Goose make a compelling case in their Santa Barbara Bowl debut why they’re one of the hottest (jam) bands to catch live right now

GooseBy Josh Herwitt //

Goose //
Santa Barbara Bowl – Santa Barbara, CA
September 29th, 2023 //

What is it about jam bands that makes them so polarizing? Is it their penchant for improvisation, their long-running songs or their loyal, dedicated fans?

From the Grateful Dead and The Allman Brothers to Phish, Widespread Panic and many more, a lot of folks I come into contact with either love ’em or hate ’em. Regardless of where you stand on the matter though, the reality is that they have been part of the music ecosystem dating back to the early 60’s and continue to be more than six decades later.

With that in mind, there should be little debate to assert that Phish have stood squarely at the top of the jam-band mountain for the past 30-plus years. The Burlington foursome that formed in the early 80’s at the University of Vermont has taken the torch from the Dead and in their own way kept that fire burning bright, building a unique community of diehards often known for traveling far distances to see them rock out at least three hours each night.

But there’s a new kid on the block now, and even though they might call themselves an “American indie-groove band from Connecticut,” it’s no secret that Goose like to “jam” when they step onstage. Phish’s music, after all, has always been rooted in grooves, and in that regard, it feels like the five-piece named after an Anatidae waterfowl rather than an aquatic animal is certainly paying homage to Trey Anastasio, Jon Fishman, Mike Gordon and Page McConnell with that sort of description for their sonic creations.

For those following closely, the million-dollar question — figuratively and literally — in the jam scene of late has been if Goose are next in line to eventually succeed the almighty Phish. The two groups have already formed a friendly bond, with Anastasio sitting in with Goose last year for the second of two sold-out gigs at Radio City Music Hall that featured a more unexpected cameo appearance by Father John Misty, too.

Goose - Peter Anspach

Yet, it was less than six months after those shows in NYC that Rick Mitarotonda (guitar, vocals), Trevor Weeks (bass, poetry), Ben Atkind (drums), Peter Anspach (keyboards, guitar, vocals) and Jeff Arevalo (percussion, drums, vocals) were touring with Anastasio and his solo project on an eight-date run that offered them even more exposure to Phish’s fan (or should we say “phan”) base.

Every member of Goose, similar to Phish, is an excellent musician. Mitarotonda’s virtuosity and emotive solos are assuredly reminiscent of Anastasio’s at times, and you wouldn’t know that Anspach, a guitarist first and foremost, only started playing keyboards when he signed on as the fourth member of Goose in 2017. The formal training that Mitarotonda, Atkind and Arevalo each received while they were at Berklee College of Music in Boston is quite evident when you watch them perform, but for a band showcasing as much musicianship as Goose, their vocal capabilities are equally impressive. It’s something Mitarotonda has worked very hard at according to Anspach, whom he shares the role of lead vocalist with, and what could ultimately help separate Goose from the pack when you consider that singing hasn’t always been a priority for some musicians in the jam world.

Of course, Goose’s pursuit to not only be an outstanding outfit in the live space but also one that takes the album-making process just as seriously is another side to the quintet that’s refreshing and can’t be overlooked. After 2016’s Moon Cabin sans Anspach and subsequently 2021’s Shenanigans Nite Club, they made such clear when they hired an outside producer for the first time, and their decision to elect D. James Goodwin, who has worked with Bob Weir as well as established indie acts like Kevin Morby and Whitney, proved to be a good (no pun intended) choice for the release of Dripfield in 2022. Goose have made songwriting a priority early on in their ascent, but a smart marketing strategy that saw them gross more than $100,000 during the COVID-19 pandemic by livestreaming eight concerts from a barn in their home state has propelled them rather quickly into the mainstream. In fact, few jam bands have earned the opportunity to perform on late-night television like Goose have.

You could tell by the turnout Goose received at their Santa Barbara Bowl debut — a day before making an inaugural appearance at Ohana Fest and a day after headlining The Wiltern in LA for the first time — they have come a long way in less than a decade. Though the 4,562-seat amphitheater wasn’t sold out, it was mostly full from the GA floor up to the A, B and C sections, a promising sign for any young band on the rise, with chants of “Gooooose” ringing out as the sun set over the Pacific Ocean.

Like any top-notch jam band, Goose craft a unique setlist every time they take the stage with an arsenal of covers at the ready and this outing would be no different. Much of the first set was carried by live cuts of material that has yet to be officially laid down in a recording studio, but Bruce Hornsby & the Range’s “The Way It Is” and Echo & the Bunnymen’s “The Killing Moon” that kicked off the evening’s second set provided everyone at the Bowl with a couple of familiar reference points. Nevertheless, the accessibility and hooks that Dripfield offers listeners are what sets Goose apart from other jam-oriented artists, and as its tracks — “Arrow” and “Hot Tea” plus “So Ready” (an alternate version of “Slow Ready” featuring some auto-tune from Mitarotonda) were what we were treated to in this case — take on their own size and shape under the bright lights, they’re destined to fill a room no matter how big or small it is. So with a European tour lined up next month and a couple of more arena performances before 2023 concludes, there’s no telling how high these guys will be flying by this time next year.

Setlist:
Set 1
Earthling or Alien?
Mr. Action
Time to Flee (with “Honeybee” teases)
The Way It Is (Bruce Hornsby & the Range cover)
Seekers on the Ridge pt. I (>)
Seekers on the Ridge pt. II
So Ready

Set 2
The Killing Moon (Echo & the Bunnymen cover) (>)
Arrow
Same Old Shenanigans
Everything Must Go

Encore:
Hot Tea

Outside Lands 2023: Three full days of ‘giving life,’ saving face & switching up the game to celebrate the festival’s 15th anniversary

Outside Lands 2023 - Lands EndPhotos by Christine Kemp & courtesy of Outside Lands // Written by Molly Kish //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 11th-13th, 2023 //

Taking a beat to fully process the 15th year of Outside Lands, we had a lot to consider in terms of our annual accolades for 2023. Our team has had the pleasure of covering the music festival’s evolution since 2012, and many of us have been on the journey with Bay Area concert promoter Another Planet Entertainment after attending OSL’s inaugural edition in 2008. But while we have learned to anticipate certain logistical nuances and look forward to countless familiarities at Golden Gate Park, this year felt different in several very unexpected and positive ways.

Walking into the festival grounds, the footprint had noticeable modifications from previous years, including brand-new stages and a relocated Wine Lands. McLaren Pass, typically home to Choco Lands, the Bubble Tea Party, Cocktail Magic and various food vendors, now included a paired-down, more communal place to sip wines from the best vineyards in the Bay. Switching spots with Cocktail Magic, the newly located Wine Lands provided a premier viewing location for the Toyota Music Den, which ended up being a backup stage for overflow acts on Saturday and a home base for surprise appearances/pop-up sets throughout the weekend.

Outside Lands 2023 - Lands End - crowd

The largest and most widely agreed upon, favorite new addition to the grounds was the Dolores Stage holding space in the Polo Field entryway. The open-air dance club brought a surge of new talent and life to the main field, highlighting DJs, drag performers and a schedule of explosive LGBTQ+ artists over three days. Providing a welcomed alternative to the SOMA Tent’s long lines and Saturday’s closure for dancefloor maintenance, the Dolores Stage proved to be a true festival MVP. The lineup highlighted an intrinsic part of Bay Area culture that never felt fully recognized on the scale that it should have been. Providing a non-stop homage to SF’s historic ballroom culture, performers hit the stage, runway and ground, keeping the sold-out crowd dancing and happy at one of the festival’s main access points.

Aside from some lineup alterations, structural damage and traffic-flow issues at the entrances and exits, OSL’s 15th anniversary was a massive success. Worried at moments that things could derail, the staff handled the various complications that came their way with super effective and seamless production pivots. Artists were quick to shift sets to alternate stages, pop-up performances kept fans excited and engaged, and the amount of satellite bars, lounges and interactive activations offered more than enough entertainment to keep the capacity crowd stoked. If this year’s success was any indication, we expect the positive changes to become mainstay additions for years to come and look forward to seeing what the future will hold for Northern California’s flagship music festival.

Outside Lands 2023 - ODESZA


ODESZA

OUTSIDE LANDS 2023 AWARDS:

Headliner of the Weekend: ODESZA

Breakthrough Performance: Crumb

Largest Crowd: DJ DIESEL

Best Stage: Dolores Stage

Most Swoonworthy Set: Lana Del Ray

Hardest Hip-Hop Moment: Tobe Nwigwe

Fiercest Performance: Reparations

Tastiest Menu: Shuggies Trash Pie and Natural Wine

Best Vineyard: Deux Punx

Most Magical Cocktail: “Large Marge-arita” // Buttery Tipple

Favorite Lands: Wine Lands

Most Impactful Artist: Balloonski

Satellite Bar Star: #OceanLove Tour by Grey Whale Gin

Favorite Merch: Outside Lands reusable festival cup

Best Marketplace: San Franpsycho

Top Showcase: Hard French at Dolores Stage

Most Memorable Experience: Outside Lands x LIVE by Amazon Music

Bay Area Favorite: Anchor Steam’s final kegs on draft at Beer Lands

Best Night Show: Interpol at The Independent

Ohana Festival rolls into 2023 with The Killers, HAIM, Eddie Vedder, The Chicks, Foo Fighters & Pretenders lined up for seventh year

Ohana Festival - 2023 lineup

Ohana Festival //
Doheny State Beach – Dana Point, CA
September 29th-October 1st, 2023 //

It’s that time again, Ohana fam.

The three-day festival founded by Eddie Vedder returns to Doheny State Beach for its seventh edition after making a splash last year with Stevie Nicks, Eddie Vedder, Jack White and P!nk headlining, and unlike previous installments, 2023 will boast a pair of headliners each day for the very first time as the calendar shifts from September to October.

Riding into Day 1 will be The Killers and HAIM, who were booked for the fest’s 2022 “Encore” session until it was canceled, plus a stellar undercard featuring Father John Misty, Japanese Breakfast, Franc Moody, Glen Hansard, Hermanos Gutiérrez and Amos Lee on Friday.

Saturday once again sees Vedder leadding the way, but this time he will have some solid help from The Chicks as the country stars make their debut appearance at Ohana Festival. And for those who want to rock out beforehand, you definitely won’t want to miss noteworthy sets by Grammy winners The War on Drugs and jam-band favorites Goose.

Putting a bow on the weekend, meanwhile, will be Foo Fighters and Pretenders at the top of Sunday’s bill following performances by Rainbow Kitten Surprise, The Backseat Lovers, Suki Waterhouse, Thee Sacred Souls and more earlier in the day. See the poster above for the rest of the artists scheduled to take the stage in Dana Point.

Tickets can be purchased starting this Thursday, April 13th at 10 a.m. PT during the festival’s presale, but you must sign up here to receive a presale code if you want to reserve your spot! Both three-day and single-day GA passes will go for $479 and $169, respectively, with three-day and single-day VIP admission available for $1,499 and $549. Of course, there’s also the three-day Ultimate VIP option if you and a friend (it’s a two-person package) have a cool $9,950 in your festival budget to shell out.

Ohana Festival - updated 2023 lineup

UPDATE (May 23rd): Ohana has announced that Rainbow Kitten Surprise will no longer be performing in 2023 and have been replaced on Sunday by Deaf Charlie featuring Pearl Jam bassist Jeff Ament and former Fitz and the Tantrums drummer John Wicks. Peep the updated poster above for the latest lineup.

Celebrating its 15th year in 2023, Outside Lands hands the baton over to Kendrick Lamar, Foo Fighters & ODESZA

Outside Lands - 2023 lineup

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 11th-13th, 2023 //

Now that a handful of California’s music festivals — whether it’s BeachLife, BottleRock, Coachella, Just Like Heaven or Lightning in a Bottle — have announced what their plans will be this year, it’s once again time for Outside Lands to join the party.

SF’s signature event turns 15 this August at Golden Gate Park, but after returning to its usual timing in 2022 and granting headlining duties to Green Day, Post Malone and SZA, it’s handing the baton over to a triumvirate of standouts in Kendrick Lamar, Foo Fighters and ODESZA.

K.Dot returns to OSL for the first time since the 17-time Grammy winner ambushed the Twin Peaks stage back in 2015, while Foo Fighters, who suffered the tragic loss of drummer Taylor Hawkins last March and have yet to reveal his replacement behind the kit, will end their own decade-long drought after playing the three-day event in 2012. ODESZA’s last appearance, in the meantime, was the most recent of the three in 2018, yet much has changed for the Seattle electronic duo made up of Harrison Mills and Clayton Knight over that time.

In addition to the aforementioned headliners, this year’s undercard is nothing to sneeze at — starting with Lana Del Rey, The 1975, Megan Thee Stallion, Zedd, Janelle Monáe, Maggie Rogers and Fisher. Other names on the 2023 lineup worth paying attention to include Lil Yachty, Noah Kahan, Cigarettes After Sex, J.I.D, Interpol, Willow, Father John Misty, Tobe Nwigwe, Orville Peck, aespa, beabadoobee, L’Impératrice, Cuco, Nora En Pure, Poolside, Alvvays, NIKI, Alex G, Soccer Mommy, Diesel (Shaquille O’Neal), Monolink, Raveena, Trixie Mattel, Mariah the Scientist and ISOxo.

Last year’s edition of OSL saw the SOMA Tent — which remains the fest’s home for all things dance music — expand after making its debut in 2021, and fans can expect the dancefloor to be packed as Âme b2b Trikk, Blond:ish, Claptone, Coco & Breezy, Daniel Avery, Denis Sulta, Disco Lines and more get ready to hit the decks from Friday to Sunday. Check out the poster above for the rest of the artists slated to perform.

Three-day GA, GA+ (a new ticket tier), VIP and Golden Gate Club passes go on sale here for $499, $674, $1,029 and $4,899 this Wednesday, March 8th at 10 a.m. PT, so take a peek at our previous coverage here before you pick one up!

Outside Lands 2023 - daily lineups

UPDATE (April 18th): Daily lineups for OSL 2023 are out, with Kendrick Lamar headlining Friday, Foo Fighters rocking Saturday and ODESZA closing down the festival Sunday. Peek at the daily schedules above before single-day tickets go on sale here for $199 (GA), $299 (GA+) and $449 (VIP) starting this Wednesday, April 19th at 10 a.m. PT. And if you’re thinking about purchasing a three-day ticket payment plan and putting down just $99 up front, you can still do that for a limited time here!

Outside Lands 2023 - Interpol

UPDATE (May 11th): Interpol has confirmed that they will be performing their 2002 debut LP Turn On the Bright Lights in full from start to finish during the band’s set at OSL this year. Fans of the New York post-punk revivalists should pick up their single-day tickets here!

Outside Lands 2023 - Friday set times

Outside Lands 2023 - Saturday set times

Outside Lands 2023 - Sunday set times

UPDATE (August 1st): With less than a couple of weeks to go, your 2023 set times have arrived. See the schedules above for all of your potential conflicts at OSL’s 15th anniversary so you can formulate a plan before getting to Golden Gate Park. Who will the TBA act on Saturday be?!?! Take your best guess in the comments below.

Outside Lands 2018: A return to form in Year 11

Outside Lands 2018Photos by Norm de Veyra // Written by Kevin Quandt //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 10th-12th, 2018 //

As another summer festival season winds down, we look back at the 2018 edition of Outside Lands with highlights, thoughts, musings and enough images to make you nostalgic for the Bay Area’s banner music festival. With the Superfly, Another Planet Entertainment and Starr Hill event celebrating its 11th edition, this incarnation of the annual Golden Gate Park soirée saw more of a return to form over the past year while also experiencing a notable shift in the sound that could be heard emanating through the eucalyptus and other flora.

While cancellations left a slightly sour taste in the mouths of last year’s attendees, this year only saw limited lineup hiccups. However, the bigger story at hand surrounds the changing tides of popular music. Sure, you’ve heard folks state “rock is dead,” but is a once-amusing quip starting to take greater shape as the youth clamor for a different sound and aesthetic? Though it was pretty evident on the 2018 lineup poster when it dropped in April, this query started to take greater shape once you were on the grounds and bouncing between sets. So, let’s jump straight into this now.

Outside Lands 2018 - Billie Eilish


Billie Eilish

Friday

Day 1 at Outside Lands tends to be a slow trickle of fans entering the park as some are able to play hooky, bounce from the office early or only show up for the headliners. Sure, some folks had to deal with longer-than-expected box office lines and others even had to bear the fest’s new bag policies, but luckily those in attendance were blessed with some clear skies instead of the usual August dread of the Outer Lands.

While Billie Eilish was relishing in her rising appeal on the Lands End stage, covering Drake and running through the majority of her singles, Rex Orange County was trying his hand at something a bit new and terrifying. The UK wunderkind was forced to play his first-ever solo festival set as his band and their gear ran into transit issues on the way to SF from the Pacific Northwest. The young crooner seemed a bit nervous about this predicament but competently knocked out a solid, eight-song performance that included “Sunflower” and closer “Loving Is Easy”.

N.E.R.D., meanwhile, played their first SF show in many years to a raucous crowd, opening with “Anti Matter” as a hyped Pharrell Williams feverishly worked every corner of the huge Lands End stage. The set featured a massive medley of tracks by The Neptunes, a cover of “Seven Nation Army” and a double dose of “Lemon” to send us on our way to the next set.

Simultaneously, Carly Rae Jepsen was apparently throwing down one of Outside Lands’ most enjoyable performances in front of a rather large crowd. While the pop sensation pleased the masses with a rendition of her breakout hit “Call Me Maybe”, she also performed more recent songs like “Emotion”.

ODESZA obviously drew a large crowd for their main stage afternoon showcase, putting the spotlight on the changing tides and tastes of the youth music market. That kind of youthful angst and energy seemed to be danced out to ODESZA, DJ Snake and Big Gigantic compared to the pits of rock bands from the 2000’s, be it Queens of the Stone Age, System of a Down or Deftones.

With the under-25 crowd predominantly stationed at Lands End, you could say there was a more intimate feeling at Twin Peaks for Father John Misty. Touting his expanded band that featured a string section and dialing back his quirky stage banter, Josh Tillman’s latest tour has been pretty much about presenting his music as faithfully as he can. “Nancy From Now On” opened his career-spanning performance as the shadows began to drape the park.

While FJM’s attendance was noticeably a bit small for a rock act, the king of “jizz jazz,” aka Mac DeMarco, was able to attract a rowdy crowd for his closing set on the Sutro stage. When the synth sections of “On the Level” opened DeMarco’s set, a certain air of relaxation swept the crowd as various smokeables were consumed in honor of indie-slacker royalty onstage.

Abel Tesfaye, popularly known as The Weeknd, enjoyed a sort of victory lap as he headlined the festival’s first day with an onslaught of hits such as “Starboy”, “Can’t Feel My Face” and “The Hills”, along with a few select covers of Future, Belly, Drake and Ty Dolla $ign. Though Tesfaye’s current large-scale show is nothing new to the live music circuit, he still threw one helluva party before sending the masses into the wilds of the City.

Outside Lands 2018 - Florence + the Machine


Florence + the Machine

Saturday

It has been a couple of years since Outside Lands was fortunate enough to have a truly clear, sunny Saturday — and not just for a few hours, but the whole damn day. Plus, it was topped off with another insanely gorgeous sunset, but let’s not jump the gun here.

As the day got underway, New York indie artist Amen Dunes performed an extremely tight set, showcasing his wavy take on psychedelic rock/folk. Led by Damon McMahon, the trio played heavy off its most recent release Freedom while also not completely ignoring its back catalog. Moreover, McMahon’s stage presence was infectious and somewhat akin to R.E.M.’s Michael Stipe, as his slender build moved to the emotive nature of his craft.

On the opposite end of the spectrum, Lizzo was bringing down the early-afternoon house as she decimated the Lands End stage. “Fitness” opened her 10-song set as her pair of dancers, as well as Lizzo herself, left everything on the stage for the sizable crowd that was yearning for her energy, and some even yearned for a shot of tequila from her bottle of Patrón as she entered the photo pit for an up-close appearance during closing song “Good as Hell”.

When the Lizzo crowd dispersed, Broken Social Scene fans got prime real estate to catch the Canadian indie-rock demigods perform a blistering set of guitar-heavy tunes like opener “KC Accidental” and closer “Anthems for a Seventeen Year-Old Girl”. Even in such a large setting, the massive band was able to cook up a sense of intimacy and really engage.

While OSL this year leaned more toward R&B, electronic pop and other hip genres, UK jazz purveyors GoGo Penguin delivered a stunning set of avant-garde-leaning jazz. This punchy trio showed their chops over tracks like “One Percent” and set closer “Window” and could easily be compared to The Bad Plus. GoGo were a perfect palate cleanser before heading to more current stylings from either SOB X RBE or CHVRCHES.

Local legend Tycho performed to an enthusiastic crowd while Scott Hansen stated this would be the last incarnation of this phase for the group (we look forward to the next chapter). Back over at Lands End, Bon Iver delivered a prototypically powerful set as the sunlight dwindled, simultaneously providing a seriously stunning sunset.

As the limited amount of darkness fell over the park, one-third of The xx was preparing to hold court as the Sutro crowd swelled, moving their dancing feet to the new-school dance pioneer known as Jamie xx (born James Smith). Even as Jamie xx eased into his intro (The Animals’ “San Francisco Nights”) and more fans pushed in, it was rather evident that the Sutro’s sound system wasn’t able to fully reach the volume many were looking for. But an Above & Beyond nod (“Sun in Your Eyes”) eventually led straight into Smith’s mix of “On Hold” and all was right in the world, if only for about eight minutes.

There was a bit of controversy surrounding Saturday’s main slot as Florence + the Machine officially made the move to full-blown festival headliner. Some festivalgoers had their own doubts after FYF Fest 2018 was canceled with a near-identical top billing, but Florence and her bandmates proved, many times over, that she is more than capable of commanding any stage as her energy is unlike many others. She debuted a brand-new show, which featured “June” in the opening slot and was book-ended by “Big God” and “Shake It Out” for a two-song encore.

Outside Lands 2018 - Janelle Monáe


Janelle Monáe

Sunday

On the final day, the weather was back on track; by that, I mean it was cold, blustery and generally moist. Most were thankful for the two previous days as opposed to three days of “Karl the Fog,” as has been tradition for a good 3-4 years now.

The early afternoon of Sunday bore witness to some very lively performances from up-and-comers like Rainbow Kitten Surprise and Hobo Johnson & the Lovemakers, both of who are primed to make moves in the festival circuit over the next year if they play their cards right.

Continuing with the trend of electro-leaning acts playing to some big crowds, BØRNS fully commanded a youthful contingent with hits such as “10,000 Emerald Pools” and set closer “Electric Love”.

The incomparable Janelle Monáe was a tad late to take the stage, as she was fighting off a stomach bug, but when she did, she captivated the masses with a suite of tracks from her most recent release Dirty Computer and tossed in a fair amount of costume changes over a nearly hour-long set. Monáe proved that she’s easily one of the best in the business at the moment and will only continue to climb upwards.

Over at the Twin Peaks stage, The Internet was trying to hash out some sort of technical difficulties before beginning their abbreviated performance, which seemed to be a little lopsided and uneven as they did their best to deal with the 30 minutes that they had left. Fortunately, “Girl” got the majority who stuck around swaying to Syd’s sultry vocals and generally chilled demeanor.

Portugal. The Man held a fleeting rock slot on the main stage, putting their quirky brand of psych-leaning pop rock on display. Moreover, they tossed in some oddly placed Pink Floyd and Beatles covers before closing with their breakthrough hit “Feel It Still”.

Aussie newcomer Tash Sultana, meanwhile, was putting on a masterclass in instrumentation and looping. Sultana has really had one of the biggest breakout years in independent music, and it was clearly evident as she had a carefree stage presence backed by some truly unique, solo-delivered music ripe with psychedelic and world elements. The 23-year-old is certainly a name to watch over the next year and beyond.

As the last set of OSL artists got ready to play, James Blake brought us to church for this year’s final performance on the Sutro stage, failing to disappoint while the fog grew slightly thicker in Lindley Meadow. Highlights from Blake’s dreamy set were easily his take on Untold’s track “Stop What You’re Doing” and a semi-rare rendition of “Modern Soul”.

Some say Janet Jackson couldn’t pull in big crowds amid the current shifting landscape of large-scale music festivals, and although she didn’t pull in record-breaking numbers on a rugged SF night, it was clearly evident that those fans who stayed to watch her were all-in. Jackson’s career-spanning show touched on more than 35 songs and was accompanied by some fierce choreography and production elements. Sure, she wasn’t singing much of the time, but that didn’t stop a wide range of fans from showering Jackson with affection. Her closing performance was highlighted by “That’s the Way Love Goes” and later on, the MJ collaboration “Scream” that transitioned into “Rhythm Nation”.

As the music festival industry continues to deal with a shifting crowd and demand, Outside Lands regained its stride after a few hiccups in 2017. And while this year’s lineup might not have appealed to the core demographic from its incarnation, the event still offers something for everyone.