Our favorite performances from 2018

Best live shows of 2018 - Foo Fighters, NxWorries, Pusha T & Courtney Barnett

Holy smokes, 2018 … you were a blur. Maybe it’s just us, but this year really did fly right by.

Before we officially say hello to 2019 though, it’s time for us to revisit the past 12 months at Showbams. Every year we have the great privilege of witnessing some amazing moments in live music, and this year was no different. While we can’t touch upon every performance we covered in looking back at the year that was, we still managed to see a wide variety of talent over the course of 2018.

Whittling down our list is never easy. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order), all of whom we either covered at their own show and/or at a music festival this year:

Aaron Neville, A.CHAL, Alanis Morissette, Alina Baraz, Allen Stone, Amen Dunes, Aminé, A Perfect Circle, Ari Lennox, A$AP Rocky, Aquilo, BADBADNOTGOOD, The Bangles, Belle & Sebastian, The Beta Machine, Billie Eilish, BØRNS, Carly Rae Jepsen, Cashmere Cat, Childish Major, Chromeo, CHVRCHES, Cigarettes After Sex, Cloud Nothings, Cuco, Cut Snake, CyHi the Prynce, Daniel Caesar, Deap Vally, Destroyer, Diet Cig, Drab Majesty, DRAM, The Dustbowl Revival, Erykah Badu, Fantastic Negrito, Future, Garbage, George Fitzgerald, Gomez, Gov’t Mule, Great Grandpa, Griz, The Growlers, Gucci Mane, HAERTS, H.E.R., Hot Flash Heat Wave, Ibeyi, Iggy Pop, Irma Thomas, Isaiah Rashad, Jaira Burns, Jamie xx, Jeff Goldblum and the Mildred Snitzer Orchestra, Jhené Aiko, John Maus, Josh Ritter & The Royal City Band, Joywave, JPEGMAFIA, Jungle, Kailee Morgue, Kaitlyn Aurelia Smith, Kamasi Washington, Kauf, Kelela, Kikagaku Moyo, Kings of Leon, Kopps, Laff Trax, Lion Babe, Lizzo, Lophile, Lord Huron, Los Lobos, Lucy Dacus, Margo Price, Miguel, Mija, Milk Carton Kids, ModPods, Moses Sumney, The Mother Hips, Mura Masa, Neil Young, N.E.R.D, North Mississippi Allstars, ODESZA, Pale Waves, Paula Frazer and Tarnation, Phantogram, Pharoah Sanders, Pixies, Polo & Pan, POND, Portugal. The Man, The Pretenders, Quicksand, Ravyn Lenae, Rivers Cuomo, The Revolution, Robert Plant, Rory Phillips, RÜFÜS DU SOL, Sabrina Claudio, Salt-N-Pepa, Santigold, Sasha Sloan, Seu Jorge, Shakey Graves, Shame, Shana Falana, Sharon Van Etten, Silk City, Sleigh Bells, Snoh Aalegra, Soccer Mommy, The Specials, The Spook School, Stephen Malkmus & the Jicks, Tame Impala, Tenacious D, Third Eye Blind, Tinashe, together PANGEA, TV on the Radio, Tycho, Typhoon, Uniform, Wafia, Waxahatchee, The Weeknd, Wet, William Tyler, Will Varley, Yen Yen, Zedd

Now, it’s time for The Bam Team to present our favorite performances from 2018.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2018

Listen to The Bam Team’s favorite songs of 2018:


Best of 2018 - Cut Copy

Cut Copy

Date: March 3rd
Location: Exposition Park – Los Angeles

For those in LA who missed Cut Copy 10 months ago when they visited the Shrine Expo Hall with De Lux, Palmbomen II and Cooper Saver also on the bill, their headlining performance last Friday at The Wiltern was another chance to dance the night away upon hearing several classics such as “Need You Now”, “Free Your Mind”, “Future”, “Hearts on Fire” and to close, “Lights & Music”. In fact, the last time that we caught them back in March, a mini downpour erupted at Shaun White’s Air + Style (read our festival review here), but it didn’t phase them. Who said playing — and dancing — in the rain isn’t fun anyway? -Josh Herwitt, photo courtesy of Air + Style


Best of 2018 - Washed Out

Washed Out

Date: March 4th
Location: Exposition Park – Los Angeles

In what was easily the most visually stimulating (and pleasing) show we witnessed at Expo Park, Ernest Greene, who performs under the moniker Washed Out, entranced a completely packed crowd at the smaller Summer Stage with a slew of trippy visuals and his chilled-out tunes. We had been wanting to see Washed Out in SoCal for several months now, ever since Greene released the project’s third LP Mister Mellow last year, and after missing his gig with Nick Murphy at the Shrine Expo Hall in October, we were glad to finally hear him play “Hard to Say Goodbye” (one of our favorite songs of 2017) and “Feel It All Around” live as any loyal “Portlandia” fan would be. With Toro y Moi venturing away from the chillwave movement he helped pioneer, it’s up to Greene to lead the charge, and so far, he has done one hell of a job. -Josh Herwitt, photo courtesy of Air + Style


Best of 2018 - Phoenix

Phoenix

Date: March 4th
Location: Exposition Park – Los Angeles

After what we thought was an underwhelming way to wrap up Day 1, Air + Style closed with a bang thanks to Phoenix’s energizing, 16-song set. The French indie-pop outfit have headlined Coachella before, and it was more than worthy of that billing for this occasion. Kicking things off with the opening track “J-Boy” from their sixth studio album Ti Amo that dropped back in June, Thomas Mars and company gave us exactly what we wanted to hear: a hit-ladden show featuring singles like “Lisztomania”, “Trying to Be Cool”, “Too Young” and “1901”. No, there wasn’t a Daft Punk or R. Kelly appearance — not that we expected one — but Phoenix put an exclamation point on an otherwise successful weekend. We may not have known the quartet could rock that hard after the last time we saw them, but we definitely do now. -Josh Herwitt, photo courtesy of Air + Style


Best of 2018 - Moby

Moby

Date: March 26th
Location: Apogee Studio – Santa Monica, CA

His guitar playing, meanwhile, may be just as impressive, if not surprising to some. Less than two weeks before Moby stepped into Bob Clearmountain’s diminutive recording studio, I was fortunate enough to catch him the final of his three shows at The Echo, and it was there as he performed a variety of songs from Everything Was Beautiful, and Nothing Hurt, Play and a few other albums, that I fully realized just how talented he is with a black Gibson SG in his hands. He may be an electronic musician, but unlike a lot of them today, Moby is a musician in every sense of the word. While his vocals at times sound more like spoken word than actual singing, he has found more than capable sidekicks in Julie Mintz (keyboards, vocals) and Mindy Jones (vocals) to assist him in that department. Jones’ ranging voice, in particular, is one that suits his music well, and when you hear her sing, her pipes elevate the song to a whole new level. -Josh Herwitt, photo by Brian Feinzimer


Best of 2018 - The War on Drugs

The War on Drugs

Date: April 13th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Weeks before The War on Drugs released their fourth LP A Deeper Understanding last year, we were fortunate enough to hear Adam Granduciel and company perform a handful of cuts from the new album in an intimate setting for KCRW. It was then and there that we knew the follow-up to 2014’s Lost in a Dream was another masterpiece, and that impression was only validated when A Deeper Understanding won the Grammy for “Best Rock Album” just a few months ago. On Day 1 of Coachella, the Philadelphia band brought some of those same songs we witnessed at Apogee Studio to life, though sadly, this time “Holding On” wasn’t part of the setlist. But we did get to experience “An Ocean in Between the Waves” in all of its glory, and we still have yet to come across another piece of music in more recent years that will make you want to play air guitar as much as the seven-minute track from Lost in a Dream does. Who said rock was dead? -Josh Herwitt, photo courtesy of Goldenvoice


Best of 2018 - Jamiroquai

Jamiroquai

Date: April 13th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Thirteen years. That’s how long it has been since Jamiroquai last performed in the U.S. With that in mind, there was no way we were going to miss Jay Kay and the rest of his sidekicks in favor of The Weeknd’s headlining performance (sorry, Abel), and after what ended up being close to a 90-minute set from the London nu-funk/acid jazz group, we had no regrets about our decision. The only regret we have is that they ran out of time and didn’t get to play their smash hit “Virtual Insanity” in its entirety, and you could tell Jay Kay felt bad about it as he jumped down from the stage to greet some overjoyed fans after wrapping the show up with “Love Foolosophy” from 2001’s A Funk Odyssey. But while Weekend 2 attendees got the full version of the Travelling Without Moving single, we were treated to a massive surprise when Snoop Dogg came out to rap on “Dr. Buzz” with a huge blunt in his hand. It was the kind of collaboration you never expect to see, except at Coachella of all places. -Josh Herwitt, photo courtesy of Coachella


Best of 2018 - Eminem

Eminem

Date: April 15th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

While we can’t say that we were completely thrilled with Goldenvoice’s choices for this year’s headliners, we were excited to see Eminem finally play Coachella (he had never performed in an official capacity before) and close out the festival on Sunday night. Sure, his newest album Revival didn’t exactly receive rave reviews from critics when it dropped at the end of 2017, but watching one of hip-hop’s most talented emcees run through his hits all while bringing out 50 Cent and Dr. Dre was undoubtedly THE highlight from Day 3. For this “stan,” just crossing Em off my concert bucket list would have been enough to send me home with a smile. Fortunately for those of us who were there though, the real Slim Shady lived up to the hype and more. -Josh Herwitt, photo courtesy of Coachella


Best of 2018 - Big K.R.I.T.

Big K.R.I.T.

Date: April 19th
Location: Echoplex – Los Angeles

At Echoplex, we were treated to the “rapper” and the man himself as bass-heavy party starters like the title-track opener and “Confetti” from 4eva Is a Mighty Long Time got everyone hyped, while Atlanta’s T.I. came out to perform his verse on “Big Bank”. After singling out one excited fan, who was wearing a shirt with a giant picture of his face, during the easygoing “1999” and paying homage to Southern rap pioneers UGK, Big K.R.I.T. took the latter half of his hour-long set to connect with the crowd. -Joseph Gray, photo by Joseph Gray


Best of 2018 - Soulwax

Soulwax

Date: April 19th
Location: The Fonda Theatre – Los Angeles

While Soulwax’s recorded music has always been perfectly enjoyable, in person it becomes something else entirely. Their new, three-drummer lineup was the ideal format to hear new tracks like “Is It Always Binary” while giving older tracks such as “KracK” a newly textured and complex sound. Sitting stage right, drummer Victoria Smith, for one, offered the group some serious personality thanks to her animated facial expressions. -Zach Bourque, photo by Zach Bourque


Best of 2018 - NxWorries

NxWorries

Date: June 16th
Location: The Queen Mary – Long Beach, CA

I fall somewhere in the middle between those two age groups, so it was fitting that the uber-talented rapper/singer/drummer Anderson .Paak had just walked onto the “Free Your Mind” main stage when I showed up. .Paak, 32, wore a smile as expressive as his music, packaged with a bright nautical-themed ensemble. He effortlessly impressed with standouts “Suede”, “Another Time” and “What More Can I Say” off Yes Lawd!, his 2016 LP with Los Angeles hip-hop producer Knxwledge as part of their collaborative project NxWorries (pronounced “No Worries”). The duo’s set would eventually culminate in a playful dance-off between women, which fans showed their appreciation for before .Paak and Knxwledge said their goodbyes. -Joseph Gray, photo by Joseph Gray


Best of 2018 - The Roots

The Roots

Date: June 16th
Location: The Queen Mary – Long Beach, CA

However, anticipation for The Roots kept me at the main stage. It proved to be a wise decision, as their nearly hour-long performance reminded me why the Grammy-winning band is still so revered after more than three decades. Black Thought got the crowd riled up with a 10-minute barrage of lyrical proficiency that so many have come to know as his “Hot 97 Freestyle” after it hit the internet in December and quickly went viral, while his bandmates exuberantly jumped with sousaphones and guitars during “You Got Me” and a number of other hits. But providing a jolt like he only can, the one and only Busta Rhymes showed up for a quick-but-memorable performance of “Put Your Hands Where My Eyes Can See” and “Pass the Courvoisier, Part II”. -Joseph Gray, photo by Joseph Gray


Best of 2018 - Melvins

Melvins

Date: July 16th
Location: Great American Music Hall – San Francisco

I’m far from an expert on this kind of thing (because I’m not), but I didn’t expect to see the Melvins perform with the amount of energy that they showcased. For a band that has been touring and putting out new material for the past 35 years, they performed as if everything depended on it. You weren’t going to catch “King Buzzo” standing in one place for too long, with his signature fro whipping in the wind from the fans that were on the stage, McDonald and Pinkus holding it down on their own instruments, and Crover beating the living hell out of his drums. Fans were ready to receive the band and responded to the various sonic blasts coming from the amplifiers. During the thrashy songs, they formed a brutal pit, and during the sludgier songs, they lit up joints and bobbed their heads to the music. -Andrew Pohl, photo by Mike Rosati


Best of 2018 - Glassjaw

Glassjaw

Date: July 20th
Location: Observatory OC – Santa Ana, CA

Glassjaw’s show covered their entire discography, and very few fan favorites were left off the setlist. While it was to be expected that newer tunes like “Shira” and “New White Extremity” would rock, it was staggering how well their older songs held up in a live setting. Palumbo’s voice, though slightly less manic than it once was, is still unmatched in its vocal range and shear intensity. -Zach Bourque, photo by Zach Bourque


Best of 2018 - Weezer

Weezer

Date: August 8th
Location: The Forum – Inglewood, CA

That’s not to say that Cuomo isn’t a talented musician. In fact, quite the opposite is true. The Harvard grad shreds without question, something I never really realized until he uncorked a number of guitar solos, whether it was during “Buddy Holly” to open Weezer’s performance or “Say It Ain’t So” (with a snippet of Black Sabbath’s “Paranoid”) to put a bow on the show. And while there aren’t many lead singers who can do both, Cuomo certainly remains among some elite company, with Jack White, Trey Anastasio (Phish), Jim James (My Morning Jacket) and Josh Homme (Queens of the Stone Age) also immediately coming to mind. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Florence + the Machine

Florence + the Machine

Date: August 11th
Location: Golden Gate Park – San Francisco

There was a bit of controversy surrounding Saturday’s main slot as Florence + the Machine officially made the move to full-blown festival headliner. Some festivalgoers had their own doubts after FYF Fest 2018 was canceled with a near-identical top billing, but Florence and her bandmates proved, many times over, that she is more than capable of commanding any stage as her energy is unlike many others. She debuted a brand-new show, which featured “June” in the opening slot and was book-ended by “Big God” and “Shake It Out” for a two-song encore. -Kevin Quandt, photo by Norm de Veyra


Best of 2018 - Janelle Monáe

Janelle Monáe

Date: August 12th
Location: Golden Gate Park – San Francisco

The incomparable Janelle Monáe was a tad late to take the stage, as she was fighting off a stomach bug, but when she did, she captivated the masses with a suite of tracks from her most recent release Dirty Computer and tossed in a fair amount of costume changes over a nearly hour-long set. Monáe proved that she’s easily one of the best in the business at the moment and will only continue to climb upwards. -Kevin Quandt, photo by Norm de Veyra


Best of 2018 - Deafheaven

Deafheaven

Date: August 18th
Location: The Wiltern – Los Angeles

Fortunately, Deafheaven haven’t bowed to convention or criticism. Their fourth studio album Ordinary Corrupt Human Love, which ANTI‐ released last month, is their arguably their most experimental to date, spanning more than an hour over seven songs. There’s a sense of angst and nostalgia in the music that leans far more positive and hopeful than their previous work. There are still echoes of black metal at times, but you can feel this is a band that’s embracing its differences instead of defending them. -Zach Bourque, photo by Zach Bourque


Best of 2018 - Jack White

Jack White

Date: August 19th
Location: Santa Barbara Bowl – Santa Barbara, CA

Yet, for as eclectic and wide-ranging as White’s output has been over two decades, it’s the unpredictable nature of his live shows that makes them so intriguing to see. This time, we were treated to a rare cover of The Stooges’ “T.V. Eye” from their 1970 album Fun House, as well as a number of fan favorites, from set closer “Ball and Biscuit” to an eight-song encore that featured “Icky Thump” (with some amusing “Icky Trump” messaging), “Steady, as She Goes” (with a snippet of Richard Berry’s 1955 song “Louie Louie”), and of course, what has easily become the biggest stadium anthem in the world, “Seven Nation Army”. And though the show didn’t conclude without a few hiccups during some of White’s improvised playing between songs, he hasn’t lost his unique ability to surprise an audience — whether it means bringing out his mother in Detroit to perform “Hotel Yorba” with him or covering Pearl Jam’s “Daughter” in Seattle — at any given moment, especially when we all aren’t staring down at our phones. -Josh Herwitt, photo courtesy of Jack White


Best of 2018 - David Byrne

David Byrne

Date: August 22nd
Location: Bill Graham Civic Auditorium – San Francisco

As the show progressed into his songs “Here” and “Lazy”, Byrne’s band joined him onstage. The light changed and filled in the stage, giving the audience a happier tone and providing a seamless transition into a Talking Heads interlude. Then, later on during “Blind”, one of the more stunning visual elements was made possible by a simple lamp that was placed in front of the band, casting whirling shadows on the strands of beads hanging behind them. -Tim O’Shea, photo by Tim O’Shea


Best of 2018 - The National

The National

Date: September 20th
Location: Hollywood Palladium – Los Angeles

Right before that final aforementioned single, they brought out Phoebe Bridgers to help them perform “Sorrow” from 2010’s High Violet, as Berninger and the 24-year-old singer-songwriter, who said during her brief opening set that The National were her favorite band, traded vocals on the tune they once played 105 times in a row, with the performance at an art installation in New York lasting all of six hours. We weren’t quite as fortunate to get that kind of show in LA, as The National opted for one of their more traditional, two-hour events. But whether you’ve been a fan from the start or one like myself who arrived rather late to the party, The National continue to make some of the most compelling music in rock, expanding their fan base with each and every album they release. That’s the sign of any good band these days, and though there’s only a handful of others that could even say the same right now, The National should take comfort in knowing they’re one of those select few. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Grizzly Bear

Grizzly Bear

Date: September 23rd
Location: Hollywood Bowl – Los Angeles

Similarly, the gig also marked one of Grizzly Bear’s last performances in support of their fifth LP Painted Ruins, which they released last year on RCA Records, and having already played a two-night run at The Wiltern back in December, this was more of a victory lap than a coming-out party. Unfortunately for us, the five-piece had to cut things short due to the venue’s strict Sunday night curfew, ending on a rather sudden note. That’s just part of the deal at the Bowl, though. For those of us who have to work on Monday morning, it’s actually more of a blessing in disguise than a disservice to the overall concert experience as we’ve come to realize. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Courtney Barnett

Courtney Barnett

Date: October 5th
Location: Greek Theatre – Los Angeles

When she wasn’t sharing the spotlight with Waxahatchee, Barnett was sharing it equally with the rest of her stellar backing band, but it was mostly just difficult to take your eyes off of her. Everything she does feels casual, from her outfit to her guitar playing, slinging her instrument around like it was an extension of herself. Even her delivery of the wrenching reality that the 30-year-old Australian singer-songwriter articulates so well is casual, singing like the end of the world isn’t a mere 22 years away. -Rochelle Shipman, photo by Rochelle Shipman


Best of 2018 - Greta Van Fleet

Greta Van Fleet

Date: October 6th
Location: Glen Helen Regional Park & Festival Grounds – San Bernardino, CA

By the time we got through security and stepped inside the gates, Manchester Orchestra had just finished their 45-minute set on the main stage, which essentially was the 65,000-person Glen Helen Amphitheater that was constructed back in 1982 for the first US Festival. Next up was Greta Van Fleet, and boy, do these kids know how to rock. Zeppelin clearly runs deep in these four Michiganders’ veins, as they showcased songs off their forthcoming debut album Anthem of the Peaceful Army with frontman Josh Kiszka commanding the stage and offering his best Robert Plant impression. He even dresses the part, sporting some tight, white jeans with a water-colored blouse and necklace of feathers while his brothers Jake and Sam wore vests or shirts that looked like what you would find at a vintage clothing store. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Foo Fighters

Foo Fighters

Date: October 6th
Location: Glen Helen Regional Park & Festival Grounds – San Bernardino, CA

As the Foos left the stage for their encore break, we waited patiently for them to return. The crowd, by now, had been taken for a two-hour ride with Grohl firmly at the wheel, pumping adrenaline into our veins with every minute that passed as the Foo Fighters know how to do so well during their usual two-and-a-half-hour jaunts. The video screens on each side of the stage were black until suddenly some backstage footage appeared showing Grohl with Krist Novoselic and what looked like Joan Jett. All of that would end up coming true in the last 30 minutes of Cal Jam 18, but it was a six-song encore with Grohl on drums, Novoselic on bass, the Foo Fighters’ Pat Smear on guitar and Deer Tick frontman John McAuley on both vocals and guitar as Kurt Cobain’s fill-in who got us hyped. Nirvana fans have waited 25 years for a reunion since Cobain’s sudden passing, and when you put it in perspective, it will probably go down as one of the year’s biggest surprises, even at a time in music when many industry experts say that rock now stands in the shadows of hip-hop and EDM. -Josh Herwitt, photo by Josh Herwitt


Best of 2018 - Pusha T

Pusha T

Date: October 13th
Location: Middle Harbor Shoreline Park – Oakland

But U.S. Girls were the highlight of the weekend for us. A nine-piece experimental pop act, they put on a stunning 45-minute set that culminated in an entrancing rendition of “Time”, the closing track on their critically acclaimed studio effort In a Poem Unlimited, that lasted more than 10 minutes. The energy, instrumentation and vocal capabilities were absolutely stunning. Easily one of this year’s most exciting new acts, and we can’t wait to catch them again soon. -Brett Ruffenach, photo by Brendan Mansfield


Best of 2018 - U.S. Girls

U.S. Girls

Date: October 14th
Location: Middle Harbor Shoreline Park – Oakland

But U.S. Girls were the highlight of the weekend for us. A nine-piece experimental pop act, they put on a stunning 45-minute set that culminated in an entrancing rendition of “Time”, the closing track on their critically acclaimed studio effort In a Poem Unlimited, that lasted more than 10 minutes. The energy, instrumentation and vocal capabilities were absolutely stunning. Easily one of this year’s most exciting new acts, and we can’t wait to catch them again soon. -Brett Ruffenach, photo by Josh Withers


Best of 2018 - Daniel Caesar

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The Bam Team’s 5 Favorite Shows, Albums & Songs of 2018

David Byrne at Bill Graham Civic Auditorium


David Byrne at Bill Graham Civic Auditorium // Showbams’ Photo of the Year, by Tim O’Shea

We have to be honest: 2018 was kind of a weird year for music. Sure, there were some major highlights — many of them listed below, in fact — but we also saw a serious changing of the guard. The decline of mainstream rock and the continued rise of hip-hop, R&B and pop was more noticeable than ever, from this year’s Coachella lineup to the cancellation of FYF Fest, making us wonder what the next twist or turn will be for the industry now that the demand for EDM has started to cool off following its boom circa 2012. That said, we still listened to a lot of new albums and caught plenty of concerts over the last 12 months, and it’s once again time for us to share our annual “Best of” lists, much like we have done over the past several years (see our 2017 picks here).

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2018.

See our favorite performances from 2018 here.

Listen to The Bam Team’s favorite songs of 2018:


Jamiroquai at Coachella 2018


Jamiroquai at Coachella 2018 // Photo courtesy of Coachella

Josh Herwitt // Los Angeles

Top 5 Shows of 2018
1. Queens of the Stone Age at The Forum – Inglewood, CA – February 17th
Just more than two months after his infamous assault on a photographer at The Forum for KROQ’s Almost Acoustic Christmas, Queens of the Stone Age leader Josh Homme made his return to the LA arena for a proper, sold-out affair with UK rock duo Royal Blood delivering what proved to be a headbanging opening set. From there, it only got better as Homme and the boys dazzled with a headlining performance that even included Villains producer Mark Ronson sitting in for most of the five-song encore and the band’s live debut of its “Goodbye Yellow Brick Road” cover. You can bet Elton John, whom Homme actually collaborated with during the writing and recording of QOTSA’s sixth album …Like Clockwork, would have been proud. I always know when I’ve seen a good rock ‘n’ roll show because my neck will be sore the following day, but after this one, it was sore for the next three days. Ouch.

2. Nine Inch Nails at Hollywood Palladium – Los Angeles, CA – December 12th, 14th-15th
3. Jamiroquai at Coachella, Weekend 1 – Indio, CA – April 13th
4. David Byrne at Santa Barbara Bowl – Santa Barbara, CA – August 24th
5. Foo Fighters/Nirvana reunion at Cal Jam 18 – San Bernadino, CA – October 6th

Top 5 Albums of 2018
1. Jungle – For Ever
Unlike previous years, picking a favorite album in 2018 wasn’t quite as easy for me. I’ll admit that I didn’t hear every one that was released this year, but I listened to a lot of them. So, call me boring and short-sighted if you like, but nothing totally knocked my socks off. After much deliberation, it was Jungle’s sophomore LP For Ever that stood the test of time for me (no pun intended). The English soul collective’s follow-up to its 2014 self-titled debut doesn’t veer off in a completely different direction from what came before, but it still moves the sonic needle forward enough. After two full lengths, Jungle have shown a knack for writing catchy, dance-fueled tunes that transport you to a different time and place — even if it’s only for a three- or four-minute stretch.

2. Khruangbin – Con Todo El Mundo
3. Arctic Monkeys – Tranquility Base Hotel & Casino
4. Kamasi Washington – Heaven and Earth
5. Big Red Machine – Big Red Machine

Top 5 Songs of 2018
1. Nine Inch Nails – “Over and Out”
When I first listened to Bad Witch, I immediately knew this one was my favorite track on the album. But hearing it performed live on the final night of NIN’s “Cold and Black and Infinite” North American tour sealed it for top honors in 2018. Layering a brooding, yet funky bass line on top of a glitchy, experimental beat, Trent Reznor shows that he isn’t just playing it safe and merely saving his creativity for scoring films with bandmate and longtime collaborator Atticus Ross. You can tell Reznor had his late friend David Bowie in mind when he wrote the song too as he conjures up an even deeper baritone from behind the microphone than the one we have come to know over the last 30 years.

2. Childish Gambino – “This Is America”
3. Jungle – “Heavy, California”
4. Wild Nothing – “Partners in Motion”
5. The Raconteurs – “Now That You’re Gone”


Richard Russell - Everything Is Recorded

Molly Kish // San Francisco

Top 5 Shows of 2018
1. David Byrne at Fox Theater Oakland – Oakland, CA – August 16th
In support of his seventh solo album American Utopia, musical virtuoso David Byrne hit the road for one of this year’s most creative and ambitious tours. Over more than 150 dates that spanned the entire globe, the 66-year-old delivered Broadway-caliber performances with a traveling 11-piece band that served as a traveling retrospective of his solo and collaborative work. Meanwhile, the tour also doubled as a platform for him to deliver his “Reasons to Be Cheerful” manifestos on civic engagement, climate/energy, culture, economics, education, health, science/technology and urban transportation. He partnered with HeadCount while encouraging audiences every night to engage in public discourse through social media and their own personal stories on his website. And as a result, Byrne elevated the concert-going experience into more of an interactive, performance-art space that his fans became a living, breathing part of.

2. Young Fathers at The Independent – San Francisco, CA – November 10th
3. Erykah Badu & Thundercat at The Armory – San Francisco, CA – February 14th
4. Beck at The Independent – San Francisco, CA – August 8th
5. LCD Soundsystem with TV on the Radio at Greek Theatre Berkeley – Berkeley, CA – April 27th-28th

Top 5 Albums of 2018
1. Richard Russell – Everything Is Recorded by Richard Russell
A multi-artist project released as the debut album of XL Recordings founder Richard Russell, Everything Is Recorded is collaborative effort representing the ties between past and present sounds currently shaping the framework of hip-hop, funk and soul. Featuring collaborations with Sampha, Kamasi Washington, Syd, Damon Albarn, Peter Gabriel, Ibeyi, Obongjayar and more, the album also plays as the soundtrack to a 30-minute film, which documents the time each spent in the studio during its conception and is interspliced with archival footage of Gil Scott-Heron and Curtis Mayfield. With its underlying themes of loss and isolation, Everything Is Recorded effectively communicates Russell’s emotional journey as he battles a debilitating autoimmune disease in hope of finding salvation through the shared experience of creating a beautifully mastered piece of art.

2. George Fitzgerald – All That Must Be
3. Pusha T – DAYTONA
4. Robyn – Honey
5. Khruangbin – Con Todo El Mundo

Top 5 Songs of 2018
1. Childish Gambino – “This Is America”
If any song embodied the insanity and collective discontent of 2018, it was definitely Childish Gambino’s epic single “This Is America”. The juxtaposition of an a cappella choir leading into Donald Glover’s soft crooning over island beats and drum samples before staunchly diverting to a menacing base line reminiscent of 90’s gangster rap — as well as the hortative delivery of degrading lyrics about the current state of violence and American ideals — is near-perfect. Of course, the provocative music video that accompanied the track’s surprise release during his “Saturday Night Live” debut was incredible. The song, lyrics, video and marketing campaign could not have been a more flawless “slice of life” reflection of modern American society and justifiably has boomeranged into probably the most important moment of Childish Gambino’s career so far.

2. The Presets – “Downtown Shutdown”
3. Jon Hopkins – “Everything Connected”
4. Jungle – “Casio”
5. Parquet Courts – “Wide Awake”


Kevin Quandt // San Francisco

Top 5 Shows of 2018
1. David Byrne at Jazzfest – New Orleans, LA – April 29th
You know what they say: the first time is always the best. With David Byrne’s 2018 “American Utopia Tour” being universally acclaimed as one of the most enigmatic live shows of the year, it’s not surprising to see it top other “Best of” lists. Byrne and his merry band of “unplugged” pranksters created a feast for the eyes and ears, and his daytime set on the Gentilly Stage did not disappoint at all. While his Fox Theater Oakland shows were more intimate and featured some more dynamic lighting features, his performance at Jazzfest back in April was the most memorable for NOLA revelers.

2. Jamiroquai at Bill Graham Civic Auditorium – San Francisco, CA – April 17th
3. Polo & Pan at The Independent – San Francisco, CA – June 20th
4. Nine Inch Nails at Bill Graham Civic Auditorium – San Francisco, CA – December 4th
5. Rolling Blackouts Coastal Fever at Primavera Sound – Barcelona, Spain – June 2nd

Top 5 Albums of 2018
1. Khruangbin – Con Todo El Mundo
What a banner year for this Texas trio! Khruangbin have been on a steady rise the past few years as they turn on the masses to their infectious amalgamation of psychedelic soul, Thai surf rock and subtle funk. Having cemented their reputation as beasts in a live setting, Con Todo El Mundo proved their knack for penning tunes of equal strength with its emotive first single “Friday Morning” serving as a clear standout. “Evan Finds the Third Room” has also become a fan favorite, and the accompanying music video only lends to its growing charm. The sky’s the limit for Laura, Mark and DJ, so grab your ticket to fly.

2. Hookworms – Microshift
3. Amen Dunes – Freedom
4. Shame – Songs of Praise
5. Stephen Malkmus and the Jicks – Sparkle Hard

Top 5 Songs of 2018
1. Jonathan Wilson – “Trafalgar Square”
LA producer-turned-frontman Jonathan Wilson churned out one helluva album opener for his third solo LP Rare Birds, as this six-plus-minute romp has all the right pieces for true liftoff. A proper intro leads into a riff so heavy that it’ll break your mama’s back. Top-notch production is key to this track, as Wilson is a wiz behind the boards. As you cruise down the 405 with this whopper blaring, you’d be hard-pressed not to nod along. Extra points for those of you with a 1970’s convertible, too.

2. Tom Misch – “Water Baby” feat. Loyle Carner
3. Childish Gambino – “This Is America”
4. Jonathan Something – “Happy Day”
5. Men I Trust – “Seven”


Shame - Songs of Praise

Andrew Pohl // San Francisco

Top 5 Shows of 2018
1. The Smashing Pumpkins at Oracle Arena – Oakland, CA – August 27th
The Smashing Pumpkins are the quintessential 90’s arena-rock band, and they fully lived up to that billing at Oracle Arena for their Bay Area stop over the summer. I’ve seen them several times over the years, and although this time it was pegged as a “reunion tour” (minus D’Arcy, sigh), you never know what you’re going to get from them. Billy Corgan led the band through over three hours’ worth of material with some killer stage production to go with it. The show was definitely a marathon, but totally worth being there for. It came to light later that Corgan was also fighting off a bad case of food poisoning, but it didn’t show. It was great to see James Iha and Jimmy Chamberlain back onstage, too — the way it should be.

2. Nine Inch Nails at Bill Graham Civic Auditorium – San Francisco, CA – December 3rd
3. Against Me! & Turbonegro at UC Theatre – Berkeley, CA – May 25th
4. Alkaline Trio at The Warfield – San Francisco, CA – October 6th
5. Back To The Beach Festival – Huntington Beach, CA – April 28th-29th

Top 5 Albums of 2018
1. Shame – Songs of Praise
This album hit me like a ton of bricks in the best way. I had heard a ton of hype around Songs of Praise before giving it a first listen, and usually I am a healthy skeptic, but good Lord, does this record rip. It has a dark flavor and carries with it a lot of angst, and you can’t help but get caught up in the hooks that Shame offer. These five lads from South London simply killed it.

2. IDLES – Joy as an Act of Resistance
3. Kamasi Washington – Heaven and Earth
4. Hot Snakes – Jericho Sirens
5. Snail Mail – Lush

Top 5 Songs of 2018
1. Shame – “Concrete”
Conjuring up the ghost of Joy Division’s Ian Curtis without sounding like a complete poser is challenging for newer post-punk bands it seems — except for Shame’s Charlie Steen. Paired with some brilliant instrumentation, I just couldn’t stop listening to “Concrete” when I first heard it. I must have listened to the track a solid 10 times in a row on the first go. This song has an infectious quality to it and is a straight-up ripper.

2. The Soft White Sixties – “I Still Love You, San Francisco”
3. Hot Snakes – “Six Wave Hold-Down”
4. IDLES – “Colossus”
5. The Sword – “Come and Gone”

Showbams_Sticker_Rectangle2

CRSSD taps ODESZA, Phantogram, Jungle, Petit Biscuit, Whethan & more for Spring 2019 lineup

CRSSD Festival - 2019 lineup

CRSSD Festival //
Waterfront Park – San Diego
March 2nd-3rd, 2019 //

After wrapping up its fourth full year in September with Duke Dumont and Bob Moses leading the way, CRSSD is back this March for another go-around.

The bi-annual event, which has become a stronghold in Southern California’s crowded music festival scene since making its official debut back in 2015, will see a couple of electronic duos top its Spring 2019 bill.

For CRSSD’s ninth installment, ODESZA will return to San Diego’s scenic Waterfront Park after headlining in 2016 and Phantogram will make their first-ever appearance. Listed right behind those two are some other notable names, including Jungle, Petit Biscuit, Whethan, Ladytron, Maribou State and Tourist, while Lane 8, Justin Martin (& Friends), Armand Van Helden, Erol Alkan, Maetrik (live), The Martinez Brothers, Stephan Bodzin (live), Pan-Pot and more round out the two-day fest’s electronic-focused roster.

See the poster above for the rest of the lineup. Advanced tickets for the 21-and-over event will be available here starting Tuesday, December 11th.

CRSSD Festival 2018

Treasure Island Music Festival 2018: A strong return for one of the Bay Area’s best live music events

Treasure Island Music Festival 2018 - JunglePhotos by Brendan Mansfield, Josh Withers, Paige K. Parsons & Josh Sanseri // Written by Brett Ruffenach //

Treasure Island Music Festival //
Middle Harbor Shoreline Park – Oakland
October 13th-14th, 2018 //

Treasure Island Music Festival is back. After 10 years on its namesake island, Another Planet Entertainment’s and Noise Pop’s two-day music and arts festival has returned in full form to its new home, the Middle Harbor Shoreline Park in Oakland.

A popular spot for open-air events, MHSP has become well-known for its sprawling natural grass, cool breeze and stunning sunsets revealing a silhouetted view of the Bay Bridge and San Francisco skyline. Having hosted both hip-hop festival Blurry Vision and house music day party All Day I Dream in the past, the park has become a reliable space for large-scale events in the East Bay.

TIMF 2018 was no different. For the fest’s first iteration at this new venue, organization and logistics ran as smoothly as one may hope. Based on my own experience and the anecdotes shared by other festivalgoers throughout the weekend, arriving and leaving the festival was simple and stress-free; exiting both nights after the headliner finished and waiting to board the shuttle to the West Oakland BART station took no longer than 30 minutes, even at peak times. After transporting thousands of patrons on and off Treasure Island in years past, it’s not a surprise that the organizers were successful in keeping everything on course over the whole weekend.

The layout of the festival followed a similar logic to previous iterations: two stages at opposite ends of a large field, with artists playing back-to-back on each stage. This is where TIMF truly shines — to be able to see every artist on any music festival’s lineup is always a treat. Kicking off Saturday’s hip-hop and electronic-oriented artist roster was up-and-coming experimental rapper JPEGMAFIA. Using nothing but a laptop (managed by himself) and a mic, JPEGMAFIA spent much of his set in the crowd, rapping his manic flows atop noisy, blaring hip-hop beats.

Treasure Island Music Festival 2018 - Moses Sumney


Moses Sumney

Later, Moses Sumney took the stage as a four-piece band, a new iteration of what has usually been a solo project. His sultry vocals, combined with some expanded instrumentation, made for a complete reinvention of the LA native’s live show. “Make Out in Your Car”, for example, featured an extremely groovy outro that gave the band backing the soulful singer-songwriter space to jam out for a second.

Sadly, as Sumney began his closing track “Plastic”, electronic duo Polo & Pan started their set on the opposite stage, quickly overtaking the airwaves across Middle Harbor. Polo & Pan have garnered considerable hype this year, and for good reason. The French duo seamlessly guided us through a 45-minute, non-stop dance party, layering bacchanalian melodies over thumping house beats that invoked a sense of being at a old-time carnival. It’s quite a unique sound that can really get a crowd moving.

As the afternoon progressed, artist after artist brought their best underneath the beating sun. Laff Trax is a new side project featuring Bay Area resident Chaz Bundick (aka Toro y Moi) and enigmatic electronic producer Nosaj Thing. In what really ended up being a B2B DJ set rather than a new musical project, the two DJs were impeccable in their selections.

Back at the main stage, Santigold celebrated the 10th anniversary of her self-titled debut LP by performing it in full. Another new DJ duo, Silk City, which was formed by All-Star record producers Mark Ronson and Diplo, shortly followed, keeping a small crowd moving leading up to the night’s two final acts: Pusha T and A$AP Rocky.

Treasure Island Music Festival 2018 - Pusha T


Pusha T

Pusha T took The City stage right at set time, kicking off with an a capella intro to the opening track “If You Know You Know” from his most recent album Daytona. From there, it was “King Push” in full form — performing a setlist of nearly 20 songs, back to back to back, while never missing a beat. Throughout the set, Pusha and his DJ continuously proclaimed “DAYTONA … ALBUM OF THE YEAR!” And after he performed the whole disc from start to finish, including a word-perfect rendition of “Infared”, I might be inclined to agree.

Saturday headliner A$AP Rocky was an unfortunate disappointment. Due to what we think was technical difficulties, he didn’t take the stage until 37 minutes after his scheduled start time, killing more than half an hour. While he brought all the bells and whistles one would expect — pyrotechnics, strobe lights and a full backing band — when headlining a festival, you could tell he felt rushed and flustered trying to get through what they could before the strict noise curfew of 10 p.m. As a result, Rocky ended up being one of the more forgettable acts of the weekend.

Sunday at TIMF proved to be sublime. Offering just as much sunshine and warmth as Day 1, a perfectly sequenced day focused heavily on rock transpired. Pond, the first of four Australian acts to perform on the main stage, got things started for a noticeably large audience, many of who were likely Tame Impala fans arriving early to show their support for Jay Watson, who is in both bands. Next was Soccer Mommy, another one of this year’s indie darlings, as she and her sidekicks held their own playing tracks off her debut LP Clean, including excellent takes on “Your Dog” and “Cool”.

Alex Cameron, the second Australian act to take the main stage on Sunday, is a puzzling one. Picture “Macho Man” Randy Savage meeting Michael Jackson if you can. It’s part comedy bit, part completely serious 80’s dream-pop band. Cameron describes the project as a “dossier of evidence about the condition of being a straight white male.” Take from that what you will.

Treasure Island Music Festival 2018 - U.S. Girls


U.S. Girls

The marathon of music subsequently continued. Shame, a post-punk outfit that couldn’t have originated from anywhere except the UK, brought a breath of fresh air (and dust) to TIMF with their fast and loose instrumentation and leery vocal stylings. Sharon Van Etton unveiled what I see as version 2.0 of her music by adding some really gritty guitar and synthesizer sounds to her stunning vocals. We look forward to hearing her new album Remind Me Tomorrow, which comes out next year.

But U.S. Girls were the highlight of the weekend for us. A nine-piece experimental pop act, they put on a stunning 45-minute set that culminated in an entrancing rendition of “Time”, the closing track on their critically acclaimed studio effort In a Poem Unlimited, that lasted more than 10 minutes. The energy, instrumentation and vocal capabilities were absolutely stunning. Easily one of this year’s most exciting new acts, and we can’t wait to catch them again soon.

Tame Impala delivered what one might expect from one of the world’s top-touring rock bands right now. Running through a 17-song set full of hits, from “Alter Ego” to “The Less I Know the Better” on 2015’s Currents, the final Aussie act of the day left us with a special treat by playing “Jeremy’s Storm” from their debut album Innerspeaker for the first time in nearly five years.

After taking 2017 off and relocating to Oakland, TIMF has returned in full form and we are certainly thrilled about that. With great weather, excellent organization and a near-perfect sequencing of artists this year, it still happens to be one of the best live music events in the Bay Area. Who’s ready for 2019?

Can Treasure Island Music Festival regain its footing after a year off & a new location?

Treasure Island Music Festival - 2018 lineupWritten by Brett Ruffenach //

Treasure Island Music Festival //
Middle Harbor Shoreline Park – Oakland
October 13th-14th, 2018 //

With what seems like an endless amount of opportunities to see dozens of artists perform over a weekend in the Bay Area — Outside Lands, Hardly Strictly Bluegrass, Blurry Vision … the list goes on — Treasure Island Music Festival has spent the past decade establishing a foothold in Northern California’s festival scene through well-curated lineups and unique headliners such as Massive Attack, Atoms for Peace and Outkast, along with exciting emerging artists in pop, hip-hop, electronic and rock ‘n’ roll.

Best of all, TIMF is one of the few music festivals where you can see every single artist on the lineup. A two-stage event that staggers artists back-to-back for 12 hours straight, it’s ideal for those looking to discover some of the hottest live music acts on tour right now.

TIMF has gone through a couple changes over the years. Originally held on the northwestern end of its namesake island for the first nine years, organizers were forced to relocate the fest due to construction on new housing (what else would it be, of course?) in the area. And after what was an unfortunate 2016 installment due to bad weather and artist cancellations on the opposite end of Treasure Island, the festival took a break last year.

But TIMF has found a new home in Oakland’s Middle Harbor Shoreline Park. A new popular spot for open-air events, MHSP has become quite well-known for its sprawling natural grass, cool breeze right off the water and sunsets revealing a stunning, silhouetted view of the Bay Bridge and San Francisco skyline. MHSP has proven to be a reliable space for festivals, with events like hip-hop festival Blurry Vision and house music day party All Day I Dream.

Treasure Island Music Festival - 2018 daily lineups

TIMF’s 2018 lineup features, top to bottom, some of the most interesting artists in pop, rock, hip-hop, electronic and all the experimental forms that cross them. In an era where hip-hop remains at the height of its popularity, TIMF 2018 includes artists behind some of the most provocative rap music released this year. JPEGMAFIA, a rapper hailing from Baltimore, is a standout among heavy hitters like Pusha T and A$AP Rocky. Blending experimental noise with booming beats behind maniacal flows, this is not one to be missed. He’s on at 12:40 p.m., so get there early, folks. You won’t regret it.

It’s hard to place a lot of these exciting artists in a specific genre. How can you capture the sweeping sounds of Moses Sumney? Take the soaring vocal traditions in gospel, then mix jazz, looped electronics and simple guitar chord progressions, and stir. Having hit pretty much every major music festival this year while also appearing at The Oscars with Sufjan Stevens, this buzzworthy artist lives up to the hype.

In a similar vein, serpentwithfeet will make an appearance to play the experimental sounds from his critically acclaimed album, entitled soil, that arrived in June. Alongside other genre-bending artists like Hiatus Kaiyote, a soul-meets-rock band bound to catch the interest of any first-time listener, there’s really no shortage of artists refusing to be placed in one category.

Joining the wide spectrum of hip-hop, R&B and jazz showcased on Saturday is a cavalcade of cutting-edge electronic projects, including easily one of the most exciting acts to emerge over the last year in French duo Polo & Pan.

Treasure Island Music Festival - 2018 map

Even more excitingly, TIMF will host two brand-new projects making their Bay Area debut: Laff Trax and Silk City. Hard to imagine what exactly to expect, but when you see that indie-pop artist and Berkeley native Toro y Moi is going B2B with the downtempo, enigmatic beats of Nosaj Thing, it’s hard not to have your hopes high. Similarly, Silk City will feature two of the biggest pop music producers in the world joining forces, Mark Ronson and Diplo. You’ll just have to be there to see what it’s like.

Guitars may seem like a thing of the past at other major music festivals (we’re looking at you, Coachella), but at TIMF, rock ‘n’ roll is thriving. With the current kings of psychedelic rock in Tame Impala leading the pack, the bands preceding them are sure to pack their own punch.

Among the most exciting are U.S. Girls, a pop project lead by the unique vocal stylings of Meghan Remy. Their most recent LP In a Poem Unlimited is destined to top many year-end lists, and we can only expect their live production to meet a similar standard. Sharon Van Etten, with her new-meets-old-school style, and Courtney Barnett, who possesses the most charming accent in the game and just played LA’s Greek Theatre (read our review here) this month, also will be there to showcase their latest material.

Be sure to hit the merch stand early, as TIMF will have a brand-new line of gear to celebrate their new home in Oakland. This year’s merch is presented in partnership with Oaklandish, which is a popular fashion line and retail store based in Oakland. They’ll be printing all of this year’s merch locally in their warehouse, and they’ve also been tapped to design a new collaborative item specific to 2018. The company will also have a pop-up booth at TIMF for those looking to explore additional apparel and accessories. Plus, there will be a variety of Oakland and East Bay food trucks to keep things local and of course, your bellies full.

Who are you most excited to see? What are your pro tips for this weekend?

Goldenvoice announces 2018 Coachella sideshows

Goldenvoice Presents: April 2018

It’s Valentine’s Day, so what could be a better way to celebrate love — or least your love for live music — than with a whole slew of newly announced shows?

Well, with Coachella’s 19th edition just a couple of months away, Goldenvoice has done it again, assembling another massive list of April sideshows at various venues all across the greater Los Angeles landscape, including some in Orange County (at The Observatory and Constellation Room), Santa Barbara County (at the Santa Barbara Bowl and The Arlington Theatre) and the desert (at Pappy & Harriet’s).

Sister trio HAIM kick off the festivities with their headlining performance at arguably our favorite Southern California venue, the Santa Barbara Bowl, on Saturday, April 7th before things ramp up the ensuing week with Kali Uchis, Chromeo, Tyler, the Creator, St. Vincent, Portugal. The Man (with Cherry Glazerr), Perfume Genius (with Big Thief), Princess Nokia, PVRIS, Marian Hill, Fleet Foxes, Carpenter Brut, Tash Sultana, The Drums & Alvvays (with Fazerdaze), alt-J (with BØRNS), Migos, The Bronx, Greta Van Fleet, A Perfect Circle, Yaeji, Angel Olsen, Jessie Ware, BROCKHAMPTON, First Aid Kit, Japanese Breakfast (with Snail Mail), Kelela, Rolling Blackouts Coastal Fever, Buscabulla (with The Marías), Priests, MØ, Jorja Smith & Tom Misch, ODESZA, Miguel, Boogarins (with B Boys & Señor Kino), Ron Gallo, Moon Boots (Live), The War on Drugs, Jungle, Soulwax, Petit Biscuit, 6lack, Aurora, Motor City Drum Ensemble (with Talaboman), Los Ángeles Azules, The Drums, Hayley Kiyoko and Elohim all playing — some even more than once — inside and/or outside of LA’s city limits.

Unlike last year’s sideshows, which included a special showcase at the Palm Springs Air Museum the night before Coachella’s first weekend featuring several artists from British independent record label Young Turks, Goldenvoice has opted not to go down that route again. The two gigs that mirror that mini festival the closest both take place on Thursday, April 19th, as Motor City Drum Ensemble performs at the Palm Springs Air Museum with Talaboman and Los Ángeles Azules invades the Riverside County Fairgrounds with Cuco, Helado Negro and Ocho Ojos just one day before Coachella Weekend 2 commences at the Empire Polo Club. Check out the full list of sideshows in the poster above.

Year after year, Goldenvoice seemingly continues to outdo itself with more and more shows in and around Coachella, and this April the renowned concert promoter has done its best to give music fans in Southern California a little bit of everything, from electro funk and indie folk to hip-hop and alternative R&B. But at first glance, the 2018 sideshows that stick out the most to us include the following: Chromeo at the El Rey Theatre, St. Vincent at The Orpheum Theatre, Perfume Genius (with Big Thief) at The Mayan, Fleet Foxes at the Warner Grand Theater, Tash Sultana at the Fox Theater Pomona, The Drums & Alvvays co-headlining (with Fazerdaze) at Pappy & Harriet’s, alt-J (with BØRNS) at the Santa Barbara Bowl, Migos at The Observatory, A Perfect Circle at The Arlington Theatre, Japanese Breakfast (with Snail Mail) at The Roxy, The War on Drugs at the Fox Theater Pomona, Jungle at Pappy & Harriet’s, Soulwax at The Fonda Theatre, 6lack at The Novo and Portugal. The Man (with Chicano Batman and Deap Vally) at the Santa Barbara Bowl.

Tickets for most of the sideshows go on sale here this Friday, February 16th at Noon PT with the rest of them available on Friday, February 23rd at Noon PT or Friday, March 2nd at Noon PT.

Goldenvoice

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2014

St. Vincent at Fox Theatre Oakland // Showbams' Photo of the Year, by Pedro


St. Vincent at Fox Theater Oakland // Showbams’ Photo of the Year, by Pedro Paredes

Ah, year-end lists — they’re an exercise in subjectivity and personal experience if there has ever been one. But what better way is there to learn from each other and discover some great new music while capping off the year and beginning anew?

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2014.

The 25 Best Live Music Acts of 2014
Showbams’ Top 50 Albums of 2014

Listen to The Bam Team’s favorite songs of 2014:


Darkside at The Fillmore

Darkside at The Fillmore // Photo by James Nagel

Mike Frash // San Francisco

Top 5 Shows of 2014
1. Darkside at The Fillmore – San Francisco, CA – January 24th
Looking at my top five shows list for 2014, it appears I favor the weird, ya know, the good weird. This Darkside performance, the only SF show ever (for now) since Nicolas Jaar and Dave Harrington have put the project on indefinite hold, had patrons at The Fillmore in SF breathing and moving in unison. There was a magical feeling in the air as the hybrid of electronic and organic played out wonderfully with the duo tipping their hat to the past and setting a new standard for the brave new future of live music.

2. Panda Bear at The Fillmore – San Francisco, CA – May 22nd
3. tUnE-yArDs at The Fillmore – San Francisco, CA – June 6th
4. Phish at MGM Grand – Las Vegas, NV – October 31st
5. Volcano Choir at The Fillmore – San Francisco, CA – January 21st

Top 5 Albums of 2014
1. Run the JewelsRun the Jewels 2
Ever since Jamie and Mikey blew my mind performing Run the Jewels almost in its entirety at The Independent in August of 2013, I’ve been a loyal RTJ soldier. And without taking a break, El Producto and Killer Mike stepped it up to an even higher plateau with their production precision, an uncanny balance of fun and intense, while lyrically honing more on the important issues of our time. Sensing the unstoppable momentum, Run the Jewels are already heading back into the studio for Run the Jewels 3. When Mike was recently asked if they’d continue to name their albums numerically, he said “Why not?!? Zeppelin did it!” Exactly. Say it with me now: Festival headliners circa 2016?

2. The War on DrugsLost in the Dream
3. D’Angelo – Black Messiah
4. Aphex TwinSyro
5. The Antlers – Familiars

Top 5 Songs of 2014
1. Sturgill Simpson – “Turtles All the Way Down”
This is country music turned on its head, while staying mostly true to the hallmarks of the genre. Lyrically subversive while instrumentally emotive to the core, this song kept me coming back throughout 2014. It’s positive message of love winning over all else is certainly timeless, but when was the last time you heard a country tune tell a story of mind over matter transcendence? “There’s a gateway in our minds that leads somewhere out there, far beyond this place / Where reptile aliens made of light, cut you up and pull out all your pain.” Stirgill Simpson is as progressive as you can get within the realm of Americana, urging the listener to both think and feel.

2. St. Vincent – “Digital Witness”
3. Future Islands – “Seasons (Waiting on You)”
4. FKA twigs – “Two Weeks”
5. Flying Lotus – “Never Catch Me” feat. Kendrick Lamar


Nine Inch Nails

Nine Inch Nails // Photo by Rob Sheridan for NIN.com

Josh Herwitt // Los Angeles

Top 5 Shows of 2014
1. Nine Inch Nails & Soundgarden at Red Rocks Amphitheatre – Morrison, CO – July 21st
What a dream come true. Having the opportunity to see two of my favorite childhood bands at one of the best venues in the country would be hard to beat any year, let alone in 2014. Sharing the bill with Soundgarden on this tour, Trent Reznor made the most of a minimalist stage setup and trimmed-down lineup of sidekicks. Of the four shows (Red Rocks, Chula Vista, Irvine and Hollywood) I saw on this tour, this one felt particularly special. If this was one of the last times I ever got to see Nine Inch Nails perform live, it was a night I will never forget.

2. Jack White at The Fonda Theatre – Los Angeles, CA – June 10th
3. Cinquanta featuring Puscifer, A Perfect Circle and Failure at The Greek Theatre – Los Angeles, CA – May 10th
4. Queens of the Stone Age at The Forum – Los Angeles, CA – October 31st
5. Tool at Valley View Casino Center – San Diego, CA – March 16th

Top 5 Albums of 2014
1. The Black KeysTurn Blue
Akron’s favorite rockers answered the call this year, following up their Grammy-winning album El Camino with arguably their most ambitious effort to date — especially when you consider the turmoil that surrounded Dan Auerbach’s life at the time of its recording. Over the last five years, the Keys have become one of rock’s biggest bands, but they haven’t stopped taking risks as a result. Turn Blue dabbles in a myriad of styles, from the psychedelic sound of Pink Floyd on its opening track “Weight of Love” to the hip-hop groove on “10 Lovers.” For as many critics as they have, Auerbach and Patrick Carney have come a long way since their early years as strictly a blues duo.

2. The War on DrugsLost in the Dream
3. Jack WhiteLazaretto
4. Aphex TwinSyro
5. Death from Above 1979The Physical World

Top 5 Songs of 2014
1. Jack White – “High Ball Stepper”
Jack White seems to be on another level these days. The former White Stripe has grown into one of rock ‘n’ roll’s most exciting talents, and this blues-heavy, instrumental track showcases that better than any other offering on Lazaretto. White’s ferocious guitar riffs dominate the tune, taking listeners on an emotional roller coaster from start to finish. And when he plays “High Ball Stepper” live, the song takes on a new whole life of its own.

2. Foo Fighters – “Something for Nothing”
3. Interpol – “All the Rage Back Home”
4. TV on the Radio – “Happy Idiot”
5. Tycho – “Awake”


Jack White at BGCA // Photo by

Jack White at Bill Graham Civic // Photo by David James Swanson

Steven Wandrey // San Francisco

Top 5 Shows of 2014
1. Jack White at Bill Graham Civic Auditorium – San Francisco, CA – August 22nd
From the dramatic curtain drop that slammed into high-octane rock, this show never let off the gas. Even with a bum ankle, Jack White stalked the stage and held power over the crowd. When the slowest moments of a show are White Stripes ballads that you’re giddy to hear and the other half of the show is headbanging, guitar-slinging rock, it’s easy to see how this show cemented itself as the best of 2014.

2. Atomic Bomb! The Music of William Onyeabor at The Warfield – San Francisco, CA – May 6th
3. The War on Drugs at The Independent – San Francisco, CA – April 1st
4. Run the Jewels at Mezzanine – San Francisco, CA – November 14th
5. Duck Sauce at Outside Lands Music Festival – August 9th

Top 5 Albums of 2014
1. Flying LotusYou’re Dead!
This album makes me feel like I’m actually traveling through the underworld to the land of the dead. From front to back, the first thing that caught me about this album was its consistent message. Steven Ellison has an inviting sense of storytelling that’s infused with hip-hop but touches on an array of different music styles, involving a star-studded cast of guests, including Kendrick Lamar, Thundercat and Snoop Dog. I have a feeling Flying Lotus is on the forefront of creative hip-hop and that this album will prove to be influential down the line. More importantly, I just love listening to it. Taking wild turns from frenetic to serene, listening to this album from start to finish is a journey.

2. Aphex TwinSyro
3. Run the JewelsRun the Jewels 2
4. Future IslandsSingles
5. Tweedy – Sukierae

Top 5 Songs of 2014
1. Run the Jewels – “Oh My Darling Don’t Cry”
The minimalist production and deep, rumbling bass frequencies have helped this track become my No. 1 listened to on the album and also No. 1 for the year. The complimentary flow that El-P and Killer Mike have together is on display in this track. This cut has infected my brain like a virus (the good kind?), and I just can’t get enough.

2. Future Islands – “Seasons (Waiting on You)”
3. Sam Smith – “I’m Not the Only One”
4. Flying Lotus – “Never Catch Me” (feat. Kendrick Lamar)
5. Perfume Genius – “Queen”


Future Islands at The Chapel // Photo by

Future Islands at The Chapel // Photo by Pedro Paredes

Kevin Quandt // San Francisco

Top 5 Shows of 2014
1. Future Islands at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 12th
It’s been a banner year for the Baltimore darlings we have grown to love as Future Islands. Breaking through the underground touring circuit to being a highly sought-after festival act was quick and clean as the passionate stage performance of Samuel Harrington could not be ignored by growing audiences. A packed Gobi Tent was eating from the frontman’s palm as Herrington poured himself out on stage, belting out a set heavy on new tracks and old favorites. It was a pivotal point where both the band and audience knew that Future Islands had arrived at the next stage of their career.

2. The Cure at BottleRock Napa Valley – Napa, CA – May 30th
3. Phish at MGM Grand Arena – Las Vegas, NV – October 31st
4. Connan Mockasin at The Independent – San Francisco, CA – May 15th
5. Deerhoof at Great American Music Hall – San Francisco, CA – November 18th 

Top 5 Albums of 2014
1. The War on DrugsLost in the Dream 
Adam Granduciel had one helluva 2014 to brag about. His third studio album Lost in the Dream was an overwhelming success, and all for good reason as the lush waves of rock swell over the listener like a warm Christmas sweater, just less ugly than the one you wore to that one party. “Under the Pressure” opens this release in epic fashion and does not let up from there. Guitar rock is not dead!

2. Todd Terje – It’s Album Time
3. Run the JewelsRun the Jewels 2
4. D’Angelo – Black Messiah 
5. White Fence – For the Recently Found Innocent  

Top 5 Songs of 2014
1. Flying Lotus – “Never Catch Me” (feat. Kendrick Lamar)
Steven Ellison’s left-field meditation on death, as demonstrated on 2014’s release You’re Dead!, is not for everyone and is more about the full album than the sum of its parts (tracks). However, there is one shining beacon of a collaboration that could not be cast aside in the form of “Never Catch Me”. The partnership of one of the hottest MCs with one of the most sought-after producers was meant to be a brutally infectious slice of off-kilter street music. 

2. Caribou – “Can’t Do Without You”
3. Future Islands – “Seasons (Waiting on You)”
4. Beck – “Blue Moon”
5. Ariel Pink – “Put Your Number in My Phone”


Ryan Adams at Hardly Strictly Bluegrass 2014

Ryan Adams at Hardly Strictly Bluegrass 2014 // Photo by Pedro Paredes

Pete Mauch // Los Angeles

Top 5 Shows of 2014
1. Phish at MGM Grand – Las Vegas, NV – October 31st
Phish has made the tradition of covering other artists albums on Halloween, and this year they completely outdid themselves by covering essentially an album of only narrative and spooky sounds. The Disney-produced album The Thrilling and Chilling Sounds of the Taunted House was turned into a rock opera of sorts as Trey and company worked through completely new songs based off just minimal sounds, but the night didn’t just end there. The band played this rock opera sandwiched between two very strong sets of original Phish songs that could have held its own alone.

2. Lettuce’s Late Night in Red Barn at Summer Camp Music Festival – Chillicothe, IL – May 22nd
3. Future Islands at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 12th
4. Ryan Adams at The Fox Theater Pomona – Pomona, CA – October 11th
5. Todd Terje at FYF Fest – Los Angeles – August 24th

Top 5 Albums of 2014
1. Ryan Adams – Ryan Adams
When someone as prolific as Ryan Adams puts out a new record, you buy that record and you listen intently. The songs in his first self-titled album may seem simple at first listen, but they stay with you in the back of your mind until you just can’t take it and you re-listen again and again. This is exactly how what I’ve been doing the past few months since the release. Songs like “Gimme Something Good” and “Am I Safe” prove once again that Adams is still on top of his game.

2. The War on DrugsLost in the Dream
3. moe. – No Guts, No Glory
4. Todd Terje – It’s Album Time
5. Greensky Bluegrass – If Sorrows Swim

Top 5 Songs of 2014
1. Future Islands – “Seasons (Waiting on You)”
“People change / You know but some people never do / You know when people change, they gain a piece but they lose one too.” These lyrics are so uplifting and real, and the music to accompany these amazing lyrics ties the emotion perfectly together.

2. The War on Drugs – “Under the Pressure”
3. The Barr Brothers – “Come in the Water”
4. Temples – “Shelter Song”
5. Caribou – “Can’t Do Without You”


Old Crow Medicine Show at The Regency // Photo by Pedro Paredes

Old Crow Medicine Show at The Regency // Photo by Pedro Paredes

Pedro Paredes // San Francisco

Top 5 Shows of 2014
1. Darkside at The Fillmore – San Francisco, CA – January 24th
The album Nicolas Jaar and Dave Harrington put together in 2013 was a delight for the ears, but with the show they played at The Fillmore, they were going after every sense in your body. Jaar once said that Darkside’s music was more experiential rather than musical, and they surely succeeded in delivering one of the best musical experiences to all the lucky attendants on that cold January night.

2. Future Islands at The Chapel – San Francisco, CA – April 10th
3. St. Vincent at The Fox Theater Oakland – Oakland, CA – March 22nd
4. James Blake at The Chapel – San Francisco, CA – December 7th
5. Old Crow Medicine Show at The Masonic – San Francisco, CA – September 20th

Top 5 Albums of 2014
1. BeckMorning Phase
Beck’s Morning Phase follows the same breezy style as Sea Change, but the latter’s serenity seems to come from darker places. Morning Phase is, as the title suggests, a bit brighter and sets the tone for all the good things yet to come.

2. Run the JewelsRun the Jewels 2
3. Real EstateAtlas
4. The War on DrugsLost in the Dream
5. Perfume Genius – Too Bright

Top 5 Songs of 2014
1. alt-J – “Nara”
It is hard to isolate “Nara” as the best song of Alt-J’s latest album This is All Yours since the story told in it is not exclusive to that song and it comes back in different sections of the album (as well as in some of the musical arrangements). But “Nara”, a song about love, deserves to be listened again and again. The 2:58 mark is bliss to my ears.

2. tUnE-yArDs – “Water Fountain”
3. Run the Jewels – “Love Again”
4. Perfume Genius – “Fool”
5. Angel Olsen – “Hi-Five”


St. Vincent at Fox Theater Oakland // Photo by

St. Vincent at Fox Theater Oakland // Photo by Pedro Paredes

Andrew Pohl // San Francisco

Top 5 Shows of 2014
1. Nine Inch Nails & Soundgarden at Shoreline Amphitheatre – Mountain View, CA – August 24th
I had never seen either band live before and based on my experience, it was like they had never broken up or aged since the ’90s. Amazing stage/light shows to go along with what was hands down my most eagerly anticipated show of the year.

2. Cibo Matto at Slim’s – San Francisco, CA – February 26th
3. American Football at The Fillmore – San Francisco, CA – December 12th
4. Failure at Great American Music Hall – San Francisco, CA – May 14th
5. Crosses at The Independent – San Francisco, CA – March 30th

Top 5 Albums of 2014
1. St. VincentSt. Vincent
This album comes off like a chameleon, with many shifts but always staying very characteristically St. Vincent. I feel that she is one of the more important artists to come around over the last few years, and I am excited to see what she does next.

2. Nothing – Guilty of Everything
3. BeckMorning Phase
4. Fugazi – First Demo
5. The War on DrugsLost in the Dream

Top 5 Songs of 2014
1. Spoon – “Do You”
Spoon have a knack for throwing a good toe tapper in their albums. This song is short and sweet, and you cannot help but get caught up in its infectiousness.  

2. Ryan Adams – “Give Me Something Good”
3. St. Vincent – “Prince Johnny”
4. TV on the Radio – “Could You”
5. Nothing – “Bent Nail”


Arcade Fire at Shoreline Amphitheater // Photo by Justin Yee

Arcade Fire at Shoreline Amphitheater // Photo by Justin Yee

Justin Yee // San Francisco

Top 5 Shows of 2014
1) Future Islands at South by Southwest (Cheer Up Charlie’s) – Austin, TX – March 13th
2) Arcade Fire at Shoreline Amphitheatre – Mountain View, CA – July 30th
3) Chromeo at The Independent – San Francisco, CA – April 12th
4) James Blake at The Chapel – San Francisco, CA – December 7th
5) Outkast at Treasure Island Music Festival – San Francisco, CA – October 18th

Top 5 Albums of 2014
1) Future IslandsSingles
2) The War on DrugsLost in the Dream
3) ODESZA – In Return
4) Flying LotusYou’re Dead!
5) CaribouOur Love

Top 5 Songs of 2014
1) Future Islands – “Seasons (Waiting on You)”
2) Chromeo – “Come Alive” feat. Toro y Moi
3) Flying Lotus – “Never Catch Me” feat. Kendrick Lamar
4) Chet Faker – “1998”
5) Mac Demarco – “Let Her Go”


James Blake at The Chapel //

James Blake at The Chapel // Photo by Pedro Paredes

Eric Shaden // San Francisco

Top 5 Shows of 2014
1. James Blake at The Chapel – San Francisco, CA – December 7th
I feel bad telling friends about how great this show was since so few people were able to get tickets. An intimate venue hosting such a phenomenal artist was a no-brainer for my top pick. James covered hits from his albums as well as debuted new tracks and an incredible interlude of house jams. I just wish more friends could have seen this!

2. Chromeo at The Independent – San Francisco, CA – April 12th
3. Todd Terje at FYF Fest – Los Angeles, CA – August 24th
4. tUnE-yArDs at The Fillmore – San Francisco, CA – June 6th
5. Holy Ghost! at San Francisco Museum of Modern Art – San Francisco, CA – April 30th

Top 5 Albums of 2014
1. Run the JewelsRun the Jewels 2
What else can be said about this album that hasn’t been covered already? An outstanding sequel to Run the Jewels that expands on the original with top-notch production and punishing delivery from El-P and Killer Mike. Without a doubt my top choice of the year.

2. Syd Arthur – A Monstrous Psychedelic Bubble
3. D’Angelo – Black Messiah 
4. Sinkane – Mean Love
5. Todd Terje – It’s Album Time

Top 5 Songs of 2014
1. D’Angelo – “Sugah Daddy”
I imagine D’Angelo coming back with his long-awaited album in December showed which writers/blogs/etc. wrote their “Best of the Year” lists early. His style of soulful R&B is sorely needed, and “Sugah Daddy” is my favorite from the album. Looking forward to his tour in 2015!

2. Caribou – “Our Love”
3. Aphex Twin – “minipops 67 [120.2]”
4. Jungle – “Time”
5. Jamie xx – “Sleep Sound”


High Sierra Music Festival // Photo by Benjamin Wallen

High Sierra Music Festival // Photo by Benjamin Wallen

Benjamin Wallen // San Francisco

Top 5 Shows of 2014
1. High Sierra Music Festival – Quincy, CA – July 2nd-5th
2. Paul McCartney at Candlestick Farewell – Candlestick Park – San Francisco, CA – August 14th
3. Jamestown Revival at Great American Music Hall – San Francisco, CA – November 28th
4. The String Cheese Incident at Fox Theater Oakland – Oakland, CA – April 24th
5. Greensky Bluegrass at The Fillmore – San Francisco, CA – November 14th


Cali-Roots_fix

Scott Martin // San Jose

Top 5 Shows of 2014
1. California Roots Music Festival at Monterey Fairgrounds – Monterey, CA – May 23rd-25th
2. Rival Sons, Soft White Sixties & Sir Madam at The Fillmore – San Francisco, CA – September 25th
3. The Pimps of Joytime at The Independent – San Francisco, CA – February 15th
4. Caravan Palace & Rosin Coven at The Regency Ballroom – San Francisco, CA – April 16th
5. Jackie Greene at The Catalyst Club – Santa Cruz, CA – March 26th

Top 5 Albums of 2014
1. Bears Den – Islands
2. Milky Chance – Sadnecessary
3. Lana Del Rey – Ultraviolence
4. Mighty Oaks – Howl
5. Solstafir – Otta

Top 5 Songs of 2014
1. Bears Den – “Agape”
2. Bears Den – “Isaac”
3. Milky Chance – “Down by the River”
4. Mighty Oaks – “The Great Northwest”
5. Crosses – “Bitches Brew”


MIA at BFD // Photo by Marc Fong

MIA at BFD // Photo by Marc Fong

Nikki DeMartini // San Francisco

Top 5 Shows of 2014
1. MIA at Shoreline Amphitheatre for BFD 2014 – Mountain View, CA – June 1st
It had been four years since I saw MIA live and even though I’d prefer to see her play her own show rather than a set at a music festival, I was super excited to see her at BFD last summer. It was the first time in nearly 10 years that my cousin and I went to LIFE105’s annual summer show together. We lucked out and upgraded our tickets just in time to see MIA’s performance. Both of us were out of our seats, singing and dancing along to every song as soon as her set started. I was beside myself as MIA herself made her way off the stage, up into the seats of the venue and stopped near our row to spit lyrics as fans gathered and danced around her, myself included. I still can’t believe I danced with MIA!

2. OK Go at The Independent – San Francisco, CA – July 16th
3. Die Antwoord at The Fillmore – San Francisco, CA – May 22nd
4. Sylvan Esso at The Fillmore – San Francisco, CA – June 6th
5. MS MR at The Fillmore – San Francisco, CA – April 15th

Top 5 Albums of 2014
1. Sylvan Esso – Sylvan Esso
When I covered Sylvan Esso at The Fillmore earlier this year (when they opened for tUnE-yArDs), I had no idea who they were but ended up leaving the show a fan. Their self-titled debut album is an uplifting mix of danceable electropop tracks and indie rock that’s easy to lose yourself in. Their sparkly, layered and melodic sounds translate well whether you’re listening to the album or seeing them live. Sylvan Esso is one of three albums I bought in 2014, and it’s been on repeat ever since I picked it up.

2. Glass Animals – Zaba
3. Die Antwoord – Donker Mag
4. Iggy Azalea – The New Classic
5. First Aid Kit – Stay Gold

Top 5 Songs of 2014
1. Tove Lo – “Habits (Stay High)”
I really enjoy the simple percussion-driven melody and voluptuous vocals of Tove Lo’s hit single “Habits (Stay High)”. The subtle, yet engaging buildup to her belting, emotionally-charged lyrics has me singing along and turning it up every time I hear it on the radio. While it is very catchy, it’s not a super dancey song. However, it is a great go-to for karaoke. 

2. Die Antwoord – “Rat Trap 666”
3. Sylvan Esso – “Hey Mami”
4. First Aid Kit – “My Silver Lining”
5. The Dead Weather – “Buzzkill(er)”

Showbams_Sticker_Rectangle2

Showbams’ Top 50 albums of 2014

Best-albums-2014-coverBy Mike Frash, Josh Herwitt, Molly Kish, Steve Wandrey & Kevin Quandt //

Showbams presents the Top 50 albums released in 2014 (yes, all of 2014) that we just can’t stop listening to.

These are the albums that made us double-take upon first listen, while also being auditory art pieces that we continue to spin as we head into 2015. They are the bundles of songs that innovated and inspired us more than the rest, signifying musical progression, defining our time with a soundtrack that challenges traditional expectations, while boldly trekking into new frontiers of pop music.

Because as music continues to become more accessible, the bridge between independent and mainstream gets shorter each year.

The 25 Best Live Music Acts of 2014
Showbams’ Top 50 Albums of 2014

Listen to The Bam Team’s favorite songs of 2014:


1. Run the JewelsRun the Jewels 2

run-the-jewelsSo often sequels don’t deliver, but ascending hip-hop stars Killer Mike and El-P have simply progressed their brilliance as Run The Jewels one year removed from their first official collaboration. From the top of RTJ2, Michael Render manages to set a higher bar for pumped-up aggression, there’s more social activism laced throughout, more special guests that only add to the fuck boy-crushing populist mentality. And compared to RTJ1, there are more stand-alone gems that are primed for remixing and cultural integration. The sequencing is superb, and El and Mike are having more fun than ever as they tour the world and snowball momentum with their brand of hardcore, yet intricate rap that contains shades of weird. Like a championship baseball team, the songs in the two hole through cleanup hitter offer the biggest impact, wreaking instant classics upon us with masterful experimental production from El-P that emits new, subtle surprises the more you listen. As the album unfolds, tales of police brutality (“Early”), introspection and personal improvement (“Crown”), along with over the top raunch (“Love Again”) prove RTJ2 shines in every moment in a variety of ways through multiple lanes of success. -Mike Frash


2. The War on DrugsLost in the Dream

war-on-drugs-lost-in-dream-album-coverWhen a truly inspired artist borrows from the past while looking to the future, the outcome can be something fully new and exciting, which is what we have here. The brilliance of Adam Granduciel lies in his delivery, both musically and lyrically, crooning about the sometimes-not-so-simple intricacies of existence. Life, love and everything else in between can be tricky, yet Granduciel calmly assures us that things can work out.

Granduciel knows how to structure albums with the best of them — this acutely demonstrated via the nine-minute, sprawling opener “Under the Pressure”. First single “Red Eyes” keeps on a similar path as we sink deeper in, bobbing along to the pounding drum machine that has been a constant over the years for the Philly-based band. “Disappearing” takes us soaring above the clouds as we hear new, thrilling piano instrumentation with warm bass lines, creating a sense of weightlessness and flight. An extremely strong finishing track, “In Reverse” perfectly captures the fleeting minutes on this release before jarring us back into a slightly crueler reality. The long play of this record is so rewarding, and it grows with hopes that more can be brought into the light. Oh, and that the state rock ‘n’ roll is just fine. -Kevin Quandt


3. D’Angelo and the VanguardBlack Messiah

dangelo-black-messiahThere’s an intentional off-kilter spontaneity and cohesive force at the center of D’Angelo’s first album in 15 years, Black Messiah. The percussive and vocal syncopation here makes the off-beat feel natural — layered vocals get treated with filters and are multi-tracked to lend an unfamiliar presence to the back-and-forth vocal pitch shifts D’Angelo employs from line to line.

The end product is a record that possesses its own musical language, telling stories that are incredibly meaningful, but achieve balance between serious and playful, while always being sexy. The confusing, driving funk of the first two cuts give way to “The Charade”, which manages to hit a rare aural sweat spot of ultra-pleasurability. But then “Sugah Daddy” follows as an unplanned Sunday in the park, with vocal scats skipping along to the breezy song’s pacing. D’Angelo arguably can now join the ranks of the all-time great R&B/soul artists with the delivery of his long-awaited third record. -MF


4. Future IslandsSingles

Future IslandSingles jumps right out of the gates, showing its cards early, presenting the listener with Future Island’s trademark new-school, new-wave sound. Samuel Herring’s vocals are stunning as he pitches and growls through tales of the tougher side of love. It’s pretty, gripping and powerful while also holding certain pop sentiments, lending to an overall lightness while being arresting. “Seasons (Waiting On You)” is a quintessential slice of the emotion this band has become well known for both onstage and in the studio. “Doves” balances all the elements nicely, shining a light on the top-notch production featured on Singles. -KQ


5. Aphex TwinSyro

FINAL MASTER SYRO DIGIPAK.inddRichard D. James has been practically an enigma for the last decade plus, hiding out in a small Scottish village of 300 and releasing no new music as Aphex Twin since 2006. But the long layoff hasn’t changed the fact that he remains one of the most unique and influential electronic producers in the game today. Some of James’ best material on Syro comes early on, from his club-oriented mixes like “minipops 67 [120.2]” to the techno funk ­he crafts on the ensuing “XMAS_EVET10 [120]” and “produk 29 [101].” These aren’t beats designed to make you sweat your ass off — if anything, the cerebral nature of James’ work makes him the ultimate antithesis of the current EDM scene. -Josh Herwitt


6. Flying LotusYou’re Dead!

Flylo_youre_deadOn Flying Lotus’s latest record You’re Dead!, the Los Angeles producer forgoes the acid kool-aide test for a cyanide kool-aide dive straight into a fourth dimensional confrontation with the afterlife. You’re Dead masterfully trips through the journey of the soul into the next episode with sun-scorched psychedelia, 8-bit snapshots of g-funk and gorgeously redemptive jazz. The cold transition between the frantic jazz freak out of Kendrick Lamar featuring “Never Catch Me” and the cooled-out West Coast bounce of Snoop Dogg and FlyLo alter-ego Captain Murphy’s “Dead Man’s Tetris” highlights the producer’s prolific ability to craft varying hip-hop textures. FlyLo fully buries his new album’s death aesthetic through ecstatic, free-form layers of acid jazz and sprawling EDM planes of sound. -John Venanzi, Community Review


7. St. VincentSt. Vincent

St. VincentAnnie Clark ups the electronic ante on her fourth studio album. Branching out of her experimental indie-pop compositions, she embraces more cohesive arrangements that ironically focus her creativity on deconstructed production and sound obstruction. Both equally impressive in sound quality and sass, the opening tracks “Rattlesnake” and “Birth in Reverse” set the tone for the rest of the records’ exciting stylistic shifts and the intriguing unveiling of Clark’s gritty rock goddess persona. “Digital Witness” is a spot-on snapshot of our brave new 21st century day-to-day reality. Unapologetic, raw and sonically genius, St. Vincent is Clark’s breakthrough moment, and she appears to be doing it all with ease. -Molly Kish


8. Mac DeMarcoSalad Days

Mac DemarcoMac DeMarco’s signature style is here. It’s still fresh and in ways stronger than ever; it’s more pointed, focused and accessible. DeMarco is able to write in a way that allows the listener to easily empathize with him, as he turns his issues into ones that most of us have dealt with at some point. In “Chamber of Reflection”, it’s easy to really feel a sense of solitude. “Goodbye Weekend” sounds like a stoney Sunday afternoon coming to a soothing end. Every track has a personality of its own while holding up the overall ethos of the album. This album is lighthearted enough for multiples listens in a row with its breezy beach vibe, but also easily induces deep thoughts with its many lyrical gems. -Steve Wandrey


9. CaribouOur Love

our-loveWhat we have here is one of the most addictive albums of 2014. Our Love keeps deep house in its front pocket with steady beats per minute and an introspective mantra-centric lyrical conceit, but it’s also exploratory in nature, finding success in consistently building toward intense, euphoric plateaus. A steady flow of pleasant sounds ascend into impacting transcendence with “Can’t Do Without You”, “Silver” and “Your Love Will Set You Free”, and you must give Snaith extra credit for the masterful pacing and song-to-song flow — there is never a “skip ahead” moment. Like many classic albums, it opens up if you give it more time to radiate around your head, and listening to it becomes more pleasurable over time, even though it is mostly presented in poetic simplicity. -MF


10. Sun Kil MoonBenji

Sun Kil MoonBenji must be interpreted as a concept album about death, but more importantly, it’s about the importance details related to memory. For example, the title is taken from what seems like a throw-away line toward the end of the breathtaking “Micheline”. It’s powerful, visceral storytelling that is self-reflexive and biographical, yet so relatable that it compels personal introspection from the listener’s own experiences. Mark Kozelek’s lyrics are the centerpiece of the listening experience — they are so deep and resonant that the instrumentals and production are absorbed secondarily, although the stripped-down approach is intentional and noteworthy. Built around obsessing about the state of human demise — and the randomness of it — it’s easy to join Kozelek’s dire state of mind hours or days after listening. -MF


11. Todd Terje – It’s Album Time
12. Ryan Adams – Ryan Adams
13. Sharon Van Etten – Are We There
14. Spoon – They Want My Soul
15. Ariel Pink – pom pom
16. Beck – Morning Phase
17. Jack White – Lazaretto
18. The Black Keys – Turn Blue
19. Tycho — Awake
20. TV on the Radio – Seeds

21. Sturgill Simpson – Metamodern Sounds in Country Music
22. Tweedy – Sukierae
23. Jungle – Jungle
24. Temples – Sun Structures
25. tUnE-yArDs – Nikki Nack
26. Death from Above 1979 – The Physical World
27. Ty Segall – Manipulator
28. The Antlers – Familiars
29. Real Estate – Atlas
30. Angel Olsen – Burn Your Fire For No Witness

31. Cold War Kids – Hold My Home
32. Interpol – El Pintor
33. Alt-J – This Is All Yours
34. Swans – To Be Kind
35. Strand of Oaks – HEAL
36. White Fence – For the Recently Found Innocent
37. Freddie Gibbs & Madlib – Piñata
38. Phantogram – Voices
39. Broken Bells – After the Disco
40. SOHN – Tremors

41. The New Pornographers – Brill Bruisers
42. Thom Yorke – Tomorrow’s Modern Boxes
43. Karen O — Crush Songs
44. Chet Faker – Built on Glass
45. Woods – With Light and with Love
46. Cloud Nothings – Here and Nowhere Else
47. Kishi Bashi – Lighght
48. Mark McGuire – Along The Way
49. Courtney Barnett – The Double EP: A Sea of Split Peas
50. Adult Jazz – Gist Is

Run-the-Jewels4

The-War-on-Drugs5

10.future-islands

4.st-vincent

12.Ryan Adams

Sharon-Van-Etten_post

Spoon

Tycho

TVOTR

Temples

8.tune-yards

Real-Estate

Interpol

alt-J

The best of Treasure Island Music Festival 2014

TIMF2014_postPhotos by Marc Fong // Written by Mike Frash //

Treasure Island Music Festival //
Treasure Island – San Francisco
October 18th-19th, 2014 //

Treasure Island Music Festival 2014 will be remembered for its triumphant headliners along with its embrace of minimalist, finger-snapping electro-pop. Some of the performing acts that have blown up over the past year or so — including Jungle, Zedd, BANKS and Chet Faker — offered relatively tame performances, struggling to elevate their live music experiences. But many other acts gave inspired, breathtaking or insanely fun sets.

Here’s our best (and worst) of TIMF 2014.

Kaleidascope


Massive-Attack

Show of the Weekend: Massive Attack

Massive-Attack2With perhaps the most appropriate name for musical act on the planet, Massive Attack capped Treasure Island Music Festival 2014 in stunning fashion. With a balancing act of bass-infused downtempo brilliance highlighted by Martina Topley-Bird’s singing and industrialized synth-stabbing electronic pieces, a range of emotion is achieved for the listener. With contrasting tempos and a duality of tranquility then intensity, a cause-and-effect narrative starts to take shape — especially when paying attention to the video elements of the intense songs. “United Snakes” left nothing to the imagination with its barrage of corporate logos and national flags. It appeared the expanded duo slipped in one frame of a Ferris wheel, reminding us that yes, us consumers at TIMF, the only U.S. festival Massive Attack played on this tour, are part of the system. “Future Proof” visuals stripped out rows of zeroes and ones, using the simplicity of computer code to inspire multiple paths of thought, especially while absorbing this show in the Bay Area. And Tunde Adebimpe from TV On The Radio joined in for “Pray For Rain” for the grand finale.


OutKast-Big-Boi

Biggest Bay Area Party of the Year: OutKast

OutKast-DreIt’s almost the end of the biggest reunion tour in decades, and TIMF patrons were lucky enough to witness one of OutKast’s last shows. The Bridge Stage was more packed in than any show in memory, and festivalgoers outwardly had more fun compared to performances from past years. The set was perfectly paced, with André 3000 seemingly having a fun time — an important part of the equation compared to Big Boi’s rock-steady appearances throughout 2014. The guys gave shout-outs to Casual and The Misfits in the “local love” part of the show, and “Roses” (including a half-hearted apology for the “crazy bitch” outro) once again was one of the highlights. The set ended at least 20 minutes before the scheduled end of the day, emptying a large percentage of patrons into the shuttle line at the same time — there were some reports of people not making it back to SF until 2 a.m.


alt-J

Most Likely to Headline Festivals Very Soon: alt-J

alt-J is no longer a band on the rise, but one of the biggest bands in the world with this just-launched tour in support of the group’s second LP. This hour-long set at TIMF seemed like a coronation of sorts as it was the first festival set the now-quartet has played with new material. The highlights from An Awesome Wave still act as the backbone of the set while the best cuts from This Is All Yours were cherry-picked and sprinkled in perfectly to enhance their already-inspiring live show. “Hunger of the Pine” got things going while “Left Hand Free” worked well, getting away from the heady elements for a bit. “Dissolve Me” into “Matilda” is still so incredibly beautiful and emotive — alt-J should never break these two songs up. “Every Other Freckle” is the one song where I wish the guys would have considered new lyrics, but it’s a small complaint for a concert experience that had a huge crowd rapturously involved. When music implores a festival audience to be fully invested as alt-J pulled off on Sunday, with no one talking during the quiet intimate parts, it becomes clear you are ingesting something special. Even though their rise in popularity has happened remarkably fast, that trend should continue to move upward through festival season next year.


Classixx

Most TIMF Set of the Weekend: Classixx

On paper, Classixx is the ideal act for Treasure Island Music Festival 2014, and the duo delivered on this promise in the all-important sunset time slot. Restrained but upbeat enough, pop-oriented yet progressive in its sound, the LA-based remixers-turned-original producers brought Saturday together based on what we expect from past TIMF years. Their on-stage centerpiece, a modern take on a 1980’s-era television, visualizes Nancy Whang for “All You’re Waiting For” and YACHT’s Claire L. Evans for a remix of “Psychic City”. The television set offers a surreal scene juxtaposed with the backgrounded City skyline, functionally helping to break down the walls of disembodied vocals.


TVOTR

Best New Material: TV On The Radio

TVOTR2TVOTR gave one of the best sets of the weekend with their wonderful mix of slow burners, dance-punk blasts of energy along with three new songs: “Happy Idiot”, “Careful You” and “Could You”. The latter two were particularly impressive and fit perfectly into the band’s catalog. A couple other notes on the show: producer and multi-instrumentalist David Sitek now looks like Bono, Kyp Malone is still professionally chill and Tunde Adebimpe continues to be offended when listeners don’t give him full attention. After completing “Wolf Like Me”, wherein the TI faithful went nuts, the lead singer said that he couldn’t believe he saw someone leave during the song. Agreed Tunde, and we’re looking forward to the forthcoming record.


Janell-Monae

Best Recovery: Janelle Monáe

What’s exactly the point of sound checking a microphone if you’re not going to do it completely? The guy setting up the mic put it on the stand after unsuccessfully getting it to work, and Monáe sang the first song completely unaware her voice wasn’t projecting through the speakers. After some crowd chanting, a new microphone, and three different people near me saying “Why doesn’t she use the backup singer’s mic?” order was finally restored. Also, when we got “Tightrope”, all hope of seeing Monáe join mentor Big Boi during OutKast was shot. Still, there’s no doubt the Electric Lady is just beginning a long and illustrious career. And as she proved with “Cold War”, it’s damn near impossible to take your eyes or ears off her when it’s her time to shine.


Bill-Murray

Best Pop-Culture Friend-Finder: Bill Murray

Bill Murray is clearly the most important American pop culture icon, and this group knows it. They also had a high-flying Bill Murray flag to triangulate positions.


Ana-Tijoux

Best Festival Outlier: Ana Tijoux

French-Chilean MC and singer-songwriter Ana Tijoux brought the best change of pace on Saturday, something apparent from the beginning of “Vengo”. Upbeat and passionate fire-spitting about social injustice with electronic elements and a horn section? Yes please — this was perhaps the only set on the dance-oriented first day without finger snapping or words in English.


Washed-Out

Most TIMF Set of the Weekend Part 2: Washed Out

It’s impressive how Ernest Greene has evolved Washed Out from bedroom project to leader of the chill-wave movement to a live performer that can mimic the energy of a dance show through instrumentation. Like Classixx, this one just felt right for TIMF.


Polica

Most Immersive Set: Poliça

Sultry. Intensely Moody. World music-infused. These are the words I wrote down before being completely drawn into this set. Once awakening after completing locking in to a couple songs, I opted to get to alt-J early for a good spot. It was a tough call since Poliça were thoroughly captivating — I’ll be looking to see them again soon.


Mo

Best Unintentional Festival Blending:

MØ emerged on stage sporting a black eye-patch, seemingly joining in on the pirate theme that has defined TIMF over the years. But after a song, Karen Marie Ørsted needlessly admitted to an eye infection, even though the optical accessory worked well with her braid and masculine power stances. MØ stood above the other new minimalist-glitch offerings on display at TIMF 2014 with her authentic energy, ownership of the stage and video support. Mixing oddly-appealing archival footage on loop, including a small animal’s still-beating heart in the palm of a hand, with imagery of herself working background vocals, made this electropop highlight even more memorable.


White-Denim

Band that Deserves More Listeners: White Denim

It’s a shame White Denim couldn’t be featured later in the day for more festivalgoers on Sunday. The seemingly spastic song structures and prog-rock mentality make White Denim a group to add to that list of bands you try to see perform live when they come to town.


The-New-Pornographers

Set that Thinned Out the Most: The New Pornographers

Along with the TIMF headliners, The New Pornographers have the most seniority out of all TIMF acts. Cuts from their underestimated 2014 record Brill Bruisers created the backbone of the set with fan favorites laced in throughout. Songs led by Destroyer’s Dan Bejar, with their skewered and self-inflicting lyrics, resonated strongest. This show thinned out as the set went on while most younger festivalgoers were queuing up for Chet Faker, signifying the current state of indie music popularity. Sadly, the eight members of the group walked off stage to nary an audible clap.


Silent-Disco

Best Constant Dance Party: Silent Disco

With no overlapping sets, Silent Disco is always an option if you want house music instead of the provided musicians on stage.


BANKS

Best Pop-Culture Friend-Finder 2: Kim Kardashian with Laser Beam Eyes at BANKS

BANKS kind of sums up the direction indie-turned-pop music has gone in 2014. Sleek bare-bones production, glitch elements and moody synth lay the ground work for whispery vocals. This aural cocktail has captured the collective zeitgeist (along with much of the TIMF curation) this year. Jillian Banks has an immaculate voice and is mega popular worldwide, but her set felt like more of the same. BANKS banned media photography for her TIMF set, so here’s a photo of one of the best location markers of the weekend: Kim Kardashian with laser beams coming out of her eyes.


The-Growlers

Most Entertaining Hype Man: The Growlers

Weirdo garage rock! The Growlers almost didn’t make their set according to the introduction given by the group’s eccentric hype-man named DMTina. But the psych-goth surf rock was pleasant enough, with “Chinese Fountain” giving a fun tone to the afternoon, but the dude in the robe pretty much stole the show.


St.-Lucia

Most Shiny Electro-Pop of the Weekend: St. Lucia

I have to be honest, St. Lucia is a bit too shiny and synth-heavy for me, but damn do they give it their all. If you’re into the nu-disco pop revival, St. Lucia is for you. OutKast was a priority, though.


Jungle

Most Surface-Level Fun: Jungle

Churning soul-disco mystery collective Jungle is a more well-known entity now, and the skyrocketing, UK-based outfit adeptly loops morsels of pleasurable phrasing as a house DJ would. But it all sounds the same. And given their debut record, I expected many similarities from song to song but still hoped for something more out of their live interpretations. Jungle is generic to the point of being an emotional blank slate, tofu without any other tastes involved. But there’s no better time than now to get involved in some Giants pandering — the “Let’s Go Giants” chant sparked by Josh Lloyd-Watson’s jersey and reference to SF’s World Series-bound team was one of the biggest crowd responses of the set.


Robot-Dance-Party

Best Mobile Dance Party: Robot Dance Party

Robot Dance Party can’t stop, won’t stop.


Chet-Faker2

Most Unlikely Show with People on Shoulders: Chet Faker

Chet-FakerChet Faker had the crew bring out a huge bass speaker to put directly behind him after his first song to give his music more oomph. And when he dipped into his career-making collaborations with Flume, “Left Alone” and “Drop the Game”, the Tunnel stage instantly began moving like the rhythm of the ocean. But otherwise, the set was downtempo to the point of boredom. And it’s not a good idea to take one of your best songs, “Talk is Cheap”, and strip it down even more. Some ladies still felt compelled to rock their friend’s shoulders as if it was a dance show, something that I’m still trying to figure out.


Zedd

Biggest Spectacle Over Substance: Zedd

More than any other set at TIMF 2014, Zedd felt out of place. By this point on Saturday, the fest needed a jump of adrenaline, but the Top 40 producer wasn’t the solution. Where acts like Knife Party or Bassnectar would have fallen more in line with the traditional ethos of TIMF, Zedd brought his world of contemporary pop to the island. There was no layering or transitions, his drops didn’t stand out from the EDM pack, and the show lacked any memorable surprises.

What were your favorite sets of Treasure Island Music Festival 2014?