Kia Forum – Showbams

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2025

December 30, 2025 by The Bam Team Leave a Comment

Well, here we are again with another year in the books. Music, for one, certainly had its ups and downs throughout 2025. There was Kendrick Lamar’s iconic Super Bowl halftime show, the long-awaited return of Britpop legends Oasis and of course the death of Ozzy Osbourne two weeks after performing for the final time that sent shockwaves across the world. Along with those moments, we witnessed quite a few of our own. Whether it was taking in the closest thing to a Rage Against the Machine show you can see these days, The Prodigy tearing down the house for their first North American headline date since 2017, an evening with Primus that was chock full of surprises, My Morning Jacket’s epic return to Red Rocks, one of the summer’s best co-headline tours with The Flaming Lips and Modest Mouse both sharing the stage and Lord Huron’s ascent to newly minted arena act, there was plenty to celebrate and remember over the last 12 months.

But with another year down and 2026 right around the corner, it’s time for us to reveal our annual “Best of” lists as we have done since this blog started more than a decade ago (see our 2024 picks here). As we always say, we will be the first to confess we didn’t attend every show or spin every album that was issued in 2025, but reflecting on the year that was remains just as fun and challenging as when we first started doing this yearly exercise.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2025.

Listen to The Bam Team’s favorite songs of 2025:

Josh Herwitt // Los Angeles

Top 5 Shows of 2025
1. Nine Inch Nails at Kia Forum – Los Angeles, CA – September 18th-19th
When these Hall of Famers announced their “Peel It Back Tour” almost a year ago, we had a pretty good feeling that new music would be on the way. What we didn’t know is that it would for the new “Tron” movie that arrived in the fall. And while permanent members Trent Reznor and Atticus Ross showcased only the soundtrack’s lone single on this run, it was the production featuring a two-stage setup and reimagining of older songs — particularly on the “B Stage” with Boys Noize as Nine Inch Noize — in addition to the unexpected return of former touring drummer Josh Freese that had me thinking about these final two shows of the tour for weeks. That’s what live music can do when an unforgettable performance sticks with you, which was even more remarkable considering Reznor entered his seventh decade just earlier this year.

2. My Morning Jacket at Red Rocks Amphitheatre – Morrison, CO – August 15th-16th
3. Queens of the Stone Age at Arlington Theatre – Santa Barbara, CA – November 8th
4. Jack White at Hollywood Palladium – Los Angeles, CA – May 12th-13th
5. Primus at Greek Theatre – Los Angeles, CA – August 6th

Honorable Mention: The Prodigy at The Warfield – San Francisco, CA – April 13th

Top 5 Albums of 2025
1. Geese – Getting Killed
Let me just say first and foremost that this was not my favorite year for albums. That said, there were several that stuck out and the fourth full length from these NYC indie rockers stood squarely at the top. From the sonic chaos that greets us during “Trinidad” and the groovy, Sly Stoned-flavored “100 Horses” (which is apropos given his death in June) to lead single “Taxes” that’s one of its best and the frenetic finale “Long Island City Here I Come”, the variety of sounds being explored on Getting Killed is almost unparalleled. Geese shouldn’t be considered new kids on the block at this point, but there’s a legitimate reason why they were one of the year’s hottest bands and I am still kicking myself for missing their sold-out show at The Fonda Theatre in late October (resale tickets were going for as much as $800 and that was while the Dodgers were in the World Series no less). Well, fingers crossed for my first one in 2026.

2. Clipse – Let God Sort Em Out
3. The Mars Volta – Lucro Sucio; Los Ojos del Vacio
4. Lord Huron – The Cosmic Selector Vol. 1
5. Ty Segall – Possession

Honorable Mention: Lady Gaga – Mayhem

Top 5 Songs of 2025
1. Nine Inch Nails – “As Alive as You Need Me to Be”
I have no problem admitting that I am a sucker for any new NIN music. As one of my favorite bands all time, the industrial rockers had not released a proper album in more than a decade and we’re not sure if the “Tron: Ares” soundtrack technically counts in our book either. But we love it when Reznor leans into the electronic side of the project, and “As Alive as You Need Me to Be” with additional production from Boys Noize scratches that itch for us. While numbers don’t always tell the full story, the fact that it was our top played song on Spotify does mean something when you look back on all of the music we got to consume in 2025. Better yet, Trent and Atticus still making music of this caliber speaks volumes to their craft and talent as true professionals.

2. Clipse – “Chains & Whips” feat. Kendrick Lamar
3. My Morning Jacket – “Beginning from the Ending”
4. DARKSIDE – “One Last Nothing”
5. Lord Huron – “Bag of Bones”

Favorite Soundtrack of 2025: Nine Inch Nails – Tron: Ares

Andrew Pohl // San Francisco

Top 5 Shows of 2025
1. Home Front at Thee Parkside – San Francisco, CA – November 21st
Having caught Home Front last year in SF at Bottom of the Hill I know going into this concert that Home Front was going to absolutely crush it, but man oh man did they completely outdo themselves. Opening act False Flowers warmed up the crowd in spectacular fashion, and The Government did an excellent job as main support. The overly packed room was VERY ready to receive what Home Front was about to give them, and the band destroyed the place inside and out. Sonically crisp and very tight, the band has built a reputation of being a superb live act and it fully lived up to that at this show, playing much of the material from their new album Watch It Die along with material from their previous efforts and a Cock Sparrer cover to end the set.

2. Pile at Rickshaw Stop – San Francisco, CA – September 10th
3. Pixies with Blonde Redhead, Spoon at Greek Theatre Berkeley – Berkeley, CA – August 28th
4. Deep Sea Diver with Byland at The Independent – San Francisco, CA – April 8th
5. Dance Hall Crashers at Great American Music Hall – San Francisco, CA – June 7th

Top 5 Albums of 2025
1. Deftones – private music
For a band that has produced as much quality output as Deftones has over the years, it’s nice to see them outdo themselves like they did on this album. I wouldn’t qualify it as a “return to form” since it has much of the sonic familiarity throughout the rest of their catalog, but the songs themselves are just really strong and stick to your bones more than most of their other recent material. They sound like a unit that came into recording this with confidence and intention. The material also feels like it would translate well live, and based on how footage of their concerts this year looked, I stand correct. This is the album that I kept coming back to over and over again in 2025, which didn’t surprise me given my love for these guys.

2. Momma – Welcome to My Blue Sky
3. Home Front – Watch It Die
4. Deep Sea Diver – Billboard Heart
5. Viagra Boys – Viagr Aboys

Top 5 Songs of 2025
1. Viagra Boys – “Man Made of Meat”
This is such a perfect way to open Viagra Boys’ new album. Right off the bat you get that level of sass and weirdness that we have come accustomed to from the Swedish post-punk band. From the perfectly timed belch in the opening verse to the breakdown where frontman Sebastian Murphy brings up the idea of subscribing “to your mom’s Only Fans,” the song is a buffet of ridiculousness. The chorus is catchy as all get out, and the song as a whole is that perfect mix of accessible and clever. What a fun way for them to get things started.

2. Deftones – “Locked Club”
3. Preoccupations – “Ill at Ease”
4. Home Front – “Light Sleeper”
5. Momma – “New Friend”

Rochelle Shipman // Los Angeles

Top 5 Shows of 2025
1. Kendrick Lamar and SZA at SoFi Stadium – Inglewood, CA – May 24th
It’s hard to imagine anything other than a killer Kendrick show after the run he’s had this past year, but the Grand National Tour went above and beyond and around again. It was one set with songs from both artists’ catalogs being seamlessly interwoven before they came back onstage to perform a few of their hits together. Kendrick was riding his deserved high, while SZA was angelic (literally suspended above the crowd wearing wings) and somehow made it feel like we were watching two Beyoncés. The power and craft on that stage was something so special to witness.

2. Little Simz at Fox Theatre Oakland – Oakland, CA – November 17th
3. Clipse at The Novo – Los Angeles, CA – August 23rd
4. Bright Eyes at The Wiltern – Los Angeles, CA – February 7th
5. Doechii at Gallagher Square (Petco Park) – San Diego, CA – November 5th

Honorable Mention: NxWorries at Hollywood Palladium – Los Angeles, CA – October 19th

Top 5 Albums of 2025
1. Clipse – Let God Sort Em Out
After a false start with Def Jam that resulted in a seven-figure buyout, Clipse finally found a home at Roc Nation for their newest album in 15 years over the summer — and now it’s hard to imagine it happening any other way. The brothers Thornton reunited to educate the kids on what a proper album rollout used to entail, the whole time sharing their experiences and emotions surrounding their parents’ deaths to a degree most men would never dream of doing. The beats and bars hit so hard all the way through they even make some of Pharrell’s cringeworthy moments sound catchy. There’s no question Mom and Dad are proud of them after laying down this masterpiece.

2. Little Simz – Lotus
3. Backxwash – Only Dust Remains
4. Landlady – Make Up / Lost Time
5. Panda Bear – Sinister Grift

Top 5 Songs of 2025
1. Little Simz – “Thief”
Opening her sixth studio album with an intro track that’s as intense as it is eloquent, the London rapper continues to prove she’s not the one to fuck with. Marking the first of a few songs on Lotus that artfully skewers her former musical counterpart Inflo of Sault, “Thief” leaves Simz’s broken heart totally bare against a compelling musical backdrop. It’s never fun to watch close friends have a falling out, but we would be damned if Little Simz didn’t make it sound so good.

2. Clipse – “The Birds Don’t Sing”
3. AJ Tracey feat. Jorja Smith – “Crush”
4. Casey Dienel (fka White Hinterland) – “Your Girl’s Upstairs”
5. Doechii – “Nosebleeds”

Michael Silver // Orange County

Top 5 Shows of 2025
1. Jack White at The Grove of Anaheim – Anaheim, CA – January 25th
The millennial guitar GOAT went on a generational run in 2025. A master of gorilla marketing and last-minute ticket announcements, White commenced his “No Name” tour with an intimate OC performance. The Internet gods were kind to me as I scored front-row access to see the Detroit native blitzed through a 21-song set spanning White Stripes cult favorites (“The Hardest Button to Button”) to The Raconteurs’ gems (“Broken Boy Soldier”) all while mixing in new joints (“Old Scratch Blues” followed by “That’s How I’m Feeling”). Between playing music halls and theaters as well as NFL stadiums with Eminem in front of a national TV audience on Thanksgiving, the virtuoso and ambassador for all things vinyl was officially inducted into the Rock & Roll Hall of Fame as a member of The White Stripes this year and has carved out his own lane in rock history.

2. Freddie Gibbs & The Alchemist at The Observatory – Santa Ana, CA – October 27th
3. The Eagles at Sphere – Las Vegas, NV – October 10th
4. Wu-Tang Clan at Crypto.com Arena – Los Angeles, CA – June 22nd
5. The Used at House of Blues Anaheim – Anaheim, CA – October 11th

Top 5 Albums of 2025
1. Freddie Gibbs & The Alchemist – Alfredo 2
Following up on 2020’s Grammy-nominated collaboration, the Indiana rapper and California producer created a soulful, translucent vibe of hip-hop bravado. The opening guitar licks on “1995” showcase a new era of creativity by The Alchemist, while Gibbs provides a hypnotic and downright maniacal flow. “Mar-a-Lago” and “Lemon Pepper Steppers” define these sophisticated raps, with the emcee in total control painting a visual storyboard.

2. Deftones – private music
3. Turnstile – Never Enough
4. Clipse – Let God Sort Em Out
5. Joey Bada$$ – Lonely at the Top

Top 5 Songs of 2025
1. Turnstile – “Birds”
Has there ever been a more fitting rock anthem to take over the airwaves? Soaring in at 2:27 long, the Baltimore collective blasted into our collective conscience. With high-profile fans like Billie Eilish, Elton John and Hayley Williams singing their praise, it wasn’t long before mainstream radio added them into their rotations. To wrap up a wild press campaign, lead singer Brendan Yates performed the first-ever stage dive at NPR’s Tiny Desk series with “Birds” as his soundtrack.

2. Deftones – “Milk of the Madonna”
3. Diplo – “Flashlight” feat. Project Pat & Juicy J
4. GELO – “Tweaker”
5. Sublime – “Ensenada”

Favorite Soundtrack of 2025: Nine Inch Nails – Tron: Ares

Filed Under: Best of, Best of 2025, Editor's Picks, Featured Tagged With: AJ Tracey, Arlington Theatre, Backxwash, Blonde Redhead, Boys Noize, Bright Eyes, Byland, Casey Dienel, Clipse, Cock Sparrer, Crypto.com Arena, Dance Hall Crashers, Darkside, Deep Sea Diver, Deftones, Diplo, Doechii, Eminem, False Flowers, Fox Theater Oakland, Freddie Gibbs, Freddie Gibbs & The Alchemist, Gallagher Square, Gallagher Square at Petco Park, GEESE, GELO, Great American Music Hall, Greek Theatre, Greek Theatre Berkeley, Grove of Anaheim, Hollywood Palladium, Home Front, House of Blues Anaheim, Inflo, Jack White, Joey Bada$$, Jorja Smith, Juicy J, Kendrick Lamar, Kia Forum, Lady Gaga, Landlady, Little Simz, Lord Huron, Modest Mouse, Momma, My Morning Jacket, Nine Inch Nails, Nine Inch Noize, NxWorries, Oasis, Ozzy Osbourne, Panda Bear, Petco Park, Pile, Pixies, Preoccupations, Primus, Project Pat, Queens of the Stone Age, Rage Against the Machine, Red Rocks, Red Rocks Amphitheatre, Red Rocks Park & Amphitheatre, Red Rocks Park and Amphitheatre, Rickshaw Stop, Sault, Sly Stone, SoFi Stadium, Sphere, Spoon, Sublime, SZA, The Alchemist, The Arlington, The Arlington Theatre, The Eagles, The Flaming Lips, The Fonda Theatre, The Government, The Independent, The Mars Volta, The Novo, The Novo DTLA, The Observatory, The Prodigy, The Used, The Warfield, The White Stripes, The Wiltern, The Wiltern Theatre, Thee Parkside, Tom Morello, Turnstile, Ty Segall, Viagra Boys, Wu Tang Clan

Lord Huron make their hometown fans at Kia Forum see how they’ve gone from burgeoning indie-rock band to newly minted arena act

November 7, 2025 by Josh Herwitt 1 Comment

By Josh Herwitt //

Lord Huron with Feist //
Kia Forum – Inglewood, CA
November 2nd, 2025 //

One of the most redeeming qualities about following music and having the opportunity to address it in this space is watching the trajectory of any act that comes into our purview and strikes a chord with us. We see that kind of progression often manifest when an artist or band books larger rooms and bigger spaces for their latest tour, starting out in clubs of 500 or less and eventually graduating to ballrooms, theaters and amphitheaters that can hold as many as 10,000 fans.

But playing arenas requires a different level of “reach” aka popularity in layman’s terms, and if there’s an indie-rock outfit that I didn’t anticipate headlining arenas in an era when pop stars, rappers and DJs can fill seats at a much higher clip, Lord Huron would have to be on that list.

After all, the group’s continued growth is quite remarkable when you consider it was only 15 years ago that Ben Schneider (guitar, vocals, harmonica) founded Lord Huron as a solo project after relocating to Los Angeles from New York. A native of Michigan who drew inspiration from his visits to Lake Huron, he had been writing music even before studying visual arts while attending college in Ann Arbor as well as in France and then pursuing a career as an artist.

It was in LA, however, where Schneider’s dream as a musician would be realized after recording some material on his own that resulted in a couple of EPs and subsequent calls for him to perform live. That’s when he asked his childhood friends back home to join him on a wild ride that has only picked up more momentum since those early beginnings in 2010.

Schneider has surrounded himself with some different sidekicks since then, but Lord Huron’s cinematic sound and evocative imagery have always exuded modern country-western vibes. While their debut LP Lonesome Dreams laid the groundwork, it was the group’s 2015 follow-up Strange Trails that ushered in mainstream appeal and commercial success after the Netflix series “13 Reasons Why” shined a light on “The Night We Met” during its first and second seasons.

Any artist or band that has an album go certified platinum early on in its career — especially in this day and age — could easily rest on its laurels, and in spite of Strange Trails eclipsing that prestigious mark here stateside, there has been no letdown for Lord Huron. Their ensuing full length Vide Noir that they dropped three years later would reach as high as No. 9 on the Billboard 200 chart with such standouts as “Ancient Names (Part I)”, “Wait by the River”, “When the Night Is Over” and the title track bolstering the 12-song effort, ultimately cementing their status as one of the most exciting folk-based outfits in the past decade.

The indie-folk genre has felt increasingly crowded ever since the Garden State soundtrack came out in 2004 with Sub Pop and Saddle Creek, among other record labels, investing resources into upstarts like Iron & Wine and Fleet Foxes before Bon Iver, Mumford & Sons and The Lumineers would take things to another level. Those aren’t the only sonic-adjacent acts that come to mind when we consider how many others — including Father John Misty, Band of Horses, Local Natives, Grizzly Bear, The Paper Kites, Of Monsters and Men, Volcano Choir, and Blitzen Trapper to name quite a few — could also be lumped in with Lord Huron on the same bill now if push came to shove.

That’s actually something to celebrate given the uncertainty around the future of music and technology, but it is why we were surprised and at the same time equally impressed to see Schneider and company headlining the Kia Forum with a capacity of 17,500 to culminate a 44-date tour over the last five months that stretched from the U.S. to Europe and the UK before wrapping up along the West Coast.

I can’t and won’t claim to be a die-hard Lord Huron fan, but it was only a little more than four years ago when I caught them at the Hollywood Forever Cemetery in what proved to be one of the first concerts I witnessed coming out of an 18-month lockdown from the COVID-19 pandemic days after covering My Morning Jacket at the Santa Barbara Bowl (read our show review here). And it’s one that I can foresee myself always remembering — mainly because of the skeleton cowboy Schneider portrays as a visual metaphor for a psychonaut who’s exploring the space between life and death — as it was honestly too memorable to forget given the spooky environs that paired with the onstage production. The album that they were touring in support of was the first they had issued any singles for believe it or not, and 2021’s Long Lost proved again with “Mine Forever”, “Not Dead Yet” and “I Lied” (with Allison Ponthier) leading the way that they are not a one-trick pony.

As thoughts from the Hollywood Forever replayed in my head as I arrived in Inglewood on the first Sunday after turning the clocks back, walking into an arena-sized venue for a Lord Huron show felt slightly strange. Having spent two nights at The Forum in September for the final dates of Nine Inch Nails’ “Peel It Back Tour” with Boys Noize when every seat in the house was spoken for, this wasn’t quite the same turnout. Nevertheless, it was rather evident Lord Huron have upgraded their western-style stage production — complete with a pay phone Schneider pretended to operate at the outset — since the release of The Cosmic Selector Vol. 1 in July to mark the four-piece’s fifth studio album and arguably its most complete one yet.

In fact, watching more than half of the songs on The Cosmic Selector Vol. 1 come to life in front of a hometown crowd only gave us a deeper appreciation for Schneider’s songwriting capabilities and the evolution of Lord Huron’s sound with each album cycle. There was the upbeat, almost frenetic “Who Laughs Last?”, which features spoken word verses throughout by actress and director Kristen Stewart on the record, to kick things off plus two other Cosmic Selector highlights in the form of “Looking Back” and “Bag of Bones” that followed. The setlist assembled for this year’s tour incorporated every one of Lord Huron’s albums, and Strange Trails certainly got its due with four consecutive songs before parting ways — “La Belle Fleur Sauvage”, “Frozen Pines”, “Meet Me in the Woods” and their biggest hit “The Night We Met” that was accompanied by a female and male actor who role played as a couple in love before going their separate — leading into the encore break.

Schneider and his cohorts Mark Barry (drums, percussion, vocals), Miguel Briseño (bass, keyboards, percussion, theremin) and Tom Renaud (guitar, vocals) seemingly didn’t stop there, though. With three touring members Brandon Walters (guitar, vocals), Misty Boyce (keyboards, vocals) and Waylon Rector (guitar, vocals) mixing into the equation, “The World Ender” opened the encore like there was a stallion galloping through the desert at full speed to make it five straight from their sophomore smash. Whether it’s country and folk or rock and pop, there’s a little bit of something for everyone coming through Lord Huron’s music. Regardless of where you come down on it, you can’t argue — at least seriously — that it’s not an eclectic. Of course, that’s what makes them a major draw at this point and one we can tell is progressively hitting its stride.

LORD HURON

Setlist:
Who Laughs Last
Looking Back
Bag of Bones
Ends of the Earth
The Ghost on the Shore
Wait by the River
Secret of Life
Used to Know
Ancient Names, Pt. I
Long Lost
Twenty Long Years
Watch Me Go
I Lied
La Belle Fleur Sauvage
Frozen Pines
Meet Me in the Woods
The Night We Met

Encore:
The World Ender
Nothing I Need
Not Dead Yet
Life Is Strange

FEIST

Setlist:
I Feel It All
My Moon My Man
A Commotion
How Come You Never Go There
Hiding Out in the Open
Borrow Trouble
Let It Die
1234

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: Allison Ponthier, Band of Horses, Blitzen Trapper, Boys Noize, Feist, Grizzly Bear, Hollywood Forever Cemetery, Kia Forum, Kristen Stewart, Local Natives, Lord Huron, My Morning Jacket, Nine Inch Nails, Of Monsters and Men, Santa Barbara Bowl, The Paper Kites, Volcano Choir

The Flaming Lips & Modest Mouse team up for one of the summer’s best co-headline tours as we witnessed at the Santa Barbara Bowl

September 12, 2025 by Josh Herwitt 1 Comment

The Flaming Lips

By Josh Herwitt //

The Flaming Lips & Modest Mouse with Dehd //
Santa Barbara Bowl – Santa Barbara, CA
September 5th, 2025 //

A couple of weeks ago, we made the case that summer continues to be live music’s biggest and most important season after Louisville five-piece My Morning Jacket closed out their summer tour with three dates in California (see more photos from the shows here).

While the industry has always thrived when the days are long and weather is warm, one of the draws about seeing live music in the summer is the co-headline tour. Back in 2023 there was not only MMJ and Fleet Foxes sharing the iconic Hollywood Bowl’s stage (read our show review here), but also The Revivalists and Band of Horses that subsequently proved to be a fun mix to catch on a night out under the stars (see more photos from the show here).

Last summer didn’t offer much as far as co-headline tours go, and while having Phantogram open for Kings of Leon (see our photos from the show here) marked one of the best double bills from 2024, this year has brought together some new pairings and one standing out right away was psych-rock veterans The Flaming Lips joining forces with indie-rock pioneers Modest Mouse for “The Good Times Are Killing Me” tour across 18 U.S. cities.

Considering the longevity of both bands, each has spent countless hours on the road. Modest Mouse, after all, are no strangers to the co-headline tour, and while no pun was intended there, we do say that after watching them share the stage with Brand New back in 2016 on the heels of releasing their sixth studio album Strangers to Ourselves (read our show review here). Isaac Brock, who has served as the project’s lead vocalist, principal songwriter, guitarist and only constant member since forming out of the Pacific Northwest in the early 90’s, has kept things afloat even with founding members Eric Judy (bass, acoustic and rhythm guitar, keyboards, backing vocals) and of course the late Jeremiah Green (drums, percussion) no longer in the picture.

It has already been more than four years since Modest Mouse put out new music, but they also remain one of a select few indie acts to craft a unique setlist for each show — something you can expect from a jam band — and it’s what has compelled us to be “in the room” whenever they come to town. There are plenty of bigger fans of jam bands than yours truly, yet there’s something about not following the same script every night that makes a Modest Mouse concert feel special.

Modest Mouse

Surprisingly, no material on 2021’s The Golden Casket was touched when Brock and his sidekicks came to the Santa Barbara Bowl for their first visit in almost two decades. Instead, they leaned into older tunes from 2007’s We Were Dead Before the Ship Even Sank, 2004’s Good News for People Who Love Bad News, 2000’s The Moon & Antarctica, 1997’s The Lonesome Crowded West and even 1999’s Night on the Sun EP that was only made available in Japan. Highlights throughout their 75-minute set included several deep cuts starting with “Fly Trapped in a Jar” and “Paper Thin Walls” before “Perfect Disguise” and “Styrofoam Boots” came later as well as the new, unreleased “Dogbed/Sheetrock” that provided a change of pace sonically without Brock’s usual shout-bark vocals. What we found a bit ironic was not hearing the song the tour was named after, though we realized with a little bit of online research that it wasn’t played at any point during the tour and only twice so far in 2025.

The Flaming Lips, meanwhile, are still one of a kind and going strong for 40-plus years. This wasn’t our introduction, having seen them as early as 2003 when they were touring in support of what has become their landmark 2002 LP Yoshimi Battles the Pink Robots, and the feeling of being totally overstimulated by Teletubbies and other costumed dancers onstage at the age of 18 has been burned into my memory forever. Since then, we have caught the Lips in a variety of other settings — from festivals to their own headline gigs — but maybe none better than when they took a sold-out audience in Los Angeles for a ride at The Theatre at Ace Hotel (now known as the United Theater on Broadway), the historic movie palace that was built in 1927 and only seats 1,600 (read our show review here).

As much as its music sounds different from Modest Mouse’s, there is enough crossover appeal with the Oklahoma City outfit led by founding member and frontman Wayne Coyne for a co-headline tour like this to work. In fact, this wasn’t the first time the two groups have played the same night at the Bowl after the “Unlimited Sunshine Tour” that also featured Kinky, Cake and De La Soul stopped through in 2002. And when we saw Modest Mouse celebrate the quarter-century mark for The Lonesome Crowded West just a few years ago at The Wiltern, they covered “Five Stop Mother Superior Rain” on the Lips’ 1990 studio effort In a Priest Driven Ambulance during the encore, so to assume that there is no familiarity between them would be foolhearted. That said, any enthusiast of 90’s rock could get behind what occurred over the next several hours and despite the venue’s tight curfew making for an early start time of 6 p.m., you could not ask for a more picturesque scene on a warm and beautiful Friday evening as Chicago three-piece Dehd kicked things off well over a year after their fifth full length Poetry dropped on Fat Possum Records to favorable reviews.

With all of the antics and shenanigans that transpire during a Flaming Lips performance, there’s no way someone could be bored by the constant barrage of confetti cannons, inflatable stage props, oversized costumes and trippy visuals projected on the large screen behind them. If so, we probably don’t want to hang out with them. There’s so much happening up there it’s easy to get lost in the chaos, but it’s really the music and not the production that has convinced us to come back for more. A cover of “The Golden Path” by The Chemical Brothers that the Lips contributed vocals on, for instance, got its own permanent spot midway through, and Coyne’s homage to Ozzy in the form of Black Sabbath’s “War Pigs” was the most recent tribute to the legendary Prince of Darkness we have witnessed after Primus at LA’s Greek Theatre (read our show review here) and MMJ at Red Rocks Amphitheatre (read our show review here) delivered their own to loud applauses.

Coyne and his cohorts have been honoring the 20th anniversary of Yoshimi for the past three years and their setlist for this tour, unlike Modest Mouse’s, did not deviate at all from one city to the next. Usual live staples “The Yeah Yeah Yeah Song (With All Your Power)”, “She Don’t Use Jelly” and crowd favorite “Do You Realize??” brought things to a fever pitch prior to the final homestretch that saw them end with The Soft Bulletin single “Race for the Prize”, which we remember was the opener for that initial encounter at the Hollywood Palladium. A lot has changed for the Lips in that span, whether it has been welcoming in new cast members or collaborating with household names such as Miley Cyrus, Thievery Corporation, Erykah Badu, Kesha, Nick Cave, Neon Indian and more. Coyne, for one, doesn’t appear to be slowing down at 64 years old, with his charisma channeling a love and zest for life he hasn’t lost, and we sure hope somehow he never does.

THE FLAMING LIPS

Setlist:
Sleeping on the Roof
Yoshimi Battles the Pink Robots, Pt. 1
Yoshimi Battles the Pink Robots, Pt. 2
Turn It On
Pompeii Am Götterdämmerung
Five Stop Mother Superior Rain
The Golden Path (The Chemical Brothers cover)
Feeling Yourself Disintegrate
The Yeah Yeah Yeah Song (With All Your Power)
She Don’t Use Jelly
Do You Realize??

Encore:
War Pigs (Black Sabbath cover)
Race for the Prize

MODEST MOUSE

Setlist:
King Rat
Float On
Fly Trapped in a Jar
Teeth Like God’s Shoeshine
Dogbed/Sheetrock
Paper Thin Walls
Ocean Breathes Salty
Perfect Disguise
Night on the Sun
Dance Hall
Dashboard
Little Motel
Third Side of the Moon
Styrofoam Boots
Spitting Venom

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: Band of Horses, Black Sabbath, Brand New, CAKE, De La Soul, Dehd, Erykah Badu, Fat Possum, Fat Possum Records, Fleet Foxes, Greek Theatre, Hollywood Palladium, Kesha, Kia Forum, Kings of Leon, Kinky, Miley Cyrus, Modest Mouse, My Morning Jacket, Neon Indian, Nick Cave, Ozzy Osbourne, Phantogram, Primus, Red Rocks, Red Rocks Amphitheatre, Red Rocks Park & Amphitheatre, Red Rocks Park and Amphitheatre, Santa Barbara Bowl, The Flaming Lips, The Revivalists, The Theatre at Ace Hotel, The Wiltern, Thievery Corporation, United Theater on Broadway

Rage Against the Machine might not ever tour or perform again, but the next best thing fans can witness live is a Tom Morello show

February 14, 2025 by Josh Herwitt 2 Comments

By Josh Herwitt //

Tom Morello + special guests with Seven Hours After Violet //
House of Blues – Anaheim, CA
February 6th, 2025 //

When I first started listening to Rage Against the Machine’s self-titled debut LP during the early 90’s, you couldn’t help but feel the energy and passion that was blasting out of those speakers in my bedroom.

Even if I hadn’t heard a lot of music by that point in my life, I could already tell it was like nothing anyone had ever experienced either. Their fusion of rap, metal, funk and punk as a vehicle for lead vocalist Zack de la Rocha’s politically charged lyrics was unlike anything that had come before it and blazed a trail for many imitators to follow sonically despite them not achieving the same kind of commercial success and worldwide appeal RATM received.

But the last album Rage released — of strictly cover songs mind you — is almost 25 years old, and the chances of the four-piece putting out new material is slim to none since they canceled the remainder of their European and North American tour dates in 2022 and 2023 after de la Rocha suffered a ruptured Achilles tendon onstage.

It wasn’t until drummer Brad Wilk issued a statement on Instagram at the beginning of last year that any hope for a reunion to continue ahead of the 2024 presidential election was lost, as he made it clear they “will not be touring or playing live again.”

I remember reading Wilk’s words shortly after they were posted and being bummed that the possibility of seeing one of my favorite acts in the flesh again was gone. With the COVID-19 pandemic canceling their 2020 headlining set at Coachella, there was still a belief among RATM fans they would be there after the Los Angeles Times reported in an exclusive interview with Goldenvoice CEO Paul Tollett as much. While that never materialized by the time most of the coronavirus restrictions across North America were being lifted and the renowned California festival’s 2022 lineup had finally been revealed, the LA group did get its “Public Service Announcement Tour” — with Run the Jewels signing on as support — off the ground a few months later before de la Rocha’s eventual injury on the tour’s second stop.

Rage, nevertheless, pressed on for 17 more shows with de la Rocha unable to walk and affixed to a chair that culminated in NYC over five nights at Madison Square Garden and stand as the LA outfit’s final performances currently.

“I hate cancelling shows,” de la Rocha wrote more than three months after his setback in Chicago. “I hate disappointing our fans. You have all waited so patiently to see us and that is never lost on me. I never take that for granted. For you I have the ultimate gratitude and respect.”

Tom Morello with special guests - Roman Morello

Roman Morello (middle) & Tom Morello (right)

These weren’t just any shows, however. After all, they marked RATM’s first in 11 years amid a full-length tour that hadn’t happened in twice as long. When you consider such, it’s hard to not regret missing them or think about how I should have traveled out of state to attend at least one considering an LA date was not listed when the tour was announced.

“If there ever was a band we need back, it’s Rage,” I have often said to myself.

RATM, sadly, have been a thing of the past well prior to their 2023 induction into the Rock & Roll Hall of Fame, but that hasn’t kept guitarist Tom Morello at the age of 60 from fighting the good fight and proving there’s always a place for protest music.

Our latest opportunity to join him in solidarity came on a wet winter evening at the House of Blues Anaheim, which I had not visited in more than a decade and was unaware of its newer digs since renovations were completed. From a political standpoint, it was slightly surprising to see Morello hit Orange County for one of two scheduled shows in the greater LA area. The long drive in rush-hour traffic didn’t keep us from reaching the 2,200-person music hall, though, where we found a packed crowd awaiting the 8 p.m. arrival of Seven Hours After Violet. Formed by System of a Down bassist Shavo Odadjian less than two years ago, the metalcore project delivers its songs hard and fast (no tracks on the quintet’s debut LP reach four minutes). It didn’t sound like anything that Morello would unleash subsequently, but the mostly male audience ate everything SHAV cooked up over their 45-minute opening set and probably would have come back for more if there wasn’t a main act to catch.

Morello was who we came to see of course, and as we anticipated, the setlist proved to be a mixture of his solo material, covers of RATM as well as other notable artists, and songs from The Nightwatchman project he started in 2003 as a way to express himself politically outside of his work with Audioslave.

Bursting onto the stage armed with a guitar and fist in the air, Morello and his son Roman immediately blew the roof off the house, diving right into their 2024 collaborative single entitled “Soldier in the Army of Love” and then transitioning to “One Last Dance” that they also unveiled last year with grandson for the superhero film “Venom: The Last Dance” starring Tom Hardy. Other surprise guests were Måneskin guitarist Thomas Raggi and The Struts lead vocalist Luke Spiller, each assisting separately on spirited renditions of MC5’s “Kick Out the Jams” and AC/DC’s “Dirty Deeds Done Dirt Cheap” back to back.

Yet, it was a couple of RATM medleys that ultimately drew the loudest and most passionate response from the sold-out room. A tribute to Chris Cornell that played on the video screen during Audioslave’s “Like a Stone” served as a poignant moment to honor the late singer, although a Tom Morello concert wouldn’t be entirely complete without him paying respect to “the Boss,” too. I have always loved Rage’s version of “The Ghost of Tom Joad” by Bruce Springsteen and seeing Morello take a crack at it instantly brought back fond memories. Did the decibel levels (and profanity) rise as much as they did for RATM’s “Killing in the Name” soon afterward? No, not quite. Did folks in LA get more surprise guests? Yes, they most certainly did with Slash and RZA both dropping by The Fonda Theatre a day later. It would be easy to presume, with that in mind, that we picked the wrong show of the two. We could live in more regret or feel gratitude seeing Morello do what his does best by uniting us through the power of music. And as we jumped to John Lennon’s “Power to the People” at Morello’s request down the homestretch, I knew this outing might not have lived up to that time I saw Rage rock The Forum in high school, but it sure is the next best thing we can witness now.

TOM MORELLO WITH SPECIAL GUESTS

Setlist:
Soldier in the Army of Love (with Roman Morello)
One Last Dance (with Roman Morello)
Testify / Take the Power Back / Freedom / Snakecharmer (Rage Against the Machine song)
GOSSIP (Måneskin cover) (with Luke Spiller on lead vocals and Thomas Raggi on guitar)
Lightning Over Mexico
One Man Revolution (Tom Morello: The Nightwatchman song)
Union Power
Hold the Line
Let’s Get the Party Started
Secretariat
Cato Stedman & Neptune Frost
Keep Going
House Gone Up in Flames (Tom Morello: The Nightwatchman song)
This Land Is Your Land (Woody Guthrie cover)
Kick Out the Jams (MC5 cover) (with Thomas Raggi)
Dirty Deeds Done Dirt Cheap (AC/DC cover) (with Luke Spiller on lead vocals and Shavo Odadjian on bass)
Bombtrack / Know Your Enemy / Bulls on Parade / Guerilla Radio / Sleep Now in the Fire / Bullet in the Head (Rage Against the Machine song)
Cochise / Like a Stone (Audioslave song)
The Ghost of Tom Joad (Bruce Springsteen cover)
Killing in the Name (Rage Against the Machine song) (with Roman Morello)
Power to the People (John Lennon cover)

SEVEN HOURS AFTER VIOLET

Setlist:
Gloom
Cry…
Paradise
Radiance
Abandon
Go!
Float
Alive
Sunrise

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: AC/DC, Audioslave, Bruce Springsteen, Coachella, Coachella 2020, Coachella Music and Arts Festival, Coachella Music and Arts Festival 2020, Coachella Valley Music & Arts Festival, Coachella Valley Music & Arts Festival 2020, Coachella Valley Music and Arts Festival, Coachella Valley Music and Arts Festival 2020, Grandson, Guns N' Roses, House of Blues, House of Blues Anaheim, John Lennon, Kia Forum, Luke Spiller, Madison Square Garden, Måneskin, MC5, Rage Against the Machine, Rock & Roll Hall of Fame, Roman Morello, Run The Jewels, RZA, Seven Hours After Violet, Shavo Odadjian, Slash, System of a Down, The Fonda Theatre, The Forum, The Nightwatchman, The Struts, Thomas Raggi, Tom Morello, Woody Guthrie, Wu Tang Clan, Zack de la Rocha

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2024

December 30, 2024 by The Bam Team 2 Comments

2024 was a BIG year for music. With a continued return to normalcy playing out following the first global pandemic in more than a century, the past 12 months produced plenty of great moments onstage and in the studio — from record-breaking world tours to surprise releases and everything in between.

Every year we get to do this we feel fortunate to have the opportunity to do something that we love — witness live music. Yet, each one feels a little different than the last and this year certainly had its own unique collection of highlights. We saw Explosions in the Sky make a statement as one of post-rock’s most essential acts, Tool frontman Maynard James Keenan ring in his 60th birthday on the “Sessanta” tour, My Morning Jacket back at The Fillmore for a four-night run of no repeats, DIIV assure us there’s still a future for indie rock and Dawes celebrate the holidays with a brand-new album and star-studded cast of special guests. We also covered our first shows at the state-of-the-art Fox Theater Pomona and legendary Pappy & Harriet’s in Pioneertown much to our delight, with those sort of visceral experiences amounting to more than merely the music we heard there.

But with another year wrapping up and 2025 here very soon, it’s time for us to reveal our annual “Best of” lists as we have done since this blog started more than a decade ago (see our 2023 picks here). As we always say, we will be the first to confess we didn’t attend every show or spin every album that was issued in 2024, but looking in the rearview mirror can be nearly as fun and challenging as when we first started doing this yearly exercise.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2024.

Listen to The Bam Team’s favorite songs of 2024:

Sting at BeachLife Festival // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2024
1. Pearl Jam at Kia Forum – Los Angeles, CA – May 21st-22nd
What a year it was for one of our all-time favorites acts. The release of Pearl Jam’s 12th studio album Dark Matter in April gave us more than a month to acquaint ourselves with their latest effort before we would see them blow the roof off a sold-out Kia Forum over two consecutive nights. By the end of the second, we were well-satiated thanks to Eddie Vedder and the Hall of Fame band delivering one tour debut after another while also seamlessly mixing in their new material. But the most poignant memory for us came on Night 1 when Vedder broke into Pink Floyd’s “Another Brick in the Wall (Part 2)” at the end of “Daughter” with the crowd seemingly in the palm of his hand. Not only hearing the entire arena sing along to “We don’t need no education / We don’t need no thought control” but also seeing Vedder still command an audience like that at his age gave me chills — the good kind — down my spine that I don’t think I will never forget. All we can say is the power of live music felt very alive (no pun intended) and well in that moment.

2. My Morning Jacket at The Fillmore – San Francisco, CA – May 30th-31st
3. Queens of the Stone Age at Santa Barbara Bowl – Santa Barbara, CA – May 24th
4. LCD Soundsystem at Hollywood Palladium – Los Angeles, CA – November 8th
5. Sting at BeachLife Festival – Redondo Beach, CA – May 3rd

Honorable Mention: slowdive at Fox Theater Pomona – Pomona, CA – April 26th

Top 5 Albums of 2024
1. Pearl Jam – Dark Matter
It has been a long time since PJ uncorked a full length as strong from start to finish as their newest, but when I first heard its lead single that would also serve as the LP’s title track, I could sense something was different this time. Maybe it was Matt Cameron’s drums sitting front and center in the mix or Mike McCready’s electrifying, Hendrix-like guitar solo down the song’s final stretch. Except the more time I spent with Dark Matter, the more I loved not just the singles but all 11 songs. “Waiting For Stevie” has become an instant fan favorite in its relatively short time while others like “Scared of Fear”, Won’t Tell”, “Upper Hand” and “Setting Sun” have been the glue, giving depth to an album that sees Vedder and company not resting on their laurels after more than three decades together. Whether it was working with Grammy-winning producer Andrew Watt or the addition of former Red Hot Chili Peppers guitarist Josh Klinghoffer to the songwriting process, Dark Matter sees one of the best rock ‘n’ roll bands in the business continuing to push itself creatively and that has carried over to the stage where Pearl Jam’s epic live shows remain full of raw energy and emotion (see above for more on that).

2. Kendrick Lamar – GNX
3. Jack White – No Name
4. The Smile – Wall of Eyes
5. The Smashing Pumpkins – Aghori Mhori Mei

Favorite Live Album of 2024: The War on Drugs – Live Drugs Again

Top 5 Songs of 2024
1. Kendrick Lamar – “Not Like Us”
After a year in which the Dodgers finally won the World Series fair and square, this only seemed like the right choice for any self-respecting Angeleno like myself. “Not Like Us” compliments of Compton’s finest rapper would not just end up becoming a new anthem for my hometown of LA but the entire West Coast. As he goes down the “rabbit hole” with shrewd and clever wordplay, it’s clear why King Kendrick has sat atop hip-hop’s unofficial throne for a while now and has already cemented himself before the young age of 40 on its Mount Rushmore. What was released as a diss track in a series of them aimed at Drake has turned into so much more six months later, and the Mustard-produced gem continues to resonate for us no matter which side won the highly publicized feud. Because in our minds, it never was really close.

2. Pearl Jam – “Setting Sun”
3. LCD Soundsystem – “x-ray eyes”
4. Jack White – “It’s Rough on Rats (If You’re Asking)”
5. The Smashing Pumpkins – “Edin”

Favorite Soundtrack of 2024: Trent Reznor & Atticus Ross – Challengers (Original Score)

Andrew Pohl // San Francisco

Top 5 Shows of 2024
1. Idles with Protomartyr at Fox Theater Oakland – Oakland, CA – May 10th
My anticipation of seeing Idles for the second time was palpable as I made my way into the Fox. The first time I saw them was at The Fillmore a few years earlier, and it was easily one of the best shows I had EVER seen (and I have been to hundreds of concerts). Once again, they delivered a performance that was not only interactive, but also filled with heart, raw energy and the kind of joy you don’t always see from road dogs like them. Every note seemed to be played with total satisfaction, which you could see on every member’s face throughout the 25-song set.

2. Green Day with The Smashing Pumpkins, Rancid, The Linda Lindas at Oracle Park – San Francisco, CA – September 20th
3. Black Pumas at Fox Theater Oakland – Oakland, CA – February 8th
4. Home Front with Neighborhood Brats, Build Us Airplanes at Bottom of the Hill – San Francisco, CA – December 14th
5. Rich Kids on LSD (RKL) at Bottom of the Hill – San Francisco, CA – May 1st

Top 5 Albums of 2024
1. The Smashing Pumpkins – Aghori Mhori Meiwo
This is the Pumpkins album that I have been wanting to hear since Zeitgeist came out in 2007. Some critics have said in recent years that guitar-focused rock music is “dead” … well, the band’s 13th studio effort has a bone to pick with that sentiment. After several releases that have varied from “questionable” to “just OK,” founding members Billy Corgan, James Iha and Jimmy Chamberlin went back to the basics and laid down a proper LP that every SP fan knew they were capable of making. After all, I always love a good comeback story.

2. The Cure – Songs of a Lost World
3. Alkaline Trio – Blood, Hair, and Eyeballs
4. NØ MAN – Glitter and Spit
5. The Jesus Lizard – Rack

Top 5 Songs of 2024
1. Yard Act – “Dream Job”
With how turbulent the world has been over the past few years, I have been finding myself gravitating toward music that’s a bit more upbeat musically — and this song is a certified infectious banger. Yard Act have this cool way of incorporating clever, oft-dark social commentary into what would otherwise be a tasty dance number, which is part of their charm and why they have blown up since forming in 2019. I kept coming back to this album during 2024, and this was definitely the track that kept my foot tapping.

2. Sammy Kay – “Love Song”
3. The Jukebox Romantics – “Packing Up My Knives”
4. Idles feat. LCD Soundsystem – “Dancer”
5. Jack White – “It’s Rough on Rats (If You’re Asking)”

Rochelle Shipman // Los Angeles

Top 5 Shows of 2024
1. Anderson .Paak & the Free Nationals at Hollywood Bowl – Los Angeles, CA – September 24th
Anderson .Paak pulled out all the stops for a performance of his seminal and (arguably) best album Malibu, bringing out every featured guest from BJ the Chicago Kid and ScHoolboy Q to Rapsody and Talib Kweli. As if that wasn’t enough, he got some help from the GOAT — Dr. Dre himself performing 2001 hits “The Next Episode” and “Still D.R.E.” — to jump start the second set and kept the surprises coming. Plus, the iconic Hollywood Bowl proved to be a stunning setting for the most ethereal evening.

2. Conor Oberst at Teragram Ballroom – Los Angeles, CA – March 7th, 14th, 21st & 28th
3. Something Corporate at Hollywood Palladium – Los Angeles, CA – October 11th
4. Stars at The Fonda Theatre – Los Angeles, CA – October 18th
5. Kate Nash at Teragram Ballroom – Los Angeles, CA – November 2nd

Top 5 Albums of 2024
1. Kendrick Lamar – GNX
For an album that dropped six weeks prior to the end of the year, GNX has been embedded in the fabric of K-Dot fans since Q2. Artfully teasing snippets like lead single “Squabble Up” months before its official release, Kendrick effortlessly reminded the world why “King” fits so naturally into some of his nicknames. Not that he needs any more, but blessing us with a surprise LP full of fiery tracks that keep breaking and setting new records gives him one more lick of proof that no one else is in his lane.

2. Little Simz – Drop 7
3. Yaya Bey – Ten Fold
4. Doechii – Alligator Bites Never Heal
5. Channel Tres – Head Rush

Top 5 Songs of 2024
1. Kendrick Lamar – “Not Like Us”
It feels disingenuous to pick any other song but “Not Like Us” in 2024. Kendrick’s meticulous takedown of Drake was the perfect evil antidote to an industry choking on espresso. “Not Like Us” was the golden middle finger with Lamar penning an impeccable balance between professor and troll, destroying Drake in a way that only a Pulitzer Prize winner could.

2. Little Simz – “Torch”
3. Desert Mambas – “Hot George Costanza”
4. Yaya Bey – “slow dancing in the kitchen”
5. Megan Thee Stallion – “Hiss”

Filed Under: Best of, Best of 2024, Editor's Picks, Featured Tagged With: Alkaline Trio, Anderson .Paak, Anderson .Paak & The Free Nationals, BeachLife Festival, BeachLife Festival 2024, BJ the Chicago Kid, Black Pumas, Bottom of the Hill, Build Us Airplanes, Channel Tres, Conor Oberst, Desert Mambas, DJ Mustard, Doechii, Dr. Dre, Drake, Fox Theater Oakland, Green Day, Hollywood Bowl, Hollywood Palladium, Home Front, IDLES, Jack White, Kate Nash, Kendrick Lamar, Kia Forum, LCD Soundsystem, Little Simz, Megan Thee Stallion, Mustard, My Morning Jacket, NØ MAN, Neighborhood Brats, Oracle Park, Pearl Jam, Protomartyr, Queens of the Stone Age, Rancid, Rapsody, Rich Kids on LSD (RKL), Sammy Kay, Santa Barbara Bowl, Schoolboy Q, Something Corporate, Stars, Sting, Talib Kweli, Teragram Ballroom, The Cure, The Fillmore, The Fonda Theatre, The Jesus Lizard, The Jukebox Romantics, The Linda Lindas, The Police, The Smashing Pumpkins, The Smile, The Teragram Ballroom, Yard Act, Yaya Bey

Chicano Batman make history in their hometown while taking a victory lap at Kia Forum with The Red Pears, Lido Pimienta

July 3, 2024 by Amanda Tapia Leave a Comment

By Amanda Tapia //

Chicano Batman with The Red Pears, Lido Pimienta //
Kia Forum – Inglewood, CA
June 29th, 2024 //

Having performed at Coachella in recent years, Chicano Batman are no strangers to the limelight. But after their recent hometown performance last Saturday at one of LA’s premier venues, a true milestone was achieved.

History was most certainly made by two Los Angeles-based bands as Chicano Batman and The Red Pears took the stage at the Kia Forum for the first time in an all-Latine lineup. Following the release of their fifth studio album Notebook Fantasy in March, Chicano Batman were billed as the headliner with support by El Monte locals The Red Pears and Colombian-Canadian singer-songwriter Lido Pimienta. Nonetheless, each act on the bill has garnered many loyal fans while delivering plenty of unforgettable performances that have showcased their evolution and success over the years.

The Red Pears

Performing at such a renowned venue as the Kia Forum is not just an accolade, but also a symbol of their relentless ambition — serving as a true testament to the barriers they all have broken through to make their mark on the music industry.

It was a celebratory evening a week into the summer and one that was shared among the crowd indeed, as many audience members sang along to anthems that have helped shaped LA identities, latinidad and a love for rock ‘n’ roll.

CHICANO BATMAN

Setlist:
Beautiful Daughter
Itotiani
Freedom Is Free
Live Today
Era Primavera
Magma
La jura
La manzanita
Requiem
Fly
Losing My Mind
Passed You By
Lei Lá
Color My Life
The Way You Say It
Run
Cycles of Existential Rhyme

Encore:
Fairytale Love
Black Lipstick

THE RED PEARS

Setlist:
Didn’t Realize
The Way You Talk
See What I Mean
Hello-Sin-Nation
Arthur
Run N’ Hide
Forever
It Takes Time
Dreams
Not in the Cards
Flowers
Once Together
Tired
Beach Song
Daylight/Moonlight

Filed Under: Editor's Picks, Featured, Photos Tagged With: Chicano Batman, Coachella, Coachella Music and Arts Festival, Coachella Valley Music & Arts Festival, Coachella Valley Music and Arts Festival, Kia Forum, Lido Pimienta, The Forum, The Red Pears

On tour in support of Paramore this summer, FOALS offer their fans at The Belasco the raucous headline club show that we all needed

July 24, 2023 by Josh Herwitt Leave a Comment

By Josh Herwitt //

FOALS with Andy Stavas //
The Belasco – Los Angeles
July 18th, 2023 //

When FOALS rocked the Hollywood Palladium in November (read our show review here) after issuing their seventh LP Life Is Yours several months earlier, it marked the first time in more than three years since they last performed in LA.

But even after signing on as support for the second half of Paramore’s tour across North America this summer, these Brits out of Oxford were not going to let a couple of opening sets at the Kia Forum be their only shows in the City of Angels this year.

With a few days off in between tour dates and founding bassist Walter Gervers rejoining the band in May after a six-year absence, Yannis Philippakis (lead vocals, lead guitar), Jack Bevan (drums, percussion) and Jimmy Smith (rhythm guitar, keyboards, synthesizer, backing vocals) along with touring members Kit Monteith (percussion, sampler) and Joe Price (keyboards, synthesizer, backing vocals) didn’t pass up on the opportunity to make their latest trip to Southern California a little extra special with a raucous headlining performance in downtown LA at The Belasco last Tuesday.

FOALS have been opening their gigs with Life Is Yours lead single “Wake Up Me” following the album’s release more than a year ago now, and from there they stepped on the gas pedal with What Went Down standout “Snake Oil” to kick off a 16-song set that saw them perform Holy Fire deep cut “Providence” for the first time this year as well as its third single “Late Night” that remains a personal favorite and had not been played in LA since 2016 (read our show review here).

From a photographer’s perspective, I have always found it cool that FOALS are the only band I have covered with a photo policy of “last three songs.” And I can certainly understand why. Because when Philippakis and his bandmates return from an encore break, things often get turned up a notch as we have seen over the years. This time was no different of course, as they hit us with their recent trifecta consisting of “Mountain at My Gates”, “What Went Down” and “Two Steps, Twice” for a terrific encore that had Philippakis shedding his axe and nearly climbing into the crowd at one point.

What might be even more amazing for the three-time Mercury Prize nominees is that they have had three different bassists in the last 18 months, and you wouldn’t even know it from the way they sound right now. There seemed to be a renewed energy amongst these lads with Gervers back in the saddle, as Smith and him shared backing vocals on the same microphone during some of the evening’s most impassioned moments.

If you’ve seen FOALS a few times like I have, you know that they’re going to bring it every single time they step onstage. The UK outfit remains one of the best rock ‘n’ roll acts to come out of the aughts as far as we are concerned, and in that regard, it shouldn’t be a big surprise that FOALS have managed to build a loyal fan base in a crowded indie scene with honest lyrics and thoughtful musicianship. It’s why they’re on our short list of bands to catch every time they come to town, and with The Belasco serving as host to a couple of other excellent concerts I have witnessed so far this year — from Jack White to Fleet Foxes — it was only fitting for FOALS to also get a chance to unload on the 1,500-person venue.

Given this latest run in the Golden State, it could be a while before FOALS are back in SoCal again. By the time they are, there’s a good chance it will be to promote new music and with a band of this caliber after almost two decades in the game, we can’t say we don’t like the sound of that.

Setlist:
Wake Me Up
Snake Oil
2001
Olympic Airways
2am
In Degrees
My Number
Black Gold
Birch Tree
Spanish Sahara
Red Socks Pugie
Providence
Milk & Black Spiders
Late Night
Black Bull
Inhaler

Encore:
Mountain at My Gates
What Went Down
Two Steps, Twice

Filed Under: Editor's Picks, Featured, Photos Tagged With: Andy Stavas, Belasco Theater, Fleet Foxes, FOALS, Jack White, Kia Forum, Paramore, The Belasco

Weezer show a sold-out crowd in their hometown that they can still be wildly entertaining

August 13, 2018 by Josh Herwitt 1 Comment

By Josh Herwitt //

Weezer & Pixies with Sleigh Bells //
Kia Forum – Inglewood, CA
August 8th, 2018 //

It has always been hard for me to take Weezer completely seriously. Of course, when one of your oldest and biggest hits is called “Undone – The Sweater Song” while others like “Pork and Beans” and “(If You’re Wondering If I Want You to) I Want You to” have cultivated their own commercial success, it’s easy to think that the Los Angeles foursome must have shared the stage with Green Jellÿ, Tenacious D or “Weird Al” Yankovic at one point in time over the last 26 years.

Well, one of those whimsical pairings actually became a reality last Wednesday. With a sold-out audience at The Forum welcoming them home during their 30-date, North American co-headlining tour with the Pixies, frontman Rivers Cuomo (lead vocals, lead guitar, keyboards) and his cohorts — Patrick Wilson (drums), Brian Bell (guitar, backing vocals, keyboards) and Scott Shriner (bass, backing vocals) — gave many of us exactly what we wanted to hear near the end of a 20-song set: their now-viral cover of Toto’s single “Africa” from the group’s 1982 album Toto IV.

But what we didn’t expect to see midway through the tune was Cuomo introducing “Weird Al” Yankovic, who stepped onstage in one of his patented Hawaiian shirts and accordion in hand to perform the last half of it with the band. The crowd erupted upon the announcement, with many shocked by what they were witnessing. For me though, the surprise cameo only further validated some of those preconceptions I had about Weezer being one of rock’s goofiest acts.

Pixies

That’s not to say that Cuomo isn’t a talented musician. In fact, quite the opposite is true. The Harvard grad shreds without question, something I never really realized until he uncorked a number of guitar solos, whether it was during “Buddy Holly” to open Weezer’s performance or “Say It Ain’t So” (with a snippet of Black Sabbath’s “Paranoid”) to put a bow on the show. And while there aren’t many lead singers who can do both, Cuomo certainly remains among some elite company, with Jack White, Trey Anastasio (Phish), Jim James (My Morning Jacket) and Josh Homme (Queens of the Stone Age) also immediately coming to mind.

Cuomo, however, might have all of them beat in one category: costumes. Appearing first in his preppy sweater-and-tie look, he eventually changed into a soccer jersey before later wearing a classic Nirvana T-shirt with the sleeves cut off. If anything, it was even more proof that Weezer don’t take themselves too seriously, considering that the only rock star who I’ve seen live with more costume changes than Cuomo is Axl Rose (and that shouldn’t be very surprising). It’s all part of the band’s playful attitude at the end of the day, and despite the political state that we currently find ourselves in, many of us could use a good laugh or at least a chuckle from time to time (I know I could).

After watching Cuomo and company do their thing for a little more than an hour, there’s no doubt that I have newfound respect for Weezer now. Selling out a 17,505-person arena in the middle of the week is no easy feat, even if the Pixies, who ripped through their own 22-song set in the same amount of time, were on the bill. But there’s a reason why Weezer have been performing second on this tour, and it’s simply because they’re still one of rock’s most wildy entertaining bands out there today — with or without Mr. Yankovic by their side.

WEEZER

Setlist:
Buddy Holly
Beverly Hills
Pork and Beans
Undone – The Sweater Song
Hash Pipe
Perfect Situation
My Name Is Jonas
El Scorcho
In the Garage
The Good Life
Happy Together (The Turtles cover) (with a snippet of “Longview” by Green Day)
Keep Fishin’ (Brian Bell on vocals)
Island in the Sun (Rivers Cuomo solo acoustic)
Take on Me (a‐ha cover) (Rivers Cuomo solo acoustic)
Burndt Jamb (Brian Bell on vocals; with lyrics from “Smells Like Teen Spirit” by Nirvana)
(If You’re Wondering If I Want You to) I Want You to
Feels Like Summer
Africa (Toto cover) (with “Weird Al” Yankovic)

Encore:
Susanne
Say It Ain’t So (with a snippet of “Paranoid” by Black Sabbath)

PIXIES

Setlist:
Gouge Away
Wave of Mutilation
U-Mass
Um Chagga Lagga
Isla de Encanta
Caribou
All the Saints
Cactus
Nimrod’s Son
Mr. Grieves
All I Think About Now
Debaser
Classic Masher
Monkey Gone to Heaven
I’ve Been Tired
Head On (The Jesus and Mary Chain cover)
Tame
Hey
Gigantic
Wave of Mutilation (UK Surf)
Where Is My Mind?
Vamos

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: Jack White, Jim James, Josh Homme, Kia Forum, My Morning Jacket, Phish, Pixies, Queens of the Stone Age, Sleigh Bells, The Forum, Trey Anastasio, Weezer

Modest Mouse and Brand New aren’t ‘Strangers’ to each other, but their fans are a different story

August 1, 2016 by Josh Herwitt 1 Comment

Modest Mouse

By Josh Herwitt //

Modest Mouse & Brand New //
Kia Forum – Inglewood, CA
July 27th, 2016 //

When Modest Mouse announced back in late January that they would be hitting the road this summer for a co-headlining tour with Brand New, it was somewhat surprising to see the two bands team up for 24 dates across the U.S.

While both groups attained critical acclaim around the same time — Modest Mouse first with their seminal album The Moon & Antarctica in 2000 and Brand New a few years later thanks to their sophomore LP Deja Entendu in 2003 — that’s where most of the comparisons seem to end. Modest Mouse, after all, have long been influenced by Talking Heads and the early 90’s alt-/indie-rock scene, with pioneers like the Pixies and Pavement leading (or should we say paving?) the way, whereas Brand New earned their keep touring with such emo/pop-punk outfits as Taking Back Sunday, New Found Glory, Good Charlotte, Dashboard Confessional and Blink-182. Ah yes, punk at its height in the early 2000’s … how we don’t miss those days.

But if there’s one other link between them, it’s Modest Mouse’s early punk aesthetics and their years playing at DIY venues before attaining mainstream status with their hit single “Float On” from 2004’s Good News for People Who Love Bad News. And although the raw, schizophrenic sound Isaac Brock has churned out over the last two decades as the band’s primary songwriter has never been analogous with what Brand New have put forth in the studio, Modest Mouse’s loose punk ties made it a little more understandable to see them paired with the Long Island product for a month-long run that included a stop in LA last Wednesday night at Kia Forum.

Brand New

Of course, for as much as I tried to rationalize the billing in my head, every indication inside the venue told me otherwise. The show, which was originally scheduled to start at 7:30 p.m., was delayed multiple times — first until 7:50 p.m., then 7:55 p.m. before settling on 8 p.m. — because, from what I was told, there were not enough fans in the stands (cue the classic “LA traffic” excuse). So when Brand New arrived onstage just after the hour, the crowd of mostly 20-somethings and those of us in our early 30’s were finally ready to absorb everything Jesse Lacey (lead vocals, guitars), Vincent Accardi (guitars, backing vocals), Garrett Tierney (bass), Brian Lane (drums) and touring member Benjamin Homola (percussion) threw our way.

For this tour, Modest Mouse and Brand New had agreed to rotate opening and closing duties, and on this night, Brand New had drawn the “opener” card much to the dismay of their fans. By the time they had run through “Sink” and “Gasoline” from their most recent release Daisy to open the show, a stadium full of Brand New fans (or at least that’s what it looked like) was hanging onto every word that Lacey screamed. Unfortunately for them, they didn’t get the full 90-minute set they were promised due to the delay at the outset, and Brand New, as a result, were forced to cut their performance short by two or three songs. Yet, it wasn’t until Modest Mouse hit the stage that I noticed how many Brand New fans had already left the building.

Modest Mouse

It took almost eight years on the dot for Modest Mouse to release their sixth full-length effort Strangers to Ourselves last March, and in that time, there was plenty of turmoil to go around. For starters, they went to Atlanta to work with Big Boi, but after recording five songs with the Outkast rapper and a number of top-notch session musicians, Brock subsequently decided to scrap them. Shortly thereafter, founding member and bassist Eric Judy left the band as well as percussionist Joe Plummer, signaling a major change to the group’s lineup just five years after topping the U.S. Billboard 200 with 2007’s We Were Dead Before the Ship Even Sank. Brock, at one point during the recording of Strangers, even brought in former Nirvana bass player Krist Novoselic before realizing his style wasn’t suited for an album that strays in a variety of sonic directions (read our community review here).

For as chaotic as the recording process was though, Brock didn’t let it tear the band apart. Instead, he recruited multi-instrumentalists Russell Higbee and Lisa Molinaro along with percussionists Davey Brozowski and Ben Massarella to join Modest Mouse, turning what started as a trio of friends from the Seattle area into a touring machine of eight. And from what Brock has revealed in one interview, it might not be long before LP7 drops (it could actually arrive later this year) as the expected companion piece to Strangers.

Back at Kia Forum, Brock and company didn’t unveil any new music from their next LP (that would be too good to be true, right?), but they did dive deep into their catalog, going back all the way to 1996 with cuts from their debut LP This Is a Long Drive for Someone with Nothing to Think About and second EP Interstate 8 during a set that lasted about two hours — a pleasant surprise for any Modest Mouse fan who stuck around until the very end. In fact, despite all of the critics who have lambasted Brock for being too inebriated at the band’s shows, what still makes Modest Mouse so fun and exciting to see live are the setlists they craft for each gig. It’s no secret over the years that the octet has made a point of choosing different songs to perform night in and night out, and in a similar fashion, it followed suit on this latest jaunt with Brand New, whose setlists didn’t vary all that much in comparison. As much as that didn’t matter to the many who showed up and bounced early, it’s tough to say whether we will ever see these two bands billed together again. Judging from the audience’s behavior however, we certainly wouldn’t count on it.

MODEST MOUSE

Setlist:
The World at Large
The Tortoise and the Tourist
Bury Me With It
Dashboard
Interstate 8
The Ground Walks, With Time in a Box
Custom Concern
This Devil’s Workday
Bukowski
Pistol (A. Cunanan, Miami, FL. 1996)
Dark Center of the Universe
Tiny Cities Made of Ashes
Dramamine
Lampshades on Fire
Sleepwalking
Fly Trapped in a Jar

Encore:
Trailer Trash
Wicked Campaign
Doin’ the Cockroach
Strangers to Ourselves

BRAND NEW

Setlist:
Sink
Gasoline
Millstone
At the Bottom
Noro
Tautou
Sic Transit Gloria…Glory Fades
Okay I Believe You, but My Tommy Gun Don’t
Degausser
Jesus
Luca
Sowing Season

Encore:
Play Crack the Sky
I Am a Nightmare
You Won’t Know (with “Tautou” outro)