Danny Brown – Showbams

Run the Jewels spoil 5,000 fans in LA with special guests Zack de la Rocha, Danny Brown & more

February 7, 2017 by Josh Herwitt 1 Comment

Run the Jewels //
Shrine Expo Hall – Los Angeles
February 1st, 2017 //

When Jaime Meline and Michael Render teamed up to form Run the Jewels in 2013, neither were household names all on their own. Meline, better known as El-P among underground hip-hop fans, had built a modest career as a beatmaker/producer, rapper and independent record label owner, while Render, aka Killer Mike, had garnered some slight fanfare for his collaborations with OutKast and fellow Atlanta emcee Big Boi.

Yet, in just four years, Run the Jewels have already reached hip-hop’s mountaintop with their politically charged lyrics and hard-hitting beats. Just take last Wednesday’s sold-out show in LA for example. With the duo’s third studio album still only a few weeks old, 5,000 or so fans poured into the spacious Shrine Expo Hall to watch El-P and Killer Mike fuck shit up (for lack of a better term). And that’s exactly what they did after opening sets from The Gaslamp Killer, Nick Hook, Gangasta Boo and CUZ.

From the moment they walked onstage to Queen’s “We Are the Champions” blasting out of the PA system, much like they did at FYF Fest (read our review here) a couple summers ago, El-P and Killer Mike kept the energy odometer at 100. They jumped right into material from their latest LP Run the Jewels 3, starting with “Talk to Me” and continuing in chronological order, before telling us to raise our hands in the air and flash their patented fist-and-a-gun hand gesture in between songs.

By the time El-P and Killer Mike dove into “Blockbuster Night, Part 1” and “Oh My Darling Don’t Cry” from their critically acclaimed sophomore record, the capacity crowd was fully entrenched in RTJ’s aggro-hip-hop stylings. But unlike most of the dates on their “Run the World Tour” so far, this one was loaded with top-notch special guests. Going into it, I had a good feeling that we were in for at least a couple knowing RTJ’s penchant for surprises and the fact that we were in La La Land after all. What played out, though, surpassed just about all of my expectations.

As soon as we heard the opening guitar riff to DJ Shadow’s “Nobody Speak” from his 2016 LP The Mountain Will Fall, I thought we might be getting an appearance from the legendary Bay Area producer and turntablist himself. Instead, it was the ensuing song that proved to be our first surprise of the night, as Detroit rapper Danny Brown emerged from the shadows to trade lines with El-P and Killer Mike on their RTJ3 collaboration “Hey Kids (Bumaye)”. Of course, as unexpected as Brown’s appearance was, RTJ had plenty of more tricks up their sleeves. One of them was the aforementioned Gangsta Boo guesting on their crude, raunchy RTJ2 track “Love Again (Akinyele Back)” as she has done throughout the tour, but as the clock hit 11 p.m., El-P and Killer Mike had a few more friends to introduce. BOOTS, the enigmatic singer/rapper and songwriter who worked on Beyoncé, was up next, contributing the same vocals he supplied in the studio for “Early” before a drum set was rolled out for Blink-182’s Travis Barker, who made his presence felt with a dramatic, blood-pumping finish — sticks twirling and all — to “All Due Respect”. And if that wasn’t enough, the Brooklynlanta team made sure we got to briefly meet Dungeon Family member and singer Joi via its RTJ3 opener “Down” before exiting stage right.

But while it’s clear that RTJ have come a long way even since their early days, El-P and Killer Mike made sure to save the best for last at the Shrine Expo Hall. It’s well-known, in fact, that they have brought out Zack de la Rocha from time to time, most recently in Washington D.C. during a pre-inauguration performance last month, but there’s still something exhilarating about seeing the Rage Against the Machine frontman grab the mic and go to work. Lucky for us, RTJ’s encore featured de la Rocha on both “Kill Your Masters” and “Close Your Eyes (And Count to Fuck)”, the latter of which is one of the duo’s most powerful and provocative songs. It was a fitting way to end the night, particularly in our current political climate, but at least we have El-P and Killer Mike to help us make sense of it all.

Setlist:
We Are the Champions (Queen song)
Talk to Me
Legend Has It
Call Ticketron
Blockbuster Night, Part 1
Oh My Darling Don’t Cry
Nobody Speak (DJ Shadow cover)
Hey Kids (Bumaye) (with Danny Brown)
Stay Gold
Don’t Get Captured
Panther Like a Panther
Love Again (Akinyele Back) (with Gangsta Boo)
Lie, Cheat, Steal
Early (with BOOTS)
All Due Respect (with Travis Barker)
Run the Jewels
A Report to the Shareholders
Down (with Joi)

Encore:
Kill Your Masters (with Zack de la Rocha)
Close Your Eyes (And Count to Fuck) (with Zack de la Rocha)

VIEW PHOTOS FROM THE SAN JOSE AND OAKLAND SHOWS.

Filed Under: Editor's Picks, Featured, Live Music Reviews Tagged With: Big Boi, Blink-182, BOOTS, Danny Brown, OutKast, Rage Against the Machine, Run The Jewels, Shrine Expo Hall, Travis Barker, Zack de la Rocha

The 25 best live music acts of 2016

December 30, 2016 by The Bam Team 1 Comment

As we officially place 2016 in the history books, it’s time to look back at all the live music we experienced this year. Last year we shared our 25 favorite live performers of 2015, so this year we thought we would do it again while excluding any artists we named in 2015. After all, who really wants to see the same acts listed two years in a row? That said, now that we’re two years removed, our 25 favorite live performers of 2014 were once again fair game.

After covering many excellent bands, musicians and DJs over the past 12 months, trimming our list down to 25 wasn’t easy and as usual, some difficult decisions had to be made. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order) whom we either covered at their own show and/or at a music festival this year:

Adrian Younge, Air, Alessia Cara, Alina Baraz, AlunaGeorge, Alvvays, The Arcs, A$AP Ferg, Atlas Genius, Aubrie Sellers, The Avett Brothers, Bag Raiders, Baio, Banks & Steelz, Bas, Battles, Beats Antique, Beach House, Best Coast, Big Freedia, Big Gigantic, Big Grams, Big Wild, Bloc Party, Bob Mould, The Boxer Rebellion, Brand New, Brett Dennen, The California Honeydrops, Capital Cities, Cate Le Bon, Chairlift, Chelsea Wolfe, !!! (Chk Chk Chk), Chris Robinson Brotherhood, Chuck Mosley, Chromeo, Claude VonStroke, The Claypool Lennon Delirium, Cold War Kids, The Crux, Dan Deacon, Danny Brown, Deftones, The Devil Makes Three, Dirtwire, Disclosure, DMA’s, DMX, Drew Holcomb and The Neighbors, Duran Duran, Every Time I Die, Emancipator Ensemble, Ezra Furman, Faith No More, The Faint, Fantastic Negrito, Femi Kuti, Florence + the Machine, Flume, Fruition, The Gaslamp Killer, Geographer, Glass Animals, Gorgon City, Grimes, Halsey, The Head and the Heart, Heartwatch, The Heavy, Highly Suspect, Hippie Sabotage, Holy Fuck, How to Dress Well, Hudson Mohawke, Hundred Waters, IAMX, Ibeyi, Ice Cube, Iggy Pop, The Infamous Stringdusters, Jack Beats, Jack Garratt, Jack Ü, James Bay, Jamie xx, J. Cole, Jimmie Vaughn, Jhené Aiko, The Joy Formidable, Joywave, Julia Holter, Julien Baker, Kaki King, Kamaiyah, Kamasi Washington, Kehlani, K.Flay, The Kills, Kurt Vile, Lafa Taylor, Lana Del Rey, Låpsley, Les Sins, Lettuce, Lionel Richie, Lord Huron, Little Scream, Lucius, M83, Major Lazer, Marian Hill, Mayer Hawthorne, MC YOGI, Methyl Ethel, Metric, Miami Horror, Mick Jenkins, Midi Matilda, Miguel Migs, Modest Mouse, Moon Taxi, M. Ward, Nahko & Medicine for the People, The Naked and Famous, Nas, Nathaniel Rateliff & The Night Sweats, Neon Indian, Nick Murphy (fka Chet Faker), Nite Jewel, Panic! at the Disco, Parliament-Funkadelic, Peaches, Petite Noir, The Pharcyde, The Polish Ambassador, Porches, Prince Rama, Purity Ring, Pusha T, Radiohead, Ra Ra Riot, The Regrettes, The Revivalists, RJD2, Rodrigo y Gabriela, Rogue Wave, Rubblebucket, Run the Jewels, The Russ Liquid Test, Ryan Adams, The Sam Chase & The Untraditional, Saosin, Sarah Neufeld, The Seshen, Shabazz Palaces, Shlohmo, Silversun Pickups, Snakehips, Solange, Son Little, St. Lucia, Stormzy, The Struts, STS9, Sturgill Simpson, Sufjan Stevens, Summer Cannibals, Sunflower Bean, Sigur Rós, St. Germain, Sylvan Esso, Tacocat, Taking Back Sunday, Tedeschi Trucks Band, Thao & the Get Down Stay Down, This Will Destroy You, Thomas Jack, Thundercat, Toro y Moi, Tortoise, Tory Lanez, Tourist, The Trims, Troye Sivan, Umphrey’s McGee, Viceroy, Vince Staples, Vokab Company, Walk the Moon, Warpaint, Wavves, Weezer, Wheeler Walker Jr., White Denim, Wild Belle, Wild Nothing, Years & Years, Yeasayer, YG, Young Fathers, Yuck, ZHU, Ziggy Marley.

Now, it’s time for The Bam Team to present our 25 favorite live performers of 2016.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2016

Listen to The Bam Team’s favorite songs of 2016:

25. Tycho

For as much as Epoch was a surprise, so were Tycho’s two most recent shows in LA last week. It was the first time Hansen and company had played The Fonda Theatre since the Awake tour back in 2014, and Thursday’s sellout, which was announced less than a week before the show, along with the subsequent need to add a second date the next night, made it clear that more than ever, Angelinos have a strong appetite for what Hansen is doing on both a musical and visual level. It helps, too, that KCRW Music Director Jason Bentley, who opened the shows at The Fonda with a DJ set, has helped expose Tycho to a broader audience, whether through the “Morning Becomes Eclectic” theme song or live, in-studio performances by the band. Even nowadays with an abundance of streaming sites, you can’t underestimate the power of radio in a city with a driving culture as large as LA’s. And truth be told, Tycho is some of the best music to drive to, especially when you’re surrounded by nature. -Josh Herwitt, photo by Josh Herwitt

24. Isaiah Rashad

And when it did, Rashad torpedoed onto stage and turned the restlessness in the room on its head with “Smile”, the apropos homecoming banger he released after years of uncertainty that followed his 2014 EP Cilvia Demo. It was fitting because prior to his reemergence, which was sparked by the song, Rashad admitted to being addicted to Xanax and alcohol, and it almost led to him being dropped from his West Coast record label on several occasions. From his issues with substance abuse to the tears he shed while listening to Kid Cudi’s music and his open-book thoughts on the humanizing of mental-health issues, Rashad’s journey from being the contemplative unknown in superstar Kendrick Lamar’s crew to a complete artist deserving of your attention has been steeped in honesty. -Joseph Gray, photo by Joseph Gray

23. Bob Moses

Needless to say, worn-out axioms failed to apply in this scenario. Bob Moses silenced anyone attempting to pass them off as yet another contrived electropop outfit aiming to please the masses. At Mezzanine, both Howie and Vallance proved their prowess as EDM innovators, bringing more to the stage than a couple of laptops and a pretty light show. Surprising those unfamiliar with their work or expecting to be underwhelmed, Bob Moses have elevated the live electronic game for their respective contemporaries and succeeded in defining a new chapter for the genre — an innovative sound standard that’s all their own. -Molly Kish, photo by Lisette Worster

22. Floating Points

The band continued building on its rhythms and melodies, creating a hypnotic feeling that was filled with textured synthesizers, guitar pedals and consummate percussion, as laser patterns reflected each rise and fall during its lengthy jam sessions. As Sheppard and his sidekicks progressed through each track, the complexity of the laser projections grew into optical illusions that, almost like another musical instrument onstage, intertwined with the style and progression of the band’s production perfectly. With each song reaching a climax and eventual denouement, the artwork remained untouched for a few minutes so that fans could observe each piece before their very own eyes. -Brett Ruffenach, photo by Alister Mori

21. Ty Segall

But Segall is no doubt a showman himself, and you’d be hard-pressed to find someone who expends as much energy onstage as he does in merely 90 minutes. His passion simply rubs off on his fans, who wasted little time climbing onstage and taking the plunge into a sea of hands for a couple of minutes. Segall, of course, also got in on the action at one point, as his shows are often known to feature crowd surfing from both band and audience members, and he made sure to take the mic stand with him while he horizontally slithered across the room. -Josh Herwitt, photo by Josh Herwitt

20. Dr. Teeth and The Electric Mayhem

One of the biggest questions on everyone’s mind coming into Outside Lands was, “Who were Dr. Teeth and The Electric Mayhem?” For those who knew, it was, “How in the hell were the Muppets going to fill a Sunday slot on the main stage?” Because the band had never played a show of such magnitude or outside the context of a TV/film studio, no one had any clue what to expect during this early-afternoon slot. Though some festivalgoers (mistakenly) decided to forego the experience altogether, those present will not forget the incredible feat that Another Planet Entertainment and Jim Henson Enterprises were able to pull off for what was one of the most emotionally nostalgic, blissfully complex and once-in-a-lifetime festival performances maybe ever. The Muppet house band both effortlessly managed to pluck the heartstrings of multiple generations of fans while delivering the most conceptually beautiful “love letter” to the city of SF, blanketing the grounds in a sea of love and collective euphoria for a brief, yet unforgettable moment. -Molly Kish, photo by Rochelle Shipman

19. RÜFÜS DU SOL

By the time RÜFÜS made their entrance, the excitement in the room was at a fever pitch. The crowd was ready to dance from the very first beat (thanks to the excellent warm-up from Kllo and Yuma X), and they did just that. Lead singer Tyrone Lindqvist took center stage with great energy and proceeded to do the customary water bottle toss shortly after. Lindqvist set the tone right from the get-go for a high-energy, high-audience-participation set. The crowd responded in kind by getting down much harder than expected for a Wednesday night. Notably, there were surprisingly very few phones out as most attendees put away their cameras to make the most of every song. The intimate setting of The Fillmore could almost have been mistaken for the polo fields of Coachella, given how many girls-on-shoulders could be seen around the venue. -Geoff Hong, photo by Josh Herwitt

18. Rudimental

Through Rudimental tracks like “Not Giving In”, “Free” and “Waiting All Night”, the most unique element of the group’s live production was their charisma. Simply put, they look like they’re having fun. These aren’t tortured artists or cathartic performers — Rudimental are a band that loves the music they make. Even the band’s drummer, Beanie, easily one of the hardest working rhythmists on tour right now, managed to keep a smile on his face, racing through Rudimental’s repertoire of songs that were anywhere from 145 to 160 BPMs. The septet’s de-facto leader, DJ Locksmith, was surprisingly more in the background than you would expect from a typical DnB hype man. As Rudimental wrapped up their set with their chart-topping hit “Feel the Love”, the crowd joined in as the song ended, creating a shared moment at The Fox that perfectly reflected the intention of Rudimental — to spread the love. -Brett Ruffenach, photo by Marc Fong

17. BØRNS

On this night, that proverbial phrase seemingly rang true. It wasn’t just that BØRNS most likely amassed the largest attendance in the history of the Twilight Concert Series, but also the fact that it was easily one of the best shows I’ve ever witnessed at the Santa Monica Pier. One could certainly point to the opening of the Expo Line extension as a reason for the larger crowds so far this summer, which wasn’t all that noticeable during the series’ opening night with Mayer Hawthorne just the week prior, but that would simply be underestimating the exponential rise of Garrett Borns’ eponymous project. Since he relocated to Los Angeles in 2013 and signed with Interscope Records, the Michigan native has gone from supporting modest indie bands like MisterWives to selling out shows as a headliner in a matter of a year. -Josh Herwitt, photo by Josh Herwitt

16. Flying Lotus

Brainfeeder founder, producer and unapologetic cultural mouthpiece Flying Lotus (born Steven Ellison) ended the night with a mildly controversial headlining set. Walking onstage and making what any FlyLo fan would recognize as an off-colored comment on the current presidential race may have proven too brazen for those not used to his brand. He let Captain Murphy out of the box a little early and road the wave of confusion into a heady, bass-driven assault on the conflicted crowd, providing the distinct audio punctuation point for the night’s bill of artists. Playing several tracks off of his 2014 LP You’re Dead! as well as various hits from high-profile hip-hop emcees like Travis Scott and Kendrick Lamar that he has produced over the years, Ellison stunned us all with his double-screen, audio-visual stage setup and plenty of bone-rattling bass drops. -Molly Kish, photo by Marc Fong

15. The Last Shadow Puppets

TLSP brought a strings section to their show, an added element that helped keep things fresh and new. The show began with the beautiful sounds of violins and cellos, but the moment TLSP got onstage, the whole floor at The Fillmore lit up in billows of smoke. I’m sure the band was stoned by the end of the show if it hadn’t been already, appearing beyond excited to be playing on a Sunday night in SF. Turner and Kane must have yelled out something about SF every few minutes and incorporated SF into some of their songs. They were so incredibly tight, and I felt their set in some ways was a bit better than what I had witnessed years ago — the mix and order of the songs felt more succinct at The Fillmore. -Rachel Goodman, photo by Diana Cordero

14. Miike Snow

Sunday’s roster at Coachella last year was significantly weaker in comparison to Friday’s and Saturday’s. This year was much of the same, though Calvin Harris somehow proved to be an even worse headliner than Drake (we didn’t know that was possible). But one of the bright spots on Day 3 was no doubt Miike Snow’s 9:45 p.m. slot in the Mojave Tent, the same place where I discovered the Swedish trio back in 2010 during my first Coachella. Andrew Wyatt, Christian Karlsson and Pontus Winnberg have come a long way since then, and with three studio albums in their catalog, including their latest effort iii, they have more than enough material to fill out a 50-minute set and leave you wanting to hear more. -Josh Herwitt, photo by Norm de Veyra

13. Young Thug

Fresh off releasing the latest — and final — installment of his Slime Season mixtape trilogy, Young Thug took his place on the stage. Arriving in a white blouse, multicolored sequined jacket, dark shades, a polka-dot head scarf and remarkably slim, golden pants, he aligned such a rangy and vibrant uniform with his performance. There wouldn’t be any towering LED lights, stunts or stage diving. However, Young Thug, who for the majority of his roughly hour-long set played the lone wolf, delighted the crowd with his animated and bright delivery while running through thundering Slime Season 3 favorites like “With Them”, “Digits” and “Slime Shit”. The audience, ranging from high school seniors to seasoned workers likely with mortgages, strikingly recited every uncanny, controversial lyric and Ric Flair-esque “Woo!” like they had been analyzing them for years. -Joseph Gray, photo by Joseph Gray

12. Pretty Lights

Touring with a live band for the first time in 2013 — something that few other EDM artists have done to this day — he quickly changed the way electronic music can be experienced live. Fast forward to last Thursday, and we were once again treated to an electrifying Pretty Lights show that was more than just Smith behind a pair of Macbook Pros and two Akai MPD32s. Making his debut at the majestic Santa Barbara Bowl, he once again showed why he isn’t your typical EDM act. With Chris Karns and Big Wild providing support, Smith hit the stage at 8 p.m. with his bandmates — Karns, Borham Lee, Brandon Butler and Alvin Ford, Jr. — and put on a show that dazzled both sonically and visually. What was most impressive, though, was seeing how much of the performance was improvised, as the band transitioned from one jam to another while dropping in a number of remixes here and there. And as I looked on from my seat in the stands, I couldn’t help but think about how much the show reminded me of all the times I’ve seen STS9 perform live. It only seemed fitting considering that the livetronia band helped give Smith his start back in the day, and with the “EDM bubble” about to burst (that is, if it hasn’t already), it’s hopefully an approach more electronic artists will gravitate toward in the future. -Josh Herwitt, photo by Josh Herwitt

11. Mac DeMarco

The 26-year-old king of slacker rock, who over the past few years has become a fan favorite of many Bay Area audiophiles, never seems to hold back when he comes to town. His first night in SF last week saw him jump from The Indy’s balcony into an awaiting crowd (a feat that was later imitated by a female audience member at The Warfield the next night), run around half naked while playing new songs and perform a 25-minute cover of Eric Clapton’s 1971 hit single “Layla” with fart solos sprinkled throughout. -James Pawlish, photo by James Pawlish

10. Moderat

Easily the most anticipated set of the weekend from this spectator’s vantage point, Moderat hadn’t toured since dropping a pair of EPs in 2014. But with the release of its third full-length album, aptly titled III, the Berlin-based supergroup comprised of Apparat’s Sascha Ring and Modeselektor members Gernot Bronsert and Sebastian Szary were primed to make their mark on the final day of LIB — and that they did. Beginning with “Ghostmother” off their latest LP, Moderat ran through a good chunk of new material, but nothing ignited the crowd more than their new single “Reminder”, which remains one of our favorite songs of the year so far. As we witnessed a few days earlier at The Fonda Theatre in LA, the group’s dark, minimalist stage setup with psychedelic flourishes paired nicely with Ring’s ethereal vocals. Of all the other performances throughout the weekend, Moderat’s 90-minute set undoubtedly stood as one of the brightest moments of LIB 2016. -Josh Herwitt, photo by Josh Herwitt

9. Foals

Foals closed out their rambunctious set with a killer take on the title track “What Went Down” that brought lead singer/guitarist Yannis Philippakis diving into the crowd, giving fans one hell of a selfie and proving their rock credentials for good. After all, any band that can unite 20-something bros with 50-something grandparents gets a gold star in our book. Rock brings people together, and those who made it out to see this unicorn of a band won’t live to regret it. -Zach Bourque, photo by Steve Carlson

8. Tame Impala

As they opened with the dream-inducing interlude “Nangs” from their latest studio album Currents, Tame Impala gave the crowd an ample minute and a half to commit to the spatial surroundings before jumping full throttle into an explosive rendition of lead single “Let It Happen,” playing the tracks in reverse order than they are on the LP. By the third song (as promised), the sky, having just turned black, was filled with a stadium’s worth of rainbow confetti as the band played the opening chords of 2012’s psuedo love ballad “Mind Mischief”. Followed by a rare performance — only the second time in three years — of “Music to Walk Home By” from 2012’s Lonerism, Tame Impala played a wide range of emotive classics while scrambling the brains of more than 8,500 audience members with their intense onslaught of sensory-overloading imagery and hypnotic light show. -Molly Kish, photo by James Pawlish

7. Jim James

James is in rare company these days, amid a dying breed of guitar-rock gods like Jack White and Josh Homme who are not only capable of playing anything on six strings, but also on a myriad of instruments. And while Eternally Even feels in some ways like an opportunity for him to finally experiment more with keyboards, James made sure to remind his fans at the 90-year-old Orpheum Theatre last Friday that shredding is still a priority. Performing in his new hometown after officially moving to LA this year, he assumed the role of lead singer for much of the show as he and his bandmates from Twin Limb (also opening for James on this tour) played all of Eternally Even and half of Regions. But propped up by a stand onstage the whole time was James’ black Gibson axe, and you knew at some point during a two-hour set that he was going to unload some sick riffs like we have become accustomed to seeing from him at Jacket shows. -Josh Herwitt, photo by Josh Herwitt

6. The National

The real headline from The National’s performance was hands down the new material that was debuted, pretty much across their entire set, encore included. A rather standard opening of “Don’t Swallow the Cap” and “I Should Live in Salt” led into our first taste of the band’s upcoming LP in the form of “Checking Out”. Though many locals likely recognized this track from last year’s Treasure Island Music Festival (read our review here), it has tightened up over the past year and even begins to sound familiar as the Brooklyn-based five-piece begins to weave in more electronic, synth-like elements. -Kevin Quandt, photo by Steve Carlson

5. Guns N’ Roses

There may have been no more talked-about act in Coachella’s 17-year history than Saturday’s headliner — and for good reason. Going back to 1993, it had been 23 years since Axl Rose and Slash last performed on the same stage together, and though some of that allure had worn off by the time they reached Indio thanks to a surprise show in LA and back-to-back nights in Las Vegas in prior weeks, Guns N’ Roses were still the talk of the town leading up to Coachella. In fact, all you had to do was look around on Saturday and see just how many GNR T-shirts were traversing the polo fields before their 10:30 p.m. set. When it came time to deliver, the original trio of Axl, Slash and bassist Duff McKagan most certainly did, while rhythm guitarist Richard Fortus and drummer Frank Ferrer proved to be more than suitable fill-ins for Izzy Stradlin and Steven Adler/Matt Sorum. Meanwhile, the surprise appearance by Angus Young couldn’t have come at a much better time after the announcement was made minutes before GNR’s set that Rose will be filling in for Brian Johnson on AC/DC’s remaining tour dates this year. GNR have always been one of my biggest bucket-list bands, and even if a broken leg prevented Axl from strutting and slithering across the stage like he once did as a brash, slender 21-year-old rock star, seeing one of my favorite childhood bands perform for two and a half hours felt all too surreal as I left the Empire Polo Club that night. -Josh Herwitt, photo courtesy of Coachella

4. Sia

From the very beginning, Sia set herself apart from every other artist who took the Coachella Stage this year. With the Australian artist standing in the back of the stage, her set was more performance art than it was pop music. While her face was hidden thanks to her trademark wig, Sia’s voice stood front and center as she belted out every note to hits like “Diamonds”, “Bird Set Free” and “Titanium”. Throughout it all, different dancers and actors would come on stage, abstractly embodying the themes her songwriting often conveys: fear, anticipation, stress, anger, joy, love and most of all, doubt. As Kristen Wiig and Paul Dano contributed to the overall performance, the height of Sia’s conceptual masterpiece reached its peak with a breathtaking rendition of “Breathe Me”, bringing some of the audience to tears. It was the true headliner of Sunday night and among the top performances of the entire weekend. -Brett Ruffenach, photo courtesy of Coachella

3. Chance the Rapper

In one of the few transcendent moments of the weekend, a set that had everyone throughout the fairgrounds hyped into an anticipatory frenzy, Chance the Rapper performed at the Lands End stage on Sunday afternoon for easily the largest crowd of the entire weekend. Even those who stood their ground through Third Eye Blind’s preceding set felt the drastic change in both crowd size and personal space as the polo fields flooded and temperatures rose. Even though Chance could have used this to his advantage and conducted an explosive show, igniting the tightly configured crowd into a combustive state, he instead took his fans “to church” with a spiritually centered gospel set, making sure everyone was attentive and of course, that “his part” resonated among the masses. -Molly Kish, photo by Norm de Veyra

2. LCD Soundsystem

Over the last couple of years, it’s hard to think of a band I have wanted to see more than LCD Soundsystem. Deeply tied to my formative years in college, the Brooklyn outfit’s return after a five-year hiatus was nothing short of stunning. Opening with the undeniably groovy “Us vs. Them” and covering a good chunk of their catalog over almost two hours, LCD certainly met the expectations of an eager crowd. James Murphy kept the banter between songs fairly short, and these indie heavyweights demonstrated a true dedication to their craft, starting fast with songs like “Movements” and “Yeah” before moving to more deep, tightly wound rhythms on “Someone Great” and “Home”. Though “Losing My Edge” was written more than 10 years ago, Murphy’s part-improvised, part-proclamation, part-perfectly-delivered rendition of the track seemed to really capture the attention of more casual LCD fans. Nearing the end of its set, the band covered “Heroes” by late collaborator David Bowie. I have seen many concerts as well as attended many festivals in my life, but this was truly among the most beautiful moments in live music I have ever experienced. Wrapping up their headlining performance with “All My Friends”, LCD Soundsystem proved to be among the top artists to ever grace the festival’s main stage. -Brett Ruffenach, photo by Norm de Veyra

1. Anderson .Paak

I’m going to be completely honest: I went to SXSW this year to see .Paak because I knew once he played it, tickets to his shows would be impossible to get. Six months later, $30 tickets to his show in San Francisco at The Fillmore resold for upwards of $400. If you didn’t have another way to get into that show or rent to pay, it was worth it. The energy that comes out of .Paak while he’s performing is charming, infectious and unmatched. He splits his time roaming every inch of the stage and behind his drum set, often singing and rapping without missing a beat. At .Paak’s December show at the Hollywood Palladium in LA, Stevie Wonder came out not to sing, but to tell the crowd what a big fan he is. So basically, Stevie Wonder dropped by. OK, Anderson … we see you. -Rochelle Shipman, photo by Norm de Veyra

Filed Under: Best of 2016, Editor's Picks, Featured Tagged With: A$AP Ferg, Adrian Younge, Air, Alessia Cara, Alina Baraz, AlunaGeorge, Alvvays, Anderson .Paak, Anderson .Paak & The Free Nationals, Atlas Genius, Aubrie Sellers, Bag Raiders, Baio, Banks & Steelz, Bas, Battles, BØRNS, Beach House, Beats Antique, Bernhoft and The Shudderbugs, Best Coast, Best of 2016, Big Freedia, Big Gigantic, Big Grams, Big Wild, Black Milk & Nat Turner, Bloc Party, Bob Moses, Bob Mould, Brand New, Brett Dennen, Capital Cities, Cate le Bon, Chairlift, Chance The Rapper, Chelsea Wolfe, CHK CHK CHK, Chris Robinson Brotherhood, Chromeo, Chuck Mosley, Claude VonStroke, Cold War Kids, Dan Deacon, Danny Brown, Deftones, Dirtwire, Disclosure, DMA's, DMX, Dr. Teeth and The Electric Mayhem, Drew Holcomb and The Neighbors, Duran Duran, Early November, Emancipator Ensemble, Every Time I Die, Eyes on the Shore, Ezra Furman, Faith No More, Fantastic Negrito, Fell Runner, Femi Kuti, Floating Points, Florence & the Machine, Flume, Flying Lotus, FOALS, Fruition, Geographer, Glass Animals, Gorgon City, Grimes, Guns N' Roses, Halsey, Heartwatch, Highly Suspect, Hippie Sabotage, Holy Fuck, How to Dress Well, Hudson Mohawke, Hundred Waters, Iamsu!, IAMX, Ibeyi, Ice Cube, Iggy Pop, Isaiah Rashad, J. Cole, Jack Ü, Jack Beats, Jack Garratt, James Bay, Jamie xx, Jhené Aiko, Jidenna, Jim James, Jimmie Vaughn, Joywave, Julia Holter, Julien Baker, k.flay, Kaki King, Kamaiyah, Kamasi Washington, Kehlani, Kurt Vile, Kurt Vile & The Violators, Lafa Taylor, Lana Del Rey, Lapsley, LCD Soundsystem, Les Sins, Lettuce, Lionel Richie, Little Scream, Lord Huron, Lucius, M. Ward, M83, Mac Demarco, Major Lazer, Marian Hill, Mayer Hawthorne, MC YOGI, Methyl Ethel, Metric, Miami Horror, Mick Jenkins, Midi Matilda, Miguel Migs, Miike Snow, Moderat, Modest Mouse, Moon Taxi, My Morning Jacket, Nahko & Medicine for the People, Nas, Nathaniel Rateliff & The Night Sweats, Neon Indian, Nick Murphy (fka Chet Faker), Nite Jewel, Oh Pep!, Oh Wonder, Panic! At The Disco, Parliament-Funkadelic, Peaches, Petite Noir, Porches, Pretty Lights, Prince Rama, Purity Ring, Pusha T, Ra Ra Riot, Radiohead, RÜFÜS DU SOL, Rin Tin Tiger, RJD2, Rodrigo y Gabriela, Rogue Wave, Rubblebucket, Rudimental, Run The Jewels, Ryan Adams, Saosin, Sarah Neufeld, Shabazz Palaces, Shlohmo, Sia, Sigur Ros, Silversun Pickups, snakehips, Solange, Son Little, St. Germain, St. Lucia, Stormzy, STS9, Sturgill Simpson, Sufjan Stevens, Summer Cannibals, Sunflower Bean, Sylvan Esso, Tacocat, Taking Back Sunday, Tame Impala, Tedeschi Trucks Band, Thao & The Get Down Stay Down, The Arcs, The Avett Brothers, The Boxer Rebellion, The California Honeydrops, The Claypool Lennon Delirium, The Crux, The Devil Makes Three, The Faint, The Gaslamp Killer, The Head and The Heart, The Heavy, The Infamous Stringdusters, The Joy Formidable, The Kills, The Last Shadow Puppets, The Lone Bellow, The Naked and Famous, The National, The Pharcyde, The Polish Ambassador, The Regrettes, The Revivalists, The Rubens, The Russ Liquid Test, The Sam Chase & The Untraditional, The Seshen, The Struts, The Trims, This Will Destroy You, Thomas Jack, Thundercat, Toro Y Moi, Tortoise, Tory Lanez, Tourist, Troye Sivan, Ty Segall, Tycho, Umphrey's McGee, Viceroy, Vince Staples, Vokab Company, Walk the Moon, Warpaint, Wavves, Weezer, Wheeler Walker Jr., White Denim, Wild Belle, Wild Nothing, Years & Years, Yeasayer, YG, Young Fathers, Yuck, zhu, Ziggy Marley

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2016

December 29, 2016 by The Bam Team Leave a Comment

Danny Brown at The Regency Ballroom // Showbams’ Photo of the Year, by James Pawlish

Time flies when you’re having fun, right? Well, while we’re still wondering where the past 12 months have went, 2016 proved to be bittersweet for the entire music community. With David Bowie, Glenn Frey, Paul Kanter, Phife Dawg, Merle Haggard, Prince, Leonard Cohen, Sharon Jones and most recently George Michael all leaving us too soon, it’s been a rough ride to say the least. But amid all the heartbreak, we experienced plenty of amazing moments in music from January to December, and now it’s time for us to once again unveil our annual “Best of” lists just like we did in 2015.

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2016.

The 25 Best Live Music Acts of 2016

Listen to The Bam Team’s favorite songs of 2016:

Jim James at Orpheum Theatre // Photo by Josh Herwitt

Josh Herwitt // Los Angeles

Top 5 Shows of 2016
1. LCD Soundsystem at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 8th
When reports started swirling around this time last year that LCD Soundsystem would reunite to headline Coachella a few months later, it was a chance to relive that one time I saw them on the same polo fields six years earlier — the only time I was lucky enough to see James Murphy and company in action before they called it quits way too early. And while band reunions at Coachella are starting to feel like a gimmick these days, LCD had already played a couple of warm-up shows back home in New York by the time they stepped foot on the main stage for their highly anticipated headlining set at the Empire Polo Club. They didn’t perform any new material like some fans may have hoped they would, but rather a setlist laced with hits that also included their live debut of David Bowie’s “Heroes” as well as a nod to fellow headliner Guns N’ Roses. And as the final words to “All My Friends” left Murphy’s mouth that night, I walked away still buzzing from what I had just witnessed.

2. Radiohead at Shrine Auditorium – Los Angeles, CA – August 8th
3. Jim James at Orpheum Theatre – Los Angeles, CA – December 9th
4. Temple of the Dog at The Forum – Inglewood, CA – November 14th
5. Pretty Lights (Live) at Santa Barbara Bowl – Santa Barbara, CA – November 10th

Top 5 Albums of 2016
1. Moderat – III
With so many excellent albums being released each year, picking a favorite is never an easy task — but this year felt even more difficult than usual. And although I’ll admit I didn’t have time to hear every LP that dropped in 2016, it was hard not to choose Moderat’s latest studio effort after much thought and consideration. Time after time, I found myself coming back to III after countless listens. From the record’s opening track “Eating Hooks” to its initial single “Reminder”, the Berlin trio seems to get better and better with each release. As difficult as it can be to describe Moderat’s music, there’s something about the way Sascha Ring’s emotive vocals pair perfectly with the supergroup’s haunting melodies that makes III‘s repeatability incredibly strong. I guess the third time really is the charm for these three gents.

2. Jim James – Eternally Even
3. Anderson .Paak – Malibu
4. Radiohead – A Moon Shaped Pool
5. Kendrick Lamar – untitled unmastered

Top 5 Songs of 2016
1. Jim James – “Here in Spirit”
My Morning Jacket frontman Jim James often receives praise for his unique singing style, but the Louisville native’s songwriting chops remain equally impressive. On his sophomore solo album Eternally Even, James takes a more political stance than what he devised for his 2013 debut Regions of Light and Sound of God. What results is some of James’ most poignant and inspiring material to date, including the soulfully psychedelic cut “Here in Spirit” that bats third in the LP’s nine-track lineup. With lines like “No compromise / But willing to sacrifice / Believe what you want / Go on and be who you are / Go out and get what you want” to open the song, James empowers his listeners to not sit on the sidelines and instead, speak up for what they believe in. He might not be able to solve the world’s problems, but “Yim Yames” knows how to make you think about the issues that matter.

2. Moderat – “Reminder”
3. Glass Animals – “Youth”
4. Tycho – “Division”
5. Run the Jewels – “Legend Has It”

Brainfeeder at Fox Theater Oakland // Photo by Marc Fong

Molly Kish // San Francisco

Top 5 Shows of 2016
1. Brainfeeder at Fox Theater Oakland – Oakland, CA – September 15th
This showcase featuring artists from Flying Lotus’ label, including himself, was an experience to behold. No matter who you went to see on this night, eyes were opened and brains were fed — so to speak — thanks to the sonic diversions that continue to make Brainfeeder one of the most important players in shaping the future of music.

2. Danny Brown at The Regency Ballroom – San Francisco, CA – October 11th
3. James Blake at Fox Theater Oakland – Oakland, CA – October 17th
4. Erykah Badu at The Warfield – San Francisco, CA – November 15th
5. Black Madonna at Public Works SF – San Francisco, CA – November 18th

Top 5 Albums of 2016
1. Anderson .Paak – Malibu
Elevating the current state of hip-hop by ultimately bringing it back to its jazz roots, Malibu finally brought Anderson .Paak the credit he sorely deserved. The 16-track album boasts an intricately curated, eclectic roster of recording, production and songwriting talent. Easily the most important sophomore full-length release of the year, Malibu opened a brand-new door to a musical stratosphere that .Paak was born to commandeer.

2. Kendrick Lamar – untitled unmastered
3. Kanye West – The Life of Pablo
4. The Avalanches – Wildflower
5. A Tribe Called Quest – We Got It From Here… Thank You 4 Your Service

Top 5 Songs of 2016
1. Solange – “Cranes in the Sky”
Another career-skyrocketing release of 2016 that was introduced to the world through this single, “Cranes in the Sky” helped bring attention to “the younger Knowles sister” as a force to be reckoned with. Amidst a track list of powerful ballads and political anthems, this song delivers a personal testimony of introspection that humanizes Solange in a way most artists are too afraid to convey. The track, which was delivered through a series of avant-garde music videos, shook the world of modern soul and R&B with one of 2016’s most influential power moves.

2. Chance the Rapper – “All Night”
3. Blood Orange – “Best to You”
4. Kaytranada – “LITE SPOTS”
5. Flume – “Never Be Like You” feat. Kai

YG at The Wiltern // Photo by Joseph Gray

Joseph Gray // Los Angeles

Top 5 Shows of 2016
1. Kanye West at The Forum – Inglewood, CA – November 1st
Prior to its bizarre, abrupt ending that included a long-winded tirade critical of Beyoncé and some outspoken support for President-elect Donald Trump, Kanye West’s “Saint Pablo Tour” was a once-in-a-lifetime party. Seriously. In LA, the show featured a floating, illuminated and spaceship-like stage that traveled back and forth — while raging youngsters moshed below — to give everybody a great view of their favorite contradiction and/or superhero, who was later hospitalized due to a reported “psychiatric emergency.” With the elevated platform, a smiling and dancing West manned through his conflicts, happiness and faith, reminding us of why he provides the unmistakable feel-good vibes that only he can bring.

2. Young Thug at The Fonda Theatre – Los Angeles, CA – May 16th
3. Isaiah Rashad at Echoplex – Los Angeles, CA – November 14th
4. Jhene Aiko at Avalon Hollywood – Los Angeles, CA – November 21st
5. YG at The Wiltern – Los Angeles, CA – November 29th

Top 5 Albums of 2016
1. Anderson .Paak – Malibu
The unearthed gem on rap legend Dr. Dre’s long-awaited Compton opus a year prior, Southern California rapper, singer, songwriter and multi-instrumentalist (he really does it all) Anderson .Paak kicked open the door to his fully-formed world of warm, unbridled expressiveness and raspy soul with Malibu. Brilliantly combining funk and jazz-filled triumphs (“Come Down”) and hip-hop’s reflective grit (“The Season/Carry Me”) with distinct and sprawling elegance (“Room in Here”), .Paak unquestionably put his mark on 2016. A detailed dot (just like the one in .Paak’s moniker), you better not forget it because Malibu proved that you have to pay attention to everything his name is attached to.

2. A Tribe Called Quest – We Got It From Here… Thank You 4 Your Service
3. Young Thug – Jeffery
4. NxWorries – Yes Lawd!
5. Kanye West – The Life of Pablo

Top 5 Songs of 2016
1. A Tribe Called Quest – “We the People…”
In a year drenched in political prejudices and panic for many citizens in the U.S., Q-Tip roared through the darkness over the funkiest of synths: “We don’t believe you ’cause we the people / Are still here in the rear / Yo, we don’t need you.” A message that echoed even louder after the presidential election, one of the standouts tracks from their celebrated final LP We Got It From Here… Thank You 4 Your Service invigorates a culture seemingly under attack more than ever.

2. Anderson .Paak – “Come Down”
3. Kanye West – “Real Friends”
4. Anderson .Paak – “Room in Here” feat. The Game & Sonyae Elise
5. Kendrick Lamar – “untitled 07 | 2014 – 2016”

Radiohead at Outside Lands 2016 // Photo by by James Pawlish

Brett Ruffenach // San Francisco

Top 5 Shows of 2016
1. Kanye West at T-Mobile Arena – Las Vegas, NV – October 29th
In some ways, there’s an unspoken hierarchy to the live-concert experience. The structure is simple — the closer you are to the front of the stage, the better your experience is, the bigger the fan that you are. Only the “rail riders” are the truest fans. In my experience seeing Kanye West’s “Saint Pablo Tour” in Las Vegas — a performance that ended up being one of his last uninterrupted shows prior to a breakdown and a subsequent cancellation of several future dates — he not only completely destroyed the hierarchy, he reinvented what a concert can be. Under a floodlight-filled sky, he spent 90 minutes on a floating stage playing a nonstop show that brought out a level of hype in the crowd I’m not sure I’ve ever seen before. On the floor, underneath the stage, you are instantly a part of the performance. As the stage moved back and forth across the arena, West captured a sense of connection with fans, making it nearly impossible to not scream every damn word to every damn song. It was an emotional roller coaster filled with adrenaline (“Black Skinhead”, “Father Stretch My Hands”), joy (“Waves”, “Fade”), swagger (“Can’t Tell Me Nothing”, “Heartless”) and some transcendent moments so intense during reworked songs like “Only One” and “Ultralight Beam” that many in the crowd (myself included) couldn’t help but be brought to tears. I’ve never seen a concert like this one and will probably never see something like it again. But for those 90 minutes as I jumped and sang with my brothers and friends, there was no world outside of Kanye’s floating stage. It’s a memory that I will cherish for the rest of my life as Kanye proved to us there is no hip-hop artist in the world doing what he’s doing.

2. LCD Soundsystem at Coachella Music and Arts Festival, Weekend 1 – Indio, CA – April 8th
3. Beyoncé at Levi’s Stadium – Santa Clara, CA – May 16th
4. Tame Impala at Greek Theatre Berkeley – Berkeley, CA – September 3rd
5. Air at Outside Lands Music and Arts Festival – San Francisco, CA – August 6th

Top 5 Albums of 2016
1. The Avalanches – Wildflower
I really enjoy albums that can be experienced as one cohesive piece. Twelve years in the making, The Avalanches’ Wildflower is best experienced in one listen from start to finish. Using a near-plethora of samples from both ends of the musical spectrum, the Australian plunderphonics pioneers wove together a soundscape that’s not only textured and groovy, but also just plain old fun. From “Because I’m Me” and “Frankie Sanatra” to “Subways” and “If I Was a Folkstar”, the feel and experience of listening to Wildflower simply fills me with joy. After a year like 2016, it’s something we all needed.

2. Radiohead – A Moon Shaped Pool
3. Beyoncé – Lemonade
4. Anderson .Paak – Malibu
5. The Range – Potential

Top 5 Songs of 2016
1. Radiohead – “Present Tense”
In a serene moment watching Thom Yorke and Co. play a live rendition of “Present Tense” at Outside Lands, I first thought to myself that this may be one of Radiohead’s best tracks. Ever. Their stripped-down rendition featuring Johnny Greenwood solidified that thought. “Present Tense” seems to capture all of the things I find most appealing about Radiohead: complex and beautiful chord progressions, subtle and complimentary percussion, and melancholy lyrics and ambient sounds creating a sense of space that no other band I know is capable of producing in a studio or on a stage. It’s an introspective song that blooms into a plea for a return to what was once had with “in you I’m lost …” That melody gives me goosebumps every time.

2. Blood Orange – “Best to You”
3. Brian Eno – “Fickle Sun (iii) I’m Set Free”
4. Hundred Waters feat. Chance the Rapper – “Show Me Love”
5. DJ Shadow feat. Run the Jewels – “Nobody Speak”

Anderson .Paak at South by Southwest 2016 // Photo by Rochelle Shipman

Rochelle Shipman // Los Angeles

Top 5 Shows of 2016
1. Anderson .Paak & the Free Nationals at South by Southwest – Austin, TX – March 18th
Anderson .Paak played 13 shows in three or four days at SXSW this year. The Pandora show was one of his last ones, so he and his bandmates had their set down to blind perfection and played their hearts out to 150 new fans as the sun went down. Austin was falling in love with .Paak right in front of his eyes, electrifying his performance and even bringing him down into the audience to crowd surf. When he wasn’t behind the drums, he spent the rest of the show dancing on the monitors in between the barrier and the stage, seemingly as close to is fansh as possible. He was just grateful to be there, and it spilled from every ounce of his body. I’m going to be completely honest: I went to SXSW this year to see .Paak because I knew once he played it, tickets to his shows would be impossible to get. Six months later, $30 tickets to his show in San Francisco at The Fillmore resold for upwards of $400. If you didn’t have another way to get into that show or rent to pay, it was worth it. The energy that comes out of .Paak while he’s performing is charming, infectious and unmatched. He splits his time roaming every inch of the stage and behind his drum set, often singing and rapping without missing a beat. At .Paak’s December show at the Hollywood Palladium in LA, Stevie Wonder came out not to sing, but to tell the crowd what a big fan he is. So basically, Stevie Wonder dropped by. OK, Anderson … we see you.

2. Conor Oberst at The Cathedral Sanctuary at Immanuel Presbyterian Church – Los Angeles, CA – December 17th
3. Chance the Rapper at Outside Lands Music and Arts Festival – San Francisco, CA – August 7th
4. Islands at Masonic Lodge at Hollywood Forever Cemetery – Los Angeles, CA – June 9th
5. Animal Collective at Scala – London, UK – September 8th

Top 5 Albums of 2016
1. Anderson .Paak – Malibu
Anderson .Paak has put out a lot of material, even before he was Anderson .Paak and went by Breezy Lovejoy. There are gems sprinkled throughout his early releases, but his latest studio album has a funky backbone that lets .Paak explore aspects of his range that he never shared before. It resulted in a rhythmic, emotional journey that’s flirty, genre-defiant and fun as fuck. Malibu nearly ruined music for me because nothing else is it.

2. Vince Staples – Prima Donna
3. Conor Oberst – Ruminations
4. Gallant – Ology
5. Noname – Telefone

Top 5 Songs of 2016
1. Childish Gambino – “Redbone”
I like Childish Gambino. I’ve always liked Childish Gambino. But the first time I heard his song “Redbone”, every hair on my body stood up and started grooving. It happened the second time and the third time, and even the 643rd time. And this dude is singing about peanut butter chocolate cake with Kool Aid, but because of how he’s singing about it, it’s somehow OK. I made a playlist with only this song on it 20 times over and it was still too short.

2. Anderson .Paak – “The Waters”
3. Sonder – “Too Fast”
4. Danny Brown – “Really Doe” feat. Kendrick Lamar, Ab-Soul & Earl Sweatshirt
5. Mac Miller – “Dang!” feat. Anderson .Paak

Tame Impala at Greek Theatre Berkeley // Photo by James Pawlish

Andrew Pohl // San Francisco

Top 5 Shows of 2016
1. The Cure at Shoreline Amphitheater – Mountain View, CA – May 26th
I saw a ton of amazing shows this year, but seeing The Cure for the first time on my birthday topped them all. For more than three hours I got to catch Robert Smith and company churn out hit after hit, and hanging out with some of my best mates only added to the splendor. A setlist that spanned their entire career on a beautiful evening was just what I needed for my 38th trip around the sun.

2. Tool at Bill Graham Civic Auditorium – San Francisco, CA – January 7th
3. At the Drive-In at The Warfield – San Francisco, CA – June 4th
4. Tame Impala at Greek Theatre Berkeley – Berkeley, CA – September 3rd
5. Temple of the Dog at Bill Graham Civic Auditorium – San Francisco, CA – November 11th

Top 5 Albums of 2016
1. A Tribe Called Quest – We Got It From Here… Thank You 4 Your Service
This is the album that we needed, and it was delivered at the right time, in the right way. For a year that had taken so much away from the music world, ATCQ surprised everyone with an LP that delivered a vibrant, thoughtful and politically charged gift to the masses. No guys, thank YOU for your service (RIP Phife Dawg).

2. Mitski – Puberty 2
3. David Bowie – Black Star
4. Mall Walk – Funny Papers
5. Tycho – Epoch

Top 5 Songs of 2016
1. David Bowie – “Lazarus”
Oh, Bowie … even on the eve of your own passing, you knew how to pull out all of the stops and push your art to the limit. A true showman and artist to the end, this song encapsulates all that is raw, beautiful and bizarre about our beloved Ziggy Stardust. Its somber tone is met with a sexy, sinister groove, which leaves you with a sense of unease and is honestly perfect in my opinion. Thank you, sir. RIP.

2. Bob Moses – “Tearing Me Up”
3. Savages – “Evil”
4. Zack de la Rocha – “digging for windows”
5. Deep Sea Diver – “Secrets”

Filed Under: Best of 2016, Editor's Picks, Featured Tagged With: A Tribe Called Quest, Ab-Soul, Air, Anderson .Paak, Animal Collective, At the Drive-In, Best of 2016, Beyonce, Bill Graham Civic Auditorium, Blood Orange, Bob Moses, Brainfeeder, Brian Eno, Chance The Rapper, Childish Gambino, Chris Cornell, Coachella, Coachella 2016, Coachella Music and Arts Festival, Conor Oberst, Danny Brown, David Bowie, Deep Sea Diver, DJ Shadow, Earl Sweatshirt, Flume, Flying Lotus, Fox Theater Oakland, Gallant, Glass Animals, Greek Theatre Berkeley, Guns N' Roses, Hollywood Forever Cemetery, Hundred Waters, Islands, Jim James, Kanye West, Kaytranada, Kendrick Lamar, LCD Soundsystem, Mac Miller, Mall Walk, Masonic Lodge, Masonic Lodge at Hollywood Forever Cemetery, Mitski, Moderat, My Morning Jacket, Noname, Orpheum Theatre, Outside Lands, Outside Lands 2016, Outside Lands Music Festival 2016, Parliament-Funkadelic, Pearl Jam, Pretty Lights, Radiohead, Run The Jewels, Santa Barbara Bowl, Savages, Scala, Shoreline Amphitheatre, Shrine Auditorium, Solange, Sonder, Tame Impala, Temple of the Dog, The Avalanches, The Cathedral Sanctuary at Immanuel Presbyterian Church, The Cure, The Forum, The Range, The Warfield, Tool, Tycho, Vince Staples, Zack de la Rocha

At The Regency Ballroom, Danny Brown sets himself apart from all the other rappers in the game

October 20, 2016 by Brett Ruffenach 1 Comment

Photos by James Pawlish // Written by Brett Ruffenach //

Danny Brown //
The Regency Ballroom – San Francisco
October 11th, 2016 //

Daniel Swell, better known as Danny Brown, came to The Regency Ballroom last Tuesday in support of his critically acclaimed album Atrocity Exhibition.

As an emcee with a cartoonish, high-pitched voice as well as a humorous lyrical style, it can sometimes be hard to take Brown seriously. This is the deceptive genius of the Detroit-based rapper — in between the lewd sexual acts and illicit drug use described in his music, there’s a deeper look into addiction, poverty and mental illness. As he opened the show with “Die Like a Rockstar” from his second LP XXX, The Regency’s bouncing floor started moving and didn’t stop for the next hour.

Diving into earlier tracks and moving forward chronologically from there, Brown managed to cover a large breadth of his catalog, even for a set as short as his was on this night. Dropping bangers like “Blunt After Blunt”, “Dip” and “25 Bucks”, perhaps the most impressive aspect about Brown’s performance is the cadence he’s able to keep up, song after song after song. And no matter what the track is, the speed and flow he is able to maintain is something few rappers can keep up with (I’m looking at you, ScHoolboy Q).

Although he only performed a couple of tracks from his new album, tragically skipping over “Ain’t It Funny”, Brown still managed to prove that he is a rapper in his own lane. No one can be compared to Danny Brown because well, there’s no one like Danny Brown.

Filed Under: Featured, Photos Tagged With: Danny Brown, The Regency Ballroom

TBD Fest brings the heat amid Sacramento’s extended summer

October 9, 2014 by Molly Kish Leave a Comment

Photos by Sterling Munksgard // Written by Molly Kish //

TBD Fest //
The Bridge District (Riverfront Street) – West Sacramento, CA
October 3rd-5th, 2014 //

During last weekend’s sweltering Sacramento heatwave, the inaugural year of the TBD Festival kicked off in a dust-filled blaze of glory. Bringing heavy hitting headliners, an extremely talented undercard and a friendly bill of vendors, artists and local culinary talent, this “little festival that could” superseded its climate challenges and provided festivalgoers with a three-day dance party for the books.

FRIDAY HIGHLIGHTS

Top Set: Moby
For those used to Moby’s ethereal trance and commercially sampled funk beats, catching one of his “DJ sets” should be something immediately pushed to the front of your live music bucket lists. Taking the main stage of the festival after Dillion Francis and Gramatik is no easy feat, but Moby did so with authority.

With the bravado of an arena-headlining rock star, the diminutive DJ unleashed his electronic fury upon the Sacramento crowd, mounting his illuminated decks and demanding the audience to “get the fuck up” while donning an iconic Black Flag T-shirt.

Offering exhilarating, chaotic punk energy, he whipped the crowd into a dance-filled frenzy, ending the first night of the festival with a dirty electronic throw down and unleashing the fired-up 1 a.m. crowd into the quiet, unsuspecting West Riverfront streets of Sacramento. Final thought: “Moby doesn’t Play”.

Memorable Moments:
• MNDR joining RAC on stage for a live rendition of “Let Go” from their 2014 album Strangers
• Carousel’s sing-along cover of Drake’s “Hold On, We’re Going Home”
• Kauf’s impressive festival opening crowd at the Beautiful Buzz Stage amidst the mid-afternoon heat

SATURDAY HIGHLIGHTS

Top Set: Empire of the Sun
True showmen and the epitome of “fucking rock stars”, Empire of the Sun ignited a heat-stricken, second-day crowd, closing out the night in all their grandeur.

Hardcore fans came dressed to the nines in their own homemade headdresses and were eventually invited on stage to be part of the production. First-time viewers were dumbfounded by the intensity of the group’s fully immersive, theatrical performance with backing band and dance crew.

The spectacle that is an Empire of the Sun stage show is something that can only be rivaled by large-scale arena tours and Broadway productions.

Blowing the minds of a festival crowd is pretty much a just another day at the office for these two, and they left the Saturday night TBD audience stunned in their wake.

Memorable Moments:
• TASK1ne’s early morning fire-spitting, nearly nude hip hop throw down on the Block Stage
• Metz and Explosions in the Sky delivering guitar-shredding, face-melting sets to an otherwise dance-heavy bill
• The inimitable Danny Brown commanding the sold-out crowd during a late afternoon set on the Lowbrau Stage

SUNDAY HIGHLIGHTS

Top Set: YACHT
Owning the nu-disco slot on this year’s bill, Jona Bechtolt and Claire L. Evans brought their infectious energy and touring band members Jeffrey Brodsky and Rob Kieswetter to the early evening festival main stage.

An all-incorporated amalgamation of dance, punk, performance art, graphic design and party philosophy, YACHT’s conceptual stage show brought a much-needed turbo boost of energy to the festival-weary Sunday evening crowd.

At a crucially pivotal point in the weekend, YACHT mainlined their trademarked set of disco infiltration into the TBD festival audience, prepping them for a final evening filled with back-to-back dance parties spanning throughout the four various stages of the fairgrounds.

Reviving the audience as the night time approached with witty banter surrounding their abstract stage design, relentless energy and charisma, YACHT were the unsung heroes of the final hours of TBD.

Memorable Moments:
• Blondie’s free-for-all, DGAF’s set of brand new material, covers and everything in between — nothing short of the sassy, fierce and fan-blown, mini-skirt flashing Debbie everyone came to see
• Justice breaking all local sound ordinances well into the early evening hours, lighting up the surrounding suburbs with their closing set
• Viceroy’s party-rocking remix set, elevating the Sacramento crowd’s energy tenfold into a stage-wide, sing-along dance party

OVERALL IMPRESSION

The festival, in the grand scheme of things, turned out be quite a success. Affordable prices, not only concerning tickets but also food and drinks, as well as many free samples and accommodating perks amidst the fairgrounds, made for an enjoyable experience, even amidst sold-out crowds.

The vendors had a great array of local fare, crafts, clothing and services to provide a comprehensive display of Sacramento’s budding independent culture. The art installations, cooking demonstrations, fashion displays and yoga classes were popular attractions to kill time between sets and were something everyone was generally excited to take part in all weekend.

The site and midday attendance were a little underwhelming at first impression, and there were some aspects that failed to deliver or were misleading about the location, including the complete absence of “The Barn” and a grassy park that was promised.

There were also some organizational and functionary issues on the production end of the spectrum:

• Mislabeled program guides, credential confusion and lack of signage for the stages

• Some technical issues cut into key sets, including The War on Drugs’ 45-minute soundcheck/guitar-tuning meltdown

Although with every first year festival there are complications, both anticipated and unexpected, TBD Fest made sure their problem-solving skills were on point and offered quick remedies to any issue that took place within their festival jurisdiction.

Extremely accommodating, well-organized and all in all, a very successfully tight-run ship, TBD Fest will only positively mature and evolve as a festival from this year forward. We definitely look forward to the “to be determined” future.

Filed Under: Editor's Picks, Featured, Festivals Tagged With: Blondie, Carousel, Danny Brown, Empire of the Sun, Explosions in the Sky, Justice, Kauf, METZ, MNDR, Moby, RAC, TASK1ne, TBD Fest, The War on Drugs, Viceroy, YACHT

Thievery Corporation, Little Dragon, A-Trak, Dillon Francis ring in NYE 2013 at Sea of Dreams

January 5, 2014 by Molly Kish 1 Comment

Photos by Mike Frash // Written by Molly Kish //

Sea of Dreams //
Bill Graham Civic Auditorium – San Francisco
December 31st, 2013 //

The Sea of Dreams’ 14th annual New Years Eve celebration took on a new theme and venue for their 2014 transcendental gala, VibrantSea. Playing upon the theme of “energetic realms of felt experience,” the festival relocated from its previous residency to the heart of San Francisco, taking over the Bill Graham Civic Auditorium for nine whimsical hours to ring in 2014.

Presenting a challenging shift in spatial dimensions, the new venue helped to curate a very different experience than most have come to expect with Sea of Dreams festivities. In previous years, attendees have had to navigate through the crowd constraints of a shotgun floor plan, but the Bill Graham Civic allowed for revelers to flow freely amidst its ample space and side rooms. Enhancing the overall experience and motif of the evening, movement amongst the masses maintained a comfortable fluidity throughout the auditorium and allowed for ample time to immerse in the entirety of the VibrantSea experience.

Swedish synth pop fourtet Little Dragon got the venue stirring after an opening set by DJ Jocelyn on the main stage. Pulling tracks from their entire catalogue, this one-off performance was the perfect way to usher in the multitudes of fans and first time observers. The soulful electronic grooves of this opening performance was highlighted by familiar favorite “Ritual Union” and a striking dub remix of their 2011 hit “Little Man.”

Next up on the Main Stage, Thievery Corporation brought their unique blend of world music, electronica and hip hop to the party. Ramping up the eccentric auditorium with a full band ensemble and rotating vocalists, Rob Garza and Eric Hilton brought the largest crowd of the evening together under the floating lanterns, inflatable sea creatures and the eventual sea of balloons that dropped over the dancing masses at midnight. Their set began with diva-led revelry and led to hip-hop driven songs after midnight.

Thievery’s hip-hop driven post-midnight jams transitioned nicely into late night heavy hitters A-Trak and Dillon Francis, who went back to back with bass-pounding performances. Scheduled directly after one another, the EDM giants treated the crowd to a rare collaboration, sharing duties as selector while vibing off the other for the next choice.

The two competitively battled as rap prodigy and NYE Mezzanine headliner Danny Brown made a debaucherous late night appearance that sounded a bit like spent karaoke. But Brown’s presence brought new life to the cavernous Civic Center, so witnessing Danny Brown perform with A-Trak and Dillon Francis was icing on the cake of a fantastic evening.

Filed Under: Featured, Festivals Tagged With: A-Trak, Bill Graham Civic Auditorium, Danny Brown, Dillon Francis, Dirtybird, Little Dragon, NYE, NYE 2013, Sea of Dreams, Sea of Dreams 2014, Thievery Corporation, VibrantSea

Danny Brown closes out a huge 2013 at Mezzanine

December 29, 2013 by Kevin J Quandt Leave a Comment

Danny Brown with Flatbush Zombies, Traxamillion
Mezzanine — San Francisco
December 31, 2013

Danny Brown had an amazing 2013, and that is a fact. His release, Old, earned accolades across the board while never letting up a relenting tour schedule that had him crushing stages across the globe. Well, for those who call the Bay Area home, and those traveling to this wonderful city, we are fortunate enough to have this talented MC closing out the year at one of San Francisco’s premier venues, Mezzanine. If a high-energy, sweaty night is what you are looking for to ring in 2014, this is gonna be a good place to start as Brown whips up some serious fun as he hypes the crowd and delivers his infectious rhymes in a truly unique manner (think 21st century O.D.B).

Trust us, this’ll be one helluva party in one of the most raging rooms in the City as Danny Brown works the crowd into a frenzy with standout tracks like “Dip”, “Blunt After Blunt” and “Grown Up”, to name a handful. This Detroit bred artist always has a few tricks up his sleeve, and with NYC’s Flatbush Zombies reppin’ the “Beast Coast” movement spearheaded by Joey Bada$$ and the A$AP crew, anything is possible. Previous collaborations would leave the possibility of Danny joining his support act a very likely action, so do your best to get there early.

Buy tickets before they sell out.

Filed Under: Trends & Culture Tagged With: Danny Brown, Mezzanine

Showbams Photography 2013: A year in review

December 27, 2013 by The Bam Team Leave a Comment

Purity Ring // Marc Fong
First City Festival // 8.25.13

The power and impact of a great photo is undeniable. Striking photos take you to another place, inserting you into a spectacular moment from the past.

The photographers in the Bam Fam have produced many memorable, inspiring live music photos in 2013. Feast your eyes on 50 of our best shots from the past year.

Click a band or artist name to view the original article.

Fiona Apple & Blake Mills // Sam Heller
Zellerbach Hall at UC Berkeley //10.8.13

Killer Mike // James Nagel
The Independent // 7.31.13

Crystal Castles // Marc Fong
Fox Theater Oakland // 4.27.13

Phantogram // Marc Fong
Treasure Island Music Festival // 10.19.13

Warpaint // Marc Fong
The Independent // 9.17.13

Cut Copy // James Nagel
Fox Theater Oakland // 11.2.13

Geographer // Sterling Munksgard
Bimbo’s 365 Club // 11.23.13

Thee Oh Sees // Pedro Paredes
Great American Music Hall // 12.18.13

Grouplove // James Nagel
The Independent // 9.14.13

James Blake // Marc Fong
Treasure Island Music Festival // 10.20.13

Matthew Dear // Mike Frash
Mezzanine // 5.22.13

Palma Violets // James Nagel
The Independent // 4.23.13

Polyphonic Spree // Marc Fong
The Chapel // 8.19.13

Zedd // Marc Fong
Fox Theater Oakland // 10.9.13

Robert Randolph // Steve Kennedy
Notes For Notes Benefit // 12.6.13

Savages // James Nagel
The Independent // 9.27.13

Steve Aoki // Sterling Munksgard
Bill Graham Civic Auditorium // 11.16.13

The Flaming Lips // James Nagel
Bill Graham Civic Auditorium // 10.31.13

The xx // Marc Fong
The Greek Theatre // 6.1.13

Atoms For Peace // Marc Fong
Treasure Island Music Festival // 10.19.13

Thundercat // James Nagel
The Independent // 11.13.13

Trey Anastasio Band // Sam Heller
Fox Theater Oakland // 4.20.13

Alabama Shakes // Marc Fong
Fox Theater Oakland // 3.5.13

AlunaGeorge // Marc Fong
The Independent // 9.11.13

Autre Ne Veut // Mike Frash
The Independent // 3.11.13

!!! // James Nagel
Great American Music Hall // 2.28.13

CSS // James Nagel
The Independent // 6.16.13

Danny Brown // Marc Fong
Treasure Island Music Festival // 10.19.13

Father John Misty // Marc Fong
First City Festival // 8.24.13

Haim // Marc Fong
Treasure Island Music Festival // 10.19.13

How To Dress Well // Sam Heller
The Independent // 8.26.13

Jagwar Ma // James Nagel
The Independent // 12.11.13

Jamie Lidell // Sam Heller
The Independent // 3.29.13

Primus // Sam Heller
High Sierra Music Festival // 7.5.13

Run The Jewels (El-P & Killer Mike) // James Nagel
The Independent // 7.31.13

Toro Y Moi // James Nagel
Fox Theater Oakland // 11.15.13

Wild Belle // Eldon Christenson
The Independent // 9.26.13

Alt-J // Sam Heller
Fox Theater Oakland // 8.29.13

Andrew Bird // Sam Heller
Congregation Sherith Israel // 12.16.13

Andrew W.K. // Marc Fong
The Independent // 10.12.13

Anna Calvi // Marc Fong
The Independent // 11.17.13

Big Boi // Mike Frash
Mezzanine // 5.17.13

Deerhunter // Marc Fong
First City Festival // 8.25.13

MS MR // James Nagel
The Independent // 6.16.13

Phoenix // Chaya Frash
The Independent // 4.1.13

Rogue Wave // Marc Fong
The Independent // 7.12.13

Sigur Rós // Marc Fong
Fox Theater Oaklnad // 4.16.13

STS9 // Sam Heller
Fox Theater Oakland // 3.1.13

Washed Out // Marc Fong
First City Festival // 8.25.13

Filed Under: Best of 2013, Editor's Picks, Featured Tagged With: !!!, Alabama Shakes, Alt-J, AlunaGeorge, Andrew Bird, Andrew W.K, Anna Calvi, Atoms for Peace, Autre Ne Veut, Big Boi, Charles Bradley, Crystal Castles, CSS, Cut Copy, Danny Brown, Deerhunter, Father John Misty, Fiona Apple & Blake Mills, Geographer, GROUPLOVE, Haim, How to Dress Well, Jagwar Ma, James Blake, Jamie Lidell, Killer Mike, Matthew Dear, MS MR, Palma Violets, Phantogram, Phoenix, Polyphonic Spree, Primus, Purity Ring, Robert Randolph, Rogue Wave, Run The Jewels (El-P & Killer Mike), Savages, Sigur Ros, Steve Aioki, STS9, The Flaming Lips, The xx, Thee Oh Sees, Thundercat, Toro Y Moi, Trey Anastasio Band, Warpaint, Washed Out, Wild Belle, Zedd

Showbams’ 40 best albums of 2013

December 3, 2013 by The Bam Team 4 Comments

“Best of” lists are always subjective, and this one is no anomaly. When it comes to the best albums of any given year, we can most likely agree that the best records are excellent from beginning to end — no “skip ahead” songs — and that groundbreaking new music can emerge from any genre.

At the same time, we imprint music on moments in our lives, and this will always influence personal taste. Combine these past influences with modern streaming capabilities in 2013, where new records are now accessible before an album release date, and our collective creation and criticism of music begins to transform, adapt and influence more rapidly.

Here are our most addictive albums of 2013, the records we couldn’t stop spinning.

01. Arcade Fire – Reflektor
02. Disclosure – Settle
03. Atoms For Peace – Amok
04. FOALS – Holy Fire
05. Vampire Weekend – Modern Vampires of the City
06. Daft Punk – Random Access Memories
07. Kurt Vile – Wakin On a Pretty Daze
08. James Blake – Overgrown
09. White Denim – Corsicana Lemonade
10. Toro Y Moi – Anything In Return

11. Rhye – Woman
12. Darkside – Psychic
13. Boards of Canada – Tomorrow’s Harvest
14. The National – Trouble Will Find Me
15. My Bloody Valentine – m b v
16. Sigur Rós – Kveikur
17. Parquet Courts – Light Up Gold
18. Danny Brown – Old
19. Holy Ghost! – Dynamics
20. Jagwar Ma – Howlin

21. Run the Jewels (El-P & Killer Mike) – Run the Jewels
22. Washed Out – Paracosm
23. Classixx – Hanging Gardens
24. Hanni El Khatib – Head In The Dirt
25. Queens of the Stone Age – …Like Clockwork
26. The Strokes – Comedown Machine
27. Thee Oh Sees – Floating Coffin
28. Volcano Choir – Repave
29. A$AP Rocky – LONG.LIVE.A$AP
30. Anders Osborne – Peace

31. Jon Hopkins – Immunity
32. Yeah Yeah Yeahs – Mosquito
33. King Krule – 6 Feet Beneath The Moon
34. Kanye West – Yeezus
35. Mount Kimbie – Cold Spring Fault Less Youth
36. Superhuman Happiness – Hands
37. Bonobo – The North Borders
38. Tyler, the Creator – Wolf
39. Phoenix – Bankrupt!
40. Phosphorescent – Muchacho

Vampire Weekend at Fox Theater Oakland 4/17. Photo by Marc Fong.

Mike Frash // Founder, Editor, Columnist // @MikeFrash

Vampire Weekend – Modern Vampires of the City
The focus on larger themes of mortality and spirituality in Modern Vampires of the City have catapulted this indie group from angst-ridden collegians to mainstream players — and in the process Ezra Koenig and company crafted an American classic. Compulsively listenable, this record matured with age in 2013, just like the artistic path Vampire Weekend seem to be on. The album continuously waxes poetically about death and higher powers, and “Unbelievers” sums it up best: “Girl you and I will die unbelievers, bound to the tracks of the train.” The ambiguousness is biting, as it is tough to tell if the statement is earnest atheism or harsh criticism of Godless existence. In “Step”, we’re told, “Wisdom’s a gift but you’ll trade it for youth, age is an honor it’s still not the truth…we know the true death, the true way of all flesh. Everyone’s dying, but girl – you’re not old yet.” Even “Dianne Young” is a double entendre for ‘dying young’. Every track is filled with high-level substance lyrically, but sonically it’s multi-faceted as well, melding baroque sensibilities and African grooves at a wonderfully variant pace throughout. Ultimately, it’s a supremely empowering coming of age album from Vampire Weekend, one that stares mortality in the face while celebrating time’s finite quality.

Run the Jewels (El-P & Killer Mike) – Run the Jewels
Early in Run The Jewels, Killer Mike announces, “Producer gave me a beat, said it’s the ‘beat of the year’, I said ‘El-P didn’t do it, so get the fuck outa here.’ El-P, the sole producer of rap music’s most dynamic duo, bases his production in captivating weirdness, micro-sampling everything from classic organ to nintendo glitch sounds to electric guitar, building epic beats for Killer Mike & El-P to deliver clever rhymes, based both in reality and playful hyperbole. One of Run The Jewels’ greatest successes is that it can be both funny and deadly serious within the same song, and often within in the same flow or line at times. So motherfuckin’ grimy, “Job Well Done” highlights how successfully dolphin sounds can contrast with aggressive lyricism, for example. Killer Mike broaches serious topics, bringing up the “elephant in the room” whenever possible, and EL-P is hyperactive and light-hearted as he spits his ‘future shit’. Put these two together and you have the best hip hop album in years.

FOALS – Holy Fire
The beauty is in the build with FOALS, and that is the case with Holy Fire more than prior album as the UK-based festival-headliners-in-the-making have largely abandoned their post-dance punk sound aesthetic for a more ballad-based approach. Sure, “My Number” and “Providence” continue the upbeat, math rock-dance-freak-outs, but overall FOALS have centered their 2013 record around patient song development in order to establish more memorable, ecstatic moments. “Milk & Black Spiders” does just that, taking a full three minutes and forty five seconds to reach it’s blissful summit. “Late Night” is a harrowing slow burner, repeating the line, “Calling out your name,” asking for the subject of the song to “Stay with me.” Lead singer Yannis Philippakis’ impassioned vocals, paired with the band’s guitar interplay and non-standard rhythms make FOALS a unique force in the world of modern rock.

The National – Trouble Will Find Me
Matt Berninger has a way with words — who else could make the phrase “full of punks and cannonballers” sound eloquent and measured in the track “I Need My Girl”? The National thrives on non-literal lyricism, but the instrumental elements from The National in Trouble Will Find Me prop the singing up on a pedestal better than prior records. Void of any filler, this contemplative record easily allows the listener to take their own meaning from any given track, applying it internally. The first half impresses quickly with “I Should Live In Salt” through “Sea Of Love”, but it is the second half that solidifies the effort as The National’s best work to date. An album that also gets more addictive with subsequent listens, Trouble Will Find Me works well as both a “pick me up” record and one to embrace life’s good times, an odd duality indeed.

Volcano Choir – Repave
Who needs Bon Iver when Justin Vernon is making music like he has with The Shouting Matches and Volcano Choir in 2013? Vernon, the creative centerpiece behind Bon Iver, announced while promoting Repave that Volcano Choir is his new band. Arguably, this is a genius move, as Vernon is exhibiting a higher level of confidence and innovation with this possibly permanent collaboration with members of Collections of Colonies of Bees. Repave traverses a path that balances grandiose and minimalism, choosing off-beat, unexpectedly contrasting moments to ‘drop the sound hammer’ in both “Comrade” and “Byegone”. “Drop the sound hammer” refers to the mesmerizing technique Volcano choir uses to quickly transition from falsetto-based minimalist intros into hard-hitting Philip Glass-like synth blasts and authoritative drums. I’m fine with Vernon considering himself a legend, as long as he continues creating music with cryptic, poetic lyrics and the progressive intermingling of intense and soothing sounds.

06. Darkside – Psychic
07. James Blake – Overgrown
08. Arcade Fire – Reflektor
09. Rhye – Woman
10. Disclosure – Settle
11. Kurt Vile – Wakin On a Pretty Daze
12. My Bloody Valentine – m b v
13. Atoms for Peace – Amok
14. Foxygen – We Are The 21st Century Ambassadors of Peace & Magic
15. Washed Out – Paracosm
16. Daft Punk – Random Access Memories
17. Bonobo – The North Borders
18. Phosphorescent – Muchacho
19. Jagwar Ma – Howlin
20. John Vanderslice – Dagger Beach

Atoms for Peace at Treasure Island Music Festival 10/19. Photo by Marc Fong.

Molly Kish // Artist Relations Manager, Columnist // @MollyKish

Atoms For Peace – Amok
Alternative Rock super group Atoms for Peace delivered one of the most evocative, skillfully executed and notable debuts of 2013, completely as expected. Bringing together some of the most innovative, iconic and artistically defining tastemakers of the past two decades (most notably Thom Yorke & Flea), Atoms for Peace composed a near-perfect representation of contemporary sound evolution. Touring this past year promoting Amok through intermittent concert dates and festival-headlining performances, Atoms for Peace captivated live audiences on a global scale while generating critical acclaim, and for good reason.

Toro Y Moi – Anything in Return
Drawing artistic influence from elements of 90s dance music while paying homage to the iconic hip hop sounds of the era, Chaz Bundick departed from his signature “chillwave” style to compose his third studio album, Anything in Return. Revisiting harder house elements from his 2010 debut Causers of This, Bundick taps into a funky soundscape filled with intensified vocals and hard hitting jam-based percussion. Paying homage to legendary producer J Dilla, Anything in Return touches upon intimate subject matter while remaining accessibly pop-driven, delivering Bundick’s “biggest sounding” album to date.

Disclosure – Settle
UK sibling duo Disclosure was one of the most successful breakout acts of the past year, largely in part to the global commercial appeal of their debut album, Settle. Mixing the perfect blend of R&B vocals, UK garage, two step and deep house cuts, Settle is a seamless composition of dance floor ready hits. Disclosure’s first full length succeeded in curating a sound both primed for the band’s spellbinding live improvisation and the album’s inevitable mainstream sampling and remixes.

Daft Punk – Random Access Memories
Preceding its April release date with a show-stopping album trailer debut at Coachella (and nationally syndicated on Saturday Night Live) and a video website series presented by The Creators Project, Daft Punk set the bar early this year for the future of mainstream album promotional campaigns. Defying the expectations of their devoted fan base along with the speculatory opinions of many EDM counterparts, Random Access Memories marks the band’s groundbreaking introduction of live musicians into their otherwise strictly electronic body of work. Their most successful album to date, Random Access Memories is a definitive album that highlights the robots’ personal influence, and the effect is a lasting impact on popular music.

Arcade Fire – Reflektor
Arcade Fire’s Reflektor serves as a testament to their creative ingenuity as a modern art rock group. Its evolutionary sound was produced by nu-disco vanguard James Murphy and features collaborations with David Bowie, Kid Koala and an armada of additional percussionists and recording personnel. Promoted and released through an ingenious guerrilla marketing campaign, intriguing the attention of a frothing worldwide audience.

06. Vampire Weekend – Modern Vampires of the City
07. Kanye West – Yeezus
08. Washed Out – Paracosm
09. Holy Ghost – Dynamics
10. Phoenix – Bankrupt!
11. Devendra Banhart – Mala
12. Major Lazer – Free The Universe
13. Yeah Yeah Yeahs – Mosquito
14. Starfucker – Miracle Mile
15. Cut Copy – Free Your Mind
16. Franz Ferdinand – Right Thoughts, Right Words, Right Action
17. Classixx – Hanging Gardens
18. The Strokes – Comedown Machine
19. St. Lucia – When The Night
20. Jay Z – Magna Carta

Thee Oh Sees at Phono Del Sol 7/13. Photo by Mike Frash.

Kevin Quandt // Assistant Editor, Columnist // @KJQuandt

Parquet Courts – Light Up Gold
In a year with many strong rookie efforts (Haim, Disclosure, Lorde, etc.), it was this Brooklyn quartet that rejuvenated garage-tinged, punk rock with a blisteringly fierce debut LP, Light Up Gold. Opening track “Master of My Craft” lets us know we are in for one helluva a ride and it doesn’t let up in the least as Andrew Savage belts out anthems full of modern tales of urban decay and the slacker lifestyle. This we do-whatever-the-fuck-we-want mentality was also clearly present on a recently released EP entitled Tally All the Things That You Broke, which was equally as impressive as the full length. Alas, all is not lost when it comes to irreverent rock music in a sea of shiny synths and EDM takeovers.

My Bloody Valentine – m b v
If this album was a person, it could legally drink in this country. Now, after that fact settles in, we can concentrate on how impressive m b v actually is. Kevin Shields and cohorts took 22 years to deliver this baby and it is chock-full of all the aural beauty that made these shoegaze legends modern rock royalty a couple of decades ago. Standout final track “wonder 2” is a whirling dervish of otherworldly drums, guitars and distorted vocals, slowly building into one serious rapture. Attention to detail is not lost on this album as meticulous craftsmanship is ever-present, especially when listened to fully, or in the distinct ‘3 EP’ structure that m b v is recorded in. All I ask Kevin Shields is that I don’t have to wait till I’m almost 50 years old to hear another new release from My Bloody Valentine.

Arcade Fire – Reflektor
There’s little surprise that this ‘double’ release ended in my, and many others, top albums list. Why? Because Arcade Fire make great albums, and I enjoy great albums. The grab bag of influences on this album is truly startling and lends much to it’s overall success whether it be deep Haitian rhythms or the the electro-dance production of James Murphy. With so many standout tracks, it really makes you wonder what they are putting in the water up in Canada. “Joan of Arc”, “Normal Person”, “Afterlife” and so many others create something fully unique and fully Arcade Fire.

Boards of Canada – Tomorrow’s Harvest
It was a bit of a long wait for fans of BoC, but well worth the interesting journey that was to become Tomorrow’s Harvest and it’s unique marketing campaign which precluded the June release. Not much has changed from the ambient electronic soundscapes that put these Scots on the map nearly two decades ago. What makes Boards so significant is their knowledge of analogue gear they use to transform sound into warm ambience that is loaded with emotion, complexity and cinematic themes. Songs like “Nothing Is Real” fully demonstrate their textbook mix of instrumentation and warm, vintage synths which gracefully paint a picture of the natural world which we live in. It’s albums like this which should make every listener wanna go out and spend four figures on some serious headphones, and Boards of Canada wouldn’t object.

Thee Oh Sees – Floating Coffin
It’s been a long time coming for the San Francisco garage titans that, most popularly, go by Thee Oh Sees. John Dwyer once used this moniker as his solo effort, but eventually became his primary effort, eventually growing from one man to a full blown band. Floating Coffin shows a shifting of the tide as the once tin-can recording sound has matured to a sonic boom of heavy guitar, driving rhythm and quintessential weirdo vocal. All these elements, and many more, equated to the most comprehensive sounding release in their extensive discography. “Come From the Mountain” opens this album with atomic bomb-shredding guitar and doesn’t really relent from this style till the soothing album closer, “Minotaur”. What’s most profound about Floating Coffin is that they have arrived with a permanent lineup, a better produced sound and a band mentality that creates a more unified front as opposed to it being solely Dwyer’s project. Oh yeah, they are also straight bananas on stage.

06. Disclosure – Settle
07. King Krule – 6 Feet Beneath the Moon
08. The National – Trouble Will Find Me
09. Atoms for Peace – Amok
10. Tyler, the Creator – Wolf
11. Jon Hopkins – Immunity
12. Kurt Vile – Wakin On a Pretty Daze
13. Rhye – Woman
14. Danny Brown – Old
15. David Bowie – The Next Day
16. Vampire Weekend – Modern Vampires in the City
17. White Denim – Corsica Lemonade
18. Queens of the Stone Age – …Like Clockwork
19. Pickwick – Can’t Talk Medicine
20. Mount Kimbie – Cold Spring Fault Less Youth

White Denim at Bill Graham Civic Center 10/31. Photo by James Nagel.

Pete Mauch // Festival Manager & Columnist // @PeteMauch

Arcade Fire – Reflektor
All-star collaboration of these Canadian rockers and producer James Murphy proved a success with their fourth release. The album, filled with instant hits like “Reflektor” and “Here Comes the Night Time”, is heavily influenced by traditional Haitian music that adds a deep rhythm to the elongated grooves, but the real treat is how its all tied together. Arcade Fire let loose on Reflektor, finding comfort in initiating a party atmosphere while staying confident with a dash of weirdness.

Jagwar Ma – Howlin
There seems to be a psychedelic air blowing in Australia these days, and Jagwar Ma’s debut album is filled with trippy yet danceable songs like the opening pair “What Love” and “Uncertainty”. “Come Save Me” evokes a dream land where the Beach Boys created acid-dance music. This album is gonna get a lot of play on Friday nights for many years to come.

White Denim – Corsicana Lemonade
These Texas rockers put out an intense album in 2013 filled with screaming guitar solos layered over intense time signatures and wailing vocals, but White Denim makes it all sound so simple. Songs like “Pretty Green” and “Cheer Up/Blues Ending” are straight up rocking songs, rooted in the genre’s past while offering a progressive take at where rock is heading. It never hurts to have Jeff Tweedy producing as well.

Daft Punk – Random Access Memories
The instantly classic single “Get Lucky”, the summer anthem of 2013, is still hyper-catchy, but “Instant Crush”, “Lose Yourself to Dance” & “Doin’ It Right” succeed as pleasantly repetitious tunes that represent a variety of decades. What makes Random Access Memories work completely is all the mellow cuts, perfect for bedtime or a drive down the coast. The music lesson that is “Giorgio by Moroder” just takes off after the ballsy call to include an interview with Giorgio Morodor before launching into an exploratory space jam.

Anders Osborne – Peace
Underground New Orleans guitar slayer Anders Osborne released a very impressive long player, filled with deep personal songs that are truly outstanding. Title track “Sentimental Times” showcases Osbornes’ brilliant songwriting, and his guitar work is simply phenomenal and engrossing. Personal favorite “Sara Anne” begins with a reggae feel that builds into a great bouncy song that has me repeating it often.

06. Kurt Vile – Wakin On a Pretty Daze
07. Atoms For Peace – Amok
08. Sigur Rós – Kveikur
09. Superhuman Happiness – Hands
10. FOALS – Holy Fire
11. Holy Ghost! – Dynamics
12. Jonathan Wilson – Fanfare
13. Youth Lagoon – Wondrous Bughouse
14. Darkside – Psychic
15. Bonobo – The North Borders
16. Phosphorescent – Muchacho
17. Savages – Silence Yourself
18. Deerhunter – Monomania
19. Ty Segall – Sleeper
20. Jim James – Regions of Light and Sound of God

Toro Y Moi at Fox Theater Oakland 11/15. Photo by James Nagel.

Kevin Raos // Columnist // @Semirec

Toro Y Moi – Anything in Return
Toro Y Moi just keeps getting better and better with subsequent listens. Part dance, part melancholy electro, Anything in Return strikes many different chords. From feelings of longing and romance, to coming to terms with growing up, Anything in Return ranges the emotionally gamut. This album stood the test of time in 2013, being one the first albums of 2013 to make a dramatic impact, then remaining front of mind come Christmas time.

Rhye – Woman
Woman is the mellow album of the year — If you need to relax, fall asleep, or just chill out, this is the album for you. A go-to in the bedroom, Rhye’s Woman also has the uncanny ability to cradle and comfort you from start to finish. Equally as good in a live setting, Woman proves excellent musicianship can flourish in downtempo form. The record’s male vocalist, Milosh, also released an excellent solo record titled “Jetlag” in late 2013 that clicks at a slightly faster tempo.

White Denim – Corsicana Lemonade
Funky, fresh and just downright dirty, the guys from Austin can bring the heat. Corsicana Lemonade is an album that might not make many end of the year album lists, but it should not be overlooked. Cool and collected while still being rhythmically aggressive, Corsicana Lemonade pushes forward an innovative rock sound that should make The Black Keys nervous their throne is currently up for grabs.

Danny Brown – Old
Danny Brown’s Old creates a new genre of hip hop, one with an electronic psyche. Old may offend some and be lost on others, but Brown’s distinctive voice and tongue-flaunting rhymes constitute a “grower”. Here we have a rapper who isn’t afraid to talk about more than banging it out in the streets, and all together Brown breathes more fresh air into a hip hop landscape that has been seeing a resurgence the past few years.

Vampire Weekend – Modern Vampires of the City
It’s tough to deny that indie kings Vampire Weekend are on top of their game right now. If you haven’t heard of these A-Punks that escaped from Cape Cod, you surely have been living under a rock. With Modern Vampires of the City, an already huge band has gotten huger, blasting off into new territory more than in previous efforts. Did I mention they shout out Oakland and Alameda, too?

06. FOALS – Holy Fire
07. Sigur Rós – Kveikur
08. Boards of Canada – Tomorrow’s Harvest
09. Atoms For Peace – Amok
10. Disclosure – Settle
11. James Blake – Overgrown
12. Arcade Fire – Reflektor
13. Darkside – Psychic
14. Kurt Vile – Wakin On a Pretty Daze
15. Jon Hopkins – Immunity
16. Camera Obscura – Desire Lines
17. Wild Belle – Idles
18. Nine Inch Nails – Hesitation Marks
19. Blood Orange – Cupid Deluxe
20. Laura Marling – Once I Was An Eagle

Classixx at Fox Theater Oakland 11/15. Photo by James Nagel.

Sean Little // Columnist // @Splittle

FOALS – Holy Fire
FOALS have made their best album to date with Holy Fire. It’s a wall of sonic noise mixed with strong doses of angst that starts with “Prelude” and continues to pin listeners to their seats until the last track. The British quintet have produced my number one record of the year, and their live performance is one to see if you haven’t.

Classixx – Hanging Gardens
Classixx made a superb album here. Being a primarily electronic poduction group, their skills show something much deeper and diverse as they move from bouncey disco tracks to deeper, more evocative tracks like “Borderline” where they showcase their ability to craft a tune that hits heart strings and nods heads. Classixx are vastly underrated and should be given a serious listen, even by non-electronic fans.

Disclosure – Settle
What can be said that hasn’t already about this brotherly duo? They hit the scene hard and made a lot of people snap their heads in their direction. Their production quality and use of instruments in their sets has turned many notions of a “DJ” set on its head and opened the doors for a whole new type of set that calls to the crowd more. This album is full of gems that will surely go down in dance history as classics.

Hanni El Khatib – Head In The Dirt
Hanni grew up immensely since his last album and really fine-tuned his sound. This is a pure rock album with no pretense. If you arere tired of pop rock bands trying to make the next iPod commercial-worthy track and long for a record that slaps you in the face to wake you up while still being a tad gentle about it, this is the one for you.

A$AP Rocky – LONG.LIVE.A$AP
Hip Hop has fallen to the wayside in years past as electronic has made its resurgence. Fans have grown weary of the over-produced, same old lyric songs that most artists offer. A$AP though brings in, what I consider to be the finest hip hop album of the year. Production by Skrillex, and cameos by Florence Welch, Drake, and Birdyman attest to his range not just as a rapper but as a producer and curator as well.

06. James Blake – Overgrown
07. Queens of the Stoneage – …Like Clockwork
08. The Strokes – Comedown Machine
09. Daft Punk – Random Access Memories
10. DJ Koze – Amygdala
11. Atlas Genius – When It Was Now
12. Portugal. The Man – Evil Friends
13. Bass Drum of Death – S/T
14. Yeah Yeah Yeahs – Mosquito
15. MS MR – Second Hand Rapture
16. Tesla Boy – The Universe Made of Darkness
17. Franz Ferdinand – Right Thoughts, Right Words, Right Action
18. Cut Copy – Free Your Mind
19. Ryan Hemsworth – Guilt Trips
20. The Weeknd – Kiss Land

Filed Under: Best of 2013, Editor's Picks, Featured Tagged With: Anders Osborne, Arcade Fire, Atoms for Peace, Best Albums of 2013, Boards of Canada, Bonobo, Classixx, Daft Punk, Danny Brown, Darkside, Disclosure, El-P & Killer Mike as Run the Jewels, FOALS, Hanni El Khatib, Holy Ghost, Jagwar Ma, James Blake, Jon Hopkins, Kanye West, King Krule, Kurt Vile, Mount Kimbie, My Bloody Valentine, Parquet Courts, Phoenix, Phosphorescent, Queens of the Stone Age, Rhye, Sigur Ros, Superhuman Happiness, The National, The Strokes, Thee Oh Sees, Toro Y Moi, Tyler the Creator, Vampire Weekend, Volcano Choir A$AP Rocky, Washed Out, White Denim, Yeah Yeah Yeah's

Treasure Island Music Festival 2013: Top sets

October 22, 2013 by The Bam Team 4 Comments

Photos by Marc Fong

Treasure Island Music Festival delivered one its best artist lineups in recent years October 19 & 20, allowing fans to immerse themselves in some of the best progressive dance and indie rock today. The festival seemed louder this year (that’s a good thing), and a sold out Saturday raged harder than most other TIMF days in the past. Sunday featured many acts with a tendency to inspire dancing and earplug use more than past Treasure Island Sundays (that is also a good thing).

Thoughts of lovely Indian Summer evenings were washed away by cold evenings, something that was on the mind of many artists. In the world of live music, artists are forced to choose style over function in relation to the idea of look versus comfort. Brian King from Japandroids must wear his white t-shirt and Alexis Krauss from Sleigh Bells has to show some leg, but fest-goers can wrap themselves in emergency blankets, furry costumes and bundles of layers. So we had that going for us.

View our show reviews below, including eight performances named TOP SET, along with hundreds of artist and scene photos.

Saturday ~ October 19, 2013

Atoms For Peace ~ TOP SET
Saturday • Bridge Stage • 9:25pm

Thom Yorke does not like “playing at sea”, so don’t hold your breath in regards to Atoms For Peace playing SS Coachella anytime soon. Thom might not win any new fans with his ‘witty banter’, but the infectious cacophony he produced with Flea, Nigel Godrich, Joey Waronker and Mauro Refosco was difficult to ignore, or stand still to. Barrage is one word that comes to mind as you are pummeled by bass and drums at almost every moment, and it’s evident Flea loves the challenge of bringing the most complex afro-funk bass lines he humanly can. Atoms can’t slow down, they go hard the whole show. Hell, even the originally sedate UNKLE track “Rabbit in Your Headlight” had a rousing pulse to it. This is where Yorke wants to be, this is the sound that he wants to produce, especially as he brings his hyper-rhythmic love over into his primary project. -Kevin Quandt

Phantogram
Saturday • Tunnel Stage • 8:35pm

Phantogram are back on the road, road testing new material from their new self-titled EP and a forthcoming long player, and they closed out the Tunnel Stage Saturday with a rocking psychedelic dance party. “Black Out Days” packs a punch as powerful as “Don’t Move”, which closed out the set. “Nothing But Trouble” and “Howling at the Moon” (song titles unconfirmed) were two tracks the band unveiled despite commenting that they probably should not be playing them. Despite a few technical glitches and unwanted feedback, Sarah Barthel’s voice was flawless and the new material received a big response, adding up to one of the many highlights Saturday night. -Kevin Raos

Little Dragon
Saturday • Bridge Stage • 7:40pm

Swedish electro-pop group Little Dragon continues to mature with age. Performing on the big stage towards the end of the night, they were certainly granted the respect that they deserve. Having just wrapped the recording of their fourth studio album due in the spring, Little Dragon was eager to demonstrate their evolved sound to the eager crowd, giving older songs a new, sonically swirling spin while debuting a new song or two. Fronted by the talented vocals of Yukimi Nagano, Little Dragon sounded as good as ever on the island. -KR

Holy Ghost! ~ TOP SET
Saturday • Tunnel Stage • 6:50pm

The largest act off DFA Records to be part of the bill since LCD Soundsystem, Holy Ghost! kept the “dance bar” raised high during their Sunset shift on Saturday at the Tunnel stage. Predominately playing tracks off their recently released 2013 album Dynamics, the New York disco distributors started a dance party almost immediately as the first notes hit the audience’s ears. Electrifying the crowd with new sing along favorites “Dumb Disco Ideas” and “Dance a Little Closer,” the Bay Area got a taste of what these boys will have on deck for their just announced New Year’s Eve headlining show at The Independent. -Molly Kish

Major Lazer
Saturday • Bridge Stage • 5:55pm

For a festival act, it’s hard to top the energy that Diplo and the Major Lazer crew bring to the stage. Riding a tsunami of booty clapping trap music into the rest of the evening’s insane line up, the crowd lost their collective minds witnessing the onstage antics and bone shattering bass lines of Major Lazer’s early evening set. Vuvuzelas blared, sirens rang and between the acts’ revamped hype-man roster, twerk army and Diplo’s human hamster ball, the festival escalated quite rapidly into full-throttle rage mode. -MK

DJ Falcon
Saturday • Tunnel Stage • 5:10pm

French DJ & producer Stéphane Quême, aka DJ Falcon, had a prime time slot on paper, but his audience was rather small. It looked like most folks were taking a breather or getting food between Disclosure and Major Lazer. While there was plenty of space at the Tunnel Stage for DJ Falcon, it was filled out by dance-heads that had to keep the train moving. The set ended with Daft Punk’s “Get Lucky” into “Give Life Back to Music”, but the set would have had a bigger impact by ending with his own Random Access Memories cut “Contact”. -Mike Frash

Disclosure ~ TOP SET
Saturday • Bridge Stage • 4:20pm

The brothers Lawrence returned to the Bay Area for their second ever show, exemplifying how much things can change in the course of a year. Disclosure attracted the most dense and one of the most mentally immersed crowds of the weekend — it’s safe to say the UK duo are the most popular electronic act on the planet at the moment. From the moment these two fans set the tone of the show by sharing a lollipop, Guy and Howard Lawrence performed most of the tracks off their landmark first LP Settle, adding live drum and bass instrumentation. “Help Me Lose My Mind” was especially effective at slowing down the BPMs late in the set while keeping emotions high. If they could manage to bring along the likes of Jessie Ware, Aluna Francis, London Grammar & Sam Smith on tour with them to sing in the flesh, Disclosure would pack in arenas from Sydney to San Francisco. -MF

Poolside
Saturday • Tunnel Stage • 3:35pm

Poolside curated a mellow, island vibe that suited the bright afternoon sun at the Tunnel stage. Ultra-catchy songs like “Why You Wanna”, “Do You Believe” and “Slow Down” deliver seductive mantras that are hypnotic, yet keep you swaying to the beat. A bonus Poolside highlight came for those that were lucky enough to stick around after Atoms for Peace had finished for an intimate Poolside DJ set on the way out. -KR

Danny Brown
Saturday • Bridge Stage • 2:45pm

This late addition to the lineup was embraced, even if we had to lose the UK rarity that is Tricky, and his early Saturday showcase allowed him to span his releases more fully, primarily with the release of Old. A long intro built hype nicely, and by the time Danny Brown sauntered onto stage, the youthful crowd was revved up and eating from the MCs hand for the remainder of a high-energy set. Highlights included “Radio Song” and “Monopoly” off XXX. The sky’s the limit for Brown as he settles into his newfound ‘King of Weird’ title. -KQ

Robert DeLong
Saturday • Tunnel Stage • 2:00pm

21st century one man band Robert DeLong inspired early movement from the audience with his danceable, percussive beats. Equipped with an array of musical toys, DeLong demonstrated his ability to create deep layers of sound with only the use of his two hands. Robert DeLong is clearly a drummer at heart, however he takes his music to another level, synchronizing his beats through the tip of his drum stick. DeLong continues to build smart and innovative beats in a live environment, surpassing many of his ‘button-pushing’ peers in technique and output. -KR

ADULT.
Saturday • Bridge Stage • 1:15pm

Goth electro rockers ADULT. warmed up the main stage in a big way Saturday. Dressed in all black with a heavy dose of leather, singer Nicola Kuperus and beatmaker Adam Lee Miller, were battling the heat of the sun the entire set. Kuperus commented on her desire for the sun to go away and contemplated refuge under the stage. Kuperos, however, found relief from the sun during the final two songs when she jumped into the audience to perform at crowd level. Kuperos eventually found a patch of shade to the left of the stage under a tree to close out the set. -KR

Sunday ~ October 20, 2013

Beck ~ TOP SET
SUNDAY • Bridge Stage • 9:25pm

Beck emerged for his Sunday headlining set about 25 minutes after the printed time, but he more than made up for it by playing a collection of upbeat material to help “keep us warm” well past 11pm. All in all, the set was a greatest hits showcase — the Bay Area weekend warriors still rocking on the island heard “Devil’s Haircut”, “Loser”, “E-Pro”, “Girl”, and to end the night “Where It’s At”. New songs like “I Won’t Be Long” and “Defriended” didn’t get played, but the final show of the fest did see one of the only guest appearances of the weekend. Beck treated the Bay to the live debut of “Let’s Get Lost” from the Twilight:Eclipse soundtrack, enlisting Alexis Krauss from Sleigh Bells for the wonderful duet. This surprise was only topped when Beck reminded us he was ‘bringing that quiet storm’ during “I Wanna Get With You (And Your Sister, Debra)”. Beck showed, yet again, that he is one of the coolest guys in music. -MF

Sleigh Bells
SUNDAY • Tunnel Stage • 8:30pm

Alexis Krauss and Derek E. Miller closed down the Tunnel Stage on a bitterly chilly Sunday evening. Though many in the crowd, and likely on stage, weren’t too cold for too long as the energy levels rose quickly as thick riffs and bombastic beats came rushing from off the Bay. “Comeback Kid” and “Tiger Kit” were early highlights in the set. Showbams contributors were commenting that Sleigh Bells has become a quintessentially solid festival band that all can enjoy and head-band along to. Even though it was the second to last set of the event, it would’t be the last time Alexis graced the stage on this night. -KQ

Animal Collective ~ TOP SET
SUNDAY • Bridge Stage • 7:40pm

Ramping up the “weird” during the festival’s most surreal performance, Animal Collective pulled out rare cuts and old classics for their Sunday night set on the Bridge Stage. Bringing along their all-consuming, giant mouth set design from the Centipede HZ tour this past year, the boys blew the minds of the early evening crowd with their intense visuals, spasmodic stage show and extended psychedelic jam session. Shying away from the radio hits, Animal Collective delved deep into their catalogue for a surprising set list with songs like “The Purple Bottle”, catering to an audience full of devoted fans and impressed noobs. A bold scheduling call for the traditionally more mellow of the two days, Animal Collective fulfilled the TIMF diversity quotient while properly mind-fucking the withstanding festival-weary crowd. -MK

Japandroids
SUNDAY • Tunnel Stage • 6:50pm

It’s hard to fathom how many miles on the road Brian Davis and David Prowse have racked up since the release of Celebration Rock. Treasure Island was their last show in the continent for a while, but they continue on to far off places before taking their well-earned break. In the meantime, the Canadian duo did their best to shake off the brisk wind by blazing through songs like “The Night of Wine and Roses” and “Fire’s Highway”. The enthusiastic crowd bopped along in a combination of adoration and warmth. -KQ

James Blake ~ TOP SET
SUNDAY • Bridge Stage • 6:00pm

James Blake‘s sound fit the moment exquisitely as the sun began to disappear behind a long band of fog that threatened to take over Treasure Island. Blake now tours as a trio, wisely adding live percussion to enhance his dreamy soundscapes. Confident yet mostly stoic, Blake’s measured vocals hung in the brisk fall air to mostly pin-drop silence. The progressive nature of the 25-year old’s music suddenly feels so familiar since Blake blasted into the worldwide music scene four years ago. Maybe its a product of his influence, or just the fact that his heavenly voice, modulated or not, blends so well with his post-dubstep-based production. This set elicited gasps of joy from the throngs of female fans along the stage rail, and the ending of “Overgrown” had an orgasmic effect on a couple of people near me. Set placement of songs was ideal — “Retrograde” and “The Wilhelm Scream” bookended the performance perfectly, and “Voyeur” stole the show, igniting an extended dance session. James Blake is simply a legend in the making. -MF

Real Estate
SUNDAY • Tunnel Stage • 5:10pm

Sunday afternoons don’t get much more ideal than sail boats as a backdrop, sun in our eyes and Real Estate churning out their breezy style of surfed-out indie rock. However, this set was not a showcase of previously released material, but rather a showcase of new material, and even a new touring keyboard player. Even with a few brand new songs filling their set, Real Estate still managed to represent both of their stellar releases. “Green Aisles” was especially strong as a large palm tree behind the stage swayed along with the crowd. -KQ

STRFKR
SUNDAY • Bridge Stage • 4:20pm

STRFKR sees you’re confetti cannons and giant hamster ball Diplo and ‘raises you’ a crowd surfing astronaut and an army of blow up dolls! STRFKR pulled out all of the stops for their over the top afternoon performance. Pulling from their four full length albums, the boys were out there to get the crowd moving. While catching the last glimpses of sunlight on the Bridge Stage, the band executed one of their most polished Bay Area performances to date amongst a complete shit show of on stage distractions and “hype animals.” Dancing furries, a sumo wrestling battle and simulated oral sex/bestiality provided humorous stage antics for the second half of the set. Depending on your mindset during this point in the weekend, the show either came off as unnecessary overcompensation or one of the best shows Sunday. -MK

HAIM ~ TOP SET
SUNDAY • Tunnel Stage • 3:35pm

How is it possible that the spunky LA-based sister trio HAIM has never played a proper set in San Francisco until TIMF? Well, if life is about first impressions, the Bay Area is smitten. Part of HAIM’s success lies in their equal value and contributions to the group — Este, Danielle & Alana Haim share singing duties, adorable stage banter and the ability to play their instruments magnificently. Most of all though, it’s HAIM’s fearless and passionate approach to everything they do that is most memorable. They are all very comfortable on stage, as seen through their ‘in the moment’ mentality, responding to calls from the crowd and telling people to throw their food on stage for a mid-set snack. “Honey and I” got a stripped down treatment that worked well, something the ladies said they did specially for SF. Asking if we were ready to dance, HAIM launched into “Forever”, and TIMF obliged. This international sensation has finally played the other end of their home state, and HAIM is likely to play theater-sized venues next time they are back. -MF

Filed Under: Featured, Festivals Tagged With: ADULT., Animal Collective, Atoms for Peace, Beck, Danny Brown, Disclosure, DJ Falcon, Giraffage, Haim, Holy Ghost, James Blake, Japandroids, Little Dragon, Major Lazer, Phantogram, Poolside, Real Estate, Robert DeLong, Sleigh Bells, STRFKR, Treasure Island Music Festival

15 things to expect at Treasure Island Music Festival

October 16, 2013 by The Bam Team 2 Comments

Expect to see or experience these 15 things at Treasure Island Music Festival 2013:

1) Thom Yorke dancing like this:

2) 27% of females in attendance will borrow their boyfriend/girlfriend’s jacket because they came ready for warmer weather, forgetting the festival takes place in the middle of San Francisco Bay.

14% of the boyfriend/girlfriends’ that gave up their layer will buy a TIMF hoodie.

3) A group of drunk British blokes and Palma Violets’ manager/hype-man/party-starter Harry Violent lead the pogo-pit charge at 1:30, proceeding to get much of the crowd to join them. Impressive for an early Sunday show.

4) Move over dubstep. Meet the most amazing bass-face in contemporary music:

5) Old and Young lose their shit to Disclosure’s breakout tracks like “Fire Starts to Burn” and “Latch” — Treasure Island will hence be dubbed “Dance Island”.

6) Danny Brown’s “Kush Coma” illustrates how wonderfully stoned the Bay Area is, soundtracking the scene with 27 weed references. And, that’s only the marijuana references!

7) You walk in early on Sunday, swear to yourself you’re hearing Beck, but it’s actually Cayucas.

8) Overheard at Holy Ghost! sunset show:

“‘Bridge and Tunnel’, that’s the name of the two stages!!!”
“Dude, this is this is the new LCD.”
“And my Dad said Disco was dead, pshhhh.”

9) As the ‘mad shuttle dash’ begins during the Atoms for Peace encore, the festival faithful will enjoy every last note, understanding that shuttle lines offer time to recap the day! Or you could plan your own exit route.

10) The one guy with the furry hat that never leaves Silent Disco.

11) Diplo attempts to talk the crowd into breaking Big Freedia’s twerking world record during the Major Lazer set, but only 6 girls in the front row “express themselves” as Diplo takes a cell phone pic, then tweets it.

12) That adorable couple that stakes out a small spot between the Tunnel and Bridge stages and sees all 13 acts in one spot Sunday.

13) A beautiful James Blake sunset show moment confirms why you live in San Francisco or Oakland.

14) You swear you won’t wait in line for the ferris wheel, but end up giving in by the end of the night on Saturday or Sunday.

15) Overheard from first time TIMF attendee:

“Wait, both stages are right here with no overlapping sets? Awesome. Pretty good view too…”

Filed Under: Featured, Festivals Tagged With: Atoms for Peace, Beck, Cayucas, Danny Brown, Diplo, Disclosure, Haim, Holy Ghost, James Blake, Major Lazer, Palma Violets, Thom Yorke, Treasure Island Music Festival, Treasure Island Music Festival 2013

Coachella Review: Top Sets Weekend 1

April 18, 2013 by Kevin Quandt & Mike Frash 11 Comments

Coachella Weekend 1 came and went like a flash as it usually does. The build up is the slow part: You make your predictions, do your homework after the lineup drops, fret over the soul-crushing set times – then throw your plans in the trash and have some fucking fun.

Twas a unique weekend as each day was different from the other, and not just by which acts were on what stages at any given time. Friday, the masses showed up early and entry was a hassle due to it, and a few gate-crashing episodes due to slow security lines raised anxiety even before stepping foot in the concert venue itself. However, the majority did not stick around for the midnight action shared between highly buzzed acts. Saturday brought a more unified crowd to sing along to the Femmes classics and nervously await a certain special guest to make an appearance with Phoenix. As a whole, this was the best day for the overall experience we have come to know and love out in Indio. Sunday was a bit mild on banner moments, and the winds seemed to dominate as a theme, both for those withstanding and those retreating the gale. Goose pimples and bandana face-masks were plentiful as the event winded down, just to do it all over again next week. Even with a musically less eventful Coachella, compared to year’s past, it was the musical adventure so many long for year round.

Here are the most memorable sets we witnessed, for better or worse.

The Shouting Matches • Gobi Tent, 2:05 p.m.
Coachella Weekend 1 featured a premier performance from Justin Vernon’s über-blues project. The Bon Iver frontman played it cool most of the set behind dark glasses, laying out thick, bluesy guitar riffs. Jack-of-all-trades Phil Cook took over stage banter duties for most of the set, allowing Vernon to try his hat at slow-grinding bluesman. The Shouting Matches explored a couple lengthy jams that worked well. -MF

Dillon Francis • 2:30 p.m.
Crowds swelled rather early compared to year’s past, and many eager youths were chomping at the bit with the lengthy entry lines trying to catch the buzzy Dillon Francis. An upgraded, arena-sized Sahara tent was packed early on with throngs of fresh attendees bouncing to “Bootleg Fireworks” and other stylistic electronic mash-ups for the primarily under-21 masses. -KQ

Jake Bugg • Mojave Tent, 3:05 p.m. TOP SET
The teenage prodigy Jake Bugg impressed thoroughly at his early tent set, but it wasn’t only due to his excellent acoustic versions of “Two Fingers” and “Simple As This.” Bugg plugged in and let loose with his electric guitar for about half the set, and these songs proved to be the most successul and surprising. The young British singer-songwriter has already honed his live skills and is worth seeing live before his next trip through the states, when he’ll be packing theater-sized venues. -MF

Divine Fits • Outdoor Theatre, 4:35 p.m.
Britt Daniel (Spoon) and Dan Boeckner (Wolf Parade) brought their newish outfit to the Outdoor Theatre for an afternoon of power-pop rock. Coupling the unmistakable vocals of Daniel with the heavy chorded guitar romp that is Boeckner added up to an impressive performance. “My Love is Real” was a highlight as drummer Sam Brown of New Bomb Turks added thick rhythm for the sun drenched crowd to sway and stomp to. -KQ

Japandroids • Gobi Tent, 5 p.m.
Vancouver-based duo Japandroids had a tough time getting started due to sound issues, something that permeated the Gobi Tent Friday (the sound at TNGHT & Earl Sweatshirt was muted, but FOALS sounded great). Finally the set appeared ready to begin, until Brian King ran off stage, most likely to take a piss. David Prowse followed him offstage, then they returned to the stage to start “Fire’s Highway,” and we all discovered the sound was as shitty as it was when they were sound-checking. I’ve heard Japandroids play with immaculate sound quality, so it was time to move on… -MF

∆(Alt-J) • Mohave Tent, 5:20 p.m.
This british quintet was a highlight of the day as they charmed a large crowd with their quintessentially unique take an indie rock, playing heavily off debut album An Awesome Wave. Cartoonish may be the best way to describe the singing style of Joe Newman, but once you’ve acquired the taste, it’s no joke and it shined brightly on the Mojave Stage. “Breezblocks” received a wonderful reception as revelers shook and weaved to the hypnotic rhythm while reciting the grand chorus. -KQ

Local Natives • Outdoor Theatre, 7 p.m.
A calm mellow fell over the crowd for the majority of the Local Natives sunset time slot at the Outdoor Theatre. Some enjoyed the slightly closer and better beer garden, while others neatly filled a sizable chunk of real estate in front of the stage. “Sun Hands” was the perfect shock to attendees before sending them back out into the great wild that is the Empire Polo Club. -KQ

Dog Blood • Sahara Tent, 7:40 p.m.
Combine Skrillex and Boys Noize and you have the two-headed EDM monster fans are getting to know as Dog Blood. This recent collaboration made waves at Ultra this year, and they blew minds in the thickly packed Sahara for a hard driving amalgamation of many of the current electronic styles. The sound resonating from the beefed up DJ booth wasn’t fully Skrillex, nor Boys Noize, which was refreshing to hear from these two superstars. -KQ

Yeah Yeah Yeahs • Coachella Stage, 8:40 p.m.
Karen O commands crowds with the best of them, and every big performance from Yeah Yeah Yeahs confirms her place as one of the most enigmatic bandleaders of our time. She oozed intensity and sensuality while bopping all over the largest stage during hailed tracks like “Zero” and set closer “Maps.” The new tracks sounded as artsy and danceable as ever and Mosquito is sure to catch some serious attention as they prepare for a lengthy summer season. -KQ

FOALS • Gobi Tent, 10:50-11:40 p.m. TOP SET
FOALS destroyed their set against tough competition, making everyone present forget they were missing Blur & Jurassic 5. “Inhaler” and “Milk & Black Spiders” from FOALS’ 2013 LP Holy Fire were set highlights, but tracks from all three of their full length records were present in the setlist. The British group is pure fire in concert, producing surprisingly technical live versions of their songs while at the same time extending or intensifying some sounds or instruments in response to the audience reaction in the moment. -MF

How to Destroy Angels • Mojave Tent, 12 a.m. TOP SET
Trent Reznor’s new project took the stage for the second time ever, and the multi-dimensional presentation wowed the surprisingly sparse crowd in the Mojave Tent. “The Wake Up” began the set with the group veiled behind a curtain of white strings, creating an eerie outline of Atticus Ross, Rob Sheridan and the mystifying Marqueen Manndig. Presentation appeared to be key in the short time this act will be on the road before the return of NIN, even though the wall of sound aspect was a treat for the diehard fans of Reznor and everything he touches. -KQ

Earl Sweatshirt • Gobi Tent, 12:05 a.m.
Sure, Friday at midnight was undoubtedly one of the most stacked schedule times, but the lack of throngs at Odd Future wunderkid Earl Sweatshirt’s banner set showed that one can’t be in more than one place at a time, which is a massive dilemma at Coachella. New single “Whoa” was delivered confidently, even if the sound was less than stellar. Tyler, the Creator aided his LA bud on old rarity “Orange Juice” and crowd favorite “AssMilk” while climbing scaffolding and generally causing a ruckus. -KQ

Danny Brown • Outdoor Theater, 3 p.m.
Another moderatly hot day welcomed the wrist-banded festivilians to a more unified day and night compared to the calm finish of day 1. Detroit-born, gap-toothed hip-hop artist Danny Brown brought a feverish set of his unique brand of profane-ridden tunes to the Outdoor Theatre. His nasally delivery could be compared to Andre 3000, while his melodic flow is so neatly packed and wickedly clever it makes folks chuckle in awe. -KQ

Zane Lowe • Yuma Tent, 3 p.m.
The BBC 1 Radio DJ hailing from New Zealand played a spirited set of electro-house in the new official sixth stage. The Yuma Tent was an air conditioned oasis for dance purists needing a respite from the elements while also not wanting to rest their dancing feet. A hard wood floor was a proper addition to this space. Lowe kept things straight ahead, pounding the sizable system with original beats and a mixed set of dance styles before the tent packed up for The 2 Bears.

The inaugural Yuma Tent was so intimate with such quality DJs that most festival-goers did not have the opportunity to see some highly anticipated shows. Many people bought tickets for Coachella this year so they could dance to their favorite progressive DJs, but ultimately you had to sacrifice lots of other shows and wait in long lines to experience the Yuma Tent. This should be remedied for 2014, as Jamie xx would have probably filled out the Mojave Tent. Make the Yuma Tent bigger. -KQ

Ben Howard • Outdoor Theatre, 4:10 p.m.
Ben Howard, another Brit, brought his soft semi-folk-rock material to a scorching Outdoor Stage, and the tunes he played were pretty standard. That is until “The Fear,” which built to an explosive peak not captured on Every Kingdom. It might have made sense to put 2 Chainz on the Outdoor and Ben Howard in the Mojave Tent based on the crowds. -MF

Violent Femmes • Coachella Stage, 6:05 p.m.
Many weren’t aware that this was to be the first show from the folk-punk legends in over six years. Furthermore, many of the younger patrons were likely completely unfamiliar with this act besides the occasional play on KROQ and other national alternative rock radio stations. What a surprise when they launched into their self-titled premier album, playing it in full. Classics like “Blister in the Sun,” “Add It Up,” and “Gone Daddy Gone” were passionately crooned by the majority of the crowd. -KQ

Major Lazer • Mojave Stage, 6:25 p.m.
Why Major Lazer didn’t play the Sahara is a mystery to me, but the EDM masses made the rare pilgrimage to Mojave to lap up Diplo’s worldly party. A frenetic set kept everyone jumping to Major Lazer hits like “Pon de Floor” and the ubiquitous Baauer banger “Harlem Shake” alike. Jillionaire is one helluva hype man keeping the crowd fully engaged at every track, instructing the crowd to remove their shirts, hold them in the air, eventually demanding they be tossed into the desert air in dance ecstasy. Many bros obliged. -KQ

Hot Chip • Coachella Stage, 7:35 p.m.
What a perfect sunset Saturday dance party. It was a set full of hits like “One Life Stand,” “Over and Over,” & “Ready For The Floor,” along with the amazing “Flutes.” This show conflicted with Yeasayer, Grizzly Bear, & Julio Bashmore, so there was plenty of room to shake it. Guitarist Pat Mahoney, also from LCD Soundsystem, added a busy 70’s guitar riff to many songs, including most of the new tracks from In Our Heads. -MF

The Postal Service • Coachella Stage, 8:50 p.m. TOP SET
The Postal Service show was surely one of the best pop sets of the weekend thanks to Jennie Lewis. Ben Gibbard, Jimmy Tamborello & Jen Wood were flawless as well, but Lewis’s sultry charisma, timing and all-around perfection made this a top set for me. From the building beat in “The District Sleeps Alone Tonight” to the outro of “Brand New Colony,” where “everything will change” was repeated until the session ended, the crowd was zoned in. As the last line was harmonized, I looked up to see all the Coachella spotlights meeting at a point in the sky directly above us and instantly was struck by goosebumps. -MF

Descendents • Outdoor Stage, 9:05 p.m.
Milo Aukerman and band were treated to an evening slot on the 2nd largest stage, up against the breezy Postal Service reunion. Manhattan Beach local punk legends treated their fans to classics like opener “Everything Sucks,” “Suburban Home,” and “I’m the One.” Though Aukerman’s voice is not the youthful squeal it once was, they still deliver in a pleasing way, especially to a home town-ish crowd that grew up on their classic releases. -KQ

Moby (DJ set) • Sahara Tent, 9:55 p.m.
It was another tough conflict-ridden time slot, as The xx, Two Door Cinema Club, Janelle Monáe & Franz Ferdinand all rubbed up against one-another. So how the hell did I end up at Moby? It’s a good question, and one I haven’t quite figured out yet. Sometimes, after all the planning, it’s best to go by your mood and follow your friends. That’s what happened here, and I’m glad I did. I was prime for for a euphoric dance party, and this DJ set from Moby sampled from a large variety of music and pop culture to create a fun, upbeat show. -MF

Phoenix • Coachella Stage, 11:35 p.m.
When Daft Punk is confirmed in the house, and they play a preview video the night before, and you consider Daft Punk showed up with Phoenix at Madison Square Garden in 2010, it’s kind of a no brainer to see the Phoenix set just in case. Well I became a sucker to the Daft Punk hype machine, but in this case I still won because I saw Phoenix perform live. R Kelly appeared as the special guest, spittin’ “Ignition” over a remixed “1901” and “Chloroform.” Thomas Mars has been finishing his recent shows by going to the back of the venue, thanking the audience, then crowd surfing back to the stage. Well, the crowd surfing didn’t quite work so well for the first festival try. Mars got hung up by grabbers multiple times, almost hung himself with his pink microphone cable, and he got knocked around on the dismount. The rest of the band had already extended the “Entertainment” reprise multiple times, and Mars was too winded to deliver the final line of the night. All he could get out was “Thank you Coachella!” I wonder if he’ll attempt this again Weekend 2. -MF

Sigur Rós • Outdoor Stage, 11:50 p.m. TOP SET
While a sizable chunk of the crowd awaited what potential surprise guest may come out with Phoenix on the Main Stage, a devote crowd enjoyed the sonic brain massage that is Iceland’s own Sigur Rós. Having seen this band since their first US performances, they are best enjoyed outside, whether it be in the fog swept fields of Golden Gate Park or the warm Indio evenings. The set featured a horn section, string section and a full piano, not to mention the Hopelandish, angelic singing and bowed guitar brilliance of frontman, Jónsi. Few live musical experiences can match up to the usual set closer, “Untitled #8,” and this rendition was no different. Truly one of the most transcendental builds in live music, it left most viewers floating out of the venue for the wrap to the second day. -KQ

DIIV • Mojave Tent, 2:30 p.m.
Zachary Cole Smith has had a busy year after departing from Beach Fossils, but his diligence has paid off in dividends as DIIV has quickly garnered critical success as they win over new fans across the country. “Sometime” and “Doused” displayed their art-gaze rock style quite nicely among other tracks off the sublime album Oshin. -KQ

Thee Oh Sees • Gobi Tent, 3:15 p.m. TOP SET
John Dwyer brought his disturbingly rocking flavor of psychedelic garage to the Gobi Tent for an unforgettable afternoon set. There was no let up after the first note (“The Dream”) as the pit grew and more joined in the pogo fever that swept the crowd during tracks like “Contraption/Soul Desert,” “Lupine Dominus,” and “Meat Step Lively.” Dwyer pulled Ty Segall from the VIP section to play tambourine the majority of the set, a nod to the tightness of the San Francisco garage-rock family. Look for a whirlwind summer as they release the scorching new album The Floating Coffin. -KQ

Jessie Ware • Mojave Tent, 3:45 p.m.
Jessie Ware is a star in the making. Her pop music has a dance edge to it, but it’s her natural charisma and mannerisms that communicate so effectively to the audience, making her super likable. She has a killer smile and knows she’s hot shit. “If You’re Never Gonna Move,” “Wildest Moments” and the rest of her tracks were well received, including an impromptu new song that she performed with her slightly embarrassed drummer Dornik Leigh to end the set. -MF

Kurt Vile and the Violators • Outdoor Stage, 3:55 p.m.
As the winds started to relieve the weathered festival goers, Vile brought a cool breeze of his own to the Outdoor Theatre while Gaslight Anthem wailed on the big top. Vile couldn’t help but make a quip at the Springsteen-esque vocals pumping a good hundred yards from where he was churning out laid-back tunes. Opening with the title track off his recent Wakin on a Pretty Daze displayed his fondness for his new material, especially track “A Girl Named Alex,” which is quickly becoming a fan favorite. Vile and band may have been better served in one of the tents, but nothing fazed this prolific up-and-coming song writer. -KQ

Social Distortion • Coachella Stage, 6 p.m.
Orange County was fully represented by the legendary punk band Social Distortion and their fondly aging frontman, Mike Ness. What an honor for them to play the Main Stage, opening with “I Was Wrong” and including their stellar version of Johnny Cash’s “Ring of Fire.” They nodded back to the old days with a personal fave “Mommy’s Little Monster.” I applaud Goldenvoice in their decision to spotlight music that is quintessential to this geographic region of Southern California. -KQ

Tame Impala • Outdoor Stage, 6:25 p.m. TOP SET
As the gusty winds upgraded to blustery, Australian fuzz rockers churned up a storm of their own opening with “Solitude is Bliss.” Kevin Parker was visibly thrilled at the environment he found himself in, and this feeling was contagious to the crowd who were coming to the climax of their long weekend. This set was more exploratory than usual with an extended jam revolving around the heavy-as-lead single, “Elephant.” Palm trees swaying behind the Outdoor Theatre were all the visuals the fans needed, in total contrast to the Sahara rave, to reach even greater heights. “Enders Toi” was aborted as some of their equipment was giving the band trouble, luckily that didn’t distract the band from continuing on. “Half Glass Full of Wine” closed an impressive showing from the growing act that continues to thrill fans of rock and roll. -KQ

Pretty Lights • Outdoor Stage, 7:45 p.m.
The Pretty Lights show took place out in windy, open space, but that didn’t stop one of the best dance sets of the weekend. Derek Vincent Smith curated a varying set, beginning with his patented downtempo trip-hop/dubstep cuts, but then the set transitioned into Pretty Lights remixes, including Pink Floyd’s “Time” and his tripple-threat remix of Radiohead, Nirvana & NIN. Overall, the set was geared toward the masses or for someone’s first Pretty Lights show. Of course, the open air light show was excellent, and it didn’t matter that the screens had been lowered due to the sandstorm. -MF

The Faint • Mojave Tent, 8:30 p.m.
Post-punk dance act the Faint have returned to the live circuit and regained their title as one of the most exciting bands to see, especially in a festival setting. Todd Fink sauntered out with his signature hat and launched into “The Conductor” before tearing through favorite “Glass Danse” off of the acclaimed album, Dance Macabre. With dance music and live rock becoming better bed fellows, one has to respect one of the originators from the last decade. “ParanoiaAttack” would be their last song, and everyone caught their breath before facing the now moderate sandstorm wreaking havoc on the polo fields. -KQ

Eric Prydz • Saharah Tent, 10:40 p.m. TOP SET
Choosing Eric Prydz to end the weekend was a rather easy choice, and it was done before we knew it would be smart to hide in the Sahara Arena to avoid the weather. The LA-Based Swedish DJ is worthy of headliner status at this point, as his progressive electro house is eclectic enough, unpredictable most of the time, and beyond fun. Prydz provided a massive exclamation point to a weekend that was packed with excitement. His hyperactive M83 cover of “Midnight City” was placed perfectly, and “Call On Me” signalled the end to the weekend musically. That was until the roadies decided to prank the buzzing crowd, continuously coming back and putting their arms in the air to falsely signal one more song. -MF

What were your top sets? Leave a comment!

Filed Under: Festival Reviews, Festivals Tagged With: Alt-J, Ben Howard, Danny Brown, DIIV, Dillon Francis, Divine Fits, Dog Blood, Earl Sweatshirt, Eric Prydz, FOALS, Hot Chip, How to Destroy Angels, Jake Bugg, Japandroids, Jessie Ware, Kurt Vile, Kurt Vile & The Violators, Kurt Vile and the Violators, Local Natives, Major Lazer, Moby, Phoenix, Pretty Lights, Sigur Ros, Social Distortion, Tame Impala, The Descendents, The Faint, The Postal Service, The Shouting Matches, Thee Oh Sees, Violent Femmes, Yeah Yeah Yeah's, Zane Lowe

Coachella conflicts: 2013 set times announced

April 10, 2013 by Kevin Quandt & Mike Frash 1 Comment

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 12th-14th & April 19th-21st, 2013 //

Set times dropped Tuesday evening, and Coachella shared they had been battling agents all day to explain the delay. Sounds like a fascinating behind-the-scenes documentary …

Although set times didn’t unleash any surprise acts (what no Lou Reed replacement?), the brand new Yuma Dome is confirmed as the 6th main performance area, not including The Do Lab or Heineken Dome. The Yuma Dome will host Seth Troxler, DJ Harvey, Four Tet, Julio Bashmore, The 2 Bears, Jamie Jones, Jamie xx and so many more. This additional platform on the outskirts of the tents and Do Lab will be the anti-Sahara Tent with a minimalist-dance edge.

Friday features one of the most brutal headline conflicts in years. The Stone Roses are on a mondo reunion tour, while How to Destroy Angels and Earl Sweatshirt are playing their first major shows. Poliça will be performing in the Gobi Tent after The Shouting Matches, Justin Vernon’s (Bon Iver) new project. Vernon collaborated with the members of Poliça in his side project Gaynes. You connect the dots…

Toughest Conflicts:
• The Stone Roses vs. Earl Sweatshirt vs. How to Destroy Angels
• Blur vs. Grinderman
• Modest Mouse vs. Local Natives (SUNSET)
• Japandroids vs. alt-J
• Poliça vs. Jake Bugg
• The Shouting Matches vs. Youth Lagoon vs. Beardyman vs. C2C

Saturday headliners will depend on your energy and vibe, as Phoenix, Sigur Rós, Booka Shade, New Order and Knife Party will create inner-group conflicts. Upon seeing The xx above The Postal Service and Major Lazer at 6 p.m. while Moby sub-headlines the Sahara Tent, the “been fighting with agents all day” reference starts to make sense.

It’s almost as if Goldenvoice is attempting to set a new tone in the Sahara Tent this year after house-pop like David Guetta and Calvin Harris dominated last year. Are they challenging the Sahara stalwarts to go see Franz Ferdinand, Two Door Cinema Club or The xx … or go check out the Yuma during Moby?

Toughest Conflicts:
• Phoenix vs. Sigur Rós vs. Booka Shade vs. New Order vs. Knife Party
• Hot Chip vs. Yeasayer vs. Grizzly Bear (SUNSET)
• Danny Brown vs. Baauer vs. Savages
• Wild Nothing vs. Birdy Nam Nam vs. Action Bronson

Sunday will be a tale of two scenes. Eric Prydz and Disclosure will be packed while Dead Can Dance & Red Hot Chili Peppers should be relatively spacious. Tame impala secured a Sunset-ish slot, but Roodriguez and James Blake will be playing in the tents at the same time. Pretty Lights seems odd at 7:30, but he’s the only EDM artist to get a featured slot on an outdoor stage this year.

Toughest Conflicts:
• Eric Prydz vs. Disclosure
• Nick Cave and the Bad Seeds vs. OMD vs. The Faint
• Vampire Weekend vs. Pretty Lights vs. Father John Misty vs. La Roux (SUNSET)
• Tame Impala vs. James Blake vs. Rodriguez (SUNSET-ISH)
• Kurt Vile and the Violators vs. Grimes
• Thee Oh Sees vs. Jessie Ware vs. Jamie xx