photo to view full size.
Click the band and venue link to view the photo’s full article.
Click the photographer name to view more photos.

M83 at Treasure Island Music Festival – By Marc Fong
M83

Future Islands at The Independent – By Maggie Corwin
Future Islands

Die Antwoord at The Fox Theater – By Marc Fong
Die-Antwoord

Charles Bradley at Royce Hall – By Pete Mauch
Charles-Bradley

Santigold at The Fox Theater – By Michael Frash
Santigold

The Lumineers at The Chapel – By Marc Fong
The Lumineers

Best Coast at Treasure Island Music Festival – By Marc Fong
Best-Coast

The Faint at Regency Ballroom – By Michael Frash
The-Faint

Yeasayer at The Fox Theater – By Marc Fong
Yeasayer

Japandroids at The Fillmore – By Michael Frash
Japandroids

How To Dress Well at Rickshaw Stop – By Michael Frash
How-to-Dress-Well

Blondfire at Rickshaw Stop – By Maggie Corwin
Blondfire

The xx at Treasure Island Music Festival – By Marc Fong
The-xx

Geographer at Bonfire Sessions – By Michael Frash
Geographer

Gossip at Treasure Island Music Festival – By Marc Fong
Gossip

Simian Mobile Disco at Mezzanine – By Michael Frash
Simian-Mobile-Disco

Devine Fits at Treasure Island Music Festival – By Marc Fong
Devine Fits

Knife Party at The Fox Theater – By Marc Fong
Knife-Party

Red Baraat at Hardly Strictly Bluegrass – By Michael Frash
Red-Baraat

Of Monsters and Men at Not So Silent Night – By Michael Frash
Of-Monsters-&-Men

Electric Guest at The Independent – By Michael Frash
Electric-Guest

Bloc Party at The Fox Theater – By Michael Frash
Bloc-Party

Bombay Bicycle Club at The Fillmore – By Chaya Kranz
Bombay-Bicycle-Club

Tame Impala at The Fillmore – By Michael Frash
Tame-Impala

Matthew Dear at Treasure Island Music Festival – By Michael Frash
Mathew-Dear

Father John Misty at Bonfire Sessions – By Michael Frash
Father-John-Misty

Rufus & Martha Wainwright at The Fox Theater – By Marc Fong
Rufus-Wainwright

Bassnectar at Bill Graham Civic Auditorium – By Marc Fong
Bassnectar

Jack White at Not So Silent Night – By Michael Frash
Jack-White

Sea Wolf at The Independent – By Marc Fong
Sea-Wolf

The Shins at Not So Silent Night – By Michael Frash
The-Shins

Wilco at The Greek Theater – By Michael Frash
Wilco

White Fence at Bonfire Sessions – By Michael Frash
White-Fence

Django Django at The Independent – By Michael Frash
Django-Django

Justice at The Warfield – By Michael Frash
Justice

…And You Will Know Us By The Trail Of Dead at The Independent – By Marc Fong
You Will Know Us...

Showbams’ best shows of 2012

Showbams contributors name their favorite shows of 2012.

Showbam contributors reflect on the best concerts they went to in 2012 & list their favorite shows.

2012 has been a top-notch year for live music, and the Showbams team has witnessed some great acts that have come through California in the last 11 months. Take a look at our contributor’s favorite shows of 2012.

What was your favorite concert in 2012? Let us know in the comments below.

The xx at Treasure Island Music Festival

The xx at Treasure Island Music Festival


Mike Frash San Francisco

1. Sigur Ros @ Outside Lands Music Festival 8.11.12
Leaving Metallica for Sigur Ros to end the second day at Outside Lands was a torturous decision. Metallica was a warzone spectacle, but i stuck to my guns and headed to the Twin Peaks stage. I’m glad I did. Jonsi now conducts a mini orchestra, and the eerie SF fog lowered on command to the slow builds & crescendos. It was a spiritual show that effected me more than any other concert in 2012.

2. Japandroids @ The Independent 6.14.12
Brian King and David Prowse brought ecstatic energy to the sold out Independent in June the week after Celebration Rock was released. Brian King understands how to control the pace of his set, offering fun pre-song statements that prepare you for what’s next. Their songs are vibrant live – it doesn’t sound like only two people are playing instruments. They truly seem to live the life they glorify on their 2012 album – still drinking, still smokin, and full of hyperactive desperation.

3. Phish Night 3 @ Bill Grahm Civic Auditorium 8.19.12
The highly anticipated phish three-show SF run in August started off a bit slowly. Saturday’s show left me a little bummed about Phish due to some sloppy play (“Split open and melt”) and what felt like a lack of enthusiasm. I was questioning why I still see Phish live heading into the last show of the weekend. My lowered expectations combined with a killer show quashed those thoughts. Crosseyed > Light > Sneakin’ Sally > Crosseyed was some of the best Phish I’ve ever heard, “Boogie on” redeemed Stevie Wonder’s omission of the song at Outside Lands the week before, “Meatstick” made me really happy, and the San Francisco-mentioning “Ride Captain Ride” made a surprise encore appearance. The show was pure bliss.

4. The Rapture @ Coachella 4.13.12
5. The xx @ Treasure Island Music Festival 10.14.12
6. The Presets @ The Independent 10.12.12
7. STS9 @ High Sierra Music Festival 7.5.12 & 7.6.12
8. Head and the Heart @ Hardly Strictly Bluegrass 10.6.12
9. Tame Impala @ The Fillmore 11.15.12
10. My Morning Jacket @ The Greek 9.15.12

Honorable Mention:
Father John Misty at Jansport Bonfire 9.30.12
Of Monsters & Men at The Independent 3.22.12

My Morning Jacket performing at The Wiltern in September

My Morning Jacket performing at The Wiltern in September


Pete Mauch Los Angeles

1. My Morning Jacket @ The Wiltern 9.13.12
MMJ capped off the best 3-night run I saw this year with this stellar closing show complete with a Horn section. This is a big statement for a band I knew I loved but wasn’t fully convinced about until this night. Highlight: “All Night Long” & “Movin On Up” with Horns

2. Phish @ Bill Graham Civic Auditorium 8.19.12
Phish played a terrific 3-night run, and topped off by an amazing Sunday night show that proves that Phish is still top of the Jam Scene. Highlight: Light > Sneakin Sally Through the Alley

3. Ryan Adams @ Walt Disney Concert Hall 2.17.12
Ryan Adams, an acoustic Guitar, and a Piano is all this show contained, and it was truly special. Adams’ classic songs stripped down with his raspy croons is all I needed to make this a top show of the year. Highlight: “Rescue Blues” on Piano “Holy Diver” on Guitar

4. Trey Anastasio and LA Philharmonic @ Walt Disney Concert Hall 3.10.12
5. Neil Young and Crazy Horse @ the Hollywood Bowl 10.17.12
6. Charles Bradley and The Menahan Street Band @ UCLA Royce Hall 11.29.12
7. Radiohead @ Coachella Music Festival 4.21.12
8.Trombone Shorty @ the Key Club 2.11.12
9. Wilco @ the Palladium 1.24.12
10. New Multitudes (Tribute to Woody Guthrie) @ the Mayan Theatre 3.7.12

Honorable Mention:
Phish at Long Beach Arena 8.15.12
String Cheese Incident at Greek Theatre Berkeley 7.14.12
Roger Waters The Wall at the LA Coliseum 5.21.12
Umphreys Mcgee (True Hollywood Stories Acoustic Show) at the House of Blues 3.16.12

The Faint performing in November at The Regency Ballroom

The Faint performing in November at The Regency Ballroom

Molly Kish San Francisco

1. Radiohead @ HP Pavilion 4.12.12
After merely catching glimpses of them while shoved against thousands of festivalgoers at Outside Lands 2008, I was determined to catch Radiohead the next time they came through the Bay Area. The sound, visuals, performance and energy of the evening were electrifying. Although I was extremely lucky to have been viewing the concert from the sixth row, the entire crowd looked as though they were just as lost in the moment as I was. The band’s enigmatic stage presence, fully developed set composition and career spanning choice of material made for one of the most collectively impressive concert experiences that I have ever had the opportunity to be a part of.

2. Kishi Bashi/Of Montreal @ Slim’s 3.22.12
As a long time Of Montreal fan, I was ecstatic to get the opportunity to interview their opening act and latest addition to the line up (Kishi Bashi) the night of their performance at Slim’s. It wasn’t only for the sake of getting a personal perspective on the band, but also due to the fact that this would actually be my first time catching them performing live. The entire show and evening that followed was everything I could’ve wanted for my first experience seeing Of Montreal. Accompanied by three screens of psychedelic visuals, various costumed extras, balloon drops, props and whole score of vaudevillian rivalry, the band took the crowd and venue by storm. During the encore to top it off, I was able to reconnect with Kishi Bashi and ended up initiating an after-party with the entire band, crew and record label affiliates at an industrial themed “dark carnival,” taking place across the street at local dive bar Butter. Several jello shots, deep fried twinkies and contortionist carnie-prompted dance battles later, I looked around and felt assured that I had enough material to develop my own personal “Of Montreal” concert story contender.

3. The Presets @ Treasure Island Music Festival 10.13.12
Completely blown away by their performance the night before, I was overwhelmed with excitement and intrigue to see how the Presets could accomplish translating such energy to a festival setting. Anyone who had caught their Treasure Island Music Festival opener at the Independent instantly was taken over by sensory recall as they broke into song almost right where they left us hanging less than 24 hours earlier. Almost in homage to those who witnessed them destroy their previous set, they picked the dance party up right where they left off, only this time kicking it up about ten notches with the accompanied stage show, visual intensity and professional grade sound of seasoned professionals. Completely upstaging their more commercially recognized headliner and showing the younger generation how it should be done, they stole the show and were easily the stand out act of the 2012 TIMF. To this day I still find myself saying that I wish I could continually be going to a Presets show, based off of the concert experience I had at these two performances.

4. Dan Deacon @ The Great American Music Hall 10.23.12
5. Against Me! @ The Catalyst 9.10.12
6. The Faint @ The Regency Ballroom 11.18.12
7. Justice @ The Fox 11.4.2
8. Metallica @ Outside Lands 8.10.12
9. Animal Collective @ The Fox 9.21.12
10.The Shins @ The Santa Cruz Civic Auditorium 4.22.12

Honorable Mention:
Yeah Yeah Yeah’s @ The Creator’s Project SF 3.17.12
Cold War Kids @ The Bottom of the Hill 3.5.12
Dr. John @ The Independent 8.17.12
Girl Talk @ Sasquatch 5.25.12

David Byrnes & St. Vincent performing in

David Byrnes & St. Vincent performing in October

Kevin Raos San Francisco

1. David Byrne & St. Vincent @ the Orpheum Theater 10.15.12
This is my number one show of 2012 for a couple of reasons. First off, Love this Giant, the recently released collaborative album between Byrne and St. Vincent, was a major disappointment. One of my most anticipated albums of the year ended up being one of the most disappointing. All was redeemed, however, when I saw these songs performed live. The accompanying brass band and the chemistry on stage breathed new life into was I felt was a stale album. Playfully executed and precisely choreographed, these songs shined live.

Secondly, I am a huge David Byrne fan and was able to check a big one off my bucket list of musical artists. Byrne’s career needs no introduction and this evening we were treated to a few Talking Head’s classics such as “Burning Down the House,” “This Must Be the Place,” and “Like Humans Do.”

This show was simply a once in a lifetime experience.

2. Phish @ Bill Graham Civic Auditorium 8.19.12
A three night run at the Bill Graham Civic Auditorium was capped off with a masterful performance by jamband kings, Phish. The final night of the run was easily the best night as the band flexed their improvisational muscles in a blistering 2-set performance, highlighted by covers of the Talking Heads’ “Crosseyed and Painless” and Robert Palmer’s “Sneakin’ Sally Through the Alley.”

3. Sigur Ros @ Outside Lands 8.11.12
Sigur Ros on my birthday to cap off an unbelievable festival day? How could it possibly get any better? It can’t really.

4. Les Claypool’s Duo De Twang @ Terrapin Crossroads – San Rafael 10.4.12
5. Keller Williams, Steve Kimock & Kyle Hollingsworth ft. Bernie Worrell, Wally Ingram & Andy Hess @ Hardly Strictly Bluegrass Music Festival 10.7.12
6. Miike Snow / Penguin Prison @ Fox Theater Oakland 4.12.12
7. Washed Out @ Mezzanine 5.4.12
8. Electric Guest @ The Independent 11.2.12
9. The Album Leaf / Blackbird Blackbird @ Bottom of the Hill 9.30.12
10. Citizens! Lescop, Housse de Racket, Tomorrow’s World @ The Rickshaw Stop 10.12.12

Honorable Mentions:
Zee Avi @ New Parish 9.28.12
M83 @ The Fillmore 4.22.12

Japandroids performing in 2012

Japandroids performing in 2012

Eric Shaden San Francisco

1. D’Angelo @ HOB – Los Angeles 7.4.12

2. Passion Pit @ Rock en Seine – Paris 8.26.12

3. Starfucker @ the Independent 1.7.12

4. Stevie Wonder @ Outside Lands 8.12.12
5. Miike Snow + Penguin Prison @ The Fox Oakland 4.12.12
6. A.Skillz + Krafty Kuts Presents Tricka Technology @ Mighty 6.1.12
7. Aaron Freeman (Gene Ween) @ the Independent 10.19.12
8. Japandroids @ the Independent 6.14.12
9. Guns n’ Roses @ Bridge School Benefit 10.21.12
10. Kid Koala Vinyl Vaudeville Tour @ Independent 11.4.12

The Lumineers performing at The Chapel in August

The Lumineers performing at The Chapel in August

Marc Fong San Francisco
1. Edward Sharpe and the Magnetic Zeros @ Slim’s 3.25.12
It’s not often I gush like a school girl (only about once or twice a week), but seeing ESatMZ at Slim’s was panty dropping. Can I say that? Well, I just did. It was a secret/private show so Slim’s was overcrowded. I stood center stage close enough to see the dirt on Alexander’s suit. The sound was great and the band always puts on a damn fine show.

2. The Lumineers @ The Chapel 10.11.12
LIVE 105 brought the Lumineers to newly opened Chapel in SF and the band didn’t disappoint. The venue was the perfect size for the band and like most of the other bands on this list, the Lumineers had fun playing and it made for a great show.

3. Kronos Quartet @ Greek Theater 10.5.12
Okay, it was really Amon Tobin’s deal, but Kronos opened and performed beautifully. Being a long time fan, it’s not a surprise these openers made my list. Great music from great performers. And The Greek Theater in Berkeley was the best venue to see them. (And most other shows.)

4. Willie Nelson and Family @ The Fox Oakland 3.15.12
5. Of Monsters and Men @ Independent 5.22.12
6. Fun. @ The Independent 5.28.12
7. Sage Francis @ Independent 3.17.12
8. Steve Aoki @ Bill Graham 1.21.12
9. Edward Sharpe and the Magnetic Zeros @ The Fox Oakland 5.12.12
10. AVICII @ Bill Graham Civic 6.28.12

Tame Impala at The Fillmore in November

Tame Impala at The Fillmore in November

Kevin Quandt San Francisco

1. The Walkmen @ The Independent January 20th & 21st
These 10th Anniversary shows were a Walkmen fan’s wet dream as they played their first album in full among multiple sets and configurations including a horn section. Over 30 songs of Hamilton Leithauser and company churning out their own brand of rock and roll to devote fans from across the States.

2. Refused with the Hives & the Bronx @ The Warfield 4.18.12
Having seen their Coachella show a week prior, the anticipation was less palpable, yet the reigning post-punk champs delighted a more rowdy and dedicated crowd with a spirited set for the masses who patiently waited a decade to witness.

3. Trey Anastasio and The Los Angeles Philharmonic @ Walt Disney Concert Hall 3.10.12
Dressing up for a show is fun, especially when Trey is at the helm of philharmonic symphony in one of the best rooms to hear, and see, music in. From the playful rendition of “Guyute” to the half hour “Time Turns Elasctic,” this night had the packed concert hall re-charmed by Ernest and his recharged song book.

4. Tame Impala @ The Fillmore 11.15.12
5. Phish @ Bill Graham Civic Auditorium 8.19.12
6. Woods and White Fence @ The Chapel at Preservation Hall West 10.17.12
7. Howlin Rain @ The Independent 2.18.12
8. Radiohead @ The Santa Barbara Bowl 4.12.12
9. Father John Misty & Har Mar Superstar @ Bottom of the hill 5.5.12
10.Mala @ Yoshi’s San Francisco 6.23.12

Festival sets:
Sigur Ros @ Outside Lands 8.11.12
Future Islands @ FYF 9.1.12
Flying Lotus @ Coachella 4.14.12

Justice performing at The Warfield in November

Justice performing at The Warfield in November

Sean Little San Francisco

1. Justice @ The Warfield 11.4.12
What else is there to say about Justice that hasn’t already been said. They came, they saw, and they melted faces with an amazing set the blew fans away and converted first timers alike. At least half my friends decided to go last minute (tickets were still available because it was a Sunday) and all of them became huge fans. Some of these friends are not into electronic music of any kind either, so that really says something. It was one of those rare shows where you leave euphoric and can’t stop saying “wow” to the people you went with.

2. Florence & the Machine @ Coachella 4.15.12
The only other performer I’ve ever seen that commanded an audience like Florence did was Snoop Dogg back in 02 at the Smoke Out (stop-you’re not better than me so put that eyebrow back down). It was one of the rare festival sets where everyone felt really in tune with the performer and each other, singing along and knowing when to interact with each other and the songs. She was absolutely amazing, and the set was a dark horse highlight to my festival as I didn’t expect her to command the audience like she did. She’s truly a presence.

2ManyDJ’s @ Regency Ballroom
I saw them about this time last year but fuck it, it still counts. If you have never seen them live then go. Even if you don’t like electronic, go. Even if you hate music go. If you want to be schooled in what real DJs as performers can do, you have to go. They blend the most amazing remixes, edits, mashups and drops all together with a mindblowing set of animated artwork, based on the song that is being played behind them. I won’t even try to explain because it won’t work.

Best albums of 2012

10-Best-Albums-of-2012Subscribe to our Spotify Playlist “Best Albums of 2012.”

2012 has been a rich year for music, and our consensus top 10 albums show diverse musical selections. Each Showbams contributor selected their top 10 albums from 2012, and we averaged them together to create Showbams’ Best Albums of 2012:

1. Tame ImpalaLonerism
2. Passion PitGossamer
3. Kendrick LamarGood kid, m.A.A.d city
4. Jack WhiteBlunderBuss
5. The xxCoexist
6. Father John MistyFear Fun
7. Frank Ocean channel ORANGE
8. The PresetsPacifica
9. JapandroidsCelebration Rock
10.TanlinesMixed Emotions

Honorable Mention:
Dr. John – Locked Down
Hot Chip – In Our Heads
Neil Young and Crazy Horse – Psychedelic Pill

Take a look at our contributor’s favorite albums of 2012 below:

Tame ImpalaMike Frash San Francisco
1. Tame ImpalaLonerism
It’s rare to find an album that grabs you from the very beginning and compels you to listen beginning to end, the first time you spin it. Lonerism is timeless; you could convince someone that it’s from the late 1960s if they didn’t know better. “Apocalypse Dream” sets a masterful psychedelic-sad tone, “Feels Like We Only Go Backwards” is the type of song people dreamed Oasis would create 10 years ago, and “Elephant” just flat out rocks.

2. The xxCoexist
Coexist grew on me more than any album in recent memory. It’s about love, regret, angst, pain, and forgiveness. “Angels” begins the album with one of the best love songs ever (no hyperbole), and after 30 minutes of intense back and forth emotion, “Our Song” brings our two characters back together. Romy Madley Croft and Oliver Sim are the two main characters in the this story, and they play off each other even better than their first record. Jamie xx brings it all together with his subtle beats and sounds. This album is a love story for the ages.

3. Sun Kil MoonAmong The Leaves
Mark Kozelek’s fifth studio album under the name Sun Kil Moon combines masterful lyricism and captivating cadence to the point where it becomes addictive. The songwriting is creative and pretty out there at times, and is mostly self-reflexive and literal. The instruments are kept to a minimum – most of the album is Kozelek singing over acoustic guitar, but this minimalist approach just works for me.

4. Frank Ocean channel ORANGE
5. JapandroidsCelebration Rock
6. Passion PitGossamer
7. John TalabotFin
8. ChromaticsKill For Love
9. Wild NothingNocturne
10. Delicate StevePositive Force

Honorable Mention:
The Presets – Pacifica
Purity Ring – Shrines
Father John Misty – Fear Fun

Neil-YoungPete Mauch Los Angeles
1. Neil Young and Crazy HorsePsychedelic Pill
When someone as legendary as Neil Young puts out an album with timeless songs like “Ramada Inn,” “Walk Like A Giant,” and “Twisted Road” there is absolutely no other album I can put in front of this list. Psychedelic Pill may be Neil Young’s best effort since the 70’s.”

2.Tame ImpalaLonerism
This sophomore album oozes with psychedelic-laced pop tunes that are very reminiciant of The Beatles, especially after they experimented with mind altering drugs. From the opening track of “Gotta Be Above It,” you know you’re in for quite the mystical journey.

3.Father John MistyFear Fun This Fleet Foxes outcast may have one-upped his former band with this debut album. “Hollywood Forever Cemetary Sings” is quite possibly my favorite song of the year as well.

4. Kendrick LamarGood kid, m.A.A.d city
5. Dr. JohnLocked Down
6. Jack WhiteBlunderBuss
7. Gary Clark Jr.Blak and Blu
8. Alabama ShakesBoys and Girls
9. Grizzly BearShields
10. LumineersLumineers

Honorable Mention:
Animal Collective – Centipede Hz
Django Django – Django Django

The xxMolly Kish San Francisco
1. The xxCoexist
Coexist was an extremely strong and highly anticipated sophomore effort. I was so excited
about this that I listened to it immediately when it became available. Coexist continues the journey
initially set out on the band’s debut album and brings the music to an even more provocative
soundscape, highlighting Jamie xx’s production skill and minimalistic dance beats.

2. StarsThe North
“The North” is Stars’ 7th studio album and it delivers an infectious and comprehensive survey of
the band’s 12 year discography. The lyrical collaboration of Torquil and Seligman remains
at the forefront of the songs and it exhibits a maturity in both range and content. Stars have set the indie rock standard on everything from synth heavy pop songs to piano rock ballads, and they continue to lead and influence.

3. Fiona AppleThe Idler Wheel…
Fiona Apple’s “The Idler Wheel…” was an album I have wanted to hear since 1999”s
“When the pawn.” Along with exhibiting her talents as a pianist and blues rock vocal ingénue,
Apple’s inclusion of samples and entrancing drum beats brings her work to a whole new level.
The album is one you could play on repeat for days without realizing it, and you might continue
playing it anyways.

4. YeasayerFragrant World
5. Dr. JohnLocked Down
6. Passion PitGossamer
7. The LumineersThe Lumineers
8. TanlinesMixed Emotions
9. The PresetsPacifica
10. Edward Sharpe and the Magnetic ZerosHere

Honorable Mentions
Animal Collective, Centipede Hz
Hot Chip, In Our Heads
Bloc Party, Four

Tame-ImpalaKevin Raos San Francisco
1. Tame ImpalaLonerism
Tame Impala has created the definitive psychedelic rock album of 2012. Taking what they did with their debut album, Innerspeaker, and infusing it with more fuzzy guitar and Beatles-esque vocal style, Lonerism takes the listener on a mind-altering, hallucinatory, psychotropic exploration that is unlike anything in 2012. Flashbacks to this album will be frequent and intense.

2. Passion PitGossamer
Another sophomore success, Passion Pit’s Gossamer is an electro-pop marvel. I think this album will remain one of the more memorable albums beyond 2012 for its pure pop and danceability. Catchy hooks and upbeat melodies make this one of the best indie pop albums of the year.

3. Jack WhiteBlunderbuss
Everything Jack White touches turns to gold, and this time is no different. It’s hard to think that with as much as we’ve heard from Jack White, that this is his solo album debut. I have the feeling that Jack White is going to be around for a long time, and this is only the beginning of a successful solo career.

4. Grimes Visions
5. Sigur RosValtari
6. John TalabotFin
7. Step DadWildlife Pop
8. Electric GuestMondo
9. The Big PinkFuture This
10. Kishi Bashi151a

Honorable Mention:
Memory Tapes – Grace/Confusion

Passion-PitEric Shaden San Francisco
1. Passion PitGossamer
For me, a great followup to Manners. This avoids the sophomore slump with a good mix of tracks. My favorite of the year.

2. Kendrick Lamargood kid, m.A.A.d city
With so many hip hop albums released annually it takes something special to rise above the fray. Kendrick Lamar does this on good kid, m.A.A.d city. My best hip hop album by far.

3. Jack WhiteBlunderbuss
Great to hear such a solid rock album, especially in 2012. This reminds me of the White Stripes while still sounding fresh and new. I knew after one listen that this would be one of the top albums of the year.

4. JapandroidsCelebration Rock
5. Miike SnowHappy to You
6. Hot ChipIn Our Heads
7. SantigoldMaster of My Make Believe
8. Frank OceanChannel ORANGE
9. ChairliftSomething
10. Purity RingShrines

Father-John-MistyKevin Quandt San Francisco
1. Father John MistyFear Fun
Josh Tillman left his post as drummer for Fleet Foxes only to create his best solo material to date under the moniker, Father John Misty. This rousing tale of drinking, womanizing and tripping his way down the West Coast is full of catchy hooks and twisted lyrics that are perfect for an easy escape from the norm. Don’t sleep on seeing Tillman and his merry pranksters live as he commands a stage with the best of them.

2. Tame ImpalaLonerism
This sophomore effort from the lads down under takes their already stellar formula, utilized on InnerSpeaker, and polishes it even further. A wider breadth of sound is the result on Lonerism, as Kevin Parker gains more confidence as witnessed in more robust melodies brought up in the mix, larger crescendos and bolder subject matter in his lyrics. A deeper range of sound has also come through as these guys continue to only get better with age.

3. DIIVOshin
Beach Fossil’s Zachary Cole Smith released a whopper of a solo effort this year under the aquatic-name, Diiv(Dive). Heavy on the reverb and not lacking any quality of pop shoe-gaze mentality, this album has a way of grabbing you and holding on for a few months as the infectious guitar hooks play over and over in your skull. Though they may not break the mold for a certain brand of Brooklyn meets hip ocean beachside sound, they certainly put out one of the better records in that style.

4. Frank OceanChannel Orange
5. The WalkmenHeaven
6. Kendrick LamarGood Kid, m.A.A.d City
7. PondBeard, Wives, Denim
8. Jack WhiteBlunderbuss
9. White FenceFamily Perfume Vol. 1
10. Dr. JohnLocked Down

EPS
How to Destroy Angels – An Omen
TNGHT – TNGHT
Captain Murphy – Duality

PresetsSean Little San Francisco
1. The PresetsPacifica
I have to admit the first time I heard it I was a bit let down. I was expecting something more akin to Apocalypso and wasn’t sure if I was into the fact it wasn’t a very indie dance forward album. The more I listened though the more it grew on me, and the more I started to appreciate the way they took chances and pushed boundaries. Songs like Ghosts and A.O. are a far departure from their last album, but still have an infectious quality to them that is at home in headphones or on a dance floor. The more I hear this the more I like it making it my number `1 album.

2. Kendrick LamarGood Kid, M.A.A.D. City
An all-around amazing album. Most rap now is so over produced and homogenized it’s great to see someone make an album that reminds you of the old days, where beats were thoughtful and albums had an overall story arc, not just one single after another. Kendrick is going to be doing big things and holds the torch as the only real west coast rapper pumping out thoughtful tracks that make you pay attention to the lyrics as much as move. Probably the only rap album I listen to regularly these days.

3. Godspeed You! Black Emperer – Allelujah! Don’t Bend! Ascend!:
Trippy, heady stoner metal that you can listen to pretty much anywhere and vibe to. It isn’t for everyone, but the way the craft songs that stretch and grow creating a real atmosphere is unique and not seen as often in a world where few have the attention span for a 25 minute song. Few others know how to build on just one note and continue to grow a vibe until it crashes like a wave, taking the listener with it. A great album to listen to no matter what your mood, just hit play and let it take you wherever you want it to.

4. TanlinesMixed Emotions
5. LindstromSmall Hans
6. Cat PowerSun
7. Frank OceanChannel Orange
8. Hot ChipIn Our Heads
9. ScubaPersonality
10. Scissor SistersMagic Hour

Best tracks of 2012

Some of our favorite tracks in 2012 are from The Lumineers, Tame Impala, Japandroids, Father John Misty, & Electric Guest.

The Lumineers, Tame Impala, Japandroids, Father John Misty, & Electric Guest created classic songs in 2012.

Showbams contributors have listed their favorite tracks of the year.
What were your favorite songs in 2012? Leave a comment below.

View our Best Shows of 2012
View our Best Albums of 2012


Mike Frash San Francisco @MikeFrash
Subscribe to Mike’s “Best Tracks of 2012” Playlist on Spotify.

1. Sun Kil Moon “Among the Leaves”

When a song get’s it’s 50th play and just gets better, you know you’ve found something special. This song showcases Mark Kozelek’s voice and songwriting perfectly, and is so good he named the album after it. With every spin the descriptive lyrics evolve in the mind of listener. Kozelek tells the tale of a girl he sees around town and wants to help. And when the wind instruments kick in, the song takes off and flies.

2. Tame Impala“Feels Like We Only Go Backwards”

This track might me the most simple song from Lonerism, but it is also the most memorable. It’s plenty trippy like the rest of the album, and it’s also the most catchy song – the one that’s still bouncing around your head a day later. “It feels like we only go backwards, but every part of me says go ahead.” This refrain so basic yet effective, and Kevin Parker’s familiar vocals blend seamlessly into Tame Impala’s psychedelic fuzz rock.

3. Passion Pit“It’s Not My Fault, I’m Happy”

Once Michael Angelakos’s bi-polar disorder disorder and attempted suicides were made public, this album and track worked on a higher level. It may be the most biographical song on Gossamer (that says a lot), and the penultimate track steps into anthem territory with confessional optimism. It’s like Michael is telling himself, repeating over and over, that he’s going to make it. Knowing the context of the song makes it more effective, but the biographical background is not needed to know this song is great.

4. Japandroids“Fire’s Highway”
5. Frank Ocean“Pyramids”
6. The xx“Angels”
7. John Talabot“Destiny” feat. Pional
8. Fiona Apple“Every Single Night”
9. Tanlines“Brothers”
10.House“Kindness”

Honorable Mention:
Killer Mike – “Reagan”
The Presets – “Fall”
Wild Nothing – “Paradise”


Pete Mauch Los Angeles @PeteMauch

1. Father John Misty“Hollywood Forever Cemetery Sings”

2. Neil Young“Walk Like a Giant”

3. Trey Anastasio“Scabbard”

4. Tame Impala “Apocalypse Dreams”
5. Neil Young“Ramada Inn”
6. Kendrick Lamar“Swimming Pools”
7. Alabama Shakes“Hold on”
8. Lumineers“Ho Hey”
9. Gary Clark Jr.“Numb”
10.Jack White“Freedom at 21”


Molly Kish San Francisco @MollyKish

1. Lumineers “Ho Hey”

Due to the incredible commercial success of the Lumineers self-titled debut, you couldn’t escape this song in 2012. Infectiously simple both in lyrics and structure, this song’s basic pop composition grabs it’s audience’s attention immediately and has you singing along from the first listen. An instant crowd pleaser and multi-format radio hit, I still have yet to change the dial.

2. Azealia Banks“212”

A Hard hitting hip hop club hit, this song’s dirty beat and even filthier flow is an immediate dance party call to arms. Bursting onto the scene with this track produced by Lazy J, Azaelia Banks jumped into the female rap game spitting fire. Incorporating the repetitive use of the word cunt into a chorus and making it contagiously catchy and not crude: genius.

3. The Presets“Youth in Trouble”

The Presets came back to the EDM scene after a four year hiatus and did so with authority. Starting off one of this year’s best dance albums, this standout track is a club banger. With its extreme builds, relentless bass line and scream along party lyrics, the Presets win my “drop of the year” award in this bar setting track.

4. Electric Guest“This Head I Hold”
5. Fiona Apple“Hot Knife”
6. The xx“Reunion”
7. Kishi Bashi“Bright Whites”
8. Dr. John“Locked Down”
9. Yeasayer“Reagan’s Skeleton”
10.Bloc Party“Octopus”

Honorable Mentions
Passion Pit“I’ll be Alright”


Kevin Raos San Francisco @kevinraos

1. Tame Impala“Apocalypse Dreams”

Best track on the best album of the year. The more I listen to this album the more my opinion of it morphs and shifts. That’s one of the best things about an album like this – you hear something new every time you listen.

2. Electric Guest“This Head I Hold”

This song sounds like it could have been written 50 years ago. Classic sound, classic song. One of my favorites of the year.

3. Lana Del Rey“Born to Die”

I put this in my top 3 simply because I want to comment about my love/hate fascination with Lana Del Rey. Lana Del Rey’s fragile demeanor and futile resistance towards fame make her one of the most interesting artist of 2012. I’m not a giant fan of her music as a whole, but I LOVE this song.

4. alt-J “Fitzpleasure”
5. Stepdad“My Leather, My Fur, My Nails”
6. Django Django“Default”
7. Passion Pit“Carried Away”
8. Memory Tapes“Thru the Field”
9. Trey Anastasio“Scabbard”
10.Matthew Dear“Her Fantasy”


Eric Shaden San Francisco @3ricShaden

1. Major Lazer feat. Amber of Dirty Projectors“Get Free”

2. Kendrick Lamar“Swimming Pools (Drank)”

3. Passion Pit “Constant Conversations”

4. MIA“Bad Girls”
5. Santigold“Disparate Youth”
6. Hot Chip“Motion Sickness”
7. Purity Ring“Lofticries”
8. Frank Ocean“Thinkin Bout You”
9. Chairlift“Sidewalk Safari”
10.RAC feat. Penguin Prison“Hollywood”


Kevin Quandt San Francisco @KJQuandt

1. TNGHT“Higher Ground”

The duo of Hudson Mohawke and Lunice brought their unique brands of production into one insanely big release this year. This highlight track, among others, features chopped vocals, a plethora of hand-clapping and a massive bass tuba beat that has been destroying dance floors the better part of 2012. Higher Ground begs to be properly rhymed over, but in the meantime the production is the shining light of the year.

2. Pond“Eye Pattern Blindness”

What an epic rock track these Aussies churned out this year. Taking notes from Floyd and Zeppelin equally have helped these lads write and perform a rock masterpiece full of twist and turns, not to mention it clocks in at a rare 6 minutes. Syd Barrett is smiling down from above.

3. Japandroids“House That Heaven Built”

From the distorted wall of guitar to the infectious chorus, epitomizing the sound of Brian King and David Prowse, this track has angst and energy slathered all over it. These guys don’t write typical rock and roll songs, and it is refreshing to see their hard work paying off in dividends. A true rock gem for the ages.

4. Father John Misty“Hollywood Cemetery Forever Sings”
5. The Allah-Las“Tell Me What’s on Your Mind”
6. How to Destroy Angels “Keep it Together”
7. Cloud Nothings“Wasted Days”
8. Jack White“Love Interruption”
9. Clark“Secret”
10.Woods“Size Meets Sound”

Honorable Mentions:
Liars – “No. 1 Against the Rush”
Thee Oh Sees – “Lupine Dominus”
Chromatics – “Kill For Love”


Sean Little San Francisco @splittle

1. Nikki & The Dove“Mother Protect” (Goldroom Remix)

Nikki & The Dove are great as is, but what Goldroom does with this track is reinvent it in a way that’s thoughtful and massive all at once. It’s one of those rare remixes that you hear after the original, and never listen to the original again. It’s that good. Goldroom has really blown up over the last year, touring the globe and this is the track that arguably started it all as it was supported by Aeroplane and The Magician among others giving it, and him, serious credibility. Keep him on your radar and expect more of this for a long time to come.

2. Bicep“Vision of Love”

This is stripped down, essential house. This track could be thrown into any 90’s house set and not skip a beat, which is a testament to Bicep and how they hone their craft. Two dudes from Ireland that just seem to constantly pump out hits and push the party and boundaries. This is the song that shows less can be more, and stripped down production can have a big impact especially when compared with many of today’s overproduced tracks. When the pianos come back in at 3:39 it’s all over.

3. Moonlight Matters“Come For Me” (Might Mouse Remix)

This is huge. It’s just euphoria in a song. I’ve ended more than a few sets with this and hands are in the air, drinks are being tossed around and people are just losing their shit. Don’t sleep on this stellar remix as many people have and it’s a shame. Words don’t do it just so just listen and wait for it to kick in.

4. Waze & Odyssey“Love that (Burns Hot Enough)”
5. ColeCo“Rickey Smiley”
6. Moon Boots“Off My Mind”
7. Presets“Ghosts”
8. Van She“Jamaica”
9. Lykke Li – “I Follow Rivers” (The Magician Remix)
10.Chris Malinchak“The Fourth”

10 best tracks about “Home”

HomeSubscribe to our “Home” Spotify Playlist

This is the time of year when a lot of people spend time at home. People go home for the holidays, as most of us did for Thanksgiving and will do this month. People get stuck in their house when it’s raining & snowing. And we recognize how important home is when catastrophic events like hurricanes and earthquakes destroy so many dwellings.

Home can also have an abstract meaning, especially when it comes to music. Home can be a state of mind, and the idea of home shifts for many over the course of their lives.

Enough deep analytics – here are 10 of our favorite songs about home.
What did we miss?

10. Band of Horses – “On My Way Back Home”

On my way back home, by chance I thought of
All my favorite songs, where I’d gone wrong
The only words that I could think of
I’m pissing my life away in the form of a song
On my way back home

9. Japandroids – “The House That Heaven Built”

I happened on a house
Built of living light
Where everything evil dissapears and dies…
I settled in slowly, to this house that you call home
To blood and breath, fear, flesh and bone…
Its a lifeless life, with no fixed address to give
but your not mine to die for anymore
so i must live

8. Al Green – “Call Me (Come Back Home)”

If you find you’s a long way from home
And if somebody’s doin’ you wrong
Just call me baby
Come back home

7. The Head And The Heart – “Lost in My Mind”

Momma once told me
You’re already home where you feel loved
I am lost in my mind
I get lost in my mind

6. Grateful Dead – “Brokedown Palace”

Goin home, goin home, by the riverside I will rest my bones,
Listen to the river sing sweet songs, to rock my soul.

5. John Denver – “Take Me Home, Country Roads”

Country roads, take me home
To the place I belong
West Virginia, Mountain Mama
Take me home, country roads

4. Michael Kiwanuka – “Home Again”

Home again, Home again
One day I know I’ll feel home again
Wrong again, Wrong again
One day I know I’ll feel strong again
And lift my head

3. Edward Sharpe & The Magnetic Zeros – “Home”

Home
Let me come Home
Home is wherever I’m with you

2. LCD Soundsystem – “Home”

Home, home, home
Home, home, home
Take me home…
If you’re afraid of what you need
Look around you, you’re surrounded
It won’t get any better…

1. Talking Heads – “This Must Be the Place (Naive Melody)”

Home is where i want to be
Pick me up and turn me round
I feel numb – burn with a weak heart
(so i) guess i must be having fun…
Home – is where i want to be
But i guess i’m already there
I come home – -she lifted up her wings
Guess that this must be the place

Subscribe to the “Home” Spotify Playlist

Japandroids ignite a Monday crowd at The Fillmore

Photos by Mike Frash // Written by Kevin Quandt //

Japandroids //
The Fillmore – San Francisco
November 12th, 2012 //

Brian King wouldn’t let the crowd forget it was a work night, and then did the most likely thing and played a blistering set that ticked in at just under two hours. You could count the released songs not played on one hand, which for a band with a couple of EPs and albums, was an impressive feat on a Monday night.

Brian King and David Prowes brought their rising star Japandroids back to The Fillmore, but this time, their name was top billing. Having seen this duo in the closet-like Hemlock Tavern not much longer than a year ago, one can only marvel at the success garnered from their early summer release Celebration Rock.

“Adrenaline Nightshift” was the first song played after a little intro jam, and the crowd ignited quickly and passionately. They tackled a crowd favorite off the new LP, “Fire’s Highway”, next displaying a new tightness that wasn’t their strong suit a couple of years ago. Luckily, this precise playing did not deter from any of the energy these two Canucks are well known for. Like other guitar and drum duos, such as Helio Sequence, these two guys have a lot on their plate, night after night, creating rhythm, energy and creativity from only 2 sources. Brian and David share the vocal duties rather evenly, and a better sense of harmony has grown apparent since last seeing them.

These new singing chops were well demonstrated on Post-Nothing track, “The Boys Are Leaving Town”. This song seemed rather apt as Brian kept reminding us that these road warriors had to be in Portland very soon for tomorrow’s show. Yet, as he seemed concerned with lengthy travel ahead, not a soul would have made this assessment as King twisted, contorted and generally rocked the fuck out. He kept the energy high with “Night of Wine and Roses” and “Rockers East Vancouver”, before launching into “Heart Sweats”. Though the masses are more familiar with Celebration Rock, the material from first record, Post-Nothing, still had the piercing intensity and good-times vibe that led these guys to a critical plateau.

As the duo led into their single, “House That Heaven Built”, a handful of guys and girls couldn’t help themselves and darted into the center front of the stage, pogoing and shoving with the ignited few. King pours his heart into every song, and you can visibly see him go through this process. This was demonstrated by the mighty huff for air just as he pounced back into the chorus of this chant-along song. “Crazy/Forever” led into “Sovereignty”, seamlessly, and is truly a gem of a combination, going from ballad to screamer in seconds flat.

King and Prowse weren’t close to done with the evening, so they catapulted into even more previous LP tracks, “Young Hearts Spark Fire”. This one truly represents the carpe diem/YOLO aspect of their lyrics and music, even as they creep into their 30s. As the extended set winded down, it was evident they had a little more in them, and not just a Jonny Rivers tease of “Secret Agent Man”.

Though the band may come after me for disclosing the secret of the evening, a rare encore was in store for the patient midweek crowd. King went as far as to turn off, even unplug, his amps but the fans chanted for one more. “I Quit Girls” would be the last track, effectively playing both albums in full. The slow drudge of the final track on Post-Nothing let everyone catch their breath for the final moments.

The success earned by these two is impressive and deserved, even as 4-5 years ago they seriously contemplated hanging up the project. The infectious hooks and energy coupled with a fuck-all, yet accessible, sense of rebellion makes these guys pure rock and roll, if just a 2-piece act. This characteristic can be summed up easily for this writer in a lyric from Young Hearts: “I don’t wanna worry about dying, I just wanna worry about those sunshine girls.”

Setlist:
Adrenaline Nightshift
Fire’s Highway
Art Czars
The Boys Are Leaving Town
The Nights of Wine and Roses
Rockers East Vancouver
Younger Us
Heart Sweats
Wet Hair
Evil’s Sway
To Hell With Good Intentions (Mclusky cover)
The House That Heaven Built
Crazy/Forever
Sovereignty
Continuous Thunder
Young Hearts Spark Fire
For the Love of Ivy (The Gun Club cover)

Encore:
I Quit Girls