BottleRock taps Imagine Dragons, Neil Young and Mumford & Sons to headline 2019 edition

BottleRock - 2019 lineup

BottleRock Napa Valley //
Napa Valley Expo – Napa, CA
May 24th-26th, 2019 //

If you didn’t hear, festival season is officially back.

With Coachella releasing its 2019 lineup last week just two days into the New Year, many other large-scale music festivals are gearing up to unveil their rosters. Up in Napa Valley, BottleRock has done just that with Imagine Dragons, Neil Young and Mumford & Sons topping the bill for its seventh edition this Memorial Day weekend after Bruno Mars, The Killers and Muse led the way for the 2018 installment. For the 73-year-old Young, it will mark his first date in California with Lukas Nelson & Promise of the Real backing him since their headlining performance last June at Arroyo Seco Weekend (read our review here).

More than 80 artists and bands will once again hit downtown Napa to perform at the three-day event in late May, including Logic, Pharrell Williams, Santana, OneRepublic, Nathaniel Rateliff & the Night Sweats, Tash Sultana, Sylvan Esso, Gary Clark Jr., Lord Huron, Flogging Molly, Juanes, Michael Franti & Spearhead, AJR, Cypress Hill, Big Boi and many more. Plus, live cooking demonstrations between a variety of celebrity chefs and Hollywood stars, from musicians to athletes, will return to BottleRock’s beloved Williams-Sonoma Culinary Stage.

Tickets go on sale this Tuesday, January 8th at 10 a.m. PT here and start at $359 for a three-day GA pass (or $159 for a one-day). Both three-day VIP and platinum passes are already sold out, but you can buy a one-day VIP pass for $349 and a three-day skydeck pass for an eye-popping $1,599 if you really want to go big.

BottleRock Napa Valley 2016 - The Struts

Our favorite performances from 2017

Best live shows of 2017 - The xx, Miguel, Moderat & Coldplay

2017, where the hell did you go? It just felt like the other day that we were ringing in a new year, and yet, here we are again as we plow straight ahead into 2018.

But before we officially put a bow on 2017, it’s time for us to revisit the past 12 months at Showbams. This year, we had the opportunity to capture many amazing moments in live music, and while we couldn’t pay homage to every single performance we witnessed, we made a conscious effort to include a wide range of talent spread across the industry.

Whittling down our list, though, was not that easy. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order) whom we either covered at their own show and/or at a music festival this year:

21 Savage, The Accidentals, Action Bronson, Alice Cooper, Alina Baraz, alt-J, Amber Mark, Andrew McMahon in the Wilderness, Animal Collective, Atlas Genius, The Avalanches, The Band Perry, Beach Slang, Belle and Sebastian, Black Moth Super Rainbow, Bleachers, Blonde Redhead, Bob Moses, Car Seat Headrest, Cate Le Bon, Cigarettes After Sex, Circles Around the Sun, City of Caterpillar, The Coathangers, Claude VonStroke, Chris Robinson, Con Brio, Conor Oberst, Courtney Barnett & Kurt Vile, Crystal Castles, The Crystal Method, Daniel Caesar, Dawes, Dead Meadow, Deafheaven, Deep Purple, Diet Cig, DIIV, Dirty Dozen Brass Band, Dr. Dog, Dr. Octagon, Duke Dumont, Eagles of Death Metal, Electric Guest, Emancipator, Emily King, Empire of the Sun, Foxygen, Future Islands, Gabriel Garzón-Montano, Gatecreeper, Girl Talk, Gone Is Gone, Grizzly Bear, Gucci Mane, Hamilton Leithauser, Hazel English, Hinds, The Hip Replacements, Hiss Golden Messenger, How to Dress Well, Iggy Pop, Isaiah Rashad, Jack Johnson, Jagwar Ma, Jamestown Revival, Jamie Isaac, Jay 305, Jen Cloher, Jessica Hernandez & The Deltas, Jessie Ware, Jim James, JR JR, Julie Byrne, Julien Baker, Justice, Karen Elson, Karl Denson’s Tiny Universe, KAYTRANADA, Kelis, K. Flay, Khalid, Khruangbin, Kilo Kish, King Gizzard and the Lizard Wizard, Kurt Vile, La Femme, LANY, Lauv, L.A. Witch, Lettuce, Lil Yachty, Little Dragon, Lo Moon, Lorde, Lord Huron, Miike Snow, Milky Chance, Minus the Bear, Mister Heavenly, MØ, Mondo Cozmo, Neon Indian, Nicki Bluhm, Norah Jones, North Mississippi Allstars, NVO, Oh Sees, OK Go, Once and Future Band, Pallbearer, The Palms, Passion Pit, Peaches, Perfume Genius, Petit Biscuit, Phoebe Bridgers, Playboi Carti, Pond, Porcelain Raft, PRAYERS, The Radio Dept., Real Estate, The Revivalists, Royal Blood, Sampha, ScHoolboy Q, Sheer Mag, serpentwithfeet, Silversun Pickups, Sleep, Sleigh Bells, SOFI TUKKER, Solange, Spiritualized, Styles P, Sunflower Beam, Talib Kweli, Tank and The Bangas, Tash Sultana, Tei Shi, Temples, Tennis, Tennyson, Thou, Thundercat, TOBACCO, Touché Amoré, Tool, Tove Lo, Travis Scott, Twin Peaks, Ty Segall, Unknown Mortal Orchestra, Vagabon, Vance Joy, Vic Mensa, Warpaint, Weezer, White Fence, Woods, YG, Young the Giant.

Now, it’s time for The Bam Team to present our favorite performances from 2017.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2017

Listen to The Bam Team’s favorite songs of 2017:


Best of 2017 - Run the Jewels

Run the Jewels

Date: February 1st
Location: Shrine Expo Hall – Los Angeles

Yet, in just four years, Run the Jewels have already reached hip-hop’s mountaintop with their politically charged lyrics and hard-hitting beats. Just take last Wednesday’s sold-out show in LA for example. With the duo’s third studio album still only a few weeks old, 5,000 or so fans poured into the spacious Shrine Expo Hall to watch El-P and Killer Mike fuck shit up (for lack of a better term). And that’s exactly what they did after opening sets from The Gaslamp Killer, Nick Hook, Gangasta Boo and CUZ. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - BADBADNOTGOOD

BADBADNOTGOOD

Date: February 23rd
Location: The Fillmore – San Francisco

As one of the bands to take the coveted headlining spot for NoisePop25, BADBADNOTGOOD seemed as — perhaps more — excited as all of the fans who made it to their sold-out show at The Fillmore. Combining consummate instrumentation with classic MC-style showmanship led by drummer Alexander Sowinski, the Canadian jazz-rock quartet has mastered the art of keeping the audience guessing where they’re going. -Brett Ruffenach, photo by James Pawlish


Best of 2017 - Spoon

Spoon

Date: March 7th
Location: Apogee Studio – Santa Monica, CA

In total, Spoon performed five songs from the new record, including “First Caress” to open a brief encore that left us eager for more. But as the five-piece rocked “Rainy Taxi” from 2014’s They Want My Soul to close, I couldn’t help but think to myself that this is one band I never should have slept on. -Josh Herwitt, photo by Larry Hirshowitz


Best of 2017 - Sigur Rós

Sigur Rós

Date: April 8th
Location: Greek Theatre – Berkeley, CA

Now a trio, Sigur Rós have been delivering goosebumps for over two decades — and it’s a delight to hear Jónsi’s voice-as-an-instrument this clear, this powerful and as confident as ever. It would be a wonderful treat to check in on this outfit every 5-10 years going forward and realize they are still going strong. -Mike Frash, photo by James Nagel


Best of 2017 - DREAMCAR

DREAMCAR

Date: April 9th
Location: Great American Music Hall – San Francisco

Fresh off a stop at Berkeley’s Hearst Greek Theatre the night before, Adams showcased some older favorites and a slew of new tunes from his 16th and latest studio album Prisoner, which came out in February. SoCal fans were treated to some extended full-band jamming, a couple of solo acoustic performances and Adams’ usual witty banter over the course of the evening.
-Jared Stossel, photo by Jared Stossel


Best of 2017 - A Perfect Circle

A Perfect Circle

Date: April 13th
Location: Bill Graham Civic Auditorium – San Francisco

In the world of rock supergroups, there are few that have sprung up in the last few decades that can hold a candle to A Perfect Circle. From the onset, APC have been a powerhouse on the senses, combining members from bands such as Tool, The Smashing Pumpkins, Failure, Primus and more over the years. Their body of work has been met with high praise across the board, and they have been able to solidify themselves as one of the most unique and tenured groupings out there, as opposed to bands like Zwan and Velvet Revolver. -Andrew Pohl, photo by Mike Rosati


Best of 2017 - Radiohead

Radiohead

Date: April 14th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Yes, the sound problems (all three instances) put a real damper on what was easily one of the most anticipated performances of the weekend. This was the third time Goldenvoice called on Radiohead to headline Coachella, and for one of rock’s most important bands over the last 30 years, it certainly wasn’t a charm as the saying goes. In that moment, it was pretty hard not to feel bad for Thom Yorke, who could only make light of the situation by cracking a joke even if it wasn’t supposed to be one — or so he claimed. But Radiohead more than made up for it with a masterful setlist that opened with A Moon Shaped Pool cuts “Daydreaming”, “Desert Island Disk” and “Ful Stop” before circling back to older hits such as “Everything in Its Right Place”, “There There”, “Idioteque” and even “Creep”. -Josh Herwitt, photo courtesy of Coachella


Best of 2017 - Kendrick Lamar

Kendrick Lamar

Date: April 16th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

All hail, King Kendrick! Or should we say “Kung Fu Kenny?” The Compton rapper reached hip-hop’s mountaintop more than two years ago with his Grammy-winning masterpiece To Pimp a Butterfly, but headlining Coachella was still on his to-do list. In fact, it was only the second time he had ever been booked to perform at Coachella after being listed on the last line of the 2012 poster. Closing out the fest is no short order for any artist, let alone one who dropped his new album less than 48 hours before taking the stage, but K-Dot lived up to the billing with a show that provoked as much thought as it entertained. -Josh Herwitt, photo courtesy of Coachella


Best of 2017 - The xx

The xx

Date: April 17th
Location: Bill Graham Civic Auditorium – San Francisco

Playfully alluding to their material’s emotional sentiment, Romy Madley Croft (vocals, guitar) and Oliver Sim (bass, vocals) managed to entrance all of us with their tension-filled gazes and syncopated dance moves. Prolonging vocal arrangements, especially during their accelerated live interpretation of “Infinity”, were also stunning to witness. About halfway through the set, Jamie Smith (beats, MPC, production), aka Jamie xx, took the lead and transformed the room into a giant disco party thanks to an onslaught of consecutive dance hits before finishing with “Loud Places” from his 2015 solo LP In Colour. -Molly Kish, photo by Norm de Veyra


Best of 2017 - Moderat

Moderat

Date: April 20th
Location: Mayan Theater – Los Angeles

Moderat subsequently circled back to III, performing “Intruder” before exiting the stage to a rousing applause. Yet, when the house lights didn’t come on right away, the suspense began to build once again. Less than a minute later, the three-piece reemerged, giving the audience more than its money’s worth. Two-encore shows are usually reserved for high-profile groups with extensive catalogs like Radiohead, but Moderat have never played by any rules. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - The Flaming Lips

The Flaming Lips

Date: May 9th
Location: The Theatre at Ace Hotel – Los Angeles

The Lips, of course, made sure to play that song, and even though it was without Watts, it still proved to be an unforgettable moment due to the fact that Coyne rode a life-size unicorn from one end of the stage to the other as he belted out lines like “Yeah, there should be unicorns / The ones with the purple eyes / It should be loud as fuck / Hope the swans don’t die” to open the tune while wearing a big smile across his face. If that’s not psychedelic to you, then I don’t know what is. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - Ryan Adams

Ryan Adams

Date: June 3rd
Location: Greek Theatre – Los Angeles

Fresh off a stop at Berkeley’s Hearst Greek Theatre the night before, Adams showcased some older favorites and a slew of new tunes from his 16th and latest studio album Prisoner, which came out in February. SoCal fans were treated to some extended full-band jamming, a couple of solo acoustic performances and Adams’ usual witty banter over the course of the evening.
-Stephanie Port, photo by Stephanie Port


Best of 2017 - Jay Som

Jay Som

Date: June 17th
Location: Potrero del Sol Park – San Francisco

Melina Duterte’s band goes by the name Jay Som and hails from Oakland. Do yourself a favor and remember this name: Jay Som. The Polyvinyl-signed songstress bathed the crowd at the Potrero Stage in her dreamy vocals and inanely catchy tunes that appeal to a wide-range of music fan; her songs could feel just as viable in the 90’s college rock area as they do today. Highlights from the set included a vibe-soaked rendition of “Baybee” as well as “The Bus Song”, arguably the artist’s first real “hit.” -Kevin Quandt, photo by Emmeline Munson


Best of 2017- AIR

AIR

Date: June 23rd
Location: The Masonic – San Francisco

AIR’s live performances focus on capturing the crisp, detailed production style that the duo has honed over two decades. It’s a vibrant, textured sound. Centered around acoustic guitar, synthesizers and the breathy timbre of the duo’s immaculate harmonized vocals, the use of live drums helped round out the contrast between both the artificial and acoustic sounds in songs like “Cherry Blossom Girl”. -Brett Ruffenach, photo by Steve Carlson


Best of 2017 - PLANETARIUM

PLANETARIUM

Date: July 21st
Location: Fox Theater Oakland – Oakland

PLANETARIUM’s music, which channels Stevens’ reflections on astronomy, science and even the intricacies of human consciousness, is a fusion of styles from all four band members that evokes feelings of unity. The group’s performance was accompanied by otherworldly visuals that filled the backdrop as it traversed the Solar System with quite a few emotionally charged songs inspired by the planets and other celestial bodies like “Neptune” and “Jupiter”. -Norm de Veyra, photo by Norm de Veyra


Best of 2017 - The Drums

The Drums

Date: July 21st
Location: The Fillmore – San Francisco

By the time The Drums took the stage, the intimate venue was packed to the brim with fans. The Brooklyn outfit made as much of an impression as it did when frontman Jonathan Pierce and company exploded onto the scene in 2009 with their initial EP Summertime! From then on, it became glaringly obvious with their eccentric band members and seemingly effortless style that they possessed an energetic presence. And at their SF show, it didn’t take long for the capacity crowd to fall into a groove as the venue’s whole atmosphere lit up. -Jacqueline Moore, photo by Jacqueline Moore


Best of 2017 - Miguel

Miguel

Date: July 23rd
Location: Annenberg Space for Photography – Los Angeles

Once the sun set and Miguel stepped onstage, the audience was transported somewhere else entirely. Born and raised in LA, the 31-year-old’s silky-smooth voice floated through the cool evening breeze over the twinkle lights in the trees, giving the impression of an island retreat rather than a concert in the park. -Rochelle Shipman, photo by Rochelle Shipman


Best of 2017 - The War on Drugs

The War on Drugs

Date: August 5th
Location: Apogee Studio – Santa Monica, CA

Granduciel’s raspy voice, as well as his driving (no pun intended) guitar rhythms and reverb-laden riffs, are largely what separates The War on Drugs from the rest in a crowded indie-rock scene, but the sum of the band’s parts — Charlie Hall (drums), David Hartley (bass), Anthony LaMarca (guitar, keyboards), Robbie Bennett (keyboards) and finally Jon Natchez (saxophone, keyboards) — also creates a sound that while familiar, still feels uniquely different. -Josh Herwitt, photo by Larry Hirshowitz


Best of 2017 - Gorillaz

Gorillaz

Date: August 11th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

Easily one of the most anticipated acts of the weekend, Gorillaz’s Humanz tour made its West Coast debut on Day 1 at OSL. After a six-year hiatus, expectations ran extremely high for this headlining performance. On previous tours, the band’s members had played second fiddle to the cartoon projections of their alter egos onstage, but everyone was visible this time around. Several collaborators from Gorillaz’s previous albums, including Kali Uchis, Yukimi Nagano and Del the Funky Homosapien, came out to join them, and the Damon Albarn-led group still pulled some even bigger surprises with cameos appearances from De la Soul and Pusha T. -Molly Kish, photo by James Pawlish


Best of 2017 - Cage the Elephant

Cage the Elephant

Date: August 12th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

While the cancellation of Queens of the Stone Age was a blow a week prior to the event, the replacement that was lined up more than delivered a blistering set of rock ‘n’ roll. Cage the Elephant are now being widely considered festival-headliner material, and frontman Matt Shultz is making a strong claim for that accolade as he continues to elevate his stage act to near-Mick Jagger levels of pomp and energy. “Come a Little Closer” and “Ain’t No Rest for the Wicked” received hearty sing-alongs from a decidedly youthful crowd as Cage have become a favorite of Generation Z. -Kevin Quandt, photo by Marc Fong


Best of 2017 - J.I.D

J.I.D

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

While the headliners thrilled as expected, it was at the side “Day” and “Night” stages where the festival’s biggest highlights were generated. J.I.D, the rising Atlanta rapper who is signed to J. Cole’s Dreamville imprint, absolutely thrilled during his set. Dazzling with his rapid-fire and agile flow, J.I.D showed off his ability to command a crowd with songs such as “General” and “EdEddnEddy” before jumping into the crowd for the tempo-changing hit “Never” that left the crowd chanting for “one more song!” -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman


Best of 2017 - SZA

SZA

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

Saturday, meanwhile, featured the vintage gospel spirit and warm vibes that have elevated Chicago emcee Chance the Rapper to superstardom. Earlier in the day, SZA, this summer’s breakout star, delivered her first festival performance since the release of her well-received debut album Ctrl. Swaying, spinning and singing her raw emotions and shortcomings while coming of age, the Top Dawg Entertainment songstress didn’t disappoint. -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman


Best of 2017 - Bonobo

Bonobo (Live)

Date: September 27th
Location: Greek Theatre – Los Angeles

The real reason things felt different this time around, though, was the music. Extending and reimagining his tracks for easily one of the largest crowds he has ever performed in front of, Bonobo followed an uplifting opening set from Canadian electronic duo Bob Moses with an array of soothing sounds that paired beautifully with his lighting setup and entrancing stage production in the same way Scott Hansen (aka Tycho) creates an awe-inspiring audio-visual experience during his live-band performances. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - Coldplay

Coldplay

Date: October 4th
Location: Levi’s Stadium – Santa Clara, CA

Coldplay took the stage shortly before 9 p.m. as a video montage of fans who introduced them as “the biggest band in the world” played onstage. While I’m pretty sure there are a few other artists or groups from their side of the pond (ehem, U2) who might take issue with that claim, they certainly did nothing during their electric, almost two-hour performance to dissuade that sort of thinking. Chris Martin and company, in fact, wasted no time getting down to business, flooding the stadium with confetti and firing off pyrotechnics at a steady clip while opening with “A Head Full of Dreams” and subsequently all throughout the night. -Steve Carlson, photo by Steve Carlson


Best of 2017 - Broken Social Scene

Broken Social Scene

Date: October 26th
Location: Fox Theater Oakland – Oakland

Here’s the thing about BSS — after 15 years, the web of musicians that makes up the collective have created their own individual projects, from Metric to Stars to Feist to Do Make Say Think to Emily Haines & The Soft Skeleton. And while many of the band’s members who have gone on to find success in their own solo careers didn’t happen to join the group on this particular tour, the sense of professionalism built into the BSS live experience remains prevalent. Every person who stepped onstage demonstrated consummate abilities in their own realms, never missing a beat or a note. -Brett Ruffenach, photo by Norm de Veyra

Best of 2017 - Jim James

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Con Brio close out SF Jazz Festival in style

Con BrioBy Norm de Veyra //

Con Brio //
SFJAZZ Center – San Francisco
June 18th, 2017 //

Con Brio’s scorching set offered no relief from the heat wave in SF last Sunday as the Bay Area band headlined two nights at the SFJAZZ Center, giving us a healthy helping of funk and soul to close out this year’s SF Jazz Festival.

Led by singer Ziek McCarter and his charismatic personality, the band effortlessly navigated multiple genres with songs from its latest release, 2016’s Paradise, that delighted the Father’s Day crowd.

Arroyo Seco Weekend drops inaugural lineup led by Tom Petty & the Heartbreakers, Mumford & Sons

Arroyo Seco Weekend

Arroyo Seco Weekend //
Brookside at the Rose Bowl – Pasadena, CA
June 24th-25th, 2017 //

For the past few years, there’s been talk about the city of Pasadena hosting a multi-day music festival near the historic Rose Bowl. Shaun White’s snowboard/music festival Air + Style was the first to give it a shot (read our review here) back in 2015, but after experiencing some noise issues, it moved to downtown LA the following year and has continued to call Exposition Park its home.

Now, those rumors have become a reality with Goldenvoice announcing the inaugural lineup for Arroyo Seco Weekend. Coming to “the shady oaks and parkland” of Brookside at the Rose Bowl in late June, the two-day festival will feature three stages of live music with Tom Petty & the Heartbreakers and Mumford & Sons topping the bill. But maybe even more impressive is the undercard, which includes Alabama Shakes, Weezer, The Meters, The Shins, Dawes, Fitz & the Tantrums, Live, Andrew Bird, Broken Social Scene, Lukas Nelson & Promise of the Real, Charles Bradley & The Extraordinaires, Galactic and more. Check out the poster above for the rest of the lineup.

In addition to all the live music, there will be curated menus from LA’s celebrated restaurants and chefs, including Union’s Bruce Kalman, Sweetfin Poke’s Dakota Weiss, Rose Cafe’s Jason Neroni, Broken Spanish’s Ray Garcia, Sotto’s Steve Samson and République’s Walter Matzke. Free day parking and a bike valet will be available for festivalgoers, and those looking to take public transit to the festival will have easy access to the Metro Gold Line.

Weekend passes and single-day tickets can be purchased here for $225 and $125, respectively, starting this Monday, March 20th at 11 a.m. PT. VIP passes will also be sold at a price of $399 and $225, with weekend preferred parking available for $50.

Brookside Golf & Country Club

SF Show of the Week // GO4FREE to Penguin Prison at Mezzanine 2/10 (WED)

Penguin PrisonWritten by Nik Crossman //

Penguin Prison with Manics //
Mezzanine – San Francisco
February 10th, 2016 //

Growing up in New York City’s Upper East Side, Chris Glover (aka Penguin Prison) embarked on his musical journey early in life. From joining his school’s gospel choir at the age of 10 to fronting a punk band in high school and forming a boy band in college, Glover has never been shy of the spotlight. In 2009, he made a name for himself under the moniker Penguin Prison with his Animal Animal/A Funny Thing EP.

Released in 2015, Penguin Prison’s latest album Lost in New York refers to “a journey that someone is going on who’s trying to find his way, trying to just grow up, become an adult,” and borrows the title from the 1992 comedy film “Home Alone 2: Lost in New York”. The last time Penguin Prison came to SF, the one-man pop machine was accompanied by a full band and took a sold-out Independent by storm, proving why he deserves to be in the spotlight.

This Wednesday, Penguin Prison returns to SF to headline Mezzanine after Bay Area nu-disco act Manic opens the show. Tickets are available for $20, or you could win a pair of tickets by submitting your full name and email below.

Contest ends this Wednesday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Built to Spill: Feb 9th (TUE) at Slim’s
Jukebox the Ghost: Feb 10th (WED) at Great American Music Hall
Kiefer Sutherland: Feb 11th (THUR) at Great American Music Hall
Waters: Feb 12th (FRI) at Slim’s
Con Brio: Feb 12th (FRI) at The Independent
The Donkeys: Feb 12th (FRI) at The Chapel
Hepcat: Feb 13th (SAT) at Slim’s
Sophie B. Hawkins: Feb 14th (SUN) at The Chapel


Win-2-Tickets

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

Like Showbams on Facebook, follow Showbams on Twitter and follow Showbams on Instagram. Subscribe to our social channels for a better chance to win!

CONTEST CLOSED.

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Special guests rule the night at Karl Denson’s post-Outside Lands superjam

Karl Denson's Tiny UniverseBy Steve Carlson //

Outside Lands night show: Karl Denson’s Tiny Universe superjam with special guests //
The Independent – San Francisco
August 9th, 2015 //

Karl Denson brought his jazz/funk band Tiny Universe and a variety of special guests to The Independent to close out Outside Lands Music and Arts Festival 2015 with one last late-night jam, and a capacity crowd was on hand to party along with him into the night.

The show was scheduled to start around 10 p.m., just after Elton John officially closed the festival at Golden Gate Park, but to the frustration of more than a few, including some fans who had traveled from as far away as Monterey, Calif., the show didn’t kick off until nearly 11:30 p.m. Once Denson took the stage and launched into “New Ammo” though, all was quickly forgiven.

Karl Denson's Tiny Universe

Over the course of the next two hours, Denson brought out guest after guest to help keep the party going, whether it was his old friends in Slightly Stoopid, Ian Neville of Dumpstaphunk, Alex Bleeker of Real Estate (for a beautiful rendition of The Dead’s “New Speedway Boogie”) or perhaps the biggest surprise of the whole evening, Paul Janeway of St. Paul and the Broken Bones, who had ditched his trademark suit for a T-shirt and baseball cap and proceeded to improvise a passionate cover of Otis Redding’s “I’ve Been Loving You Too Long” for the rapturous audience.

The show also leaned heavily on hometown talent with local favorite Nicki Bluhm taking the stage for a few songs, including a cover of The Rolling Stones’ “Tumblin’ Dice”, while the always-magnetic Ziek McCarter of Con Brio made an unannounced appearance after his Outside Lands “Sexual Chocolate” set with Denson earlier in the day. It was nice to see Denson give both Bluhm and McCarter generous stage time, reminding everybody in the house how lucky we are to have such incredible talent right here in SF.

High Sierra celebrates 25 years in grand fashion

2015 High Sierra Music FestivalBy Benjamin Wallen //

High Sierra Music Festival //
Quincy, CA
June 30th-July 3rd, 2015 //

High Sierra is an intimate music festival nestled in the beautiful Sierra Nevada mountains. Held every year around the Fourth of July in Quincy, Calif., people come from all over to get down in the sun and have some fun.

Celebrating the festival’s 25th year brought the return of jam-band giants The String Cheese Incident and Umphrey’s McGee, both of which are no strangers to High Sierra. Tearing the roof off of festivals and causing the earth to shake from fans dancing is what String Cheese and Umphrey’s do best, after all.

2015 High Sierra Music Festival – The String Cheese Incident


The String Cheese Incident

San Francisco locals The Sam Chase & The Untraditional were another highlight at the festival. The Wood Brothers, meanwhile, brought their special sound to Quincy and had lots of new fans talking about them afterward. The Word, a mash-up of amazing musical talents from John Medeski to Robert Randolph, impressed by surprisingly only playing instrumental gospel tunes.

Pennsylvania bluegrass band Cabinet also left a heavy mark at High Sierra, as did T Sisters, who seemed to be everywhere. Animal Liberation Orchestra (ALO), Nicki Bluhm and The Gramblers, The Brothers Comatose, Steve Poltz and Surprise Me Mr. Davis shared the stage for a memorable, mid-day set of California-inspired tunes in the indoor, air-conditioned music hall. On the final day of High Sierra, Joe Russo’s Almost Dead closed things out on the main stage with two full, vibrant sets.

On the whole, this year’s festival was very well-handled and maintained. High Sierra is a special event, made special by all of those who make it what it is. The festival never feels too crowded or overpopulated — it’s just right between the music, the people and the area amid everything else. It’s exactly what many want in a festival and so much more.

Sly & the Family Stone receive proper tribute from 9 Bay Area Bands

Sly-Family-Stone-Tribute_post

Photos by Sterling Munksgard // Written by Kevin Quandt //

A Tribute to Sly & The Family Stone’s Stand! Feat. Guest Music Director, David Möschler
Awesöme Orchestra Collective feat. The Bengsons, Bayonics, Ensemble Mik Nawooj, Marcus Shelby, Jazz Mafia feat. Crossroads, Tumbleweed Wanderers, Will Magid & Friends, Zakiya Harris, Con Brio
The Independent // San Francisco
January 17, 2014

When a show starts with a 50 person ensemble playing Sly and the Family Stone’s seminal album opener “Stand!”, you know you are in for something pretty unique. That was the case for the 3-night stand put on by Undercover & Faultline Studios at the Independent over the past weekend which featured 9 different groups and ensembles, each playing a song off the the album Stand!. A well attended, and dressed, crowd was extremely receptive to the various formations which played a song each while adding their own flair via musicianship, dancing or spoken word. Ensemble Mik Nawooj deconstructed and reconfigured “Don’t Call Me Nigger, Whitey”, while Tumbleweed Wanderers offered a folk-soul rendition of the classic track, “Everyday People”. David Möschler acted as guest music director, a massive task for the various moving parts that this album, and subsequent live shows, required. This project was purely a Bay Area endeavor, showcasing it’s musical diversity in a way that would make Sly and the Family Stone proud.

Con Brio bids farewell to Xandra Corpora at The Independent

Con-Brio
Photos by Marc Fong

Xandra Corpora, the lovely lead lady for Con Brio, said goodbye to her bandmates in what was her farewell performance Friday evening at The Independent in San Francisco. Loyal fans were in attendance for the local SF band’s final performance with Corpora’s strikingly soulful vocals taking center stage.