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The Bam Team’s 5 Favorite Shows, Albums & Songs of 2022

December 30, 2022 by The Bam Team Leave a Comment

After seeing what the live music industry endured the last two years due to the COVID-19 pandemic, 2022 was certainly a step in the right direction. For many artists and bands, this year marked the first since 2019 that they had the opportunity to step onstage — and that was a victory in and of itself.

While we aren’t completely out of the woods yet considering the coronavirus is still very much a part of our lives, there’s no signs of us returning to those dark and dire days of 2020. The shows simply must go on, and we are all better for it whether you’re a musician or just a fan.

Now as we turn to 2023 with cautious optimism, it’s time for us to share our annual “Best of” lists as we have done since this blog first began (see our 2021 picks here). We’ll be quick to admit we didn’t catch every show or hear all of the albums released in the past 12 months, but looking back on the year that was can not only be fun but also challenging with so much great music to consider.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2022.

Listen to The Bam Team’s favorite songs of 2022:

Tool at Viejas Arena // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2022
1. My Morning Jacket at Red Rocks Amphitheatre – Morrison, CO – August 26th-27th
2022 will go down as easily one of my favorite years for live music. So many of the artists and bands I love toured after being forced to sit on the sidelines for at least two years, and as I look back on all of the shows I was fortunate enough to witness, it would be a shame to not mention the ones that aren’t already included here, whether it was Eddie Vedder, Baroness, Royal Blood, Interpol and The Shins at Just Like Heaven, Jack White (two nights), The Kills, Puscifer on my big day, Fleet Foxes, Big Gigantic Telefon Tel Aviv, Moderat, Khruangbin and Arctic Monkeys — plus Lorde — at the debut of Primavera Sound LA, The Mars Volta, Bonobo, Foals, Modest Mouse performing The Lonesome Crowded West from start to finish to celebrate the LP’s 25th anniversary or The Smile closing out their North America tour. But this year’s No. 1 spot once again goes to My Morning Jacket, which have become my top live band over the last decade among some very stiff competition (see the rest of the bands listed below to get a better idea). With back-to-back dates in SoCal at the Santa Barbara Bowl and Hollywood Forever (read our review here) serving as a preview for what would come the following week, the Louisville-bred rockers left no stone unturned in their return to Red Rocks. If there was ever an act to catch — not once but twice — at the legendary amphitheater after visiting it more than a dozen times in my life so far, this was the one for me and MMJ proved it over two sold-out gigs with no repeats as always.

2. The War on Drugs at Shrine Auditorium – Los Angeles, CA – February 26th
3. Pearl Jam at The Forum – Inglewood, CA – May 6th
4. Tool at Viejas Arena – San Diego, CA – January 19th
5. Nine Inch Nails at Santa Barbara Bowl – Santa Barbara, CA – September 13th

Top 5 Albums of 2022
1. The Smile – A Light for Attracting Attention
It wasn’t until last year during a surprise performance for the concert video “Live at Worthy Farm” when we first learned of the latest side project from Radiohead members Thom Yorke and Jonny Greenwood with Sons of Kemet drummer Tom Skinner. But after putting out six singles off their debut LP that came out back in May, it was clear the three-piece wasn’t messing around. Across all 13 tracks on A Light for Attracting Attention, it’s safe to say there isn’t one worth skipping, reaffirming why Yorke remains one of the best songwriters out there in the last 30 years. And with him and Greenwood switching off between guitar, bass and synthesizer among a bevy of other instrumentation including vocoder, piano and harp, their talents are as palpable as they have ever been before. After all, hearing Yorke croon “Don’t mess with me” toward the beginning of “The Smoke” is an edict — literal or not — many would have a tough time disputing at this point.

2. Kendrick Lamar – Mr. Morale & the Big Steppers
3. Jack White – Fear of the Dawn
4. My Morning Jacket – MMJ Live Vol. 2: Chicago 2021
5. Bonobo – Fragments

Top 5 Songs of 2022
1. The Mars Volta – “Graveyard Love”
For fans of The Mars Volta, it has been a long wait since Omar Rodríguez-López and Cedric Bixler-Zavala hit the studio to record new material. Even with the project’s two constant members on good terms these days, it took more than a decade before anything would enter our earholes. But despite many of the prog-rock tendencies it demonstrated on earlier albums dating all the way back to 2003’s seminal De-Loused in the Comatorium, the duo’s seventh studio effort delves unexpectedly into new sonic territory. With a pop aesthetic running through it that surprisingly sees no song surpass the five-minute mark, The Mars Volta will undoubtedly be looked at as a departure from the days of “Cygnus…Vismund Cygnus” and “Cassandra Gemini” when Rodríguez-López and Bixler-Zavala were captivating At the Drive-In fans as well as new listeners. Nevertheless, its second single “Graveyard Love” stands tall as some of their best work to date and reminds us that these guys haven’t lost what made them so uniquely special.

2. The Smile – “Thin Thing”
3. Jack White – “Eosophobia”
4. Interpol – “Toni”
5. Moderat – “EASY PREY”

Andrew Pohl // San Francisco

Top 5 Shows of 2022
1. Yard Act at Rickshaw Stop – San Francisco, CA – April 21st
Funny story about this show … I had been hearing a lot of buzz about Yard Act, and I had only listened to one song played a few times on KEXP, which I really dug. I had been on the Rickshaw Stop’s email list, and the venue ran a contest for free tickets. I happened to win so I took a chance and opted to see Yard Act’s show that same week. Wanting to familiarize myself with their material more, I immediately dove head first into their album and was totally hooked, so I felt really good about this turn of events. I hadn’t been to a gig at Rickshaw Stop in many years and was eager to visit again, so it felt great to be back in a packed room again for an intimate evening of punk rock. The opening act Buzzed Light Beer fell a bit flat in my humble opinion, but once Yard Act took the stage, the room started buzzing with life. Lead singer James Smith’s command of the crowd is very nonchalant, but he also knows he has you hanging on every word. The set was fun and well-executed, and the UK quartet was clearly on its “A” game after a lengthy run of shows and in between weekend performances at Coachella. Much to the chagrin of those in attendance, Smith kept referring to the audience as “San Diego” (LOL), though he did tell us that he had some mushrooms the night before, so … you know. To round things out, Smith offered to do a magic trick during the last song of Yard Act’s set before their encore and coaxed fans to hand over any loose bills they had, which he pocketed and took backstage. As it turns out, he actually gifted the money to the bar staff, which I felt was a nice touch and very much on-brand.

2. THE FEST 20 – Gainesville, FL – October 28th–30th
3. Coheed & Cambria at Greek Theatre Berkeley – Berkeley, CA – August 14th
4. Bauhaus at The Masonic – San Francisco, CA – May 22nd
5. The Velvet Teen at Arlene Francis Center – Santa Rosa, CA – June 17th

Top 5 Albums of 2022
1. Pilot to Gunner – Hail Hallucinator
Brooklyn indie rockers Pilot to Gunner hadn’t put out an album for a decade, and to be honest, I hadn’t really paid much attention to them prior to Hail Hallucinator. The name was always out there and I had friends who were really into them, but I never got around to checking out their music for one reason or another. And not unlike many other bands that came before them (i.e. Seaweed, Far, The Murder City Devils), I am bummed that I was so late to the party. They are absolutely fantastic, and this record was easily my most listened-to during 2022. From start to finish, the 10-track LP hit all the marks for me in terms of stellar songwriting, original-sounding guitar work that still feels familiar and vocals carrying the torch of the early 2000’s indie/emo revival sound ala Hey Mercedes and Jimmy Eat World all while not completely aping either group. “Drop the Sun”, “We’re Blasting to Masses”, “Total Rager” and “Escape Season” are among its best tracks, but I simply love all of them from beginning to end.

2. Thee Sacred Souls – Thee Sacred Souls
3. Yard Act – The Overload
4. Soul Glo – Diaspora Problems
5. High Vis – Blending

Top 5 Songs of 2022
1. 3rd Secret – “I Choose Me”
The supergroup 3rd Secret surprised the music world when their debut self-titled LP arrived in mid-April. Comprised of members from Nirvana, Soundgarden, Hater and Giants in the Trees, the album is a tour de force brought to you by grunge and alt-rock royalty. Its lead single “I Choose Me” turns things up and right out of the gate you can’t help but feel a little washed over with nostalgia from guitarist Kim Thayil’s signature riffage in addition to the thundering cadence courtesy of bassist Krist Novoselic and drummer Matt Cameron. What makes the song — and the album — stand out to me, however, is the work of co-vocalists Jillian Raye and Jennifer Johnson. The pair deliver gorgeous singing atop the otherwise gritty instrumentation, harkening back to what made so many 90’s albums awesome with a beautiful balance of dark and light. I kept coming back to this song a lot throughout the year, and it made me really reflect on just how incredible the music that came out of the Pacific Northwest was when I was growing up. To hear this collection of musicians conjuring up those aural ghosts through a contemporary filter was not only refreshing, but also something that I was really looking for in 2022.

2. Yard Act – “The Overload”
3. Thee Sacred Souls – “Can I Call You Rose?”
4. Cave In – “New Reality”
5. High Vis – “0151”

Animal Collective at Greek Theatre // Photo by Rochelle Shipman

Rochelle Shipman // Los Angeles

Top 5 Shows of 2022
1. PUP at The Fonda Theatre – Los Angeles, CA – April 21st
Two years and one full length after this show was originally supposed to occur, LA finally got to see PUP perform on their “Thank Fucking God” tour. Worth the wait would be a major understatement here as the Canadian punks transported us back to pre-pandemic times like nothing had ever happened — we were touching, we were screaming, we were moshing again! The night had such an innocent air to it. Despite the delay, 2019’s Morbid Stuff felt fresher than ever (and it still does).

2. Yaya Bey at Cafe Erzulie – Brooklyn, NY – June 16th
3. Animal Collective at Greek Theatre – Los Angeles, CA – May 20th
4. Vince Staples at The Fonda Theatre – Los Angeles, CA – August 23rd
5. Bright Eyes at Greek Theatre – Los Angeles, CA – June 23rd

Top 5 Albums of 2022
1. Lando Chill – if im being honest
The multi-hyphenate who’s based out of LA quietly dropped this mixtape early in the year, and it stood strong in my top spot from the start. With a sharp wit and silky delivery, Chill tears through pages of his diary without cutting a single corner. Thank God for vulnerability.

2. Smino – Luv 4 Rent
3. Pusha T – It’s Almost Dry
4. Yaya Bey – Remember Your North Star
5. Open Mike Eagle – Component System with the Auto Reverse

Top 5 Songs of 2022
1. Steve Lacy – “Bad Habit”
An earworm for the ages! This impossibly catchy tune took over TikTok and catapulted Mr. Lacy into the spotlight that he was born to occupy, whether he was ready for it or not. The cherry on top of his banner year was the singer-songwriter’s old iPhone (aka his instrument) landing on display in the Smithsonian.

2. Lando Chill – “guess”
3. Leggy – “Lipstick on the Mic”
4. Pusha T – “Brambleton”
5. Channel Tres – “Acid in My Blood”

Filed Under: Best of 2022, Editor's Picks, Featured Tagged With: 3rd Secret, Animal Collective, Arctic Monkeys, Arlene Francis Center, At the Drive-In, Baroness, Bauhaus, Big Gigantic, Bonobo, Bright Eyes, Buzzed Light Beer, Cafe Erzulie, Cave In, Channel Tres, Coheed & Cambria, Eddie Vedder, Far, Fleet Foxes, FOALS, Giants in the Trees, Greek Theatre, Greek Theatre Berkeley, Hater, Hey Mercedes, High Vis, Hollywood Forever, Interpol, Jack White, Jimmy Eat World, Jonny Greenwood, Just Like Heaven, Just Like Heaven 2022, Kendrick Lamar, Khruangbin, Lando Chill, Leggy, Moderat, Modest Mouse, My Morning Jacket, Nine Inch Nails, Nirvana, Open Mike Eagle, Peaches, Pearl Jam, Pilot To Gunner, Primavera Sound LA, Primavera Sound LA 2022, Primavera Sound Los Angeles, Primavera Sound Los Angeles 2022, Pup, Puscifer, Pusha T, Radiohead, Red Rocks Amphitheatre, Rickshaw Stop, Royal Blood, Santa Barbara Bowl, Seaweed, Shrine Auditorium, Smino, Smithsonian, Soul Glo, Soundgarden, Steve Lacy, Telefon Tel Aviv, THE FEST 20, The Fonda Theatre, The Forum, The Kills, The Mars Volta, The Masonic, The Murder City Devils, The Shins, The Smile, The Velvet Teen, The War on Drugs, Thee Sacred Souls, Thom Yorke, Tool, Trent Reznor, Viejas Arena, Viejas Arena at Aztec Bowl, Vince Staples, Yard Act, Yaya Bey, YouTube Theater

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2018

December 28, 2018 by The Bam Team 2 Comments

David Byrne at Bill Graham Civic Auditorium // Showbams’ Photo of the Year, by Tim O’Shea

We have to be honest: 2018 was kind of a weird year for music. Sure, there were some major highlights — many of them listed below, in fact — but we also saw a serious changing of the guard. The decline of mainstream rock and the continued rise of hip-hop, R&B and pop was more noticeable than ever, from this year’s Coachella lineup to the cancellation of FYF Fest, making us wonder what the next twist or turn will be for the industry now that the demand for EDM has started to cool off following its boom circa 2012. That said, we still listened to a lot of new albums and caught plenty of concerts over the last 12 months, and it’s once again time for us to share our annual “Best of” lists, much like we have done over the past several years (see our 2017 picks here).

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2018.

See our favorite performances from 2018 here.

Listen to The Bam Team’s favorite songs of 2018:

Jamiroquai at Coachella 2018 // Photo courtesy of Coachella

Josh Herwitt // Los Angeles

Top 5 Shows of 2018
1. Queens of the Stone Age at The Forum – Inglewood, CA – February 17th
Just more than two months after his infamous assault on a photographer at The Forum for KROQ’s Almost Acoustic Christmas, Queens of the Stone Age leader Josh Homme made his return to the LA arena for a proper, sold-out affair with UK rock duo Royal Blood delivering what proved to be a headbanging opening set. From there, it only got better as Homme and the boys dazzled with a headlining performance that even included Villains producer Mark Ronson sitting in for most of the five-song encore and the band’s live debut of its “Goodbye Yellow Brick Road” cover. You can bet Elton John, whom Homme actually collaborated with during the writing and recording of QOTSA’s sixth album …Like Clockwork, would have been proud. I always know when I’ve seen a good rock ‘n’ roll show because my neck will be sore the following day, but after this one, it was sore for the next three days. Ouch.

2. Nine Inch Nails at Hollywood Palladium – Los Angeles, CA – December 12th, 14th-15th
3. Jamiroquai at Coachella, Weekend 1 – Indio, CA – April 13th
4. David Byrne at Santa Barbara Bowl – Santa Barbara, CA – August 24th
5. Foo Fighters/Nirvana reunion at Cal Jam 18 – San Bernadino, CA – October 6th

Top 5 Albums of 2018
1. Jungle – For Ever
Unlike previous years, picking a favorite album in 2018 wasn’t quite as easy for me. I’ll admit that I didn’t hear every one that was released this year, but I listened to a lot of them. So, call me boring and short-sighted if you like, but nothing totally knocked my socks off. After much deliberation, it was Jungle’s sophomore LP For Ever that stood the test of time for me (no pun intended). The English soul collective’s follow-up to its 2014 self-titled debut doesn’t veer off in a completely different direction from what came before, but it still moves the sonic needle forward enough. After two full lengths, Jungle have shown a knack for writing catchy, dance-fueled tunes that transport you to a different time and place — even if it’s only for a three- or four-minute stretch.

2. Khruangbin – Con Todo El Mundo
3. Arctic Monkeys – Tranquility Base Hotel & Casino
4. Kamasi Washington – Heaven and Earth
5. Big Red Machine – Big Red Machine

Top 5 Songs of 2018
1. Nine Inch Nails – “Over and Out”
When I first listened to Bad Witch, I immediately knew this one was my favorite track on the album. But hearing it performed live on the final night of NIN’s “Cold and Black and Infinite” North American tour sealed it for top honors in 2018. Layering a brooding, yet funky bass line on top of a glitchy, experimental beat, Trent Reznor shows that he isn’t just playing it safe and merely saving his creativity for scoring films with bandmate and longtime collaborator Atticus Ross. You can tell Reznor had his late friend David Bowie in mind when he wrote the song too as he conjures up an even deeper baritone from behind the microphone than the one we have come to know over the last 30 years.

2. Childish Gambino – “This Is America”
3. Jungle – “Heavy, California”
4. Wild Nothing – “Partners in Motion”
5. The Raconteurs – “Now That You’re Gone”

Molly Kish // San Francisco

Top 5 Shows of 2018
1. David Byrne at Fox Theater Oakland – Oakland, CA – August 16th
In support of his seventh solo album American Utopia, musical virtuoso David Byrne hit the road for one of this year’s most creative and ambitious tours. Over more than 150 dates that spanned the entire globe, the 66-year-old delivered Broadway-caliber performances with a traveling 11-piece band that served as a traveling retrospective of his solo and collaborative work. Meanwhile, the tour also doubled as a platform for him to deliver his “Reasons to Be Cheerful” manifestos on civic engagement, climate/energy, culture, economics, education, health, science/technology and urban transportation. He partnered with HeadCount while encouraging audiences every night to engage in public discourse through social media and their own personal stories on his website. And as a result, Byrne elevated the concert-going experience into more of an interactive, performance-art space that his fans became a living, breathing part of.

2. Young Fathers at The Independent – San Francisco, CA – November 10th
3. Erykah Badu & Thundercat at The Armory – San Francisco, CA – February 14th
4. Beck at The Independent – San Francisco, CA – August 8th
5. LCD Soundsystem with TV on the Radio at Greek Theatre Berkeley – Berkeley, CA – April 27th-28th

Top 5 Albums of 2018
1. Richard Russell – Everything Is Recorded by Richard Russell
A multi-artist project released as the debut album of XL Recordings founder Richard Russell, Everything Is Recorded is collaborative effort representing the ties between past and present sounds currently shaping the framework of hip-hop, funk and soul. Featuring collaborations with Sampha, Kamasi Washington, Syd, Damon Albarn, Peter Gabriel, Ibeyi, Obongjayar and more, the album also plays as the soundtrack to a 30-minute film, which documents the time each spent in the studio during its conception and is interspliced with archival footage of Gil Scott-Heron and Curtis Mayfield. With its underlying themes of loss and isolation, Everything Is Recorded effectively communicates Russell’s emotional journey as he battles a debilitating autoimmune disease in hope of finding salvation through the shared experience of creating a beautifully mastered piece of art.

2. George Fitzgerald – All That Must Be
3. Pusha T – DAYTONA
4. Robyn – Honey
5. Khruangbin – Con Todo El Mundo

Top 5 Songs of 2018
1. Childish Gambino – “This Is America”
If any song embodied the insanity and collective discontent of 2018, it was definitely Childish Gambino’s epic single “This Is America”. The juxtaposition of an a cappella choir leading into Donald Glover’s soft crooning over island beats and drum samples before staunchly diverting to a menacing base line reminiscent of 90’s gangster rap — as well as the hortative delivery of degrading lyrics about the current state of violence and American ideals — is near-perfect. Of course, the provocative music video that accompanied the track’s surprise release during his “Saturday Night Live” debut was incredible. The song, lyrics, video and marketing campaign could not have been a more flawless “slice of life” reflection of modern American society and justifiably has boomeranged into probably the most important moment of Childish Gambino’s career so far.

2. The Presets – “Downtown Shutdown”
3. Jon Hopkins – “Everything Connected”
4. Jungle – “Casio”
5. Parquet Courts – “Wide Awake”

Kevin Quandt // San Francisco

Top 5 Shows of 2018
1. David Byrne at Jazzfest – New Orleans, LA – April 29th
You know what they say: the first time is always the best. With David Byrne’s 2018 “American Utopia Tour” being universally acclaimed as one of the most enigmatic live shows of the year, it’s not surprising to see it top other “Best of” lists. Byrne and his merry band of “unplugged” pranksters created a feast for the eyes and ears, and his daytime set on the Gentilly Stage did not disappoint at all. While his Fox Theater Oakland shows were more intimate and featured some more dynamic lighting features, his performance at Jazzfest back in April was the most memorable for NOLA revelers.

2. Jamiroquai at Bill Graham Civic Auditorium – San Francisco, CA – April 17th
3. Polo & Pan at The Independent – San Francisco, CA – June 20th
4. Nine Inch Nails at Bill Graham Civic Auditorium – San Francisco, CA – December 4th
5. Rolling Blackouts Coastal Fever at Primavera Sound – Barcelona, Spain – June 2nd

Top 5 Albums of 2018
1. Khruangbin – Con Todo El Mundo
What a banner year for this Texas trio! Khruangbin have been on a steady rise the past few years as they turn on the masses to their infectious amalgamation of psychedelic soul, Thai surf rock and subtle funk. Having cemented their reputation as beasts in a live setting, Con Todo El Mundo proved their knack for penning tunes of equal strength with its emotive first single “Friday Morning” serving as a clear standout. “Evan Finds the Third Room” has also become a fan favorite, and the accompanying music video only lends to its growing charm. The sky’s the limit for Laura, Mark and DJ, so grab your ticket to fly.

2. Hookworms – Microshift
3. Amen Dunes – Freedom
4. Shame – Songs of Praise
5. Stephen Malkmus and the Jicks – Sparkle Hard

Top 5 Songs of 2018
1. Jonathan Wilson – “Trafalgar Square”
LA producer-turned-frontman Jonathan Wilson churned out one helluva album opener for his third solo LP Rare Birds, as this six-plus-minute romp has all the right pieces for true liftoff. A proper intro leads into a riff so heavy that it’ll break your mama’s back. Top-notch production is key to this track, as Wilson is a wiz behind the boards. As you cruise down the 405 with this whopper blaring, you’d be hard-pressed not to nod along. Extra points for those of you with a 1970’s convertible, too.

2. Tom Misch – “Water Baby” feat. Loyle Carner
3. Childish Gambino – “This Is America”
4. Jonathan Something – “Happy Day”
5. Men I Trust – “Seven”

Andrew Pohl // San Francisco

Top 5 Shows of 2018
1. The Smashing Pumpkins at Oracle Arena – Oakland, CA – August 27th
The Smashing Pumpkins are the quintessential 90’s arena-rock band, and they fully lived up to that billing at Oracle Arena for their Bay Area stop over the summer. I’ve seen them several times over the years, and although this time it was pegged as a “reunion tour” (minus D’Arcy, sigh), you never know what you’re going to get from them. Billy Corgan led the band through over three hours’ worth of material with some killer stage production to go with it. The show was definitely a marathon, but totally worth being there for. It came to light later that Corgan was also fighting off a bad case of food poisoning, but it didn’t show. It was great to see James Iha and Jimmy Chamberlain back onstage, too — the way it should be.

2. Nine Inch Nails at Bill Graham Civic Auditorium – San Francisco, CA – December 3rd
3. Against Me! & Turbonegro at UC Theatre – Berkeley, CA – May 25th
4. Alkaline Trio at The Warfield – San Francisco, CA – October 6th
5. Back To The Beach Festival – Huntington Beach, CA – April 28th-29th

Top 5 Albums of 2018
1. Shame – Songs of Praise
This album hit me like a ton of bricks in the best way. I had heard a ton of hype around Songs of Praise before giving it a first listen, and usually I am a healthy skeptic, but good Lord, does this record rip. It has a dark flavor and carries with it a lot of angst, and you can’t help but get caught up in the hooks that Shame offer. These five lads from South London simply killed it.

2. IDLES – Joy as an Act of Resistance
3. Kamasi Washington – Heaven and Earth
4. Hot Snakes – Jericho Sirens
5. Snail Mail – Lush

Top 5 Songs of 2018
1. Shame – “Concrete”
Conjuring up the ghost of Joy Division’s Ian Curtis without sounding like a complete poser is challenging for newer post-punk bands it seems — except for Shame’s Charlie Steen. Paired with some brilliant instrumentation, I just couldn’t stop listening to “Concrete” when I first heard it. I must have listened to the track a solid 10 times in a row on the first go. This song has an infectious quality to it and is a straight-up ripper.

2. The Soft White Sixties – “I Still Love You, San Francisco”
3. Hot Snakes – “Six Wave Hold-Down”
4. IDLES – “Colossus”
5. The Sword – “Come and Gone”

Filed Under: Best of 2018, Editor's Picks, Featured Tagged With: 311, Against Me!, Alkaline Trio, Amen Dunes, Arctic Monkeys, Back To The Beach, Back To The Beach Festival, Beck, Best of 2018, Big D & The Kids Table, Big Red Machine, Bill Graham Civic Auditorium, Bon Iver, Childish Gambino, Coachella, Coachella 2018, Coachella Music and Arts Festival, Coachella Music and Arts Festival 2018, Curtis Mayfield, Damon Albarn, David Byrne, Erykah Badu, Fishbone, Fox Theater Oakland, George Fitzgerald, Giggs, Gil Scott Heron, Goldfinger, Greek Theatre Berkeley, hepcat, Hollywood Palladium, Hookworms, Hot Snakes, Ibeyi, IDLES, Jamiroquai, Jon Hopkins, Jonathan Something, Jungle, Kamasi Washington, Khruangbin, Kurt Vile, LCD Soundsystem, Less Than Jake, Mad Caddies, Mark Ronson, Mela Murder, Men I Trust, Mustard Plug, Nine Inch Nails, Obongjayar, Oracle Arena, Outside Lands 2018, Outside Lands Music Festival 2018, Outside Lands night shows, Parquet Courts, Peter Gabriel, Polo & Pan, Primavera Sound, Primavera Sound 2018, Pusha T, Queens of the Stone Age, Richard Russell, Robyn, Rolling Blackouts Coastal Fever, Royal Blood, Sampha, Santa Barbara Bowl, Save Ferris, Shame, Smashing Pumpkins, Snail Mail, Stephen Malkmus, Stephen Malkmus & The Jicks, Sublime with Rome, Syd, The Aggrolites, The Aquabats, The Armory, The Forum, The Independent, The Internet, The Interrupters, The Mighty Mighty Bosstones, The National, The Presets, The Raconteurs, The Smashing Pumpkins, The Soft White Sixties, The Suicide Machines, The Sword, The UC Theatre, The Untouchables, The Warfield, Thundercat, Tom Misch, Turbonegro, TV on the Radio, Wild Nothing, Young Fathers

Our favorite performances from 2017

December 29, 2017 by The Bam Team 1 Comment

2017, where the hell did you go? It just felt like the other day that we were ringing in a new year, and yet, here we are again as we plow straight ahead into 2018.

But before we officially put a bow on 2017, it’s time for us to revisit the past 12 months at Showbams. This year, we had the opportunity to capture many amazing moments in live music, and while we couldn’t pay homage to every single performance we witnessed, we made a conscious effort to include a wide range of talent spread across the industry.

Whittling down our list, though, was not that easy. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order) whom we either covered at their own show and/or at a music festival this year:

21 Savage, The Accidentals, Action Bronson, Alice Cooper, Alina Baraz, alt-J, Amber Mark, Andrew McMahon in the Wilderness, Animal Collective, Atlas Genius, The Avalanches, The Band Perry, Beach Slang, Belle and Sebastian, Black Moth Super Rainbow, Bleachers, Blonde Redhead, Bob Moses, Car Seat Headrest, Cate Le Bon, Cigarettes After Sex, Circles Around the Sun, City of Caterpillar, The Coathangers, Claude VonStroke, Chris Robinson, Con Brio, Conor Oberst, Courtney Barnett & Kurt Vile, Crystal Castles, The Crystal Method, Daniel Caesar, Dawes, Dead Meadow, Deafheaven, Deep Purple, Diet Cig, DIIV, Dirty Dozen Brass Band, Dr. Dog, Dr. Octagon, Duke Dumont, Eagles of Death Metal, Electric Guest, Emancipator, Emily King, Empire of the Sun, Foxygen, Future Islands, Gabriel Garzón-Montano, Gatecreeper, Girl Talk, Gone Is Gone, Grizzly Bear, Gucci Mane, Hamilton Leithauser, Hazel English, Hinds, The Hip Replacements, Hiss Golden Messenger, How to Dress Well, Iggy Pop, Isaiah Rashad, Jack Johnson, Jagwar Ma, Jamestown Revival, Jamie Isaac, Jay 305, Jen Cloher, Jessica Hernandez & The Deltas, Jessie Ware, Jim James, JR JR, Julie Byrne, Julien Baker, Justice, Karen Elson, Karl Denson’s Tiny Universe, KAYTRANADA, Kelis, K. Flay, Khalid, Khruangbin, Kilo Kish, King Gizzard and the Lizard Wizard, Kurt Vile, La Femme, LANY, Lauv, L.A. Witch, Lettuce, Lil Yachty, Little Dragon, Lo Moon, Lorde, Lord Huron, Miike Snow, Milky Chance, Minus the Bear, Mister Heavenly, MØ, Mondo Cozmo, Neon Indian, Nicki Bluhm, Norah Jones, North Mississippi Allstars, NVO, Oh Sees, OK Go, Once and Future Band, Pallbearer, The Palms, Passion Pit, Peaches, Perfume Genius, Petit Biscuit, Phoebe Bridgers, Playboi Carti, Pond, Porcelain Raft, PRAYERS, The Radio Dept., Real Estate, The Revivalists, Royal Blood, Sampha, ScHoolboy Q, Sheer Mag, serpentwithfeet, Silversun Pickups, Sleep, Sleigh Bells, SOFI TUKKER, Solange, Spiritualized, Styles P, Sunflower Beam, Talib Kweli, Tank and The Bangas, Tash Sultana, Tei Shi, Temples, Tennis, Tennyson, Thou, Thundercat, TOBACCO, Touché Amoré, Tool, Tove Lo, Travis Scott, Twin Peaks, Ty Segall, Unknown Mortal Orchestra, Vagabon, Vance Joy, Vic Mensa, Warpaint, Weezer, White Fence, Woods, YG, Young the Giant.

Now, it’s time for The Bam Team to present our favorite performances from 2017.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2017

Listen to The Bam Team’s favorite songs of 2017:

Run the Jewels

Date: February 1st
Location: Shrine Expo Hall – Los Angeles

Yet, in just four years, Run the Jewels have already reached hip-hop’s mountaintop with their politically charged lyrics and hard-hitting beats. Just take last Wednesday’s sold-out show in LA for example. With the duo’s third studio album still only a few weeks old, 5,000 or so fans poured into the spacious Shrine Expo Hall to watch El-P and Killer Mike fuck shit up (for lack of a better term). And that’s exactly what they did after opening sets from The Gaslamp Killer, Nick Hook, Gangasta Boo and CUZ. -Josh Herwitt, photo by Josh Herwitt

BADBADNOTGOOD

Date: February 23rd
Location: The Fillmore – San Francisco

As one of the bands to take the coveted headlining spot for NoisePop25, BADBADNOTGOOD seemed as — perhaps more — excited as all of the fans who made it to their sold-out show at The Fillmore. Combining consummate instrumentation with classic MC-style showmanship led by drummer Alexander Sowinski, the Canadian jazz-rock quartet has mastered the art of keeping the audience guessing where they’re going. -Brett Ruffenach, photo by James Pawlish

Spoon

Date: March 7th
Location: Apogee Studio – Santa Monica, CA

In total, Spoon performed five songs from the new record, including “First Caress” to open a brief encore that left us eager for more. But as the five-piece rocked “Rainy Taxi” from 2014’s They Want My Soul to close, I couldn’t help but think to myself that this is one band I never should have slept on. -Josh Herwitt, photo by Larry Hirshowitz

Sigur Rós

Date: April 8th
Location: Greek Theatre – Berkeley, CA

Now a trio, Sigur Rós have been delivering goosebumps for over two decades — and it’s a delight to hear Jónsi’s voice-as-an-instrument this clear, this powerful and as confident as ever. It would be a wonderful treat to check in on this outfit every 5-10 years going forward and realize they are still going strong. -Mike Frash, photo by James Nagel

DREAMCAR

Date: April 9th
Location: Great American Music Hall – San Francisco

Fresh off a stop at Berkeley’s Hearst Greek Theatre the night before, Adams showcased some older favorites and a slew of new tunes from his 16th and latest studio album Prisoner, which came out in February. SoCal fans were treated to some extended full-band jamming, a couple of solo acoustic performances and Adams’ usual witty banter over the course of the evening.
-Jared Stossel, photo by Jared Stossel

A Perfect Circle

Date: April 13th
Location: Bill Graham Civic Auditorium – San Francisco

In the world of rock supergroups, there are few that have sprung up in the last few decades that can hold a candle to A Perfect Circle. From the onset, APC have been a powerhouse on the senses, combining members from bands such as Tool, The Smashing Pumpkins, Failure, Primus and more over the years. Their body of work has been met with high praise across the board, and they have been able to solidify themselves as one of the most unique and tenured groupings out there, as opposed to bands like Zwan and Velvet Revolver. -Andrew Pohl, photo by Mike Rosati

Radiohead

Date: April 14th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

Yes, the sound problems (all three instances) put a real damper on what was easily one of the most anticipated performances of the weekend. This was the third time Goldenvoice called on Radiohead to headline Coachella, and for one of rock’s most important bands over the last 30 years, it certainly wasn’t a charm as the saying goes. In that moment, it was pretty hard not to feel bad for Thom Yorke, who could only make light of the situation by cracking a joke even if it wasn’t supposed to be one — or so he claimed. But Radiohead more than made up for it with a masterful setlist that opened with A Moon Shaped Pool cuts “Daydreaming”, “Desert Island Disk” and “Ful Stop” before circling back to older hits such as “Everything in Its Right Place”, “There There”, “Idioteque” and even “Creep”. -Josh Herwitt, photo courtesy of Coachella

Kendrick Lamar

Date: April 16th
Location: Coachella Valley Music and Arts Festival, Weekend 1 – Indio, CA

All hail, King Kendrick! Or should we say “Kung Fu Kenny?” The Compton rapper reached hip-hop’s mountaintop more than two years ago with his Grammy-winning masterpiece To Pimp a Butterfly, but headlining Coachella was still on his to-do list. In fact, it was only the second time he had ever been booked to perform at Coachella after being listed on the last line of the 2012 poster. Closing out the fest is no short order for any artist, let alone one who dropped his new album less than 48 hours before taking the stage, but K-Dot lived up to the billing with a show that provoked as much thought as it entertained. -Josh Herwitt, photo courtesy of Coachella

The xx

Date: April 17th
Location: Bill Graham Civic Auditorium – San Francisco

Playfully alluding to their material’s emotional sentiment, Romy Madley Croft (vocals, guitar) and Oliver Sim (bass, vocals) managed to entrance all of us with their tension-filled gazes and syncopated dance moves. Prolonging vocal arrangements, especially during their accelerated live interpretation of “Infinity”, were also stunning to witness. About halfway through the set, Jamie Smith (beats, MPC, production), aka Jamie xx, took the lead and transformed the room into a giant disco party thanks to an onslaught of consecutive dance hits before finishing with “Loud Places” from his 2015 solo LP In Colour. -Molly Kish, photo by Norm de Veyra

Moderat

Date: April 20th
Location: Mayan Theater – Los Angeles

Moderat subsequently circled back to III, performing “Intruder” before exiting the stage to a rousing applause. Yet, when the house lights didn’t come on right away, the suspense began to build once again. Less than a minute later, the three-piece reemerged, giving the audience more than its money’s worth. Two-encore shows are usually reserved for high-profile groups with extensive catalogs like Radiohead, but Moderat have never played by any rules. -Josh Herwitt, photo by Josh Herwitt

The Flaming Lips

Date: May 9th
Location: The Theatre at Ace Hotel – Los Angeles

The Lips, of course, made sure to play that song, and even though it was without Watts, it still proved to be an unforgettable moment due to the fact that Coyne rode a life-size unicorn from one end of the stage to the other as he belted out lines like “Yeah, there should be unicorns / The ones with the purple eyes / It should be loud as fuck / Hope the swans don’t die” to open the tune while wearing a big smile across his face. If that’s not psychedelic to you, then I don’t know what is. -Josh Herwitt, photo by Josh Herwitt

Ryan Adams

Date: June 3rd
Location: Greek Theatre – Los Angeles

Jay Som

Date: June 17th
Location: Potrero del Sol Park – San Francisco

Melina Duterte’s band goes by the name Jay Som and hails from Oakland. Do yourself a favor and remember this name: Jay Som. The Polyvinyl-signed songstress bathed the crowd at the Potrero Stage in her dreamy vocals and inanely catchy tunes that appeal to a wide-range of music fan; her songs could feel just as viable in the 90’s college rock area as they do today. Highlights from the set included a vibe-soaked rendition of “Baybee” as well as “The Bus Song”, arguably the artist’s first real “hit.” -Kevin Quandt, photo by Emmeline Munson

AIR

Date: June 23rd
Location: The Masonic – San Francisco

AIR’s live performances focus on capturing the crisp, detailed production style that the duo has honed over two decades. It’s a vibrant, textured sound. Centered around acoustic guitar, synthesizers and the breathy timbre of the duo’s immaculate harmonized vocals, the use of live drums helped round out the contrast between both the artificial and acoustic sounds in songs like “Cherry Blossom Girl”. -Brett Ruffenach, photo by Steve Carlson

PLANETARIUM

Date: July 21st
Location: Fox Theater Oakland – Oakland

PLANETARIUM’s music, which channels Stevens’ reflections on astronomy, science and even the intricacies of human consciousness, is a fusion of styles from all four band members that evokes feelings of unity. The group’s performance was accompanied by otherworldly visuals that filled the backdrop as it traversed the Solar System with quite a few emotionally charged songs inspired by the planets and other celestial bodies like “Neptune” and “Jupiter”. -Norm de Veyra, photo by Norm de Veyra

The Drums

Date: July 21st
Location: The Fillmore – San Francisco

By the time The Drums took the stage, the intimate venue was packed to the brim with fans. The Brooklyn outfit made as much of an impression as it did when frontman Jonathan Pierce and company exploded onto the scene in 2009 with their initial EP Summertime! From then on, it became glaringly obvious with their eccentric band members and seemingly effortless style that they possessed an energetic presence. And at their SF show, it didn’t take long for the capacity crowd to fall into a groove as the venue’s whole atmosphere lit up. -Jacqueline Moore, photo by Jacqueline Moore

Miguel

Date: July 23rd
Location: Annenberg Space for Photography – Los Angeles

Once the sun set and Miguel stepped onstage, the audience was transported somewhere else entirely. Born and raised in LA, the 31-year-old’s silky-smooth voice floated through the cool evening breeze over the twinkle lights in the trees, giving the impression of an island retreat rather than a concert in the park. -Rochelle Shipman, photo by Rochelle Shipman

The War on Drugs

Date: August 5th
Location: Apogee Studio – Santa Monica, CA

Granduciel’s raspy voice, as well as his driving (no pun intended) guitar rhythms and reverb-laden riffs, are largely what separates The War on Drugs from the rest in a crowded indie-rock scene, but the sum of the band’s parts — Charlie Hall (drums), David Hartley (bass), Anthony LaMarca (guitar, keyboards), Robbie Bennett (keyboards) and finally Jon Natchez (saxophone, keyboards) — also creates a sound that while familiar, still feels uniquely different. -Josh Herwitt, photo by Larry Hirshowitz

Gorillaz

Date: August 11th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

Easily one of the most anticipated acts of the weekend, Gorillaz’s Humanz tour made its West Coast debut on Day 1 at OSL. After a six-year hiatus, expectations ran extremely high for this headlining performance. On previous tours, the band’s members had played second fiddle to the cartoon projections of their alter egos onstage, but everyone was visible this time around. Several collaborators from Gorillaz’s previous albums, including Kali Uchis, Yukimi Nagano and Del the Funky Homosapien, came out to join them, and the Damon Albarn-led group still pulled some even bigger surprises with cameos appearances from De la Soul and Pusha T. -Molly Kish, photo by James Pawlish

Cage the Elephant

Date: August 12th
Location: Outside Lands Music and Arts Festival, Golden Gate Park – San Francisco

While the cancellation of Queens of the Stone Age was a blow a week prior to the event, the replacement that was lined up more than delivered a blistering set of rock ‘n’ roll. Cage the Elephant are now being widely considered festival-headliner material, and frontman Matt Shultz is making a strong claim for that accolade as he continues to elevate his stage act to near-Mick Jagger levels of pomp and energy. “Come a Little Closer” and “Ain’t No Rest for the Wicked” received hearty sing-alongs from a decidedly youthful crowd as Cage have become a favorite of Generation Z. -Kevin Quandt, photo by Marc Fong

J.I.D

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

While the headliners thrilled as expected, it was at the side “Day” and “Night” stages where the festival’s biggest highlights were generated. J.I.D, the rising Atlanta rapper who is signed to J. Cole’s Dreamville imprint, absolutely thrilled during his set. Dazzling with his rapid-fire and agile flow, J.I.D showed off his ability to command a crowd with songs such as “General” and “EdEddnEddy” before jumping into the crowd for the tempo-changing hit “Never” that left the crowd chanting for “one more song!” -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman

SZA

Date: September 9th
Location: Day N Night Fest, Angel Stadium – Anaheim, CA

Saturday, meanwhile, featured the vintage gospel spirit and warm vibes that have elevated Chicago emcee Chance the Rapper to superstardom. Earlier in the day, SZA, this summer’s breakout star, delivered her first festival performance since the release of her well-received debut album Ctrl. Swaying, spinning and singing her raw emotions and shortcomings while coming of age, the Top Dawg Entertainment songstress didn’t disappoint. -Joseph Gray & Rochelle Shipman, photo by Rochelle Shipman

Bonobo (Live)

Date: September 27th
Location: Greek Theatre – Los Angeles

The real reason things felt different this time around, though, was the music. Extending and reimagining his tracks for easily one of the largest crowds he has ever performed in front of, Bonobo followed an uplifting opening set from Canadian electronic duo Bob Moses with an array of soothing sounds that paired beautifully with his lighting setup and entrancing stage production in the same way Scott Hansen (aka Tycho) creates an awe-inspiring audio-visual experience during his live-band performances. -Josh Herwitt, photo by Josh Herwitt

Coldplay

Date: October 4th
Location: Levi’s Stadium – Santa Clara, CA

Coldplay took the stage shortly before 9 p.m. as a video montage of fans who introduced them as “the biggest band in the world” played onstage. While I’m pretty sure there are a few other artists or groups from their side of the pond (ehem, U2) who might take issue with that claim, they certainly did nothing during their electric, almost two-hour performance to dissuade that sort of thinking. Chris Martin and company, in fact, wasted no time getting down to business, flooding the stadium with confetti and firing off pyrotechnics at a steady clip while opening with “A Head Full of Dreams” and subsequently all throughout the night. -Steve Carlson, photo by Steve Carlson

Broken Social Scene

Date: October 26th
Location: Fox Theater Oakland – Oakland

Here’s the thing about BSS — after 15 years, the web of musicians that makes up the collective have created their own individual projects, from Metric to Stars to Feist to Do Make Say Think to Emily Haines & The Soft Skeleton. And while many of the band’s members who have gone on to find success in their own solo careers didn’t happen to join the group on this particular tour, the sense of professionalism built into the BSS live experience remains prevalent. Every person who stepped onstage demonstrated consummate abilities in their own realms, never missing a beat or a note. -Brett Ruffenach, photo by Norm de Veyra

Filed Under: Best of 2017, Editor's Picks, Featured Tagged With: 21 Savage, Action Bronson, AFI, Air, Alice Cooper, Alina Baraz, Amber Mark Beach Slang, Andrew McMahon in the Wilderness, Animal Collective, Annenberg Space for Photography, Apogee Studio, Atlas Genius, BADBADNOTGOOD, Belle and Sebastian, Best of 2017, Bill Graham Civic Auditorium, Black Moth Super Rainbow, Bleachers, Blonde Redhead, Bob Moses, Broken Social Scene, Cage the Elephant, Car Seat Headrest, Cate le Bon, Chris Robinson, Cigarettes After Sex, Circles Around the Sun, City of Caterpillar, Claude VonStroke, Coachella, Coachella 2017, Coachella Music and Arts Festival, Coldplay, Con Brio, Conor Oberst, Courtney Barnett, Courtney Barnett & Kurt Vile, Crystal Castles, Daniel Caesar, Dawes, Day N Night Fest, Day N Night Fest 2017, Day N Night Festival, Day N Night Festival 2017, Dead Meadow, Deafheaven, Deep Purple, Diet Cig, DIIV, Dirty Dozen Brass Band, Dr. Dog, Dr. Octagon, DREAMCAR, Duke Dumont, Eagles of Death Metal, Electric Guest, Emancipator, Emily King, Empire of the Sun, Fox Theater Oakland, Foxygen, Future Islands, Gabriel Garzón-Montano, Gatecreeper, Girl Talk, Gone Is Gone, Gorillaz, Great American Music Hall, Greek Theatre, Greek Theatre Berkeley, Grizzly Bear, Gucci Mane, Hamilton Leithauser, Hazel English, Hinds, Hiss Golden Messenger, How to Dress Well, Iggy Pop, Isaiah Rashad, J.I.D., Jack Johnson, Jagwar Ma, Jamestown Revival, Jamie Isaac, Jay 305, Jay Som, Jen Cloher, Jessica Hernandez & The Deltas, Jessie Ware, Jim James, Jr. Jr., Julie Byrne, Julien Baker, Justice, k.flay, Karen Elson, Karl Denson's Tiny Universe, Kaytranada, Kelis, Kendrick Lamar, Khalid, Khruangbin, Kilo Kish, King Gizzard and the Lizard Wizard, Kurt Vile, L.A. Witch, La Femme, LANY, Lauv, Lettuce, Levi's Stadium, Lil Yachty, Little Dragon, Lo Moon, Lord Huron, Lorde, Mayan Theater, Miguel, Miike Snow, Milky Chance, Minus the Bear, Mister Heavenly, MO, Moderat, Music Festival Outside Lands Music Festival 2017, Neon Indian, Nicki Bluhm, No Doubt, Noise Pop, Noise Pop 2017, Noise Pop 25, Noise Pop Festival, Norah Jones, North Mississippi Allstars, NVO, Oh Sees, OK Go, Once and Future Band, Outside Lands, Outside Lands 2017, Outside Lands Music Festival, Pallbearer, Passion Pit, Peaches, Perfume Genius, Petit Biscuit, Phoebe Bridgers, Phono Del Sol, Phono del Sol 2017, Phono del Sol Music Festival 2017, Playboi Carti, Pond, Porcelain Raft, Potrero del Sol Park, PRAYERS, Real Estate, Royal Blood, Run The Jewels, Ryan Adams, Sampha, Schoolboy Q, serpentwithfeet, Sheer Mag, Shrine Expo Hall, Sigur Ros, Silversun Pickups, Sleep, Sleigh Bells, Sofi Tukker, Solange, Spiritualized, Spoon, Styles P, Sufjan Stevens, Sunflower Beam, Talib Kweli, Tank and the Bangas, Tash Sultana, Tei Shi, Temples, Tennis, Tennyson, The Accidentals, The Avalanches, The Band Perry, The Coathangers, The Crystal Method, The Drums, The Fillmore, The Hip Replacements, The Masonic, The National, The Palms, The Radio Dept., The Revivalists, The War on Drugs, The xx, Thou, Thundercat, Tobacco, Tool, Touché Amoré, Tove Lo, Travis Scott, Twin Peaks, Ty Segall, Unknown Mortal Orchestra, Vagabon, Vance Joy, Vic Mensa, Warpaint, Weezer, White Fence, Woods, YG, Young The Giant

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2017

December 28, 2017 by The Bam Team 1 Comment

Coldplay at Levi’s Stadium // Showbams’ Photo of the Year, by Steve Carlson

Let’s be frank: 2017 had its ups and downs. And when it came to the political sector in this country, it was mostly the latter during Year 1 of the Trump administration. But as art often does in times of turmoil, music flourished in new and exciting ways. From stripper-turned-rapper Cardi B topping the charts to veteran alt-psych rockers Portugal. The Man filling the airwaves for Top 40 radio stations all over America, there were plenty of unexpected twists and turns this year. Amid all of them, we still managed to consume a healthy diet of music, both live and recorded, and once again it’s time for us to ante up our annual “Best of” lists, much like we have done each of the past few years (see our 2016 picks here).

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2017.

See our favorite performances from 2017 here.

Listen to The Bam Team’s favorite songs of 2017:

Nine Inch Nails at FYF Fest 2017 // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2017
1. Tool at The Gorge Amphitheatre – George, WA – June 17th
What could be a better bachelor party than getting to watch your favorite band at the most scenic outdoor music venue in the U.S.? Seeing any concert at The Gorge would likely be a surreal experience, but my first trip to Washington’s holy grail was that much more special with Tool returning to the amphitheater for the first time since 2006. And even though their gap between albums has stretched to more than 10 years, Maynard and company still know how to elevate the live show to new heights both sonically and visually. Talk about a dream come true for this die-hard fan.

2. Nine Inch Nails at FYF Fest – Los Angeles, CA – July 23rd
3. LCD Soundsystem at Hollywood Palladium – Los Angeles, CA – November 18th
4. Gorillaz at The Forum – Inglewood, CA – October 5th
5. Radiohead at Coachella, Weekend 1 – Indio, CA – April 14th

Top 5 Albums of 2017
1. The War on Drugs – A Deeper Understanding
Adam Granduciel had to know that it would take a monumental effort to match, let alone top, 2014’s Lost in the Dream (one of our favorite albums that year), but The War on Drugs’ primary songwriter and band leader delivered another masterpiece in late August with the release of A Deeper Understanding. It’s an album that will touch your heart and soothe your soul as the LP moves seamlessly from one track to the next, and you’d be hard-pressed to find a much better soundtrack for the road over the last 10-15 years. A Deeper Understanding doesn’t need to win a Grammy in 2018 to validate its legitimacy as an Album of the Year candidate, but it certainly wouldn’t hurt either.

2. Slowdive – Slowdive
3. The xx – I See You
4. The National – Sleep Well Beast
5. Grizzly Bear – Painted Ruins

Top 5 Songs of 2017
1. The War on Drugs – “Holding On”
There’s something about Adam Granduciel’s guitar playing that will make you want to play air guitar, and maybe no better example of that is the second single from The War on Drugs’ fourth studio album A Deeper Understanding. For nearly six minutes, Granduciel takes his listeners on a ride through peaks and valleys, as the song finishes with him doing what he does best: shredding. But what makes “Holding On” even more powerful is its music video starring actor Frankie Faison, who plays a middle-aged man coping with his wife’s passing. It’s a sad, yet touching story written by Granduciel’s girlfriend, Krysten Ritter, that offers an important reminder about love and just how precious it is.

2. Kendrick Lamar – “DNA.”
3. Washed Out – “Hard to Say Goodbye”
4. The National – “The System Only Dreams in Total Darkness”
5. Nine Inch Nails – “Less Than”

Sigur Rós at Greek Theatre Berkeley // Photo by James Nagel

Brett Ruffenach // San Francisco

Top 5 Shows of 2017
1. Solange at FORM Arcosanti – Arcosanti, AZ – May 12th
Taking the stage in the amphitheater of Arcosanti, a scenic artist compound that’s built into the canyons sitting north of Phoenix, Solange and her nine-piece crew brought her critically acclaimed LP A Seat at the Table to life right before our eyes. As an album entrenched in the modern experience of the black woman, Solange’s live production turned these themes into one visually stunning, intricately choreographed and sonically vibrant experience, coupled with a subtle balance of strength and vulnerability. Deep bass, soaring harmonies and tight rhythms made each song a joy to watch, including older hits like “T.O.N.Y.” After a year that was as emotionally taxing as 2017 was, it was a breath of fresh air to watch Solange present her own truth, her own experience with such bravado and mastery.

2. Gorillaz at Outside Lands Music and Arts Festival – San Francisco, CA – August 11th
3. Sigur Rós at Greek Theatre – Berkeley, CA – April 8th
4. Mitski at FORM Arcosanti – Arcosanti, AZ – May 13th
5. Kevin Morby at Great American Music Hall – San Francisco, CA – September 23rd

Top 5 Albums of 2017
1. Father John Misty – Pure Comedy
Pure Comedy captures a different perspective in this politically drenched culture we’re in now — one that chooses to embrace the insanity of it all and laugh, as privileged and unhelpful as that might be. “She’s like, ‘Oh great, that’s just what we all need / Another white guy in 2017 / Who takes himself so goddamn seriously'” croons Josh Tillman. His lyrics in “Leaving LA” are just one of several scores of quotable lines that fill this nihilist-yet-comforting, saddening-yet-hilarious album. Being a privileged white man who lives in a liberal bubble, this album marks the definition of a guilty pleasure for me. Pleasure, because it is sharp, honest and bold. Guilt, because I am capable of even laughing in the first place.

2. Broken Social Scene – Hug of Thunder
3. Sylvan Esso – What Now
4. Lorde – Melodrama
5. Brockhampton – SATURATION II

Top 5 Songs of 2017
1. Courtney Barnett & Kurt Vile – “Over Everything”
Its jangly guitars and wonky rhythm, combined with the chemistry of Courtney Barnett’s and Kurt Vile’s singing and occasional harmonizations, make “Over Everything” my favorite song of 2017. It’s an instant earworm — the cadence of Barnett’s and Vile’s lyricism gives the duo a distinct identity but still allows them to come together at the right moments to make the song feel whole. And after watching them make their live debut at Hardly Strictly Bluegrass earlier this year, they continue to raise my spirits and remind me to wear earplugs.

2. Real Estate – “Darling”
3. Selena Gomez – “Bad Liar”
4. Kendrick Lamar – “DNA.”
5. Bonobo – “Bambro Koyo Ganda”

J.I.D at Day N Night Fest 2017 // Photo by Rochelle Shipman

Rochelle Shipman // Los Angeles

Top 5 Shows of 2017
1. J.I.D at Day N Night Fest – Anaheim, CA – September 9th
The J. Cole-signed rapper proved to be much more than just another name from Atlanta with a nonstop, energetic set that established him as a young goat. Keep tabs on this one.

2. Sonder at The Masonic Lodge at Hollywood Forever – Los Angeles, CA – April 19th
3. Anderson .Paak & The Free Nationals at FYF Fest – Los Angeles, CA – July 21st
4. Gorillaz at Outside Lands Music and Arts Festival – San Francisco, CA – August 11th
5. Erykah Badu at FYF Fest – Los Angeles, CA – July 22nd

Top 5 Albums of 2017
1. Smino – blkswn
This album brings nothing but warm vibes and impressive wordplay from the fast-rising St. Louis emcee. Since it dropped in March, not a week goes by that I don’t bump this debut for me and all my neighbors.

2. Kendrick Lamar – DAMN.
3. Dirty Projectors – Dirty Projectors
4. Phoebe Bridgers – Stranger in the Alps
5. Tyler, the Creator – Flower Boy

Top 5 Songs of 2017
1. Smino – “Anita”
The dude rhymes “ice cream” with “chocolate” and gets away with it. Enough said.

2. Cardi B – “Bodak Yellow”
3. Dirty Projectors – “Up in Hudson”
4. Vince Staples – “Love Can Be…”
5. Phoebe Bridgers – “Funeral”

Andrew Pohl // San Francisco

Top 5 Shows of 2017
1. Slowdive at Fox Theater Oakland – Oakland, CA – October 28th
This was my first time seeing Slowdive, and they completely took my breath away. It was one of those perfect shows in which the sound was on point, the band brought its A game and the visual elements complimented the music just right. They played cuts from their entire catalog, and by the end of the night, the audience was completely happy.

2. Quicksand at Great American Music Hall – San Francisco, CA – September 8th
3. LCD Soundsystem at Bill Graham Civic Auditorium – San Francisco, CA – November 15th
4. Band Together Bay Area: Metallica, G-Eazy, Rancid, Dave Matthews, Dead & Company and Raphael Saadiq at AT&T Park – San Francisco, CA – November 9th
5. Roger Waters at Oracle Arena – Oakland, CA – June 10th

Top 5 Albums of 2017
1. Slowdive – Slowdive
A totally perfect album from start to finish. There have been a lot of bands that have emulated Slowdive’s dream-pop/shoegaze sound over the past few years, but this album, their first in 22 years, proves why the UK group is one of the genre’s true originals. Lush soundscapes, paired with gorgeous vocals, made for what was easily my most-listened-to album of the year.

2. LCD Soundsystem – American Dream
3. Quicksand – Interiors
4. Versing – Nirvana
5. Hobosexual – Monolith

Top 5 Songs of 2017
1. Quicksand – “Illuminant”
I had been waiting so patiently for the new Quicksand album to drop, and when they released this single, it was one of those completely satisfying musical moments. From that opening riff to the breakdown, “Illuminant” showcases the post-hardcore band’s evolution since the early 90’s while remaining true to its roots. Interiors is a fantastic album front to back, but this song is the one that stands out the most.

2. Slowdive – “Star Roving”
3. Elbow – “Magnificent (She Says)”
4. LCD Soundsystem – “Call the Police”
5. Versing – “Body Chamber”

Filed Under: Best of 2017, Editor's Picks, Featured Tagged With: Anderson .Paak, Anderson .Paak & The Free Nationals, AT&T Park, Band Together Bay Area, Band Together Bay Area 2017, Best of 2017, Bill Graham Civic Auditorium, Bonobo, Brockhampton, Cardi B, Coachella, Coachella 2017, Coachella Music and Arts Festival, Courtney Barnett, Courtney Barnett & Kurt Vile, Dave Matthews, Dead & Company, Dirty Projectors, Elbow, Erykah Badu, FORM Arcosanti, FORM Arcosanti 2017, FYF, FYF Fest, FYF Fest 2017, G-Eazy, Gorge Amphitheatre, Gorillaz, Great American Music Hall, Greek Theatre Berkeley, Hardly Strictly Bluegrass, Hardly Strictly Bluegrass 2017, Hobosexual, Hollywood Forever, Hollywood Palladium, Kendrick Lamar, Kevin Morby, Kurt Vile, LCD Soundsystem, Lorde, Masonic Lodge, Masonic Lodge at Hollywood Forever Cemetery, Metallica, Mitski, Music Festival Outside Lands Music Festival 2017, Nine Inch Nails, Oracle Arena, Outside Lands, Outside Lands 2017, Outside Lands Music Festival, Phoebe Bridgers, Queens of the Stone Age, Quicksand, Radiohead, Rancid, Raphael Saadiq, Real Estate, Roger Waters, Selena Gomez, Sigur Ros, Slowdive, Smino, Sonder, Sylvan Esso, The Forum, The Gorge, The Gorge Amphitheatre, The National, The War on Drugs, The xx, Tyler the Creator, Versing, Vince Staples

Sigur Rós induce goosebumps with their emotive performance at the Greek Theatre Berkeley

April 11, 2017 by Mike Frash Leave a Comment

Photos by James Nagel // Written by Mike Frash //

Sigur Rós //
The Greek Theatre – U.C. Berkeley
April 8th, 2017 //

The slow-burning, epic grandeur of Sigur Rós was on full display in Berkeley last Saturday night as the Icelandic group made its Bay Area fans feel a massive range of emotions, from meditative moments to outright joyousness. No matter what the decibel level was coming from the stage, this audience absorbed each song in a cerebral way, with solemn respect.

The Berkeley show pulled a fairly even amount of favorites, as the Sigur Rós live spectacle has become a two-set event with no opener since last year. The first set felt like a proper warm-up, grounding us in the Greek Theatre’s immaculate sound. But the second set brought heavenly satisfaction and micro-concussion blasts of beauty from such songs as “Starálfur”, “Festival” and my personal favorite, the first track off of their (Untitled) album known as “Vaka”.

This tour has been building up to Sigur Rós’ special performances this week in Los Angeles, where they’ll perform alongside the LA Philharmonic for the first set with arrangements by Dan Deacon, Anna Meredith, Own Pallett and many more. This Friday (April 14th), you can teleport yourself to the show with Pitchfork’s live stream of this momentous event. It’s the first time the band has performed with an orchestra in 15 years, so don’t miss it!

Set 1:
Á
Ekki Múkk
Glósóli
E-Bow
Dauðalagið
Niður
Smáskifa

Set 2:
Óveður
Starálfur
Sæglópur
Ný Batterí
Vaka
Festival
Kveikur
Fljótavík
Popplagið

Filed Under: Featured, Photos Tagged With: Greek Theatre Berkeley, Jónsi, LA Philharmonic, Los Angeles Philharmonic, Sigur Ros

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2016

December 29, 2016 by The Bam Team Leave a Comment

Danny Brown at The Regency Ballroom // Showbams’ Photo of the Year, by James Pawlish

Time flies when you’re having fun, right? Well, while we’re still wondering where the past 12 months have went, 2016 proved to be bittersweet for the entire music community. With David Bowie, Glenn Frey, Paul Kanter, Phife Dawg, Merle Haggard, Prince, Leonard Cohen, Sharon Jones and most recently George Michael all leaving us too soon, it’s been a rough ride to say the least. But amid all the heartbreak, we experienced plenty of amazing moments in music from January to December, and now it’s time for us to once again unveil our annual “Best of” lists just like we did in 2015.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2016.

The 25 Best Live Music Acts of 2016

Listen to The Bam Team’s favorite songs of 2016:

Jim James at Orpheum Theatre // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2016
1. LCD Soundsystem at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 8th
When reports started swirling around this time last year that LCD Soundsystem would reunite to headline Coachella a few months later, it was a chance to relive that one time I saw them on the same polo fields six years earlier — the only time I was lucky enough to see James Murphy and company in action before they called it quits way too early. And while band reunions at Coachella are starting to feel like a gimmick these days, LCD had already played a couple of warm-up shows back home in New York by the time they stepped foot on the main stage for their highly anticipated headlining set at the Empire Polo Club. They didn’t perform any new material like some fans may have hoped they would, but rather a setlist laced with hits that also included their live debut of David Bowie’s “Heroes” as well as a nod to fellow headliner Guns N’ Roses. And as the final words to “All My Friends” left Murphy’s mouth that night, I walked away still buzzing from what I had just witnessed.

2. Radiohead at Shrine Auditorium – Los Angeles, CA – August 8th
3. Jim James at Orpheum Theatre – Los Angeles, CA – December 9th
4. Temple of the Dog at The Forum – Inglewood, CA – November 14th
5. Pretty Lights (Live) at Santa Barbara Bowl – Santa Barbara, CA – November 10th

Top 5 Albums of 2016
1. Moderat – III
With so many excellent albums being released each year, picking a favorite is never an easy task — but this year felt even more difficult than usual. And although I’ll admit I didn’t have time to hear every LP that dropped in 2016, it was hard not to choose Moderat’s latest studio effort after much thought and consideration. Time after time, I found myself coming back to III after countless listens. From the record’s opening track “Eating Hooks” to its initial single “Reminder”, the Berlin trio seems to get better and better with each release. As difficult as it can be to describe Moderat’s music, there’s something about the way Sascha Ring’s emotive vocals pair perfectly with the supergroup’s haunting melodies that makes III‘s repeatability incredibly strong. I guess the third time really is the charm for these three gents.

2. Jim James – Eternally Even
3. Anderson .Paak – Malibu
4. Radiohead – A Moon Shaped Pool
5. Kendrick Lamar – untitled unmastered

Top 5 Songs of 2016
1. Jim James – “Here in Spirit”
My Morning Jacket frontman Jim James often receives praise for his unique singing style, but the Louisville native’s songwriting chops remain equally impressive. On his sophomore solo album Eternally Even, James takes a more political stance than what he devised for his 2013 debut Regions of Light and Sound of God. What results is some of James’ most poignant and inspiring material to date, including the soulfully psychedelic cut “Here in Spirit” that bats third in the LP’s nine-track lineup. With lines like “No compromise / But willing to sacrifice / Believe what you want / Go on and be who you are / Go out and get what you want” to open the song, James empowers his listeners to not sit on the sidelines and instead, speak up for what they believe in. He might not be able to solve the world’s problems, but “Yim Yames” knows how to make you think about the issues that matter.

2. Moderat – “Reminder”
3. Glass Animals – “Youth”
4. Tycho – “Division”
5. Run the Jewels – “Legend Has It”

Brainfeeder at Fox Theater Oakland // Photo by Marc Fong

Molly Kish // San Francisco

Top 5 Shows of 2016
1. Brainfeeder at Fox Theater Oakland – Oakland, CA – September 15th
This showcase featuring artists from Flying Lotus’ label, including himself, was an experience to behold. No matter who you went to see on this night, eyes were opened and brains were fed — so to speak — thanks to the sonic diversions that continue to make Brainfeeder one of the most important players in shaping the future of music.

2. Danny Brown at The Regency Ballroom – San Francisco, CA – October 11th
3. James Blake at Fox Theater Oakland – Oakland, CA – October 17th
4. Erykah Badu at The Warfield – San Francisco, CA – November 15th
5. Black Madonna at Public Works SF – San Francisco, CA – November 18th

Top 5 Albums of 2016
1. Anderson .Paak – Malibu
Elevating the current state of hip-hop by ultimately bringing it back to its jazz roots, Malibu finally brought Anderson .Paak the credit he sorely deserved. The 16-track album boasts an intricately curated, eclectic roster of recording, production and songwriting talent. Easily the most important sophomore full-length release of the year, Malibu opened a brand-new door to a musical stratosphere that .Paak was born to commandeer.

2. Kendrick Lamar – untitled unmastered
3. Kanye West – The Life of Pablo
4. The Avalanches – Wildflower
5. A Tribe Called Quest – We Got It From Here… Thank You 4 Your Service

Top 5 Songs of 2016
1. Solange – “Cranes in the Sky”
Another career-skyrocketing release of 2016 that was introduced to the world through this single, “Cranes in the Sky” helped bring attention to “the younger Knowles sister” as a force to be reckoned with. Amidst a track list of powerful ballads and political anthems, this song delivers a personal testimony of introspection that humanizes Solange in a way most artists are too afraid to convey. The track, which was delivered through a series of avant-garde music videos, shook the world of modern soul and R&B with one of 2016’s most influential power moves.

2. Chance the Rapper – “All Night”
3. Blood Orange – “Best to You”
4. Kaytranada – “LITE SPOTS”
5. Flume – “Never Be Like You” feat. Kai

YG at The Wiltern // Photo by Joseph Gray

Joseph Gray // Los Angeles

Top 5 Shows of 2016
1. Kanye West at The Forum – Inglewood, CA – November 1st
Prior to its bizarre, abrupt ending that included a long-winded tirade critical of Beyoncé and some outspoken support for President-elect Donald Trump, Kanye West’s “Saint Pablo Tour” was a once-in-a-lifetime party. Seriously. In LA, the show featured a floating, illuminated and spaceship-like stage that traveled back and forth — while raging youngsters moshed below — to give everybody a great view of their favorite contradiction and/or superhero, who was later hospitalized due to a reported “psychiatric emergency.” With the elevated platform, a smiling and dancing West manned through his conflicts, happiness and faith, reminding us of why he provides the unmistakable feel-good vibes that only he can bring.

2. Young Thug at The Fonda Theatre – Los Angeles, CA – May 16th
3. Isaiah Rashad at Echoplex – Los Angeles, CA – November 14th
4. Jhene Aiko at Avalon Hollywood – Los Angeles, CA – November 21st
5. YG at The Wiltern – Los Angeles, CA – November 29th

Top 5 Albums of 2016
1. Anderson .Paak – Malibu
The unearthed gem on rap legend Dr. Dre’s long-awaited Compton opus a year prior, Southern California rapper, singer, songwriter and multi-instrumentalist (he really does it all) Anderson .Paak kicked open the door to his fully-formed world of warm, unbridled expressiveness and raspy soul with Malibu. Brilliantly combining funk and jazz-filled triumphs (“Come Down”) and hip-hop’s reflective grit (“The Season/Carry Me”) with distinct and sprawling elegance (“Room in Here”), .Paak unquestionably put his mark on 2016. A detailed dot (just like the one in .Paak’s moniker), you better not forget it because Malibu proved that you have to pay attention to everything his name is attached to.

2. A Tribe Called Quest – We Got It From Here… Thank You 4 Your Service
3. Young Thug – Jeffery
4. NxWorries – Yes Lawd!
5. Kanye West – The Life of Pablo

Top 5 Songs of 2016
1. A Tribe Called Quest – “We the People…”
In a year drenched in political prejudices and panic for many citizens in the U.S., Q-Tip roared through the darkness over the funkiest of synths: “We don’t believe you ’cause we the people / Are still here in the rear / Yo, we don’t need you.” A message that echoed even louder after the presidential election, one of the standouts tracks from their celebrated final LP We Got It From Here… Thank You 4 Your Service invigorates a culture seemingly under attack more than ever.

2. Anderson .Paak – “Come Down”
3. Kanye West – “Real Friends”
4. Anderson .Paak – “Room in Here” feat. The Game & Sonyae Elise
5. Kendrick Lamar – “untitled 07 | 2014 – 2016”

Radiohead at Outside Lands 2016 // Photo by by James Pawlish

Brett Ruffenach // San Francisco

Top 5 Shows of 2016
1. Kanye West at T-Mobile Arena – Las Vegas, NV – October 29th
In some ways, there’s an unspoken hierarchy to the live-concert experience. The structure is simple — the closer you are to the front of the stage, the better your experience is, the bigger the fan that you are. Only the “rail riders” are the truest fans. In my experience seeing Kanye West’s “Saint Pablo Tour” in Las Vegas — a performance that ended up being one of his last uninterrupted shows prior to a breakdown and a subsequent cancellation of several future dates — he not only completely destroyed the hierarchy, he reinvented what a concert can be. Under a floodlight-filled sky, he spent 90 minutes on a floating stage playing a nonstop show that brought out a level of hype in the crowd I’m not sure I’ve ever seen before. On the floor, underneath the stage, you are instantly a part of the performance. As the stage moved back and forth across the arena, West captured a sense of connection with fans, making it nearly impossible to not scream every damn word to every damn song. It was an emotional roller coaster filled with adrenaline (“Black Skinhead”, “Father Stretch My Hands”), joy (“Waves”, “Fade”), swagger (“Can’t Tell Me Nothing”, “Heartless”) and some transcendent moments so intense during reworked songs like “Only One” and “Ultralight Beam” that many in the crowd (myself included) couldn’t help but be brought to tears. I’ve never seen a concert like this one and will probably never see something like it again. But for those 90 minutes as I jumped and sang with my brothers and friends, there was no world outside of Kanye’s floating stage. It’s a memory that I will cherish for the rest of my life as Kanye proved to us there is no hip-hop artist in the world doing what he’s doing.

2. LCD Soundsystem at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 8th
3. Beyoncé at Levi’s Stadium – Santa Clara, CA – May 16th
4. Tame Impala at Greek Theatre Berkeley – Berkeley, CA – September 3rd
5. Air at Outside Lands Music and Arts Festival – San Francisco, CA – August 6th

Top 5 Albums of 2016
1. The Avalanches – Wildflower
I really enjoy albums that can be experienced as one cohesive piece. Twelve years in the making, The Avalanches’ Wildflower is best experienced in one listen from start to finish. Using a near-plethora of samples from both ends of the musical spectrum, the Australian plunderphonics pioneers wove together a soundscape that’s not only textured and groovy, but also just plain old fun. From “Because I’m Me” and “Frankie Sanatra” to “Subways” and “If I Was a Folkstar”, the feel and experience of listening to Wildflower simply fills me with joy. After a year like 2016, it’s something we all needed.

2. Radiohead – A Moon Shaped Pool
3. Beyoncé – Lemonade
4. Anderson .Paak – Malibu
5. The Range – Potential

Top 5 Songs of 2016
1. Radiohead – “Present Tense”
In a serene moment watching Thom Yorke and Co. play a live rendition of “Present Tense” at Outside Lands, I first thought to myself that this may be one of Radiohead’s best tracks. Ever. Their stripped-down rendition featuring Johnny Greenwood solidified that thought. “Present Tense” seems to capture all of the things I find most appealing about Radiohead: complex and beautiful chord progressions, subtle and complimentary percussion, and melancholy lyrics and ambient sounds creating a sense of space that no other band I know is capable of producing in a studio or on a stage. It’s an introspective song that blooms into a plea for a return to what was once had with “in you I’m lost …” That melody gives me goosebumps every time.

2. Blood Orange – “Best to You”
3. Brian Eno – “Fickle Sun (iii) I’m Set Free”
4. Hundred Waters feat. Chance the Rapper – “Show Me Love”
5. DJ Shadow feat. Run the Jewels – “Nobody Speak”

Anderson .Paak at South by Southwest 2016 // Photo by Rochelle Shipman

Rochelle Shipman // Los Angeles

Top 5 Shows of 2016
1. Anderson .Paak & the Free Nationals at South by Southwest – Austin, TX – March 18th
Anderson .Paak played 13 shows in three or four days at SXSW this year. The Pandora show was one of his last ones, so he and his bandmates had their set down to blind perfection and played their hearts out to 150 new fans as the sun went down. Austin was falling in love with .Paak right in front of his eyes, electrifying his performance and even bringing him down into the audience to crowd surf. When he wasn’t behind the drums, he spent the rest of the show dancing on the monitors in between the barrier and the stage, seemingly as close to is fansh as possible. He was just grateful to be there, and it spilled from every ounce of his body. I’m going to be completely honest: I went to SXSW this year to see .Paak because I knew once he played it, tickets to his shows would be impossible to get. Six months later, $30 tickets to his show in San Francisco at The Fillmore resold for upwards of $400. If you didn’t have another way to get into that show or rent to pay, it was worth it. The energy that comes out of .Paak while he’s performing is charming, infectious and unmatched. He splits his time roaming every inch of the stage and behind his drum set, often singing and rapping without missing a beat. At .Paak’s December show at the Hollywood Palladium in LA, Stevie Wonder came out not to sing, but to tell the crowd what a big fan he is. So basically, Stevie Wonder dropped by. OK, Anderson … we see you.

2. Conor Oberst at The Cathedral Sanctuary at Immanuel Presbyterian Church – Los Angeles, CA – December 17th
3. Chance the Rapper at Outside Lands Music and Arts Festival – San Francisco, CA – August 7th
4. Islands at Masonic Lodge at Hollywood Forever Cemetery – Los Angeles, CA – June 9th
5. Animal Collective at Scala – London, UK – September 8th

Top 5 Albums of 2016
1. Anderson .Paak – Malibu
Anderson .Paak has put out a lot of material, even before he was Anderson .Paak and went by Breezy Lovejoy. There are gems sprinkled throughout his early releases, but his latest studio album has a funky backbone that lets .Paak explore aspects of his range that he never shared before. It resulted in a rhythmic, emotional journey that’s flirty, genre-defiant and fun as fuck. Malibu nearly ruined music for me because nothing else is it.

2. Vince Staples – Prima Donna
3. Conor Oberst – Ruminations
4. Gallant – Ology
5. Noname – Telefone

Top 5 Songs of 2016
1. Childish Gambino – “Redbone”
I like Childish Gambino. I’ve always liked Childish Gambino. But the first time I heard his song “Redbone”, every hair on my body stood up and started grooving. It happened the second time and the third time, and even the 643rd time. And this dude is singing about peanut butter chocolate cake with Kool Aid, but because of how he’s singing about it, it’s somehow OK. I made a playlist with only this song on it 20 times over and it was still too short.

2. Anderson .Paak – “The Waters”
3. Sonder – “Too Fast”
4. Danny Brown – “Really Doe” feat. Kendrick Lamar, Ab-Soul & Earl Sweatshirt
5. Mac Miller – “Dang!” feat. Anderson .Paak

Tame Impala at Greek Theatre Berkeley // Photo by James Pawlish

Andrew Pohl // San Francisco

Top 5 Shows of 2016
1. The Cure at Shoreline Amphitheater – Mountain View, CA – May 26th
I saw a ton of amazing shows this year, but seeing The Cure for the first time on my birthday topped them all. For more than three hours I got to catch Robert Smith and company churn out hit after hit, and hanging out with some of my best mates only added to the splendor. A setlist that spanned their entire career on a beautiful evening was just what I needed for my 38th trip around the sun.

2. Tool at Bill Graham Civic Auditorium – San Francisco, CA – January 7th
3. At the Drive-In at The Warfield – San Francisco, CA – June 4th
4. Tame Impala at Greek Theatre Berkeley – Berkeley, CA – September 3rd
5. Temple of the Dog at Bill Graham Civic Auditorium – San Francisco, CA – November 11th

Top 5 Albums of 2016
1. A Tribe Called Quest – We Got It From Here… Thank You 4 Your Service
This is the album that we needed, and it was delivered at the right time, in the right way. For a year that had taken so much away from the music world, ATCQ surprised everyone with an LP that delivered a vibrant, thoughtful and politically charged gift to the masses. No guys, thank YOU for your service (RIP Phife Dawg).

2. Mitski – Puberty 2
3. David Bowie – Black Star
4. Mall Walk – Funny Papers
5. Tycho – Epoch

Top 5 Songs of 2016
1. David Bowie – “Lazarus”
Oh, Bowie … even on the eve of your own passing, you knew how to pull out all of the stops and push your art to the limit. A true showman and artist to the end, this song encapsulates all that is raw, beautiful and bizarre about our beloved Ziggy Stardust. Its somber tone is met with a sexy, sinister groove, which leaves you with a sense of unease and is honestly perfect in my opinion. Thank you, sir. RIP.

2. Bob Moses – “Tearing Me Up”
3. Savages – “Evil”
4. Zack de la Rocha – “digging for windows”
5. Deep Sea Diver – “Secrets”

Filed Under: Best of 2016, Editor's Picks, Featured Tagged With: A Tribe Called Quest, Ab-Soul, Air, Anderson .Paak, Animal Collective, At the Drive-In, Best of 2016, Beyonce, Bill Graham Civic Auditorium, Blood Orange, Bob Moses, Brainfeeder, Brian Eno, Chance The Rapper, Childish Gambino, Chris Cornell, Coachella, Coachella 2016, Coachella Music and Arts Festival, Conor Oberst, Danny Brown, David Bowie, Deep Sea Diver, DJ Shadow, Earl Sweatshirt, Flume, Flying Lotus, Fox Theater Oakland, Gallant, Glass Animals, Greek Theatre Berkeley, Guns N' Roses, Hollywood Forever Cemetery, Hundred Waters, Islands, Jim James, Kanye West, Kaytranada, Kendrick Lamar, LCD Soundsystem, Mac Miller, Mall Walk, Masonic Lodge, Masonic Lodge at Hollywood Forever Cemetery, Mitski, Moderat, My Morning Jacket, Noname, Orpheum Theatre, Outside Lands, Outside Lands 2016, Outside Lands Music Festival 2016, Parliament-Funkadelic, Pearl Jam, Pretty Lights, Radiohead, Run The Jewels, Santa Barbara Bowl, Savages, Scala, Shoreline Amphitheatre, Shrine Auditorium, Solange, Sonder, Tame Impala, Temple of the Dog, The Avalanches, The Cathedral Sanctuary at Immanuel Presbyterian Church, The Cure, The Forum, The Range, The Warfield, Tool, Tycho, Vince Staples, Zack de la Rocha

With confetti and fractals, Tame Impala blow minds at the Greek Theatre Berkeley

September 8, 2016 by Molly Kish Leave a Comment

Photos by James Pawlish // Written by Molly Kish //

Tame Impala with Unknown Mortal Orchestra //
The Greek Theatre – U.C. Berkeley
September 3rd, 2016 //

Any time your photographer is told “try not to get your head blown off by the confetti canons” while shooting from the photo pit, you know you’re in for a great night. Yet, at the same time, associating that admonition with a couple of bands who describe their sound as “dadwave” or “epiphany pop” is something quite out of the ordinary.

Last weekend, the Greek Theatre Berkeley hosted back-to-back, sold-out nights with two of the biggest names in neo-psychedelic rock. With both bands paying homage to founders of the genre while paving the way for a new generation of psych-rock enthusiasts, opening act Unknown Mortal Orchestra and headliner Tame Impala blew the minds of those present as they each instilled a familiar, yet phantom sense of nostalgia, recalling an era and musical footnote way beyond the scope and lifespans of most in attendance.

At face value, the bill already had the promise of creating somewhat “heady” vibes and the subsequent anticipation of funk-infused guitar jams with orchestrated nods to the history of Bay Area psychedelia. Wasting no time after jumping onstage, Unknown Mortal Orchestra filled their late-afternoon set with crowd favorites and a spot-on cover of the Grateful Dead’s “Shakedown Street”. The four-piece briefly transported the crowd back to the summer of ’78 as the fog rolled in over a clear panorama of the Golden Gate Bridge and the California sun set in a twilight haze over the Greek, paving the way perfectly for Tame Impala to take the stage.

Unknown Mortal Orchestra

When I ran into our photographer (who gave us the aforementioned warning/spoiler alert) in between sets, it only further verified the collective excitement and anticipation that you could sense amongst the capacity crowd. Besides the pit dwellers, who were holding their ground and watching/cheering along to a solitary fan playing the “water bottle flip” game in the seats above, crowd members scrambled to get a spot for the main attraction. From Tame Impala’s set design, you could immediately tell that Kevin Parker and company had brought the same stage production that they showed off the weekend before in Los Angeles at FYF Fest.

As they opened with the dream-inducing interlude “Nangs” from their latest studio album Currents, Tame Impala gave the crowd an ample minute and a half to commit to the spatial surroundings before jumping full throttle into an explosive rendition of lead single “Let It Happen,” playing the tracks in reverse order than they are on the LP.

By the third song (as promised), the sky, having just turned black, was filled with a stadium’s worth of rainbow confetti as the band played the opening chords of 2012’s psuedo love ballad “Mind Mischief”. Followed by a rare performance — only the second time in three years — of “Music to Walk Home By” from 2012’s Lonerism, Tame Impala played a wide range of emotive classics while scrambling the brains of more than 8,500 audience members with their intense onslaught of sensory-overloading imagery and hypnotic light show.

Kevin Parker of Tame Impala

Midway through their show, Tame Impala broke out into an elongated jam of the rare funk cut “Daffodils”, a Mark Ronson song off his 2015 solo LP Uptown Special that Parker contributed vocals on. They finished up strong, running through hit after hit from all three of their albums and wasting no time bantering between songs and instead, focusing on the sonic journey they were conducting over the spellbound crowd. As they ended their set with an encore featuring Lonerism single “It Feels Like We Only Go Backwards” and recent crossover hit “New Person, Same Old Mistakes” from Currents, fans collectively swayed and sang along to every lyric at the top of their lungs.

It’s hard to believe that only two years ago, these bands were headlining clubs and theaters throughout the Bay Area — and now, they have skyrocketed to a level of success that even Parker himself has had a hard time fathoming. After seeing how both bands commanded a sold-out crowd at one of the most legendary venues in Northern California though, I doubt there will be any slowing down from them in their near future.

As I left the Greek with my friends, we talked about how many millennials will likely look back on both bands as their modern-day Pink Floyd or their The Smile Sessions-era Beach Boys. And for a second, I felt comforted by that idea. If Tame Impala and Unknown Mortal Orchestra are the ones who will be carrying that torch, I look forward to seeing how they further that flame.

Setlist:
Nangs
Let It Happen
Mind Mischief
Music to Walk Home By (partial)
Why Won’t You Make Up Your Mind?
Why Won’t They Talk to Me?
The Moment
Elephant
The Less I Know the Better
Daffodils (Mark Ronson cover)
Eventually
Yes I’m Changing
Alter Ego
Oscilly
It Is Not Meant to Be
Apocalypse Dreams

Encore:
Feels Like We Only Go Backwards
New Person, Same Old Mistakes

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: Greek Theatre Berkeley, Tame Impala, Unknown Mortal Orchestra

Deftones make their case in Berkeley that they’re still a force to be reckoned with

August 31, 2016 by Andrew Pohl 1 Comment

Photos by Mike Rosati // Written by Andrew Pohl //

Deftones with YelaWolf, Sister Crayon //
The Greek Theatre – U.C. Berkeley
August 26th, 2016 //

Toward the middle of their headlining set at the Greek Theatre Berkeley last Friday, Deftones frontman Chino Moreno took a moment to thank the audience for attending, pointing out that early on in their career, they would often venture south from their home base of “Sacto” (or Sacramento for the normies) to play at the tiny, gone-but-not-forgotten club Berkeley Square (as evidenced here).

Soaking in the crowd like a solid pull off of a bottle of bourbon, the band continued their full-frontal assault, giving it their all and sparing no one. This is just one of the things that makes a band like Deftones a continual hit with the masses. Between their ever-evolving brand of metal and their never-a-dull-moment live show, the icing on the cake has always been their willingness to include the audience, clearly jiving off of its energy in synergistic fashion. Historically, Deftones have always acknowledged the importance of the relationship between the band and the audience, and this night was no different.

I’ve seen Deftones several times over the years, in a variety of venues. I caught them in an outdoor setting when they played at the Warped Tour many moons ago, but this was a much better space to catch the band. Warming up the audience were Sacramento electronic duo Sister Crayon, followed by Alabama hip-hop artist YelaWolf.

A two-piece act from Sacramento, Sister Crayon performed a 30-minute set of electronic-inspired trip-hop, showcasing singer Terra Lopez’s soulful tone that was accompanied by programmer Dani Fernandez’s skilled song-smithing. YelaWolf was up next, offering up his aggressive hip-hop stylings that were peppered with rock and industrial (but certainly not nü-metal) elements. He managed to get the crowd engaged several times with an a cappella rendition of the Garth Brooks classic “Friends in Low Places” and by encouraging audience members to raise their lighters/cell phones in unison to honor the victims of war, racism and police violence.

Deftones came out to a wanting audience; the anticipation was palpable. Going directly into their barn-burner of a song “Rocket Skates”, the pit was whipped into a frenzy and nary an audience member wasn’t screaming along to the chorus chant “GUNS! RAZORS!! KNIVES!!!” Keeping the energy level up, the group jumped right into “Geometric Headdress” followed by what was surely a crowd favorite, the classic and beautiful “Be Quite and Drive (Far Away)” from their sophomore album Around the Fur.

The band was tight, punchy and engaging. Guitarist Stephan Carpenter held down his side of the stage, and if I can use a Who reference, playing John Entwistle to Moreno’s Roger Daltrey and Abe Cunningham’s Keith Moon. Speaking of Cunningham, the criminally underrated drummer was in peak form, laying down bombastic beats with precision. Bassist Sergio Vega’s low end was a bit subdued in the mix, but given the outdoor setting, that was to be expected. In contrast, this was one of the few times I have been able to really catch the additions that keyboardist/turntablist/beat-maker Frank Delgado was contributing.

As they moved around their two-decade-old catalog, Deftones kept a solid balance of their more energetic and brutal tunes (“Rickets”, “Swerve City”, “Diamond Eyes”, “Gore”) with their more delicate but still heavy songs (“Digital Bath”, “Rosemary”, “(L)MIRL”). Switching between playing guitar and strictly vocals, Moreno would often venture out onto a catwalk closer to the pit to join the audience as he is known to do. At one point, he crowd-walked into the pit for a scream-along with a gang of arms reaching out to get as close as possible.

Appropriately, Deftones dedicated their song “Prince” to the recently, tragically fallen musical legend, in which the stage was drowned in a wash of purple lighting. The set ended in a trio of sing-along favorites from my favorite album White Pony: “Knife Prty”, “Change (In the House of Flies)” and “Passenger”, with nearly every audience member gladly assuming Tool vocalist Maynard James Keenan’s vocal part on the latter.

For an encore, the band whipped through four early-catalog tunes: “My Own Summer (Shove It)”, “Headup”, “Bored”, and “Engine No. 9”. This was a treat for anyone who has been along for the ride with the band since its early days. I was pleased with the collection of songs that Deftones offered up this evening, pulling from seven of their eight albums, the only one left out being their self-titled LP.

I overheard a few folks who weren’t that stoked, saying they felt the band lacked energy, but I respectfully disagree. Deftones are one of those rare beasts that have managed to make music on their own terms throughout their entire career, developing their signature sound that often has been imitated but never replicated. Given how much of a workhorse they have been as a band and also how much the individual members are, plus how vast their catalog is, I feel that they did a great job keeping the show engaging and providing something for everyone.

Setlist:
Rocket Skates
Geometric Headdress
Be Quiet and Drive (Far Away)
Rickets
Diamond Eyes
Rosemary
Swerve City
Gore
Kimdracula
Digital Bath
Prince
(L)MIRL
Knife Party
Change (In the House of Flies)
Passenger

Encore:
My Own Summer (Shove It)
Headup
Bored

Filed Under: Featured, Live Music Reviews Tagged With: Deftones, Greek Theatre Berkeley, Sister Crayon, Yelawolf

If the Greek Theatre Berkeley had a roof, Florence + The Machine would have blown it off

October 26, 2015 by James Nagel 2 Comments

By James Nagel //

Florence + The Machine with The Ghost of a Saber Tooth Tiger //
Greek Theatre – U.C. Berkeley
October 22nd, 2015 //

Florence + The Machine spent two nights at the Greek Theatre Berkeley last week, and what a show it was on Thursday evening. Here are some thoughts from the performance:

• When I arrive at the venue, the place is packed. Opening the show, The Ghost of a Sabre Tooth Tiger have just started playing to a near-capacity crowd. At least at this point, there is still some room to walk around.

• The Ghost of a Sabre Tooth Tiger seems to be an odd choice to open for Florence + The Machine. Psychedelic and much less refined, the audience appeared rather indifferent while watching the band, which was founded by Sean Lennon (son of John) and Charlotte Kemp Muhl.

• The pit is closed for photo access, so looks like I will be shooting this show from the back of the bowl.

• More people file in, and there’s a ton of security. Any space open is quickly occupied. It’s like musical chairs when the music stops.

• You might already know this, but Florence Welch has an amazing voice.

• You know those art installations made of hundreds of metal squares that move with the wind? They have those that are 30 feet by 30 feet, and they look pretty cool as the band continues to play.

• I have not seen this many people at the Greek before. Everyone is loving the show.

• Welch does a lap around the inside ring of the bowl, stopping briefly at the sound stage. What a cool moment.

• Damn, Welch has an amazing voice.

Filed Under: Featured, Photos Tagged With: Florence & the Machine, Greek Theatre Berkeley, The Ghost of a Saber Tooth Tiger

Mad Decent Block Party takes over a sold-out Greek Theatre Berkeley

September 26, 2015 by The Bam Team Leave a Comment

By Mike Rosati //

Mad Decent Block Party //
Greek Theatre – U.C. Berkeley
September 11th, 2015 //

Los Angeles-via-Philadelphia record label Mad Decent has been throwing its increasingly popular block-party series for the last seven years, starting as a free event in 2008 before charging admission for the first time in 2014.

The label, which was spearheaded originally by producer, DJ, songwriter and why of course infamous shit talker Diplo, stepped up its block-party game in 2015, impressively selling out the Greek Theatre at U.C. Berkeley earlier this month with an electronic-heavy bill of artists.

Headlined by Diplo’s reggae/dancehall/moombahton side project Major Lazer, the Northern California version of this year’s Mad Decent Block Party also featured sets from CL, RL Grime, What So Not, Thomas Jack, Giraffage and Slaptop.

Mad Decent Block Party - Greek Theatre Berkeley

Filed Under: Featured, Photos Tagged With: 2015 Mad Decent Block Party, CL, Diplo, Giraffage, Greek Theatre Berkeley, Mad Decent Block Party, Major Lazer, RL Grime, Slaptop, Thomas Jack, What So Not

Tedeschi Trucks Band get summer started early at the Greek with Sharon Jones & the Dap-Kings

June 12, 2015 by The Bam Team Leave a Comment

Derek Trucks

By Kory Thibeault //

Tedeschi Trucks Band with Sharon Jones & the Dap-Kings, Doyle Bramhall II //
Greek Theatre – U.C. Berkeley
June 6th, 2015 //

The “Wheels of Soul” tour rolled into the Greek Theatre last Saturday, bringing with it the sublime sounds of Doyle Bramhall II, Sharon Jones & the Dap-Kings and Tedeschi Trucks Band.

Bramhall set the tone for the evening, ripping right into his guitar, which he plays left-handed and strung upside down, and bending his strings downwards rather than up. Bramhall’s style of playing, his unique sound and his aptitude for shredding put him on the radar of rock legends like Roger Waters and Eric Clapton, whom he has shared the stage with. Furthermore, the band backing his powerhouse blues licks helped successfully land each song.

Doyle Bramhall II

Jones, meanwhile, is explosive. She is a source of pure soul. She ranks among my favorite vocalists, right up there with Mavis Staples, who I revere. These women aren’t going anywhere but forward, so why stop when you still have so much to give? Jones domineers the stage like it’s her first gig out the gate, and I assure you it is not.

Supported by the extremely talented Dap-Kings, Jones played several fan favorites, including “100 Days, 100 nights” and her take on “This Land Is Your Land”. Her energy was palpable. She never missed a step as she grooved across the stage, kicking her shoes off to dance to the soulful funk that is Sharon Jones & the Dapkings. Her moniker “Queen of Funk” is well-deserved.

Sharon Jones

Husband-and-wife duo Derek Trucks and Susan Tedeschi are the definition of a power couple. Individually, they have built successful careers as blues rock musicians. Together, well, together they are extraordinary. Between Trucks’ masterful guitar work and Tedeschi’s powerful vocals, one can not help but swoon when listening to their music.

Tedeschi Trucks Band took the stage as the sun set over the bay, a picturesque start to what would be an incredible set of music. The band itself consists of up to nine members, excluding Trucks and Tedeschi, and is stacked with top-notch talent, including Mike Mattison and Kofi Burbridge. Their sound can fill out any venue and will fill up every soul in attendance.

Susan Tedeschi

Tedeschi’s vocals especially shined on tracks like TTB original “Midnight in Harlem” and their cover of “Angel From Montgomery”. A special shout-out to “friends Bobby and Phil” led the band into a quick take of “Sugaree”, a Grateful Dead track warmly welcomed by the crowd.

Through the entirety of the show, Trucks calmly shredded his guitar. For those not familiar with Trucks, let me provide some context. The man is a guitar god. Eyes closed, head tilted slightly down, there is a sense of intent in every note he effortlessly strikes. To highlight a specific part of the night that stood out would be undermining what was a fantastic performance from Mr. Trucks. Throw in an appearance with Bramhall toward the end of the show, along with an appearance from Jones, and I would say everyone was lifted to a some serious heights on a Saturday night at the Greek.

Filed Under: Featured, Live Music Reviews Tagged With: Derek Trucks, Doyle Bramhall II, Greek Theatre Berkeley, Sharon Jones, Sharon Jones & the Dap-Kings, Susan Tedeschi, Tedeschi Trucks Band

Chromeo & The Glitch Mob throw a funky fresh dance party at the Greek Theatre Berkeley

June 4, 2015 by Nik Crossman Leave a Comment

Chromeo

Photos by James Nagel // Written by Nik Crossman //

Chromeo & The Glitch Mob with Com Truise //
Greek Theatre – U.C. Berkeley
May 29th, 2015 //

Chromeo swept the crowd at the Greek Theatre Berkeley last Friday following an impressive performance by Los Angeles electronic trio The Glitch Mob.

Hailing from Montreal, the funk-tastic duo combines sexy guitar riffs and addictive lyrics by David “Dave 1” Macklovitch to go along with Patrick “P-Thugg” Gemayel’s talk-box retro synthesizer. Macklovitch’s zeal for the spotlight is only surpassed by the crowd’s fondness for this Hollywood playboy. Donning tight leather pants and a jean jacket, Macklovitch danced around the stage with a shiny, mirrored guitar, riffing solos between the sing-along vocals every fan knows and loves.

The Glitch Mob

Gemayel’s stoic presence and groovy synth work sets a solid foundation for Macklovitch’s catchy lyrics, proven by the crowd’s jump-up-and-down eruption during their popular hit “Jealous”. Toward the end of their electro-funk dance party, lady-killer Macklovitch commanded the girls to get on a pair of shoulders and sing along to “Over Your Shoulders”, a sexy confession professing the beauty in women. When one guy in the crowd obeyed the shoulder order, Macklovitch applauded and assured the audience that “of all the ladies, there’s one guy … that would be me!”

It’s wildly entertaining to see Chromeo take the stage with such vigor, enthusiasm and love for themselves and the crowd alike. Their journey over the last 14 years has accumulated a wide following, only strengthened during their performance when they forge personal connections with their fans.

Filed Under: Featured, Live Music Reviews Tagged With: Chromeo, Com Truise, Greek Theatre Berkeley, The Glitch Mob

Show of the Week // GO4FREE to Tedeschi Trucks Band and Sharon Jones & the Dap-Kings 6/6 (SAT)

June 3, 2015 by The Bam Team Leave a Comment

Written by Molly Kish //

Tedeschi Trucks Band with Sharon Jones & the Dap-Kings, Doyle Bramhall II //
Greek Theatre – U.C. Berkeley
June 6th, 2015 //

A supergroup lineup of epic proportions graces the gorgeous stage of the Greek Theater at U.C. Berkeley this Saturday for one night only. Embarking on the second night of their 35-city “Wheels of Soul Summer Tour 2015,” Tedeschi Trucks Band partners with Sharon Jones & the Dap-Kings and guitarist Doyle Bramhall II to perform over four and a half hours of original, collaborative and improvised music. A seamlessly crafted bill of talent covering a musical range of Memphis soul, R&B, electric blues and classic funk, all three acts revive these deeply rooted genres with contemporary flare in a stunningly cohesive manner. With this tour charging full steam ahead, this show is bound to deliver what undoubtedly will be the most “shimmy worthy” lineup in the Greek Theater’s summer concert series. For your chance at a pair of tickets, share this post via Facebook or Twitter and enter below.

Contest ends Friday, June 5th at Noon.

Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

• Christopher Owens: Wednesday, June 3rd at The Chapel
• Trails and Ways: Friday, June 5th at The Independent
• Nneka: Friday, June 5th at The New Parish
• Tea Leaf Green: Saturday, June 6th at Leo’s Music Club
• Anuhea: Saturday, June 6th at Mezzanine

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

Like Showbams on Facebook, follow Showbams on Twitter and follow Showbams on Instagram. Subscribe to our social channels for a better chance to win!

CONTEST CLOSED.

Filed Under: Contests Tagged With: Anuhea, Christopher Owens, Doyle Bramhall II, Greek Theatre Berkeley, Leo's Music Club, Mezzanine, Nneka, Sharon Jones & the Dap-Kings, Tea Leaf Green, Tedeschi Trucks Band, The Chapel, The Independent, The New Parish, Trails and Ways

alt-J, Tycho stun a sold-out Fauxchella crowd at the Greek Theatre

April 23, 2015 by Molly Kish Leave a Comment

alt-J

Photos by Mike Rosati // Written by Molly Kish //

alt-J with Tycho //
Greek Theatre – U.C. Berkeley
April 17th, 2015 //

Stopping off in the Bay Area between appearances at both weekends of Coachella, alt-J and Tycho drew a sold-out Fauxchella crowd to U.C. Berkeley’s Greek Theatre this past Friday. Epic weather and one of the most gorgeous venues in Northern California provided the perfect “mise en scene” for the aurally encapsulating bill.

An early crowd that filled the venue to near capacity arrived to witness something quite special, as hometown favorites Tycho opened the night’s festivities. Playing a set that both the band and its fans have anxiously anticipated since the gig was announced in February, Tycho stole the show with their sumptuous production of ambient soundscapes and visual projections.

Tycho

With the quartet on what undoubtedly was the largest tour it has ever been a part of, Tycho frontman Scott Hansen took a moment to address the fact that it was the most meaningful show and best crowd that they had ever played in front of to date. In not only making their hometown proud, Tycho also crossed another milestone off their bucket list by performing at a venue that the band members grew up frequenting and only dreamed of getting the chance to play at one day.

Riding off the crowd’s euphoria, alt-J took the stage for a powerful headlining set. The Leeds-based indie rockers emulated what one would expect to see if they were in a festival setting, bringing with them their full-scale production and pulling hits from both their 2012 debut and critically acclaimed sophomore album This Is All Yours. Despite alt-J’s massive sound and incredible light show, the crowd remained a bit subdued during their set.

alt-J

The 2012 Mercury Prize winners echoed a semblance to that of Sigur Rós or Volcano Choir, leaving audience members entranced in a near-altered state while observing the foursome. The biggest fan responses erupted during the band’s singalong favorites “Breezeblocks”, “Fitzpleasure” and their token cover of Bill Withers’ “Lovely Day”.

Playing off the palpable energy of the crowd and intrinsic opulence of the amphitheater, both artists brought a truly unique experience to the spring concert calendar at the Greek Theatre, which seems purposefully built to entertain performances of this artistic caliber. Beautifully executed and perfectly syncopated with its surroundings, this show is one that those in attendance will definitely be talking about for quite some time.

Filed Under: Featured, Live Music Reviews Tagged With: Alt-J, Fauxchella, Greek Theatre Berkeley, Tycho

Belle and Sebastian take crowd participation up a notch at the Greek

April 15, 2015 by Pedro Paredes Leave a Comment

By Pedro Paredes //

Belle and Sebastian with Real Estate, Perfume Genius //
Greek Theatre – U.C. Berkeley
April 12th, 2015 //

It’s always nice to go inside the Greek Theatre at U.C. Berkeley. The background is great — you can see the Golden Gate Bridge and there are a lot of nice eucalyptus trees on the horizon, too.

It was a sunny Sunday last weekend when Scottish indie-pop band Belle and Sebastian headlined the Greek in between their two performances at Coachella.

One of two opening acts on the bill, Perfume Genius (aka Mike Hadreas) got the show started before the venue filled in, and those who arrived early were in for a treat as the Seattle solo artist played songs from 2014’s Too Bright and 2012’s Put Your Back N 2 It, delivering an intense onstage performance.

Ridgewood, N.J., indie rockers Real Estate followed, and every time they play, they put on an amazing show. They played the usual tunes from Days and Atlas but left people smiling by the end of their set. It all comes from the music — they don’t move around too much on stage, but their music makes up for it — and people listen.

Real Estate paved the way lastly for Belle and Sebastian, which featured a lot of people on stage. Lead singer Stuart Murdoch and company were joined by a group of roughly 50 fans who were invited by the band to register online along with a string section of 4-5 players. They played songs from their latest album Girls in Peacetime Want to Dance and also pleased fans with some other classic tunes, including “The Boy with the Arab Strap” in which they invited more audience members to jump on stage and dance. About 20-25 people obliged, making for a memorable show at one of the Bay Area’s most majestic venues.

Filed Under: Featured, Photos Tagged With: Belle and Sebastian, Greek Theatre Berkeley, Perfume Genius, Real Estate

Jack Johnson spreads good vibes (and many hits) at the Greek

August 28, 2014 by Sam Heller 1 Comment

By Sam Heller //

Jack Johnson with Bahamas //
Greek Theatre – U.C. Berkeley
August 26th, 2014 //

Returning to the Greek Theatre in Berkeley for the sixth time, surfer-turned-musician-turned-headliner Jack Johnson delivered a setlist on Tuesday that highlighted just how many popular hits he’s had over the years, while also stitching in a handful of covers.

Sam Heller was there to capture the moment.

Setlist:
Hope
Taylor
Sitting, Waiting, Wishing
Middle Man
Inaudible Melodies
You and Your Heart
Radiate
If I Had Eyes
Never Fade
Breakdown
Flake
Answering Machine Message
Tomorrow Morning / Bubble Toes
Not Fade Away (The Crickets cover)
Mudfootball
Wasting Time
Constellations
Upside Down
Rodeo Clowns (G. Love & Special Sauce cover)
Who Do You Love? (Bo Diddley cover)
Tape Deck
Banana Pancakes
Shot Reverse Shot / I Wanna Be Your Boyfriend (Ramones cover)
Staple It Together
At or With Me / Crosstown Traffic (The Jimi Hendrix Experience cover)
Good People
I Got You
Do You Remember
Better Together

BAHAMAS

Filed Under: Featured, Photos Tagged With: Bahamas, Greek Theatre Berkeley, Jack Johnson

PHOTOS: Slightly Stoopid, NOFX and Stephen Marley at the Greek 7/18

July 24, 2014 by Marc Fong 1 Comment

By Marc Fong //

Slightly Stoopid with NOFX and Stephen Marley //
Greek Theatre – U.C. Berkeley
July 18th, 2014 //

San Diego’s very own Slightly Stoopid continued their 21-date “Summer Sessions Tour 2014” at the Greek Theatre, as the seven-piece band melded funk, hip-hop, reggae and rock into one electrifying set. Punk pioneers NOFX and five-time Grammy winner Stephen Marley were also on hand, as Marc Fong was there to catch all the action from the photo pit.

Filed Under: Featured, Photos Tagged With: Greek Theatre Berkeley, NOFX, Slightly Stoopid, Stephen Marley

The National showcase natural evolution, continue to inspire

April 28, 2014 by Mike Frash 1 Comment

Photos by James Nagel // Written by Mike Frash //

The National with Portugal. The Man //
The Greek Theatre – U.C. Berkeley
April 26th, 2014 //

The National’s music can be taken as moody, or perhaps even depressing on the surface level by those not familiar with their work. Some of The National’s most rewarding auditory gems only reveal themselves upon repeat listens, and through this repetition, it’s easier to identify and appreciate the crafty song structures and oddly pleasurable feeling the National can provide. But enigmatic constructs can be thrown out the window when it comes to experiencing The National live. Their performance at the Greek Theatre Saturday showed they have grown to be more comfortable with themselves, evolving for the better while steadfastly staying true to their roots.

So what has changed? One obvious, noteworthy shift is they command theaters now, two nights in a row this past weekend in Berkeley, while eliciting rapturous crowd engagement — silence during the quiet parts while compelling the crowd to carry the load on “Vanderlyle Crybaby Geeks” to end the show, no small feat at an 8,500 person venue. Frontman Matt Berninger mentioned early on it was good to be back. The last time The National played on the U.C. Berkeley campus was with Modest Mouse and REM in 2008. Now six years later, the performance Saturday offered an experience that was segmented into two distinct halves.

The first section of the concert showcased much of the excellent material from Trouble Will Find Me, The National’s sixth album, released in May 2013. There was a sense of arrival with the new music, that they’ve ‘figured it out’ in their lyrical storytelling. There are more direct statements of clarity and satisfaction, admitting “tiny bubbles hang above me, it’s a sign that someone loves me” to open the show stands in stark contrast to the passive aggressive, latent adolescent state of mind found in “Mr. November”. The newest record is less snarky, more direct, as though the guys in The National have grown up substantially.

The songwriting will never be cheery (and let’s hope it never is), but there is more confidence and awareness lyrically. Berninger may claim that “when I walk into a room, I do not light it up” in “Demons”, but that notion is see-through self-degrading hyperbole in the context of the performances this past weekend.

While there is a slightly brighter outlook to the new words, more “Sea of Love” than “Terrible Love”, Berninger, the Dessner & the Devendorf brothers have banded together to create music more springy and full of life, often faster with a more uplifting tonal quality than previous efforts. Some older tracks are treated through this prism — “England”, a somber song from High Violet, was crisp and faster, allowing the song to soar higher, and to be more inspiring live.

If the performance was front loaded with new material, the second half favored the wants and needs of longtime fans. Unsurprisingly, it’s the older material that inspires Berninger to channel his one of a kind angst-joy spectacle. In “Squalor Victoria”, Berninger added a line about his “little brother the fuck up,” slamming the mic & stand to the floor, a coy plug for his brother Tom’s documentary titled Mistaken By Strangers, chronicling the singer’s little brother being a little fuck up on the National’s High Violet tour. “Abel” was a platform for Berninger to lose himself in punk rock intensity as he used to do more often, while per usual, “Fake Empire” and “Mr. November” found the lead man not only reaching out to the audience, but running through it as well.

Poised and energetic with precise control, The National’s music is more accessible and impactful than ever before, and the group is pulling it off in front of the biggest audiences of their career. Slowly winning over fans for 15 years, The National have earned it.

Show Notes:

•Portugal. The Man, the opener of the night, were an interesting contrast of falsetto versus baritone between Portugal’s John Gourley and The National’s Matt Berninger.

•”About Today” was one of the most poignant songs of the evening toward the end of the first set. The cut from Cherry Tree was a treat.

•The follow up performance Sunday, April 27th featured The Grateful Dead’s Bob Weir for “I Know You Rider” and “Terrible Love” during the encore. Sunday’s setlist included nine songs that weren’t played on Saturday.

•The National uses basic video production equipment in a very effective way. GoPro cameras flank the artists, and the imagery is filtered with glich-filled, broken pixilation, reflecting the fractured feeling of disconnect found in The National’s music.

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: Greek Theatre Berkeley, Portugal. The Man, The National

PHOTOS: Plácido Domingo at the Greek 9/7

September 12, 2013 by Marc Fong Leave a Comment

By Marc Fong //

Plácido Domingo //
Greek Theatre Berkeley – U.C. Berkeley
September 7th, 2013 //

Plácido Domingo brought the symphony crowd outdoors to the the Greek Theatre Berkeley (one of our favorite Bay Area venues) last weekend. The weather permitted a beautiful night, which set the stage for a beautiful performance. BAM photographer Marc Fong said, “It was AMAZING to see the symphony and Plácido (and guest Sopranos) at the iconic Greek Theatre. This was the only place to see this show.”

Filed Under: Featured, Photos Tagged With: Greek Theatre Berkeley, Plácido Domingo

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