Lightning in a Bottle taps REZZ, SOFI TUKKER & ZHU as headliners for ‘transformational’ festival’s 20th anniversary in 2023

Lightning in a Bottle - 2023 lineup - Phase 1

Lightning in a Bottle //
Buena Vista Aquatic Recreation Area – Bakersfield, CA
May 24th-29th, 2023 //

Lightning in a Bottle, believe it or not, is turning 20 this year.

After 2022 marked its first installment in three years due to the COVID-19 pandemic with Glass Animals, Kaytranada and GRiZ headlining, the “transformational” festival is back at it this Memorial Day weekend and ready to enter a third decade.

Sitting atop the poster for The Do LaB’s signature event will be three electronic heavyweights in REZZ, SOFI TUKKER and ZHU following its Phase 1 lineup announcement, but the undercard has more than enough dance-forward music to keep you moving and grooving into the early-morning hours, too.

Below the top line, some of the artists standing out at the Lightning Stage in 2023 include Phantogram, Tobe Nwigwe, 070 Shake, Caribou, DRAMA, Sampa the Great, MINDCHATTER, Uncle Waffles, Beats Antique and Ozomatli with Chali 2na & Cut Chemist. The Thunder Stage, meanwhile, has its own crop of acts worth highlighting here in Liquid Stranger, LSDREAM, TOKiMONSTA (DJ set), The Glitch Mob, LTJ Bukem with Armanni, MEUTE, Deathpact, The Polish Ambassador and The Floozies, yet so does the Woogie Stage with sets by Tale of Us, Diplo, Purple Disco Machine, Ben Böhmer, Stephan Bodzin (Live), Blond:ish, LP Giobbi, Giorgia Angiuli and more. Peep the poster above for the rest of the roster.

LIB has long been considered to be one of the country’s premier boutique festivals and a great way to cure any Coachella blues just one month later. Though there aren’t a lot of names — besides DRAMA — crossing over from the famed two-weekend, three-day extravaganza in the desert this April, both of them have previously shared the same electronic-leaning talent from RÜFÜS DU SOL, SG Lewis and Bob Moses to Four Tet, Bonobo and Tycho. Still, for as much as the music has been the main draw for fans over the last 10 years, promoting the ideals of sustainability, social cohesion, personal health and creative expression through art, yoga, workshops and speakers continues to play an essential part of the experience and The Do LaB’s overall mission since the very beginning.

GA and VIP tickets to LIB 2023 can be purchased here for $439 and $775, respectively, plus fees as well as car camping and parking passes. Group campsites in addition to admission for RVs and kids ages 1-17 will also be available, so feel free to bring the whole family to Buena Vista Lake for a long weekend of fun!

Lightning in a Bottle 2023 - Grand Artique

UPDATE (February 28th): The lineup for the Grand Artique stage has now been announced featuring performances by Band of Gringos, Bootleg Sunshine and more. You can find the rest of the scheduled acts in the poster above.

Lightning in a Bottle 2023 - The Junkyard

UPDATE (March 2nd): Two days after telling us which artists will play the Grand Artique stage, the festival has shared the roster for The Junkyard with Ali Khalili, Armando Kroma and Beau Sebastian leading the way. See who else will be there in the poster above.

Lightning in a Bottle 2023 - Compass Music

UPDATE (March 7th): Feeling a little spiritual in 2023? LIB has revealed more of its Phase 2 lineup as LIGHTCODE by LSDREAM and Sunday Service with The Polish Ambassador lead the Compass Music stage with their ambient, chill vibes. Take a look at the poster above to familiarize yourself with the other artists on the bill.

Lightning in a Bottle 2023 - The Stacks

UPDATE (March 9th): Hey, bass heads! The fest has dropped more music (like it’s hot) by delivering its roster for The Stacks that boasts The Gaslamp Killer and so much more, including special guests. Peek at the poster above for the full list of performers.

Lightning in a Bottle 2023 - Wednesday & Thursday

Lightning in a Bottle 2023 - Friday

Lightning in a Bottle 2023 - Saturday

Lightning in a Bottle 2023 - Sunday

UPDATE (March 14th): With 10 weeks to go before LIB’s 20th anniversary, daily lineups have officially arrived. Scan the posters above for all of the acts taking the stage from Wednesday to Sunday.

Lightning in a Bottle 2023 - Wednesday & Thursday

Lightning in a Bottle 2023 - Friday

Lightning in a Bottle 2023 - Saturday

Lightning in a Bottle 2023 - Sunday

UPDATE (May 16th): LIB has released its set times as the 2023 edition quickly approaches, and while there are certainly some conflicts to work through, at least they’re giving you more than a week’s notice, right? Also, the music goes until 4 a.m. on Friday-Sunday so don’t forget to pace yourself if you’ll be at Buena Vista Aquatic Recreation Area next weekend. See more details above.

Lightning in a Bottle 2023 - map

UPDATE (May 19th): Heading to LIB next weekend? Make sure to check out the festival map above before you get there!

Lightning in a Bottle 2023 - High Noon Camp

Lightning in a Bottle 2023 - Sunrise Camp

Lightning in a Bottle 2023 - Sunset Camp

Lightning in a Bottle 2023 - Sunset Group Camp

UPDATE (May 22nd): More maps for all of your camping needs! If you’re going to LIB this weekend, take a closer look above at the four camping areas: High Noon Camp, Sunrise Camp, Sunset Group Camp or Sunset Camp. Also, those of you staying in an RV will be placed in the Sunrise Camp.

UPDATE (May 24th): Due to unforeseen circumstances, Berlin-based duo Tale of Us will not perform at LIB this weekend and will be replaced by British DJ Lee Burridge, who has been an LIB staple for years, on the Woogie Stage.

Dive back into our past coverage of LIB here.

Outside Lands enlists RÜFÜS DU SOL, Kaytranada, Dr. Dog, Blacklizt & more for 2021 night shows

Outside Lands 2021 night shows - lineup

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
October 29th-31st, 2021 //

As the calendar turns from summer to fall and the weather starts to cool, less than six weeks stand between us and Outside Lands’ official return to Golden Gate Park.

But after what will be an 808-day hiatus for the three-day music festival due to the COVID-19 pandemic, OSL is gearing up for its 13th edition with another run of night shows next month to keep the party going past 10 p.m.

This year’s late-night slate over Halloween weekend will boast 16 performances across eight different venues throughout the Bay Area and feature must-see acts such as RÜFÜS DU SOL, Kaytranada, Dr. Dog, Blacklizt (ZHU’s techno side project), Marc Rebillet, A R I Z O N A, Yves Tumor & Its Band, and a whole lot more.

Tickets for OSL’s 2021 night shows will go on sale to the public this Friday, September 24th at Noon PT with special presales for both 2020 Eager Beaver and 2021 ticket holders beginning this Thursday and Friday, respectively, at Noon PT.


Here is the schedule for the upcoming night shows with links to purchase tickets:

October 27th (WED): DRAMA with Brijean at Bimbo’s 365 Club, 8 p.m., $35, 18+ // BUY TICKETS

October 28th (THU): mxmtoon at The New Parish, 8 p.m., $30, All Ages // BUY TICKETS

October 28th (THU): Marc E. Bassy at The Independent, 8 p.m., $29.50, All Ages // BUY TICKETS

October 28th (THU): Bartees Strange at Rickshaw Stop, 8 p.m., $15, All Ages // BUY TICKETS

October 28th (THU): Nap Eyes with Boy Scouts, The Reds, Pinks and Purples, Advertisement at Balboa Theater, 8 p.m., $20, All Ages // BUY TICKETS

October 29th (FRI): Kaytranada at 1015 Folsom, 10 p.m., $40-50, 21+ // BUY TICKETS

October 29th (FRI): Dr. Dog with Tōth at The Warfield, 10 p.m., $39.50-69.50, All Ages // BUY TICKETS

October 29th (FRI): The Midnight with Jupiter Winter at The Independent, 10 p.m., $35, 21+ // BUY TICKETS

October 29th (FRI): Noga Erez with McKinley Dixon, DJ Aaron Axelsen at Rickshaw Stop, 10 p.m., $24, 18+ // BUY TICKETS

October 30th (SAT): RÜFÜS DU SOL at Fox Theater Oakland, 10 p.m., $99.50, 18+ // BUY TICKETS

October 30th (SAT): A R I Z O N A at The Independent, 10 p.m., $39.50, 21+ // BUY TICKETS

October 30th (SAT): Goth Babe at Rickshaw Stop, 10 p.m., $20, All Ages // BUY TICKETS

October 30th (SAT): The Hu with The Haunt at Bimbo’s 365 Club, 10 p.m., $35, 21+ // BUY TICKETS

October 31st (SUN): Blacklizt at The Independent, 10 p.m., $59.50, 21+ // BUY TICKETS

October 31st (SUN): Marc Rebillet with LP Giobbi (Live), Mary Droppinz, Izzy Wise at 1015 Folsom, 10 p.m., $35-45, 21+ // BUY TICKETS

October 31st (SUN): Yves Tumor and Its Band with ECCO2K at Bimbo’s 365 Club, 10 p.m., $27.50, 21+ // BUY TICKETS

*All OSL 2021 night shows will require proof of full COVID-19 vaccination (must be two weeks past your final dose) or a negative COVID-19 test within 48 hours from the time of entry into the venue. Masks will also be required for all patrons in attendance.

Outside Lands 2021 night shows

Coachella reveals 2019 set times

Coachella 2019

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 12th-14th & April 19th-21st, 2019 //

It’s officially Coachella week, and we all know what that means: scheduling conflicts galore.

The three-day, two-weekend music and arts festival has revealed the set times for its 20th edition just after 11 a.m. PT (11:04 a.m. to be exact), about 16 hours later than it did in 2018.

Coachellans often have some tough decisions to make as to which artists they should see, and 2019 is no different in that respect. But if you’re headed to the desert this month, take a look at the set times below so you can survive all three days at the Empire Polo Club.

Tell us, though … what’s your biggest conflict this year and which performance are you most excited for?

WEEKEND 1 SET TIMES

Coachella 2019 - Weekend 1 - Friday set times

Coachella 2019 - Weekend 1 - Saturday set times

Coachella 2019 - Weekend 1 - Sunday set times

Coachella 2019 - Weekend 1 - Do LaB Stage set times

WEEKEND 2 SET TIMES

Coachella 2019 - Weekend 2 - Friday set times

Coachella 2019 - Weekend 2 - Saturday set times

Coachella 2019 - Weekend 2 - Sunday set times

Coachella 2019 - Weekend 2 - Do LaB Stage set times

There are a few minor schedule tweaks for Weekend 2, as Big Game takes Friday’s opening slot on the Outdoor Theatre at 3 p.m. for Jimbo Jenkins, who has been moved to the Sahara Tent on Saturday at 12:25 p.m. More Saturday changes include More Fire Mondays replacing Gabe Real on the Coachella Stage at 1:50 p.m., CPTN KIRK taking Fundido’s spot in the Gobi Tent at 12:45 p.m. and Lealani kicking things off in the Mojave Tent rather than Yeti Out at 12 p.m. bright and early (and hot, most likely).

On Sunday, Ugly Primo will now be the first act — instead of Alf Alpha — to take the Coachella Stage at 2:15 p.m. while Subsuelo gets things started in the Mojave Tent at 1:40 p.m., replacing Ericalandia, and Cre-8 has been moved in place of R3LL in the Sahara Tent at 1:50 p.m.

UPDATE (April 18th): Christine and the Queens has canceled her Weekend 2 performance at the Outdoor Theatre, sadly due to her mother’s death. Héloïse Letissier announced the news on Twitter in her native tongue of French (see below).

MAP

A little more than four hours after releasing its Weekend 1 set times, Coachella unveiled this year’s map and it looks fairly similar to what we saw in 2018.

One of most notable differences is the relocation of the Gobi and Sonora Tents, which have traded places with the Indio Central Market and the Antarctica dome, the latter being one of the cooler (no pun intended) experiences that the festival has introduced in the past three years. The Heineken House, meanwhile, has also moved (next to Antarctica) and sits more tucked away from Coachella’s eight other stages than it ever used to be.

Coachella - 2019 map

The Mojave Tent will continue to remain in its same location, with a few new additions to the area, including the Calvin Klein, Pantene and Peet’s Cold Brew tents. Believe it or not, there’s even a designated place where you can pick up your Postmates order. Ah, corporate sponsors … because what would America’s most Instagrammed music festival be without them now?

Happy Coachella!

Coachella drops 2019 lineup with Childish Gambino, Tame Impala & Ariana Grande headlining 20th year

Coachella - 2019 lineup

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 12th-14th & April 19th-21st, 2019 //

Sorry, Kanye West fans.

Hours after TMZ reported that the rapper would not perform at Coachella due to negotiations over his stage setup falling through, the renowned three-day, two-weekend music festival has announced the lineup for its 20th edition.

Headlining Goldenvoice’s signature event in Indio this time around will be Childish Gambino, Tame Impala and Ariana Grande. While the first two acts had been previously rumored to top the 2019 bill with both expected to unveil new albums in the coming months, the inclusion of Grande comes as somewhat of a surprise (our guess is that she was likely tabbed to be West’s replacement). All three will headline Coachella for the first time, marking the second straight year that the festival has gone in that direction, although Tame Impala have performed on the polo fields several times in the past and as recently as 2015 (on the main stage before AC/DC). And for the record, Grande, at 25 years old, will be the youngest artist ever to headline.

The rest of Coachella’s 2019 roster, meanwhile, includes plenty of other household names, such as Janelle Monáe, Solange, Khalid, The 1975, Kid Cudi, Weezer, Bad Bunny, RÜFÜS DU SOL, J Balvin, Dillon Francis, BLACKPINK, Billie Eilish, CHVRCHES, Anderson .Paak & the Free Nationals, YG, Kacey Musgraves, Juice WRLD, Christine and the Queens, Playboi Carti, Ella Mai, Wiz Khalifa and H.E.R. As you can see, the focus continues to be on hip-hop, pop and R&B while straying away mostly from rock. But unlike in 2018, there seems to be more electronic music once again with Zedd, DJ Snake, Gesaffelstein, Diplo, Aphex Twin, Dillon Francis, Kaytranada, Bassnectar, Four Tet, Cirez D (aka Eric Prydz), Chris Lake, Bob Moses, Gryffin, Jon Hopkins, NGHTMRE, Gorgon City, Nina Kraviz and even 90’s progressive-house duo Deep Dish receiving fairly high placement on the fest’s famed poster.

Coachella’s first weekend is scheduled for April 12th-14th, with its second weekend slated for April 19th-21st. All tickets will go on sale for both weekends this Friday, January 4th at 11 a.m. PT here.

Ready to party in the California desert this April? Relive our five favorite moments, whether it was Jamiroquai or Eminem, from last year’s installment.

Coachella 2018

Our favorite performances from 2018

Best live shows of 2018 - Foo Fighters, NxWorries, Pusha T & Courtney Barnett

Holy smokes, 2018 … you were a blur. Maybe it’s just us, but this year really did fly right by.

Before we officially say hello to 2019 though, it’s time for us to revisit the past 12 months at Showbams. Every year we have the great privilege of witnessing some amazing moments in live music, and this year was no different. While we can’t touch upon every performance we covered in looking back at the year that was, we still managed to see a wide variety of talent over the course of 2018.

Whittling down our list is never easy. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order), all of whom we either covered at their own show and/or at a music festival this year:

Aaron Neville, A.CHAL, Alanis Morissette, Alina Baraz, Allen Stone, Amen Dunes, Aminé, A Perfect Circle, Ari Lennox, A$AP Rocky, Aquilo, BADBADNOTGOOD, The Bangles, Belle & Sebastian, The Beta Machine, Billie Eilish, BØRNS, Carly Rae Jepsen, Cashmere Cat, Childish Major, Chromeo, CHVRCHES, Cigarettes After Sex, Cloud Nothings, Cuco, Cut Snake, CyHi the Prynce, Daniel Caesar, Deap Vally, Destroyer, Diet Cig, Drab Majesty, DRAM, The Dustbowl Revival, Erykah Badu, Fantastic Negrito, Future, Garbage, George Fitzgerald, Gomez, Gov’t Mule, Great Grandpa, Griz, The Growlers, Gucci Mane, HAERTS, H.E.R., Hot Flash Heat Wave, Ibeyi, Iggy Pop, Irma Thomas, Isaiah Rashad, Jaira Burns, Jamie xx, Jeff Goldblum and the Mildred Snitzer Orchestra, Jhené Aiko, John Maus, Josh Ritter & The Royal City Band, Joywave, JPEGMAFIA, Jungle, Kailee Morgue, Kaitlyn Aurelia Smith, Kamasi Washington, Kauf, Kelela, Kikagaku Moyo, Kings of Leon, Kopps, Laff Trax, Lion Babe, Lizzo, Lophile, Lord Huron, Los Lobos, Lucy Dacus, Margo Price, Miguel, Mija, Milk Carton Kids, ModPods, Moses Sumney, The Mother Hips, Mura Masa, Neil Young, N.E.R.D, North Mississippi Allstars, ODESZA, Pale Waves, Paula Frazer and Tarnation, Phantogram, Pharoah Sanders, Pixies, Polo & Pan, POND, Portugal. The Man, The Pretenders, Quicksand, Ravyn Lenae, Rivers Cuomo, The Revolution, Robert Plant, Rory Phillips, RÜFÜS DU SOL, Sabrina Claudio, Salt-N-Pepa, Santigold, Sasha Sloan, Seu Jorge, Shakey Graves, Shame, Shana Falana, Sharon Van Etten, Silk City, Sleigh Bells, Snoh Aalegra, Soccer Mommy, The Specials, The Spook School, Stephen Malkmus & the Jicks, Tame Impala, Tenacious D, Third Eye Blind, Tinashe, together PANGEA, TV on the Radio, Tycho, Typhoon, Uniform, Wafia, Waxahatchee, The Weeknd, Wet, William Tyler, Will Varley, Yen Yen, Zedd

Now, it’s time for The Bam Team to present our favorite performances from 2018.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2018

Listen to The Bam Team’s favorite songs of 2018:


Best of 2018 - Cut Copy

Cut Copy

Date: March 3rd
Location: Exposition Park – Los Angeles

For those in LA who missed Cut Copy 10 months ago when they visited the Shrine Expo Hall with De Lux, Palmbomen II and Cooper Saver also on the bill, their headlining performance last Friday at The Wiltern was another chance to dance the night away upon hearing several classics such as “Need You Now”, “Free Your Mind”, “Future”, “Hearts on Fire” and to close, “Lights & Music”. In fact, the last time that we caught them back in March, a mini downpour erupted at Shaun White’s Air + Style (read our festival review here), but it didn’t phase them. Who said playing — and dancing — in the rain isn’t fun anyway? -Josh Herwitt, photo courtesy of Air + Style


Best of 2018 - Washed Out

Washed Out

Date: March 4th
Location: Exposition Park – Los Angeles

In what was easily the most visually stimulating (and pleasing) show we witnessed at Expo Park, Ernest Greene, who performs under the moniker Washed Out, entranced a completely packed crowd at the smaller Summer Stage with a slew of trippy visuals and his chilled-out tunes. We had been wanting to see Washed Out in SoCal for several months now, ever since Greene released the project’s third LP Mister Mellow last year, and after missing his gig with Nick Murphy at the Shrine Expo Hall in October, we were glad to finally hear him play “Hard to Say Goodbye” (one of our favorite songs of 2017) and “Feel It All Around” live as any loyal “Portlandia” fan would be. With Toro y Moi venturing away from the chillwave movement he helped pioneer, it’s up to Greene to lead the charge, and so far, he has done one hell of a job. -Josh Herwitt, photo courtesy of Air + Style


Best of 2018 - Phoenix

Phoenix

Date: March 4th
Location: Exposition Park – Los Angeles

After what we thought was an underwhelming way to wrap up Day 1, Air + Style closed with a bang thanks to Phoenix’s energizing, 16-song set. The French indie-pop outfit have headlined Coachella before, and it was more than worthy of that billing for this occasion. Kicking things off with the opening track “J-Boy” from their sixth studio album Ti Amo that dropped back in June, Thomas Mars and company gave us exactly what we wanted to hear: a hit-ladden show featuring singles like “Lisztomania”, “Trying to Be Cool”, “Too Young” and “1901”. No, there wasn’t a Daft Punk or R. Kelly appearance — not that we expected one — but Phoenix put an exclamation point on an otherwise successful weekend. We may not have known the quartet could rock that hard after the last time we saw them, but we definitely do now. -Josh Herwitt, photo courtesy of Air + Style


Best of 2018 - Moby

Moby

Date: March 26th
Location: Apogee Studio – Santa Monica, CA

His guitar playing, meanwhile, may be just as impressive, if not surprising to some. Less than two weeks before Moby stepped into Bob Clearmountain’s diminutive recording studio, I was fortunate enough to catch him the final of his three shows at The Echo, and it was there as he performed a variety of songs from Everything Was Beautiful, and Nothing Hurt, Play and a few other albums, that I fully realized just how talented he is with a black Gibson SG in his hands. He may be an electronic musician, but unlike a lot of them today, Moby is a musician in every sense of the word. While his vocals at times sound more like spoken word than actual singing, he has found more than capable sidekicks in Julie Mintz (keyboards, vocals) and Mindy Jones (vocals) to assist him in that department. Jones’ ranging voice, in particular, is one that suits his music well, and when you hear her sing, her pipes elevate the song to a whole new level. -Josh Herwitt, photo by Brian Feinzimer


Best of 2018 - The War on Drugs

The War on Drugs

Date: April 13th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Weeks before The War on Drugs released their fourth LP A Deeper Understanding last year, we were fortunate enough to hear Adam Granduciel and company perform a handful of cuts from the new album in an intimate setting for KCRW. It was then and there that we knew the follow-up to 2014’s Lost in a Dream was another masterpiece, and that impression was only validated when A Deeper Understanding won the Grammy for “Best Rock Album” just a few months ago. On Day 1 of Coachella, the Philadelphia band brought some of those same songs we witnessed at Apogee Studio to life, though sadly, this time “Holding On” wasn’t part of the setlist. But we did get to experience “An Ocean in Between the Waves” in all of its glory, and we still have yet to come across another piece of music in more recent years that will make you want to play air guitar as much as the seven-minute track from Lost in a Dream does. Who said rock was dead? -Josh Herwitt, photo courtesy of Goldenvoice


Best of 2018 - Jamiroquai

Jamiroquai

Date: April 13th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Thirteen years. That’s how long it has been since Jamiroquai last performed in the U.S. With that in mind, there was no way we were going to miss Jay Kay and the rest of his sidekicks in favor of The Weeknd’s headlining performance (sorry, Abel), and after what ended up being close to a 90-minute set from the London nu-funk/acid jazz group, we had no regrets about our decision. The only regret we have is that they ran out of time and didn’t get to play their smash hit “Virtual Insanity” in its entirety, and you could tell Jay Kay felt bad about it as he jumped down from the stage to greet some overjoyed fans after wrapping the show up with “Love Foolosophy” from 2001’s A Funk Odyssey. But while Weekend 2 attendees got the full version of the Travelling Without Moving single, we were treated to a massive surprise when Snoop Dogg came out to rap on “Dr. Buzz” with a huge blunt in his hand. It was the kind of collaboration you never expect to see, except at Coachella of all places. -Josh Herwitt, photo courtesy of Coachella


Best of 2018 - Eminem

Eminem

Date: April 15th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

While we can’t say that we were completely thrilled with Goldenvoice’s choices for this year’s headliners, we were excited to see Eminem finally play Coachella (he had never performed in an official capacity before) and close out the festival on Sunday night. Sure, his newest album Revival didn’t exactly receive rave reviews from critics when it dropped at the end of 2017, but watching one of hip-hop’s most talented emcees run through his hits all while bringing out 50 Cent and Dr. Dre was undoubtedly THE highlight from Day 3. For this “stan,” just crossing Em off my concert bucket list would have been enough to send me home with a smile. Fortunately for those of us who were there though, the real Slim Shady lived up to the hype and more. -Josh Herwitt, photo courtesy of Coachella


Best of 2018 - Big K.R.I.T.

Big K.R.I.T.

Date: April 19th
Location: Echoplex – Los Angeles

At Echoplex, we were treated to the “rapper” and the man himself as bass-heavy party starters like the title-track opener and “Confetti” from 4eva Is a Mighty Long Time got everyone hyped, while Atlanta’s T.I. came out to perform his verse on “Big Bank”. After singling out one excited fan, who was wearing a shirt with a giant picture of his face, during the easygoing “1999” and paying homage to Southern rap pioneers UGK, Big K.R.I.T. took the latter half of his hour-long set to connect with the crowd. -Joseph Gray, photo by Joseph Gray


Best of 2018 - Soulwax

Soulwax

Date: April 19th
Location: The Fonda Theatre – Los Angeles

While Soulwax’s recorded music has always been perfectly enjoyable, in person it becomes something else entirely. Their new, three-drummer lineup was the ideal format to hear new tracks like “Is It Always Binary” while giving older tracks such as “KracK” a newly textured and complex sound. Sitting stage right, drummer Victoria Smith, for one, offered the group some serious personality thanks to her animated facial expressions. -Zach Bourque, photo by Zach Bourque


Best of 2018 - NxWorries

NxWorries

Date: June 16th
Location: The Queen Mary – Long Beach, CA

I fall somewhere in the middle between those two age groups, so it was fitting that the uber-talented rapper/singer/drummer Anderson .Paak had just walked onto the “Free Your Mind” main stage when I showed up. .Paak, 32, wore a smile as expressive as his music, packaged with a bright nautical-themed ensemble. He effortlessly impressed with standouts “Suede”, “Another Time” and “What More Can I Say” off Yes Lawd!, his 2016 LP with Los Angeles hip-hop producer Knxwledge as part of their collaborative project NxWorries (pronounced “No Worries”). The duo’s set would eventually culminate in a playful dance-off between women, which fans showed their appreciation for before .Paak and Knxwledge said their goodbyes. -Joseph Gray, photo by Joseph Gray


Best of 2018 - The Roots

The Roots

Date: June 16th
Location: The Queen Mary – Long Beach, CA

However, anticipation for The Roots kept me at the main stage. It proved to be a wise decision, as their nearly hour-long performance reminded me why the Grammy-winning band is still so revered after more than three decades. Black Thought got the crowd riled up with a 10-minute barrage of lyrical proficiency that so many have come to know as his “Hot 97 Freestyle” after it hit the internet in December and quickly went viral, while his bandmates exuberantly jumped with sousaphones and guitars during “You Got Me” and a number of other hits. But providing a jolt like he only can, the one and only Busta Rhymes showed up for a quick-but-memorable performance of “Put Your Hands Where My Eyes Can See” and “Pass the Courvoisier, Part II”. -Joseph Gray, photo by Joseph Gray


Best of 2018 - Melvins

Melvins

Date: July 16th
Location: Great American Music Hall – San Francisco

I’m far from an expert on this kind of thing (because I’m not), but I didn’t expect to see the Melvins perform with the amount of energy that they showcased. For a band that has been touring and putting out new material for the past 35 years, they performed as if everything depended on it. You weren’t going to catch “King Buzzo” standing in one place for too long, with his signature fro whipping in the wind from the fans that were on the stage, McDonald and Pinkus holding it down on their own instruments, and Crover beating the living hell out of his drums. Fans were ready to receive the band and responded to the various sonic blasts coming from the amplifiers. During the thrashy songs, they formed a brutal pit, and during the sludgier songs, they lit up joints and bobbed their heads to the music. -Andrew Pohl, photo by Mike Rosati


Best of 2018 - Glassjaw

Glassjaw

Date: July 20th
Location: Observatory OC – Santa Ana, CA

Glassjaw’s show covered their entire discography, and very few fan favorites were left off the setlist. While it was to be expected that newer tunes like “Shira” and “New White Extremity” would rock, it was staggering how well their older songs held up in a live setting. Palumbo’s voice, though slightly less manic than it once was, is still unmatched in its vocal range and shear intensity. -Zach Bourque, photo by Zach Bourque


Best of 2018 - Weezer

Weezer

Date: August 8th
Location: The Forum – Inglewood, CA

That’s not to say that Cuomo isn’t a talented musician. In fact, quite the opposite is true. The Harvard grad shreds without question, something I never really realized until he uncorked a number of guitar solos, whether it was during “Buddy Holly” to open Weezer’s performance or “Say It Ain’t So” (with a snippet of Black Sabbath’s “Paranoid”) to put a bow on the show. And while there aren’t many lead singers who can do both, Cuomo certainly remains among some elite company, with Jack White, Trey Anastasio (Phish), Jim James (My Morning Jacket) and Josh Homme (Queens of the Stone Age) also immediately coming to mind. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Florence + the Machine

Florence + the Machine

Date: August 11th
Location: Golden Gate Park – San Francisco

There was a bit of controversy surrounding Saturday’s main slot as Florence + the Machine officially made the move to full-blown festival headliner. Some festivalgoers had their own doubts after FYF Fest 2018 was canceled with a near-identical top billing, but Florence and her bandmates proved, many times over, that she is more than capable of commanding any stage as her energy is unlike many others. She debuted a brand-new show, which featured “June” in the opening slot and was book-ended by “Big God” and “Shake It Out” for a two-song encore. -Kevin Quandt, photo by Norm de Veyra


Best of 2018 - Janelle Monáe

Janelle Monáe

Date: August 12th
Location: Golden Gate Park – San Francisco

The incomparable Janelle Monáe was a tad late to take the stage, as she was fighting off a stomach bug, but when she did, she captivated the masses with a suite of tracks from her most recent release Dirty Computer and tossed in a fair amount of costume changes over a nearly hour-long set. Monáe proved that she’s easily one of the best in the business at the moment and will only continue to climb upwards. -Kevin Quandt, photo by Norm de Veyra


Best of 2018 - Deafheaven

Deafheaven

Date: August 18th
Location: The Wiltern – Los Angeles

Fortunately, Deafheaven haven’t bowed to convention or criticism. Their fourth studio album Ordinary Corrupt Human Love, which ANTI‐ released last month, is their arguably their most experimental to date, spanning more than an hour over seven songs. There’s a sense of angst and nostalgia in the music that leans far more positive and hopeful than their previous work. There are still echoes of black metal at times, but you can feel this is a band that’s embracing its differences instead of defending them. -Zach Bourque, photo by Zach Bourque


Best of 2018 - Jack White

Jack White

Date: August 19th
Location: Santa Barbara Bowl – Santa Barbara, CA

Yet, for as eclectic and wide-ranging as White’s output has been over two decades, it’s the unpredictable nature of his live shows that makes them so intriguing to see. This time, we were treated to a rare cover of The Stooges’ “T.V. Eye” from their 1970 album Fun House, as well as a number of fan favorites, from set closer “Ball and Biscuit” to an eight-song encore that featured “Icky Thump” (with some amusing “Icky Trump” messaging), “Steady, as She Goes” (with a snippet of Richard Berry’s 1955 song “Louie Louie”), and of course, what has easily become the biggest stadium anthem in the world, “Seven Nation Army”. And though the show didn’t conclude without a few hiccups during some of White’s improvised playing between songs, he hasn’t lost his unique ability to surprise an audience — whether it means bringing out his mother in Detroit to perform “Hotel Yorba” with him or covering Pearl Jam’s “Daughter” in Seattle — at any given moment, especially when we all aren’t staring down at our phones. -Josh Herwitt, photo courtesy of Jack White


Best of 2018 - David Byrne

David Byrne

Date: August 22nd
Location: Bill Graham Civic Auditorium – San Francisco

As the show progressed into his songs “Here” and “Lazy”, Byrne’s band joined him onstage. The light changed and filled in the stage, giving the audience a happier tone and providing a seamless transition into a Talking Heads interlude. Then, later on during “Blind”, one of the more stunning visual elements was made possible by a simple lamp that was placed in front of the band, casting whirling shadows on the strands of beads hanging behind them. -Tim O’Shea, photo by Tim O’Shea


Best of 2018 - The National

The National

Date: September 20th
Location: Hollywood Palladium – Los Angeles

Right before that final aforementioned single, they brought out Phoebe Bridgers to help them perform “Sorrow” from 2010’s High Violet, as Berninger and the 24-year-old singer-songwriter, who said during her brief opening set that The National were her favorite band, traded vocals on the tune they once played 105 times in a row, with the performance at an art installation in New York lasting all of six hours. We weren’t quite as fortunate to get that kind of show in LA, as The National opted for one of their more traditional, two-hour events. But whether you’ve been a fan from the start or one like myself who arrived rather late to the party, The National continue to make some of the most compelling music in rock, expanding their fan base with each and every album they release. That’s the sign of any good band these days, and though there’s only a handful of others that could even say the same right now, The National should take comfort in knowing they’re one of those select few. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Grizzly Bear

Grizzly Bear

Date: September 23rd
Location: Hollywood Bowl – Los Angeles

Similarly, the gig also marked one of Grizzly Bear’s last performances in support of their fifth LP Painted Ruins, which they released last year on RCA Records, and having already played a two-night run at The Wiltern back in December, this was more of a victory lap than a coming-out party. Unfortunately for us, the five-piece had to cut things short due to the venue’s strict Sunday night curfew, ending on a rather sudden note. That’s just part of the deal at the Bowl, though. For those of us who have to work on Monday morning, it’s actually more of a blessing in disguise than a disservice to the overall concert experience as we’ve come to realize. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Courtney Barnett

Courtney Barnett

Date: October 5th
Location: Greek Theatre – Los Angeles

When she wasn’t sharing the spotlight with Waxahatchee, Barnett was sharing it equally with the rest of her stellar backing band, but it was mostly just difficult to take your eyes off of her. Everything she does feels casual, from her outfit to her guitar playing, slinging her instrument around like it was an extension of herself. Even her delivery of the wrenching reality that the 30-year-old Australian singer-songwriter articulates so well is casual, singing like the end of the world isn’t a mere 22 years away. -Rochelle Shipman, photo by Rochelle Shipman


Best of 2018 - Greta Van Fleet

Greta Van Fleet

Date: October 6th
Location: Glen Helen Regional Park & Festival Grounds – San Bernardino, CA

By the time we got through security and stepped inside the gates, Manchester Orchestra had just finished their 45-minute set on the main stage, which essentially was the 65,000-person Glen Helen Amphitheater that was constructed back in 1982 for the first US Festival. Next up was Greta Van Fleet, and boy, do these kids know how to rock. Zeppelin clearly runs deep in these four Michiganders’ veins, as they showcased songs off their forthcoming debut album Anthem of the Peaceful Army with frontman Josh Kiszka commanding the stage and offering his best Robert Plant impression. He even dresses the part, sporting some tight, white jeans with a water-colored blouse and necklace of feathers while his brothers Jake and Sam wore vests or shirts that looked like what you would find at a vintage clothing store. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Foo Fighters

Foo Fighters

Date: October 6th
Location: Glen Helen Regional Park & Festival Grounds – San Bernardino, CA

As the Foos left the stage for their encore break, we waited patiently for them to return. The crowd, by now, had been taken for a two-hour ride with Grohl firmly at the wheel, pumping adrenaline into our veins with every minute that passed as the Foo Fighters know how to do so well during their usual two-and-a-half-hour jaunts. The video screens on each side of the stage were black until suddenly some backstage footage appeared showing Grohl with Krist Novoselic and what looked like Joan Jett. All of that would end up coming true in the last 30 minutes of Cal Jam 18, but it was a six-song encore with Grohl on drums, Novoselic on bass, the Foo Fighters’ Pat Smear on guitar and Deer Tick frontman John McAuley on both vocals and guitar as Kurt Cobain’s fill-in who got us hyped. Nirvana fans have waited 25 years for a reunion since Cobain’s sudden passing, and when you put it in perspective, it will probably go down as one of the year’s biggest surprises, even at a time in music when many industry experts say that rock now stands in the shadows of hip-hop and EDM. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Pusha T

Pusha T

Date: October 13th
Location: Middle Harbor Shoreline Park – Oakland

But U.S. Girls were the highlight of the weekend for us. A nine-piece experimental pop act, they put on a stunning 45-minute set that culminated in an entrancing rendition of “Time”, the closing track on their critically acclaimed studio effort In a Poem Unlimited, that lasted more than 10 minutes. The energy, instrumentation and vocal capabilities were absolutely stunning. Easily one of this year’s most exciting new acts, and we can’t wait to catch them again soon. -Brett Ruffenach, photo by Brendan Mansfield


Best of 2018 - U.S. Girls

U.S. Girls

Date: October 14th
Location: Middle Harbor Shoreline Park – Oakland

But U.S. Girls were the highlight of the weekend for us. A nine-piece experimental pop act, they put on a stunning 45-minute set that culminated in an entrancing rendition of “Time”, the closing track on their critically acclaimed studio effort In a Poem Unlimited, that lasted more than 10 minutes. The energy, instrumentation and vocal capabilities were absolutely stunning. Easily one of this year’s most exciting new acts, and we can’t wait to catch them again soon. -Brett Ruffenach, photo by Josh Withers


Best of 2018 - Daniel Caesar

Showbams_Sticker_Rectangle2

RÜFÜS DU SOL are on top of the music world after selling out three straight shows at Shrine Expo Hall

RÜFÜS DU SOLBy Lindsay Alamillo //

RÜFÜS DU SOL //
Shrine Expo Hall – Los Angeles
November 1st, 2018 //

RÜFÜS DU SOL came through LA a week ago for three sold-out nights at the Shrine Expo Hall. We have caught the Australian alt-dance trio before in both LA (read our review here) and San Francisco (read our review here) while on tour in support of their 2016 LP Bloom, and fresh off the release of their third album Solace last month, they came out in full force and opened with “Eyes” from their newest studio effort.

From there, it was a lovely wave of old and new with a surprising cover of Portishead’s “Glory Box” thrown right in the middle. RÜFÜS played all the favorites, from “Treat You Better” and “You Were Right” to “Underwater” and “Innerbloom” before breaking for a two-song encore. We couldn’t help but dance during the show as everyone who packed the room seemed to be in great spirits throughout the night.

Setlist:
Eyes
Like an Animal
New Sky
Brighter
Sundream
Treat You Better
Glory Box (Portishead cover)
Say a Prayer for Me
Solace
All I’ve Got
You Were Right
Underwater
Innerbloom

Encore:
Lost in My Mind
No Place

Lightning in a Bottle drops 2017 lineup with Bassnectar, Bonobo, RÜFÜS DU SOL & Kaytranada booked to headline

Lightning in a Bottle 2017 lineup

Lightning in a Bottle //
San Antonio Recreation Area – Bradley, CA
May 24th-29th, 2017 //

Lightning in a Bottle regularly serves as the perfect hangover cure for those suffering from a bad case of post-Coachella blues, and once again, the famed boutique festival has delivered another strong lineup for its 14th year this Memorial Day weekend.

Headlining The Do LaB’s signature event will be Bassnectar, who last performed at LIB in 2012, along with Bonobo, RÜFÜS DU SOL and Kaytranada. Other notable acts include Bob Moses, Jhené Aiko, Bomba Estéreo, Big Wild, Weval, NoMBe, Thao & The Get Down Stay Down, Richie Hawtin, Paper Diamond, Machinedrum and The California Honeydrops.

It’s also worth mentioning that Lucent Dossier Experience and William Close & The Earth Harp Collective, which both have become LIB mainstays over the past few years, will not be performing for the first time in a while. Check out the poster above for the rest of the lineup.

Weekend passes to LIB can be purchased here for $280 starting this Tuesday, January 24th at 10 a.m. And with the “transformational festival” reaching capacity in 2015 and 2016, we won’t be surprised if the 2017 edition yields the same result. As usual, The Do LaB will also offer its unique collection of art, yoga, workshops and speakers in a continuing effort to promote the ideals of sustainability, social cohesion, personal health and creative expression.

Excited for LIB now? Make sure to revisit our best and worst from last year’s fest.

The 25 best live music acts of 2016

Best live music acts of 2016

As we officially place 2016 in the history books, it’s time to look back at all the live music we experienced this year. Last year we shared our 25 favorite live performers of 2015, so this year we thought we would do it again while excluding any artists we named in 2015. After all, who really wants to see the same acts listed two years in a row? That said, now that we’re two years removed, our 25 favorite live performers of 2014 were once again fair game.

After covering many excellent bands, musicians and DJs over the past 12 months, trimming our list down to 25 wasn’t easy and as usual, some difficult decisions had to be made. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order) whom we either covered at their own show and/or at a music festival this year:

Adrian Younge, Air, Alessia Cara, Alina Baraz, AlunaGeorge, Alvvays, The Arcs, A$AP Ferg, Atlas Genius, Aubrie Sellers, The Avett Brothers, Bag Raiders, Baio, Banks & Steelz, Bas, Battles, Beats Antique, Beach House, Best Coast, Big Freedia, Big Gigantic, Big Grams, Big Wild, Bloc Party, Bob Mould, The Boxer Rebellion, Brand New, Brett Dennen, The California Honeydrops, Capital Cities, Cate Le Bon, Chairlift, Chelsea Wolfe, !!! (Chk Chk Chk), Chris Robinson Brotherhood, Chuck Mosley, Chromeo, Claude VonStroke, The Claypool Lennon Delirium, Cold War Kids, The Crux, Dan Deacon, Danny Brown, Deftones, The Devil Makes Three, Dirtwire, Disclosure, DMA’s, DMX, Drew Holcomb and The Neighbors, Duran Duran, Every Time I Die, Emancipator Ensemble, Ezra Furman, Faith No More, The Faint, Fantastic Negrito, Femi Kuti, Florence + the Machine, Flume, Fruition, The Gaslamp Killer, Geographer, Glass Animals, Gorgon City, Grimes, Halsey, The Head and the Heart, Heartwatch, The Heavy, Highly Suspect, Hippie Sabotage, Holy Fuck, How to Dress Well, Hudson Mohawke, Hundred Waters, IAMX, Ibeyi, Ice Cube, Iggy Pop, The Infamous Stringdusters, Jack Beats, Jack Garratt, Jack Ü, James Bay, Jamie xx, J. Cole, Jimmie Vaughn, Jhené Aiko, The Joy Formidable, Joywave, Julia Holter, Julien Baker, Kaki King, Kamaiyah, Kamasi Washington, Kehlani, K.Flay, The Kills, Kurt Vile, Lafa Taylor, Lana Del Rey, Låpsley, Les Sins, Lettuce, Lionel Richie, Lord Huron, Little Scream, Lucius, M83, Major Lazer, Marian Hill, Mayer Hawthorne, MC YOGI, Methyl Ethel, Metric, Miami Horror, Mick Jenkins, Midi Matilda, Miguel Migs, Modest Mouse, Moon Taxi, M. Ward, Nahko & Medicine for the People, The Naked and Famous, Nas, Nathaniel Rateliff & The Night Sweats, Neon Indian, Nick Murphy (fka Chet Faker), Nite Jewel, Panic! at the Disco, Parliament-Funkadelic, Peaches, Petite Noir, The Pharcyde, The Polish Ambassador, Porches, Prince Rama, Purity Ring, Pusha T, Radiohead, Ra Ra Riot, The Regrettes, The Revivalists, RJD2, Rodrigo y Gabriela, Rogue Wave, Rubblebucket, Run the Jewels, The Russ Liquid Test, Ryan Adams, The Sam Chase & The Untraditional, Saosin, Sarah Neufeld, The Seshen, Shabazz Palaces, Shlohmo, Silversun Pickups, Snakehips, Solange, Son Little, St. Lucia, Stormzy, The Struts, STS9, Sturgill Simpson, Sufjan Stevens, Summer Cannibals, Sunflower Bean, Sigur Rós, St. Germain, Sylvan Esso, Tacocat, Taking Back Sunday, Tedeschi Trucks Band, Thao & the Get Down Stay Down, This Will Destroy You, Thomas Jack, Thundercat, Toro y Moi, Tortoise, Tory Lanez, Tourist, The Trims, Troye Sivan, Umphrey’s McGee, Viceroy, Vince Staples, Vokab Company, Walk the Moon, Warpaint, Wavves, Weezer, Wheeler Walker Jr., White Denim, Wild Belle, Wild Nothing, Years & Years, Yeasayer, YG, Young Fathers, Yuck, ZHU, Ziggy Marley.

Now, it’s time for The Bam Team to present our 25 favorite live performers of 2016.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2016

Listen to The Bam Team’s favorite songs of 2016:


Best Live Music Acts of 2015 #25 - Tycho

25. Tycho

For as much as Epoch was a surprise, so were Tycho’s two most recent shows in LA last week. It was the first time Hansen and company had played The Fonda Theatre since the Awake tour back in 2014, and Thursday’s sellout, which was announced less than a week before the show, along with the subsequent need to add a second date the next night, made it clear that more than ever, Angelinos have a strong appetite for what Hansen is doing on both a musical and visual level. It helps, too, that KCRW Music Director Jason Bentley, who opened the shows at The Fonda with a DJ set, has helped expose Tycho to a broader audience, whether through the “Morning Becomes Eclectic” theme song or live, in-studio performances by the band. Even nowadays with an abundance of streaming sites, you can’t underestimate the power of radio in a city with a driving culture as large as LA’s. And truth be told, Tycho is some of the best music to drive to, especially when you’re surrounded by nature. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #24 - Isaiah Rashad

24. Isaiah Rashad

And when it did, Rashad torpedoed onto stage and turned the restlessness in the room on its head with “Smile”, the apropos homecoming banger he released after years of uncertainty that followed his 2014 EP Cilvia Demo. It was fitting because prior to his reemergence, which was sparked by the song, Rashad admitted to being addicted to Xanax and alcohol, and it almost led to him being dropped from his West Coast record label on several occasions. From his issues with substance abuse to the tears he shed while listening to Kid Cudi’s music and his open-book thoughts on the humanizing of mental-health issues, Rashad’s journey from being the contemplative unknown in superstar Kendrick Lamar’s crew to a complete artist deserving of your attention has been steeped in honesty. -Joseph Gray, photo by Joseph Gray


Best Live Music Acts of 2015 #23 - Bob Moses

23. Bob Moses

Needless to say, worn-out axioms failed to apply in this scenario. Bob Moses silenced anyone attempting to pass them off as yet another contrived electropop outfit aiming to please the masses. At Mezzanine, both Howie and Vallance proved their prowess as EDM innovators, bringing more to the stage than a couple of laptops and a pretty light show. Surprising those unfamiliar with their work or expecting to be underwhelmed, Bob Moses have elevated the live electronic game for their respective contemporaries and succeeded in defining a new chapter for the genre — an innovative sound standard that’s all their own. -Molly Kish, photo by Lisette Worster


Best Live Music Acts of 2015 #22 - Floating Points

22. Floating Points

The band continued building on its rhythms and melodies, creating a hypnotic feeling that was filled with textured synthesizers, guitar pedals and consummate percussion, as laser patterns reflected each rise and fall during its lengthy jam sessions. As Sheppard and his sidekicks progressed through each track, the complexity of the laser projections grew into optical illusions that, almost like another musical instrument onstage, intertwined with the style and progression of the band’s production perfectly. With each song reaching a climax and eventual denouement, the artwork remained untouched for a few minutes so that fans could observe each piece before their very own eyes. -Brett Ruffenach, photo by Alister Mori


Best Live Music Acts of 2015 #21 - Ty Segall

21. Ty Segall

But Segall is no doubt a showman himself, and you’d be hard-pressed to find someone who expends as much energy onstage as he does in merely 90 minutes. His passion simply rubs off on his fans, who wasted little time climbing onstage and taking the plunge into a sea of hands for a couple of minutes. Segall, of course, also got in on the action at one point, as his shows are often known to feature crowd surfing from both band and audience members, and he made sure to take the mic stand with him while he horizontally slithered across the room. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #20 - Dr. Teeth and The Electric Mayhem

20. Dr. Teeth and The Electric Mayhem

One of the biggest questions on everyone’s mind coming into Outside Lands was, “Who were Dr. Teeth and The Electric Mayhem?” For those who knew, it was, “How in the hell were the Muppets going to fill a Sunday slot on the main stage?” Because the band had never played a show of such magnitude or outside the context of a TV/film studio, no one had any clue what to expect during this early-afternoon slot. Though some festivalgoers (mistakenly) decided to forego the experience altogether, those present will not forget the incredible feat that Another Planet Entertainment and Jim Henson Enterprises were able to pull off for what was one of the most emotionally nostalgic, blissfully complex and once-in-a-lifetime festival performances maybe ever. The Muppet house band both effortlessly managed to pluck the heartstrings of multiple generations of fans while delivering the most conceptually beautiful “love letter” to the city of SF, blanketing the grounds in a sea of love and collective euphoria for a brief, yet unforgettable moment. -Molly Kish, photo by Rochelle Shipman


Best Live Music Acts of 2015 #19 - RÜFÜS DU SOL

19. RÜFÜS DU SOL

By the time RÜFÜS made their entrance, the excitement in the room was at a fever pitch. The crowd was ready to dance from the very first beat (thanks to the excellent warm-up from Kllo and Yuma X), and they did just that. Lead singer Tyrone Lindqvist took center stage with great energy and proceeded to do the customary water bottle toss shortly after. Lindqvist set the tone right from the get-go for a high-energy, high-audience-participation set. The crowd responded in kind by getting down much harder than expected for a Wednesday night. Notably, there were surprisingly very few phones out as most attendees put away their cameras to make the most of every song. The intimate setting of The Fillmore could almost have been mistaken for the polo fields of Coachella, given how many girls-on-shoulders could be seen around the venue. -Geoff Hong, photo by Josh Herwitt


Best Live Music Acts of 2015 #18 - Rudimental

18. Rudimental

Through Rudimental tracks like “Not Giving In”, “Free” and “Waiting All Night”, the most unique element of the group’s live production was their charisma. Simply put, they look like they’re having fun. These aren’t tortured artists or cathartic performers — Rudimental are a band that loves the music they make. Even the band’s drummer, Beanie, easily one of the hardest working rhythmists on tour right now, managed to keep a smile on his face, racing through Rudimental’s repertoire of songs that were anywhere from 145 to 160 BPMs. The septet’s de-facto leader, DJ Locksmith, was surprisingly more in the background than you would expect from a typical DnB hype man. As Rudimental wrapped up their set with their chart-topping hit “Feel the Love”, the crowd joined in as the song ended, creating a shared moment at The Fox that perfectly reflected the intention of Rudimental — to spread the love. -Brett Ruffenach, photo by Marc Fong


Best Live Music Acts of 2015 #17 - BØRNS

17. BØRNS

On this night, that proverbial phrase seemingly rang true. It wasn’t just that BØRNS most likely amassed the largest attendance in the history of the Twilight Concert Series, but also the fact that it was easily one of the best shows I’ve ever witnessed at the Santa Monica Pier. One could certainly point to the opening of the Expo Line extension as a reason for the larger crowds so far this summer, which wasn’t all that noticeable during the series’ opening night with Mayer Hawthorne just the week prior, but that would simply be underestimating the exponential rise of Garrett Borns’ eponymous project. Since he relocated to Los Angeles in 2013 and signed with Interscope Records, the Michigan native has gone from supporting modest indie bands like MisterWives to selling out shows as a headliner in a matter of a year. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #16 - Flying Lotus

16. Flying Lotus

Brainfeeder founder, producer and unapologetic cultural mouthpiece Flying Lotus (born Steven Ellison) ended the night with a mildly controversial headlining set. Walking onstage and making what any FlyLo fan would recognize as an off-colored comment on the current presidential race may have proven too brazen for those not used to his brand. He let Captain Murphy out of the box a little early and road the wave of confusion into a heady, bass-driven assault on the conflicted crowd, providing the distinct audio punctuation point for the night’s bill of artists. Playing several tracks off of his 2014 LP You’re Dead! as well as various hits from high-profile hip-hop emcees like Travis Scott and Kendrick Lamar that he has produced over the years, Ellison stunned us all with his double-screen, audio-visual stage setup and plenty of bone-rattling bass drops. -Molly Kish, photo by Marc Fong


Best Live Music Acts of 2015 #15 - The Last Shadow Puppets

15. The Last Shadow Puppets

TLSP brought a strings section to their show, an added element that helped keep things fresh and new. The show began with the beautiful sounds of violins and cellos, but the moment TLSP got onstage, the whole floor at The Fillmore lit up in billows of smoke. I’m sure the band was stoned by the end of the show if it hadn’t been already, appearing beyond excited to be playing on a Sunday night in SF. Turner and Kane must have yelled out something about SF every few minutes and incorporated SF into some of their songs. They were so incredibly tight, and I felt their set in some ways was a bit better than what I had witnessed years ago — the mix and order of the songs felt more succinct at The Fillmore. -Rachel Goodman, photo by Diana Cordero


Best Live Music Acts of 2015 #14 - Miike Snow

14. Miike Snow

Sunday’s roster at Coachella last year was significantly weaker in comparison to Friday’s and Saturday’s. This year was much of the same, though Calvin Harris somehow proved to be an even worse headliner than Drake (we didn’t know that was possible). But one of the bright spots on Day 3 was no doubt Miike Snow’s 9:45 p.m. slot in the Mojave Tent, the same place where I discovered the Swedish trio back in 2010 during my first Coachella. Andrew Wyatt, Christian Karlsson and Pontus Winnberg have come a long way since then, and with three studio albums in their catalog, including their latest effort iii, they have more than enough material to fill out a 50-minute set and leave you wanting to hear more. -Josh Herwitt, photo by Norm de Veyra


Best Live Music Acts of 2015 #13 - Young Thug

13. Young Thug

Fresh off releasing the latest — and final — installment of his Slime Season mixtape trilogy, Young Thug took his place on the stage. Arriving in a white blouse, multicolored sequined jacket, dark shades, a polka-dot head scarf and remarkably slim, golden pants, he aligned such a rangy and vibrant uniform with his performance. There wouldn’t be any towering LED lights, stunts or stage diving. However, Young Thug, who for the majority of his roughly hour-long set played the lone wolf, delighted the crowd with his animated and bright delivery while running through thundering Slime Season 3 favorites like “With Them”, “Digits” and “Slime Shit”. The audience, ranging from high school seniors to seasoned workers likely with mortgages, strikingly recited every uncanny, controversial lyric and Ric Flair-esque “Woo!” like they had been analyzing them for years. -Joseph Gray, photo by Joseph Gray


Best Live Music Acts of 2015 #12 - Pretty Lights

12. Pretty Lights

Touring with a live band for the first time in 2013 — something that few other EDM artists have done to this day — he quickly changed the way electronic music can be experienced live. Fast forward to last Thursday, and we were once again treated to an electrifying Pretty Lights show that was more than just Smith behind a pair of Macbook Pros and two Akai MPD32s. Making his debut at the majestic Santa Barbara Bowl, he once again showed why he isn’t your typical EDM act. With Chris Karns and Big Wild providing support, Smith hit the stage at 8 p.m. with his bandmates — Karns, Borham Lee, Brandon Butler and Alvin Ford, Jr. — and put on a show that dazzled both sonically and visually. What was most impressive, though, was seeing how much of the performance was improvised, as the band transitioned from one jam to another while dropping in a number of remixes here and there. And as I looked on from my seat in the stands, I couldn’t help but think about how much the show reminded me of all the times I’ve seen STS9 perform live. It only seemed fitting considering that the livetronia band helped give Smith his start back in the day, and with the “EDM bubble” about to burst (that is, if it hasn’t already), it’s hopefully an approach more electronic artists will gravitate toward in the future. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #11 - Mac DeMarco

11. Mac DeMarco

The 26-year-old king of slacker rock, who over the past few years has become a fan favorite of many Bay Area audiophiles, never seems to hold back when he comes to town. His first night in SF last week saw him jump from The Indy’s balcony into an awaiting crowd (a feat that was later imitated by a female audience member at The Warfield the next night), run around half naked while playing new songs and perform a 25-minute cover of Eric Clapton’s 1971 hit single “Layla” with fart solos sprinkled throughout. -James Pawlish, photo by James Pawlish


Best Live Music Acts of 2015 #10 - Moderat

10. Moderat

Easily the most anticipated set of the weekend from this spectator’s vantage point, Moderat hadn’t toured since dropping a pair of EPs in 2014. But with the release of its third full-length album, aptly titled III, the Berlin-based supergroup comprised of Apparat’s Sascha Ring and Modeselektor members Gernot Bronsert and Sebastian Szary were primed to make their mark on the final day of LIB — and that they did. Beginning with “Ghostmother” off their latest LP, Moderat ran through a good chunk of new material, but nothing ignited the crowd more than their new single “Reminder”, which remains one of our favorite songs of the year so far. As we witnessed a few days earlier at The Fonda Theatre in LA, the group’s dark, minimalist stage setup with psychedelic flourishes paired nicely with Ring’s ethereal vocals. Of all the other performances throughout the weekend, Moderat’s 90-minute set undoubtedly stood as one of the brightest moments of LIB 2016. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #9 - Foals

9. Foals

Foals closed out their rambunctious set with a killer take on the title track “What Went Down” that brought lead singer/guitarist Yannis Philippakis diving into the crowd, giving fans one hell of a selfie and proving their rock credentials for good. After all, any band that can unite 20-something bros with 50-something grandparents gets a gold star in our book. Rock brings people together, and those who made it out to see this unicorn of a band won’t live to regret it. -Zach Bourque, photo by Steve Carlson


Best Live Music Acts of 2015 #9 - Tame Impala

8. Tame Impala

As they opened with the dream-inducing interlude “Nangs” from their latest studio album Currents, Tame Impala gave the crowd an ample minute and a half to commit to the spatial surroundings before jumping full throttle into an explosive rendition of lead single “Let It Happen,” playing the tracks in reverse order than they are on the LP. By the third song (as promised), the sky, having just turned black, was filled with a stadium’s worth of rainbow confetti as the band played the opening chords of 2012’s psuedo love ballad “Mind Mischief”. Followed by a rare performance — only the second time in three years — of “Music to Walk Home By” from 2012’s Lonerism, Tame Impala played a wide range of emotive classics while scrambling the brains of more than 8,500 audience members with their intense onslaught of sensory-overloading imagery and hypnotic light show. -Molly Kish, photo by James Pawlish


Best Live Music Acts of 2015 #7 - Jim James

7. Jim James

James is in rare company these days, amid a dying breed of guitar-rock gods like Jack White and Josh Homme who are not only capable of playing anything on six strings, but also on a myriad of instruments. And while Eternally Even feels in some ways like an opportunity for him to finally experiment more with keyboards, James made sure to remind his fans at the 90-year-old Orpheum Theatre last Friday that shredding is still a priority. Performing in his new hometown after officially moving to LA this year, he assumed the role of lead singer for much of the show as he and his bandmates from Twin Limb (also opening for James on this tour) played all of Eternally Even and half of Regions. But propped up by a stand onstage the whole time was James’ black Gibson axe, and you knew at some point during a two-hour set that he was going to unload some sick riffs like we have become accustomed to seeing from him at Jacket shows. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #6 - The National

6. The National

The real headline from The National’s performance was hands down the new material that was debuted, pretty much across their entire set, encore included. A rather standard opening of “Don’t Swallow the Cap” and “I Should Live in Salt” led into our first taste of the band’s upcoming LP in the form of “Checking Out”. Though many locals likely recognized this track from last year’s Treasure Island Music Festival (read our review here), it has tightened up over the past year and even begins to sound familiar as the Brooklyn-based five-piece begins to weave in more electronic, synth-like elements. -Kevin Quandt, photo by Steve Carlson


Coachella 2016 - Guns 'N Roses

5. Guns N’ Roses

There may have been no more talked-about act in Coachella’s 17-year history than Saturday’s headliner — and for good reason. Going back to 1993, it had been 23 years since Axl Rose and Slash last performed on the same stage together, and though some of that allure had worn off by the time they reached Indio thanks to a surprise show in LA and back-to-back nights in Las Vegas in prior weeks, Guns N’ Roses were still the talk of the town leading up to Coachella. In fact, all you had to do was look around on Saturday and see just how many GNR T-shirts were traversing the polo fields before their 10:30 p.m. set. When it came time to deliver, the original trio of Axl, Slash and bassist Duff McKagan most certainly did, while rhythm guitarist Richard Fortus and drummer Frank Ferrer proved to be more than suitable fill-ins for Izzy Stradlin and Steven Adler/Matt Sorum. Meanwhile, the surprise appearance by Angus Young couldn’t have come at a much better time after the announcement was made minutes before GNR’s set that Rose will be filling in for Brian Johnson on AC/DC’s remaining tour dates this year. GNR have always been one of my biggest bucket-list bands, and even if a broken leg prevented Axl from strutting and slithering across the stage like he once did as a brash, slender 21-year-old rock star, seeing one of my favorite childhood bands perform for two and a half hours felt all too surreal as I left the Empire Polo Club that night. -Josh Herwitt, photo courtesy of Coachella


Coachella 2016 - Sia

4. Sia

From the very beginning, Sia set herself apart from every other artist who took the Coachella Stage this year. With the Australian artist standing in the back of the stage, her set was more performance art than it was pop music. While her face was hidden thanks to her trademark wig, Sia’s voice stood front and center as she belted out every note to hits like “Diamonds”, “Bird Set Free” and “Titanium”. Throughout it all, different dancers and actors would come on stage, abstractly embodying the themes her songwriting often conveys: fear, anticipation, stress, anger, joy, love and most of all, doubt. As Kristen Wiig and Paul Dano contributed to the overall performance, the height of Sia’s conceptual masterpiece reached its peak with a breathtaking rendition of “Breathe Me”, bringing some of the audience to tears. It was the true headliner of Sunday night and among the top performances of the entire weekend. -Brett Ruffenach, photo courtesy of Coachella


Best Live Music Acts of 2015 #3 - Chance the Rapper

3. Chance the Rapper

In one of the few transcendent moments of the weekend, a set that had everyone throughout the fairgrounds hyped into an anticipatory frenzy, Chance the Rapper performed at the Lands End stage on Sunday afternoon for easily the largest crowd of the entire weekend. Even those who stood their ground through Third Eye Blind’s preceding set felt the drastic change in both crowd size and personal space as the polo fields flooded and temperatures rose. Even though Chance could have used this to his advantage and conducted an explosive show, igniting the tightly configured crowd into a combustive state, he instead took his fans “to church” with a spiritually centered gospel set, making sure everyone was attentive and of course, that “his part” resonated among the masses. -Molly Kish, photo by Norm de Veyra


Best Live Music Acts of 2015 #2 - LCD Soundsystem

2. LCD Soundsystem

Over the last couple of years, it’s hard to think of a band I have wanted to see more than LCD Soundsystem. Deeply tied to my formative years in college, the Brooklyn outfit’s return after a five-year hiatus was nothing short of stunning. Opening with the undeniably groovy “Us vs. Them” and covering a good chunk of their catalog over almost two hours, LCD certainly met the expectations of an eager crowd. James Murphy kept the banter between songs fairly short, and these indie heavyweights demonstrated a true dedication to their craft, starting fast with songs like “Movements” and “Yeah” before moving to more deep, tightly wound rhythms on “Someone Great” and “Home”. Though “Losing My Edge” was written more than 10 years ago, Murphy’s part-improvised, part-proclamation, part-perfectly-delivered rendition of the track seemed to really capture the attention of more casual LCD fans. Nearing the end of its set, the band covered “Heroes” by late collaborator David Bowie. I have seen many concerts as well as attended many festivals in my life, but this was truly among the most beautiful moments in live music I have ever experienced. Wrapping up their headlining performance with “All My Friends”, LCD Soundsystem proved to be among the top artists to ever grace the festival’s main stage. -Brett Ruffenach, photo by Norm de Veyra


Best Live Music Acts of 2015 #1 - Anderson .Paak

1. Anderson .Paak

I’m going to be completely honest: I went to SXSW this year to see .Paak because I knew once he played it, tickets to his shows would be impossible to get. Six months later, $30 tickets to his show in San Francisco at The Fillmore resold for upwards of $400. If you didn’t have another way to get into that show or rent to pay, it was worth it. The energy that comes out of .Paak while he’s performing is charming, infectious and unmatched. He splits his time roaming every inch of the stage and behind his drum set, often singing and rapping without missing a beat. At .Paak’s December show at the Hollywood Palladium in LA, Stevie Wonder came out not to sing, but to tell the crowd what a big fan he is. So basically, Stevie Wonder dropped by. OK, Anderson … we see you. -Rochelle Shipman, photo by Norm de Veyra

Outside Lands 2016

Showbams_Sticker_Rectangle2

A night of nonstop dancing at The Fillmore with RÜFÜS DU SOL, Kllo & Yuma X

Rüfüs du Sol


RÜFÜS DU SOL

By Geoff Hong //

RÜFÜS DU SOL with Kllo, Yuma X //
The Fillmore – San Francisco
November 30th, 2016 //

On the first of two sold-out nights at The Fillmore, RÜFÜS DU SOL put on an intense show that had the audience singing and dancing all night long. They had spectacular assistance from two Australian duos, Kllo and Yuma X. Together, the three of them made a strong case for Australia as the hottest source of today’s new music.

The night opened up with a surprisingly punchy and energetic performance by Yuma X. Singer Lucy Washington’s lyrics and vocal delivery were reminiscent of Romy Madley Croft’s from The xx. Lost love, heartache and broken promises were a theme in her lyrics. Jake Smith provided instrumentation on what seemed like a half dozen various instruments, including keyboards, synth and guitar.

Although there were only a few dozen concertgoers in attendance (their set was at 8 p.m.), Yuma X did not fail to win over everyone’s hearts by the end of their allotted time. The duo has one song, “Matchstick”, released on Spotify, while the rest of its tracks can be found on Soundcloud. According to Washington, fans should look out for more titles to be officially released soon.

Yuma X


Yuma X

The audience was much larger by the time the second duo, Kllo, took the stage but seemed rather unfamiliar with the group. This was surprising given Kllo’s previous success — their debut EP Cusp was widely promoted on The Hype Machine and Spotify, and the group has toured extensively in Australia and the UK. Regardless, The Fillmore approached their set with an open mind, getting down to previously unheard tunes.

Compared to Yuma X, Kllo was much more drum and synth forward. The cousins hailing from Melbourne, Chloe Kaul and Simon Lam, featured faster, tighter drum loops and more creative synth lines, combined with some subdued and restrained vocals from Kaul.

The biggest audience reactions came during Kaul’s sensual crooning on “Make Me Wonder” and an apparently unreleased track titled “Sex”. The swirly mood lighting and smoke effects combined perfectly with Kaul’s breathy and wavy delivery style. Upbeat songs like “Walls to Build” off their recent 2016 release Well Worn successfully built the energy and anticipation as a juxtaposition to Yuma X’s vocal-forward style and a logical musical transition into the final set of the evening.

Kllo


Kllo

By the time RÜFÜS made their entrance, the excitement in the room was at a fever pitch. The crowd was ready to dance from the very first beat (thanks to the excellent warm-up from Kllo and Yuma X), and they did just that. Lead singer Tyrone Lindqvist took center stage with great energy and proceeded to do the customary water bottle toss shortly after.

Lindqvist set the tone right from the get-go for a high-energy, high-audience-participation set. The crowd responded in kind by getting down much harder than expected for a Wednesday night. Notably, there were surprisingly very few phones out as most attendees put away their cameras to make the most of every song. The intimate setting of The Fillmore could almost have been mistaken for the polo fields of Coachella, given how many girls-on-shoulders could be seen around the venue.

Lindqvist made a point to highlight tracks off the band’s early 2016 release Bloom. Bandmates Jon George (keyboards, synthesizer) and James Hunt (drums) obliged willingly, adding their own creative flairs to longer, extended cuts of their classic tracks. Even Lindqvist’s guitar riffs felt like they had more creative leeway and freedom when compared to the respective studio cuts of the band’s songs.

RÜFÜS DU SOL


RÜFÜS DU SOL

Tyrone showed off the smoky end of his vocal range when he exchanged his normally mellow voice in favor of his 80’s voice on the track “Tonight”. As Lindqvist sang, “We’re coming alive / The dead are arising / The night is coming to life”, The Fillmore did just that, demonstrating a second burst of dancing energy in the middle of the show.

The highlight of the night came when RÜFÜS asked the crowd to “come on a journey” with them, “past the Milky Way, but not to Uranus.” Fans simultaneously got down on the dance floor and blasted off into space, so to speak. The show came to an end with the retro-groovy “Like an Animal”, but RÜFÜS DU SOL graced fans with a generous, two-song encore that included dance classics “Take Me” and “You Were Right”. The evening was capped off by a salute from all the performers, reminding SF where some of the best music today originates.

Splash House 2016: One wet and wild weekend

Splash House 2016 - Weekend 2Photos by Anastasia Velicescu, Jesse Fulton, Jose Negrete & Quinn Tucket for Goldenvoice // Written by Jansen Granflor //

Splash House //
The Saguaro & The Riviera – Palm Springs, CA
August 12th-14th, 2016 //

Now in its third year and hosting its fifth overall event, Splash House combines the pools of The Saguaro and The Riviera for two weekends each summer. We drove from Orange County to Palm Springs last weekend to watch it all go down at the festival’s second edition in 2016.

There were also official after parties on Friday and Saturday night at the Palm Springs Air Museum, which trade pools and bare skin for shorts and shoes with laces for an intimate “dancing under the stars” experience. We spoke with festivalgoers as far north as the Bay Area, as far south as San Diego and as far east as Arizona who all made the journey for two days and three nights of excruciating heat, refreshing pools and unquestionably one of the most talented lineups of underground electronic artists.


Splash House 2016 - Weekend 2

Our weekend began at the Palm Springs Air Museum last Friday night with the weather just below 100 degrees and the excitement building for Australian alternative dance group RÜFÜS DU SOL, who performed at the Santa Monica Pier (read our review of the show here) the night before. It was also the only “live band” set we caught all weekend. A constant breeze provided a comfortable atmosphere we would not experience again until the following evening, as DJ duo Hotel Garuda played warmed up the crowd with remixes of “Ultraviolence” by Lana Del Rey and “Begging for Thread” by Banks, before the night culminated with the Sydney group doling out a number of hits, including “Like An Animal” & “Say a Prayer for Me”. However, for those who used Uber to get to the party, the night inevitably ended on a sour note (see what we mean below).

Splash House 2016 - Weekend 2 - Uber surge charge

Turning to Saturday, festivalgoers slowly trickled into the Saguaro’s pool area before 3 p.m., and two hours later, the place was jam-packed and it was close to being a fire hazard an hour later. Unofficial Splash House resident DJ Viceroy treated those present to the same poolside, “summertime-all-the-time” tunes he normally plays, although one could argue they worked better at Splash House than anywhere else in the world. From there, UK “hypnodance” duo Psychemagik kept the vibe going and transitioned into their remix/rendition of Fleetwood Mac’s “Dreams”, which proved to be the first of numerous iconic moments that could be attributed to an oldie-but-goodie.

We subsequently made the trek to The Riviera, which had a much larger capacity and created a raw atmosphere with a soundtrack that featured EDM-infused trap, dubstep and hip-hop through the late afternoon and early evening. If the Saguaro was supposed to be the fest’s underground house music stage, The Riviera was the main stage with thumping, big-room bass, as the artists performed right beside the deep end (go figure) of The Riviera’s massive, expansive pool .

Scottish producer extraordinaire Hudson Mohawke had the ratchets grinding to “Pony” by Ginuwine at the end of his sundown set (just another iconic moment of the weekend set to a timeless masterpiece), while British duo Snakehips gave the party new life with a remix of The Weeknd’s “Wanderlust” early on in their headlining slot. Right before 9 p.m., Snakehips played their smash hit “All My Friends” feat. Tinashe and Chance the Rapper, which was a bit of life-imitating art considering the song is about wasting another night with all your friends by getting, well, wasted of course, which was clearly what the crowd at The Riviera had been up to all night.

Splash House 2016 - Weekend 2

Saturday night’s action at the Palm Springs Air Museum featured music from two very busy deep-house artists — Germany’s Claptone and North London’s Chris Lake — playing for what felt like a much smaller audience than the previous night. The 100-degree heat at midnight could have been a significant factor, or it could have simply been the lineup, as one overseer for the venue told us how she loved RÜFÜS DU SOL the night before but could care less about the “techno” that was blaring in the background. As the evening progressed, Lake inevitably dropped his deep-house remix of Calvin Harris’ “How Deep is Your Love”, an absolute banger and an anthem for a sub-genre that has withstood the EDM boom-and-bust over the last few years. As the hottest Saturday in recent memory finally came to an end, Claptone closed with a flawless set that included his Beatport-topping remixes of “Liquid Spirit” by Gregory Porter and “Omen” by Disclosure featuring Sam Smith before finishing with his original track “No Eyes” that foreshadowed a night of much-needed sleep.

On Sunday at The Saguaro’s pool, French record label Partyfine’s funk ambassador Jean Tonique made his appearance, with London’s Marcus Marr following in what ultimately became my personal favorite set of the weekend. Marr brought the funk early and then worked in some dark bass lines before ending with an extended piano-intro version of Prince’s 1979 single “I Wanna Be Your Lover”, which had 99.98 percent of the crowd thoroughly enjoying the last few hours that were left of Splash House.

Over at The Riviera, an absolutely bonkers DJ roster of DFA Records’ The Juan Maclean, LA hometown heroes DJ Dodger Stadium (aka DJDS, who recently worked on Kanye West’s The Life of Pablo), up-and-coming DJ/producer Jesse Rose (who has blessed the LA underground scene throughout 2016), Australian remix champ Cassian (who was a last-minute sub for a sick Chris Malinchak) and festival headliner Gorgon City (who has seemingly played every continent in the world this past year) all took the stage at one point.

Splash House 2016 - Weekend 2

The dedicated partygoers at The Riviera’s pool on Sunday night were not ready to stop when the music was cut off shortly after 9 p.m., which might have been why a $10 impromptu after party was announced by Splash House’s promoters earlier in the day. Coincidentally enough, Sabastion, one-half of LA-based DJ duo Strange Club, told me late on Friday night, “I don’t do the day parties, just the (night parties at the Air Museum) and house parties in the area.” In a way then, it was only fitting that an artist whom Splash House handpicked was the last to hit the decks when it was all said and done.

We also ventured over to “All Day Disco” at The Riviera’s Tiki Pool on Sunday afternoon to catch Alex Harrington, a local DJ who moved to the Coachella Valley area 11 years ago after living in Northern California and was recently recognized as the “Best Club DJ” by Coachella Valley Weekly. Since relocating to the desert, Harrington has seen Splash House grow from a “one-weekend, regionally-known event to a festival that reaches people around the world,” and mentioned that artists are allowed to play whatever style suits them, so he made sure to keep reading the people in the pool to figure out what would keep them moving.

Harrington ended our interview with his own personal hopes that events like Splash House could raise the profile of the area and attract bigger artists in the future, and considering the festival sold out at 5,000 guests per day, all of whom lodged, ate, drank and partied in Palm Springs, we wouldn’t expect anything less than a bigger and better edition in 2017.

Is the Santa Monica Pier’s Twilight Concert Series becoming too popular for its own good?

RÜFÜS DU SOLBy Josh Herwitt //

RÜFÜS DU SOL with Marc Baker //
Santa Monica Pier – Santa Monica, CA
August 11th, 2016 //

Nothing says summer in Los Angeles quite like the Twilight Concert Series. Whether you live near the beach or not, the free shows at the Santa Monica Pier have become one of LA’s best summertime traditions over the years.

But as we found out at BØRNS’ headlining performance (read our review of the show here) last month, the series may be getting too big for its britches. At least part of that sentiment can be attributed to NPR member station KCRW’s curation process, which seemingly gets better and better with each passing year. And of course, it’s worth noting that the recent tragedies across this country have only forced increased security measures and a larger presence from local law enforcement.

That said, the crowd that arrived last Thursday to take in RÜFÜS DU SOL’s show was unlike anything I or anyone else had seen before. Whatever the attendance number was, whether it was 40,000 or 80,000, simply didn’t matter. The fact was, the concert viewing area on the pier couldn’t handle the sheer number of bodies that showed up to watch the Australian alt-dance outfit perform before it headed off to Palm Springs for a special late-night set at Splash House the following day.

What transpired at the pier this time was everything we experienced at the BØRNS show four weeks prior and worse, if that’s even possible. At one point, I didn’t even know if I was going to photograph RÜFÜS DU SOL because the fire marshal shut down the backstage VIP area due to overcrowding (when I finally got escorted back in, the photo pit was completely packed to the gills with mostly VIP guests who were there to watch the show). Had I known it was going to be that much trouble to re-enter, I never would have left to say hello to a friend after opener Marc Baker played for no more than 30 minutes, leaving a longer changeover than expected. I guess I underestimated just how far the Aussie trio has come since first releasing its RÜFÜS EP in early 2011.

RÜFÜS DU SOL

“RÜFÜS … RÜFÜS DU WHO?” some of you might be saying. Though die-hard fans may laugh at those who haven’t heard of the band by now, I’ll be honest — I hadn’t heard of them either until April when I noticed they were listed on this year’s Coachella lineup. Clearly the joke is on me then, because after everything I witnessed from Tyrone Lindqvist (vocals, guitar), Jon George (keyboards) and James Hunt (drums), this shouldn’t have served as my introduction. Yet, there I was, sandwiched in between a bunch of bodies with my camera equipment in tow as RÜFÜS ran through material off their 2013 debut LP Atlas and this year’s follow-up Bloom, both of which have topped the charts in their home country.

There’s something about RÜFÜS DU SOL that makes them undeniably catchy. At times, their sun-drenched, beat-driven songs sound like a cross between Disclosure, Gorgon City and Bob Moses, with Lindqvist hooking listeners with his smooth vocal stylings. Knowing how popular those aforementioned groups have become, it made perfect sense that the pier was as packed as it was for RÜFÜS less than a week after they performed for the first time at Outside Lands Music and Arts Festival (read our review here) in San Francisco.

So, is there anything that can be done to keep the Thursday night crowds at the Santa Monica Pier to a more reasonable level going forward? If it means having to issue tickets — either on a first-come-first-serve basis or even for a small fee — for those who want to watch the show on the pier, then so be it. And while that change may not happen this year with only four shows left, don’t be surprised if it happens in 2017, assuming the Twilight Concert Series returns for its 33rd edition next summer.

After all, when in doubt, you can always still catch the show from the sand.

Outside Lands 2016: Top sets, awards & what we overheard at Golden Gate Park

Outside Lands 2016Photos by Norm de Veyra & James Pawlish // Written by Molly Kish //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 5th-7th, 2016 //

Celebrating its ninth annual year as Northern California’s premier music, comedy, food and arts festival, Outside Lands took over Golden Gate Park last weekend and entertained crowds of more than 60,000 attendees each day with a massive roster of world-renowned talent. This year’s highlights surmounted all previous editions and exceeded the expectations of the most veteran festivalgoers.

Beyond the daily artist lineups, mouth-watering fare and unparalleled comedy showcases, Outside Lands kicked it up a notch in 2016, playing to what seemed like a more refined crowd on a local and national level. The festival’s organizers created an environment that appealed to both novices and seasoned attendees, with convenience being the key factor and a running theme that helped establish a flow to the fairgrounds that was unattainable in past years.

The fest also worked with PayPal to set up an option for cashless transactions by uploading “Bison Bucks” to your wristband, creating a seamless navigation of all the food/beverage and merchandise options. Furthermore, the debut of additional boutique concessions at Oyster Lands and Cocktail Lands provided a reprieve from the long lines at food trucks, booths and beer stands for the mature palette.

Even the structure and pace of this year’s Outside Lands schedule felt more conducive to less park-length traversing, with each stage focusing more on specific genres and demographics. There are still certain aspects that could use improvement, such as an increased availability of trash receptacles, bathroom options and crowd control at the festival’s entrance, but the issues that Outside Lands faced this year were no different or more overbearing than any other large-scale production.

Now nine years on the circuit, the Bay Area’s premiere destination for festival revelers has definitely matured to an impressive standard in the live music business. As Outside Lands continues to set the bar high thanks to its innovative features, top-notch billing and overall experience, here are our favorite moments from 2016.

Outside Lands 2016 - LCD Soundsystem


LCD Soundsystem

TOP SETS:

Headliner: LCD Soundsystem

Hip-Hop: Anderson .Paak

Pop: Grimes

Singer-Songwriter: Lana Del Rey

Rock: FOALS

EDM: Zedd

Jazz: Kamasi Washington

Experimental: Air

Breakthrough artist: Jidenna

Local act: Down and Outlaws

Heineken Dome: Warren G & E-40 (pop-up performance)

Outside Lands 2016 - Chance the Rapper


Chance the Rapper

OUTSIDE LANDS 2016 AWARDS:

Biggest Crowd: Chance the Rapper

In one of the few transcendent moments of the weekend, a set that had everyone throughout the fairgrounds hyped into an anticipatory frenzy, Chance the Rapper performed at the Lands End stage on Sunday afternoon for easily the largest crowd of the entire weekend. Even those who stood their ground through Third Eye Blind’s preceding set felt the drastic change in both crowd size and personal space as the polo fields flooded and temperatures rose. Even though Chance could have used this to his advantage and conducted an explosive show, igniting the tightly configured crowd into a combustive state, he instead took his fans “to church” with a spiritually centered gospel set, making sure everyone was attentive and of course, that “his part” resonated among the masses.

Honorable Mention: Lana Del Rey, J. Cole

Most Magical Outside Lands Moment: Dr. Teeth and The Electric Mayhem

One of the biggest questions on everyone’s mind coming into Outside Lands was, “Who were Dr. Teeth and The Electric Mayhem?” For those who knew, it was, “How in the hell were the Muppets going to fill a Sunday slot on the main stage?” Because the band had never played a show of such magnitude or outside the context of a TV/film studio, no one had any clue what to expect during this early-afternoon slot. Though some festivalgoers (mistakenly) decided to forego the experience altogether, those present will not forget the incredible feat that Another Planet Entertainment and Jim Henson Enterprises were able to pull off for what was one of the most emotionally nostalgic, blissfully complex and once-in-a-lifetime festival performances maybe ever. The Muppet house band both effortlessly managed to pluck the heartstrings of multiple generations of fans while delivering the most conceptually beautiful “love letter” to the city of SF, blanketing the grounds in a sea of love and collective euphoria for a brief, yet unforgettable moment. Relive the full performance here.

Honorable Mention: Big Boi’s set at Heineken Dome (pop-up performance), Jason Isabel performing with Ryan Adams

Outside Lands 2016

Funniest Stage Banter: Ryan Adams and The Shining

Known to be quite the comedian with his sassy stage banter and on-the-spot ad libs, Ryan Adams and his backing band, The Shining, catered to the Bay Area audience by revisiting a moment from his 2014 Hardly Strictly Bluegrass set with a rousing reprise of “3 Balloons”. He not only called out his attending family’s and audience members’ concert etiquette faux pas, but he also mentioned his annoyance with the bass of Major Lazer’s simultaneous set as well as referenced the standout beacon of this year’s festival, which was hoisted up by a group of super fans watching from the crowd. Check out it here.

Honorable Mention: Dr. Teeth and The Electric Mayhem, Lionel Richie

Most Jaw-Dropping Performance: Peaches

For those familiar with the raunchy revelry that a Peaches show entails, we were front and center when the pro-sex powerhouse took the Panhandle stage on Saturday. As for novice audience members or anyone really within the general vicinity during the set, this festival performance was one that frontwoman Merrill Nisker was determined to make sure would be burned into our Outside Lands memories for life. Somewhat of a crossbreed between live sex show and avant-garde performance art, Peaches paired hard-hitting bass lines with spitfire lyrics and a stage show of elaborately X-rated costumes and choreography that left the crowd on one hand speechless and on the other frantically screaming for more.

Honorable Mention: Grimes, The Claypool Lennon Delirium

Best GastroMagic Moment: Skew It on the Bar B with Big Boi, Animal’s Jon Shook & Vinny Dotolo and State Bird’s Stuart Brioza

On the third and final day of Outside Lands, most attendees were camped out at their favorite stage, decompressing from the first two days of excitement and settling in to watch the final performances of the weekend. But if you happened to be one of the few wandering through the Choco Lands overpass or happened to remember Big Boi’s scheduled performance at the GastroMagic stage, you were in for a treat. Those present in the intimate crowd not only got a mini set of both Outkast and solo hits from the vivacious emcee, but they also got samples of some of the most sought-after BBQ shrimp in the Bay Area while listening to remixed versions of each song that incorporated the word “shrimp” into every chorus. Hilariously ridiculous and insanely delicious, those present may never hear those songs performed the same way again. In fact, we’re still giggling and singing “I like the way you shrimp” days later.

Honorable Mention: Beignets and Bounce Brunch (with Big Freedia and Brenda’s Soul Food), Shark Bites (with Jauz, Mother of Pearl and Guittard Chocolate Company)

Outside Lands 2016 - Big Grams


Sarah Barthel of Big Grams

Most “Thirst-Inducing” Performers of the Weekend: Big Gram’s Sarah Barthel, Miguel

Worst Decisions of the Weekend: The girl who climbed the windmill during J. Cole’s set and fell (watch here), deciding to bring a bag with you to the festival

Best Totems: The Red Balloon

Honorable Mention: Rick & Morty, Stranger Things Dustin

Biggest Festival Wear Trend of 2016: Hipster Bandito

Honorable Mention: Animal-themed onesies, flower crowns/bedazzled body parts

Best “Taste of the Bay” Menu Item: Bacon Bacon CA BBQ Bacon Burritos

Best Adult Beverage: Elixir’s Whatamelon Cocktail

Best Non-Alcoholic Nectar of the Gods: Straw’s Basil Strawberry Lemonade

Best Festival Feature: Cocktail Lands

Best Way to Waste Time Between Sets: PayPal Video Game Arcade

Outside Lands 2016 - Radiohead


Radiohead

OVERHEARD AT OUTSIDE LANDS 2016:

The best directly stated and heard in passing at the festival.

“An empty bag is still a bag!” – crowd members policing the “no-bag” entry lines to the festival

“Is this the Trail of Tears section of Outside Lands?” – crowd members while passing through Choco Lands

“I’m in the Upside Down …” – Day 3 entry ways to the festival

“Hurry up, run! The flower crowns are coming, the flower crowns are coming!” – crowd members exiting the Twin Peaks stage area before Lana Del Rey

“I must’ve missed the goth/bandito appropriation memo …” – in reference to this year’s style trends

“Meet me at the Red Balloon!” – various lost attendees throughout the grounds

“Tits out for Radiohead!” – an ambitious crowd member on Saturday night

“Jesus, Rachel!” – in reference to “basic bitch” behavior/clothing choices throughout the weekend

“I be on that shrimp tonight, straight up on that shrimp tonight, I be on that straight up on that, I be on that shrimp tonight.” – Big Boi during his GastroMagic performance

“Mmmm, porcini doughnuts …” (Homer Simpson voice) – mimicking nearby food vendors

“Who even is Lionel Richie … oh, Nicole Richies’ dad?!” – mortifyingly clueless audience member

“We’re all Diana Ross!” – Lionel Richie in reference to his “special guest”

“We’re all gonna die, whatcha’ gonna do about it?” – Sufjan Stevens contemplating life on stage

“This is the best moment of my life, can I live in an LCD set?” – enthused crowd member

“I’d follow you to hell …” – a member of a large group attempting to traverse the grounds

“But my mom and dad are in there …” – festivalgoers attempting to jump the line entering the festival

“You know San Francisco has totally changed, like I went back to my place on the pier and it was taken over by sea lions, like totally gentrified!” – Janus during Dr. Teeth and The Electric Mayhem’s set

Outside Lands 2016: Our 10 favorite festival features

Outside Lands 2016Written by Molly Kish //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 5th-7th, 2016 //

Outside Lands is a little more than a week away (can you believe it?!?!), and as the final details emerge before next weekend, the anticipation remains at an all-time high for the music festival’s ninth edition.

Besides gaining traction for its diverse roster of musicians, an all-star comedy lineup and its extensive culinary showcases, the three-day affair invading Golden Gate Park every August also continues to raise standards across the festival circuit with its innovative features both on and off the fairgrounds.

As we start crafting our schedules and await any final details, here are our 10 favorite festival features for Outside Lands 2016.


Outside Lands 2016 - GastroMagic

10. GastroMagic

Inhabiting a stage nestled within the tree section of Hellman Hollow, GastroMagic is a place where food, music, mischief and magic come together. Continually providing some of Outside Lands’ most underrated performances each year, it is the perfect combination of chaos and cross-lineup configurations you’d never be able to catch at any other music festival. See the full schedule here.


Outside Lands 2016 - Outsider Art

9. Outsider Art

Artist, curator and former Google executive Jeben Berg has teamed up with SF’s own Juxtapoz Magazine to bring a stellar roster of talent that highlights the work of incredible scrim artists, live painting, curated installations and performance pieces throughout the entire weekend. See the full roster here.


Outside Lands 2016 - Outside Clams

8. Outside Clams

For the love of seafood, Woodhouse Fish Co. has sourced fresh, local shellfish from Tomales Bay to enjoy either raw or barbecued and paired with the best wines from Napa Valley and Sonoma. Serving up these delicacies along with bowls of chowder, lobster rolls and much more, this new Outside Lands feature located outside of Wine Lands is a must stop for any seafood connoisseur.


Outside Lands 2016 - Night Shows

7. Night Shows

Didn’t get enough live music at the festival? Well, fear not! Another Planet Entertainment has partnered with several historic venues in SF to offer a full gamut of late-night entertainment and keep you rocking all weekend long. A couple of them have already sold out, so make sure to buy your tickets now. See who is playing and more details here.


Outside Lands 2016 - Bike Party

6. Bike Party

Departing from the Bill Graham Civic Auditorium everyday at noon, the festival’s bike party arrives at the Log Cabin Meadow before taking off at 10:30 p.m. each night. Join the fun on America’s only music festival group bike ride!


Outside Lands 2016 - Farmers Market

5. Greening Initiatives

Refillable Water Program: There will be free refillable water stations located in the polo fields and Eco Lands.

Farmers Market: Full Belly Farm will be selling organic and fresh-picked melon slices, peaches, tomatoes, corn, green beans and bell peppers at the festival’s farmers market.

Urban Gardening Workshops: Garden for the Environment will be offering workshops on worm composting twice daily at their booth in Eco Lands.


Outside Lands 2016 - Trestle

4. Forest Feast with Trestle Restaurant

Offering an intimate dining experience that features an upscale tasting menu from Michelin Bib Gourmand recipient Trestle in SF, Forest Feast is nestled in a secluded forest area of the festival grounds and features performances from a New Orleans brass band (still TBA) and real-life magician Jon Armstrong. Seatings are available all three days of the festival (Friday-Sunday) at 2 p.m. and 4:30 p.m. Tickets can be purchased here.


Outside Lands 2016 - Castland

3. Castland

Meet and greet the artists of Outside Lands 2016 at this interactive mecca amidst the festival fairgrounds. Filled with the latest innovations in music and festival technology, you can host your own group disco in the Chromecast private gif booth with the chance to get broadcasted, score festival flare and more.


Outside Lands 2016 - The Back Wine

2. The Back Wine: Mini Golf Course

Located directly behind Wine Lands, The Back Wine is Outside Lands’ three-hole mini golf course that playfully incorporates the scenery of SF in each of its holes. A welcome reprieve from the bustle of the fairgrounds, one can putt putt their way through the sites of the city while sampling the sweet nectar from our Napa Valley neighbors.


Outside Lands 2016 - Mozzeria

1. Summer Pairings Series

Previewing the lineup over 80 restaurants, 40 wineries and 28 breweries, Outside Lands’ Summer Pairing Series teams up with those in charge of curating the festival’s culinary experience to craft special sneak-peaks of what this year’s menu has to offer.

Cheeseland Preview @ Long Meadow Ranch: July 5th-31th (4-8 p.m. daily)

Visit the stunning St. Helena location for pairings of Nicasio Valley San Geronimo Raclette and the 2015 Long Meadow Ranch Sauvignon Blanc.

Bluegrass, BBQ and Blues @ Southpaw: July 26th (7-10 p.m.)

Take part in a Southern-inspired party hosted by Southpaw and Anchor Brewing where you can sample Southpaw BBQ and special release beers (flights and drafts) while enjoying a live set from local bluegrass outfit The Bowties. Tickets can be purchased here.

Pinot, Pizza and Funk @ Bluxome Street Winery: July 30th (5-9 p.m.)

Newcomers to the lineup, Mozzeria bring their creative take on Neapolitan pizzas to Bluxome Street Winery for wine pairings during a live performance by local funk outfit Tortoise & The Pimps. Tickets can be purchased here.


Outside Lands 2016 lineup