Rock & Roll Hall of Fame

Jack White shows his SoCal fans why he’s Hall of Fame material with sold-out performances at Hollywood Palladium & Santa Barbara Bowl

Jack White at Hollywood Palladium

Photos courtesy of Jack White // Written by Josh Herwitt //

Jack White //
Hollywood Palladium & Santa Barbara Bowl – Los Angeles & Santa Barbara
May 12th-13th & 15th, 2025 //

If you talk to most people across the music industry and those who follow music, you won’t hear a lot of reverence for the Rock & Roll Hall of Fame.

Even after being established more than 40 years ago, it has about as much clout as the Grammys do these days and let’s be honest … that’s not saying much.

But every once and a while the RRHOF nominating committee gets it right, and this year’s induction of The White Stripes felt appropriate along with Soundgarden and OutKast (we know what you’re thinking, but the latter actually is far from being the first hop-hop act to earn the honor).

The gritty, bluesy garage rock that poured out of Detroit natives Jack White (guitar, keyboards, piano, vocals) and Meg White (drums, percussion, vocals) in the late 90’s and early 2000’s until their parting was unlike anything anyone had heard and seen at that time from only two rock musicians — let alone two who were married to each other for the band’s first few years but publicly presented themselves as siblings before eventually divorcing — playing their respective instruments.

And although he won’t publicly admit this, much of that had to do ultimately with Jack’s creativity and virtuosity as a guitarist. His distinct and unmistakable style that’s often highlighted by his high-pitched, screeching solos has propelled him into elite company with other legendary six-stringers like the late Jimi Hendrix and Eddie Van Halen or the great Jimmy Page and Eric Clapton.

Since the Stripes called it quits back in 2011 and Meg decided to put down the sticks for good, Jack has continued writing music at a prolific rate as a solo artist first and foremost but also for his other projects that include The Raconteurs and supergroup The Dead Weather with Alison Mosshart of The Kills.

Jack White at Santa Barbara Bowl

His sixth solo album No Name, which was surprise released last summer and initially distributed in the form of a free 12-inch vinyl with all purchases made at any Third Man Records location, ranked as one of our favorites in 2024 (see our picks here) and was named in several other “Best of 2024” lists.

Nevertheless, we would have to wait more than six months after first hearing the new material to catch Jack and his new cast of sidekicks in Southern California. Missing out on tickets for his album release shows in more intimate settings such as Lodge Room and the Mayan in October, our next opportunity to see him in the flesh came early this year thanks to the annual NAMM Show in Anaheim. It was on a rainy Saturday night in late January that we saw White perform about half of the songs from No Name during a sold-out gig he announced at the Grove of Anaheim and sold tickets for just a few days prior.

With shows on his “No Name Tour” already booked in LA and Santa Barbara this spring, it was a little surprising to see Jack book another one in SoCal ahead of those dates, but that’s what one of the last remaining guitar heroes continues to do more than three decades into his career whether he’s making new music or playing live: surprise.

The support for this tour has followed very much in the same vein, with Jack selecting a local band from each city he visits and revealing who it will be with only hours to go before showtime. That’s not why we spent two straight nights at the Hollywood Palladium as we did three years ago at LA’s YouTube Theater (read our show review here) — or at the Shrine Auditorium in 2012 — and embarked on another trek up the coast to the Santa Barbara Bowl after witnessing Jack’s debut there in 2018 for his third studio effort Boarding House Reach (read our show review here), however.

A lot has changed for Mr. White since those tours. Outside of bassist Dominic Davis, his backing band has been turned over with Patrick Keeler (The Greenhornes, The Raconteurs and The Afghan Whigs) replacing Daru Jones on drums and Bobby Emmett subbed in for Quincy McCrary on keyboards. He’s also married again for a third time — and we all know how much he loves the number three with Jack White III serving as one of his two pseudonyms — with his wife Olivia Jean growing her own career in the music industry and contributing at times to his, including recently providing bass or drums for some tracks on No Name. And not that it’s any of our business, but it does seem like they are a “good match” for each other in true Motor City fashion (no pun intended). Plus, we would be remiss to not bring up the fact he has moved away from his strict “no phones” policy, which saw him partner with Yondr up until his return to the stage last year. Watching him shred one axe after the next through a sea of phones in LA might have felt a bit different than what we have come to expect after seeing more than a dozen of his shows, but we can’t say it completely ruined the experience for us with Jack on top of his game and the crowd’s energy level never wavering throughout his 90-minute sets.

All things aside not related to his music, the 12-time Grammy winner still remains a must-see every time he comes town and for us that’s anywhere within a reasonable driving distance. Because as his sound expands further into new territory — this time leaning even harder into his garage-rock roots with some punk elements — and his artistry evolves deeper with each album, Jack’s shows never get old no matter how many evenings you have previously spent with him. Sure, there was a decent amount of overlap in the setlists across these latest three concerts we witnessed, yet Jack’s penchant for improvisation in the live space continues to seep into the overall DNA of his performances and offers a level of ambiguity (in a great way) for fans. Of course a place in the Rock Hall is certainly well-deserved for a multi-hyphenate musician whose biggest hit has been heard blasting out of PA systems in arenas and stadiums at major sporting events for almost 20 years now. In fact, when’s the last time the home team didn’t play “Seven Nation Army” at one point during a game? If you really want to understand what makes Jack so special though, you have to experience the magic of his live shows for yourself.

MAY 12TH – HOLLYWOOD PALLADIUM

Setlist:
Intro Jam
Old Scratch Blues
That’s How I’m Feeling
Dead Leaves and the Dirty Ground (The White Stripes song)
Instrumental Jam
Me and the Devil Blues (Robert Johnson cover) (Soap&Skin version)
It’s Rough on Rats (If You’re Asking)
Little Bird (The White Stripes song) (with “Me and the Devi Blues” outro)
Hotel Yorba (The White Stripes song)
What’s Done Is Done
Broken Boy Soldier (The Raconteurs song)
Why Walk a Dog?
Sixteen Saltines
Cannon (The White Stripes song)
The Union Forever (The White Stripes song) (with “Cannon” outro)
Fell in Love With a Girl (The White Stripes song)

Encore:
Encore Jam
Archbishop Harold Holmes
I’m Slowly Turning Into You (The White Stripes song)
What’s the Rumpus?
Lazaretto
Underground (with “Me and the Devil Blues” outro)
Seven Nation Army (The White Stripes song)

MAY 13TH – HOLLYWOOD PALLADIUM

Setlist:
Intro Jam
Old Scratch Blues
I Wanna Be Your Dog (The Stooges cover)
That’s How I’m Feeling
Black Math (The White Stripes song)
Bombing Out
It’s Rough on Rats (If You’re Asking)
Let’s Build a Home (The White Stripes song)
What’s the Rumpus?
High Ball Stepper
Hello Operator (The White Stripes song)
I Cut Like a Buffalo (The Dead Weather song)

Encore:
Encore Jam
Steady, as She Goes (The Raconteurs song)
Archbishop Harold Holmes
Ball and Biscuit (The White Stripes song) (with “You Can’t Get That Stuff No More” by Tampa Red snippet)
Icky Thump (The White Stripes song)
Seven Nation Army (The White Stripes song)

MAY 15TH – SANTA BARBARA BOWL

Setlist:
Intro Jam
Old Scratch Blues
That’s How I’m Feeling
Dead Leaves and the Dirty Ground (The White Stripes song)
It’s Rough on Rats (If You’re Asking)
Little Bird (The White Stripes song)
Love Interruption
Cannon (The White Stripes song)
The Union Forever (The White Stripes song)
Tonight (Was a Long Time Ago)
Broken Boy Soldier (The Raconteurs song)
Lazaretto
The Hardest Button to Button (The White Stripes song) (shortened version; >)
Archbishop Harold Holmes

Encore:
Encore Jam
Icky Thump (The White Stripes song)
That Black Bat Licorice
Ball and Biscuit (The White Stripes song)
Underground
Seven Nation Army (The White Stripes song)

Rage Against the Machine might not ever tour or perform again, but the next best thing fans can witness live is a Tom Morello show

By Josh Herwitt //

Tom Morello + special guests with Seven Hours After Violet //
House of Blues – Anaheim, CA
February 6th, 2025 //

When I first started listening to Rage Against the Machine’s self-titled debut LP during the early 90’s, you couldn’t help but feel the energy and passion that was blasting out of those speakers in my bedroom.

Even if I hadn’t heard a lot of music by that point in my life, I could already tell it was like nothing anyone had ever experienced either. Their fusion of rap, metal, funk and punk as a vehicle for lead vocalist Zack de la Rocha’s politically charged lyrics was unlike anything that had come before it and blazed a trail for many imitators to follow sonically despite them not achieving the same kind of commercial success and worldwide appeal RATM received.

But the last album Rage released — of strictly cover songs mind you — is almost 25 years old, and the chances of the four-piece putting out new material is slim to none since they canceled the remainder of their European and North American tour dates in 2022 and 2023 after de la Rocha suffered a ruptured Achilles tendon onstage.

It wasn’t until drummer Brad Wilk issued a statement on Instagram at the beginning of last year that any hope for a reunion to continue ahead of the 2024 presidential election was lost, as he made it clear they “will not be touring or playing live again.”

I remember reading Wilk’s words shortly after they were posted and being bummed that the possibility of seeing one of my favorite acts in the flesh again was gone. With the COVID-19 pandemic canceling their 2020 headlining set at Coachella, there was still a belief among RATM fans they would be there after the Los Angeles Times reported in an exclusive interview with Goldenvoice CEO Paul Tollett as much. While that never materialized by the time most of the coronavirus restrictions across North America were being lifted and the renowned California festival’s 2022 lineup had finally been revealed, the LA group did get its “Public Service Announcement Tour” — with Run the Jewels signing on as support — off the ground a few months later before de la Rocha’s eventual injury on the tour’s second stop.

Rage, nevertheless, pressed on for 17 more shows with de la Rocha unable to walk and affixed to a chair that culminated in NYC over five nights at Madison Square Garden and stand as the LA outfit’s final performances currently.

“I hate cancelling shows,” de la Rocha wrote more than three months after his setback in Chicago. “I hate disappointing our fans. You have all waited so patiently to see us and that is never lost on me. I never take that for granted. For you I have the ultimate gratitude and respect.”

Tom Morello with special guests - Roman Morello

Roman Morello (middle) & Tom Morello (right)

These weren’t just any shows, however. After all, they marked RATM’s first in 11 years amid a full-length tour that hadn’t happened in twice as long. When you consider such, it’s hard to not regret missing them or think about how I should have traveled out of state to attend at least one considering an LA date was not listed when the tour was announced.

“If there ever was a band we need back, it’s Rage,” I have often said to myself.

RATM, sadly, have been a thing of the past well prior to their 2023 induction into the Rock & Roll Hall of Fame, but that hasn’t kept guitarist Tom Morello at the age of 60 from fighting the good fight and proving there’s always a place for protest music.

Our latest opportunity to join him in solidarity came on a wet winter evening at the House of Blues Anaheim, which I had not visited in more than a decade and was unaware of its newer digs since renovations were completed. From a political standpoint, it was slightly surprising to see Morello hit Orange County for one of two scheduled shows in the greater LA area. The long drive in rush-hour traffic didn’t keep us from reaching the 2,200-person music hall, though, where we found a packed crowd awaiting the 8 p.m. arrival of Seven Hours After Violet. Formed by System of a Down bassist Shavo Odadjian less than two years ago, the metalcore project delivers its songs hard and fast (no tracks on the quintet’s debut LP reach four minutes). It didn’t sound like anything that Morello would unleash subsequently, but the mostly male audience ate everything SHAV cooked up over their 45-minute opening set and probably would have come back for more if there wasn’t a main act to catch.

Morello was who we came to see of course, and as we anticipated, the setlist proved to be a mixture of his solo material, covers of RATM as well as other notable artists, and songs from The Nightwatchman project he started in 2003 as a way to express himself politically outside of his work with Audioslave.

Bursting onto the stage armed with a guitar and fist in the air, Morello and his son Roman immediately blew the roof off the house, diving right into their 2024 collaborative single entitled “Soldier in the Army of Love” and then transitioning to “One Last Dance” that they also unveiled last year with grandson for the superhero film “Venom: The Last Dance” starring Tom Hardy. Other surprise guests were Måneskin guitarist Thomas Raggi and The Struts lead vocalist Luke Spiller, each assisting separately on spirited renditions of MC5’s “Kick Out the Jams” and AC/DC’s “Dirty Deeds Done Dirt Cheap” back to back.

Yet, it was a couple of RATM medleys that ultimately drew the loudest and most passionate response from the sold-out room. A tribute to Chris Cornell that played on the video screen during Audioslave’s “Like a Stone” served as a poignant moment to honor the late singer, although a Tom Morello concert wouldn’t be entirely complete without him paying respect to “the Boss,” too. I have always loved Rage’s version of “The Ghost of Tom Joad” by Bruce Springsteen and seeing Morello take a crack at it instantly brought back fond memories. Did the decibel levels (and profanity) rise as much as they did for RATM’s “Killing in the Name” soon afterward? No, not quite. Did folks in LA get more surprise guests? Yes, they most certainly did with Slash and RZA both dropping by The Fonda Theatre a day later. It would be easy to presume, with that in mind, that we picked the wrong show of the two. We could live in more regret or feel gratitude seeing Morello do what his does best by uniting us through the power of music. And as we jumped to John Lennon’s “Power to the People” at Morello’s request down the homestretch, I knew this outing might not have lived up to that time I saw Rage rock The Forum in high school, but it sure is the next best thing we can witness now.

TOM MORELLO WITH SPECIAL GUESTS

Setlist:
Soldier in the Army of Love (with Roman Morello)
One Last Dance (with Roman Morello)
Testify / Take the Power Back / Freedom / Snakecharmer (Rage Against the Machine song)
GOSSIP (Måneskin cover) (with Luke Spiller on lead vocals and Thomas Raggi on guitar)
Lightning Over Mexico
One Man Revolution (Tom Morello: The Nightwatchman song)
Union Power
Hold the Line
Let’s Get the Party Started
Secretariat
Cato Stedman & Neptune Frost
Keep Going
House Gone Up in Flames (Tom Morello: The Nightwatchman song)
This Land Is Your Land (Woody Guthrie cover)
Kick Out the Jams (MC5 cover) (with Thomas Raggi)
Dirty Deeds Done Dirt Cheap (AC/DC cover) (with Luke Spiller on lead vocals and Shavo Odadjian on bass)
Bombtrack / Know Your Enemy / Bulls on Parade / Guerilla Radio / Sleep Now in the Fire / Bullet in the Head (Rage Against the Machine song)
Cochise / Like a Stone (Audioslave song)
The Ghost of Tom Joad (Bruce Springsteen cover)
Killing in the Name (Rage Against the Machine song) (with Roman Morello)
Power to the People (John Lennon cover)