Alina Baraz – Showbams

Outside Lands 2019: Our top sets & festival awards

August 16, 2019 by The Bam Team 2 Comments

Photos by Marc Fong & Mike Rosati // Written by Molly Kish & Kevin Quandt //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 9th-11th, 2019 //

Now that the dust has settled in Golden Gate Park both literally and figuratively, it’s time to look back at what made the 12th annual Outside Lands such a success this year. Besides the banner performances from a smorgasbord of artists and bands across a multitude of genres, some attention should be paid to the fresh features that were brought to the three-day music festival’s expansive grounds.

Grass Lands was unquestionably the most talked-about “land” onsite, as OSL made history by becoming the first major U.S. music festival to permit the sales of recreational cannabis. There was something for every stoner in this lush forest, whether it was a variety of edible selections from Kiva to our own personal favorite, the Pineapple Coast-flavored disposable vape pens by DomPen. It wasn’t surprising to witness a vast majority of attendees make a pass through this immersive area that featured vendors, promotional goodies and dedicated cannabis smoking areas. While the enjoyment of ganja-related items is not new to music events in the Bay Area, it was a breath of fresh air to have it be considered legal in these specified areas. What better way to cure that cotton mouth and those pesky munchies than with all of the mind-boggling food and drink options that were available?

The 2019 edition of Outside Lands also featured plenty of memorable sets from some of the best breakthrough talents, returnees and legacy acts in the business. So, sit back, relax and discover which were our favorite performances of the weekend, plus our picks for the fest’s most standout aspects, below.

TOP SETS:

Artist: blink-182
Set date/time: Friday, 6:25-7:40 p.m.
Location: Lands End

Though these 90’s pop-punk kings may be short an OG member, that didn’t stop them from a summer shed tour alongside Lil Wayne. Sure, we all miss Tom DeLonge, and yes, Matt Skiba of Alkaline Trio remains a considerably solid stand-in, but how effective is this nostalgia act in 2019? That’s a tricky question we won’t answer because at the end of the day, festivalgoers of all ages still love singing along to “What’s My Age Again?” and “All the Small Things”. It’s really as simple as that to be honest. Does frontman Mark Hoppus’ silly onstage banter work even as he approaches 50? That’s a whole other can of worms I won’t unpack here. -KQ

Artist: Tierra Whack
Set date/time: Saturday, 3:45-4:35 p.m.
Location: Twin Peaks

Following in the footsteps of many groundbreaking female artists who came before her, Tierra Whack brought some next level “Black Girl Magic” to OSL. Filling the oddball category on this year’s bill, the fire-spitting emcee brought impeccable artistry and her uniquely quirky brand of hip-hop to a stunned crowd as she competed against blink-182’s nostalgia-laden set over at the festival’s main stage. The audience was completely immersed in the 24-year-old’s warped red-and-white “Seussical” set design, as she delivered penetrating verses off her debut album Whack World. Reminiscent of Janelle Monae’s production during her tour cycle for Metropolis: Suite I (The Chase), Tierra paid homage to the aesthetics of Missy Elliot and Grace Jones while setting the bar for what music fans should expect from a truly authentic hip-hop show. -MK

Artist: Childish Gambino
Set date/time: Saturday, 8:25-9:55 p.m.
Location: Lands End

As one of the most anticipated sets of the weekend, Childish Gambino (born Donald Glover) was an absolute highlight of OSL 2019 and it could very well go down as one of the best sets over the festival’s 12-year run. Minutes before making his grand entrance on the main stage, Glover was informed that he had induced the largest crowd in OSL history. When he finally dismounted from his disco platform in the middle of the polo fields, he shared the news and the audience’s energy from that point forward was palpable. Catching Childish Gambino on his current touring schedule is not only rare, but also few and far between. This year he has been mainly headlining festivals, and rumor has it that this cycle will be his final one billed under the “Childish Gambino” moniker, which made for an even more monumental event in SF. Glover dove straight into an aggressive set of songs from Because the Internet and notable cuts on 2016’s Awaken My Love while being accompanied by a backup band and rotating cast of creative support, including a full choir and crew of dancers/performance artists. More of a conceptual art piece than a typical headlining set, Childish’s masterpiece is one that we will remember for a long time. -MK

Artist: DJ Koze
Set date/time: Sunday, 3:40-4:30 p.m.
Location: Sutro

Daytime disco is never an easy feat to pull off at a festival, but DJ Koze had no issue whipping a packed field of dance enthusiasts into a lucid, sweaty frenzy. Coming off his OSL night show Friday at Mezzanine, Stefan Kozalla brought the club vibes so seamlessly to the midday crowd that in the moment, you could barely recognize that you were with so many glistening festival attendees in 80-degree weather (yes, really). Everywhere you turned, smiling faces flashed in unison to the infectious beats of “Pick Up” and “Operator” from his 10-year discography. Fans unapologetically sang along to DJ Koze’s well-known, nu-disco anthems and genuinely let go of themselves during a set that produced some of the weekend’s best vibes. -MK

Artist: Kacey Musgraves
Set date/time: Sunday, 4:10-5:10 p.m.
Location: Lands End

Kacey Musgraves is arguably one of 2019’s top artists. Her fourth LP Golden Hour has received incredible accolades since its release in 2018, eventually nabbing the highly coveted Grammy for Album of the Year. That said, it was little surprise that Musgraves was able to fill the main stage with fans. Her subtle, yet powerful opener “Slow Burn” could not have been more ideal as she took in the immense crowd. She cutely quipped about playing the Sutro stage in 2014, and you could tell she was well-aware of the moment’s gravity. She naturally leaned heavily on Golden Hour, making sure to include fan favorites such as “Butterflies” and “High Horse” during her set, and at this rate, it seems like it’s only a matter of time before this alt-country breakout star finds herself in big font at the top of festival posters. -KQ

Artist: Toro y Moi
Set date/time: Sunday, 6:10-7 p.m.
Location: Sutro

While this wasn’t Chaz Bundick’s first OSL appearance, the Berkeley resident was welcomed back with the biggest and most energetic audience that he has ever amassed in the festival’s history. Riding high from touring in support of his sixth album Outer Peace, he commanded the stage with confidence and performed a club-worthy list of dance-floor jams from his full catalog. Complemented by idyllic weather, Chaz Bear got us grooving and sweating during a much-needed, pick-me-up set on an often-weary Day 3. -MK

Artist: Paul Simon
Set date/time: Sunday, 7:35-9:35 p.m.
Location: Lands End

Now that OSL has casually cruised into its 12th year, some musical traditions appear to be in place. Sunday night has become the “legacy artist” slot for many years now, and while these may not be the highest-attended sets of the weekend, they have become a quintessential part of the event. Simon was no different in all circumstances referenced above. No one should be upset that his live retirement barely lasted a year, as the 77-year-old came out jubilant and as entertaining as ever. He quipped about his past musings and even invited a Bay Area legend onstage. As the sun began to set on a shockingly sunny August day, Simon waltzed out there and opened with “Late in the Evening”. Other classic hits like “50 Ways to Leave Your Lover” and “Me and Julio Down by the Schoolyard” were featured early. “Graceland” kicked off his encore, which saw the Grateful Dead’s Bob Weir join in on the Simon & Garfunkel tune “The Boxer”. Although Weir didn’t tackle any major vocals, it was a unique moment to see the two share the stage. And in a fitting way, “The Sound of Silence” served as Simon’s closing song before the masses strolled into SF’s Outerlands one last time. -KQ

OUTSIDE LANDS 2019 AWARDS:

Best “Lands”: Grass Lands
Elevating the festival game with the legal purchase and consumption of marijuana on the grounds, there were interactive installations like the smell wall, tutorials on how to make bongs and pipes out of fruit, and lounges to chill and take in all the heady vibes.

Best Beacon: The Giant Inflatable Straw
In a city where the use of plastic straws is nearly obsolete, OSL found a tongue-in-cheek way to make sure that the last remaining one was ever-present throughout the park.

Best Food: Lobster Roll (Woodhouse Fish Co.)
This decadently loaded, perfect on-the-go meal may have been overshadowed by the rest of the 2019 culinary menu, but it was by far the best bang for your buck.

Best Cocktail: Pork Chop Express (The Treasury)
If you were looking for something refreshing and not too overwhelmingly intoxicating, The Treasury had you covered all weekend long. Consisting of gin, pineapple gum, honey syrup and lapsang souchong tea, this libation was a crowd favorite that essentially tasted like an adult Arnold Palmer.

Best Wine: West + Wilder (Sparkling)

Best Pop-up: Wyclef Jean’s (somewhat surprise) set outside of the Heineken Dome

Best Upgrade: Verizon Members Lounge

Best Merchandise: Limited Edition Bomber Jacket (buy here)

Best Comedian: Alyssa Edwards

Best Cameo: Bob Weir of the Grateful Dead (during Paul Simon’s headlining performance)

Outside Lands 2019 - Anderson .Paak & the Free Nationals

Filed Under: Editor's Picks, Featured, Festivals Tagged With: Alina Baraz, Altın Gün, Anderson .Paak, Anderson .Paak & The Free Nationals, AURORA, Bea Miller, Bebe Rexha, Better Oblivion Community Center, Big Wild, Blink-182, Bob Moses, bob weir, Cherry Glazerr, Childish Gambino, Counting Crows, CupcakKe, Denzel Curry, DomPen, Donald Glover, Ella Mai, Flume, Flying Lotus (3D), grateful dead, Half Alive, Hozier, Judah & the Lion, Jupiter & Okwess, Justin Martin, Kacey Musgraves, Kiva, Kygo, Lauren Daigle, Leon Bridges, Lil Wayne, Mavis Staples, Outside Lands, Outside Lands 2019, Outside Lands Music Festival, Outside Lands Music Festival 2019, Paul Simon, Puddles Pity Party, RL Grime, San Holo, Santigold, Sheck Wes, The Lumineers, The Marías, The Neighbourhood, The Treasury, Tony Danza, Toro Y Moi, Twenty One Pilots, Wyclef Jean

Outside Lands 2019: Here’s what to see, eat & drink

July 31, 2019 by Kevin J Quandt Leave a Comment

Photo by Norm de Veyra // Written by Kevin Quandt //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 9th-11th, 2019 //

As a thick layer of fog begins to make its daily descent upon the western edge of SF, Golden Gate Park to be precise, local residents know that Outside Lands can’t be too far off. Though in all seriousness, it hasn’t been a terribly overcast summer in the Avenues, especially come afternoon. Celebrating its 12th year as the Bay Area’s go-to festival for modern music, many have come to love their annual romp in the Outerlands and Golden Gate Park to an eclectic soundtrack of genres and eras.

Outside Lands’ 2019 edition is no exception with a truly varied trio of top-billed acts spread across three days. Attendees will get to see Twenty One Pilots in a headlining slot on Friday after their OSL debut in 2013. On Saturday, Donald Glover makes his own grand entrance as Childish Gambino while completing his recent victory lap. Paul Simon, meanwhile, has the honor of closing down the event on Sunday as he recently returns to the stage after retiring from intensive touring.

Now, let us assist with a few curated choices for this year’s event as you plan out your best layered-jacket look. But seriously, pray for sunshine and create your own schedule here.

Music

Artist: Boyfriend
Set date/time: Friday, 1:20-2 p.m. & 6:50-7:20 p.m.
Location: Panhandle & Gastromagic

Ever seen a rap-cabaret show? Do you want to see one? Well, you’ll have two opportunities on Day 1 to catch New Orleans’ own Boyfriend put on one of the most entertaining performances you’ll witness in a long time. Best known for her wildly creative live show where anything can happen, the singer-songwriter, rapper and producer spits some hyper-intelligent commentary on the current state of gender and identity. Collaborations with Big Freedia, Galactic and Run the Jewels DJ/producer Little Shalimar most recently have proven that she’s a versatile emcee who’s in high-demand. She’ll be presenting her act alongside Chris Cosentino, who will likely be dropping some serious Italian cuisine knowledge and techniques on the assembled crowd at the Gastromagic Stage after her afternoon set over at the Panhandle Stage.

Artist: Altın Gün
Set date/time: Saturday, 3-3:40 p.m.
Location: Panhandle

Though OSL and other large-scale music festivals have shifted the bulk of their lineups away from rock acts, Another Planet Entertainment has always been keen on tapping a handful of important up-and-coming bands that fit somewhere in the lexicon of rock ‘n’ roll. This year, attendees will have the chance to catch the SF debut of Turkish psychedelic folk-rock group Altın Gün as they finish up their first U.S. tour at OSL. The outfit’s supreme combination of traditional Turkish folk and psychedelic rock got the attention of King Gizzard & the Lizard Wizard in 2018 and was signed to ATO Records soon thereafter. This Amsterdam-based six-piece has their finger on something both thrilling and experimental, so make sure to catch their afternoon set at the Panhandle Stage.

Artist: Paul Simon
Set date/time: Sunday, 7:35-9:35 p.m.
Location: Land’s End

It was only September 22nd when Paul Simon concluded “Homeward Bound – The Farewell Tour” much to the disappointment of his fans. The prolific singer-songwriter was still sharp onstage and was playing to packed houses when he stated it was time to close up shop. Fast forward six months later to March, and OSL would reveal its 2019 lineup that sees Simon top the Day 3 bill. But this booking also comes with a little twist. For this show and several of his subsequent Hawaiian dates, Simon will donate all of the proceeds to the San Francisco Parks Alliance and Friends of the Urban Forest in SF. So, don’t sleep on this set if you’ve never seen Simon before, as this could very well be one of the last times to hear hits such as “50 Ways to Leave Your Lover” and “Late in the Evening”.

Food & Drink

Cassava: This Outer Richmond establishment has been drawing crowds to the Balboa Village area for years now and will be serving up buttermilk popcorn chicken rice bowls with harissa aioli and house furikake, as well as popcorn shrimp rice bowls with gribiche. Only a few short blocks from the Main Gate entrance, Cassava has become a popular destination for enjoying a pre-festival brunch. Just make sure to get there early, as a wait should be expected. Also, make sure to visit the Hockey Haven a block down Balboa St. for a quick libation before you head to the event.

Mozzeria: Famous for its mobile pizza ovens, Mozzeria returns to Golden Gate Park this year and will be whipping out its insanely delicious, and fresh, Neapolitan-style pies. The Mission District-based pizzeria will be serving up both personal Margherita and Salumi pizzas from its instantly recognizable truck that’s complete with an authentic brick oven. Expect a small wait as these pies are made to order, but just know that it’ll be worth your patience.

Woods Beer Co.: While Outside Lands brings in food and drink partners from around the Bay Area each year, this Outerlands-based writer felt compelled to focus on some local businesses located near the event. You might have visited one of the other Woods locations in Oakland or on Treasure Island, but the Woods Outbound outpost is only a few blocks from the polo fields. Despite the breweries at Beer Lands having not released their offerings yet, one should expect Woods to bring their flagship MateVeza IPA, their unfiltered Retro Pilsner or their Local Honey herbal ale to the park. Swing by Judah St. and try something a bit different than the rest.

Filed Under: Featured, Festivals Tagged With: Alina Baraz, Altın Gün, Anderson .Paak & The Free Nationals, Bebe Rexha, Better Oblivion Community Center, Big Wild, Blink-182, Bob Moses, Childish Gambino, Counting Crows, Denzel Curry, Ella Mai, Flume, Flying Lotus (3D), Hozier, Judah & the Lion, Kacey Musgraves, Kygo, Lauren Daigle, Leon Bridges, Lil Wayne, Mavis Staples, Outside Lands, Outside Lands 2019, Outside Lands Music Festival 2019, Paul Simon, RL Grime, San Holo, Santigold, Sheck Wes, The Lumineers, The Neighbourhood, Toro Y Moi, Twenty One Pilots

Outside Lands delivers its 2019 schedule

July 25, 2019 by Josh Herwitt Leave a Comment

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 9th-11th, 2019 //

The 12th edition of Outside Lands is only two weeks away, and the three-day music festival has dropped what many fans often clamor for in late July … that’s right, set times!

Ready to start planning your weekend at Golden Gate Park? Make sure to check out the 2019 schedule here.

But much like every year, there are some noteworthy scheduling conflicts. Friday will see Lil Wayne and Masego performing 15 minutes apart, blink-182 overlapping with Counting Crows, and Flying Lotus (3D), The Lumineers and headliner Twenty One Pilots all closing down their respective stages on Day 1.

Saturday, though, is where things really start to get hairy with Santigold pitted against Tierra Whack, Alina Baraz playing at the same time as Phosphorescent, Better Oblivion Community Center starting 10 minutes before Flume, and headliner Childish Gambino vs. RL Grime — of course, that’s without mentioning Ella Mai and Hozier also have their own evening slots.

The Day 3 slate, meanwhile, offers some more challenges, beginning with Mavis Staples vs. Cherry Glazerr in the early afternoon. Catching both DJ Koze and Kacey Musgraves could be tough with their sets only separated by 30 minutes, as well as Leon Bridges and Toro y Moi. Sunday’s biggest conflict, however, could be choosing between Anderson .Paak & The Free Nationals (7:30 p.m.) and legendary headliner Paul Simon (7:35 p.m.). Plus, there’s Kygo on the Twin Peaks stage less than an hour later at 8:20 p.m. For those of you going to OSL, just remember: whoever you decide to see, it’s sure to be a good time! Download the mobile app here, and oh, wear some comfortable shoes, too (nobody likes blisters anyway).

If you can’t wait for Outside Lands now, look back at our coverage from 2018 here.

Filed Under: Featured, Festivals Tagged With: Alina Baraz, Anderson .Paak & The Free Nationals, Bebe Rexha, Better Oblivion Community Center, Big Wild, Blink-182, Bob Moses, Childish Gambino, Counting Crows, Denzel Curry, Ella Mai, Flume, Flying Lotus (3D), Hozier, Judah & the Lion, Kacey Musgraves, Kygo, Lauren Daigle, Leon Bridges, Lil Wayne, Mavis Staples, Outside Lands, Outside Lands 2019, Outside Lands Music Festival 2019, Paul Simon, RL Grime, San Holo, Santigold, Sheck Wes, The Lumineers, The Neighbourhood, Toro Y Moi, Twenty One Pilots

Paul Simon, Childish Gambino & Twenty One Pilots to headline Outside Lands 2019

March 26, 2019 by Josh Herwitt Leave a Comment

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 9th-11th, 2019 //

Outside Lands is back for another go-around in Golden Gate Park this August.

The three-day music festival, which a year ago saw The Weeknd, Florence + the Machine and Janet Jackson lead the way, has landed Paul Simon, Childish Gambino and Twenty One Pilots to anchor its 2019 installment.

Beyond the three headliners for the event’s 12th edition, this year’s roster will also welcome The Lumineers, Flume, Blink-182, Kygo, Anderson .Paak & The Free Nationals, Leon Bridges, Kacey Musgraves, Lil Wayne, Hozier, RL Grime, Ella Mai, Counting Crows, Flying Lotus (3D), Alina Baraz, Mavis Staples, Bebe Rexha, Sheck Wes, The Neighbourhood, Santigold, Better Oblivion Community Center, Toro y Moi, Denzel Curry, Lauren Daigle, San Holo, Judah & the Lion, Big Wild, Bob Moses, Wallows, Edie Brickell & New Bohemians, Yaeji and many more. See the poster above for the rest of the lineup.

UPDATE (May 14th): Outside Lands has delivered its daily lineups for 2019, with Twenty One Pilots headlining Friday, Childish Gambino performing Saturday and Paul Simon closing the festival Sunday. Take a look at the daily schedules below before single-day tickets go on sale for $155 (GA), $355 (VIP) and $695 (Golden Gate) this Thursday, May 16th at 10 a.m. PT here.

If you’re already pumped for Outside Lands, don’t wait to get your tickets when they go on sale here this Thursday, March 28th at 10 a.m. PT and make sure to check out our coverage from 2018 here.

Our favorite performances from 2018

December 29, 2018 by The Bam Team Leave a Comment

Holy smokes, 2018 … you were a blur. Maybe it’s just us, but this year really did fly right by.

Before we officially say hello to 2019 though, it’s time for us to revisit the past 12 months at Showbams. Every year we have the great privilege of witnessing some amazing moments in live music, and this year was no different. While we can’t touch upon every performance we covered in looking back at the year that was, we still managed to see a wide variety of talent over the course of 2018.

Whittling down our list is never easy. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order), all of whom we either covered at their own show and/or at a music festival this year:

Aaron Neville, A.CHAL, Alanis Morissette, Alina Baraz, Allen Stone, Amen Dunes, Aminé, A Perfect Circle, Ari Lennox, A$AP Rocky, Aquilo, BADBADNOTGOOD, The Bangles, Belle & Sebastian, The Beta Machine, Billie Eilish, BØRNS, Carly Rae Jepsen, Cashmere Cat, Childish Major, Chromeo, CHVRCHES, Cigarettes After Sex, Cloud Nothings, Cuco, Cut Snake, CyHi the Prynce, Daniel Caesar, Deap Vally, Destroyer, Diet Cig, Drab Majesty, DRAM, The Dustbowl Revival, Erykah Badu, Fantastic Negrito, Future, Garbage, George Fitzgerald, Gomez, Gov’t Mule, Great Grandpa, Griz, The Growlers, Gucci Mane, HAERTS, H.E.R., Hot Flash Heat Wave, Ibeyi, Iggy Pop, Irma Thomas, Isaiah Rashad, Jaira Burns, Jamie xx, Jeff Goldblum and the Mildred Snitzer Orchestra, Jhené Aiko, John Maus, Josh Ritter & The Royal City Band, Joywave, JPEGMAFIA, Jungle, Kailee Morgue, Kaitlyn Aurelia Smith, Kamasi Washington, Kauf, Kelela, Kikagaku Moyo, Kings of Leon, Kopps, Laff Trax, Lion Babe, Lizzo, Lophile, Lord Huron, Los Lobos, Lucy Dacus, Margo Price, Miguel, Mija, Milk Carton Kids, ModPods, Moses Sumney, The Mother Hips, Mura Masa, Neil Young, N.E.R.D, North Mississippi Allstars, ODESZA, Pale Waves, Paula Frazer and Tarnation, Phantogram, Pharoah Sanders, Pixies, Polo & Pan, POND, Portugal. The Man, The Pretenders, Quicksand, Ravyn Lenae, Rivers Cuomo, The Revolution, Robert Plant, Rory Phillips, RÜFÜS DU SOL, Sabrina Claudio, Salt-N-Pepa, Santigold, Sasha Sloan, Seu Jorge, Shakey Graves, Shame, Shana Falana, Sharon Van Etten, Silk City, Sleigh Bells, Snoh Aalegra, Soccer Mommy, The Specials, The Spook School, Stephen Malkmus & the Jicks, Tame Impala, Tenacious D, Third Eye Blind, Tinashe, together PANGEA, TV on the Radio, Tycho, Typhoon, Uniform, Wafia, Waxahatchee, The Weeknd, Wet, William Tyler, Will Varley, Yen Yen, Zedd

Now, it’s time for The Bam Team to present our favorite performances from 2018.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2018

Listen to The Bam Team’s favorite songs of 2018:

Cut Copy

Date: March 3rd
Location: Exposition Park – Los Angeles

For those in LA who missed Cut Copy 10 months ago when they visited the Shrine Expo Hall with De Lux, Palmbomen II and Cooper Saver also on the bill, their headlining performance last Friday at The Wiltern was another chance to dance the night away upon hearing several classics such as “Need You Now”, “Free Your Mind”, “Future”, “Hearts on Fire” and to close, “Lights & Music”. In fact, the last time that we caught them back in March, a mini downpour erupted at Shaun White’s Air + Style (read our festival review here), but it didn’t phase them. Who said playing — and dancing — in the rain isn’t fun anyway? -Josh Herwitt, photo courtesy of Air + Style

Washed Out

Date: March 4th
Location: Exposition Park – Los Angeles

In what was easily the most visually stimulating (and pleasing) show we witnessed at Expo Park, Ernest Greene, who performs under the moniker Washed Out, entranced a completely packed crowd at the smaller Summer Stage with a slew of trippy visuals and his chilled-out tunes. We had been wanting to see Washed Out in SoCal for several months now, ever since Greene released the project’s third LP Mister Mellow last year, and after missing his gig with Nick Murphy at the Shrine Expo Hall in October, we were glad to finally hear him play “Hard to Say Goodbye” (one of our favorite songs of 2017) and “Feel It All Around” live as any loyal “Portlandia” fan would be. With Toro y Moi venturing away from the chillwave movement he helped pioneer, it’s up to Greene to lead the charge, and so far, he has done one hell of a job. -Josh Herwitt, photo courtesy of Air + Style

Phoenix

Date: March 4th
Location: Exposition Park – Los Angeles

After what we thought was an underwhelming way to wrap up Day 1, Air + Style closed with a bang thanks to Phoenix’s energizing, 16-song set. The French indie-pop outfit have headlined Coachella before, and it was more than worthy of that billing for this occasion. Kicking things off with the opening track “J-Boy” from their sixth studio album Ti Amo that dropped back in June, Thomas Mars and company gave us exactly what we wanted to hear: a hit-ladden show featuring singles like “Lisztomania”, “Trying to Be Cool”, “Too Young” and “1901”. No, there wasn’t a Daft Punk or R. Kelly appearance — not that we expected one — but Phoenix put an exclamation point on an otherwise successful weekend. We may not have known the quartet could rock that hard after the last time we saw them, but we definitely do now. -Josh Herwitt, photo courtesy of Air + Style

Moby

Date: March 26th
Location: Apogee Studio – Santa Monica, CA

His guitar playing, meanwhile, may be just as impressive, if not surprising to some. Less than two weeks before Moby stepped into Bob Clearmountain’s diminutive recording studio, I was fortunate enough to catch him the final of his three shows at The Echo, and it was there as he performed a variety of songs from Everything Was Beautiful, and Nothing Hurt, Play and a few other albums, that I fully realized just how talented he is with a black Gibson SG in his hands. He may be an electronic musician, but unlike a lot of them today, Moby is a musician in every sense of the word. While his vocals at times sound more like spoken word than actual singing, he has found more than capable sidekicks in Julie Mintz (keyboards, vocals) and Mindy Jones (vocals) to assist him in that department. Jones’ ranging voice, in particular, is one that suits his music well, and when you hear her sing, her pipes elevate the song to a whole new level. -Josh Herwitt, photo by Brian Feinzimer

The War on Drugs

Date: April 13th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Weeks before The War on Drugs released their fourth LP A Deeper Understanding last year, we were fortunate enough to hear Adam Granduciel and company perform a handful of cuts from the new album in an intimate setting for KCRW. It was then and there that we knew the follow-up to 2014’s Lost in a Dream was another masterpiece, and that impression was only validated when A Deeper Understanding won the Grammy for “Best Rock Album” just a few months ago. On Day 1 of Coachella, the Philadelphia band brought some of those same songs we witnessed at Apogee Studio to life, though sadly, this time “Holding On” wasn’t part of the setlist. But we did get to experience “An Ocean in Between the Waves” in all of its glory, and we still have yet to come across another piece of music in more recent years that will make you want to play air guitar as much as the seven-minute track from Lost in a Dream does. Who said rock was dead? -Josh Herwitt, photo courtesy of Goldenvoice

Jamiroquai

Date: April 13th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Thirteen years. That’s how long it has been since Jamiroquai last performed in the U.S. With that in mind, there was no way we were going to miss Jay Kay and the rest of his sidekicks in favor of The Weeknd’s headlining performance (sorry, Abel), and after what ended up being close to a 90-minute set from the London nu-funk/acid jazz group, we had no regrets about our decision. The only regret we have is that they ran out of time and didn’t get to play their smash hit “Virtual Insanity” in its entirety, and you could tell Jay Kay felt bad about it as he jumped down from the stage to greet some overjoyed fans after wrapping the show up with “Love Foolosophy” from 2001’s A Funk Odyssey. But while Weekend 2 attendees got the full version of the Travelling Without Moving single, we were treated to a massive surprise when Snoop Dogg came out to rap on “Dr. Buzz” with a huge blunt in his hand. It was the kind of collaboration you never expect to see, except at Coachella of all places. -Josh Herwitt, photo courtesy of Coachella

Eminem

Date: April 15th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

While we can’t say that we were completely thrilled with Goldenvoice’s choices for this year’s headliners, we were excited to see Eminem finally play Coachella (he had never performed in an official capacity before) and close out the festival on Sunday night. Sure, his newest album Revival didn’t exactly receive rave reviews from critics when it dropped at the end of 2017, but watching one of hip-hop’s most talented emcees run through his hits all while bringing out 50 Cent and Dr. Dre was undoubtedly THE highlight from Day 3. For this “stan,” just crossing Em off my concert bucket list would have been enough to send me home with a smile. Fortunately for those of us who were there though, the real Slim Shady lived up to the hype and more. -Josh Herwitt, photo courtesy of Coachella

Big K.R.I.T.

Date: April 19th
Location: Echoplex – Los Angeles

At Echoplex, we were treated to the “rapper” and the man himself as bass-heavy party starters like the title-track opener and “Confetti” from 4eva Is a Mighty Long Time got everyone hyped, while Atlanta’s T.I. came out to perform his verse on “Big Bank”. After singling out one excited fan, who was wearing a shirt with a giant picture of his face, during the easygoing “1999” and paying homage to Southern rap pioneers UGK, Big K.R.I.T. took the latter half of his hour-long set to connect with the crowd. -Joseph Gray, photo by Joseph Gray

Soulwax

Date: April 19th
Location: The Fonda Theatre – Los Angeles

While Soulwax’s recorded music has always been perfectly enjoyable, in person it becomes something else entirely. Their new, three-drummer lineup was the ideal format to hear new tracks like “Is It Always Binary” while giving older tracks such as “KracK” a newly textured and complex sound. Sitting stage right, drummer Victoria Smith, for one, offered the group some serious personality thanks to her animated facial expressions. -Zach Bourque, photo by Zach Bourque

NxWorries

Date: June 16th
Location: The Queen Mary – Long Beach, CA

I fall somewhere in the middle between those two age groups, so it was fitting that the uber-talented rapper/singer/drummer Anderson .Paak had just walked onto the “Free Your Mind” main stage when I showed up. .Paak, 32, wore a smile as expressive as his music, packaged with a bright nautical-themed ensemble. He effortlessly impressed with standouts “Suede”, “Another Time” and “What More Can I Say” off Yes Lawd!, his 2016 LP with Los Angeles hip-hop producer Knxwledge as part of their collaborative project NxWorries (pronounced “No Worries”). The duo’s set would eventually culminate in a playful dance-off between women, which fans showed their appreciation for before .Paak and Knxwledge said their goodbyes. -Joseph Gray, photo by Joseph Gray

The Roots

Date: June 16th
Location: The Queen Mary – Long Beach, CA

However, anticipation for The Roots kept me at the main stage. It proved to be a wise decision, as their nearly hour-long performance reminded me why the Grammy-winning band is still so revered after more than three decades. Black Thought got the crowd riled up with a 10-minute barrage of lyrical proficiency that so many have come to know as his “Hot 97 Freestyle” after it hit the internet in December and quickly went viral, while his bandmates exuberantly jumped with sousaphones and guitars during “You Got Me” and a number of other hits. But providing a jolt like he only can, the one and only Busta Rhymes showed up for a quick-but-memorable performance of “Put Your Hands Where My Eyes Can See” and “Pass the Courvoisier, Part II”. -Joseph Gray, photo by Joseph Gray

Melvins

Date: July 16th
Location: Great American Music Hall – San Francisco

I’m far from an expert on this kind of thing (because I’m not), but I didn’t expect to see the Melvins perform with the amount of energy that they showcased. For a band that has been touring and putting out new material for the past 35 years, they performed as if everything depended on it. You weren’t going to catch “King Buzzo” standing in one place for too long, with his signature fro whipping in the wind from the fans that were on the stage, McDonald and Pinkus holding it down on their own instruments, and Crover beating the living hell out of his drums. Fans were ready to receive the band and responded to the various sonic blasts coming from the amplifiers. During the thrashy songs, they formed a brutal pit, and during the sludgier songs, they lit up joints and bobbed their heads to the music. -Andrew Pohl, photo by Mike Rosati

Glassjaw

Date: July 20th
Location: Observatory OC – Santa Ana, CA

Glassjaw’s show covered their entire discography, and very few fan favorites were left off the setlist. While it was to be expected that newer tunes like “Shira” and “New White Extremity” would rock, it was staggering how well their older songs held up in a live setting. Palumbo’s voice, though slightly less manic than it once was, is still unmatched in its vocal range and shear intensity. -Zach Bourque, photo by Zach Bourque

Weezer

Date: August 8th
Location: The Forum – Inglewood, CA

That’s not to say that Cuomo isn’t a talented musician. In fact, quite the opposite is true. The Harvard grad shreds without question, something I never really realized until he uncorked a number of guitar solos, whether it was during “Buddy Holly” to open Weezer’s performance or “Say It Ain’t So” (with a snippet of Black Sabbath’s “Paranoid”) to put a bow on the show. And while there aren’t many lead singers who can do both, Cuomo certainly remains among some elite company, with Jack White, Trey Anastasio (Phish), Jim James (My Morning Jacket) and Josh Homme (Queens of the Stone Age) also immediately coming to mind. -Josh Herwitt, photo by Josh Herwitt

Florence + the Machine

Date: August 11th
Location: Golden Gate Park – San Francisco

There was a bit of controversy surrounding Saturday’s main slot as Florence + the Machine officially made the move to full-blown festival headliner. Some festivalgoers had their own doubts after FYF Fest 2018 was canceled with a near-identical top billing, but Florence and her bandmates proved, many times over, that she is more than capable of commanding any stage as her energy is unlike many others. She debuted a brand-new show, which featured “June” in the opening slot and was book-ended by “Big God” and “Shake It Out” for a two-song encore. -Kevin Quandt, photo by Norm de Veyra

Janelle Monáe

Date: August 12th
Location: Golden Gate Park – San Francisco

The incomparable Janelle Monáe was a tad late to take the stage, as she was fighting off a stomach bug, but when she did, she captivated the masses with a suite of tracks from her most recent release Dirty Computer and tossed in a fair amount of costume changes over a nearly hour-long set. Monáe proved that she’s easily one of the best in the business at the moment and will only continue to climb upwards. -Kevin Quandt, photo by Norm de Veyra

Deafheaven

Date: August 18th
Location: The Wiltern – Los Angeles

Fortunately, Deafheaven haven’t bowed to convention or criticism. Their fourth studio album Ordinary Corrupt Human Love, which ANTI‐ released last month, is their arguably their most experimental to date, spanning more than an hour over seven songs. There’s a sense of angst and nostalgia in the music that leans far more positive and hopeful than their previous work. There are still echoes of black metal at times, but you can feel this is a band that’s embracing its differences instead of defending them. -Zach Bourque, photo by Zach Bourque

Jack White

Date: August 19th
Location: Santa Barbara Bowl – Santa Barbara, CA

Yet, for as eclectic and wide-ranging as White’s output has been over two decades, it’s the unpredictable nature of his live shows that makes them so intriguing to see. This time, we were treated to a rare cover of The Stooges’ “T.V. Eye” from their 1970 album Fun House, as well as a number of fan favorites, from set closer “Ball and Biscuit” to an eight-song encore that featured “Icky Thump” (with some amusing “Icky Trump” messaging), “Steady, as She Goes” (with a snippet of Richard Berry’s 1955 song “Louie Louie”), and of course, what has easily become the biggest stadium anthem in the world, “Seven Nation Army”. And though the show didn’t conclude without a few hiccups during some of White’s improvised playing between songs, he hasn’t lost his unique ability to surprise an audience — whether it means bringing out his mother in Detroit to perform “Hotel Yorba” with him or covering Pearl Jam’s “Daughter” in Seattle — at any given moment, especially when we all aren’t staring down at our phones. -Josh Herwitt, photo courtesy of Jack White

David Byrne

Date: August 22nd
Location: Bill Graham Civic Auditorium – San Francisco

As the show progressed into his songs “Here” and “Lazy”, Byrne’s band joined him onstage. The light changed and filled in the stage, giving the audience a happier tone and providing a seamless transition into a Talking Heads interlude. Then, later on during “Blind”, one of the more stunning visual elements was made possible by a simple lamp that was placed in front of the band, casting whirling shadows on the strands of beads hanging behind them. -Tim O’Shea, photo by Tim O’Shea

The National

Date: September 20th
Location: Hollywood Palladium – Los Angeles

Right before that final aforementioned single, they brought out Phoebe Bridgers to help them perform “Sorrow” from 2010’s High Violet, as Berninger and the 24-year-old singer-songwriter, who said during her brief opening set that The National were her favorite band, traded vocals on the tune they once played 105 times in a row, with the performance at an art installation in New York lasting all of six hours. We weren’t quite as fortunate to get that kind of show in LA, as The National opted for one of their more traditional, two-hour events. But whether you’ve been a fan from the start or one like myself who arrived rather late to the party, The National continue to make some of the most compelling music in rock, expanding their fan base with each and every album they release. That’s the sign of any good band these days, and though there’s only a handful of others that could even say the same right now, The National should take comfort in knowing they’re one of those select few. -Josh Herwitt, photo by Josh Herwitt

Grizzly Bear

Date: September 23rd
Location: Hollywood Bowl – Los Angeles

Similarly, the gig also marked one of Grizzly Bear’s last performances in support of their fifth LP Painted Ruins, which they released last year on RCA Records, and having already played a two-night run at The Wiltern back in December, this was more of a victory lap than a coming-out party. Unfortunately for us, the five-piece had to cut things short due to the venue’s strict Sunday night curfew, ending on a rather sudden note. That’s just part of the deal at the Bowl, though. For those of us who have to work on Monday morning, it’s actually more of a blessing in disguise than a disservice to the overall concert experience as we’ve come to realize. -Josh Herwitt, photo by Josh Herwitt

Courtney Barnett

Date: October 5th
Location: Greek Theatre – Los Angeles

When she wasn’t sharing the spotlight with Waxahatchee, Barnett was sharing it equally with the rest of her stellar backing band, but it was mostly just difficult to take your eyes off of her. Everything she does feels casual, from her outfit to her guitar playing, slinging her instrument around like it was an extension of herself. Even her delivery of the wrenching reality that the 30-year-old Australian singer-songwriter articulates so well is casual, singing like the end of the world isn’t a mere 22 years away. -Rochelle Shipman, photo by Rochelle Shipman

Greta Van Fleet

Date: October 6th
Location: Glen Helen Regional Park & Festival Grounds – San Bernardino, CA

By the time we got through security and stepped inside the gates, Manchester Orchestra had just finished their 45-minute set on the main stage, which essentially was the 65,000-person Glen Helen Amphitheater that was constructed back in 1982 for the first US Festival. Next up was Greta Van Fleet, and boy, do these kids know how to rock. Zeppelin clearly runs deep in these four Michiganders’ veins, as they showcased songs off their forthcoming debut album Anthem of the Peaceful Army with frontman Josh Kiszka commanding the stage and offering his best Robert Plant impression. He even dresses the part, sporting some tight, white jeans with a water-colored blouse and necklace of feathers while his brothers Jake and Sam wore vests or shirts that looked like what you would find at a vintage clothing store. -Josh Herwitt, photo by Josh Herwitt

Foo Fighters

Date: October 6th
Location: Glen Helen Regional Park & Festival Grounds – San Bernardino, CA

As the Foos left the stage for their encore break, we waited patiently for them to return. The crowd, by now, had been taken for a two-hour ride with Grohl firmly at the wheel, pumping adrenaline into our veins with every minute that passed as the Foo Fighters know how to do so well during their usual two-and-a-half-hour jaunts. The video screens on each side of the stage were black until suddenly some backstage footage appeared showing Grohl with Krist Novoselic and what looked like Joan Jett. All of that would end up coming true in the last 30 minutes of Cal Jam 18, but it was a six-song encore with Grohl on drums, Novoselic on bass, the Foo Fighters’ Pat Smear on guitar and Deer Tick frontman John McAuley on both vocals and guitar as Kurt Cobain’s fill-in who got us hyped. Nirvana fans have waited 25 years for a reunion since Cobain’s sudden passing, and when you put it in perspective, it will probably go down as one of the year’s biggest surprises, even at a time in music when many industry experts say that rock now stands in the shadows of hip-hop and EDM. -Josh Herwitt, photo by Josh Herwitt

Pusha T

Date: October 13th
Location: Middle Harbor Shoreline Park – Oakland

But U.S. Girls were the highlight of the weekend for us. A nine-piece experimental pop act, they put on a stunning 45-minute set that culminated in an entrancing rendition of “Time”, the closing track on their critically acclaimed studio effort In a Poem Unlimited, that lasted more than 10 minutes. The energy, instrumentation and vocal capabilities were absolutely stunning. Easily one of this year’s most exciting new acts, and we can’t wait to catch them again soon. -Brett Ruffenach, photo by Brendan Mansfield

U.S. Girls

Date: October 14th
Location: Middle Harbor Shoreline Park – Oakland

Filed Under: Best of 2018, Editor's Picks, Featured Tagged With: A Perfect Circle, A$AP Rocky, A.CHAL, Aaron Neville, Air + Style, Air + Style 2018, Air + Style LA 2018, Alanis Morissette, Alina Baraz, Allen Stone, Amen Dunes, Amine, Aquilo, Ari Lennox, BADBADNOTGOOD, BØRNS, Belle & Sebastian, Best of 2018, Big K.R.I.T., Billie Eilish, Carly Rae Jepsen, Cashmere Cat, Childish Major, Chromeo, Chvrches, Cigarettes After Sex, Cloud Nothings, Courtney Barnett, Cuco, Cut Copy, Cut Snake, CyHi the Prynce, Daniel Caesar, David Byrne, Deafheaven, Deap Vally, Destroyer, Diet Cig, Drab Majesty, DRAM, Eminem, Erykah Badu, Fantastic Negrito, Florence & the Machine, Foo Fighters, Future, Garbage, George Fitzgerald, Glassjaw, Gomez, Gov't Mule, Great Grandpa, Greta Van Fleet, GRIZ, Grizzly Bear, Gucci Mane, H.E.R., HAERTS, Hot Flash Heat Wave, Ibeyi, Iggy Pop, Irma Thomas, Isaiah Rashad, Jack White, Jaira Burns, Jamie xx, Jamiroquai, Janelle Monáe, Jeff Goldblum and the Mildred Snitzer Orchestra, Jhené Aiko, John Maus, Josh Ritter & The Royal City Band, Joywave, JPEGMAFIA, Jungle, Kailee Morgue, Kaitlyn Aurelia Smith, Kamasi Washington, Kauf, Kelela, Kikagaku Moyo, Kings of Leon, Kopps, Laff Trax, Lion Babe, Lizzo, Lophile, Lord Huron, Los Lobos, Lucy Dacus, Margo Price, Melvins, Miguel, Mija, Milk Carton Kids, Moby, ModPods, Moses Sumney, Mura Masa, N.E.R.D., Neil Young, Nirvana, North Mississippi Allstars, NxWorries, Odesza, Pale Waves, Paula Frazer and Tarnation, Phantogram, Pharoah Sanders, Phoenix, Pixies, Polo & Pan, Pond, Portugal. The Man, Pusha T, Quicksand, Ravyn Lenae, RÜFÜS DU SOL, Rivers Cuomo, Robert Plant, Rory Phillips, Sabrina Claudio, Salt-N-Pepa, Santigold, Sasha Sloan, Seu Jorge, Shakey Graves, Shame, Shana Falana, Sharon Van Etten, Silk City, Sleigh Bells, Snoh Aalegra, Soccer Mommy, Soulwax, Stephen Malkmus & The Jicks, Tame Impala, Tenacious D, The Bangles, The Beta Machine, The Dustbowl Revival, The Growlers, The Mother Hips, The National, The Pretenders, The Revolution, The Roots, The Specials, The Spook School, The War on Drugs, The Weeknd, Third Eye Blind, Tinashe, Together Pangea, TV on the Radio, Tycho, Typhoon, U.S. Girls, Uniform, Wafia, Washed Out, Waxahatchee, Weezer, Wet, Will Varley, William Tyler, Yen Yen, Zedd

After 16 years, Smokin Grooves Fest makes its long-awaited return & blazes a new trail in Long Beach

June 22, 2018 by Joseph Gray 2 Comments

Anderson .Paak of NxWorries

Photos by Joseph Gray & Natalie Somekh // Written by Joseph Gray //

Smokin Grooves Fest //
The Queen Mary – Long Beach, CA
June 16th, 2018 //

We are in the heart of festival season. This is a time of the year for music lovers that’s often synonymous with multiple days of unforgiving heat, dusty campgrounds and some young adults who are readily anxious for a mosh pit. The long food-truck lines and heart-shaped sunglasses, polka dots, ripped denim and tie-dyed garments that have become staples at a large majority of music festivals — particularly during the summer months — were present, but Smokin Grooves Fest offered a welcome alternative. And based on its history, Southern California concert promoter Goldenvoice wouldn’t have had it any other way.

For one day only, a sold-out crew enjoyed moderate temperatures at the overcast waterfront adjacent to the historic Queen Mary in Long Beach for Smokin Grooves’ long-awaited return. The event, which last took place 16 years ago, pushed hip-hop, R&B and soul to the forefront of popular music at the time by booking The Fugees, A Tribe Called Quest, Cypress Hill and a whole lot more when Lollapalooza and other rock-focused festivals weren’t showing them the same kind of love.

The crowd, relaxed with a peaceful aura but also energized, mirrored much of the lineup, which showcased veterans such as Erykah Badu, The Roots and Yasiin Bey (fka Mos Def) among buzzing newcomers like H.E.R., Smino, THEY. and Arin Ray across the 38-act bill.

Many attendees went back and forth from the main stage to the two other aptly named stages — “Smokin'” and “Groovin'” — via an elevated overpass, where we overheard several praising the Brooklyn troop Phony Ppl for their soulfully funky grooves.

Miguel

The concert, nevertheless, was not without its faults, as some complained about the sound quality during various times, but neglecting hometown artists certainly wasn’t one of them.

Not long after the buzz around Thundercat’s bass-guitar skills subsided, fellow LA-area acts Jhené Aiko and Miguel were greeted with admiration. Aiko, for one, entertained fans behind flowers, acoustics and enchanting vocals with occasional curse words. Miguel, who proudly reminded us that he was from nearby San Pedro and Inglewood, kept the momentum, along with his fringed microphone stand, moving by performing several crowd-pleasers like “How Many Drinks?”, “Sure Thing” and “Come Through and Chill”, among others.

The event’s headliner was Erykah Badu, who performed during the tour’s second edition in 1997 and looked like she hasn’t missed a beat since. Playing a drum machine between songs while weaving some classic hip-hop instrumentals — one of which was Mobb Deep’s “Shook (Part II)” — into her set, the neo-soul queen dazzled with her seductive, incredible voice and responsive wit for an hour-long class on “How to Deliver a Full-on Show.”

Several journalists and photographers, myself included, mentioned at various times the need to leave early to avoid the traffic on the way. But Badu and others made liars out of us, and we couldn’t have been happier in the end.

Smokin Grooves Fest 2018 - Isaiah Rashad

Smokin Grooves Fest 2018 - The Roots with Busta Rhymes

Smokin Grooves Fest 2018 - Alina Baraz with Khalid

Filed Under: Editor's Picks, Featured, Festival Reviews, Festivals Tagged With: A Tribe Called Quest, Alina Baraz, Anderson .Paak, Ari Lennox, Arin Ray, Black Thought, Busta Rhymes, Cypress Hill, Erykah Badu, Goldenvoice, H.E.R., Isaiah Rashad, Jhené Aiko, Khalid, Knxwledge, Lion Babe, Lollapalooza, Miguel, Mos Def, NxWorries, Phony Ppl, Ravyn Lenae, Smino, Smokin Grooves, Smokin Grooves 2018, Smokin Grooves Fest, Smokin Grooves Fest 2018, Snoh Aalegra, The Fugees, The Roots, THEY., Yasiin Bey

Our 5 favorite moments from Coachella 2018

April 23, 2018 by Josh Herwitt 1 Comment

Photos courtesy of Coachella & Goldenvoice // Written by Josh Herwitt //

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 13th-15th, 2018 //

When Coachella dropped its 2018 lineup in the first week of January as it usually does every year now, there was a common perception among many veteran attendees that the Southern California music and arts festival’s latest roster was further proof of it trending in what some might call a more “mainstream” direction.

But signs of such really began more than a year ago, when Coachella revealed its 2017 lineup that saw Radiohead, Beyoncé and Kendrick Lamar atop the bill. It was the first time in nearly two decades that Goldenvoice had booked a pop star to headline the three-day, two-weekend event, and the renowned concert promoter’s commitment to the genre was cemented when it replaced Beyoncé with Lady Gaga just a few days after Queen Bey announced her pregnancy, forcing the 22-time Grammy winner to postpone her appearance until this April and marking the only instance to date when Coachella has confirmed a headliner in advance of its annual lineup announcement. Because when Beyoncé agrees to play your fest, you make exceptions for the Beyhive of course.

For longtime Coachellans such as ourselves though, the inclusion of a pop star for a second consecutive year wasn’t the only indicator that the festival’s curation process has started to evolve. In particular, a noticeable move away from EDM and an added emphasis placed on popular hip-hop acts like Post Malone, Migos, Cardi B and French Montana also signaled a change from past editions. That kind of music certainly isn’t the reason why we drive out to the desert each spring, but as is always the case, there are plenty of other artists and bands for us to discover and enjoy over three days in Indio.

In returning to Coachella for its first weekend, our ninth straight year at the Empire Polo Club was chock full of highlights. While we don’t have time to revisit all of them in this space, here are our five favorite moments — ordered chronologically — from 2018 (and no, Beyoncé, for as “inspiring” and “spectacular” as her performance was for many, didn’t make the cut).

The War on Drugs

Soulwax

David Dewaele and Stephen Dewaele have drawn quite a bit of fanfare from the dance music community thanks to their successful side project 2manydjs, but the two brothers first broke ground when they put out Soulwax’s sophomore LP Much Against Everyone’s Advice back in 1998. The Belgian electronic outfit returned last March with its first album in nearly 12 years, and since 2016, it has been touring all over the world as the “Soulwax Transient Program for Drums and Machinery” with a lineup that consists of three drummers: Victoria Smith, Blake Davies and Igor Cavalera (formerly of Brazilian heavy metal group Sepultura). And while we remember being captivated by Soulwax’s performance at the 2010 version of HARD Summer, their Friday night set in the Mojave Tent was one for the ages. Showcasing tracks from 2017’s From Deewee and the rest of their catalog, Soulwax had the crowd pogoing up and down for the entire hour they were onstage. If one thing’s for sure, these guys still know how to bring the heat.

Jamiroquai

David Byrne

One of the biggest eye-openers when Coachella’s 2018 lineup first hit the internet was seeing David Byrne listed on the festival’s iconic poster. The legendary Talking Heads frontman has been touring in support of his recently released solo album American Utopia, but at an event that’s made up of mostly 20-somethings, the Rock and Roll Hall of Famer almost seemed out of place with younger artists like MØ, Alina Baraz and BROCKHAMPTON performing around the same time on Day 2. In fact, with this being my first time watching the 65-year-old do his thing, the whole experience felt somewhat surreal. After all, I still remember a friend putting on “Stop Making Sense” in high school and wondering what the hell I was watching. Byrne’s set at Coachella may not have been as bizarre as Jonathan Demme’s 1984 concert film, but it definitely had its moments, like when he walked out with a prosthetic brain at the onset and proceeded to call us “people of the desert.” Frankly, I’m still giddy that I actually got to hear “Slippery People”, “This Must Be the Place (Naive Melody)”, “Once in a Lifetime” and lastly “Burning Down the House” all in an hour’s worth of time.

Eminem

Filed Under: Editor's Picks, Featured, Festival Reviews, Festivals Tagged With: 2ManyDJs, Alina Baraz, Beyonce, Brockhampton, Cardi B, Coachella, Coachella 2018, Coachella Music and Arts Festival, David Byrne, Eminem, French Montana, Goldenvoice, Jamiroquai, Migos, MO, Post Malone, Sepultura, Soulwax, The War on Drugs

Coachella drops 2018 set times & map changes

April 10, 2018 by Josh Herwitt 2 Comments

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 13th-15th & April 20th-22nd, 2018 //

Breathe easy, Coachellans. All of your scheduling conflicts have finally arrived.

The three-day, two-weekend music and arts festival has delivered this year’s set times just after 7 p.m. PT (7:02 p.m. to be exact), precisely one hour later than it did in 2017.

Part of going to Coachella is having to make some tough decisions when it comes to choosing which artists to see, and veterans like ourselves have become quite used to experiencing this #FirstWorldProblem over the years.

But now that the cat is out of the bag, you can start mapping out your 2018 schedule if you’re headed to the Empire Polo Club this weekend.

So, what’s your biggest conflict on this year’s schedule and who are you most excited to see?

WEEKEND 1 SET TIMES

WEEKEND 2 SET TIMES

Over the last several years, it has become more common to see the folks at Goldenvoice make some slight tweaks to Coachella’s Weekend 2 set times after the first weekend ends (the most notable might have been in 2015 when Florence Welch broke her foot during her performance Sunday on the main stage), and the same has proven to be the case in 2018, starting on Day 1 with Benjamin Clementine’s set being moved from the Gobi Tent to the Coachella Stage. Rick G., meanwhile, has been moved into Clementine’s 1:30 p.m. slot in the Gobi Tent, with DMM no longer preceding it at 12:30 p.m.

Some other noteworthy changes for Friday are Fisher, who didn’t perform during Weekend 1 but will replace B.Traits in the Yuma Tent, and Late Night Laggers, who were the first act to perform in the Sahara Tent on Day 1 but won’t be back for Weekend 2. Absent from Friday’s Mojave Tent lineup is Smiles Davis, which consequently has pushed Francesa Harding’s set back to 12:25 p.m., and Chulita Vinyl Club has replaced Jim Smith.

On Saturday, hip-hop producer Ahwlee will fill in for Salami Rose and Joe Lewis in the Mojave Tent, while Ron Gallo has been moved from the Gobi Tent, which lost Birdtastique and added Loboman, to the Sonora Stage, where Bane’s World, Otoboke Beaver and Mild High Club have all moved back one hour and five minutes to make up for the loss of R.O.C. Furthermore, Feel Good Green has replaced Palm Desert DJ Alf Alpha at the Outdoor Theatre, and Mexico City’s N.A.A.F.I. has been added to the Sahara Tent lineup in place of Jimbo Jenkins. The Coachella Stage also now has an eighth performer, with Gabe Real + Juicewon kicking things off at 1:25 p.m. on Day 2.

The third and final day of the festival’s second weekend sees the removal of Gabe Real from the Coachella Stage, leaving LION BABE as its first act to perform, while Los Angeles-based producer nostradahm will fill in for Juice won at the Outdoor Theatre. In the meantime, the Gobi, Mojave and Sahara Tents will each have new openers on Sunday: mr. rotu (replacing Phantom Thrett), VNSSA (replacing Pax) and EMME (replacing CVSS), respectively. And we couldn’t not mention that Jessie Ware’s set at the Outdoor Theatre has been moved back 15 minutes (as well as MAGIC GIANT’s by 10 to 2:25 p.m.), meaning that Weekend 2 attendees will have to settle for only 35 minutes from the UK singer-songwriter rather than 50.

UPDATE (April 20th): Weekend 2 changes! Goldenvoice has announced some more tweaks to the schedule, with Jessie Ware moving from the Outdoor Theatre at 5:55 p.m. on Sunday to the Coachella Stage at 2:50 p.m. on Saturday (we have to think it has something to do with Cardi B performing around the same time after she drew one of the biggest crowds during Weekend 1). The other alterations are related to Sunday’s set times in the Sahara Tent, as Illenium (now at 6:35 p.m.) and French Montana (now at 8:05 p.m.) have switched places. Petit Biscuit will still precede both at 5:10 p.m., while chart-topping hip-hop trio Migos are expected to hit the stage at 9:30 p.m., although we’ll see if they’re a little more punctual this time compared to the first weekend of the festival, technical difficulties and all. Of course, we recommend downloading the Coachella app on your mobile device to receive the latest updates if you’re out in Indio for the festivities.

MAP

Several hours before revealing its Weekend 1 set times, the festival unveiled this year’s map, and it looks quite a bit different in comparison to some of Coachella’s past editions.

Last year, Coachella made some notable changes to its map, with the Mojave and Gobi Tents switching places and the addition of a third VIP section named “Hacienda Del Toro” that sat in between the Gobi and Sahara Tents. Goldenvoice even offered an updated location for the GA beer garden on that side of the polo fields, which was supposed to improve the traffic flow behind the Sahara Tent, though we’re not sure it totally worked to be honest.

Now, the Mojave Tent has been moved far away from the Gobi Tent and into the same area that the Sahara Tent once occupied (next to the VIP Rose Garden). In its place will be the Sonora Stage, which Coachella introduced last year, with the third VIP section (no longer named “Hacienda Del Toro”) directly behind it rather than off to the side. The Gobi Tent, meanwhile, has moved back to its old confines closer to the Outdoor Theatre, where the Mojave Tent was located just a year ago.

Another brand-new addition for Goldenvoice’s signature event is the Indio Central Market, a covered food hall that will feature 15 different restaurants and be situated behind the Sonora Stage. Inside will not only be New York City burger chain Shake Shack for the very first time, but also street food stand Cena, Moby’s vegan restaurant Little Pine and David Chang’s fried chicken sandwich shop Fuku. So, make sure to come hungry if you’re going to Coachella this year — we know we will.

But the biggest modification to the fest’s layout has to be the Sahara Tent’s new home after seeing the massive stage outgrow its longstanding location over the last decade. Positioned next to the main entrance, it will sit just in front of the Cantina and Beer Barn with the iconic ferris wheel and The Do LaB Stage nearby. And from what we can decipher by looking at the map, it appears that the Sahara Tent will be not as long as it used to be, but instead wider, a structural adjustment that was likely made to fit the space within the grounds.

We’ll make sure to give our two cents about these changes and much more when we return from the desert to share our favorite moments from this year’s installment, but as we often like to say around this time … Happy Coachella!

Filed Under: Featured, Festivals Tagged With: 6lack, A Perfect Circle, AC Slater, AIM, Alan Walker, Alina Baraz, Alison Wonderland, Alt-J, Alvvays, Amine, Angel Olsen, AURORA, B.Traits, Barclay Crenshaw, BØRNS, Bedouin, Belly, Benjamin Booker, Benjamin Clementine, Beyonce, Big Thief, Black Coffee, blackbear, Bleachers, Brockhampton, Busy P, Cardi B, Cash Cash, Cherry Glazerr, Chic, Chic with Nile Rodgers, Chromeo, Coachella, Coachella 2018, Coachella Music and Arts Festival, Conway, Cuce, Daniel Caesar, David Byrne, Def Loaf, DeJ Loaf, Deorro, Django Django, Dreams, Elohim, Eminem, Fazerdaze, Fidlar, First Aid Kit, Fisher, Flatbush Zombies, Fleet Foxes, French Montana, Giraffage, Greta Van Fleet, Haim, Highly Suspect, Hundred Waters, Ibeyi, Jack White, Jacob Banks, Jamie Jones, Jamiroquai, Japanese Breakfast, Jean-Michel Jarre, Jessie Ware, Jidenna, Jorja Smith, Justin Martin, Kali Uchis, Kamaiyah, Kamasi Washington, Kelela, King Krule, Knox Fortune, Kygo, LANY, LEON, Lion Babe, Los Angeles Azules, Louis the Child, LP, Maceo Plex, Marian Hill, Migos, Miguel, MO, Moses Sumney, Motor City Drum Ensemble, Nile Rodgers, Noname, Nothing But Thieves, Odesza, Oh Sees, Pachanga Boys, Perfume Genius, Petit Biscuit, Portugal. The Man, Post Malone, Princess Nokia, PVRIS, REZZ, Russ, San Holo, Sigrid, Sir Sly, Skip Marley, Slow Magic, snakehips, Soulwax, St. Vincent, Sudan Archives, SuperDuperKyle, SZA, Talaboman, Tank and the Bangas, Tash Sultana, The Black Madonna, The Bronx, The Drums, The Neighbourhood, The War on Drugs, The Weeknd, THEY., TroyBoi, Tyler the Creator, Vance Joy, Vince Staples, Whetham, Wizkid, X Japan

Coachella wastes no time, revealing 2018 lineup headlined by The Weeknd, Beyoncé & Eminem

January 2, 2018 by Josh Herwitt 3 Comments

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 13th-15th & April 20th-22nd, 2018 //

Well, that didn’t take long.

Just one day into the New Year, and Coachella has already revealed its 2018 lineup, signaling to music fans worldwide that festival season isn’t far off.

After it was reported almost two weeks ago that this year’s headliners would be The Weeknd, Beyoncé and Eminem, that indeed will be the scenario, marking the first time in all 19 years that the three-day, two-weekend event won’t have a rock act topping its bill (a real sign of the times as some might say). Coachella’s 2018 edition will also serve as Beyoncé’s official debut after being forced to cancel last year due to pregnancy, as well as Eminem’s (the only time he has appeared was as a guest back in 2012 during Snoop Dogg’s and Dr. Dre’s headlining set). The Weeknd will be back on the polo fields for the first time since 2015, when the R&B singer closed the main stage on Saturday night as a sub-headliner after Jack White’s headlining slot.

Other notable names listed on the festival’s famed poster this year include HAIM, ODESZA, Kygo, Jamiroquai, Portugal. The Man, David Byrne, St. Vincent, The War on Drugs, alt-J, A Perfect Circle, Fleet Foxes, Chromeo, MØ, Chic feat. Nile Rodgers, Kamasi Washington and Jungle. The undercard, meanwhile, does feature some buzzworthy indie-rock acts such as Perfume Genius, BØRNS and King Krule, but as was the case in 2017, there continues to be more of a focus on hip-hop and R&B, as evidenced by this year’s headliner selections along with the second-line poster placement of SZA, Tyler, the Creator, Migos, Vince Staples, Post Malone, Cardi B and Miguel.

Coachella’s first weekend is scheduled for April 13th-15th, with its second weekend slated for April 20th-22nd. All tickets will go on sale for both weekends this Friday, January 5th at Noon PT here.

Got your sights set on the California desert this April? Relive our five favorite moments, from Radiohead to Kendrick Lamar, after last year’s festival.

Filed Under: Featured, Festivals Tagged With: 6lack, A Perfect Circle, AC Slater, AIM, Alan Walker, Alina Baraz, Alison Wonderland, Alt-J, Alvvays, Amine, Angel Olsen, AURORA, Barclay Crenshaw, BØRNS, Bedouin, Belly, Benjamin Booker, Benjamin Clementine, Beyonce, Big Thief, Black Coffee, blackbear, Bleachers, Brockhampton, Busy P, Cash Cash, Cherry Glazerr, Chic, Chic with Nile Rodgers, Chromeo, Coachella, Coachella 2018, Coachella Music and Arts Festival, Conway, Cuce, Daniel Caesar, David Byrne, Def Loaf, DeJ Loaf, Deorro, Django Django, Dreams, Elohim, Eminem, Fazerdaze, Fidlar, First Aid Kit, Flatbush Zombies, Fleet Foxes, French Montana, Giraffage, Greta Van Fleet, Haim, Highly Suspect, Hundred Waters, Ibeyi, Jack White, Jacob Banks, Jamie Jones, Jamiroquai, Japanese Breakfast, Jean-Michel Jarre, Jessie Ware, Jidenna, Jorja Smith, Justin Martin, Kali Uchis, Kamaiyah, Kamasi Washington, Kelela, King Krule, Knox Fortune, Kygo, LANY, LEON, Lion Babe, Los Angeles Azules, Louis the Child, LP, Maceo Plex, Marian Hill, Migos Cardi B, Miguel, MO, Moses Sumney, Motor City Drum Ensemble, Nile Rodgers, Noname, Nothing But Thieves, Odesza, Oh Sees, Pachanga Boys, Perfume Genius, Petit Biscuit, Portugal. The Man, Post Malone, Princess Nokia, PVRIS, REZZ, Russ, San Holo, Sigrid, Sir Sly, Skip Marley, Slow Magic, snakehips, Soulwax, St. Vincent, Sudan Archives, SuperDuperKyle, SZA, Talaboman, Tank and the Bangas, Tash Sultana, The Black Madonna, The Bronx, The Drums, The Neighbourhood, The War on Drugs, The Weeknd, THEY., TroyBoi, Tyler the Creator, Vance Joy, Vince Staples, Whetham, Wizkid, X Japan

Our favorite performances from 2017

December 29, 2017 by The Bam Team 1 Comment

2017, where the hell did you go? It just felt like the other day that we were ringing in a new year, and yet, here we are again as we plow straight ahead into 2018.

But before we officially put a bow on 2017, it’s time for us to revisit the past 12 months at Showbams. This year, we had the opportunity to capture many amazing moments in live music, and while we couldn’t pay homage to every single performance we witnessed, we made a conscious effort to include a wide range of talent spread across the industry.

Whittling down our list, though, was not that easy. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order) whom we either covered at their own show and/or at a music festival this year:

21 Savage, The Accidentals, Action Bronson, Alice Cooper, Alina Baraz, alt-J, Amber Mark, Andrew McMahon in the Wilderness, Animal Collective, Atlas Genius, The Avalanches, The Band Perry, Beach Slang, Belle and Sebastian, Black Moth Super Rainbow, Bleachers, Blonde Redhead, Bob Moses, Car Seat Headrest, Cate Le Bon, Cigarettes After Sex, Circles Around the Sun, City of Caterpillar, The Coathangers, Claude VonStroke, Chris Robinson, Con Brio, Conor Oberst, Courtney Barnett & Kurt Vile, Crystal Castles, The Crystal Method, Daniel Caesar, Dawes, Dead Meadow, Deafheaven, Deep Purple, Diet Cig, DIIV, Dirty Dozen Brass Band, Dr. Dog, Dr. Octagon, Duke Dumont, Eagles of Death Metal, Electric Guest, Emancipator, Emily King, Empire of the Sun, Foxygen, Future Islands, Gabriel Garzón-Montano, Gatecreeper, Girl Talk, Gone Is Gone, Grizzly Bear, Gucci Mane, Hamilton Leithauser, Hazel English, Hinds, The Hip Replacements, Hiss Golden Messenger, How to Dress Well, Iggy Pop, Isaiah Rashad, Jack Johnson, Jagwar Ma, Jamestown Revival, Jamie Isaac, Jay 305, Jen Cloher, Jessica Hernandez & The Deltas, Jessie Ware, Jim James, JR JR, Julie Byrne, Julien Baker, Justice, Karen Elson, Karl Denson’s Tiny Universe, KAYTRANADA, Kelis, K. Flay, Khalid, Khruangbin, Kilo Kish, King Gizzard and the Lizard Wizard, Kurt Vile, La Femme, LANY, Lauv, L.A. Witch, Lettuce, Lil Yachty, Little Dragon, Lo Moon, Lorde, Lord Huron, Miike Snow, Milky Chance, Minus the Bear, Mister Heavenly, MØ, Mondo Cozmo, Neon Indian, Nicki Bluhm, Norah Jones, North Mississippi Allstars, NVO, Oh Sees, OK Go, Once and Future Band, Pallbearer, The Palms, Passion Pit, Peaches, Perfume Genius, Petit Biscuit, Phoebe Bridgers, Playboi Carti, Pond, Porcelain Raft, PRAYERS, The Radio Dept., Real Estate, The Revivalists, Royal Blood, Sampha, ScHoolboy Q, Sheer Mag, serpentwithfeet, Silversun Pickups, Sleep, Sleigh Bells, SOFI TUKKER, Solange, Spiritualized, Styles P, Sunflower Beam, Talib Kweli, Tank and The Bangas, Tash Sultana, Tei Shi, Temples, Tennis, Tennyson, Thou, Thundercat, TOBACCO, Touché Amoré, Tool, Tove Lo, Travis Scott, Twin Peaks, Ty Segall, Unknown Mortal Orchestra, Vagabon, Vance Joy, Vic Mensa, Warpaint, Weezer, White Fence, Woods, YG, Young the Giant.

Now, it’s time for The Bam Team to present our favorite performances from 2017.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2017

Listen to The Bam Team’s favorite songs of 2017:

Run the Jewels

Date: February 1st
Location: Shrine Expo Hall – Los Angeles

Yet, in just four years, Run the Jewels have already reached hip-hop’s mountaintop with their politically charged lyrics and hard-hitting beats. Just take last Wednesday’s sold-out show in LA for example. With the duo’s third studio album still only a few weeks old, 5,000 or so fans poured into the spacious Shrine Expo Hall to watch El-P and Killer Mike fuck shit up (for lack of a better term). And that’s exactly what they did after opening sets from The Gaslamp Killer, Nick Hook, Gangasta Boo and CUZ. -Josh Herwitt, photo by Josh Herwitt

BADBADNOTGOOD

Date: February 23rd
Location: The Fillmore – San Francisco

As one of the bands to take the coveted headlining spot for NoisePop25, BADBADNOTGOOD seemed as — perhaps more — excited as all of the fans who made it to their sold-out show at The Fillmore. Combining consummate instrumentation with classic MC-style showmanship led by drummer Alexander Sowinski, the Canadian jazz-rock quartet has mastered the art of keeping the audience guessing where they’re going. -Brett Ruffenach, photo by James Pawlish

Spoon

Date: March 7th
Location: Apogee Studio – Santa Monica, CA

In total, Spoon performed five songs from the new record, including “First Caress” to open a brief encore that left us eager for more. But as the five-piece rocked “Rainy Taxi” from 2014’s They Want My Soul to close, I couldn’t help but think to myself that this is one band I never should have slept on. -Josh Herwitt, photo by Larry Hirshowitz

Sigur Rós

Date: April 8th
Location: Greek Theatre – Berkeley, CA

Now a trio, Sigur Rós have been delivering goosebumps for over two decades — and it’s a delight to hear Jónsi’s voice-as-an-instrument this clear, this powerful and as confident as ever. It would be a wonderful treat to check in on this outfit every 5-10 years going forward and realize they are still going strong. -Mike Frash, photo by James Nagel

DREAMCAR

Date: April 9th
Location: Great American Music Hall – San Francisco

Fresh off a stop at Berkeley’s Hearst Greek Theatre the night before, Adams showcased some older favorites and a slew of new tunes from his 16th and latest studio album Prisoner, which came out in February. SoCal fans were treated to some extended full-band jamming, a couple of solo acoustic performances and Adams’ usual witty banter over the course of the evening.
-Jared Stossel, photo by Jared Stossel

A Perfect Circle

Date: April 13th
Location: Bill Graham Civic Auditorium – San Francisco

In the world of rock supergroups, there are few that have sprung up in the last few decades that can hold a candle to A Perfect Circle. From the onset, APC have been a powerhouse on the senses, combining members from bands such as Tool, The Smashing Pumpkins, Failure, Primus and more over the years. Their body of work has been met with high praise across the board, and they have been able to solidify themselves as one of the most unique and tenured groupings out there, as opposed to bands like Zwan and Velvet Revolver. -Andrew Pohl, photo by Mike Rosati

Radiohead

Date: April 14th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Yes, the sound problems (all three instances) put a real damper on what was easily one of the most anticipated performances of the weekend. This was the third time Goldenvoice called on Radiohead to headline Coachella, and for one of rock’s most important bands over the last 30 years, it certainly wasn’t a charm as the saying goes. In that moment, it was pretty hard not to feel bad for Thom Yorke, who could only make light of the situation by cracking a joke even if it wasn’t supposed to be one — or so he claimed. But Radiohead more than made up for it with a masterful setlist that opened with A Moon Shaped Pool cuts “Daydreaming”, “Desert Island Disk” and “Ful Stop” before circling back to older hits such as “Everything in Its Right Place”, “There There”, “Idioteque” and even “Creep”. -Josh Herwitt, photo courtesy of Coachella

Kendrick Lamar

Date: April 16th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

All hail, King Kendrick! Or should we say “Kung Fu Kenny?” The Compton rapper reached hip-hop’s mountaintop more than two years ago with his Grammy-winning masterpiece To Pimp a Butterfly, but headlining Coachella was still on his to-do list. In fact, it was only the second time he had ever been booked to perform at Coachella after being listed on the last line of the 2012 poster. Closing out the fest is no short order for any artist, let alone one who dropped his new album less than 48 hours before taking the stage, but K-Dot lived up to the billing with a show that provoked as much thought as it entertained. -Josh Herwitt, photo courtesy of Coachella

The xx

Date: April 17th
Location: Bill Graham Civic Auditorium – San Francisco

Playfully alluding to their material’s emotional sentiment, Romy Madley Croft (vocals, guitar) and Oliver Sim (bass, vocals) managed to entrance all of us with their tension-filled gazes and syncopated dance moves. Prolonging vocal arrangements, especially during their accelerated live interpretation of “Infinity”, were also stunning to witness. About halfway through the set, Jamie Smith (beats, MPC, production), aka Jamie xx, took the lead and transformed the room into a giant disco party thanks to an onslaught of consecutive dance hits before finishing with “Loud Places” from his 2015 solo LP In Colour. -Molly Kish, photo by Norm de Veyra

Moderat

Date: April 20th
Location: Mayan Theater – Los Angeles

Moderat subsequently circled back to III, performing “Intruder” before exiting the stage to a rousing applause. Yet, when the house lights didn’t come on right away, the suspense began to build once again. Less than a minute later, the three-piece reemerged, giving the audience more than its money’s worth. Two-encore shows are usually reserved for high-profile groups with extensive catalogs like Radiohead, but Moderat have never played by any rules. -Josh Herwitt, photo by Josh Herwitt

The Flaming Lips

Date: May 9th
Location: The Theatre at Ace Hotel – Los Angeles

The Lips, of course, made sure to play that song, and even though it was without Watts, it still proved to be an unforgettable moment due to the fact that Coyne rode a life-size unicorn from one end of the stage to the other as he belted out lines like “Yeah, there should be unicorns / The ones with the purple eyes / It should be loud as fuck / Hope the swans don’t die” to open the tune while wearing a big smile across his face. If that’s not psychedelic to you, then I don’t know what is. -Josh Herwitt, photo by Josh Herwitt

Ryan Adams

Date: June 3rd
Location: Greek Theatre – Los Angeles

Jay Som

Date: June 17th
Location: Potrero del Sol Park – San Francisco

Melina Duterte’s band goes by the name Jay Som and hails from Oakland. Do yourself a favor and remember this name: Jay Som. The Polyvinyl-signed songstress bathed the crowd at the Potrero Stage in her dreamy vocals and inanely catchy tunes that appeal to a wide-range of music fan; her songs could feel just as viable in the 90’s college rock area as they do today. Highlights from the set included a vibe-soaked rendition of “Baybee” as well as “The Bus Song”, arguably the artist’s first real “hit.” -Kevin Quandt, photo by Emmeline Munson

AIR

Date: June 23rd
Location: The Masonic – San Francisco

AIR’s live performances focus on capturing the crisp, detailed production style that the duo has honed over two decades. It’s a vibrant, textured sound. Centered around acoustic guitar, synthesizers and the breathy timbre of the duo’s immaculate harmonized vocals, the use of live drums helped round out the contrast between both the artificial and acoustic sounds in songs like “Cherry Blossom Girl”. -Brett Ruffenach, photo by Steve Carlson

PLANETARIUM

Date: July 21st
Location: Fox Theater Oakland – Oakland

PLANETARIUM’s music, which channels Stevens’ reflections on astronomy, science and even the intricacies of human consciousness, is a fusion of styles from all four band members that evokes feelings of unity. The group’s performance was accompanied by otherworldly visuals that filled the backdrop as it traversed the Solar System with quite a few emotionally charged songs inspired by the planets and other celestial bodies like “Neptune” and “Jupiter”. -Norm de Veyra, photo by Norm de Veyra

The Drums

Date: July 21st
Location: The Fillmore – San Francisco

By the time The Drums took the stage, the intimate venue was packed to the brim with fans. The Brooklyn outfit made as much of an impression as it did when frontman Jonathan Pierce and company exploded onto the scene in 2009 with their initial EP Summertime! From then on, it became glaringly obvious with their eccentric band members and seemingly effortless style that they possessed an energetic presence. And at their SF show, it didn’t take long for the capacity crowd to fall into a groove as the venue’s whole atmosphere lit up. -Jacqueline Moore, photo by Jacqueline Moore

Miguel

Date: July 23rd
Location: Annenberg Space for Photography – Los Angeles

Once the sun set and Miguel stepped onstage, the audience was transported somewhere else entirely. Born and raised in LA, the 31-year-old’s silky-smooth voice floated through the cool evening breeze over the twinkle lights in the trees, giving the impression of an island retreat rather than a concert in the park. -Rochelle Shipman, photo by Rochelle Shipman

The War on Drugs

Date: August 5th
Location: Apogee Studio – Santa Monica, CA

Granduciel’s raspy voice, as well as his driving (no pun intended) guitar rhythms and reverb-laden riffs, are largely what separates The War on Drugs from the rest in a crowded indie-rock scene, but the sum of the band’s parts — Charlie Hall (drums), David Hartley (bass), Anthony LaMarca (guitar, keyboards), Robbie Bennett (keyboards) and finally Jon Natchez (saxophone, keyboards) — also creates a sound that while familiar, still feels uniquely different. -Josh Herwitt, photo by Larry Hirshowitz

Gorillaz

Date: August 11th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

Easily one of the most anticipated acts of the weekend, Gorillaz’s Humanz tour made its West Coast debut on Day 1 at OSL. After a six-year hiatus, expectations ran extremely high for this headlining performance. On previous tours, the band’s members had played second fiddle to the cartoon projections of their alter egos onstage, but everyone was visible this time around. Several collaborators from Gorillaz’s previous albums, including Kali Uchis, Yukimi Nagano and Del the Funky Homosapien, came out to join them, and the Damon Albarn-led group still pulled some even bigger surprises with cameos appearances from De la Soul and Pusha T. -Molly Kish, photo by James Pawlish

Cage the Elephant

Date: August 12th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

While the cancellation of Queens of the Stone Age was a blow a week prior to the event, the replacement that was lined up more than delivered a blistering set of rock ‘n’ roll. Cage the Elephant are now being widely considered festival-headliner material, and frontman Matt Shultz is making a strong claim for that accolade as he continues to elevate his stage act to near-Mick Jagger levels of pomp and energy. “Come a Little Closer” and “Ain’t No Rest for the Wicked” received hearty sing-alongs from a decidedly youthful crowd as Cage have become a favorite of Generation Z. -Kevin Quandt, photo by Marc Fong

J.I.D

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

While the headliners thrilled as expected, it was at the side “Day” and “Night” stages where the festival’s biggest highlights were generated. J.I.D, the rising Atlanta rapper who is signed to J. Cole’s Dreamville imprint, absolutely thrilled during his set. Dazzling with his rapid-fire and agile flow, J.I.D showed off his ability to command a crowd with songs such as “General” and “EdEddnEddy” before jumping into the crowd for the tempo-changing hit “Never” that left the crowd chanting for “one more song!” -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman

SZA

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

Saturday, meanwhile, featured the vintage gospel spirit and warm vibes that have elevated Chicago emcee Chance the Rapper to superstardom. Earlier in the day, SZA, this summer’s breakout star, delivered her first festival performance since the release of her well-received debut album Ctrl. Swaying, spinning and singing her raw emotions and shortcomings while coming of age, the Top Dawg Entertainment songstress didn’t disappoint. -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman

Bonobo (Live)

Date: September 27th
Location: Greek Theatre – Los Angeles

The real reason things felt different this time around, though, was the music. Extending and reimagining his tracks for easily one of the largest crowds he has ever performed in front of, Bonobo followed an uplifting opening set from Canadian electronic duo Bob Moses with an array of soothing sounds that paired beautifully with his lighting setup and entrancing stage production in the same way Scott Hansen (aka Tycho) creates an awe-inspiring audio-visual experience during his live-band performances. -Josh Herwitt, photo by Josh Herwitt

Coldplay

Date: October 4th
Location: Levi’s Stadium – Santa Clara, CA

Coldplay took the stage shortly before 9 p.m. as a video montage of fans who introduced them as “the biggest band in the world” played onstage. While I’m pretty sure there are a few other artists or groups from their side of the pond (ehem, U2) who might take issue with that claim, they certainly did nothing during their electric, almost two-hour performance to dissuade that sort of thinking. Chris Martin and company, in fact, wasted no time getting down to business, flooding the stadium with confetti and firing off pyrotechnics at a steady clip while opening with “A Head Full of Dreams” and subsequently all throughout the night. -Steve Carlson, photo by Steve Carlson

Broken Social Scene

Date: October 26th
Location: Fox Theater Oakland – Oakland

Here’s the thing about BSS — after 15 years, the web of musicians that makes up the collective have created their own individual projects, from Metric to Stars to Feist to Do Make Say Think to Emily Haines & The Soft Skeleton. And while many of the band’s members who have gone on to find success in their own solo careers didn’t happen to join the group on this particular tour, the sense of professionalism built into the BSS live experience remains prevalent. Every person who stepped onstage demonstrated consummate abilities in their own realms, never missing a beat or a note. -Brett Ruffenach, photo by Norm de Veyra

Filed Under: Best of 2017, Editor's Picks, Featured Tagged With: 21 Savage, Action Bronson, AFI, Air, Alice Cooper, Alina Baraz, Amber Mark Beach Slang, Andrew McMahon in the Wilderness, Animal Collective, Annenberg Space for Photography, Apogee Studio, Atlas Genius, BADBADNOTGOOD, Belle and Sebastian, Best of 2017, Bill Graham Civic Auditorium, Black Moth Super Rainbow, Bleachers, Blonde Redhead, Bob Moses, Broken Social Scene, Cage the Elephant, Car Seat Headrest, Cate le Bon, Chris Robinson, Cigarettes After Sex, Circles Around the Sun, City of Caterpillar, Claude VonStroke, Coachella, Coachella 2017, Coachella Music and Arts Festival, Coldplay, Con Brio, Conor Oberst, Courtney Barnett, Courtney Barnett & Kurt Vile, Crystal Castles, Daniel Caesar, Dawes, Day N Night Fest, Day N Night Fest 2017, Day N Night Festival, Day N Night Festival 2017, Dead Meadow, Deafheaven, Deep Purple, Diet Cig, DIIV, Dirty Dozen Brass Band, Dr. Dog, Dr. Octagon, DREAMCAR, Duke Dumont, Eagles of Death Metal, Electric Guest, Emancipator, Emily King, Empire of the Sun, Fox Theater Oakland, Foxygen, Future Islands, Gabriel Garzón-Montano, Gatecreeper, Girl Talk, Gone Is Gone, Gorillaz, Great American Music Hall, Greek Theatre, Greek Theatre Berkeley, Grizzly Bear, Gucci Mane, Hamilton Leithauser, Hazel English, Hinds, Hiss Golden Messenger, How to Dress Well, Iggy Pop, Isaiah Rashad, J.I.D., Jack Johnson, Jagwar Ma, Jamestown Revival, Jamie Isaac, Jay 305, Jay Som, Jen Cloher, Jessica Hernandez & The Deltas, Jessie Ware, Jim James, Jr. Jr., Julie Byrne, Julien Baker, Justice, k.flay, Karen Elson, Karl Denson's Tiny Universe, Kaytranada, Kelis, Kendrick Lamar, Khalid, Khruangbin, Kilo Kish, King Gizzard and the Lizard Wizard, Kurt Vile, L.A. Witch, La Femme, LANY, Lauv, Lettuce, Levi's Stadium, Lil Yachty, Little Dragon, Lo Moon, Lord Huron, Lorde, Mayan Theater, Miguel, Miike Snow, Milky Chance, Minus the Bear, Mister Heavenly, MO, Moderat, Music Festival Outside Lands Music Festival 2017, Neon Indian, Nicki Bluhm, No Doubt, Noise Pop, Noise Pop 2017, Noise Pop 25, Noise Pop Festival, Norah Jones, North Mississippi Allstars, NVO, Oh Sees, OK Go, Once and Future Band, Outside Lands, Outside Lands 2017, Outside Lands Music Festival, Pallbearer, Passion Pit, Peaches, Perfume Genius, Petit Biscuit, Phoebe Bridgers, Phono Del Sol, Phono del Sol 2017, Phono del Sol Music Festival 2017, Playboi Carti, Pond, Porcelain Raft, Potrero del Sol Park, PRAYERS, Real Estate, Royal Blood, Run The Jewels, Ryan Adams, Sampha, Schoolboy Q, serpentwithfeet, Sheer Mag, Shrine Expo Hall, Sigur Ros, Silversun Pickups, Sleep, Sleigh Bells, Sofi Tukker, Solange, Spiritualized, Spoon, Styles P, Sufjan Stevens, Sunflower Beam, Talib Kweli, Tank and the Bangas, Tash Sultana, Tei Shi, Temples, Tennis, Tennyson, The Accidentals, The Avalanches, The Band Perry, The Coathangers, The Crystal Method, The Drums, The Fillmore, The Hip Replacements, The Masonic, The National, The Palms, The Radio Dept., The Revivalists, The War on Drugs, The xx, Thou, Thundercat, Tobacco, Tool, Touché Amoré, Tove Lo, Travis Scott, Twin Peaks, Ty Segall, Unknown Mortal Orchestra, Vagabon, Vance Joy, Vic Mensa, Warpaint, Weezer, White Fence, Woods, YG, Young The Giant

Coldplay live up to their “biggest band in the world” claim in front of 60,000 strong at Levi’s Stadium

October 12, 2017 by Steve Carlson Leave a Comment

By Steve Carlson //

Coldplay with Tove Lo, Alina Baraz //
Levi’s Stadium – Santa Clara, CA
October 4th, 2017 //

British rockers Coldplay brought their massive “A Head Full of Dreams” tour to Levi’s Stadium just a little over a year after their first visit, and it proved to be quite the spectacle.

Kicking off the night for the few fans who made it inside the stadium before sundown was LA-based rising star Alina Baraz, whose soulful, downtempo R&B vibes didn’t bring much energy to the lineup and felt overwhelmed by the massive stage. Nevertheless, her performance did hint at her immense talent. Be sure to catch her when she plays a smaller space in the future.

Next up was Swedish pop provocateur and Bay Area favorite Tove Lo. The Djursholm native showed considerably more energy out of the gate, confidently running out onto the stage and launching into spirited renditions of “True Disaster” from her 2016 LP Lady Wood and its title track. Unlike Baraz, Tove Lo seemed to enjoy herself (in more ways than one) and fed off the crowd’s growing energy.

Tove Lo

The inclusion of the “Disco Tits” singer — with her confident sexuality, explicit lyrics and well-known tendency to expose herself onstage — might have seemed like an usual pairing with the unoffensive, family-friendly arena rock Coldplay are known for, but judging by the enthusiastic reactions from the significantly larger crowd, most were happy to go along for the ride.

By now, Coldplay’s show has been around the block a few times (this show being one of the last of their year-and-a-half long tour) and their shtick is well-known — the aforementioned confetti and pyro, light-up audience wristbands that sync with the music and Martin’s hyper-endearing goofiness cranked up to 11 — but more than a few concertgoers seemed genuinely concerned when the band abruptly cut off the intro to “Charlie Brown” to hold what looked like a “band meeting” by Will Champion’s drum kit.

Though Coldplay has been doing this every night as of late (they tell everyone it’s to discuss how they can get the audience to put their phones down and jump around more), it occurred just close enough to the well-publicized and somewhat controversial 10 p.m. curfew set by the City of Santa Clara that some seemed to think the band’s sound had been cut off. However, it wasn’t, and the band continued to mesmerize for another 45 minutes, well past curfew, to the delight of the more than 60,000 faithful.

That’s not bad for a band, which during their 2002 appearance at the Greek Theatre Berkeley suggested that one day we might stumble upon them playing a small room in Las Vegas and remark, “Oh, there’s that little Coldplay band!”

The biggest band in the world? Maybe, or maybe not. But there’s no doubt that Coldplay know how to play the part convincingly and won’t be slumming it in any Vegas bars any time soon.

Setlist:
A Head Full of Dreams (extended intro with Charlie Chaplin speech)
Yellow
Every Teardrop Is a Waterfall
The Scientist
God Put a Smile Upon Your Face (with “Oceans” excerpt in intro)
Paradise (with Tiësto Remix outro)
Always in My Head
Magic
Everglow (dedicated to Tom Petty and victims of recent disasters)
Clocks (with “Army of One” excerpt in intro)
Midnight (partial)
Charlie Brown (restarted with Chris asking the crowd to turn off their phones for this song)
Hymn for the Weekend
Fix You (with “Midnight” excerpt in intro)
Viva la Vida
Adventure of a Lifetime
In My Place (acoustic, with a snippet of Tom Petty’s “Free Falling”)
Don’t Panic (acoustic; Will on lead vocals)
O (with fan from audience called Rece on piano)
Something Just Like This (The Chainsmokers & Coldplay cover)
A Sky Full of Stars
Up&Up (extended outro)

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: Alina Baraz, Chris Martin, Coldplay, Levi's Stadium, Tove Lo

The 25 best live music acts of 2016

December 30, 2016 by The Bam Team 1 Comment

As we officially place 2016 in the history books, it’s time to look back at all the live music we experienced this year. Last year we shared our 25 favorite live performers of 2015, so this year we thought we would do it again while excluding any artists we named in 2015. After all, who really wants to see the same acts listed two years in a row? That said, now that we’re two years removed, our 25 favorite live performers of 2014 were once again fair game.

After covering many excellent bands, musicians and DJs over the past 12 months, trimming our list down to 25 wasn’t easy and as usual, some difficult decisions had to be made. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order) whom we either covered at their own show and/or at a music festival this year:

Adrian Younge, Air, Alessia Cara, Alina Baraz, AlunaGeorge, Alvvays, The Arcs, A$AP Ferg, Atlas Genius, Aubrie Sellers, The Avett Brothers, Bag Raiders, Baio, Banks & Steelz, Bas, Battles, Beats Antique, Beach House, Best Coast, Big Freedia, Big Gigantic, Big Grams, Big Wild, Bloc Party, Bob Mould, The Boxer Rebellion, Brand New, Brett Dennen, The California Honeydrops, Capital Cities, Cate Le Bon, Chairlift, Chelsea Wolfe, !!! (Chk Chk Chk), Chris Robinson Brotherhood, Chuck Mosley, Chromeo, Claude VonStroke, The Claypool Lennon Delirium, Cold War Kids, The Crux, Dan Deacon, Danny Brown, Deftones, The Devil Makes Three, Dirtwire, Disclosure, DMA’s, DMX, Drew Holcomb and The Neighbors, Duran Duran, Every Time I Die, Emancipator Ensemble, Ezra Furman, Faith No More, The Faint, Fantastic Negrito, Femi Kuti, Florence + the Machine, Flume, Fruition, The Gaslamp Killer, Geographer, Glass Animals, Gorgon City, Grimes, Halsey, The Head and the Heart, Heartwatch, The Heavy, Highly Suspect, Hippie Sabotage, Holy Fuck, How to Dress Well, Hudson Mohawke, Hundred Waters, IAMX, Ibeyi, Ice Cube, Iggy Pop, The Infamous Stringdusters, Jack Beats, Jack Garratt, Jack Ü, James Bay, Jamie xx, J. Cole, Jimmie Vaughn, Jhené Aiko, The Joy Formidable, Joywave, Julia Holter, Julien Baker, Kaki King, Kamaiyah, Kamasi Washington, Kehlani, K.Flay, The Kills, Kurt Vile, Lafa Taylor, Lana Del Rey, Låpsley, Les Sins, Lettuce, Lionel Richie, Lord Huron, Little Scream, Lucius, M83, Major Lazer, Marian Hill, Mayer Hawthorne, MC YOGI, Methyl Ethel, Metric, Miami Horror, Mick Jenkins, Midi Matilda, Miguel Migs, Modest Mouse, Moon Taxi, M. Ward, Nahko & Medicine for the People, The Naked and Famous, Nas, Nathaniel Rateliff & The Night Sweats, Neon Indian, Nick Murphy (fka Chet Faker), Nite Jewel, Panic! at the Disco, Parliament-Funkadelic, Peaches, Petite Noir, The Pharcyde, The Polish Ambassador, Porches, Prince Rama, Purity Ring, Pusha T, Radiohead, Ra Ra Riot, The Regrettes, The Revivalists, RJD2, Rodrigo y Gabriela, Rogue Wave, Rubblebucket, Run the Jewels, The Russ Liquid Test, Ryan Adams, The Sam Chase & The Untraditional, Saosin, Sarah Neufeld, The Seshen, Shabazz Palaces, Shlohmo, Silversun Pickups, Snakehips, Solange, Son Little, St. Lucia, Stormzy, The Struts, STS9, Sturgill Simpson, Sufjan Stevens, Summer Cannibals, Sunflower Bean, Sigur Rós, St. Germain, Sylvan Esso, Tacocat, Taking Back Sunday, Tedeschi Trucks Band, Thao & the Get Down Stay Down, This Will Destroy You, Thomas Jack, Thundercat, Toro y Moi, Tortoise, Tory Lanez, Tourist, The Trims, Troye Sivan, Umphrey’s McGee, Viceroy, Vince Staples, Vokab Company, Walk the Moon, Warpaint, Wavves, Weezer, Wheeler Walker Jr., White Denim, Wild Belle, Wild Nothing, Years & Years, Yeasayer, YG, Young Fathers, Yuck, ZHU, Ziggy Marley.

Now, it’s time for The Bam Team to present our 25 favorite live performers of 2016.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2016

Listen to The Bam Team’s favorite songs of 2016:

25. Tycho

For as much as Epoch was a surprise, so were Tycho’s two most recent shows in LA last week. It was the first time Hansen and company had played The Fonda Theatre since the Awake tour back in 2014, and Thursday’s sellout, which was announced less than a week before the show, along with the subsequent need to add a second date the next night, made it clear that more than ever, Angelinos have a strong appetite for what Hansen is doing on both a musical and visual level. It helps, too, that KCRW Music Director Jason Bentley, who opened the shows at The Fonda with a DJ set, has helped expose Tycho to a broader audience, whether through the “Morning Becomes Eclectic” theme song or live, in-studio performances by the band. Even nowadays with an abundance of streaming sites, you can’t underestimate the power of radio in a city with a driving culture as large as LA’s. And truth be told, Tycho is some of the best music to drive to, especially when you’re surrounded by nature. -Josh Herwitt, photo by Josh Herwitt

24. Isaiah Rashad

And when it did, Rashad torpedoed onto stage and turned the restlessness in the room on its head with “Smile”, the apropos homecoming banger he released after years of uncertainty that followed his 2014 EP Cilvia Demo. It was fitting because prior to his reemergence, which was sparked by the song, Rashad admitted to being addicted to Xanax and alcohol, and it almost led to him being dropped from his West Coast record label on several occasions. From his issues with substance abuse to the tears he shed while listening to Kid Cudi’s music and his open-book thoughts on the humanizing of mental-health issues, Rashad’s journey from being the contemplative unknown in superstar Kendrick Lamar’s crew to a complete artist deserving of your attention has been steeped in honesty. -Joseph Gray, photo by Joseph Gray

23. Bob Moses

Needless to say, worn-out axioms failed to apply in this scenario. Bob Moses silenced anyone attempting to pass them off as yet another contrived electropop outfit aiming to please the masses. At Mezzanine, both Howie and Vallance proved their prowess as EDM innovators, bringing more to the stage than a couple of laptops and a pretty light show. Surprising those unfamiliar with their work or expecting to be underwhelmed, Bob Moses have elevated the live electronic game for their respective contemporaries and succeeded in defining a new chapter for the genre — an innovative sound standard that’s all their own. -Molly Kish, photo by Lisette Worster

22. Floating Points

The band continued building on its rhythms and melodies, creating a hypnotic feeling that was filled with textured synthesizers, guitar pedals and consummate percussion, as laser patterns reflected each rise and fall during its lengthy jam sessions. As Sheppard and his sidekicks progressed through each track, the complexity of the laser projections grew into optical illusions that, almost like another musical instrument onstage, intertwined with the style and progression of the band’s production perfectly. With each song reaching a climax and eventual denouement, the artwork remained untouched for a few minutes so that fans could observe each piece before their very own eyes. -Brett Ruffenach, photo by Alister Mori

21. Ty Segall

But Segall is no doubt a showman himself, and you’d be hard-pressed to find someone who expends as much energy onstage as he does in merely 90 minutes. His passion simply rubs off on his fans, who wasted little time climbing onstage and taking the plunge into a sea of hands for a couple of minutes. Segall, of course, also got in on the action at one point, as his shows are often known to feature crowd surfing from both band and audience members, and he made sure to take the mic stand with him while he horizontally slithered across the room. -Josh Herwitt, photo by Josh Herwitt

20. Dr. Teeth and The Electric Mayhem

One of the biggest questions on everyone’s mind coming into Outside Lands was, “Who were Dr. Teeth and The Electric Mayhem?” For those who knew, it was, “How in the hell were the Muppets going to fill a Sunday slot on the main stage?” Because the band had never played a show of such magnitude or outside the context of a TV/film studio, no one had any clue what to expect during this early-afternoon slot. Though some festivalgoers (mistakenly) decided to forego the experience altogether, those present will not forget the incredible feat that Another Planet Entertainment and Jim Henson Enterprises were able to pull off for what was one of the most emotionally nostalgic, blissfully complex and once-in-a-lifetime festival performances maybe ever. The Muppet house band both effortlessly managed to pluck the heartstrings of multiple generations of fans while delivering the most conceptually beautiful “love letter” to the city of SF, blanketing the grounds in a sea of love and collective euphoria for a brief, yet unforgettable moment. -Molly Kish, photo by Rochelle Shipman

19. RÜFÜS DU SOL

By the time RÜFÜS made their entrance, the excitement in the room was at a fever pitch. The crowd was ready to dance from the very first beat (thanks to the excellent warm-up from Kllo and Yuma X), and they did just that. Lead singer Tyrone Lindqvist took center stage with great energy and proceeded to do the customary water bottle toss shortly after. Lindqvist set the tone right from the get-go for a high-energy, high-audience-participation set. The crowd responded in kind by getting down much harder than expected for a Wednesday night. Notably, there were surprisingly very few phones out as most attendees put away their cameras to make the most of every song. The intimate setting of The Fillmore could almost have been mistaken for the polo fields of Coachella, given how many girls-on-shoulders could be seen around the venue. -Geoff Hong, photo by Josh Herwitt

18. Rudimental

Through Rudimental tracks like “Not Giving In”, “Free” and “Waiting All Night”, the most unique element of the group’s live production was their charisma. Simply put, they look like they’re having fun. These aren’t tortured artists or cathartic performers — Rudimental are a band that loves the music they make. Even the band’s drummer, Beanie, easily one of the hardest working rhythmists on tour right now, managed to keep a smile on his face, racing through Rudimental’s repertoire of songs that were anywhere from 145 to 160 BPMs. The septet’s de-facto leader, DJ Locksmith, was surprisingly more in the background than you would expect from a typical DnB hype man. As Rudimental wrapped up their set with their chart-topping hit “Feel the Love”, the crowd joined in as the song ended, creating a shared moment at The Fox that perfectly reflected the intention of Rudimental — to spread the love. -Brett Ruffenach, photo by Marc Fong

17. BØRNS

On this night, that proverbial phrase seemingly rang true. It wasn’t just that BØRNS most likely amassed the largest attendance in the history of the Twilight Concert Series, but also the fact that it was easily one of the best shows I’ve ever witnessed at the Santa Monica Pier. One could certainly point to the opening of the Expo Line extension as a reason for the larger crowds so far this summer, which wasn’t all that noticeable during the series’ opening night with Mayer Hawthorne just the week prior, but that would simply be underestimating the exponential rise of Garrett Borns’ eponymous project. Since he relocated to Los Angeles in 2013 and signed with Interscope Records, the Michigan native has gone from supporting modest indie bands like MisterWives to selling out shows as a headliner in a matter of a year. -Josh Herwitt, photo by Josh Herwitt

16. Flying Lotus

Brainfeeder founder, producer and unapologetic cultural mouthpiece Flying Lotus (born Steven Ellison) ended the night with a mildly controversial headlining set. Walking onstage and making what any FlyLo fan would recognize as an off-colored comment on the current presidential race may have proven too brazen for those not used to his brand. He let Captain Murphy out of the box a little early and road the wave of confusion into a heady, bass-driven assault on the conflicted crowd, providing the distinct audio punctuation point for the night’s bill of artists. Playing several tracks off of his 2014 LP You’re Dead! as well as various hits from high-profile hip-hop emcees like Travis Scott and Kendrick Lamar that he has produced over the years, Ellison stunned us all with his double-screen, audio-visual stage setup and plenty of bone-rattling bass drops. -Molly Kish, photo by Marc Fong

15. The Last Shadow Puppets

TLSP brought a strings section to their show, an added element that helped keep things fresh and new. The show began with the beautiful sounds of violins and cellos, but the moment TLSP got onstage, the whole floor at The Fillmore lit up in billows of smoke. I’m sure the band was stoned by the end of the show if it hadn’t been already, appearing beyond excited to be playing on a Sunday night in SF. Turner and Kane must have yelled out something about SF every few minutes and incorporated SF into some of their songs. They were so incredibly tight, and I felt their set in some ways was a bit better than what I had witnessed years ago — the mix and order of the songs felt more succinct at The Fillmore. -Rachel Goodman, photo by Diana Cordero

14. Miike Snow

Sunday’s roster at Coachella last year was significantly weaker in comparison to Friday’s and Saturday’s. This year was much of the same, though Calvin Harris somehow proved to be an even worse headliner than Drake (we didn’t know that was possible). But one of the bright spots on Day 3 was no doubt Miike Snow’s 9:45 p.m. slot in the Mojave Tent, the same place where I discovered the Swedish trio back in 2010 during my first Coachella. Andrew Wyatt, Christian Karlsson and Pontus Winnberg have come a long way since then, and with three studio albums in their catalog, including their latest effort iii, they have more than enough material to fill out a 50-minute set and leave you wanting to hear more. -Josh Herwitt, photo by Norm de Veyra

13. Young Thug

Fresh off releasing the latest — and final — installment of his Slime Season mixtape trilogy, Young Thug took his place on the stage. Arriving in a white blouse, multicolored sequined jacket, dark shades, a polka-dot head scarf and remarkably slim, golden pants, he aligned such a rangy and vibrant uniform with his performance. There wouldn’t be any towering LED lights, stunts or stage diving. However, Young Thug, who for the majority of his roughly hour-long set played the lone wolf, delighted the crowd with his animated and bright delivery while running through thundering Slime Season 3 favorites like “With Them”, “Digits” and “Slime Shit”. The audience, ranging from high school seniors to seasoned workers likely with mortgages, strikingly recited every uncanny, controversial lyric and Ric Flair-esque “Woo!” like they had been analyzing them for years. -Joseph Gray, photo by Joseph Gray

12. Pretty Lights

Touring with a live band for the first time in 2013 — something that few other EDM artists have done to this day — he quickly changed the way electronic music can be experienced live. Fast forward to last Thursday, and we were once again treated to an electrifying Pretty Lights show that was more than just Smith behind a pair of Macbook Pros and two Akai MPD32s. Making his debut at the majestic Santa Barbara Bowl, he once again showed why he isn’t your typical EDM act. With Chris Karns and Big Wild providing support, Smith hit the stage at 8 p.m. with his bandmates — Karns, Borham Lee, Brandon Butler and Alvin Ford, Jr. — and put on a show that dazzled both sonically and visually. What was most impressive, though, was seeing how much of the performance was improvised, as the band transitioned from one jam to another while dropping in a number of remixes here and there. And as I looked on from my seat in the stands, I couldn’t help but think about how much the show reminded me of all the times I’ve seen STS9 perform live. It only seemed fitting considering that the livetronia band helped give Smith his start back in the day, and with the “EDM bubble” about to burst (that is, if it hasn’t already), it’s hopefully an approach more electronic artists will gravitate toward in the future. -Josh Herwitt, photo by Josh Herwitt

11. Mac DeMarco

The 26-year-old king of slacker rock, who over the past few years has become a fan favorite of many Bay Area audiophiles, never seems to hold back when he comes to town. His first night in SF last week saw him jump from The Indy’s balcony into an awaiting crowd (a feat that was later imitated by a female audience member at The Warfield the next night), run around half naked while playing new songs and perform a 25-minute cover of Eric Clapton’s 1971 hit single “Layla” with fart solos sprinkled throughout. -James Pawlish, photo by James Pawlish

10. Moderat

Easily the most anticipated set of the weekend from this spectator’s vantage point, Moderat hadn’t toured since dropping a pair of EPs in 2014. But with the release of its third full-length album, aptly titled III, the Berlin-based supergroup comprised of Apparat’s Sascha Ring and Modeselektor members Gernot Bronsert and Sebastian Szary were primed to make their mark on the final day of LIB — and that they did. Beginning with “Ghostmother” off their latest LP, Moderat ran through a good chunk of new material, but nothing ignited the crowd more than their new single “Reminder”, which remains one of our favorite songs of the year so far. As we witnessed a few days earlier at The Fonda Theatre in LA, the group’s dark, minimalist stage setup with psychedelic flourishes paired nicely with Ring’s ethereal vocals. Of all the other performances throughout the weekend, Moderat’s 90-minute set undoubtedly stood as one of the brightest moments of LIB 2016. -Josh Herwitt, photo by Josh Herwitt

9. Foals

Foals closed out their rambunctious set with a killer take on the title track “What Went Down” that brought lead singer/guitarist Yannis Philippakis diving into the crowd, giving fans one hell of a selfie and proving their rock credentials for good. After all, any band that can unite 20-something bros with 50-something grandparents gets a gold star in our book. Rock brings people together, and those who made it out to see this unicorn of a band won’t live to regret it. -Zach Bourque, photo by Steve Carlson

8. Tame Impala

As they opened with the dream-inducing interlude “Nangs” from their latest studio album Currents, Tame Impala gave the crowd an ample minute and a half to commit to the spatial surroundings before jumping full throttle into an explosive rendition of lead single “Let It Happen,” playing the tracks in reverse order than they are on the LP. By the third song (as promised), the sky, having just turned black, was filled with a stadium’s worth of rainbow confetti as the band played the opening chords of 2012’s psuedo love ballad “Mind Mischief”. Followed by a rare performance — only the second time in three years — of “Music to Walk Home By” from 2012’s Lonerism, Tame Impala played a wide range of emotive classics while scrambling the brains of more than 8,500 audience members with their intense onslaught of sensory-overloading imagery and hypnotic light show. -Molly Kish, photo by James Pawlish

7. Jim James

James is in rare company these days, amid a dying breed of guitar-rock gods like Jack White and Josh Homme who are not only capable of playing anything on six strings, but also on a myriad of instruments. And while Eternally Even feels in some ways like an opportunity for him to finally experiment more with keyboards, James made sure to remind his fans at the 90-year-old Orpheum Theatre last Friday that shredding is still a priority. Performing in his new hometown after officially moving to LA this year, he assumed the role of lead singer for much of the show as he and his bandmates from Twin Limb (also opening for James on this tour) played all of Eternally Even and half of Regions. But propped up by a stand onstage the whole time was James’ black Gibson axe, and you knew at some point during a two-hour set that he was going to unload some sick riffs like we have become accustomed to seeing from him at Jacket shows. -Josh Herwitt, photo by Josh Herwitt

6. The National

The real headline from The National’s performance was hands down the new material that was debuted, pretty much across their entire set, encore included. A rather standard opening of “Don’t Swallow the Cap” and “I Should Live in Salt” led into our first taste of the band’s upcoming LP in the form of “Checking Out”. Though many locals likely recognized this track from last year’s Treasure Island Music Festival (read our review here), it has tightened up over the past year and even begins to sound familiar as the Brooklyn-based five-piece begins to weave in more electronic, synth-like elements. -Kevin Quandt, photo by Steve Carlson

5. Guns N’ Roses

There may have been no more talked-about act in Coachella’s 17-year history than Saturday’s headliner — and for good reason. Going back to 1993, it had been 23 years since Axl Rose and Slash last performed on the same stage together, and though some of that allure had worn off by the time they reached Indio thanks to a surprise show in LA and back-to-back nights in Las Vegas in prior weeks, Guns N’ Roses were still the talk of the town leading up to Coachella. In fact, all you had to do was look around on Saturday and see just how many GNR T-shirts were traversing the polo fields before their 10:30 p.m. set. When it came time to deliver, the original trio of Axl, Slash and bassist Duff McKagan most certainly did, while rhythm guitarist Richard Fortus and drummer Frank Ferrer proved to be more than suitable fill-ins for Izzy Stradlin and Steven Adler/Matt Sorum. Meanwhile, the surprise appearance by Angus Young couldn’t have come at a much better time after the announcement was made minutes before GNR’s set that Rose will be filling in for Brian Johnson on AC/DC’s remaining tour dates this year. GNR have always been one of my biggest bucket-list bands, and even if a broken leg prevented Axl from strutting and slithering across the stage like he once did as a brash, slender 21-year-old rock star, seeing one of my favorite childhood bands perform for two and a half hours felt all too surreal as I left the Empire Polo Club that night. -Josh Herwitt, photo courtesy of Coachella

4. Sia

From the very beginning, Sia set herself apart from every other artist who took the Coachella Stage this year. With the Australian artist standing in the back of the stage, her set was more performance art than it was pop music. While her face was hidden thanks to her trademark wig, Sia’s voice stood front and center as she belted out every note to hits like “Diamonds”, “Bird Set Free” and “Titanium”. Throughout it all, different dancers and actors would come on stage, abstractly embodying the themes her songwriting often conveys: fear, anticipation, stress, anger, joy, love and most of all, doubt. As Kristen Wiig and Paul Dano contributed to the overall performance, the height of Sia’s conceptual masterpiece reached its peak with a breathtaking rendition of “Breathe Me”, bringing some of the audience to tears. It was the true headliner of Sunday night and among the top performances of the entire weekend. -Brett Ruffenach, photo courtesy of Coachella

3. Chance the Rapper

In one of the few transcendent moments of the weekend, a set that had everyone throughout the fairgrounds hyped into an anticipatory frenzy, Chance the Rapper performed at the Lands End stage on Sunday afternoon for easily the largest crowd of the entire weekend. Even those who stood their ground through Third Eye Blind’s preceding set felt the drastic change in both crowd size and personal space as the polo fields flooded and temperatures rose. Even though Chance could have used this to his advantage and conducted an explosive show, igniting the tightly configured crowd into a combustive state, he instead took his fans “to church” with a spiritually centered gospel set, making sure everyone was attentive and of course, that “his part” resonated among the masses. -Molly Kish, photo by Norm de Veyra

2. LCD Soundsystem

Over the last couple of years, it’s hard to think of a band I have wanted to see more than LCD Soundsystem. Deeply tied to my formative years in college, the Brooklyn outfit’s return after a five-year hiatus was nothing short of stunning. Opening with the undeniably groovy “Us vs. Them” and covering a good chunk of their catalog over almost two hours, LCD certainly met the expectations of an eager crowd. James Murphy kept the banter between songs fairly short, and these indie heavyweights demonstrated a true dedication to their craft, starting fast with songs like “Movements” and “Yeah” before moving to more deep, tightly wound rhythms on “Someone Great” and “Home”. Though “Losing My Edge” was written more than 10 years ago, Murphy’s part-improvised, part-proclamation, part-perfectly-delivered rendition of the track seemed to really capture the attention of more casual LCD fans. Nearing the end of its set, the band covered “Heroes” by late collaborator David Bowie. I have seen many concerts as well as attended many festivals in my life, but this was truly among the most beautiful moments in live music I have ever experienced. Wrapping up their headlining performance with “All My Friends”, LCD Soundsystem proved to be among the top artists to ever grace the festival’s main stage. -Brett Ruffenach, photo by Norm de Veyra

1. Anderson .Paak

I’m going to be completely honest: I went to SXSW this year to see .Paak because I knew once he played it, tickets to his shows would be impossible to get. Six months later, $30 tickets to his show in San Francisco at The Fillmore resold for upwards of $400. If you didn’t have another way to get into that show or rent to pay, it was worth it. The energy that comes out of .Paak while he’s performing is charming, infectious and unmatched. He splits his time roaming every inch of the stage and behind his drum set, often singing and rapping without missing a beat. At .Paak’s December show at the Hollywood Palladium in LA, Stevie Wonder came out not to sing, but to tell the crowd what a big fan he is. So basically, Stevie Wonder dropped by. OK, Anderson … we see you. -Rochelle Shipman, photo by Norm de Veyra

Filed Under: Best of 2016, Editor's Picks, Featured Tagged With: A$AP Ferg, Adrian Younge, Air, Alessia Cara, Alina Baraz, AlunaGeorge, Alvvays, Anderson .Paak, Anderson .Paak & The Free Nationals, Atlas Genius, Aubrie Sellers, Bag Raiders, Baio, Banks & Steelz, Bas, Battles, BØRNS, Beach House, Beats Antique, Bernhoft and The Shudderbugs, Best Coast, Best of 2016, Big Freedia, Big Gigantic, Big Grams, Big Wild, Black Milk & Nat Turner, Bloc Party, Bob Moses, Bob Mould, Brand New, Brett Dennen, Capital Cities, Cate le Bon, Chairlift, Chance The Rapper, Chelsea Wolfe, CHK CHK CHK, Chris Robinson Brotherhood, Chromeo, Chuck Mosley, Claude VonStroke, Cold War Kids, Dan Deacon, Danny Brown, Deftones, Dirtwire, Disclosure, DMA's, DMX, Dr. Teeth and The Electric Mayhem, Drew Holcomb and The Neighbors, Duran Duran, Early November, Emancipator Ensemble, Every Time I Die, Eyes on the Shore, Ezra Furman, Faith No More, Fantastic Negrito, Fell Runner, Femi Kuti, Floating Points, Florence & the Machine, Flume, Flying Lotus, FOALS, Fruition, Geographer, Glass Animals, Gorgon City, Grimes, Guns N' Roses, Halsey, Heartwatch, Highly Suspect, Hippie Sabotage, Holy Fuck, How to Dress Well, Hudson Mohawke, Hundred Waters, Iamsu!, IAMX, Ibeyi, Ice Cube, Iggy Pop, Isaiah Rashad, J. Cole, Jack Ü, Jack Beats, Jack Garratt, James Bay, Jamie xx, Jhené Aiko, Jidenna, Jim James, Jimmie Vaughn, Joywave, Julia Holter, Julien Baker, k.flay, Kaki King, Kamaiyah, Kamasi Washington, Kehlani, Kurt Vile, Kurt Vile & The Violators, Lafa Taylor, Lana Del Rey, Lapsley, LCD Soundsystem, Les Sins, Lettuce, Lionel Richie, Little Scream, Lord Huron, Lucius, M. Ward, M83, Mac Demarco, Major Lazer, Marian Hill, Mayer Hawthorne, MC YOGI, Methyl Ethel, Metric, Miami Horror, Mick Jenkins, Midi Matilda, Miguel Migs, Miike Snow, Moderat, Modest Mouse, Moon Taxi, My Morning Jacket, Nahko & Medicine for the People, Nas, Nathaniel Rateliff & The Night Sweats, Neon Indian, Nick Murphy (fka Chet Faker), Nite Jewel, Oh Pep!, Oh Wonder, Panic! At The Disco, Parliament-Funkadelic, Peaches, Petite Noir, Porches, Pretty Lights, Prince Rama, Purity Ring, Pusha T, Ra Ra Riot, Radiohead, RÜFÜS DU SOL, Rin Tin Tiger, RJD2, Rodrigo y Gabriela, Rogue Wave, Rubblebucket, Rudimental, Run The Jewels, Ryan Adams, Saosin, Sarah Neufeld, Shabazz Palaces, Shlohmo, Sia, Sigur Ros, Silversun Pickups,