The Bam Team’s 5 Favorite Shows, Albums & Songs of 2018

David Byrne at Bill Graham Civic Auditorium


David Byrne at Bill Graham Civic Auditorium // Showbams’ Photo of the Year, by Tim O’Shea

We have to be honest: 2018 was kind of a weird year for music. Sure, there were some major highlights — many of them listed below, in fact — but we also saw a serious changing of the guard. The decline of mainstream rock and the continued rise of hip-hop, R&B and pop was more noticeable than ever, from this year’s Coachella lineup to the cancellation of FYF Fest, making us wonder what the next twist or turn will be for the industry now that the demand for EDM has started to cool off following its boom circa 2012. That said, we still listened to a lot of new albums and caught plenty of concerts over the last 12 months, and it’s once again time for us to share our annual “Best of” lists, much like we have done over the past several years (see our 2017 picks here).

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2018.

See our favorite performances from 2018 here.

Listen to The Bam Team’s favorite songs of 2018:


Jamiroquai at Coachella 2018


Jamiroquai at Coachella 2018 // Photo courtesy of Coachella

Josh Herwitt // Los Angeles

Top 5 Shows of 2018
1. Queens of the Stone Age at The Forum – Inglewood, CA – February 17th
Just more than two months after his infamous assault on a photographer at The Forum for KROQ’s Almost Acoustic Christmas, Queens of the Stone Age leader Josh Homme made his return to the LA arena for a proper, sold-out affair with UK rock duo Royal Blood delivering what proved to be a headbanging opening set. From there, it only got better as Homme and the boys dazzled with a headlining performance that even included Villains producer Mark Ronson sitting in for most of the five-song encore and the band’s live debut of its “Goodbye Yellow Brick Road” cover. You can bet Elton John, whom Homme actually collaborated with during the writing and recording of QOTSA’s sixth album …Like Clockwork, would have been proud. I always know when I’ve seen a good rock ‘n’ roll show because my neck will be sore the following day, but after this one, it was sore for the next three days. Ouch.

2. Nine Inch Nails at Hollywood Palladium – Los Angeles, CA – December 12th, 14th-15th
3. Jamiroquai at Coachella, Weekend 1 – Indio, CA – April 13th
4. David Byrne at Santa Barbara Bowl – Santa Barbara, CA – August 24th
5. Foo Fighters/Nirvana reunion at Cal Jam 18 – San Bernadino, CA – October 6th

Top 5 Albums of 2018
1. Jungle – For Ever
Unlike previous years, picking a favorite album in 2018 wasn’t quite as easy for me. I’ll admit that I didn’t hear every one that was released this year, but I listened to a lot of them. So, call me boring and short-sighted if you like, but nothing totally knocked my socks off. After much deliberation, it was Jungle’s sophomore LP For Ever that stood the test of time for me (no pun intended). The English soul collective’s follow-up to its 2014 self-titled debut doesn’t veer off in a completely different direction from what came before, but it still moves the sonic needle forward enough. After two full lengths, Jungle have shown a knack for writing catchy, dance-fueled tunes that transport you to a different time and place — even if it’s only for a three- or four-minute stretch.

2. Khruangbin – Con Todo El Mundo
3. Arctic Monkeys – Tranquility Base Hotel & Casino
4. Kamasi Washington – Heaven and Earth
5. Big Red Machine – Big Red Machine

Top 5 Songs of 2018
1. Nine Inch Nails – “Over and Out”
When I first listened to Bad Witch, I immediately knew this one was my favorite track on the album. But hearing it performed live on the final night of NIN’s “Cold and Black and Infinite” North American tour sealed it for top honors in 2018. Layering a brooding, yet funky bass line on top of a glitchy, experimental beat, Trent Reznor shows that he isn’t just playing it safe and merely saving his creativity for scoring films with bandmate and longtime collaborator Atticus Ross. You can tell Reznor had his late friend David Bowie in mind when he wrote the song too as he conjures up an even deeper baritone from behind the microphone than the one we have come to know over the last 30 years.

2. Childish Gambino – “This Is America”
3. Jungle – “Heavy, California”
4. Wild Nothing – “Partners in Motion”
5. The Raconteurs – “Now That You’re Gone”


Richard Russell - Everything Is Recorded

Molly Kish // San Francisco

Top 5 Shows of 2018
1. David Byrne at Fox Theater Oakland – Oakland, CA – August 16th
In support of his seventh solo album American Utopia, musical virtuoso David Byrne hit the road for one of this year’s most creative and ambitious tours. Over more than 150 dates that spanned the entire globe, the 66-year-old delivered Broadway-caliber performances with a traveling 11-piece band that served as a traveling retrospective of his solo and collaborative work. Meanwhile, the tour also doubled as a platform for him to deliver his “Reasons to Be Cheerful” manifestos on civic engagement, climate/energy, culture, economics, education, health, science/technology and urban transportation. He partnered with HeadCount while encouraging audiences every night to engage in public discourse through social media and their own personal stories on his website. And as a result, Byrne elevated the concert-going experience into more of an interactive, performance-art space that his fans became a living, breathing part of.

2. Young Fathers at The Independent – San Francisco, CA – November 10th
3. Erykah Badu & Thundercat at The Armory – San Francisco, CA – February 14th
4. Beck at The Independent – San Francisco, CA – August 8th
5. LCD Soundsystem with TV on the Radio at Greek Theatre Berkeley – Berkeley, CA – April 27th-28th

Top 5 Albums of 2018
1. Richard Russell – Everything Is Recorded by Richard Russell
A multi-artist project released as the debut album of XL Recordings founder Richard Russell, Everything Is Recorded is collaborative effort representing the ties between past and present sounds currently shaping the framework of hip-hop, funk and soul. Featuring collaborations with Sampha, Kamasi Washington, Syd, Damon Albarn, Peter Gabriel, Ibeyi, Obongjayar and more, the album also plays as the soundtrack to a 30-minute film, which documents the time each spent in the studio during its conception and is interspliced with archival footage of Gil Scott-Heron and Curtis Mayfield. With its underlying themes of loss and isolation, Everything Is Recorded effectively communicates Russell’s emotional journey as he battles a debilitating autoimmune disease in hope of finding salvation through the shared experience of creating a beautifully mastered piece of art.

2. George Fitzgerald – All That Must Be
3. Pusha T – DAYTONA
4. Robyn – Honey
5. Khruangbin – Con Todo El Mundo

Top 5 Songs of 2018
1. Childish Gambino – “This Is America”
If any song embodied the insanity and collective discontent of 2018, it was definitely Childish Gambino’s epic single “This Is America”. The juxtaposition of an a cappella choir leading into Donald Glover’s soft crooning over island beats and drum samples before staunchly diverting to a menacing base line reminiscent of 90’s gangster rap — as well as the hortative delivery of degrading lyrics about the current state of violence and American ideals — is near-perfect. Of course, the provocative music video that accompanied the track’s surprise release during his “Saturday Night Live” debut was incredible. The song, lyrics, video and marketing campaign could not have been a more flawless “slice of life” reflection of modern American society and justifiably has boomeranged into probably the most important moment of Childish Gambino’s career so far.

2. The Presets – “Downtown Shutdown”
3. Jon Hopkins – “Everything Connected”
4. Jungle – “Casio”
5. Parquet Courts – “Wide Awake”


Kevin Quandt // San Francisco

Top 5 Shows of 2018
1. David Byrne at Jazzfest – New Orleans, LA – April 29th
You know what they say: the first time is always the best. With David Byrne’s 2018 “American Utopia Tour” being universally acclaimed as one of the most enigmatic live shows of the year, it’s not surprising to see it top other “Best of” lists. Byrne and his merry band of “unplugged” pranksters created a feast for the eyes and ears, and his daytime set on the Gentilly Stage did not disappoint at all. While his Fox Theater Oakland shows were more intimate and featured some more dynamic lighting features, his performance at Jazzfest back in April was the most memorable for NOLA revelers.

2. Jamiroquai at Bill Graham Civic Auditorium – San Francisco, CA – April 17th
3. Polo & Pan at The Independent – San Francisco, CA – June 20th
4. Nine Inch Nails at Bill Graham Civic Auditorium – San Francisco, CA – December 4th
5. Rolling Blackouts Coastal Fever at Primavera Sound – Barcelona, Spain – June 2nd

Top 5 Albums of 2018
1. Khruangbin – Con Todo El Mundo
What a banner year for this Texas trio! Khruangbin have been on a steady rise the past few years as they turn on the masses to their infectious amalgamation of psychedelic soul, Thai surf rock and subtle funk. Having cemented their reputation as beasts in a live setting, Con Todo El Mundo proved their knack for penning tunes of equal strength with its emotive first single “Friday Morning” serving as a clear standout. “Evan Finds the Third Room” has also become a fan favorite, and the accompanying music video only lends to its growing charm. The sky’s the limit for Laura, Mark and DJ, so grab your ticket to fly.

2. Hookworms – Microshift
3. Amen Dunes – Freedom
4. Shame – Songs of Praise
5. Stephen Malkmus and the Jicks – Sparkle Hard

Top 5 Songs of 2018
1. Jonathan Wilson – “Trafalgar Square”
LA producer-turned-frontman Jonathan Wilson churned out one helluva album opener for his third solo LP Rare Birds, as this six-plus-minute romp has all the right pieces for true liftoff. A proper intro leads into a riff so heavy that it’ll break your mama’s back. Top-notch production is key to this track, as Wilson is a wiz behind the boards. As you cruise down the 405 with this whopper blaring, you’d be hard-pressed not to nod along. Extra points for those of you with a 1970’s convertible, too.

2. Tom Misch – “Water Baby” feat. Loyle Carner
3. Childish Gambino – “This Is America”
4. Jonathan Something – “Happy Day”
5. Men I Trust – “Seven”


Shame - Songs of Praise

Andrew Pohl // San Francisco

Top 5 Shows of 2018
1. The Smashing Pumpkins at Oracle Arena – Oakland, CA – August 27th
The Smashing Pumpkins are the quintessential 90’s arena-rock band, and they fully lived up to that billing at Oracle Arena for their Bay Area stop over the summer. I’ve seen them several times over the years, and although this time it was pegged as a “reunion tour” (minus D’Arcy, sigh), you never know what you’re going to get from them. Billy Corgan led the band through over three hours’ worth of material with some killer stage production to go with it. The show was definitely a marathon, but totally worth being there for. It came to light later that Corgan was also fighting off a bad case of food poisoning, but it didn’t show. It was great to see James Iha and Jimmy Chamberlain back onstage, too — the way it should be.

2. Nine Inch Nails at Bill Graham Civic Auditorium – San Francisco, CA – December 3rd
3. Against Me! & Turbonegro at UC Theatre – Berkeley, CA – May 25th
4. Alkaline Trio at The Warfield – San Francisco, CA – October 6th
5. Back To The Beach Festival – Huntington Beach, CA – April 28th-29th

Top 5 Albums of 2018
1. Shame – Songs of Praise
This album hit me like a ton of bricks in the best way. I had heard a ton of hype around Songs of Praise before giving it a first listen, and usually I am a healthy skeptic, but good Lord, does this record rip. It has a dark flavor and carries with it a lot of angst, and you can’t help but get caught up in the hooks that Shame offer. These five lads from South London simply killed it.

2. IDLES – Joy as an Act of Resistance
3. Kamasi Washington – Heaven and Earth
4. Hot Snakes – Jericho Sirens
5. Snail Mail – Lush

Top 5 Songs of 2018
1. Shame – “Concrete”
Conjuring up the ghost of Joy Division’s Ian Curtis without sounding like a complete poser is challenging for newer post-punk bands it seems — except for Shame’s Charlie Steen. Paired with some brilliant instrumentation, I just couldn’t stop listening to “Concrete” when I first heard it. I must have listened to the track a solid 10 times in a row on the first go. This song has an infectious quality to it and is a straight-up ripper.

2. The Soft White Sixties – “I Still Love You, San Francisco”
3. Hot Snakes – “Six Wave Hold-Down”
4. IDLES – “Colossus”
5. The Sword – “Come and Gone”

Showbams_Sticker_Rectangle2

Outside Lands Music Festival 2013: Top Sets

Outside Lands 2013Photos by Tim Hampson (unless otherwise noted) // Written by Mike Frash, Molly Kish, Kevin Quandt, Kevin Raos, Sean Little & Dara Shulman //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 9th-11th, 2013 //

Outside Lands Music and Arts Festival is the ideal adult playground for live music fans — you can chow sardine chips and a Denogginizer from Drake’s while taking in a secret set in Choco Lands. Or maybe you prefer to laugh your face off at The Barbary or dance your ass off in the Heineken Dome. It may be a “walking festival” to some, but Outside Lands is at it’s best when you run. Feet don’t fail me now, use ’em while you got ’em.

San Francisco’s music fest is clearly in a groove now. A free comprehensive webcast was brought back this year, enticing future festival-goers near and far to be super jealous and to start saving money for next year. Beer Lands was moved to a strategically perfect spot opposite the Land’s End Stage on the Polo Field, making a quick stop-off convenient on the way to the next show. And it was cold — duh, it’s August in SF.

For the festival’s sixth incarnation, Outside Lands patrons witnessed the festival’s biggest headliner to date: Paul McCartney.

But Macca wasn’t the only auditory treat at Outside Lands. Here are our top sets from 2013.

Girls-on-Fire-Main-Stage-Tim

Paul-McCartney
DAY 1 ~ August 9, 2013

Paul McCartney ~ TOP SET
Friday • Land’s End Stage • 7:10 p.m.

It doesn’t get a whole lot better than Paul McCartney’s show, honestly, it’s nearly 3 hours of brilliantly competent showmanship, blazingly pleasing song selection and sheer crowd emotion. One highlight was watching Paul become giddy when Kronos Quartet joined him for a masterfully beautiful take on the tender Beatles classic, “Yesterday”. Even in his 70s, Macca keeps his crowds, and likely even himself, on their toes with an ever-changing setlist and bombastic surprises up his sleeve in the form of pyrotechnics during “Live and Let Die.” Selections from Wings were pleasantly received, especially “Band on the Run”. Closing the set, as he normally does, the crowd sang along to the timeless communal song “Hey Jude”. Friends locked arm in arm, and all was right in the world. Young and old were abuzz with the show they had witnessed on the exodus out of the park, whether it was vets finally hearing “Lovely Rita” or first-timers discussing their emotion during “Blackbird”. I mean, hey, it’s not everyday a legend plays your backyard. -KQ


Pretty Lights
Friday • Twin Peaks • 8:40 p.m.

Pretty Lights was the perfect Friday night closer for the Twin Peaks Stage and to oppose Sir Paul. Derek Vincent Smith featured most of his new album A Color Map of the Sun, plus the stand-by favorites remixed just enough on the fly to make them fresh and new. His musical ability is truly amazing, and his vibe was infectious as he’d build huge grooves then dropped them into massive basslines with his trademark soul vocals overlays that catapulted foggy Hellman Hallow to the stratosphere. Smith seemed genuinely happy and it bled into the crowd. By the night’s end, everyone was grooving and giving out high fives. –SL


Yeasayer
Friday • Twin Peaks Stage • 7 p.m.

Pitted against the incomparable Sir Paul at a festival is a spot that most bands would dread to be placed in. If you’re Yeasayer, however, it’s a challenge to be lived up to and utilized to your advantage. Knowing the crowd that evening would be filled with strictly die-hard fans, the boys pulled out all the stops. Playing a fan favorite set that included the most dance-heavy tracks from their entire catalogue, the intimate crowd was whipped into a collective frenzy. The best part — there was plenty of room for everyone to lose themselves in the energy of the moment. –MK


Chic---Eric-ShadenPhoto by Eric Shaden

CHIC featuring Nile Rodgers ~ TOP SET
Friday • Sutro Stage • 6:05 p.m.

The last-minute D’Angelo replacement was a surprise hit Friday evening at the Sutro Stage. Guitarist Nile Rodgers accompanied by a crew of horns and backup singers “le freaked” out the crowd with super funky dance hits. Rodgers expressed to the audience, “Now if this is your first Chic show, I have to make you understand something, you absolutely have to sing and you absolutely have to dance.” No problems there. Highlights include “We Are Family” “I’m Coming Out” and a groovy singalong to Daft Punk’s “Get Lucky” over the PA system after Rodgers had set down his electric guitar. –DS


The-National-PatPhoto by Pat Tyrrell (Cool Dads Rule)

The National
Friday • Land’s End Stage • 5 p.m.

As many learn every August, SF is not known for its stunning summer weather, but sometimes a little haze can add to the emotive release that is Matt Berninger and The National. However, the group lit the stage on fire with their stylish take on moody indie rock, opening with crowd-pleaser “Fake Empire” before fully utilizing Kronos Quartet’s strings on “I Should Live in Salt” and “Demons”, among others. Berninger’s characteristic baritone was strong, though not at it’s best on this day, but his lively mannerisms were in full effect as he paced nervously around on the large Land’s End stage. Once “Mr. November” had begun, it was inevitable that “Terrible Love” would close the set, but a late guest appearance in the form of Bob Weir of the Grateful Dead would truly put an exclamation point on this afternoon set. -KQ


Zedd
Friday • Twin Peaks • 5:25 p.m.

Zedd may not be the best DJ in the world, but his energy is hard to deny. It was the first truly “rager” set of the festival, and you could see people losing their minds all over the place, getting out the pent up energy they had been sitting on all week in anticipation of the Outside Lands. It ended up being a strong set and a lot of fun with hits “In My Mind” and “Clarity” satisfying the masses. –SL


Rhye
Friday • Sutro Stage • 4:45 p.m.

Rhye’s soothing sounds blanketed Lindley Meadow’s Sutro Stage at the midpoint of Day 1. The sun had fallen behind the eucalyptus trees, sprinkling the stage with beams of light — a perfect setting to relax to the peaceful beauty of Rhye. Rhye sounded excellent, delighting the crowd with many tracks from their 2013 debut album Woman. Minimal, yet captivating, Rhye demonstrated superior musical prowess with their performance, led by the delicate vocals of Mike Milosh. Their set was drawing to a close, and instead of squeezing in extras songs the group opted for a long version of the song “Open”. The extended version of the enchanting song highlighted the bands’ improvisational ability. Although very mellow, Rhye put on a magical performance. A must-see act. -KR


The Plump DJs
Friday • The Dome by Heineken • 4 p.m.

There’s nothing quite like an afternoon break-beat set in the Heineken Dome to get the blood moving. British duo, Plump DJs featuring Lee Rous and Andy Gardner, greeted the crowd with smiles on their faces and fists in the air. Although the Dome is slightly different than their usual SF stop, The Mighty in Potrero Hill, they brought their high-energy 2am beats to their Friday 4 p.m. set. Their beat selection was progressive and original; transitions and mixing were flawless as always. –DS


21-Pilots - PatPhoto by Pat Tyrrell

Twenty One Pilots
Friday • Twin Peaks Stage • 3:50 p.m.

Twenty One Pilots might be trying to be cool, and that seemed to be on the mind of Tyler Joseph, as he kept referencing the ‘cool factor’ in a self-depreciating way. But the duo turned the stage antics up to 11, performing backflips off the grand piano, jumping into the crowd, and donning a full ski mask while climbing to the top of the Twin Peaks stage. And ya know, as much as it was Macklemore-esque cheese, the passion and musicianship these two young men exhibited transcended any second thoughts. -MF


Wild-Belle-TimPhoto by Tom Hampson

Wild Belle ~ TOP SET
Friday • Twin Peaks Stage • 2:15 p.m.

Wild Belle has been making a splash since releasing their debut album in early 2013, and they have only been getting bigger. As one of the first acts of the weekend, Wild Belle got the crowd moving in a major way with their psychedelic reggae beats. Comprised of brother-sister duo Elliot and Natalie Bergman, Wild Belle were lucky enough to draw one of the only moments of sunshine the entire weekend. One could say it was the incredible vocals of Natalie Bergman that elicited the sun’s rays. Wild Belle has been progressively adding more pieces to the puzzle throughout their short career, and they unveiled their latest piece during their performance at Outside Lands. The newest addition to their live show is a large “wall of sound” speaker system meant to enhance their live sound, and boy did it sound good. Wild Belle was an unexpected jewel Friday and one of the reasons we go to festivals: to discover new music. -KR


Houndmouth - PatPhoto by Pat Tyrrell

Houndmouth
Friday • Panhandle Stage • 1:30 p.m.

Houndmouth provided a delightful opening to Outside Lands for many on the festival’s smallest stage, which is solar-powered. From the opening line of “Penitentiary”, which references San Francisco, the foursome brought bluesy gospel goodness right into everyone’s faces. With lyrics that seemed rooted in finding one’s self — and sobriety — Katie Toupin’s seductive stage presence and heavenly vocals were downright delightful. -MF


Midi Matilda
Friday • Twin Peaks Stage • 12:45 p.m.

For an early afternoon festival spot, Another Planet booked properly when deciding to put Midi Matilda on the Friday bill. Kicking off what undoubtedly was going to be a long weekend with bang, this percussion-heavy duo immediately got the crowd moving. Rife with dance-heavy beats, an animated stage show and no expense spared on the lights and fog machines, Midi Matilda came out swinging. The most memorable moment occurred when both guys jumped on the drum set during their last song to deliver a joint solo to close out the set. –MK


Mad-Rush-TimDAY 2 ~ August 10, 2013

Nine Inch Nails ~ TOP SET
Saturday • Land’s End Stage • 8:25 p.m.

Like The National, the fog which veiled the Land’s End stage created an aura of dark beauty for serious talent to shine through. Saturday’s headlining set by Trent Reznor and cohorts was one of nostalgia equally coupled with the future possibilities of Nine Inch Nails. Opening with a trio of new tracks that beckons closer to Radiohead and How to Destroy Angels than Pretty Hate Machine era industrial rock Nails, it was evident Reznor didn’t, nor shall he ever, miss a beat with his primary project. “1,000,000” into “March of the Pigs” picked up the energy, and built upon the ever-shifting new stage setup that has been winning accolades the past three banner festival performances (think Stop Making Sense meets Aliens). Though the masses were at Phoenix, the crowd energy was high, especially during “Terrible Lie” and “Closer”. As per usual, “Hurt” left the crowd in an introspective gloom, though their hearts were surely still pounding from the assault that is Nine Inch Nails live. -KQ


Phoenix
Saturday • Twin Peaks • 8:40 p.m.

French indie-rock sensation, Phoenix, rallied the youth with a strong set featuring many songs from their 2009 album Wolfgang Amedeus Phoenix. “Listomania,” “Rome,” and “1901” were just some of the highlights. Front man Thomas Mars was spot on with his vocals. “This next song is a dancing one, so feel free …” was followed by longtime fan favorite “If I Ever Feel Better”. They played a solid handful of tracks from their 2013 release Bankrupt! such as “SOS in Bel Air” and “Entertainment”, but the clear goal of Phoenix’s headlining festival set is get the crowd rallied and ready to dance. The rock riffs were on point and the visuals were equally entertaining and Mars crowd surfed the entire audience near the end of the set as has been the habit this tour. Yes, he safely made it back to the stage with a little help from his friends. -DS


Yeah-Yeah-Yeahs-PatPhoto by Pat Tyrrell

Yeah Yeah Yeahs
Saturday • Land’s End Stage • 6:30 p.m.

Equal parts punk rock and dance party, the Yeah Yeah Yeahs held nothing back Saturday, perfectly segueing into whichever headliner you chose to witness. Pulling hits from their entire body of work, the set was equally as entertaining for hardcore fans and new converts alike. The band’s energy was at an all-time high, transferring a sense of mania in the crowd, which created dance circles and mosh pits throughout the entire set. The polo fields were electric and gained much more raw energy during the last five minutes, when Karen O. decided to let her body do the talking. After her signature deep-throating, she not only placed the bedazzled microphone down her shirt, but also into the front of her pants, while further emphasizing her need to be heard. Saturday night had officially started, and from that moment on it was going to be epic, whichever stage you ended up at. –MK


Grizzly Bear
Saturday • Twin Peaks • 6:50 p.m.

One of the toughest decisions of the weekend was choosing the electricity of Karen O and Yeah Yeah Yeahs or the tightness of the well-toured Grizzly Bear. Well, everyone won in their respective choices, but Grizzly Bear’s growing crowd demonstrated that these Warp label, psych-folk rockers are more than capable of stepping up to the festival plate and knocking one out of the park, so to say. Shields was well represented on this final tour stop, after 105 shows on the road behind the release. The vocal interplay is one of their strongest suits as the responsibilities are well shared over their contagious take on the rising avant-rock sound. -KQ


The Mother Hips
Saturday • Panhandle Stage • 6:05 p.m.

Organizers of the festival always strive to showcase local Northern California acts, young and old, and this year, Chico’s own legendary act, the Mother Hips, brought their defining take on California rock and roll sound to the under-appreciated Panhandle Stage. “Toughie” opened this set before launching into “White Falcon Fuzz”, which showcased the raw, vibrant sounds of Tim Bluhm and the band. Though few were in attendance, at least a couple of patrons had to have been won over by the soul-drenched psychedelia that these vets bring every time they grace a stage. -KQ


Jurassic-5-Mike-FrashPhoto by Mike Frash

Jurassic 5 ~ TOP SET
Saturday • Land’s End Stage • 5 p.m.

Los Angeles hip hop ambassadors Jurassic 5 took the Land’s End stage to a BIG midday crowd, especially for a hip hop act at a primarily indie rock & electronic festival, which is a testament to their crossover appeal and lasting legacy. Maybe this demonstrates how hungry the people are for more hip hop and rap. The best part of the set went down when Cut Chemist scratched with a turntable guitar strapped to his chest while DJ Nu-Mark elicited sounds from the ridiculously large turntable set up square in the middle of the stage. This collective, allegedly in the midst of a ‘reunion tour’, has most definitely honed their act since Coachella, and festival-goers ate up every minute, following commands as if in a massive yoga class. –SL


Baauer
Saturday • Twin Peaks • 5:15 p.m.

Is the “Harlem Shake” dead? Yeah, but that still doesn’t mean that we can’t get thoroughly down to the bass-heavy set of this “Rookie/One-Hit-Wonder of the Year” candidate that goes by the name of Baauer. His take on Outkast’s “B.O.B” beckoned back to Big Boi’s triumphant set from last year’s Outside Lands, while simultaneously making asses shake and hands fly skyward in ecstasy. Much like Coachella, a youthful cult of EDM lovers are ever-present at any, and every, set that pulsated bass and catered to that beloved phenomena known as “the drop”. And surprisingly, the crowd kind of shrugged when his virally ubiquitous anthem was played, go figure. -KQ


Bombino
Saturday • Panhandle Stage • 4:30 p.m.

The energy Omara “Bombino” Moctar and his band Bombino exhibit while performing is the first thing that is noticeable. They are constantly moving, dancing — vibing to their own music. When a group creates good music, this physical ‘being in the moment’ presence is an effective way to draw the audience into your world, and this tactic worked for Bombino (both the man and the band) in Golden Gate Park. The group stays true to their African roots through their politically anthemic music, and they rock their Tuareg garb with pride, showcasing their culture on the road as the buzz grows with each performance. After seeing them at Outside Lands, it makes sense — they left it all on the Panhandle Stage, pouring their hearts into each song. -MF


Young-The-Giant-PatPhoto by Pat Tyrrell

Young the Giant
Saturday • Land’s End Stage • 3:40 p.m.

Sameer Gadhia is one helluva a front man, and YTG’s rise from the small stage in Orange County to the big show at events across the world is nothing less than earned. They filled both the Lands Stage and Polo Fields with infectious alterna-indie-pop offerings from their lone self-titled release. Luckily, the group had some new selections they were eager to test on the sizable early afternoon crowd, which seemed to go over well, especially to diehards awaiting new material. Singles “My Body” and “Cough Syrup” obviously received the loudest response, and Sameer’s venture down the center barricade further poured on the feverish energy they thrive on. -KQ


Youth Lagoon ~ TOP SET
Saturday • Twin Peaks Stage • 3:40 p.m.

“Robert De Niro” — Trevor Powers uttered the famous actor’s name casually between songs early in his set. Oddly there wasn’t any other memorable stage banter, just hypnotic renditions of the highlights from Powers’ recent Dropla. Youth Lagoon has always thrived on a sharp aural duality; the contrasting of minimalist, quiet soundscapes for half of a song — then BANG — the blooming, triply explorations are more exciting and create a more impacting memory in the listener. You could call it “post-drop” music. And on the Twin Peaks Stage where dance fans usually got their fix, the bass was body-rattling, forcing the maximal parts of the songs to hit harder than one might expect. Consequently, the crowd mostly obliged with the subtle, quiet parts, allowing “Mute” and “Dropla” to play quite nicely. -MF


Gary Clark Jr.
Saturday • Land’s End Stage • 2:20 p.m.

Gary Clark Jr. simply rips, there is no doubt about it. One should be careful to even consider covering a Jimi Hendrix song, but based on Clark’s rendition of “Third Stone From the Sun”, Jimi is smiling down at a man that is following in his footsteps over 50 years later. Clark floats around the stage with ease, flashing easy smiles then melting faces with his reverberating guitar solos. This was a set where it would be best to be close to the stage (or close to speakers) — the sound was entirely too low in some spots, allowing friendly festival conversations to drown out this 29 year-old legend in the making. “Bright Lights” ended the set per usual, coalescing the large audience into the moment. -MF


Atlas-Genius-PatPhoto by Pat Tyrrell

Atlas Genius
Saturday • Twin Peaks Stage • 2:10 p.m.

Another example of perfect placement, Atlas Genius continued Saturday with pop-centric bliss. Catching what little sunshine the weekend had to offer on the hillside of the Twin Peaks stage, one could view the expectedly young crowd so genuinely stoked to catch this band, and couldn’t help but make you smile. No matter how tired you were of hearing that top forty hit, you were undoubtedly up and dancing when it finally played. Spontaneously starting the morning with a sing-along really was a great way to kick off Saturday on the right foot. –MK


On-The-Rail-TimDAY 3 ~ August 11, 2013

Red Hot Chili Peppers
Sunday • Lands End Stage • 7:45 p.m.

Red Hot Chili Peppers closed out the festival Sunday evening, a slot many thought would be reserved for Sir Paul McCartney when the initial lineup dropped. Whether it was a scheduling conflict or Ranger Dave optimizing his own schedule, the Chili Peppers proved that they were up to the task. In a roughly two hour set, the Chili Peppers were playing with something to prove as they ripped through single after single with fervent intensity. Their energy did not cease for the duration of the show as the band took the audience on a musical journey of one of the most celebrated funk-rock bands in history. Hits like “Under the Bridge”, “Californication”, “Give it Away” & “Around the World” sent off the rock fans happy. After a sand-swept Coachella performance, expectations were not very high, so it’s not shocking that they exceeded them at Outside Lands. They might not be the most relevant bands in today’s musical landscape, but they proved they can still bring the freaky styley when the time is right. -KR


Kaskade ~ TOP SET
Sunday • Twin Peaks Stage • 8:25 p.m.

For those in dire need of one more dance party before the weekend came to a close, alas Ryan Raddon was primed to set the field ablaze with his hard-hitting take on deep-house music. The moist air felt nice as revelers fist-pumped and bounced to a particularly bass-heavy set from the longtime San Francisco resident and torch-bearer for the new American electronic sound which gained immense popularity some years back. A tasteful remix of Lana Del Rey’s “Young and Beautiful” was a highlight, and as 9:35PM ticked closer, many hoped the speakers wouldn’t compromise with dead silence. -KQ


Dillon Francis
Sunday • Panhandle Stage • 7:35 p.m.

Oddly placed at the Panhandle Stage, reminiscent of Wolfgang Gartner last year, there was no way Dilllon Francis wasn’t going to be a rager. Crowds rolled deep to watch this bass heavy set, and in no way did this DJ disappoint. Small stage be damned, Francis killed it, rattling off a consistent set of club bangers and EDM hits. The crowd ate up every second of the eardrum pounding womps, causing many members of the passing crowds to second guess the direction they were headed. The haystacks were packed deep with frottage and pool noodles dancing wildly. –MK


Vampire-Weekend-RyanPhoto by Ryan Shulman

Vampire Weekend ~ TOP SET
Sunday • Lands End Stage • 5:50 p.m.

Perhaps one of the most anticipated sets of the weekend came from one of the biggest bands of the year, Vampire Weekend. The Polo Field was packed as everyone and their mother (Hall and Oates performed before them) wanted a piece of the boys from the North East. Vampire Weekend came out firing contemporary classics “Cousins”, “White Sky” and “Cape Cod Kwassa Kwassa”. Next came the first offerings from their latest record Modern Vampires of the City, “Diane Young” and “Step”. Vampire Weekend dedicated “Step” to Bay Area hip hop legends Souls of Mischief, who were the song’s source of inspiration. Take one listen to Souls of Mischief’s “Step To My Girl” and you will hear the resemblance. During “Oxford Comma”, the camera zoomed in on a sign a fan created that read “I give a f*ck about an Oxford Comma.” Vampire Weekend wound down their set with “Giving Up the Gun” and my personal favorite from the new album “Hannah Hunt”. Two more tracks from their self-titled album concluded the impressive set with “One (Blake’s Got a New Face)” and “Walcott.”

Throughout the performance, the crowd was equally enamored with the older classics as they were with the new material. Vampire Weekend is currently at the top of their game, and their dominance was on full display as they delivered one of the strongest performances of the festival. They may not appear to be enjoying themselves while performing, but open your ears and listen for a moment — you will hear a band in their prime. -KR


A-TrakPhoto by Ryan Shulman

A-Trak
Sunday • Twin Peaks Stage • 5:10 p.m.

Producer, DJ/live mixer extraordinaire A-Trak brought the heat quickly Sunday, feverishly building to sneaky drops that revealed deliciously crunchy beats. The most pleasurable part about taking in Alain Macklovitch live is during transition time, when his scratching abilities deserve close up attention on the video screen. He does it all in a robotic trance; what A-Trak does is on par with what a jazz guitarist does in a blues club or what Ivan Neville did earlier in the day on the main stage — it’s freestyle jamming with pin-point control. After an almost EDM-free Saturday, A-Trak got things going the final day with Duck Sauce’s “Big Bad Wolf” and a raging remix of Kanye West’s “New Slaves”. Fool’s Gold! -MF


Hall-&-Oats-PatPhoto by Pat Tyrrell

Hall and Oates
Sunday • Lands End Stage • 4:20 p.m.

Everyone’s favorite 70’s and 80’s nostalgia act took to Land’s End Stage Sunday afternoon sandwiched between two of today’s most influential acts, Foals and Vampire Weekend. Hall and Oates have been the benefactors of a complete career resurgence despite the fact their only recent album was a Christmas record in 2006. A slow start to their set sent many people to Dawes and A-Trak, but those who stuck around were delighted with classic hits such as “Maneater”, “I Can’t Go for That (No Can Do)” and “Rich Girl”. The corny nostalgia was high, but so were the good times. You can’t ask more from a Sunday afternoon set. -KR


Head-and-The-Heart-Secret---MikePhoto by Mike Frash

The Head and The Heart (Secret Show)
Sunday • Choco Lands’ Hell Brew Review • 3:50 p.m.

The tweet came across at 3:30, which inspired thoughts of Jack White performing a special Choco Lands set last year on Sunday. Reeling off of the amazing Foals set, a quick solo sprint to the Hell Brew Review across from Lamb Lands paid off magnificently. The three mainstays from Head and The Heart emerged on the tiny vaudeville stage for a hushed acoustic set, which included their new song “Shake”. Then crowd-pleaser “Lost In My Mind” took center stage when Josiah Johnson asked the close proximity crowd mid song, “Does anyone want to come help sing with us up here?” The stage was quickly at maximum capacity, a couple drunk goofballs stood in front of the performers, and someone managed to pull the plug, ceasing all speaker sound. This only made the sing-along more essential, especially for a song that already relies heavily on community spirit. -MF


Foals-by-Ryan-ShulmanPhoto by Ryan Shulman

Foals ~ TOP SET
Sunday • Land’s End Stage • 2:50 p.m.

Front man Yannis Philippakis walks around with purpose, like he has a chip on his shoulder – something to prove. Maybe it’s hard to go from headliner back home in the UK, then play broad daylight performances in the US like they did at Outside Lands. Philippakis and lead guitarist Jimmy Smith are doing everything they can do to catch the US up to them as Foals gain more traction and success each week. The Polo Field was pretty packed as “Prelude” began, and once Smith appeared ripping on lead guitar, pure fire ensued. Foals purvey cutting edge rock – their so called “Math Rock” deals heavily in progressive time chord changes, while emphasizing the offbeat ‘ones’ and ‘threes’ in melodies that mimic rhythm. Absolute rager “Milk & Black Spiders” finished out the all-too short hour in manic fashion – come back to the Bay soon Foals for a proper show please. -MF


Kurt Vile and the Violators ~ TOP SET
Sunday • Sutro Stage • 2:30 p.m.

Sunday’s weather left a little to be desired, but that didn’t deter the throngs from arriving a bit early for the likes of Kurt Vile. This seasonal festival veteran’s breezy sound lent perfectly to the tepid atmosphere thick with “San Francisco cigarette” plumes. Nodding heads were rewarded with classics like “Freak Train” and newer offerings, “Wakin’ on a Pretty Daze” and “Girl Named Alex”. Some monitor issues didn’t slow the already laid back pace of the band, even when Foals’ sound started to bleed into Lindley Meadow. -KQ


Rudimental
Sunday • Twin Peaks Stage • 2:05 p.m.

An unexpected highlight on this year’s bill, this mash up of blues, rock, funk and soul with DNB percussion was legit. A lively and large band fronted by two modelesque vocalists (knock off Fergie included), the group is accompanied by an assortment of horns, drums, piano, guitar and a live DJ. Rudimental pumped up the crowd for a positively charged last day, and they proved to be an act worth seeing at any venue – whether you’re looking to start a party or keep the fire burning at the end of a festival weekend. –MK


Fishbone-RyanPhoto by Ryan Shulman

Fishbone
Sunday • Land’s End Stage • 1:30 p.m.

Fishbone rocked out Sunday afternoon with their ska/punk-rock hybrid sound. Angelo Moore, aka Dr. Madd Vibes, pumped crowd the crowd up with his high energy vocals and stage banter. Not only did Moore and audience members crowd surf during their fifty-minute set, but Moore introduced “Flying Jay”, clad in a red cape, the ultimate crowd-surfing trombone player. Moore also encouraged a mosh pit during their Sublime cover, “Date Rape”. Highlights included “Party at Ground Zero” and “Everyday Sunshine”, when Moore tried to solicit the sun to come out…the fog won. –DS


Ivan Neville’s Dumpstaphunk
Sunday • Land’s End Stage • 12:10 p.m.

The Sunday morning main stage “Gospel Slot” was appropriately given to Ivan Neville’s (and NOLA’s) Dumpstaphunk — where two bassists and double-bass drum work got booties shaken’ early. Original Neville Brother Ivan asked the crowd if we had been to New Orleans, and when we’d be going back — you’ve gotta love how musicians are the best sellers of tourism for the Crescent City. “Meanwhile…”, a song about still having a good time in post-Katrina NOLA, showcased the spirit of New Orleans perfectly. “You might as well have yourself a good time…there might not be a next time” — a refrain that glows longer then the verses that detail political corruption and violence. It may all read as a didactic song for the TV show Treme, but no one deals with hardship better than New Orleans, led by the “can’t stop, won’t stop” musicians that call the city home. -MF


Polo-Field-3-Tim

Beer Lands!

In only it’s second year onsite, Beer Lands has become a popular meeting spot, and, obviously, the place for the best local suds this region has to offer. An upgraded location in the Polo Fields, as opposed to tucked in the back of Lindley Meadow, made this spot even more popular and viable for social get-togethers. Doing away with the $1 ‘tickets’ as opposed to cash and card was a relief to those who would rather opt to not drink Heineken all day and night. Sierra Nevada offered a fragrant, herbal Saison exclusive to Outside Lands. Anchor Brewing brought their popular new California Lager and debuted an Autumn Maple Red Ale that was a tasty treat to those paying attention to the constantly rotating cast of taps. Drakes 1500 Pale Ale was this writers beverage of choice, but honestly, there were no losers in the bunch, and many look forward to this addition every year. Bottoms up. -KQ

Twin-Peaks-Scene-Tim

We didn’t catch them all this year! We missed Chromatics, The Tallest Man on Earth and Daughter — amongst others. What were your favorite shows at Outside Lands 2013?

Torch us in the “Comments” section below.