Desert Daze 2019: Another intriguing lineup loaded with must-see performances takes over Lake Perris

Desert Daze - 2019 lineupPhoto by David Evanko // Written by Kevin Quandt & Pete Mauch //

Desert Daze //
Moreno Beach – Lake Perris, CA‎
October 10th-13th, 2019 //

After settling into a new location last year, Desert Daze aims to dial in a festival that continues to gain steam and win over rock fans around the globe, beckoning them to come to the shores of Lake Perris. This self-proclaimed “anti-festival” has impressed with their eye-popping artist roster, interactive art and smorgasbord of workshops and otherworldly experiences for all you intergalactic space rangers making the drive from Los Angeles or any of the surrounding hubs across Southern California.

We have a deep love for Desert Daze and want to be your pre-fest sherpas, so we have broken down the best music, camping and food options ahead of this weekend’s festivities.


Stereolab


Stereolab

Music

Let’s jump head first into the real meat of Desert Daze, and that’s its cutting-edge lineup of all things rock, psychedelia, garage, noise, experimental, North African-desert Tuareg blues-pop guitar and so on. Between the festival’s trio of lakeside stages, there should be little downtime for the savvy listener, so we’ll happily offer up a few of our picks and tell you why you should order that chicken tikka wrap a little later on.

Artist: Frankie and the Witch Fingers
Set date/time: Friday, 2:15-3 p.m.
Location: The Block

These LA psych rockers are truly having an amazing year. After unloading their most cohesive and energetic album to date in ZAM, they have found themselves touring non-stop supporting their killer new release. They are currently on a 37-date tour that sees them opening for ZZ Top and Cheap Trick on seven of those dates, with their Desert Daze set coming right smack dab in the middle of their run with both legendary rockers, so we’d imagine that they’ll be fired up to play to their own crowd. This should be an extremely high-energy set that won’t let you take a breath because Frankie and the Witch Fingers are pure psychedelic bliss right now. -PM

Artist: Stereolab
Set date/time: Friday, 6:35-8:05 p.m.
Location: The Moon

Tim Gane and Lætitia Sadier are finally bringing their electro-leaning indie pop back to the western side of the country and should be firing on all cylinders after a nearly decade-long break. Having witnessed one of their first reunion shows at Primavera Sound, I can confirm Stereolab’s laid-back vibe is still delivered with precision as they work classics like “French Disko” and “Brakhage” as well as others from Dots and Loops into the setlist. We can’t think of a better act to catch during Friday’s magic hour. -KQ

Artist: Altın Gün
Set date/time: Saturday, 2:40-3:40 p.m.
Location: The Moon

This Anatolian psych-folk group that calls Amsterdam home has been blending traditional Turkish music and psychedelic melodies to great avail. Their most recent release Gece finds this experimental outfit playing around with time signatures and quick, fierce changes that keeps their listeners wanting more. Their Desert Daze slot in the early afternoon Saturday is really going to get the day rolling. -PM

Shintaro Sakamoto


Shintaro Sakamoto

Artist: The Locust
Set date/time: Sunday, 12:45 a.m.-1:35 a.m.
Location: The Theatre

Shit! This set is not for the faint of heart and will surely be one of the most brutal (looks over shoulder for Lightning Bolt) and thrilling performances for those brave souls still awake after Devo, Ween and Flying Lotus (3D) hit the main stage. Expect a handful of masked musicians bending every boundary of rock music to their back and call, a feat that hasn’t transpired for close to five years. Desert Daze founder Phil Pirrone clearly has the Midas touch whenever it comes to reuniting bands or flying in rarities from around the world. -KQ

Artist: SASAMI
Set date/time: Sunday, 3:30-4:30 p.m.
Location: The Block

Domino artist Sasami Ashworth has been having a moment since the release of her self-titled debut LP back in March. Some veteran Desert Daze attendees might recognize Ashworth from her days as a former touring member of the LA band Cherry Glazerr, which played the festival in 2016 at its previous location The Institute of Mentalphysics. Since departing Cherry Glazerr, she has quickly cultivated a following under the moniker SASAMI that swoons for her unique brand as a guitar-wielding indie songstress. For now, she has toured with her contemporaries, received blessings from Mitski and expanded to larger international tours. -KQ

Artist: Shintaro Sakamoto
Set date/time: Sunday, 7:45 p.m.-9 p.m.
Location: The Block

Japanese composer Shintaro Sakamoto is making his U.S. debut at Desert Daze 2019, and we couldn’t be anymore excited to see him perform on Sunday. Sakamoto has been active in his home country for 30 years, most notably with psych rockers Yura Yura Teikoku, but you will see a softer side to him than with his prior band. Sakamoto at The Block during sunset with the Mad Alchemy light show behind him is an absolute must-see! We should hear plenty of tracks off 2014’s Let’s Dance Raw and 2011’s How to Live with a Phantom, too. -PM

Desert Daze 2019 - map

Camping

There’s nothing easier than pitching a tent only a few hundred yards away from any festival site, and Desert Daze continues to excel in this area. Moreno Beach’s plush grounds have it all: trees, campside parking, free hot showers, permanent bathrooms and even a camping-exclusive stage area called The Mystic Bazaar.

The Bazaar features a mind-expanding array of programming, including, but not limited to, Modular Sound Baths, Vinyasa Pranayama yoga and various forms of meditation (check out the full schedule here). Plus, plenty of camping options to fit your liking are available here.

Desert Daze 2019 - The Marketplace

The Marketplace

Whether your home base will be offsite or you’re calling Lake Perris home for a long weekend, you’ll want to do some light shopping, quench your thirst or carb load for Animal Collective’s blistering show on Friday. Desert Daze always prints a whopping selection of show- and artist-specific posters and they’re always sold at affordable prices, so an early trip to the merch tent is a must. And if boutique wares are your preference, a healthy variety of vintage sellers, craft jewelers and visionary designers are strewn about the groves and shoreline. Bring some cash because you won’t be disappointed with what you find.

For all of your consumption needs, Black Fin Sushi, Flavors of East Africa and Good Times Ice Cream are just the beginning of options that will be available onsite. Don’t forget to look at the full listing here to see if your local favorites will be making the trip out to Moreno Beach.

Lastly, make sure to grab your Desert Daze 2019 passes here and we’ll see ya on the other side.

Desert Daze 2019 - David Evanko

Coachella 2013: Predictions, wishes & rumors vs. reality

Coachella 2013By Mike Frash //

With a casual tweet, festival season is about to begin. Anticipation over the imminent 2013 Coachella lineup is building, and recent history shows the festival lineup could come this week.

Do you have your accommodations set? Hopefully your ticket is taken care of, because Coachella 2013 could already be close to sold out.

Presale ticketing for this year’s Coachella sold out within hours of going on sale both weekends last May, and it was the first time pre-sale sold out in such a quick fashion. The Coachella 2012 general on-sale sold out within an hour for both weekends a year ago, and if you weren’t ninja-quick at getting into the waiting room, you were shit out of luck. Take all this into account, and there might be a very limited amount of tickets available after the 2013 lineup drops. Is it possible Coachella 2013 is completely sold out from presale ticketing?

Coachella

Headliners: Reality vs. Rumors
The headliner rumors arrived early this year, with speculation over The Rolling Stones and Daft Punk dominating the conversation. At this point The Rolling Stones seems like the more likely of the two to be headlining, even though they haven’t played a whole lot of festivals since Altamont in 1969. Besides, Coachella rumors about Daft Punk and David Bowie playing Coachella are a yearly running gag at this point — we’ll believe it when we see it. Bowie even has a confirmed album coming out in the spring, but his bandmates are saying Ziggy has ruled out performing live … forever.

Reunions are a big part of Coachella’s top-notch lineups, and last year saw the regrouping of At The Drive-In, Pulp and Refused. This year it looks like The Postal Service and My Bloody Valentine could happen. Blur would also make sense since they reunited at the Olympics last year. Black Sabbath was reportedly on board to headline last year until they had to pull out at the last moment, and they have a new album coming out in June. Outkast would be the perfect hip-hop headliner, but that seems unlikely with Big Boi pushing his new LP. Wu-Tang Clan seems like the most likely rap act to play the main stage, but are they big enough to headline one of the three days each weekend?

Last year saw The Black Keys headline Friday along with Swedish House Mafia, and most people thought The Black Keys weren’t worthy of headliner status. But Coachella is good at king-making groups and artists, elevating them to the top level simply by making them headliners. Goldenvoice could repeat last year’s Friday concept by crowning Phoenix, The xx or Mumford and Sons headliners while putting deadmau5 on the top line to satiate the EDM masses.

Reality (likely headliners):
The Rolling Stones, The Postal Service, deadmau5, My Bloody Valentine, Black Sabbath, Pearl Jam, Phoenix, Red Hot Chili Peppers, Wu Tang Clan, No Doubt, Mumford & Sons, The xx

Rumors (probable wishlist-fiction):
Daft Punk, Outkast, David Bowie, Nine Inch Nails (How to Destroy Angels is likely)

Artists to see before they get big:
Last year, Frank Ocean, Kendrick Lamar, Death Grips, Azealia Banks, First Aid Kit, and lots of other artists performed at Coachella before getting exponentially bigger by the end of 2012. Possible contenders for 2013 include Angel Haze, AlunaGeorge, FIDLAR, Foxygen, Wilde Belle, & Earl Sweatshirt, although the hype for Earl is already tremendously loud.

Coachella

Best EDM acts most likely to not perform in the Sahara Tent:
• deadmau5
• Bassnectar
• Tiesto
• Simian Mobile Disco
• Andy Stott
• Nicolas Jaar
• Dan Deacon
• John Talabot
• Disclosure
• Totally Enormous Extinct Dinosaurs

Artists most likely to return for second consecutive year:
Kendrick Lamar and Dawes, because Dawes somehow plays every festival.

Headlines we’d like to see:
“Frank Ocean, Tyler The Creator join Earl Sweatshirt’s first solo set”
“Progressive-house trend baffles Sahara tent candy-kids”
“Thom Yorke, Bradford Cox & Trent Rezner play a combined 9 sets each weekend”
“Katie Perry attends Coachella again, never considered for performing duties.”

Plausible Acts We’d Like to See:
Alabama Shakes
alt-J
AlunaGeorge
Andy Stott
Angel Haze
Animal Collective
Atlas Sound
Atoms for Peace
Bassnectar
Bat for Lashes
Beach House
Ben Howard
Big Boi
Bjork
Black Sabbath
Blur
Cloud Nothings
Chromatics
Crystal Castles
CHVRCHES
Dan Deacon
Divine Fits
Disclosure
Die Antwoord
Django Django
Ducktails
Earl Sweatshirt
Father John Misty
Fiona Apple
Frightened Rabbit
Grimes
Grizzly Bear (Added 1.17.13)
Haim
Hot Chip
How to Dress Well
James Blake
Jamie Lidell
Japandroids
Jessie Ware
John Talabot
Jim James
Kendrick Lamar
Kishi Bashi
Killer Mike
Local Natives
New Order
Nicolas Jaar
Nick Cave and the Bad Seeds
Major Lazer
Matthew Dear
Mumford & Sons
Passion Pit
Penguin Prison
Phoenix
Pretty Lights
Sigur Ros
Skrillex
Spiritualized
Stars
STRFCKR
Tame Impala
The Faint
The Joy Formidable
The Knife
The Postal Service
The Rolling Stones
The Walkmen
The xx
Toro Y Moi
TNGHT
Ty Segall
Unknown Mortal Orchestra
Vampire Weekend
Warpaint
Wavves
Wild Belle
Wild Nothing
Yeah Yeah Yeahs
Yeasayer
Yo la Tengo
!!!

Coachella

Best sets from FYF Fest 2012

By Mike Frash //

FYF Fest //
LA State Historic Park – Los Angeles
September 1st-2nd, 2012 //

The location for FYF Fest reinforces some of LA’s ugliest stereotypes. LA State Historic Park has a feeling somewhere between industrial and suburban LA, with billboards, freeways and metro trains ever present. You know you are in Los Angeles.

But the stages are close to each other so it’s easy to get back and forth, and there was plenty of variety to keep full blown 80’s nostalgia from taking over. Here are the five shows that left the strongest impression with me.

MUST-SEE SHOWS

Atlas Sound ~ Sunday 6:10 Hill St. Stage

Bradford Cox is a remarkable solo artist. The frontman from Deerhunter builds songs by looping & layering live sounds from his guitar and mouth with a variety of foot petals. The complexity and layered depth of his songs cannot be overstated – and it’s easy to drift off with Bradford as he extends every song to sonic peaks and back again. This show mirrored the format of the Atlas Sound & Deerhunter albums, variating between songs that feature a psychedelic wall-of-sound with a morose sense of sadness & death with seemingly upbeat low-fi pop that contrasts with clean acoustic guitar. ‘Mona Lisa’ was a stand-out song live, delivering an emotional buildup that peaked with ambient loops that eventually led back into the peaceful refrain. In stark contrast to the overall sad-yet-freeing tone of the music is Bradford himself – he took five minutes before the encore to apologize to his friend for spitting on him for saying something misogynist, declaring that he will always spit on misogynists, added ‘Fuck ya I’m gay’ and led the enthusiastic crowd in a “Thank You Mark” chant, for his friend Mark that picked up his gear from across town. Bradford could talk about the weather and it would be captivating.

Chromatics ~ Saturday 6:35 Spring Street Stage

The Saturday sunset show on the Spring St. stage showcased the first upbeat & authentic dance music (sorry John Maus). The sound of the group lead by Ruth Radelet translates well in a live setting, heavily leaning to the crisp and infectiously danceable side of the coin. Radelet has a stage presence that is as hypnotic as her voice, which blends nicely with grooves that invoke LCD Soundsystem or Hot Chip no matter how hard you try to resist making the comparison. One of the set’s many highlights was ‘Kill for Love,’ which had most in attendance moving in some way, which is quite an accomplishment at FYF Fest. Radelet nonchalantly followed the song by saying “that song was about love’ in a tone that would make April from ‘Parks & Recreation’ proud. Chromatics finished the set with Neil Young’s “Into The Black”, which suits them nicely. It felt like it was just taking off when it ended, and maybe they were up against the (tick of the) clock. They are an act that deserves a full set if possible.

Nicolas Jaar ~ Sunday 8:15 The Tent

Nicolas Jaar has a unique thing going on. Part of it is that he sets his own rules, keeping most of his beats under 100 beats per minute. It’s a weird show in a very good way. The first 8 minutes built ambient sounds coming from the guitarist and saxophonist in his band that ever so slowly built into a beat. Another part is he adds a healthy dose of real emotion that comes from his live vocals. This stands in stark contrast to the button pushing emotion coming from most hooks in today’s mainstream EDM sound. Jaar is mixing, adding vocal effects, matching beats and tweaking pitches all in real time. The improvisational aspects to the building of sounds helps make the moment feel special, like anything can happen. Jaar consistently innovates and surprises with the sounds he coordinates, dropping bass back in off tempo at non standard times. It all adds up to a mind-expanding experience that feels new and exciting.

Tanlines ~ Saturday 7:35 The Tent

Tanlines has quickly shown the professional ability to adapt to their audience and live music situations. Percussionist Jesse Johen & guitarist/vocalist Eric Emm abandoned a typical song-based format and proceeded to put on an upbeat dance show. They would begin a song with a new beat, break it down and back into one of their catchy songs from their debut LP ‘Brothers,’ essentially remixing their own songs. They’ve been touring since the beginning of the year, and as a touring act they clearly aren’t lazy. They’ve evolved their show while playing to their time slot and setting perfectly in this case. “We heard there was a comedy slash DJ tent, so we told them to put us there.” That classification actually fit them perfectly for this festival performance, as Jesse’s banter can be a constant source of chuckles.

The Faint ~ Sunday 10:55 Spring Street Stage

This was the dance show of the weekend and a great time. The light show, the bass turned to 11, & a synth-heavy setlist combined to keep asses shaking and hands up. This was my first time seeing them live, and I hope it won’t be the last because I did not get enough. The Faint proved to be an ideal way to finish FYF 2012.

SETS OF NOTE: SATURDAY

John Maus – The Tent: 2:40

This guy has a stage presence that reminds me of Charles Manson. I like his music to a certain degree, but his live show is weird in a bizarre sense. He started his show by hitting himself over the head in a fit of rage. He looked angry and possessed, a persona that surely works better in a dark setting with plenty of supportive lighting.

Cloud Nothings – Spring St. Stage: 4:15

Founder & lead singer songwriter Dylan Baldi and the rest of the group that comprises Cloud Nothings deliver a live sound that is true to their albums and they do it well. It seems like you shouldn’t expect many surprises at their shows, but the sound was cleaner than I expected.

Chairlift – Main Stage: 4:35

Chairlift put on a great show until the last song of their set, when their best song “I Belong in Your Arms” turned into a bit of a train wreck. Caroline Polachek stopped the band after a minute, saying they wanted to do it right for us. After a long pause, the song started again, but someone clearly missed their mark again as a long, seemingly unintended instrumental interluded happened between verses. You could almost tell Caroline wanted to stop it again but she couldn’t as this is a festival. She left the stage quickly before the last notes without saying a thing, then her creative partner Patrick Wimberly awkwardly said goodbye.

James Blake – Spring St. Stage 7:50

James Blake’s post-dubstep subtleties were overshadowed by Tanlines’ driving bass next door in the tent, but Mr. Blake is a legitimate artist that deserves serious attention. Right at a quiet moment during the minimalist auto-tune dominated “Lindisfarne I,” one concert goer loudly inquired “T-Pane???” to many people’s amusement.

Purity Ring – Hill St. Stage: 8:25

The take-away from a live Purity Ring show is that the music is pretty unique in it’s form and glitchy live vocals, and that they have a fitting, custom made light show that is controlled by beat & A/V genius Corin Roddick’s live percussion elements. Megan James’ presence blends into cocoon-light show aesthetic, and her confident, angelic voice is liberally sampled by Roddick’s MIDI pad. See this show before Purity Ring is playing bigger venues.

M83 – Main Stage: 9:25

Anthony Gonzalez played composer for most the night, allowing Morgan Kibby and his younger brother Yann Gonzalez to get most of the spotlight. The M83 show has clearly evolved since it started touring to support “Hurry Up, We’re Dreaming” in 2011. Gonzalez did not rely heavily on the new album, extending ‘We Own the Sky,’ ‘Coleurs’ & many other early tracks. While the volume level was lacking toward the back of the audience, the setlist was great and it’s obvious they are experimenting with transitions and song extensions to a positive effect.

SETS OF NOTE: SUNDAY

Wild Nothing – Hill St. Stage: 2:45
They sounded real nice from the other side of the fence, where I was waiting patiently in the security line. The VIP option suddenly seemed worth while. Probably was a very nice show.

Givers – Main Stage: 3:05

These kids are so full of positive energy you feel like they’re Aussies or something. This was a fun way to get Sunday kicked off.

Father John Misty – Hill St. Stage: 2:45

This man was destined to be a frontman. It’s hard to believe he was the drummer for Fleet Foxes’s first two album. Joshua Tillman knows how to let his freak flag fly, showing off moves that would impress the lizard king himself.

Tiger & Woods – The Tent: 4:20

The duo’s disco grooves got the Tent popin’ early. The dj duo, who won’t reveal their identities to the general public, wear matching outfits onstage and smoke cigarettes at the same time. How cute. The bottom line is they craft super catchy beats that could host an array of samples and overlays, but they keep it simple with house and techno elements.

Glass Candy – The Tent: 7PM

This no wave threesome fronted by Ida No put on a fun, upbeat set. I’d like to see them again.

Yeasayer – Main Stage: 9:10

The new stage set-up was visually pleasing, and many of the songs from the new album worked well live. The problem with the new prisms, lasers and light show is it now seems too digitized when they play song from their first album that is more rooted in folk inspired world music. That said, I appreciated the risk they took when they completely rebooted their hit ‘O.N.E.’ and made it sound like a slowed down karaoke version of itself. I get the feeling they are changing so drastically from album to album that they don’t exactly know where they stand now for live shows. When in doubt, make a great light show. Works for me.

Twin Shadow – Spring St. Stage: 9:35

George Lewis Jr.’s band exhibit a looser sound live than in their albums, where the songs seem directly taken from 1987. Live they sound more like a rock show than an 80s nostalgia new wave outfit. I got to this show after Yeasayer and basically wished I’d spent more time at Twin Shadow.

FYF Fest 2012: 10 not to miss

Written by Mike Frash //

FYF Fest //
LA State Historic Park – Los Angeles
September 1st-2nd, 2012 //

Nestled between downtown Los Angeles and Dodger Stadium at LA State Historic Park, FYF Fest opens its gates Saturday with a blend of punk, indie, garage, micro house, comedy, future pop and and reunions that should satisfy music fans. Fuck yeah!

FIVE FOR SATURDAY: One word: stacked. Get crazy with Fucked up, Sleigh Bells and The Men, mellow out with Chairlift and Tycho and don’t sleep on Chromatics, Future Islands or Tanlines. Bottom line: Saturday is conflict-laden. Here are five I’m focusing on:

Simian Mobile Disco

Get your dance on and the rage out.

Quicksand

You never know … I could go to M83.

Purity Ring

Buzzzzzzzzzzzzzzzzzzzzzzzzz. (I’ve heard they’re great live, too.)

Cloud Nothings

They put out a great album from earlier this year.

King Tuff

Alone and stoned. Oh the irony at a festival …

CONFLICT BONUS: James Blake

Really it’s the most gut-wrenching conflict Saturday. Purity Ring vs. James Blake. Maybe a split set will do?

FIVE FOR SUNDAY: Sunday offers another day of great variety. The power of Ceremony vs. the crooning of Father John Misty. Tiger & Woods’ 70’s disco grooves vs. Aesop Rock’s flow. The Eastern brass of Beirut vs. Gold Panda’s hypnotic beats.

Yeasayer

New set design and at least three good songs from their new album.

Nicolas Jaar

All sources indicate this set can be classified as “must-see live.”

Liars

No. 1 against the rush. Gotta love Day 2 at a festival.

Atlas Sound

Bradford Cox destroys as the frontman of Deerhunter and is an epic looper. Anything can happen.

Wild Nothing

They released a new album this week. It’s pretty fucking good. I found this video that’s not official, and I think it works perfectly with the music.

CONFLICT BONUS: The Field

More micro-house! Dance while you can, but I must see Bradford Cox’s solo project.

Conflict Double Bonus: Father John Misty

Honestly, I could see Ceremony, Father John Misty or Givers. They are all great bands — and all great live bands. I’m thinking of deferring to a mellow Sunday morning, but we’ll see.