BottleRock drops new 2021 lineup headlined by Guns N’ Roses, Stevie Nicks & Foo Fighters

BottleRock - 2021 lineup

BottleRock Napa Valley //
Napa Valley Expo – Napa, CA
September 3rd-5th, 2021 //

So much for 2020, right?

After releasing a lineup early last year that never got to play out over Memorial Day weekend due to the COVID-19 pandemic, BottleRock will return to Napa Valley this September with a refreshed roster that includes some newly announced acts as well as some that were revealed a year ago like Steve Nicks.

Joining the Fleetwood Mac singer at the top of the 2021 poster are iconic rock bands Guns N’ Roses and Foo Fighters, creating quite a trilogy of star power for the music festival’s eighth installment over Labor Day weekend.

While BottleRock has always catered to fans of rock ‘n’ roll (just look at many of the fest’s past headliners), it has also tried to offer an eclectic mix of genres and this year’s undercard that’s highlighted by Miley Cyrus, Megan Thee Stallion, G-Eazy, Run the Jewels, Brandi Carlile, Cage the Elephant, Portugal. The Man, Young the Giant, Maren Morris, Black Pumas, Future Islands, LCD Soundsystem’s James Murphy (DJ set), Jimmy Eat World, FINNEAS, Polo G, Jack Harlow, Milky Chance, Jessie Reyez, Dominic Fike, Chromeo, Mavis Staples and Jon Batiste proves that to be the case once again. And don’t forget about Village People! After all, how often do you get to see the legendary disco group perform live these days? Anyway, peep the poster above for the rest of the lineup.

But amidst all of the music, the three-day event will have its annual live cooking demonstrations between a variety of celebrity chefs, musicians and athletes at its beloved Williams-Sonoma Culinary Stage that has seen appearances over the last several years by Alice Cooper, The Avett Brothers, Big Boi, Brett Dennen, Dan the Automator, E-40, Fitz and the Tantrums, Grouplove, Halsey, Macklemore & Ryan Lewis, Michael Franti, Questlove, Shakey Graves, Silversun Pickups, Snoop Dogg, St. Paul & the Broken Bones, Tank and the Bangas, Warren G and more, too.

Tickets go on sale this Thursday, May 20th at 10 a.m. PT here and start at $369 for a three-day GA pass while it’s $849 if you’re going for VIP. And if you’ve been saving up during quarantine, there’s always the three-day skydeck pass that will cost you a cool $1,599 or the platinum for a whopping $4,350.

BottleRock - 2021 daily lineups

UPDATE (May 24th): BottleRock has released its daily lineups for 2021, with Stevie Nicks performing Friday, Guns N’ Roses rocking Saturday and Foo Fighters closing things down on Sunday. Take a look at the daily schedules above before single-day tickets go on sale here for $187 (GA) or $211 (FLEX) plus fees each day starting this Thursday, May 27th at 10 a.m. PT.

BottleRock goes with Red Hot Chili Peppers, Dave Matthews Band & Stevie Nicks to lead 2020 lineup

BottleRock - 2020 lineup

BottleRock Napa Valley //
Napa Valley Expo – Napa, CA
May 22nd-24th, 2020 //

Coachella has predicated itself on being the first major U.S. music festival to drop its lineup at the start of the new year for quite a while, and now that the three-day, two-weekend festival in the desert has booked Rage Against the Machine, Travis Scott and Frank Ocean to headline its 2020 edition, it’s time to turn our attention north as BottleRock regularly reveals its own roster around this time too.

Because if you’re a fan of rock ‘n’ roll, then the Napa Valley event might be right up your alley.

Celebrating its eighth year this Memorial Day weekend, BottleRock in 2020 will be led by Red Hot Chili Peppers, Dave Matthews Band and Stevie Nicks after putting Imagine Dragons, Neil Young and Mumford & Sons atop the bill a year ago. Of course, those are just your headliners.

The undercard, meanwhile, boasts plenty of big names as well, including Miley Cyrus, Khalid, Anderson .Paak & the Free Nationals, Zedd, Brandi Carlile, The Avett Brothers, Janelle Monáe, Maggie Rogers, Blondie, Of Monsters and Men, Maren Morris, Empire of the Sun, Foals, Tegan and Sara, Jimmy Eat World, Michael Franti & Spearhead, Local Natives and many more.

As usual, attendees will also able to witness live cooking demonstrations between a variety of celebrity chefs, musicians and athletes at the fest’s beloved Williams-Sonoma Culinary Stage.

Tickets go on sale this Tuesday, January 7th at 10 a.m. PT here and start at $349 for a three-day GA pass while VIP goes for $849 (before prices increase). But if you really want to splurge this year, there’s always the three-day skydeck pass for a measly $1,599 or the platinum for $4,350.

Our favorite performances from 2017

Best live shows of 2017 - The xx, Miguel, Moderat & Coldplay

2017, where the hell did you go? It just felt like the other day that we were ringing in a new year, and yet, here we are again as we plow straight ahead into 2018.

But before we officially put a bow on 2017, it’s time for us to revisit the past 12 months at Showbams. This year, we had the opportunity to capture many amazing moments in live music, and while we couldn’t pay homage to every single performance we witnessed, we made a conscious effort to include a wide range of talent spread across the industry.

Whittling down our list, though, was not that easy. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order) whom we either covered at their own show and/or at a music festival this year:

21 Savage, The Accidentals, Action Bronson, Alice Cooper, Alina Baraz, alt-J, Amber Mark, Andrew McMahon in the Wilderness, Animal Collective, Atlas Genius, The Avalanches, The Band Perry, Beach Slang, Belle and Sebastian, Black Moth Super Rainbow, Bleachers, Blonde Redhead, Bob Moses, Car Seat Headrest, Cate Le Bon, Cigarettes After Sex, Circles Around the Sun, City of Caterpillar, The Coathangers, Claude VonStroke, Chris Robinson, Con Brio, Conor Oberst, Courtney Barnett & Kurt Vile, Crystal Castles, The Crystal Method, Daniel Caesar, Dawes, Dead Meadow, Deafheaven, Deep Purple, Diet Cig, DIIV, Dirty Dozen Brass Band, Dr. Dog, Dr. Octagon, Duke Dumont, Eagles of Death Metal, Electric Guest, Emancipator, Emily King, Empire of the Sun, Foxygen, Future Islands, Gabriel Garzón-Montano, Gatecreeper, Girl Talk, Gone Is Gone, Grizzly Bear, Gucci Mane, Hamilton Leithauser, Hazel English, Hinds, The Hip Replacements, Hiss Golden Messenger, How to Dress Well, Iggy Pop, Isaiah Rashad, Jack Johnson, Jagwar Ma, Jamestown Revival, Jamie Isaac, Jay 305, Jen Cloher, Jessica Hernandez & The Deltas, Jessie Ware, Jim James, JR JR, Julie Byrne, Julien Baker, Justice, Karen Elson, Karl Denson’s Tiny Universe, KAYTRANADA, Kelis, K. Flay, Khalid, Khruangbin, Kilo Kish, King Gizzard and the Lizard Wizard, Kurt Vile, La Femme, LANY, Lauv, L.A. Witch, Lettuce, Lil Yachty, Little Dragon, Lo Moon, Lorde, Lord Huron, Miike Snow, Milky Chance, Minus the Bear, Mister Heavenly, MØ, Mondo Cozmo, Neon Indian, Nicki Bluhm, Norah Jones, North Mississippi Allstars, NVO, Oh Sees, OK Go, Once and Future Band, Pallbearer, The Palms, Passion Pit, Peaches, Perfume Genius, Petit Biscuit, Phoebe Bridgers, Playboi Carti, Pond, Porcelain Raft, PRAYERS, The Radio Dept., Real Estate, The Revivalists, Royal Blood, Sampha, ScHoolboy Q, Sheer Mag, serpentwithfeet, Silversun Pickups, Sleep, Sleigh Bells, SOFI TUKKER, Solange, Spiritualized, Styles P, Sunflower Beam, Talib Kweli, Tank and The Bangas, Tash Sultana, Tei Shi, Temples, Tennis, Tennyson, Thou, Thundercat, TOBACCO, Touché Amoré, Tool, Tove Lo, Travis Scott, Twin Peaks, Ty Segall, Unknown Mortal Orchestra, Vagabon, Vance Joy, Vic Mensa, Warpaint, Weezer, White Fence, Woods, YG, Young the Giant.

Now, it’s time for The Bam Team to present our favorite performances from 2017.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2017

Listen to The Bam Team’s favorite songs of 2017:


Best of 2017 - Run the Jewels

Run the Jewels

Date: February 1st
Location: Shrine Expo Hall – Los Angeles

Yet, in just four years, Run the Jewels have already reached hip-hop’s mountaintop with their politically charged lyrics and hard-hitting beats. Just take last Wednesday’s sold-out show in LA for example. With the duo’s third studio album still only a few weeks old, 5,000 or so fans poured into the spacious Shrine Expo Hall to watch El-P and Killer Mike fuck shit up (for lack of a better term). And that’s exactly what they did after opening sets from The Gaslamp Killer, Nick Hook, Gangasta Boo and CUZ. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - BADBADNOTGOOD

BADBADNOTGOOD

Date: February 23rd
Location: The Fillmore – San Francisco

As one of the bands to take the coveted headlining spot for NoisePop25, BADBADNOTGOOD seemed as — perhaps more — excited as all of the fans who made it to their sold-out show at The Fillmore. Combining consummate instrumentation with classic MC-style showmanship led by drummer Alexander Sowinski, the Canadian jazz-rock quartet has mastered the art of keeping the audience guessing where they’re going. -Brett Ruffenach, photo by James Pawlish


Best of 2017 - Spoon

Spoon

Date: March 7th
Location: Apogee Studio – Santa Monica, CA

In total, Spoon performed five songs from the new record, including “First Caress” to open a brief encore that left us eager for more. But as the five-piece rocked “Rainy Taxi” from 2014’s They Want My Soul to close, I couldn’t help but think to myself that this is one band I never should have slept on. -Josh Herwitt, photo by Larry Hirshowitz


Best of 2017 - Sigur Rós

Sigur Rós

Date: April 8th
Location: Greek Theatre – Berkeley, CA

Now a trio, Sigur Rós have been delivering goosebumps for over two decades — and it’s a delight to hear Jónsi’s voice-as-an-instrument this clear, this powerful and as confident as ever. It would be a wonderful treat to check in on this outfit every 5-10 years going forward and realize they are still going strong. -Mike Frash, photo by James Nagel


Best of 2017 - DREAMCAR

DREAMCAR

Date: April 9th
Location: Great American Music Hall – San Francisco

Fresh off a stop at Berkeley’s Hearst Greek Theatre the night before, Adams showcased some older favorites and a slew of new tunes from his 16th and latest studio album Prisoner, which came out in February. SoCal fans were treated to some extended full-band jamming, a couple of solo acoustic performances and Adams’ usual witty banter over the course of the evening.
-Jared Stossel, photo by Jared Stossel


Best of 2017 - A Perfect Circle

A Perfect Circle

Date: April 13th
Location: Bill Graham Civic Auditorium – San Francisco

In the world of rock supergroups, there are few that have sprung up in the last few decades that can hold a candle to A Perfect Circle. From the onset, APC have been a powerhouse on the senses, combining members from bands such as Tool, The Smashing Pumpkins, Failure, Primus and more over the years. Their body of work has been met with high praise across the board, and they have been able to solidify themselves as one of the most unique and tenured groupings out there, as opposed to bands like Zwan and Velvet Revolver. -Andrew Pohl, photo by Mike Rosati


Best of 2017 - Radiohead

Radiohead

Date: April 14th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Yes, the sound problems (all three instances) put a real damper on what was easily one of the most anticipated performances of the weekend. This was the third time Goldenvoice called on Radiohead to headline Coachella, and for one of rock’s most important bands over the last 30 years, it certainly wasn’t a charm as the saying goes. In that moment, it was pretty hard not to feel bad for Thom Yorke, who could only make light of the situation by cracking a joke even if it wasn’t supposed to be one — or so he claimed. But Radiohead more than made up for it with a masterful setlist that opened with A Moon Shaped Pool cuts “Daydreaming”, “Desert Island Disk” and “Ful Stop” before circling back to older hits such as “Everything in Its Right Place”, “There There”, “Idioteque” and even “Creep”. -Josh Herwitt, photo courtesy of Coachella


Best of 2017 - Kendrick Lamar

Kendrick Lamar

Date: April 16th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

All hail, King Kendrick! Or should we say “Kung Fu Kenny?” The Compton rapper reached hip-hop’s mountaintop more than two years ago with his Grammy-winning masterpiece To Pimp a Butterfly, but headlining Coachella was still on his to-do list. In fact, it was only the second time he had ever been booked to perform at Coachella after being listed on the last line of the 2012 poster. Closing out the fest is no short order for any artist, let alone one who dropped his new album less than 48 hours before taking the stage, but K-Dot lived up to the billing with a show that provoked as much thought as it entertained. -Josh Herwitt, photo courtesy of Coachella


Best of 2017 - The xx

The xx

Date: April 17th
Location: Bill Graham Civic Auditorium – San Francisco

Playfully alluding to their material’s emotional sentiment, Romy Madley Croft (vocals, guitar) and Oliver Sim (bass, vocals) managed to entrance all of us with their tension-filled gazes and syncopated dance moves. Prolonging vocal arrangements, especially during their accelerated live interpretation of “Infinity”, were also stunning to witness. About halfway through the set, Jamie Smith (beats, MPC, production), aka Jamie xx, took the lead and transformed the room into a giant disco party thanks to an onslaught of consecutive dance hits before finishing with “Loud Places” from his 2015 solo LP In Colour. -Molly Kish, photo by Norm de Veyra


Best of 2017 - Moderat

Moderat

Date: April 20th
Location: Mayan Theater – Los Angeles

Moderat subsequently circled back to III, performing “Intruder” before exiting the stage to a rousing applause. Yet, when the house lights didn’t come on right away, the suspense began to build once again. Less than a minute later, the three-piece reemerged, giving the audience more than its money’s worth. Two-encore shows are usually reserved for high-profile groups with extensive catalogs like Radiohead, but Moderat have never played by any rules. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - The Flaming Lips

The Flaming Lips

Date: May 9th
Location: The Theatre at Ace Hotel – Los Angeles

The Lips, of course, made sure to play that song, and even though it was without Watts, it still proved to be an unforgettable moment due to the fact that Coyne rode a life-size unicorn from one end of the stage to the other as he belted out lines like “Yeah, there should be unicorns / The ones with the purple eyes / It should be loud as fuck / Hope the swans don’t die” to open the tune while wearing a big smile across his face. If that’s not psychedelic to you, then I don’t know what is. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - Ryan Adams

Ryan Adams

Date: June 3rd
Location: Greek Theatre – Los Angeles

Fresh off a stop at Berkeley’s Hearst Greek Theatre the night before, Adams showcased some older favorites and a slew of new tunes from his 16th and latest studio album Prisoner, which came out in February. SoCal fans were treated to some extended full-band jamming, a couple of solo acoustic performances and Adams’ usual witty banter over the course of the evening.
-Stephanie Port, photo by Stephanie Port


Best of 2017 - Jay Som

Jay Som

Date: June 17th
Location: Potrero del Sol Park – San Francisco

Melina Duterte’s band goes by the name Jay Som and hails from Oakland. Do yourself a favor and remember this name: Jay Som. The Polyvinyl-signed songstress bathed the crowd at the Potrero Stage in her dreamy vocals and inanely catchy tunes that appeal to a wide-range of music fan; her songs could feel just as viable in the 90’s college rock area as they do today. Highlights from the set included a vibe-soaked rendition of “Baybee” as well as “The Bus Song”, arguably the artist’s first real “hit.” -Kevin Quandt, photo by Emmeline Munson


Best of 2017- AIR

AIR

Date: June 23rd
Location: The Masonic – San Francisco

AIR’s live performances focus on capturing the crisp, detailed production style that the duo has honed over two decades. It’s a vibrant, textured sound. Centered around acoustic guitar, synthesizers and the breathy timbre of the duo’s immaculate harmonized vocals, the use of live drums helped round out the contrast between both the artificial and acoustic sounds in songs like “Cherry Blossom Girl”. -Brett Ruffenach, photo by Steve Carlson


Best of 2017 - PLANETARIUM

PLANETARIUM

Date: July 21st
Location: Fox Theater Oakland – Oakland

PLANETARIUM’s music, which channels Stevens’ reflections on astronomy, science and even the intricacies of human consciousness, is a fusion of styles from all four band members that evokes feelings of unity. The group’s performance was accompanied by otherworldly visuals that filled the backdrop as it traversed the Solar System with quite a few emotionally charged songs inspired by the planets and other celestial bodies like “Neptune” and “Jupiter”. -Norm de Veyra, photo by Norm de Veyra


Best of 2017 - The Drums

The Drums

Date: July 21st
Location: The Fillmore – San Francisco

By the time The Drums took the stage, the intimate venue was packed to the brim with fans. The Brooklyn outfit made as much of an impression as it did when frontman Jonathan Pierce and company exploded onto the scene in 2009 with their initial EP Summertime! From then on, it became glaringly obvious with their eccentric band members and seemingly effortless style that they possessed an energetic presence. And at their SF show, it didn’t take long for the capacity crowd to fall into a groove as the venue’s whole atmosphere lit up. -Jacqueline Moore, photo by Jacqueline Moore


Best of 2017 - Miguel

Miguel

Date: July 23rd
Location: Annenberg Space for Photography – Los Angeles

Once the sun set and Miguel stepped onstage, the audience was transported somewhere else entirely. Born and raised in LA, the 31-year-old’s silky-smooth voice floated through the cool evening breeze over the twinkle lights in the trees, giving the impression of an island retreat rather than a concert in the park. -Rochelle Shipman, photo by Rochelle Shipman


Best of 2017 - The War on Drugs

The War on Drugs

Date: August 5th
Location: Apogee Studio – Santa Monica, CA

Granduciel’s raspy voice, as well as his driving (no pun intended) guitar rhythms and reverb-laden riffs, are largely what separates The War on Drugs from the rest in a crowded indie-rock scene, but the sum of the band’s parts — Charlie Hall (drums), David Hartley (bass), Anthony LaMarca (guitar, keyboards), Robbie Bennett (keyboards) and finally Jon Natchez (saxophone, keyboards) — also creates a sound that while familiar, still feels uniquely different. -Josh Herwitt, photo by Larry Hirshowitz


Best of 2017 - Gorillaz

Gorillaz

Date: August 11th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

Easily one of the most anticipated acts of the weekend, Gorillaz’s Humanz tour made its West Coast debut on Day 1 at OSL. After a six-year hiatus, expectations ran extremely high for this headlining performance. On previous tours, the band’s members had played second fiddle to the cartoon projections of their alter egos onstage, but everyone was visible this time around. Several collaborators from Gorillaz’s previous albums, including Kali Uchis, Yukimi Nagano and Del the Funky Homosapien, came out to join them, and the Damon Albarn-led group still pulled some even bigger surprises with cameos appearances from De la Soul and Pusha T. -Molly Kish, photo by James Pawlish


Best of 2017 - Cage the Elephant

Cage the Elephant

Date: August 12th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

While the cancellation of Queens of the Stone Age was a blow a week prior to the event, the replacement that was lined up more than delivered a blistering set of rock ‘n’ roll. Cage the Elephant are now being widely considered festival-headliner material, and frontman Matt Shultz is making a strong claim for that accolade as he continues to elevate his stage act to near-Mick Jagger levels of pomp and energy. “Come a Little Closer” and “Ain’t No Rest for the Wicked” received hearty sing-alongs from a decidedly youthful crowd as Cage have become a favorite of Generation Z. -Kevin Quandt, photo by Marc Fong


Best of 2017 - J.I.D

J.I.D

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

While the headliners thrilled as expected, it was at the side “Day” and “Night” stages where the festival’s biggest highlights were generated. J.I.D, the rising Atlanta rapper who is signed to J. Cole’s Dreamville imprint, absolutely thrilled during his set. Dazzling with his rapid-fire and agile flow, J.I.D showed off his ability to command a crowd with songs such as “General” and “EdEddnEddy” before jumping into the crowd for the tempo-changing hit “Never” that left the crowd chanting for “one more song!” -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman


Best of 2017 - SZA

SZA

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

Saturday, meanwhile, featured the vintage gospel spirit and warm vibes that have elevated Chicago emcee Chance the Rapper to superstardom. Earlier in the day, SZA, this summer’s breakout star, delivered her first festival performance since the release of her well-received debut album Ctrl. Swaying, spinning and singing her raw emotions and shortcomings while coming of age, the Top Dawg Entertainment songstress didn’t disappoint. -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman


Best of 2017 - Bonobo

Bonobo (Live)

Date: September 27th
Location: Greek Theatre – Los Angeles

The real reason things felt different this time around, though, was the music. Extending and reimagining his tracks for easily one of the largest crowds he has ever performed in front of, Bonobo followed an uplifting opening set from Canadian electronic duo Bob Moses with an array of soothing sounds that paired beautifully with his lighting setup and entrancing stage production in the same way Scott Hansen (aka Tycho) creates an awe-inspiring audio-visual experience during his live-band performances. -Josh Herwitt, photo by Josh Herwitt


Best of 2017 - Coldplay

Coldplay

Date: October 4th
Location: Levi’s Stadium – Santa Clara, CA

Coldplay took the stage shortly before 9 p.m. as a video montage of fans who introduced them as “the biggest band in the world” played onstage. While I’m pretty sure there are a few other artists or groups from their side of the pond (ehem, U2) who might take issue with that claim, they certainly did nothing during their electric, almost two-hour performance to dissuade that sort of thinking. Chris Martin and company, in fact, wasted no time getting down to business, flooding the stadium with confetti and firing off pyrotechnics at a steady clip while opening with “A Head Full of Dreams” and subsequently all throughout the night. -Steve Carlson, photo by Steve Carlson


Best of 2017 - Broken Social Scene

Broken Social Scene

Date: October 26th
Location: Fox Theater Oakland – Oakland

Here’s the thing about BSS — after 15 years, the web of musicians that makes up the collective have created their own individual projects, from Metric to Stars to Feist to Do Make Say Think to Emily Haines & The Soft Skeleton. And while many of the band’s members who have gone on to find success in their own solo careers didn’t happen to join the group on this particular tour, the sense of professionalism built into the BSS live experience remains prevalent. Every person who stepped onstage demonstrated consummate abilities in their own realms, never missing a beat or a note. -Brett Ruffenach, photo by Norm de Veyra

Best of 2017 - Jim James

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Andrew McMahon in the Wilderness take a big leap at The UC Theatre with Atlas Genius, NIGHT RIOTS

Andrew McMahon in the WildernessBy Norm de Veyra //

Andrew McMahon in the Wilderness with Atlas Genius, NIGHT RIOTS //
The UC Theatre – Berkeley, CA
May 6th, 2017 //

With pool inflatables and space suits in tow, Andrew McMahon in the Wilderness played a rollicking show at The UC Theatre last Saturday to kick off a two-night run in the Bay Area. Seated center stage at his piano, the former frontman for Something Corporate and Jack’s Mannequin took command of the nearly sold-out crowd early with his boundless energy.

Highlighting the catchy, anthemic jams from their 2017 studio album Zombies on Broadway, McMahon and company delivered a rousing performance that found the lead singer leaping off pianos, stage diving and riding atop the crowd in an inflatable duck on several occasions.

NIGHT RIOTS from Southern California opened the evening with a strong set of dance-rock anthems from their latest release Love Gloom. Australia’s Atlas Genius followed, continuing the good vibes with their own brand of dance-infused indie rock.

The 25 best live music acts of 2016

Best live music acts of 2016

As we officially place 2016 in the history books, it’s time to look back at all the live music we experienced this year. Last year we shared our 25 favorite live performers of 2015, so this year we thought we would do it again while excluding any artists we named in 2015. After all, who really wants to see the same acts listed two years in a row? That said, now that we’re two years removed, our 25 favorite live performers of 2014 were once again fair game.

After covering many excellent bands, musicians and DJs over the past 12 months, trimming our list down to 25 wasn’t easy and as usual, some difficult decisions had to be made. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order) whom we either covered at their own show and/or at a music festival this year:

Adrian Younge, Air, Alessia Cara, Alina Baraz, AlunaGeorge, Alvvays, The Arcs, A$AP Ferg, Atlas Genius, Aubrie Sellers, The Avett Brothers, Bag Raiders, Baio, Banks & Steelz, Bas, Battles, Beats Antique, Beach House, Best Coast, Big Freedia, Big Gigantic, Big Grams, Big Wild, Bloc Party, Bob Mould, The Boxer Rebellion, Brand New, Brett Dennen, The California Honeydrops, Capital Cities, Cate Le Bon, Chairlift, Chelsea Wolfe, !!! (Chk Chk Chk), Chris Robinson Brotherhood, Chuck Mosley, Chromeo, Claude VonStroke, The Claypool Lennon Delirium, Cold War Kids, The Crux, Dan Deacon, Danny Brown, Deftones, The Devil Makes Three, Dirtwire, Disclosure, DMA’s, DMX, Drew Holcomb and The Neighbors, Duran Duran, Every Time I Die, Emancipator Ensemble, Ezra Furman, Faith No More, The Faint, Fantastic Negrito, Femi Kuti, Florence + the Machine, Flume, Fruition, The Gaslamp Killer, Geographer, Glass Animals, Gorgon City, Grimes, Halsey, The Head and the Heart, Heartwatch, The Heavy, Highly Suspect, Hippie Sabotage, Holy Fuck, How to Dress Well, Hudson Mohawke, Hundred Waters, IAMX, Ibeyi, Ice Cube, Iggy Pop, The Infamous Stringdusters, Jack Beats, Jack Garratt, Jack Ü, James Bay, Jamie xx, J. Cole, Jimmie Vaughn, Jhené Aiko, The Joy Formidable, Joywave, Julia Holter, Julien Baker, Kaki King, Kamaiyah, Kamasi Washington, Kehlani, K.Flay, The Kills, Kurt Vile, Lafa Taylor, Lana Del Rey, Låpsley, Les Sins, Lettuce, Lionel Richie, Lord Huron, Little Scream, Lucius, M83, Major Lazer, Marian Hill, Mayer Hawthorne, MC YOGI, Methyl Ethel, Metric, Miami Horror, Mick Jenkins, Midi Matilda, Miguel Migs, Modest Mouse, Moon Taxi, M. Ward, Nahko & Medicine for the People, The Naked and Famous, Nas, Nathaniel Rateliff & The Night Sweats, Neon Indian, Nick Murphy (fka Chet Faker), Nite Jewel, Panic! at the Disco, Parliament-Funkadelic, Peaches, Petite Noir, The Pharcyde, The Polish Ambassador, Porches, Prince Rama, Purity Ring, Pusha T, Radiohead, Ra Ra Riot, The Regrettes, The Revivalists, RJD2, Rodrigo y Gabriela, Rogue Wave, Rubblebucket, Run the Jewels, The Russ Liquid Test, Ryan Adams, The Sam Chase & The Untraditional, Saosin, Sarah Neufeld, The Seshen, Shabazz Palaces, Shlohmo, Silversun Pickups, Snakehips, Solange, Son Little, St. Lucia, Stormzy, The Struts, STS9, Sturgill Simpson, Sufjan Stevens, Summer Cannibals, Sunflower Bean, Sigur Rós, St. Germain, Sylvan Esso, Tacocat, Taking Back Sunday, Tedeschi Trucks Band, Thao & the Get Down Stay Down, This Will Destroy You, Thomas Jack, Thundercat, Toro y Moi, Tortoise, Tory Lanez, Tourist, The Trims, Troye Sivan, Umphrey’s McGee, Viceroy, Vince Staples, Vokab Company, Walk the Moon, Warpaint, Wavves, Weezer, Wheeler Walker Jr., White Denim, Wild Belle, Wild Nothing, Years & Years, Yeasayer, YG, Young Fathers, Yuck, ZHU, Ziggy Marley.

Now, it’s time for The Bam Team to present our 25 favorite live performers of 2016.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2016

Listen to The Bam Team’s favorite songs of 2016:


Best Live Music Acts of 2015 #25 - Tycho

25. Tycho

For as much as Epoch was a surprise, so were Tycho’s two most recent shows in LA last week. It was the first time Hansen and company had played The Fonda Theatre since the Awake tour back in 2014, and Thursday’s sellout, which was announced less than a week before the show, along with the subsequent need to add a second date the next night, made it clear that more than ever, Angelinos have a strong appetite for what Hansen is doing on both a musical and visual level. It helps, too, that KCRW Music Director Jason Bentley, who opened the shows at The Fonda with a DJ set, has helped expose Tycho to a broader audience, whether through the “Morning Becomes Eclectic” theme song or live, in-studio performances by the band. Even nowadays with an abundance of streaming sites, you can’t underestimate the power of radio in a city with a driving culture as large as LA’s. And truth be told, Tycho is some of the best music to drive to, especially when you’re surrounded by nature. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #24 - Isaiah Rashad

24. Isaiah Rashad

And when it did, Rashad torpedoed onto stage and turned the restlessness in the room on its head with “Smile”, the apropos homecoming banger he released after years of uncertainty that followed his 2014 EP Cilvia Demo. It was fitting because prior to his reemergence, which was sparked by the song, Rashad admitted to being addicted to Xanax and alcohol, and it almost led to him being dropped from his West Coast record label on several occasions. From his issues with substance abuse to the tears he shed while listening to Kid Cudi’s music and his open-book thoughts on the humanizing of mental-health issues, Rashad’s journey from being the contemplative unknown in superstar Kendrick Lamar’s crew to a complete artist deserving of your attention has been steeped in honesty. -Joseph Gray, photo by Joseph Gray


Best Live Music Acts of 2015 #23 - Bob Moses

23. Bob Moses

Needless to say, worn-out axioms failed to apply in this scenario. Bob Moses silenced anyone attempting to pass them off as yet another contrived electropop outfit aiming to please the masses. At Mezzanine, both Howie and Vallance proved their prowess as EDM innovators, bringing more to the stage than a couple of laptops and a pretty light show. Surprising those unfamiliar with their work or expecting to be underwhelmed, Bob Moses have elevated the live electronic game for their respective contemporaries and succeeded in defining a new chapter for the genre — an innovative sound standard that’s all their own. -Molly Kish, photo by Lisette Worster


Best Live Music Acts of 2015 #22 - Floating Points

22. Floating Points

The band continued building on its rhythms and melodies, creating a hypnotic feeling that was filled with textured synthesizers, guitar pedals and consummate percussion, as laser patterns reflected each rise and fall during its lengthy jam sessions. As Sheppard and his sidekicks progressed through each track, the complexity of the laser projections grew into optical illusions that, almost like another musical instrument onstage, intertwined with the style and progression of the band’s production perfectly. With each song reaching a climax and eventual denouement, the artwork remained untouched for a few minutes so that fans could observe each piece before their very own eyes. -Brett Ruffenach, photo by Alister Mori


Best Live Music Acts of 2015 #21 - Ty Segall

21. Ty Segall

But Segall is no doubt a showman himself, and you’d be hard-pressed to find someone who expends as much energy onstage as he does in merely 90 minutes. His passion simply rubs off on his fans, who wasted little time climbing onstage and taking the plunge into a sea of hands for a couple of minutes. Segall, of course, also got in on the action at one point, as his shows are often known to feature crowd surfing from both band and audience members, and he made sure to take the mic stand with him while he horizontally slithered across the room. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #20 - Dr. Teeth and The Electric Mayhem

20. Dr. Teeth and The Electric Mayhem

One of the biggest questions on everyone’s mind coming into Outside Lands was, “Who were Dr. Teeth and The Electric Mayhem?” For those who knew, it was, “How in the hell were the Muppets going to fill a Sunday slot on the main stage?” Because the band had never played a show of such magnitude or outside the context of a TV/film studio, no one had any clue what to expect during this early-afternoon slot. Though some festivalgoers (mistakenly) decided to forego the experience altogether, those present will not forget the incredible feat that Another Planet Entertainment and Jim Henson Enterprises were able to pull off for what was one of the most emotionally nostalgic, blissfully complex and once-in-a-lifetime festival performances maybe ever. The Muppet house band both effortlessly managed to pluck the heartstrings of multiple generations of fans while delivering the most conceptually beautiful “love letter” to the city of SF, blanketing the grounds in a sea of love and collective euphoria for a brief, yet unforgettable moment. -Molly Kish, photo by Rochelle Shipman


Best Live Music Acts of 2015 #19 - RÜFÜS DU SOL

19. RÜFÜS DU SOL

By the time RÜFÜS made their entrance, the excitement in the room was at a fever pitch. The crowd was ready to dance from the very first beat (thanks to the excellent warm-up from Kllo and Yuma X), and they did just that. Lead singer Tyrone Lindqvist took center stage with great energy and proceeded to do the customary water bottle toss shortly after. Lindqvist set the tone right from the get-go for a high-energy, high-audience-participation set. The crowd responded in kind by getting down much harder than expected for a Wednesday night. Notably, there were surprisingly very few phones out as most attendees put away their cameras to make the most of every song. The intimate setting of The Fillmore could almost have been mistaken for the polo grounds of Coachella, given how many girls-on-shoulders could be seen around the venue. -Geoff Hong, photo by Josh Herwitt


Best Live Music Acts of 2015 #18 - Rudimental

18. Rudimental

Through Rudimental tracks like “Not Giving In”, “Free” and “Waiting All Night”, the most unique element of the group’s live production was their charisma. Simply put, they look like they’re having fun. These aren’t tortured artists or cathartic performers — Rudimental are a band that loves the music they make. Even the band’s drummer, Beanie, easily one of the hardest working rhythmists on tour right now, managed to keep a smile on his face, racing through Rudimental’s repertoire of songs that were anywhere from 145 to 160 BPMs. The septet’s de-facto leader, DJ Locksmith, was surprisingly more in the background than you would expect from a typical DnB hype man. As Rudimental wrapped up their set with their chart-topping hit “Feel the Love”, the crowd joined in as the song ended, creating a shared moment at The Fox that perfectly reflected the intention of Rudimental — to spread the love. -Brett Ruffenach, photo by Marc Fong


Best Live Music Acts of 2015 #17 - BØRNS

17. BØRNS

On this night, that proverbial phrase seemingly rang true. It wasn’t just that BØRNS most likely amassed the largest attendance in the history of the Twilight Concert Series, but also the fact that it was easily one of the best shows I’ve ever witnessed at the Santa Monica Pier. One could certainly point to the opening of the Expo Line extension as a reason for the larger crowds so far this summer, which wasn’t all that noticeable during the series’ opening night with Mayer Hawthorne just the week prior, but that would simply be underestimating the exponential rise of Garrett Borns’ eponymous project. Since he relocated to Los Angeles in 2013 and signed with Interscope Records, the Michigan native has gone from supporting modest indie bands like MisterWives to selling out shows as a headliner in a matter of a year. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #16 - Flying Lotus

16. Flying Lotus

Brainfeeder founder, producer and unapologetic cultural mouthpiece Flying Lotus (born Steven Ellison) ended the night with a mildly controversial headlining set. Walking onstage and making what any FlyLo fan would recognize as an off-colored comment on the current presidential race may have proven too brazen for those not used to his brand. He let Captain Murphy out of the box a little early and road the wave of confusion into a heady, bass-driven assault on the conflicted crowd, providing the distinct audio punctuation point for the night’s bill of artists. Playing several tracks off of his 2014 LP You’re Dead! as well as various hits from high-profile hip-hop emcees like Travis Scott and Kendrick Lamar that he has produced over the years, Ellison stunned us all with his double-screen, audio-visual stage setup and plenty of bone-rattling bass drops. -Molly Kish, photo by Marc Fong


Best Live Music Acts of 2015 #15 - The Last Shadow Puppets

15. The Last Shadow Puppets

TLSP brought a strings section to their show, an added element that helped keep things fresh and new. The show began with the beautiful sounds of violins and cellos, but the moment TLSP got onstage, the whole floor at The Fillmore lit up in billows of smoke. I’m sure the band was stoned by the end of the show if it hadn’t been already, appearing beyond excited to be playing on a Sunday night in SF. Turner and Kane must have yelled out something about SF every few minutes and incorporated SF into some of their songs. They were so incredibly tight, and I felt their set in some ways was a bit better than what I had witnessed years ago — the mix and order of the songs felt more succinct at The Fillmore. -Rachel Goodman, photo by Diana Cordero


Best Live Music Acts of 2015 #14 - Miike Snow

14. Miike Snow

Sunday’s roster at Coachella last year was significantly weaker in comparison to Friday’s and Saturday’s. This year was much of the same, though Calvin Harris somehow proved to be an even worse headliner than Drake (we didn’t know that was possible). But one of the bright spots on Day 3 was no doubt Miike Snow’s 9:45 p.m. slot in the Mojave Tent, the same place where I discovered the Swedish trio back in 2010 during my first Coachella. Andrew Wyatt, Christian Karlsson and Pontus Winnberg have come a long way since then, and with three studio albums in their catalog, including their latest effort iii, they have more than enough material to fill out a 50-minute set and leave you wanting to hear more. -Josh Herwitt, photo by Norm de Veyra


Best Live Music Acts of 2015 #13 - Young Thug

13. Young Thug

Fresh off releasing the latest — and final — installment of his Slime Season mixtape trilogy, Young Thug took his place on the stage. Arriving in a white blouse, multicolored sequined jacket, dark shades, a polka-dot head scarf and remarkably slim, golden pants, he aligned such a rangy and vibrant uniform with his performance. There wouldn’t be any towering LED lights, stunts or stage diving. However, Young Thug, who for the majority of his roughly hour-long set played the lone wolf, delighted the crowd with his animated and bright delivery while running through thundering Slime Season 3 favorites like “With Them”, “Digits” and “Slime Shit”. The audience, ranging from high school seniors to seasoned workers likely with mortgages, strikingly recited every uncanny, controversial lyric and Ric Flair-esque “Woo!” like they had been analyzing them for years. -Joseph Gray, photo by Joseph Gray


Best Live Music Acts of 2015 #12 - Pretty Lights

12. Pretty Lights

Touring with a live band for the first time in 2013 — something that few other EDM artists have done to this day — he quickly changed the way electronic music can be experienced live. Fast forward to last Thursday, and we were once again treated to an electrifying Pretty Lights show that was more than just Smith behind a pair of Macbook Pros and two Akai MPD32s. Making his debut at the majestic Santa Barbara Bowl, he once again showed why he isn’t your typical EDM act. With Chris Karns and Big Wild providing support, Smith hit the stage at 8 p.m. with his bandmates — Karns, Borham Lee, Brandon Butler and Alvin Ford, Jr. — and put on a show that dazzled both sonically and visually. What was most impressive, though, was seeing how much of the performance was improvised, as the band transitioned from one jam to another while dropping in a number of remixes here and there. And as I looked on from my seat in the stands, I couldn’t help but think about how much the show reminded me of all the times I’ve seen STS9 perform live. It only seemed fitting considering that the livetronia band helped give Smith his start back in the day, and with the “EDM bubble” about to burst (that is, if it hasn’t already), it’s hopefully an approach more electronic artists will gravitate toward in the future. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #11 - Mac DeMarco

11. Mac DeMarco

The 26-year-old king of slacker rock, who over the past few years has become a fan favorite of many Bay Area audiophiles, never seems to hold back when he comes to town. His first night in SF last week saw him jump from The Indy’s balcony into an awaiting crowd (a feat that was later imitated by a female audience member at The Warfield the next night), run around half naked while playing new songs and perform a 25-minute cover of Eric Clapton’s 1971 hit single “Layla” with fart solos sprinkled throughout. -James Pawlish, photo by James Pawlish


Best Live Music Acts of 2015 #10 - Moderat

10. Moderat

Easily the most anticipated set of the weekend from this spectator’s vantage point, Moderat hadn’t toured since dropping a pair of EPs in 2014. But with the release of its third full-length album, aptly titled III, the Berlin-based supergroup comprised of Apparat’s Sascha Ring and Modeselektor members Gernot Bronsert and Sebastian Szary were primed to make their mark on the final day of LIB — and that they did. Beginning with “Ghostmother” off their latest LP, Moderat ran through a good chunk of new material, but nothing ignited the crowd more than their new single “Reminder”, which remains one of our favorite songs of the year so far. As we witnessed a few days earlier at The Fonda Theatre in LA, the group’s dark, minimalist stage setup with psychedelic flourishes paired nicely with Ring’s ethereal vocals. Of all the other performances throughout the weekend, Moderat’s 90-minute set undoubtedly stood as one of the brightest moments of LIB 2016. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #9 - Foals

9. Foals

Foals closed out their rambunctious set with a killer take on the title track “What Went Down” that brought lead singer/guitarist Yannis Philippakis diving into the crowd, giving fans one hell of a selfie and proving their rock credentials for good. After all, any band that can unite 20-something bros with 50-something grandparents gets a gold star in our book. Rock brings people together, and those who made it out to see this unicorn of a band won’t live to regret it. -Zach Bourque, photo by Steve Carlson


Best Live Music Acts of 2015 #9 - Tame Impala

8. Tame Impala

As they opened with the dream-inducing interlude “Nangs” from their latest studio album Currents, Tame Impala gave the crowd an ample minute and a half to commit to the spatial surroundings before jumping full throttle into an explosive rendition of lead single “Let It Happen,” playing the tracks in reverse order than they are on the LP. By the third song (as promised), the sky, having just turned black, was filled with a stadium’s worth of rainbow confetti as the band played the opening chords of 2012’s psuedo love ballad “Mind Mischief”. Followed by a rare performance — only the second time in three years — of “Music to Walk Home By” from 2012’s Lonerism, Tame Impala played a wide range of emotive classics while scrambling the brains of more than 8,500 audience members with their intense onslaught of sensory-overloading imagery and hypnotic light show. -Molly Kish, photo by James Pawlish


Best Live Music Acts of 2015 #7 - Jim James

7. Jim James

James is in rare company these days, amid a dying breed of guitar-rock gods like Jack White and Josh Homme who are not only capable of playing anything on six strings, but also on a myriad of instruments. And while Eternally Even feels in some ways like an opportunity for him to finally experiment more with keyboards, James made sure to remind his fans at the 90-year-old Orpheum Theatre last Friday that shredding is still a priority. Performing in his new hometown after officially moving to LA this year, he assumed the role of lead singer for much of the show as he and his bandmates from Twin Limb (also opening for James on this tour) played all of Eternally Even and half of Regions. But propped up by a stand onstage the whole time was James’ black Gibson axe, and you knew at some point during a two-hour set that he was going to unload some sick riffs like we have become accustomed to seeing from him at Jacket shows. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #6 - The National

6. The National

The real headline from The National’s performance was hands down the new material that was debuted, pretty much across their entire set, encore included. A rather standard opening of “Don’t Swallow the Cap” and “I Should Live in Salt” led into our first taste of the band’s upcoming LP in the form of “Checking Out”. Though many locals likely recognized this track from last year’s Treasure Island Music Festival (read our review here), it has tightened up over the past year and even begins to sound familiar as the Brooklyn-based five-piece begins to weave in more electronic, synth-like elements. -Kevin Quandt, photo by Steve Carlson


Coachella 2016 - Guns 'N Roses

5. Guns N’ Roses

There may have been no more talked-about act in Coachella’s 17-year history than Saturday’s headliner — and for good reason. Going back to 1993, it had been 23 years since Axl Rose and Slash last performed on the same stage together, and though some of that allure had worn off by the time they reached Indio thanks to a surprise show in LA and back-to-back nights in Las Vegas in prior weeks, Guns N’ Roses were still the talk of the town leading up to Coachella. In fact, all you had to do was look around on Saturday and see just how many GNR T-shirts were traversing the polo field before their 10:30 p.m. set. When it came time to deliver, the original trio of Axl, Slash and bassist Duff McKagan most certainly did, while rhythm guitarist Richard Fortus and drummer Frank Ferrer proved to be more than suitable fill-ins for Izzy Stradlin and Steven Adler/Matt Sorum. Meanwhile, the surprise appearance by Angus Young couldn’t have come at a much better time after the announcement was made minutes before GNR’s set that Rose will be filling in for Brian Johnson on AC/DC’s remaining tour dates this year. GNR have always been one of my biggest bucket-list bands, and even if a broken leg prevented Axl from strutting and slithering across the stage like he once did as a brash, slender 21-year-old rock star, seeing one of my favorite childhood bands perform for two and a half hours felt all too surreal as I left the Empire Polo Club that night. -Josh Herwitt, photo courtesy of Coachella


Coachella 2016 - Sia

4. Sia

From the very beginning, Sia set herself apart from every other artist who took the Coachella Stage this year. With the Australian artist standing in the back of the stage, her set was more performance art than it was pop music. While her face was hidden thanks to her trademark wig, Sia’s voice stood front and center as she belted out every note to hits like “Diamonds”, “Bird Set Free” and “Titanium”. Throughout it all, different dancers and actors would come on stage, abstractly embodying the themes her songwriting often conveys: fear, anticipation, stress, anger, joy, love and most of all, doubt. As Kristen Wiig and Paul Dano contributed to the overall performance, the height of Sia’s conceptual masterpiece reached its peak with a breathtaking rendition of “Breathe Me”, bringing some of the audience to tears. It was the true headliner of Sunday night and among the top performances of the entire weekend. -Brett Ruffenach, photo courtesy of Coachella


Best Live Music Acts of 2015 #3 - Chance the Rapper

3. Chance the Rapper

In one of the few transcendent moments of the weekend, a set that had everyone throughout the fairgrounds hyped into an anticipatory frenzy, Chance the Rapper performed at the Lands End stage on Sunday afternoon for easily the largest crowd of the entire weekend. Even those who stood their ground through Third Eye Blind’s preceding set felt the drastic change in both crowd size and personal space as the Polo Fields flooded and temperatures rose. Even though Chance could have used this to his advantage and conducted an explosive show, igniting the tightly configured crowd into a combustive state, he instead took his fans “to church” with a spiritually centered gospel set, making sure everyone was attentive and of course, that “his part” resonated among the masses. -Molly Kish, photo by Norm de Veyra


Best Live Music Acts of 2015 #2 - LCD Soundsystem

2. LCD Soundsystem

Over the last couple of years, it’s hard to think of a band I have wanted to see more than LCD Soundsystem. Deeply tied to my formative years in college, the Brooklyn outfit’s return after a five-year hiatus was nothing short of stunning. Opening with the undeniably groovy “Us vs. Them” and covering a good chunk of their catalog over almost two hours, LCD certainly met the expectations of an eager crowd. James Murphy kept the banter between songs fairly short, and these indie heavyweights demonstrated a true dedication to their craft, starting fast with songs like “Movements” and “Yeah” before moving to more deep, tightly wound rhythms on “Someone Great” and “Home”. Though “Losing My Edge” was written more than 10 years ago, Murphy’s part-improvised, part-proclamation, part-perfectly-delivered rendition of the track seemed to really capture the attention of more casual LCD fans. Nearing the end of its set, the band covered “Heroes” by late collaborator David Bowie. I have seen many concerts as well as attended many festivals in my life, but this was truly among the most beautiful moments in live music I have ever experienced. Wrapping up their headlining performance with “All My Friends”, LCD Soundsystem proved to be among the top artists to ever grace the festival’s main stage. -Brett Ruffenach, photo by Norm de Veyra


Best Live Music Acts of 2015 #1 - Anderson .Paak

1. Anderson .Paak

I’m going to be completely honest: I went to SXSW this year to see .Paak because I knew once he played it, tickets to his shows would be impossible to get. Six months later, $30 tickets to his show in San Francisco at The Fillmore resold for upwards of $400. If you didn’t have another way to get into that show or rent to pay, it was worth it. The energy that comes out of .Paak while he’s performing is charming, infectious and unmatched. He splits his time roaming every inch of the stage and behind his drum set, often singing and rapping without missing a beat. At .Paak’s December show at the Hollywood Palladium in LA, Stevie Wonder came out not to sing, but to tell the crowd what a big fan he is. So basically, Stevie Wonder dropped by. OK, Anderson … we see you. -Rochelle Shipman, photo by Norm de Veyra

Outside Lands 2016

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Make Music Pasadena announces 2016 lineup

Make Music Pasadena 2016 lineup

Make Music Pasadena //
Downtown Pasadena – Pasadena, CA
June 11th, 2016 //

Back for its ninth edition this summer, Make Music Pasadena will once again feature a lineup of emerging artists from all across the world.

Taking over the streets of Pasadena for one Saturday in June, the festival has booked Atlas Genius, Bear Hands, The Mowgli’s, Small Black, Nahko and Medicine for the People, Papa, James Supercave and Profiles to perform this year.

Produced and organized by the Old Pasadena Management District and Playhouse District Association, Make Music Pasadena has boasted such notable acts as Grimes, GROUPLOVE, Matt and Kim, Warpaint, Best Coast, Ra Ra Riot, Surfer Blood, YACHT, Robert DeLong and many more.

Hailing from South Australia, Atlas Genius will serve as this year’s headliner more than three years after their debut LP When It Was Now peaked at No. 34 on the U.S. Billboard 200. Since then, the Adelaide duo comprised of brothers Keith Jeffery (lead vocals, guitar) and Michael Jeffery (drums) has released its second studio album Inanimate Objects and embarked on a 2016 spring tour that wraps up in LA at the El Rey Theatre on April 30th.

The free, non-profit event attracts roughly 50,000 attendees each year, running from 11 a.m. to 11 p.m. across five different stages and inside 30-plus venues spanning 20 city blocks. Located just 15 minutes from downtown LA, MMP is said to be modeled after Paris’ Fête de la Musique, an annual celebration of music that also takes place in June.

More than 150 bands are expected to play this year, with a multitude of genres — from world music to post-punk to indie rock — being represented onstage in the City of Roses.

Make Music Pasadena 2016

BottleRock drops 2016 lineup, led by Red Hot Chili Peppers, Stevie Wonder, Florence + the Machine

BottleRock Napa 2016 lineup

BottleRock Napa Valley //
Napa Valley Expo – Napa, CA
May 27th-29th, 2016 //

While everyone has been fixating on Monday night’s Coachella lineup announcement, which includes a reunited LCD Soundsystem and some form of Guns N’ Roses headlining the Indio festival, BottleRock Napa Valley was busy unveiling their own bill less than a day later.

The three-day festival in downtown Napa, which appeals to an older crowd than the aforementioned Coachella, announced its lineup early Tuesday and will welcome Red Hot Chili Peppers, Stevie Wonder and Florence + the Machine as headliners over Memorial Day weekend.

With more than 70 artists scheduled to perform across four stages, other noteworthy acts on this year’s lineup include The Lumineers, Death Cab for Cutie, Lenny Kravitz, Walk the Moon, Rodrigo y Gabriela, Ziggy Marley, Grouplove, Michael Franti & Spearhead, Gogol Bordello, Cold War Kids, Iration, Misterwives, Atlas Genius, Buddy Guy, Andrew McMahon in the Wilderness, The Pharcyde, The Joy Formidable, X Ambassadors, Ozomatli and Jamestown Revival.

BottleRock will also be bringing back and expanding its popular Culinary Stage that’s known for matching culinary stars up with celebrities, as last year’s festival saw Snoop Dogg teaming up with “Iron Chef” Masaharu Morimoto.

Tickets go on sale on Thursday, January 7th at 10 a.m. here and start at $269 for a three-day GA pass. VIP passes will be sold for $619, and a three-day platinum pass is as much as $3,100.

So, as you get ready for your “first taste of summer,” go back in time with our 2014 coverage.

Atlas Genius connect with crowd at The Fillmore

Atlas Genius @ The Fillmore Nov.7th, 2013 #17By Nikki de Martini //

Atlas Genius //
The Fillmore – San Francisco
November 7th, 2013 //

Before the release of their first full-length studio album When It Was Now, the Australian-born-and-bred boys from Atlas Genius built a studio from the ground up where they wrote and recorded music for three years before even considered to tour as a band.  Since then, this (sorta) newbie Aussie Indie band continues gaining popularity in the states with two hit singles, “If So” and “Trojans”, all over the air-waves. Their headlining US tour arrived at The Fillmore on November 7th and sold-out a couple of hours before doors opened.

Inside the atmosphere was brimming with an enthusiastic anticipation, and when Keith, Michael and Darren hit the stage waving to fans, they were met with blissful cheers from the female-dominant crowd.

Atlas Genius @ The Fillmore Nov.7th, 2013 #23

Basking in a flood of indigo lights and aquatic instrumentals, Atlas Genius opened with “On a Day”, subtly building up to the climatic chorus as pockets of fans began to dance. Keith (lead vocals) and Darren (keys/guitar) fed off that energy while rousing more of it. The repeated rhythmic end of the first song flowed into the relaxed yet up tempo beat of the second song, “If So”, igniting the first of many a sing along responses from an adoring crowd.

Singing from behind his mic on stage left, only to make his way over to stage right repeatedly, and even playing guitar from the photo pit on occasion, front man Keith Jeffery made sure to engage with as much of the sold out crowd as possible.

The first real crowd interaction happened right after ending the well harmonized, romantic mood-seducing “Back Seat” when Jeffery expressed the band’s excitement for playing at the historic San Francisco venue: “We have been excited about this particular show for a very long time, so thank you very much for coming down.” The good mood soared as he invited everyone to thank what he called two of the greatest bands ever, openers Family of the Year and Dale Earnhart Jr. Jr.

Atlas Genius @ The Fillmore Nov.7th, 2013 #7

Playing a set consisting of songs off of their only album to date, it was pleasing that Atlas Genius were able to make the most out of the limited amount of material. For example, Darren and Michael stepped off the stage to leave Keith to preform an intimate solo performance of “Symptoms”, morphing the otherwise plugged-in, some what experimental rock song into a heartfelt, acoustic ballad. Then there was when “Electric” was teased with a guitar heavy intro and an extended, garage band-esque ending. As a loud applause arose after “Electric”, it took a minute for fans to realize that it was now time to react and encourage an encore. Atlas Genius reappeared to jump right into “Centered on You”, a track reminiscent of another Aussie Indie act, The Temper Trap.

Not surprisingly, Atlas Genius saved their hit single “Trojans” for last, and this placement genuinely suited the show well. It’s bubbly melody and overall contradicting disposition rounded out the whole performance, which balanced high and low tempos so well through out the night.  Moreover, it felt that fans hadn’t been waiting to hear the hit but rather they were elated to hear it live.

Atlas Genius @ The Fillmore Nov.7th, 2013 #21

Half way through, as fans began to clap along, Atlas Genius asked everyone to raise their hands, capturing a Kodak moment of their own, connecting with SF fans once more before the show was over.

Though I do dig listening to When It Was Now, when I left The Fillmore that night, Atlas Genius had totally won me over. Their hour long set was upbeat, light-hearted, fun, genuine and the setting was a great match for their laid back vibe. Atlas Genius is an essential band to see this year, and the show November 7th confirmed this sentiment.

@SweetSoundBites

Atlas Genius @ The Fillmore Nov.7th, 2013 #1

Outside Lands Music Festival 2013: Top Sets

Outside Lands 2013Photos by Tim Hampson (unless otherwise noted) // Written by Mike Frash, Molly Kish, Kevin Quandt, Kevin Raos, Sean Little & Dara Shulman //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 9th-11th, 2013 //

Outside Lands Music and Arts Festival is the ideal adult playground for live music fans — you can chow sardine chips and a Denogginizer from Drake’s while taking in a secret set in Choco Lands. Or maybe you prefer to laugh your face off at The Barbary or dance your ass off in the Heineken Dome. It may be a “walking festival” to some, but Outside Lands is at it’s best when you run. Feet don’t fail me now, use ’em while you got ’em.

San Francisco’s music fest is clearly in a groove now. A free comprehensive webcast was brought back this year, enticing future festival-goers near and far to be super jealous and to start saving money for next year. Beer Lands was moved to a strategically perfect spot opposite the Land’s End Stage on the Polo Field, making a quick stop-off convenient on the way to the next show. And it was cold — duh, it’s August in SF.

For the festival’s sixth incarnation, Outside Lands patrons witnessed the festival’s biggest headliner to date: Paul McCartney.

But Macca wasn’t the only auditory treat at Outside Lands. Here are our top sets from 2013.

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Paul-McCartney
DAY 1 ~ August 9, 2013

Paul McCartney ~ TOP SET
Friday • Land’s End Stage • 7:10 p.m.

It doesn’t get a whole lot better than Paul McCartney’s show, honestly, it’s nearly 3 hours of brilliantly competent showmanship, blazingly pleasing song selection and sheer crowd emotion. One highlight was watching Paul become giddy when Kronos Quartet joined him for a masterfully beautiful take on the tender Beatles classic, “Yesterday”. Even in his 70s, Macca keeps his crowds, and likely even himself, on their toes with an ever-changing setlist and bombastic surprises up his sleeve in the form of pyrotechnics during “Live and Let Die.” Selections from Wings were pleasantly received, especially “Band on the Run”. Closing the set, as he normally does, the crowd sang along to the timeless communal song “Hey Jude”. Friends locked arm in arm, and all was right in the world. Young and old were abuzz with the show they had witnessed on the exodus out of the park, whether it was vets finally hearing “Lovely Rita” or first-timers discussing their emotion during “Blackbird”. I mean, hey, it’s not everyday a legend plays your backyard. -KQ


Pretty Lights
Friday • Twin Peaks • 8:40 p.m.

Pretty Lights was the perfect Friday night closer for the Twin Peaks Stage and to oppose Sir Paul. Derek Vincent Smith featured most of his new album A Color Map of the Sun, plus the stand-by favorites remixed just enough on the fly to make them fresh and new. His musical ability is truly amazing, and his vibe was infectious as he’d build huge grooves then dropped them into massive basslines with his trademark soul vocals overlays that catapulted foggy Hellman Hallow to the stratosphere. Smith seemed genuinely happy and it bled into the crowd. By the night’s end, everyone was grooving and giving out high fives. –SL


Yeasayer
Friday • Twin Peaks Stage • 7 p.m.

Pitted against the incomparable Sir Paul at a festival is a spot that most bands would dread to be placed in. If you’re Yeasayer, however, it’s a challenge to be lived up to and utilized to your advantage. Knowing the crowd that evening would be filled with strictly die-hard fans, the boys pulled out all the stops. Playing a fan favorite set that included the most dance-heavy tracks from their entire catalogue, the intimate crowd was whipped into a collective frenzy. The best part — there was plenty of room for everyone to lose themselves in the energy of the moment. –MK


Chic---Eric-ShadenPhoto by Eric Shaden

CHIC featuring Nile Rodgers ~ TOP SET
Friday • Sutro Stage • 6:05 p.m.

The last-minute D’Angelo replacement was a surprise hit Friday evening at the Sutro Stage. Guitarist Nile Rodgers accompanied by a crew of horns and backup singers “le freaked” out the crowd with super funky dance hits. Rodgers expressed to the audience, “Now if this is your first Chic show, I have to make you understand something, you absolutely have to sing and you absolutely have to dance.” No problems there. Highlights include “We Are Family” “I’m Coming Out” and a groovy singalong to Daft Punk’s “Get Lucky” over the PA system after Rodgers had set down his electric guitar. –DS


The-National-PatPhoto by Pat Tyrrell (Cool Dads Rule)

The National
Friday • Land’s End Stage • 5 p.m.

As many learn every August, SF is not known for its stunning summer weather, but sometimes a little haze can add to the emotive release that is Matt Berninger and The National. However, the group lit the stage on fire with their stylish take on moody indie rock, opening with crowd-pleaser “Fake Empire” before fully utilizing Kronos Quartet’s strings on “I Should Live in Salt” and “Demons”, among others. Berninger’s characteristic baritone was strong, though not at it’s best on this day, but his lively mannerisms were in full effect as he paced nervously around on the large Land’s End stage. Once “Mr. November” had begun, it was inevitable that “Terrible Love” would close the set, but a late guest appearance in the form of Bob Weir of the Grateful Dead would truly put an exclamation point on this afternoon set. -KQ


Zedd
Friday • Twin Peaks • 5:25 p.m.

Zedd may not be the best DJ in the world, but his energy is hard to deny. It was the first truly “rager” set of the festival, and you could see people losing their minds all over the place, getting out the pent up energy they had been sitting on all week in anticipation of the Outside Lands. It ended up being a strong set and a lot of fun with hits “In My Mind” and “Clarity” satisfying the masses. –SL


Rhye
Friday • Sutro Stage • 4:45 p.m.

Rhye’s soothing sounds blanketed Lindley Meadow’s Sutro Stage at the midpoint of Day 1. The sun had fallen behind the eucalyptus trees, sprinkling the stage with beams of light — a perfect setting to relax to the peaceful beauty of Rhye. Rhye sounded excellent, delighting the crowd with many tracks from their 2013 debut album Woman. Minimal, yet captivating, Rhye demonstrated superior musical prowess with their performance, led by the delicate vocals of Mike Milosh. Their set was drawing to a close, and instead of squeezing in extras songs the group opted for a long version of the song “Open”. The extended version of the enchanting song highlighted the bands’ improvisational ability. Although very mellow, Rhye put on a magical performance. A must-see act. -KR


The Plump DJs
Friday • The Dome by Heineken • 4 p.m.

There’s nothing quite like an afternoon break-beat set in the Heineken Dome to get the blood moving. British duo, Plump DJs featuring Lee Rous and Andy Gardner, greeted the crowd with smiles on their faces and fists in the air. Although the Dome is slightly different than their usual SF stop, The Mighty in Potrero Hill, they brought their high-energy 2am beats to their Friday 4 p.m. set. Their beat selection was progressive and original; transitions and mixing were flawless as always. –DS


21-Pilots - PatPhoto by Pat Tyrrell

Twenty One Pilots
Friday • Twin Peaks Stage • 3:50 p.m.

Twenty One Pilots might be trying to be cool, and that seemed to be on the mind of Tyler Joseph, as he kept referencing the ‘cool factor’ in a self-depreciating way. But the duo turned the stage antics up to 11, performing backflips off the grand piano, jumping into the crowd, and donning a full ski mask while climbing to the top of the Twin Peaks stage. And ya know, as much as it was Macklemore-esque cheese, the passion and musicianship these two young men exhibited transcended any second thoughts. -MF


Wild-Belle-TimPhoto by Tom Hampson

Wild Belle ~ TOP SET
Friday • Twin Peaks Stage • 2:15 p.m.

Wild Belle has been making a splash since releasing their debut album in early 2013, and they have only been getting bigger. As one of the first acts of the weekend, Wild Belle got the crowd moving in a major way with their psychedelic reggae beats. Comprised of brother-sister duo Elliot and Natalie Bergman, Wild Belle were lucky enough to draw one of the only moments of sunshine the entire weekend. One could say it was the incredible vocals of Natalie Bergman that elicited the sun’s rays. Wild Belle has been progressively adding more pieces to the puzzle throughout their short career, and they unveiled their latest piece during their performance at Outside Lands. The newest addition to their live show is a large “wall of sound” speaker system meant to enhance their live sound, and boy did it sound good. Wild Belle was an unexpected jewel Friday and one of the reasons we go to festivals: to discover new music. -KR


Houndmouth - PatPhoto by Pat Tyrrell

Houndmouth
Friday • Panhandle Stage • 1:30 p.m.

Houndmouth provided a delightful opening to Outside Lands for many on the festival’s smallest stage, which is solar-powered. From the opening line of “Penitentiary”, which references San Francisco, the foursome brought bluesy gospel goodness right into everyone’s faces. With lyrics that seemed rooted in finding one’s self — and sobriety — Katie Toupin’s seductive stage presence and heavenly vocals were downright delightful. -MF


Midi Matilda
Friday • Twin Peaks Stage • 12:45 p.m.

For an early afternoon festival spot, Another Planet booked properly when deciding to put Midi Matilda on the Friday bill. Kicking off what undoubtedly was going to be a long weekend with bang, this percussion-heavy duo immediately got the crowd moving. Rife with dance-heavy beats, an animated stage show and no expense spared on the lights and fog machines, Midi Matilda came out swinging. The most memorable moment occurred when both guys jumped on the drum set during their last song to deliver a joint solo to close out the set. –MK


Mad-Rush-TimDAY 2 ~ August 10, 2013

Nine Inch Nails ~ TOP SET
Saturday • Land’s End Stage • 8:25 p.m.

Like The National, the fog which veiled the Land’s End stage created an aura of dark beauty for serious talent to shine through. Saturday’s headlining set by Trent Reznor and cohorts was one of nostalgia equally coupled with the future possibilities of Nine Inch Nails. Opening with a trio of new tracks that beckons closer to Radiohead and How to Destroy Angels than Pretty Hate Machine era industrial rock Nails, it was evident Reznor didn’t, nor shall he ever, miss a beat with his primary project. “1,000,000” into “March of the Pigs” picked up the energy, and built upon the ever-shifting new stage setup that has been winning accolades the past three banner festival performances (think Stop Making Sense meets Aliens). Though the masses were at Phoenix, the crowd energy was high, especially during “Terrible Lie” and “Closer”. As per usual, “Hurt” left the crowd in an introspective gloom, though their hearts were surely still pounding from the assault that is Nine Inch Nails live. -KQ


Phoenix
Saturday • Twin Peaks • 8:40 p.m.

French indie-rock sensation, Phoenix, rallied the youth with a strong set featuring many songs from their 2009 album Wolfgang Amedeus Phoenix. “Listomania,” “Rome,” and “1901” were just some of the highlights. Front man Thomas Mars was spot on with his vocals. “This next song is a dancing one, so feel free …” was followed by longtime fan favorite “If I Ever Feel Better”. They played a solid handful of tracks from their 2013 release Bankrupt! such as “SOS in Bel Air” and “Entertainment”, but the clear goal of Phoenix’s headlining festival set is get the crowd rallied and ready to dance. The rock riffs were on point and the visuals were equally entertaining and Mars crowd surfed the entire audience near the end of the set as has been the habit this tour. Yes, he safely made it back to the stage with a little help from his friends. -DS


Yeah-Yeah-Yeahs-PatPhoto by Pat Tyrrell

Yeah Yeah Yeahs
Saturday • Land’s End Stage • 6:30 p.m.

Equal parts punk rock and dance party, the Yeah Yeah Yeahs held nothing back Saturday, perfectly segueing into whichever headliner you chose to witness. Pulling hits from their entire body of work, the set was equally as entertaining for hardcore fans and new converts alike. The band’s energy was at an all-time high, transferring a sense of mania in the crowd, which created dance circles and mosh pits throughout the entire set. The polo fields were electric and gained much more raw energy during the last five minutes, when Karen O. decided to let her body do the talking. After her signature deep-throating, she not only placed the bedazzled microphone down her shirt, but also into the front of her pants, while further emphasizing her need to be heard. Saturday night had officially started, and from that moment on it was going to be epic, whichever stage you ended up at. –MK


Grizzly Bear
Saturday • Twin Peaks • 6:50 p.m.

One of the toughest decisions of the weekend was choosing the electricity of Karen O and Yeah Yeah Yeahs or the tightness of the well-toured Grizzly Bear. Well, everyone won in their respective choices, but Grizzly Bear’s growing crowd demonstrated that these Warp label, psych-folk rockers are more than capable of stepping up to the festival plate and knocking one out of the park, so to say. Shields was well represented on this final tour stop, after 105 shows on the road behind the release. The vocal interplay is one of their strongest suits as the responsibilities are well shared over their contagious take on the rising avant-rock sound. -KQ


The Mother Hips
Saturday • Panhandle Stage • 6:05 p.m.

Organizers of the festival always strive to showcase local Northern California acts, young and old, and this year, Chico’s own legendary act, the Mother Hips, brought their defining take on California rock and roll sound to the under-appreciated Panhandle Stage. “Toughie” opened this set before launching into “White Falcon Fuzz”, which showcased the raw, vibrant sounds of Tim Bluhm and the band. Though few were in attendance, at least a couple of patrons had to have been won over by the soul-drenched psychedelia that these vets bring every time they grace a stage. -KQ


Jurassic-5-Mike-FrashPhoto by Mike Frash

Jurassic 5 ~ TOP SET
Saturday • Land’s End Stage • 5 p.m.

Los Angeles hip hop ambassadors Jurassic 5 took the Land’s End stage to a BIG midday crowd, especially for a hip hop act at a primarily indie rock & electronic festival, which is a testament to their crossover appeal and lasting legacy. Maybe this demonstrates how hungry the people are for more hip hop and rap. The best part of the set went down when Cut Chemist scratched with a turntable guitar strapped to his chest while DJ Nu-Mark elicited sounds from the ridiculously large turntable set up square in the middle of the stage. This collective, allegedly in the midst of a ‘reunion tour’, has most definitely honed their act since Coachella, and festival-goers ate up every minute, following commands as if in a massive yoga class. –SL


Baauer
Saturday • Twin Peaks • 5:15 p.m.

Is the “Harlem Shake” dead? Yeah, but that still doesn’t mean that we can’t get thoroughly down to the bass-heavy set of this “Rookie/One-Hit-Wonder of the Year” candidate that goes by the name of Baauer. His take on Outkast’s “B.O.B” beckoned back to Big Boi’s triumphant set from last year’s Outside Lands, while simultaneously making asses shake and hands fly skyward in ecstasy. Much like Coachella, a youthful cult of EDM lovers are ever-present at any, and every, set that pulsated bass and catered to that beloved phenomena known as “the drop”. And surprisingly, the crowd kind of shrugged when his virally ubiquitous anthem was played, go figure. -KQ


Bombino
Saturday • Panhandle Stage • 4:30 p.m.

The energy Omara “Bombino” Moctar and his band Bombino exhibit while performing is the first thing that is noticeable. They are constantly moving, dancing — vibing to their own music. When a group creates good music, this physical ‘being in the moment’ presence is an effective way to draw the audience into your world, and this tactic worked for Bombino (both the man and the band) in Golden Gate Park. The group stays true to their African roots through their politically anthemic music, and they rock their Tuareg garb with pride, showcasing their culture on the road as the buzz grows with each performance. After seeing them at Outside Lands, it makes sense — they left it all on the Panhandle Stage, pouring their hearts into each song. -MF


Young-The-Giant-PatPhoto by Pat Tyrrell

Young the Giant
Saturday • Land’s End Stage • 3:40 p.m.

Sameer Gadhia is one helluva a front man, and YTG’s rise from the small stage in Orange County to the big show at events across the world is nothing less than earned. They filled both the Lands Stage and Polo Fields with infectious alterna-indie-pop offerings from their lone self-titled release. Luckily, the group had some new selections they were eager to test on the sizable early afternoon crowd, which seemed to go over well, especially to diehards awaiting new material. Singles “My Body” and “Cough Syrup” obviously received the loudest response, and Sameer’s venture down the center barricade further poured on the feverish energy they thrive on. -KQ


Youth Lagoon ~ TOP SET
Saturday • Twin Peaks Stage • 3:40 p.m.

“Robert De Niro” — Trevor Powers uttered the famous actor’s name casually between songs early in his set. Oddly there wasn’t any other memorable stage banter, just hypnotic renditions of the highlights from Powers’ recent Dropla. Youth Lagoon has always thrived on a sharp aural duality; the contrasting of minimalist, quiet soundscapes for half of a song — then BANG — the blooming, triply explorations are more exciting and create a more impacting memory in the listener. You could call it “post-drop” music. And on the Twin Peaks Stage where dance fans usually got their fix, the bass was body-rattling, forcing the maximal parts of the songs to hit harder than one might expect. Consequently, the crowd mostly obliged with the subtle, quiet parts, allowing “Mute” and “Dropla” to play quite nicely. -MF


Gary Clark Jr.
Saturday • Land’s End Stage • 2:20 p.m.

Gary Clark Jr. simply rips, there is no doubt about it. One should be careful to even consider covering a Jimi Hendrix song, but based on Clark’s rendition of “Third Stone From the Sun”, Jimi is smiling down at a man that is following in his footsteps over 50 years later. Clark floats around the stage with ease, flashing easy smiles then melting faces with his reverberating guitar solos. This was a set where it would be best to be close to the stage (or close to speakers) — the sound was entirely too low in some spots, allowing friendly festival conversations to drown out this 29 year-old legend in the making. “Bright Lights” ended the set per usual, coalescing the large audience into the moment. -MF


Atlas-Genius-PatPhoto by Pat Tyrrell

Atlas Genius
Saturday • Twin Peaks Stage • 2:10 p.m.

Another example of perfect placement, Atlas Genius continued Saturday with pop-centric bliss. Catching what little sunshine the weekend had to offer on the hillside of the Twin Peaks stage, one could view the expectedly young crowd so genuinely stoked to catch this band, and couldn’t help but make you smile. No matter how tired you were of hearing that top forty hit, you were undoubtedly up and dancing when it finally played. Spontaneously starting the morning with a sing-along really was a great way to kick off Saturday on the right foot. –MK


On-The-Rail-TimDAY 3 ~ August 11, 2013

Red Hot Chili Peppers
Sunday • Lands End Stage • 7:45 p.m.

Red Hot Chili Peppers closed out the festival Sunday evening, a slot many thought would be reserved for Sir Paul McCartney when the initial lineup dropped. Whether it was a scheduling conflict or Ranger Dave optimizing his own schedule, the Chili Peppers proved that they were up to the task. In a roughly two hour set, the Chili Peppers were playing with something to prove as they ripped through single after single with fervent intensity. Their energy did not cease for the duration of the show as the band took the audience on a musical journey of one of the most celebrated funk-rock bands in history. Hits like “Under the Bridge”, “Californication”, “Give it Away” & “Around the World” sent off the rock fans happy. After a sand-swept Coachella performance, expectations were not very high, so it’s not shocking that they exceeded them at Outside Lands. They might not be the most relevant bands in today’s musical landscape, but they proved they can still bring the freaky styley when the time is right. -KR


Kaskade ~ TOP SET
Sunday • Twin Peaks Stage • 8:25 p.m.

For those in dire need of one more dance party before the weekend came to a close, alas Ryan Raddon was primed to set the field ablaze with his hard-hitting take on deep-house music. The moist air felt nice as revelers fist-pumped and bounced to a particularly bass-heavy set from the longtime San Francisco resident and torch-bearer for the new American electronic sound which gained immense popularity some years back. A tasteful remix of Lana Del Rey’s “Young and Beautiful” was a highlight, and as 9:35PM ticked closer, many hoped the speakers wouldn’t compromise with dead silence. -KQ


Dillon Francis
Sunday • Panhandle Stage • 7:35 p.m.

Oddly placed at the Panhandle Stage, reminiscent of Wolfgang Gartner last year, there was no way Dilllon Francis wasn’t going to be a rager. Crowds rolled deep to watch this bass heavy set, and in no way did this DJ disappoint. Small stage be damned, Francis killed it, rattling off a consistent set of club bangers and EDM hits. The crowd ate up every second of the eardrum pounding womps, causing many members of the passing crowds to second guess the direction they were headed. The haystacks were packed deep with frottage and pool noodles dancing wildly. –MK


Vampire-Weekend-RyanPhoto by Ryan Shulman

Vampire Weekend ~ TOP SET
Sunday • Lands End Stage • 5:50 p.m.

Perhaps one of the most anticipated sets of the weekend came from one of the biggest bands of the year, Vampire Weekend. The Polo Field was packed as everyone and their mother (Hall and Oates performed before them) wanted a piece of the boys from the North East. Vampire Weekend came out firing contemporary classics “Cousins”, “White Sky” and “Cape Cod Kwassa Kwassa”. Next came the first offerings from their latest record Modern Vampires of the City, “Diane Young” and “Step”. Vampire Weekend dedicated “Step” to Bay Area hip hop legends Souls of Mischief, who were the song’s source of inspiration. Take one listen to Souls of Mischief’s “Step To My Girl” and you will hear the resemblance. During “Oxford Comma”, the camera zoomed in on a sign a fan created that read “I give a f*ck about an Oxford Comma.” Vampire Weekend wound down their set with “Giving Up the Gun” and my personal favorite from the new album “Hannah Hunt”. Two more tracks from their self-titled album concluded the impressive set with “One (Blake’s Got a New Face)” and “Walcott.”

Throughout the performance, the crowd was equally enamored with the older classics as they were with the new material. Vampire Weekend is currently at the top of their game, and their dominance was on full display as they delivered one of the strongest performances of the festival. They may not appear to be enjoying themselves while performing, but open your ears and listen for a moment — you will hear a band in their prime. -KR


A-TrakPhoto by Ryan Shulman

A-Trak
Sunday • Twin Peaks Stage • 5:10 p.m.

Producer, DJ/live mixer extraordinaire A-Trak brought the heat quickly Sunday, feverishly building to sneaky drops that revealed deliciously crunchy beats. The most pleasurable part about taking in Alain Macklovitch live is during transition time, when his scratching abilities deserve close up attention on the video screen. He does it all in a robotic trance; what A-Trak does is on par with what a jazz guitarist does in a blues club or what Ivan Neville did earlier in the day on the main stage — it’s freestyle jamming with pin-point control. After an almost EDM-free Saturday, A-Trak got things going the final day with Duck Sauce’s “Big Bad Wolf” and a raging remix of Kanye West’s “New Slaves”. Fool’s Gold! -MF


Hall-&-Oats-PatPhoto by Pat Tyrrell

Hall and Oates
Sunday • Lands End Stage • 4:20 p.m.

Everyone’s favorite 70’s and 80’s nostalgia act took to Land’s End Stage Sunday afternoon sandwiched between two of today’s most influential acts, Foals and Vampire Weekend. Hall and Oates have been the benefactors of a complete career resurgence despite the fact their only recent album was a Christmas record in 2006. A slow start to their set sent many people to Dawes and A-Trak, but those who stuck around were delighted with classic hits such as “Maneater”, “I Can’t Go for That (No Can Do)” and “Rich Girl”. The corny nostalgia was high, but so were the good times. You can’t ask more from a Sunday afternoon set. -KR


Head-and-The-Heart-Secret---MikePhoto by Mike Frash

The Head and The Heart (Secret Show)
Sunday • Choco Lands’ Hell Brew Review • 3:50 p.m.

The tweet came across at 3:30, which inspired thoughts of Jack White performing a special Choco Lands set last year on Sunday. Reeling off of the amazing Foals set, a quick solo sprint to the Hell Brew Review across from Lamb Lands paid off magnificently. The three mainstays from Head and The Heart emerged on the tiny vaudeville stage for a hushed acoustic set, which included their new song “Shake”. Then crowd-pleaser “Lost In My Mind” took center stage when Josiah Johnson asked the close proximity crowd mid song, “Does anyone want to come help sing with us up here?” The stage was quickly at maximum capacity, a couple drunk goofballs stood in front of the performers, and someone managed to pull the plug, ceasing all speaker sound. This only made the sing-along more essential, especially for a song that already relies heavily on community spirit. -MF


Foals-by-Ryan-ShulmanPhoto by Ryan Shulman

Foals ~ TOP SET
Sunday • Land’s End Stage • 2:50 p.m.

Front man Yannis Philippakis walks around with purpose, like he has a chip on his shoulder – something to prove. Maybe it’s hard to go from headliner back home in the UK, then play broad daylight performances in the US like they did at Outside Lands. Philippakis and lead guitarist Jimmy Smith are doing everything they can do to catch the US up to them as Foals gain more traction and success each week. The Polo Field was pretty packed as “Prelude” began, and once Smith appeared ripping on lead guitar, pure fire ensued. Foals purvey cutting edge rock – their so called “Math Rock” deals heavily in progressive time chord changes, while emphasizing the offbeat ‘ones’ and ‘threes’ in melodies that mimic rhythm. Absolute rager “Milk & Black Spiders” finished out the all-too short hour in manic fashion – come back to the Bay soon Foals for a proper show please. -MF


Kurt Vile and the Violators ~ TOP SET
Sunday • Sutro Stage • 2:30 p.m.

Sunday’s weather left a little to be desired, but that didn’t deter the throngs from arriving a bit early for the likes of Kurt Vile. This seasonal festival veteran’s breezy sound lent perfectly to the tepid atmosphere thick with “San Francisco cigarette” plumes. Nodding heads were rewarded with classics like “Freak Train” and newer offerings, “Wakin’ on a Pretty Daze” and “Girl Named Alex”. Some monitor issues didn’t slow the already laid back pace of the band, even when Foals’ sound started to bleed into Lindley Meadow. -KQ


Rudimental
Sunday • Twin Peaks Stage • 2:05 p.m.

An unexpected highlight on this year’s bill, this mash up of blues, rock, funk and soul with DNB percussion was legit. A lively and large band fronted by two modelesque vocalists (knock off Fergie included), the group is accompanied by an assortment of horns, drums, piano, guitar and a live DJ. Rudimental pumped up the crowd for a positively charged last day, and they proved to be an act worth seeing at any venue – whether you’re looking to start a party or keep the fire burning at the end of a festival weekend. –MK


Fishbone-RyanPhoto by Ryan Shulman

Fishbone
Sunday • Land’s End Stage • 1:30 p.m.

Fishbone rocked out Sunday afternoon with their ska/punk-rock hybrid sound. Angelo Moore, aka Dr. Madd Vibes, pumped crowd the crowd up with his high energy vocals and stage banter. Not only did Moore and audience members crowd surf during their fifty-minute set, but Moore introduced “Flying Jay”, clad in a red cape, the ultimate crowd-surfing trombone player. Moore also encouraged a mosh pit during their Sublime cover, “Date Rape”. Highlights included “Party at Ground Zero” and “Everyday Sunshine”, when Moore tried to solicit the sun to come out…the fog won. –DS


Ivan Neville’s Dumpstaphunk
Sunday • Land’s End Stage • 12:10 p.m.

The Sunday morning main stage “Gospel Slot” was appropriately given to Ivan Neville’s (and NOLA’s) Dumpstaphunk — where two bassists and double-bass drum work got booties shaken’ early. Original Neville Brother Ivan asked the crowd if we had been to New Orleans, and when we’d be going back — you’ve gotta love how musicians are the best sellers of tourism for the Crescent City. “Meanwhile…”, a song about still having a good time in post-Katrina NOLA, showcased the spirit of New Orleans perfectly. “You might as well have yourself a good time…there might not be a next time” — a refrain that glows longer then the verses that detail political corruption and violence. It may all read as a didactic song for the TV show Treme, but no one deals with hardship better than New Orleans, led by the “can’t stop, won’t stop” musicians that call the city home. -MF


Polo-Field-3-Tim

Beer Lands!

In only it’s second year onsite, Beer Lands has become a popular meeting spot, and, obviously, the place for the best local suds this region has to offer. An upgraded location in the Polo Fields, as opposed to tucked in the back of Lindley Meadow, made this spot even more popular and viable for social get-togethers. Doing away with the $1 ‘tickets’ as opposed to cash and card was a relief to those who would rather opt to not drink Heineken all day and night. Sierra Nevada offered a fragrant, herbal Saison exclusive to Outside Lands. Anchor Brewing brought their popular new California Lager and debuted an Autumn Maple Red Ale that was a tasty treat to those paying attention to the constantly rotating cast of taps. Drakes 1500 Pale Ale was this writers beverage of choice, but honestly, there were no losers in the bunch, and many look forward to this addition every year. Bottoms up. -KQ

Twin-Peaks-Scene-Tim

We didn’t catch them all this year! We missed Chromatics, The Tallest Man on Earth and Daughter — amongst others. What were your favorite shows at Outside Lands 2013?

Torch us in the “Comments” section below.

2013 Outside Lands schedule announced!

Outside LandsPhotos by Mark Fong // Written by Mike Frash //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 9th-11th, 2013 //

The schedule has been released for the completely sold-out 2013 Outside Lands Music Festival, meaning the schedule conflict stress has already begun. Some folks have the misplaced assumption that they can see half, or even most of the artists on the OSL bill. They are wrong. With four stages and long walks from Lands End/Sutro to Twin Peaks/Panhandle (and back), you won’t see more than 1/4 of the performers on any given day.

So, now it’s time to start dealing with this first-world festival problem by making some tough choices. But remember, you don’t have to commit! Sometimes it’s best to choose shows while at the fest based on your mood.

Here are the biggest conflicts we see on the schedule — along with the sets we are most likely to attend in bold.

OutsideLands
FRIDAY SCHEDULE // AUGUST 9th

Paul McCartney vs. Yeasayer, Chromatics & Pretty Lights
*Macca has a two-hour, 45-minute set!

The National vs. Rhye vs. Zedd vs. Stanton Warriors
• Band of Horses vs. Jessie Ware vs. Twenty One Pilots vs.
• Surfer Blood vs. Wild Belle vs. Jeffrey Ross
Smith Westerns vs. Midi Matilda

OutsideLands
SATURDAY SCHEDULE // AUGUST 10th

Nine Inch Nails vs. Phoenix

Yeah Yeah Yeahs vs. The Head & the Heart vs. Grizzly Bear
Jurassic 5 vs. Thao & The Get Down Stay Down vs. Baauer
• Young the Giant vs. Youth Lagoon
Gary Glark Jr. vs. Milo Greene vs. Atlas Genius

OutsideLands1
SUNDAY SCHEDULE // AUGUST 11th

• Red Hot Chilli Peppers vs. Dillon Francis, Kaskade

Vampire Weekend vs. Willie Nelson & Family vs. Matt & Kim vs. MS MR
• Dawes vs. A-Trak
Hall & Oates vs. Trombone Shorty vs. King Tuff
*4:20 Hall & Oats set. Just sayin’
Foals vs. Kurt Vile & The Violators vs. Deap Vally
*Winner of worst conflict: Foals vs. Kurt Vile


Check out our previous Outside Lands articles:
Outside Lands 2013 Beer/Artist Pairings
Outside Lands 2013: Ten sets not to miss
Outside Lands Music Festival Lineup 2013: Rumors vs. Reality

OutsideLands2

Outside Lands 2013: 10 sets not to miss

Outside-Lands-2013

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 9th-11th, 2013 //

UPDATE: The Outside Lands schedule has been announced. Check out these conflicts.

The Outside Lands lineup for 2013 has been unleashed, and it’s as strong as ever. We made our predictions, and they were pretty good, but now it’s time to take a look at the sets that peak our interest most.

There are so many incredible artists not listed below, including Yeah Yeah Yeahs, Grizzly Bear, Yeasayer, Kurt Vile and A-Trak. But with so many great acts to see (and we’re not even including the comedy tent, the Heineken Dome, late-night shows around SF or possible pop-up shows), it’s good to get an idea of which sets you will want to see, as conflicts will happen. Here are ten sets we’re looking forward to.

Follow our Outside Lands 2013 playlist on Spotify, featuring three tracks from each artist.

Paul McCartney

Were you one to pass up on Stevie Wonder last year for Skrillex? Then this does not matter to you. The ‘law of legend’ applies here — you don’t pass on a set by a member of The Beatles, with the exception of Ringo. Even then you probably should pick a Ringo set. I like dance music plenty, and often an EDM show can be the single most fun thing you can do at a music festival. It’s just not an option here, not for Kaskade or Pretty Lights — have an after-party at your apartment after the festival to make up for it and piss off your neighbors. Paul’s son James will also perform, so look for a father-son collaboration and other special guests. Macca would be an ideal Sunday closing set, but look for Sir Paul to play Friday or Saturday since he has dates scheduled in Canada the Monday through Wednesday after Outside Lands. -MF


Nine Inch Nails

Trent Reznor just cannot slow down. It’s a simple musical fact. Whether it’s winning Academy Awards for the “Social Network” soundtrack or forming a new band with his wife, he never lets up and he has totally reconfigured the 90’s industrial-rock staple that we have grown to love. With Adrian Belew of King Crimson fame playing guitar on NIN’s latest studio effort Hesitation Marks, songs are sure to take on a new identity, which seems to be what Reznor is going for. Add in Josh Eustis of now-defunct Telefon Tel Aviv, and this latest lineup that Reznor has put together is sure to excite the masses in Golden Gate Park. -KQ

UPDATE 5/15: Bassist Eric Avery has decided to quit the band.


Vampire Weekend

Vampire Weekend has gone from “skip” to “must-see” at Outside Lands with the release of their new album Modern Vampires Of The City, and what a gem it is. It’s convinced me not to skip them this year, unless they are up against personal bucket-lister Sir Paul McCartney. Their live act was beginning to feel stale, but the introduction of inspired new material with improved songwriting makes this Outside Lands set one not to miss. Do yourself a favor – check out Vampire Weekend and their new songs live. -KR


D’Angelo

The R&B genius is back at it after a multiyear hiatus, and this return has been slow and seemingly calculated, making one wonder if an album isn’t too far behind. His recent shows in NYC were widely hailed for their simplicity in intstrumentation, anchored by D’Angelo’s smooth vocals and a mix of old favorites, new offerings and choice covers. One cannot deny the brilliance of albums like VooDoo and Brown Sugar, and though it’s a name from the past for many, he is an artist with a rising stock. -KQ


The National

The nuanced, somber music created by The National is not for everyone, but those who are into The National love them, and for good reason. The knock-you-down then build-you up songwriting structure the Brooklyn-based indie group uses is contemplative yet comforting, and their show setlists include songs from their extensive catalogue. The National’s sixth LP will be available May 21, and you can stream it now (and it’s pretty damn good). The Pro-move here will be ditching a larger group to slinky up to the front of the main stage with a few like-minded friends, as proximity will be key – you’ll want to be closer to swooning super-fans with their hand over their heart as opposed to loud drunk chick inadvertently chatting into your ear during the quiet parts. The National will be performing in Los Angeles Saturday and Sunday, so plan on seeing them Friday. -MF


The Tallest Man on Earth

Kristian Matsson’s one-man show as The Tallest Man on Earth is a bit of a surprise on the bill. The Swedish singer-songwriter is not scheduled to play any other shows in the US after Bonnaroo summer, so San Francisco seems to be getting a one-off treat in August. He’s tenacious on stage, whipping around like a cobra ready to strike at critical moments for added emphasis. Matsson’s gritty, passionate vocals can be hynotic, and The Tallest Man should help music fans float away at the main stage with a mid-afternoon time slot. -MF


Foals

Already approaching headliner status across the pond, these English rockers produce indie dance-punk that that runs the emotional gamut, from mysterious wall-of-sound ragers (“Inhaler”) to upbeat, rock-your-socks-off party anthems (“My Number”). No matter where the music takes you sonically, it’s pretty impossible to not dance, or at least gyrate when seeing this act live. Their set at Coachella was a top set of the weekend, and word is spreading about their third LP Holy Fire – it’s one of the best records of 2013 so far. Foals are performing in Los Angeles on August 9th, so plan on catching them Saturday or Sunday (and hopefully at a late-night show, fingers crossed). -MF


Gary Clark Jr.

This hard-rocking blues guitarist has been making waves for the past year or two, and is on a meteoric quest to the top. Whether he is sitting in with the Stones in NYC or for the President at the White House, Clark can’t stop turning heads and taking names with his virtuosic guitar chops. Much like Alabama Shakes last year, the popularity of this act lies in a modern spin on Southern music and its palpability to many age groups. Fans of the blues are sure to be pleased as Clark weaves that genre into other styles, creating something fully unique. -KQ


Chromatics

The shimmering beauty from the Chromatics will shower upon Golden Gate Park as they continue to tour on the strength of their 2012 LP Kill for Love. Ruth Radelet’s angelic-cool voice breezes over minimalist noir-electro disco, and their live performance can be serious, sexy and danceable all the same time. Chromatics are one of the only acts in synth-pop territory this year at Outside Lands, so plan on seeing this foursome if you’re a fan of the Drive soundtrack (they were in it). -MF


Atlas Genius

Is Atlas Genius the Foster the People of 2013? When one hears the slickness of summer-tinged track “Trojans,” it’s pretty clear that it’s a strong contender for ‘Song of the Summer.’ One could even dub them part of the ‘Australian Invasion’ over the past few years alongside the likes of Tame Impala, Cut Copy and Empire of the Sun, all heralded acts that Atlas Genius will inevitably be compared to. When It Was Now will certainly fuel their massive summer schedule of festivals galore and loads more radio airplay. -KQ


New Music Tuesday: Nick Cave and the Bad Seeds • Atlas Genius • STRFKR • Beach Fossils • Jamie Lidell • Iceage • Mark Kozelek • Matmos

Nick Cave and the Bad Seeds - Push the Sky Away

Every Tuesday, we focus on new music releases by naming our top tracks, album highlights, lowlights and important takeaways for select albums.


Nick Cave and the Bad SeedsPush the Sky Away

2-BamsTop Tracks:
“Higgs Boson Blues”
“We No Who U R”
“Waters Edge”

Album Highlights: Nick Cave sets his dark tone right away with the haunting opener “We No Who U R.” The song, and really the whole album has very little guitar work, but instead focuses on percussion, violin, and Caves’ uncanny lyrics. In “Higgs Boson Blues,” Cave sings about how “Miley Cyrus floats in a swimming pool in Toluca Lake”, and there are plenty of gems like that throughout the album.

Album Lowlight: Nick Cave was definitely not making a rock ‘n’ roll album this time around, and that’s fine, but it barely changes tempo and didn’t captivate me until the second to last song “Higgs Boson Blues.”

Takeaway: One of Caves’ main themes is water, and the song “Mermaids” gives a sense of the whole album in one track. It references many different types of water and captures the overall feel of love and despair between a man and this mermaid. This is a borderline concept album that is very dark and lyric-heavy. This record would play nicely with headphones on in a dark room, but I wouldn’t play this on a sunny Saturday.

~Pete Mauch


Atlas GeniusWhen It Was Now

3-BamsTop Tracks:
“Back Seat”
“Trojans”
“Symptoms”

Album Highlights: It is no surprise that “Trojans” would be the lead single of the album, as Atlas Genius has impeccably crafted a pop gem. A subtly sexy radio friendly hit, the song is infectious and will have you singing and clapping along from first listen. As a bona fide plan B, the track is strong enough to keep Atlas Genius relevant on the one-hit wonder circuit at least for years to come. Although, “Back Seat” will most likely prevent Atlas Genius from the one and done career.

Album Lowlight: An awkward departure from the New Wave sound of the rest of the album, the acoustic guitar-driven track “Through the Glass” gets muffled amongst the excess production as the band tries to blend the song’s elements into cohesion. The lyrical structure is off beat, trying to figure out its place within the composition’s confusion, and the meaning is lost amongst the noise.

Takeaway: “When It Was Now” is most exemplary of what Atlas Genius is capable of creating. The album definitely came off as a debut, full of potential stabs at mainstream airplay. The talent is there, and “When It Was Now” best dictates their strongest songwriting technique, and the direction their sophomore effort will most likely head toward.

~Molly Kish


STRFKRMiracle Mile

3-BamsTop Tracks:
“While I’m Alive”
“I Don’t Want to See”
”Leave It All Behind”

Album Highlights: STRFKR gets funky on its opening track “While I’m Alive”. Still tying in their signature Casio dance beats, they throw it back a couple generations with thumping bass lines, harmonizing falsettos and disco laden guitar riffs. Branching out from their standard indie rock formula, the boys embrace several different approaches to create a successful pop album. “While I’m Alive” opens their most ambitious effort to date with a pulsating hit ready for any dance floor.

Album Lowlight: Except for the lyrical mention of the album’s title, “Fortune’s Fool” serves little to no significance on the album. The track isn’t cohesive with the album’s composition or STRFKR’s overall sound. Furthermore, it is an awkward track that causes a division between the album’s experimental first half and more pop-centric second act.

Takeaway: Effortlessly segueing out of “Golden Light”, “Nite Rite” keeps you lingering for an entertaining seven-minute journey to the close out the album. More of prolonged jam than the typical STRFKR crafted track, the band plays with a mélange of audio effects accompanying a steady bass line, drum beat and tension building breaks. The effect is a wall of sound destined to stun in the capacity of a live show.

~Molly Kish


Beach FossilsClash the Truth

3-BamsTop Tracks:
“Careless”
“Shallow”
“Crashed Out”

Album Highlights: It’s another decent slice of shoegazing pop from Dustin Payseur and company, perfect for a rainy day inside or a sunny drive down the coast. Personnel changes marred the band in the past year, so the fact that Payseur soldiered on shows great dedication to this act, even while it splintered. Songs like “Burn You Down” demonstrate their knack for a precious sound that one can easily get lost in.

The inclusion of singer Kazu Makino on the song “Vertigo” is a pleasant surprise, as the absence of Zachary Cole Smith displays the lack of melody that was a key part of this group in previous years.

Album Lowlight: Honestly, for the amount of time taken since the release of their heralded self-titled release some three years ago, this album falls a little flat. Maybe it was that many other similar bands like Wild Nothing and Real Estate released solid sophomore efforts well before Beach Fossils did. Maybe the departure of Zachary Cole Smith to form DIIV put a crutch in the writing and recording process of Beach Fossils.

Takeaway:Fans of this band will enjoy this listen, but likely still go to previous releases more often than this effort. Sometimes great stretches of time between recording can muddle the writing process, and this may be the case for Clash the Truth.

~Kevin Quandt


IceageYou’re Nothing

4-BamsTop Tracks:
“Ecstacy”
“Morals”
“Wounded Hearts”

Album Highlights: The follow-up to 2011’s New Brigade does not disappoint, full of blistering angst-ridden Danish post-punk in all it’s youthful glory. Songs like “Everything Drifts” showcase a more musical focus with clearer sounding vocals by Elias Rønnenfelt and more in depth guitar chords. The blistering thrash of their debut has made way for a fuller, dare I say more mature sound overall. There is also a sonic richness which is more prevalent on their Matador label debut.

Lyrics have not deviated much from the societal gloom these young-ins have demonstrated on “Ecstasy”: “But bliss is momentary anyhow / Yet worth living for — take me now”.

Album Lowlights: Fans who prefer the more thrashed-out side of this band may grumble at it taking a more commercial, emotive direction, comparatively. Yes, this album comes across as less detached than the previous, but it’s with this growth that the excitement is bred. You’re Nothing is still a rough-edged album, but this new depth will please many as they make their way to comparisons of Black Flag and Fugazi.

Takeaway: How awesome is it that a bunch of Danish teenagers are the face and sound of some of the more progressive punk and hardcore in the past few years? And with their first release on Matador, they’re showing that with a few extra resources, they can bring their game to the next level while not compromising their integrity.

~Kevin Quandt


Jamie LidellJamie Lidell

3-BamsTop Tracks:
“Do Yourself a Faver”
“Blaming Something”
“So Cold”

Album Highlights: Jamie Lidell’s self-titled release is funky and soulful, yet takes a couple listens to grow on you. His first album since 2010, Lidell’s 2013 offering has an interesting flair. Most of this record sounds like a 21st century funk-infused disco that Prince commissioned to write for the Ghostbusters III soundtrack. It combines elements of 80’s R&B funk with contemporary elements of dubstep without getting too “wobbly.”

Fans of Lidell might be displeased with this departure, as electronic pop dominates over his signature soulful sound.

Album Lowlight: Jamie Lidell is at his best when he is channeling his inner Prince. (Aren’t we all?) Unfortunately, that channel breaks signal several times throughout the album, slowing down the upbeat pace of most of the songs. It’s a shame that the first single from the record is “What A Shame,” one of the weakest tracks on the record, in my opinion.

Takeaway: This album definitely has it’s moments, and for the most part, it is a very soulful funktronica album. The highlights outweigh the lowlights, which are sprinkled in just enough to cause this album to fall short of greatness.

~Kevin Raos


Mark KozelekLike Rats

4-BamsTop Tracks:
“Free for All” by Ted Nugent
“Silly Girl” by Descendents
“Carpet Crawlers” by Genesis

Album Highlights: Mark Kozelek continues with the tone that made his 2012 record as Sun Kil Moon Among the Leaves such a success. Kozelek’s hypnotic acoustic guitar repetitions and soft baritone voice combine to strike emotional depth unmatched by most contemporary artists. And with Like Rats, Kozelek takes a diverse collection of tracks from other artists to create a record that completely transforms the songs into Kozelek’s wheelhouse — moaning sentiments of self-reflection and loathing “what could have been” feelings.

Album Lowlight: My personal lowlight is just realizing I missed Kozelek on Sunday evening at Great American Music Hall in San Francisco by one day, but seriously, this guy can do no wrong as far as I’m concerned. His songs grow on you easily if you let them, and even the dark cover of “I Killed Mommy” by Dayglo Abortions works well enough, assuming you like tales of killing your family members.

Takeaway: Mark Kozelek, the prodigious singer songwriter also known as Sun Kil Moon, has embarked on a record featuring covers from other artists. The attempts at covers are wide-ranging and mostly successful; how many singer-songwriters could nail covers by Ted Nugent, Descendents and Genesis in one album? It’s worth a listen or two, but it’s hard to give Kozelek full credit since he is such an accomplished songwriter.

~Mike Frash


MatmosThe Marriage of True Mind

3.5-BamsTop Tracks:
“Tunnel”
“Mental Radio”
“Teen Paranormal Romance”

Album Highlights: Electronic duo Matmos run the gamut of music genres with The Marriage of True Mind, and it somehow does it successfully without any obvious unified theme, other than vocalizing its love of “Triangles.” This record has influences in deep house music, jazz, blues, space glitch and everything in between. “Tunnel” builds tension with a growing chorus of bees and alarm sounds — and it starts as a jungle-influenced world music track but progresses to spoken word over didgeridoo that builds to a cacophony of sound, ultimately breaking to an outro release that finishes with a hacking-bong rip cough. It’s a busy track and record, but triumphs like “Tunnel” make this LP addictive.

Album Lowlight: Attempts at Amon Tobin-like ambient space jams in “Ross Transcript” put forth a good effort but work better as a transition as opposed to a listenable song.

Takeaway: The Marriage of True Mind is a crazy blast of noise mixtures. It is experimental in nature and not beholden to any one sound aesthetic. It feels like one long jam, as if the idea of making individual songs didn’t cross the creator’s minds. It works as a cinematic soundtrack, and it is fun to see Matmos toy with genre-mixing. This LP’s obsession with the triangle, combined with alt-J’s geometric dogmatic worship of the shape, shows that triangles are so hot right now.

Matmos is not afraid to fuck with any sound, and the record contrasts light and dark tones, as well as mellow beats and intense builds.

~Mike Frash