The 25 best live music acts of 2016

Best live music acts of 2016

As we officially place 2016 in the history books, it’s time to look back at all the live music we experienced this year. Last year we shared our 25 favorite live performers of 2015, so this year we thought we would do it again while excluding any artists we named in 2015. After all, who really wants to see the same acts listed two years in a row? That said, now that we’re two years removed, our 25 favorite live performers of 2014 were once again fair game.

After covering many excellent bands, musicians and DJs over the past 12 months, trimming our list down to 25 wasn’t easy and as usual, some difficult decisions had to be made. Those who didn’t make the cut but still deserve to be mentioned here include the following artists, DJs and bands (in alphabetical order) whom we either covered at their own show and/or at a music festival this year:

Adrian Younge, Air, Alessia Cara, Alina Baraz, AlunaGeorge, Alvvays, The Arcs, A$AP Ferg, Atlas Genius, Aubrie Sellers, The Avett Brothers, Bag Raiders, Baio, Banks & Steelz, Bas, Battles, Beats Antique, Beach House, Best Coast, Big Freedia, Big Gigantic, Big Grams, Big Wild, Bloc Party, Bob Mould, The Boxer Rebellion, Brand New, Brett Dennen, The California Honeydrops, Capital Cities, Cate Le Bon, Chairlift, Chelsea Wolfe, !!! (Chk Chk Chk), Chris Robinson Brotherhood, Chuck Mosley, Chromeo, Claude VonStroke, The Claypool Lennon Delirium, Cold War Kids, The Crux, Dan Deacon, Danny Brown, Deftones, The Devil Makes Three, Dirtwire, Disclosure, DMA’s, DMX, Drew Holcomb and The Neighbors, Duran Duran, Every Time I Die, Emancipator Ensemble, Ezra Furman, Faith No More, The Faint, Fantastic Negrito, Femi Kuti, Florence + the Machine, Flume, Fruition, The Gaslamp Killer, Geographer, Glass Animals, Gorgon City, Grimes, Halsey, The Head and the Heart, Heartwatch, The Heavy, Highly Suspect, Hippie Sabotage, Holy Fuck, How to Dress Well, Hudson Mohawke, Hundred Waters, IAMX, Ibeyi, Ice Cube, Iggy Pop, The Infamous Stringdusters, Jack Beats, Jack Garratt, Jack Ü, James Bay, Jamie xx, J. Cole, Jimmie Vaughn, Jhené Aiko, The Joy Formidable, Joywave, Julia Holter, Julien Baker, Kaki King, Kamaiyah, Kamasi Washington, Kehlani, K.Flay, The Kills, Kurt Vile, Lafa Taylor, Lana Del Rey, Låpsley, Les Sins, Lettuce, Lionel Richie, Lord Huron, Little Scream, Lucius, M83, Major Lazer, Marian Hill, Mayer Hawthorne, MC YOGI, Methyl Ethel, Metric, Miami Horror, Mick Jenkins, Midi Matilda, Miguel Migs, Modest Mouse, Moon Taxi, M. Ward, Nahko & Medicine for the People, The Naked and Famous, Nas, Nathaniel Rateliff & The Night Sweats, Neon Indian, Nick Murphy (fka Chet Faker), Nite Jewel, Panic! at the Disco, Parliament-Funkadelic, Peaches, Petite Noir, The Pharcyde, The Polish Ambassador, Porches, Prince Rama, Purity Ring, Pusha T, Radiohead, Ra Ra Riot, The Regrettes, The Revivalists, RJD2, Rodrigo y Gabriela, Rogue Wave, Rubblebucket, Run the Jewels, The Russ Liquid Test, Ryan Adams, The Sam Chase & The Untraditional, Saosin, Sarah Neufeld, The Seshen, Shabazz Palaces, Shlohmo, Silversun Pickups, Snakehips, Solange, Son Little, St. Lucia, Stormzy, The Struts, STS9, Sturgill Simpson, Sufjan Stevens, Summer Cannibals, Sunflower Bean, Sigur Rós, St. Germain, Sylvan Esso, Tacocat, Taking Back Sunday, Tedeschi Trucks Band, Thao & the Get Down Stay Down, This Will Destroy You, Thomas Jack, Thundercat, Toro y Moi, Tortoise, Tory Lanez, Tourist, The Trims, Troye Sivan, Umphrey’s McGee, Viceroy, Vince Staples, Vokab Company, Walk the Moon, Warpaint, Wavves, Weezer, Wheeler Walker Jr., White Denim, Wild Belle, Wild Nothing, Years & Years, Yeasayer, YG, Young Fathers, Yuck, ZHU, Ziggy Marley.

Now, it’s time for The Bam Team to present our 25 favorite live performers of 2016.

The Bam Team’s 5 Favorite Shows, Albums & Songs of 2016

Listen to The Bam Team’s favorite songs of 2016:


Best Live Music Acts of 2015 #25 - Tycho

25. Tycho

For as much as Epoch was a surprise, so were Tycho’s two most recent shows in LA last week. It was the first time Hansen and company had played The Fonda Theatre since the Awake tour back in 2014, and Thursday’s sellout, which was announced less than a week before the show, along with the subsequent need to add a second date the next night, made it clear that more than ever, Angelinos have a strong appetite for what Hansen is doing on both a musical and visual level. It helps, too, that KCRW Music Director Jason Bentley, who opened the shows at The Fonda with a DJ set, has helped expose Tycho to a broader audience, whether through the “Morning Becomes Eclectic” theme song or live, in-studio performances by the band. Even nowadays with an abundance of streaming sites, you can’t underestimate the power of radio in a city with a driving culture as large as LA’s. And truth be told, Tycho is some of the best music to drive to, especially when you’re surrounded by nature. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #24 - Isaiah Rashad

24. Isaiah Rashad

And when it did, Rashad torpedoed onto stage and turned the restlessness in the room on its head with “Smile”, the apropos homecoming banger he released after years of uncertainty that followed his 2014 EP Cilvia Demo. It was fitting because prior to his reemergence, which was sparked by the song, Rashad admitted to being addicted to Xanax and alcohol, and it almost led to him being dropped from his West Coast record label on several occasions. From his issues with substance abuse to the tears he shed while listening to Kid Cudi’s music and his open-book thoughts on the humanizing of mental-health issues, Rashad’s journey from being the contemplative unknown in superstar Kendrick Lamar’s crew to a complete artist deserving of your attention has been steeped in honesty. -Joseph Gray, photo by Joseph Gray


Best Live Music Acts of 2015 #23 - Bob Moses

23. Bob Moses

Needless to say, worn-out axioms failed to apply in this scenario. Bob Moses silenced anyone attempting to pass them off as yet another contrived electropop outfit aiming to please the masses. At Mezzanine, both Howie and Vallance proved their prowess as EDM innovators, bringing more to the stage than a couple of laptops and a pretty light show. Surprising those unfamiliar with their work or expecting to be underwhelmed, Bob Moses have elevated the live electronic game for their respective contemporaries and succeeded in defining a new chapter for the genre — an innovative sound standard that’s all their own. -Molly Kish, photo by Lisette Worster


Best Live Music Acts of 2015 #22 - Floating Points

22. Floating Points

The band continued building on its rhythms and melodies, creating a hypnotic feeling that was filled with textured synthesizers, guitar pedals and consummate percussion, as laser patterns reflected each rise and fall during its lengthy jam sessions. As Sheppard and his sidekicks progressed through each track, the complexity of the laser projections grew into optical illusions that, almost like another musical instrument onstage, intertwined with the style and progression of the band’s production perfectly. With each song reaching a climax and eventual denouement, the artwork remained untouched for a few minutes so that fans could observe each piece before their very own eyes. -Brett Ruffenach, photo by Alister Mori


Best Live Music Acts of 2015 #21 - Ty Segall

21. Ty Segall

But Segall is no doubt a showman himself, and you’d be hard-pressed to find someone who expends as much energy onstage as he does in merely 90 minutes. His passion simply rubs off on his fans, who wasted little time climbing onstage and taking the plunge into a sea of hands for a couple of minutes. Segall, of course, also got in on the action at one point, as his shows are often known to feature crowd surfing from both band and audience members, and he made sure to take the mic stand with him while he horizontally slithered across the room. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #20 - Dr. Teeth and The Electric Mayhem

20. Dr. Teeth and The Electric Mayhem

One of the biggest questions on everyone’s mind coming into Outside Lands was, “Who were Dr. Teeth and The Electric Mayhem?” For those who knew, it was, “How in the hell were the Muppets going to fill a Sunday slot on the main stage?” Because the band had never played a show of such magnitude or outside the context of a TV/film studio, no one had any clue what to expect during this early-afternoon slot. Though some festivalgoers (mistakenly) decided to forego the experience altogether, those present will not forget the incredible feat that Another Planet Entertainment and Jim Henson Enterprises were able to pull off for what was one of the most emotionally nostalgic, blissfully complex and once-in-a-lifetime festival performances maybe ever. The Muppet house band both effortlessly managed to pluck the heartstrings of multiple generations of fans while delivering the most conceptually beautiful “love letter” to the city of SF, blanketing the grounds in a sea of love and collective euphoria for a brief, yet unforgettable moment. -Molly Kish, photo by Rochelle Shipman


Best Live Music Acts of 2015 #19 - RÜFÜS DU SOL

19. RÜFÜS DU SOL

By the time RÜFÜS made their entrance, the excitement in the room was at a fever pitch. The crowd was ready to dance from the very first beat (thanks to the excellent warm-up from Kllo and Yuma X), and they did just that. Lead singer Tyrone Lindqvist took center stage with great energy and proceeded to do the customary water bottle toss shortly after. Lindqvist set the tone right from the get-go for a high-energy, high-audience-participation set. The crowd responded in kind by getting down much harder than expected for a Wednesday night. Notably, there were surprisingly very few phones out as most attendees put away their cameras to make the most of every song. The intimate setting of The Fillmore could almost have been mistaken for the polo grounds of Coachella, given how many girls-on-shoulders could be seen around the venue. -Geoff Hong, photo by Josh Herwitt


Best Live Music Acts of 2015 #18 - Rudimental

18. Rudimental

Through Rudimental tracks like “Not Giving In”, “Free” and “Waiting All Night”, the most unique element of the group’s live production was their charisma. Simply put, they look like they’re having fun. These aren’t tortured artists or cathartic performers — Rudimental are a band that loves the music they make. Even the band’s drummer, Beanie, easily one of the hardest working rhythmists on tour right now, managed to keep a smile on his face, racing through Rudimental’s repertoire of songs that were anywhere from 145 to 160 BPMs. The septet’s de-facto leader, DJ Locksmith, was surprisingly more in the background than you would expect from a typical DnB hype man. As Rudimental wrapped up their set with their chart-topping hit “Feel the Love”, the crowd joined in as the song ended, creating a shared moment at The Fox that perfectly reflected the intention of Rudimental — to spread the love. -Brett Ruffenach, photo by Marc Fong


Best Live Music Acts of 2015 #17 - BØRNS

17. BØRNS

On this night, that proverbial phrase seemingly rang true. It wasn’t just that BØRNS most likely amassed the largest attendance in the history of the Twilight Concert Series, but also the fact that it was easily one of the best shows I’ve ever witnessed at the Santa Monica Pier. One could certainly point to the opening of the Expo Line extension as a reason for the larger crowds so far this summer, which wasn’t all that noticeable during the series’ opening night with Mayer Hawthorne just the week prior, but that would simply be underestimating the exponential rise of Garrett Borns’ eponymous project. Since he relocated to Los Angeles in 2013 and signed with Interscope Records, the Michigan native has gone from supporting modest indie bands like MisterWives to selling out shows as a headliner in a matter of a year. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #16 - Flying Lotus

16. Flying Lotus

Brainfeeder founder, producer and unapologetic cultural mouthpiece Flying Lotus (born Steven Ellison) ended the night with a mildly controversial headlining set. Walking onstage and making what any FlyLo fan would recognize as an off-colored comment on the current presidential race may have proven too brazen for those not used to his brand. He let Captain Murphy out of the box a little early and road the wave of confusion into a heady, bass-driven assault on the conflicted crowd, providing the distinct audio punctuation point for the night’s bill of artists. Playing several tracks off of his 2014 LP You’re Dead! as well as various hits from high-profile hip-hop emcees like Travis Scott and Kendrick Lamar that he has produced over the years, Ellison stunned us all with his double-screen, audio-visual stage setup and plenty of bone-rattling bass drops. -Molly Kish, photo by Marc Fong


Best Live Music Acts of 2015 #15 - The Last Shadow Puppets

15. The Last Shadow Puppets

TLSP brought a strings section to their show, an added element that helped keep things fresh and new. The show began with the beautiful sounds of violins and cellos, but the moment TLSP got onstage, the whole floor at The Fillmore lit up in billows of smoke. I’m sure the band was stoned by the end of the show if it hadn’t been already, appearing beyond excited to be playing on a Sunday night in SF. Turner and Kane must have yelled out something about SF every few minutes and incorporated SF into some of their songs. They were so incredibly tight, and I felt their set in some ways was a bit better than what I had witnessed years ago — the mix and order of the songs felt more succinct at The Fillmore. -Rachel Goodman, photo by Diana Cordero


Best Live Music Acts of 2015 #14 - Miike Snow

14. Miike Snow

Sunday’s roster at Coachella last year was significantly weaker in comparison to Friday’s and Saturday’s. This year was much of the same, though Calvin Harris somehow proved to be an even worse headliner than Drake (we didn’t know that was possible). But one of the bright spots on Day 3 was no doubt Miike Snow’s 9:45 p.m. slot in the Mojave Tent, the same place where I discovered the Swedish trio back in 2010 during my first Coachella. Andrew Wyatt, Christian Karlsson and Pontus Winnberg have come a long way since then, and with three studio albums in their catalog, including their latest effort iii, they have more than enough material to fill out a 50-minute set and leave you wanting to hear more. -Josh Herwitt, photo by Norm de Veyra


Best Live Music Acts of 2015 #13 - Young Thug

13. Young Thug

Fresh off releasing the latest — and final — installment of his Slime Season mixtape trilogy, Young Thug took his place on the stage. Arriving in a white blouse, multicolored sequined jacket, dark shades, a polka-dot head scarf and remarkably slim, golden pants, he aligned such a rangy and vibrant uniform with his performance. There wouldn’t be any towering LED lights, stunts or stage diving. However, Young Thug, who for the majority of his roughly hour-long set played the lone wolf, delighted the crowd with his animated and bright delivery while running through thundering Slime Season 3 favorites like “With Them”, “Digits” and “Slime Shit”. The audience, ranging from high school seniors to seasoned workers likely with mortgages, strikingly recited every uncanny, controversial lyric and Ric Flair-esque “Woo!” like they had been analyzing them for years. -Joseph Gray, photo by Joseph Gray


Best Live Music Acts of 2015 #12 - Pretty Lights

12. Pretty Lights

Touring with a live band for the first time in 2013 — something that few other EDM artists have done to this day — he quickly changed the way electronic music can be experienced live. Fast forward to last Thursday, and we were once again treated to an electrifying Pretty Lights show that was more than just Smith behind a pair of Macbook Pros and two Akai MPD32s. Making his debut at the majestic Santa Barbara Bowl, he once again showed why he isn’t your typical EDM act. With Chris Karns and Big Wild providing support, Smith hit the stage at 8 p.m. with his bandmates — Karns, Borham Lee, Brandon Butler and Alvin Ford, Jr. — and put on a show that dazzled both sonically and visually. What was most impressive, though, was seeing how much of the performance was improvised, as the band transitioned from one jam to another while dropping in a number of remixes here and there. And as I looked on from my seat in the stands, I couldn’t help but think about how much the show reminded me of all the times I’ve seen STS9 perform live. It only seemed fitting considering that the livetronia band helped give Smith his start back in the day, and with the “EDM bubble” about to burst (that is, if it hasn’t already), it’s hopefully an approach more electronic artists will gravitate toward in the future. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #11 - Mac DeMarco

11. Mac DeMarco

The 26-year-old king of slacker rock, who over the past few years has become a fan favorite of many Bay Area audiophiles, never seems to hold back when he comes to town. His first night in SF last week saw him jump from The Indy’s balcony into an awaiting crowd (a feat that was later imitated by a female audience member at The Warfield the next night), run around half naked while playing new songs and perform a 25-minute cover of Eric Clapton’s 1971 hit single “Layla” with fart solos sprinkled throughout. -James Pawlish, photo by James Pawlish


Best Live Music Acts of 2015 #10 - Moderat

10. Moderat

Easily the most anticipated set of the weekend from this spectator’s vantage point, Moderat hadn’t toured since dropping a pair of EPs in 2014. But with the release of its third full-length album, aptly titled III, the Berlin-based supergroup comprised of Apparat’s Sascha Ring and Modeselektor members Gernot Bronsert and Sebastian Szary were primed to make their mark on the final day of LIB — and that they did. Beginning with “Ghostmother” off their latest LP, Moderat ran through a good chunk of new material, but nothing ignited the crowd more than their new single “Reminder”, which remains one of our favorite songs of the year so far. As we witnessed a few days earlier at The Fonda Theatre in LA, the group’s dark, minimalist stage setup with psychedelic flourishes paired nicely with Ring’s ethereal vocals. Of all the other performances throughout the weekend, Moderat’s 90-minute set undoubtedly stood as one of the brightest moments of LIB 2016. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #9 - Foals

9. Foals

Foals closed out their rambunctious set with a killer take on the title track “What Went Down” that brought lead singer/guitarist Yannis Philippakis diving into the crowd, giving fans one hell of a selfie and proving their rock credentials for good. After all, any band that can unite 20-something bros with 50-something grandparents gets a gold star in our book. Rock brings people together, and those who made it out to see this unicorn of a band won’t live to regret it. -Zach Bourque, photo by Steve Carlson


Best Live Music Acts of 2015 #9 - Tame Impala

8. Tame Impala

As they opened with the dream-inducing interlude “Nangs” from their latest studio album Currents, Tame Impala gave the crowd an ample minute and a half to commit to the spatial surroundings before jumping full throttle into an explosive rendition of lead single “Let It Happen,” playing the tracks in reverse order than they are on the LP. By the third song (as promised), the sky, having just turned black, was filled with a stadium’s worth of rainbow confetti as the band played the opening chords of 2012’s psuedo love ballad “Mind Mischief”. Followed by a rare performance — only the second time in three years — of “Music to Walk Home By” from 2012’s Lonerism, Tame Impala played a wide range of emotive classics while scrambling the brains of more than 8,500 audience members with their intense onslaught of sensory-overloading imagery and hypnotic light show. -Molly Kish, photo by James Pawlish


Best Live Music Acts of 2015 #7 - Jim James

7. Jim James

James is in rare company these days, amid a dying breed of guitar-rock gods like Jack White and Josh Homme who are not only capable of playing anything on six strings, but also on a myriad of instruments. And while Eternally Even feels in some ways like an opportunity for him to finally experiment more with keyboards, James made sure to remind his fans at the 90-year-old Orpheum Theatre last Friday that shredding is still a priority. Performing in his new hometown after officially moving to LA this year, he assumed the role of lead singer for much of the show as he and his bandmates from Twin Limb (also opening for James on this tour) played all of Eternally Even and half of Regions. But propped up by a stand onstage the whole time was James’ black Gibson axe, and you knew at some point during a two-hour set that he was going to unload some sick riffs like we have become accustomed to seeing from him at Jacket shows. -Josh Herwitt, photo by Josh Herwitt


Best Live Music Acts of 2015 #6 - The National

6. The National

The real headline from The National’s performance was hands down the new material that was debuted, pretty much across their entire set, encore included. A rather standard opening of “Don’t Swallow the Cap” and “I Should Live in Salt” led into our first taste of the band’s upcoming LP in the form of “Checking Out”. Though many locals likely recognized this track from last year’s Treasure Island Music Festival (read our review here), it has tightened up over the past year and even begins to sound familiar as the Brooklyn-based five-piece begins to weave in more electronic, synth-like elements. -Kevin Quandt, photo by Steve Carlson


Coachella 2016 - Guns 'N Roses

5. Guns N’ Roses

There may have been no more talked-about act in Coachella’s 17-year history than Saturday’s headliner — and for good reason. Going back to 1993, it had been 23 years since Axl Rose and Slash last performed on the same stage together, and though some of that allure had worn off by the time they reached Indio thanks to a surprise show in LA and back-to-back nights in Las Vegas in prior weeks, Guns N’ Roses were still the talk of the town leading up to Coachella. In fact, all you had to do was look around on Saturday and see just how many GNR T-shirts were traversing the polo field before their 10:30 p.m. set. When it came time to deliver, the original trio of Axl, Slash and bassist Duff McKagan most certainly did, while rhythm guitarist Richard Fortus and drummer Frank Ferrer proved to be more than suitable fill-ins for Izzy Stradlin and Steven Adler/Matt Sorum. Meanwhile, the surprise appearance by Angus Young couldn’t have come at a much better time after the announcement was made minutes before GNR’s set that Rose will be filling in for Brian Johnson on AC/DC’s remaining tour dates this year. GNR have always been one of my biggest bucket-list bands, and even if a broken leg prevented Axl from strutting and slithering across the stage like he once did as a brash, slender 21-year-old rock star, seeing one of my favorite childhood bands perform for two and a half hours felt all too surreal as I left the Empire Polo Club that night. -Josh Herwitt, photo courtesy of Coachella


Coachella 2016 - Sia

4. Sia

From the very beginning, Sia set herself apart from every other artist who took the Coachella Stage this year. With the Australian artist standing in the back of the stage, her set was more performance art than it was pop music. While her face was hidden thanks to her trademark wig, Sia’s voice stood front and center as she belted out every note to hits like “Diamonds”, “Bird Set Free” and “Titanium”. Throughout it all, different dancers and actors would come on stage, abstractly embodying the themes her songwriting often conveys: fear, anticipation, stress, anger, joy, love and most of all, doubt. As Kristen Wiig and Paul Dano contributed to the overall performance, the height of Sia’s conceptual masterpiece reached its peak with a breathtaking rendition of “Breathe Me”, bringing some of the audience to tears. It was the true headliner of Sunday night and among the top performances of the entire weekend. -Brett Ruffenach, photo courtesy of Coachella


Best Live Music Acts of 2015 #3 - Chance the Rapper

3. Chance the Rapper

In one of the few transcendent moments of the weekend, a set that had everyone throughout the fairgrounds hyped into an anticipatory frenzy, Chance the Rapper performed at the Lands End stage on Sunday afternoon for easily the largest crowd of the entire weekend. Even those who stood their ground through Third Eye Blind’s preceding set felt the drastic change in both crowd size and personal space as the Polo Fields flooded and temperatures rose. Even though Chance could have used this to his advantage and conducted an explosive show, igniting the tightly configured crowd into a combustive state, he instead took his fans “to church” with a spiritually centered gospel set, making sure everyone was attentive and of course, that “his part” resonated among the masses. -Molly Kish, photo by Norm de Veyra


Best Live Music Acts of 2015 #2 - LCD Soundsystem

2. LCD Soundsystem

Over the last couple of years, it’s hard to think of a band I have wanted to see more than LCD Soundsystem. Deeply tied to my formative years in college, the Brooklyn outfit’s return after a five-year hiatus was nothing short of stunning. Opening with the undeniably groovy “Us vs. Them” and covering a good chunk of their catalog over almost two hours, LCD certainly met the expectations of an eager crowd. James Murphy kept the banter between songs fairly short, and these indie heavyweights demonstrated a true dedication to their craft, starting fast with songs like “Movements” and “Yeah” before moving to more deep, tightly wound rhythms on “Someone Great” and “Home”. Though “Losing My Edge” was written more than 10 years ago, Murphy’s part-improvised, part-proclamation, part-perfectly-delivered rendition of the track seemed to really capture the attention of more casual LCD fans. Nearing the end of its set, the band covered “Heroes” by late collaborator David Bowie. I have seen many concerts as well as attended many festivals in my life, but this was truly among the most beautiful moments in live music I have ever experienced. Wrapping up their headlining performance with “All My Friends”, LCD Soundsystem proved to be among the top artists to ever grace the festival’s main stage. -Brett Ruffenach, photo by Norm de Veyra


Best Live Music Acts of 2015 #1 - Anderson .Paak

1. Anderson .Paak

I’m going to be completely honest: I went to SXSW this year to see .Paak because I knew once he played it, tickets to his shows would be impossible to get. Six months later, $30 tickets to his show in San Francisco at The Fillmore resold for upwards of $400. If you didn’t have another way to get into that show or rent to pay, it was worth it. The energy that comes out of .Paak while he’s performing is charming, infectious and unmatched. He splits his time roaming every inch of the stage and behind his drum set, often singing and rapping without missing a beat. At .Paak’s December show at the Hollywood Palladium in LA, Stevie Wonder came out not to sing, but to tell the crowd what a big fan he is. So basically, Stevie Wonder dropped by. OK, Anderson … we see you. -Rochelle Shipman, photo by Norm de Veyra

Outside Lands 2016

Showbams_Sticker_Rectangle2

As summer comes to an end, Viceroy tells us why it’s still ‘summertime all the time’ in his mind

ViceroyPhotos courtesy of Chubbies // Written by Jansen Granflor //

It’s not everyday that you get to interview someone whom you truly admire, but last month the opportunity presented itself while prepping for the second weekend of Splash House in Palm Springs (read our review here).

Viceroy, born Austen Afridi, is an unofficial ambassador for the twice-a-summer event that reigns supreme over all other California pool parties. Just close your eyes and imagine this: beautiful people sunbathing by the pool, clear blue skies, hot weather, ice-cold drinks and a thumping house beat. Viceroy, otherwise known as the “Sultan of Summer” as he playfully calls himself, has been painting this exact picture for years with his music, and it finally all makes sense now — Afridi, both literally and metaphorically, has become “a ruler exercising authority” over a kingdom he created.

Showbams spoke with Viceroy about his “summertime all the time” brand, his Jetlife side project and his affinity for Hawaiian shirts, among other topics.


Showbams: You are slowly becoming the unofficial face of Splash House as the color palette and beats match the Viceroy mentality. What do you think of Splash House? Have you been to one?

Viceroy: I love the vibe at Splash House. I’ve played every single one of them, and it’s always a blast. My friends come with me, so I stay the whole weekend.

Showbams: When did you first come up with your “summertime all the time” brand, and what influenced it?

Viceroy: I came up with it when I started Viceroy five years ago. It just came naturally to me as I love summer more than anything. It really speaks to who I am as a person.

Showbams: How about Jetlife? That side project seems like a nice alternate approach to the other music you create.

Viceroy: I love 90’s hip hop and R&B. It’s fun to throw my signature sound on something that originally is so different.

Viceroy

Showbams: Are you still bringing a saxophone player with you to your gigs? Is it the same guy every time or do you recruit them from different cities? Do you provide a Hawaiian shirt for them as well?

Viceroy: Yes, his name is Simon and I bring him around. I’m also building out a live show with more musicians. My homies at Chubbies provide Simon with fresh shirts and shorts!

Showbams: Speaking of Hawaiian shirts, I myself have built a small collection of Hawaiian shirts after seeing you perform in Orange County back in 2014 and now I notice them at thrift stores and buy/sell/trade places in Los Angeles. That said, how many do you own? Were they all purchased brand new or are some of them second-hand/vintage?

Viceroy: I have so many that I’ve lost count. I have a rad partnership with Chubbies, so all my shorts and shirts are from them.

Viceroy

Showbams: Being part of the early 2000’s house music generation, I fell in love with the “white label bootleg remixes” of the time. Are any of your remixes “bootlegs?”

Viceroy: When I started, some of my releases were bootlegs for sure, but now I get commissioned to do mine.

Showbams: Who are some of your favorite collaborators?

Viceroy: I loved working with Gavin Turek on my latest single “Fade Out”. K.Flay is rad, too!

Showbams: How do you feel about B2B sets?

Viceroy: I love them! Especially if it’s with the homies.

Viceroy

Showbams: A lot of your remixes add a very distinct layer of piano. Did you have any formal training growing up?

Viceroy: I grew up playing the piano for several years.

Showbams: Where do you call home now?

Viceroy: Good old San Francisco!

Showbams: What are you working on now? Any EP projects in mind? Any big tour dates ahead you’re prepping for?

Viceroy: I’m working on building the live show and just more music with a potential EP in the works.

Viceroy

Splash House 2016: One wet and wild weekend

Splash House 2016 - Weekend 2Photos by Anastasia Velicescu, Jesse Fulton, Jose Negrete & Quinn Tucket for Goldenvoice // Written by Jansen Granflor //

Splash House //
The Saguaro & The Riviera – Palm Springs, CA
August 12th-14th, 2016 //

Now in its third year and hosting its fifth overall event, Splash House combines the pools of The Saguaro and The Riviera for two weekends each summer. We drove from Orange County to Palm Springs last weekend to watch it all go down at the festival’s second edition in 2016.

There were also official after parties on Friday and Saturday night at the Palm Springs Air Museum, which trade pools and bare skin for shorts and shoes with laces for an intimate “dancing under the stars” experience. We spoke with festivalgoers as far north as the Bay Area, as far south as San Diego and as far east as Arizona who all made the journey for two days and three nights of excruciating heat, refreshing pools and unquestionably one of the most talented lineups of underground electronic artists.


Splash House 2016 - Weekend 2

Our weekend began at the Palm Springs Air Museum last Friday night with the weather just below 100 degrees and the excitement building for Australian alternative dance group RÜFÜS DU SOL, who performed at the Santa Monica Pier (read our review of the show here) the night before. It was also the only “live band” set we caught all weekend. A constant breeze provided a comfortable atmosphere we would not experience again until the following evening, as DJ duo Hotel Garuda played warmed up the crowd with remixes of “Ultraviolence” by Lana Del Rey and “Begging for Thread” by Banks, before the night culminated with the Sydney group doling out a number of hits, including “Like An Animal” & “Say a Prayer for Me”. However, for those who used Uber to get to the party, the night inevitably ended on a sour note (see what we mean below).

Splash House 2016 - Weekend 2 - Uber surge charge

Turning to Saturday, festivalgoers slowly trickled into the Saguaro’s pool area before 3 p.m., and two hours later, the place was jam-packed and it was close to being a fire hazard an hour later. Unofficial Splash House resident DJ Viceroy treated those present to the same poolside, “summertime-all-the-time” tunes he normally plays, although one could argue they worked better at Splash House than anywhere else in the world. From there, UK “hypnodance” duo Psychemagik kept the vibe going and transitioned into their remix/rendition of Fleetwood Mac’s “Dreams”, which proved to be the first of numerous iconic moments that could be attributed to an oldie-but-goodie.

We subsequently made the trek to The Riviera, which had a much larger capacity and created a raw atmosphere with a soundtrack that featured EDM-infused trap, dubstep and hip-hop through the late afternoon and early evening. If the Saguaro was supposed to be the fest’s underground house music stage, The Riviera was the main stage with thumping, big-room bass, as the artists performed right beside the deep end (go figure) of The Riviera’s massive, expansive pool .

Scottish producer extraordinaire Hudson Mohawke had the ratchets grinding to “Pony” by Ginuwine at the end of his sundown set (just another iconic moment of the weekend set to a timeless masterpiece), while British duo Snakehips gave the party new life with a remix of The Weeknd’s “Wanderlust” early on in their headlining slot. Right before 9 p.m., Snakehips played their smash hit “All My Friends” feat. Tinashe and Chance the Rapper, which was a bit of life-imitating art considering the song is about wasting another night with all your friends by getting, well, wasted of course, which was clearly what the crowd at The Riviera had been up to all night.

Splash House 2016 - Weekend 2

Saturday night’s action at the Palm Springs Air Museum featured music from two very busy deep-house artists — Germany’s Claptone and North London’s Chris Lake — playing for what felt like a much smaller audience than the previous night. The 100-degree heat at midnight could have been a significant factor, or it could have simply been the lineup, as one overseer for the venue told us how she loved RÜFÜS DU SOL the night before but could care less about the “techno” that was blaring in the background. As the evening progressed, Lake inevitably dropped his deep-house remix of Calvin Harris’ “How Deep is Your Love”, an absolute banger and an anthem for a sub-genre that has withstood the EDM boom-and-bust over the last few years. As the hottest Saturday in recent memory finally came to an end, Claptone closed with a flawless set that included his Beatport-topping remixes of “Liquid Spirit” by Gregory Porter and “Omen” by Disclosure featuring Sam Smith before finishing with his original track “No Eyes” that foreshadowed a night of much-needed sleep.

On Sunday at The Saguaro’s pool, French record label Partyfine’s funk ambassador Jean Tonique made his appearance, with London’s Marcus Marr following in what ultimately became my personal favorite set of the weekend. Marr brought the funk early and then worked in some dark bass lines before ending with an extended piano-intro version of Prince’s 1979 single “I Wanna Be Your Lover”, which had 99.98 percent of the crowd thoroughly enjoying the last few hours that were left of Splash House.

Over at The Riviera, an absolutely bonkers DJ roster of DFA Records’ The Juan Maclean, LA hometown heroes DJ Dodger Stadium (aka DJDS, who recently worked on Kanye West’s The Life of Pablo), up-and-coming DJ/producer Jesse Rose (who has blessed the LA underground scene throughout 2016), Australian remix champ Cassian (who was a last-minute sub for a sick Chris Malinchak) and festival headliner Gorgon City (who has seemingly played every continent in the world this past year) all took the stage at one point.

Splash House 2016 - Weekend 2

The dedicated partygoers at The Riviera’s pool on Sunday night were not ready to stop when the music was cut off shortly after 9 p.m., which might have been why a $10 impromptu after party was announced by Splash House’s promoters earlier in the day. Coincidentally enough, Sabastion, one-half of LA-based DJ duo Strange Club, told me late on Friday night, “I don’t do the day parties, just the (night parties at the Air Museum) and house parties in the area.” In a way then, it was only fitting that an artist whom Splash House handpicked was the last to hit the decks when it was all said and done.

We also ventured over to “All Day Disco” at The Riviera’s Tiki Pool on Sunday afternoon to catch Alex Harrington, a local DJ who moved to the Coachella Valley area 11 years ago after living in Northern California and was recently recognized as the “Best Club DJ” by Coachella Valley Weekly. Since relocating to the desert, Harrington has seen Splash House grow from a “one-weekend, regionally-known event to a festival that reaches people around the world,” and mentioned that artists are allowed to play whatever style suits them, so he made sure to keep reading the people in the pool to figure out what would keep them moving.

Harrington ended our interview with his own personal hopes that events like Splash House could raise the profile of the area and attract bigger artists in the future, and considering the festival sold out at 5,000 guests per day, all of whom lodged, ate, drank and partied in Palm Springs, we wouldn’t expect anything less than a bigger and better edition in 2017.

Splash House shares 2016 lineup for both weekends

Splash House

Splash House //
The Saguaro & The Riviera – Palm Springs, CA
June 10th-12th & August 12th-14th, 2016 //

Back for its fourth year this summer, Splash House will once again take place over a pair of weekends in the desert with a dance-focused lineup that should catch the attention of EDM fans throughout California and all along the West Coast.

The boutique music festival that’s more or less one giant pool party in Palm Springs this June and August will feature sets from headliners ODESZA (DJ set) and Gorgon City (DJ set), along with Guy Gerber, Justin Martin, Snakehips, Hudson Mohawke and many more at The Saguaro and The Riviera. See the artist lineups for each weekend below.

JUNE LINEUP

Splash House 2016 - June lineup

AUGUST LINEUP

Splash House 2016 - August lineup

For those who won’t get their fill just by catching all the action poolside, Splash House will also host after-parties at the Palm Springs Air Museum, where Flight Facilities, RÜFÜS DU SOL, Justin Jay & Friends and Claptone are scheduled to perform.

Tickets for the 21-and-over event start at $120. The Riviera has travel packages starting at $200 per person with weekend tickets and hotel accommodations included. Two-night passes for the festival’s after-parties will be sold separately and start at $30.

Treasure Island Music Festival drops 2015 set times

Treasure Island Music Festival 2015

Treasure Island Music Festival //
Treasure Island – San Francisco
October 17th-18th, 2015 //

Treasure Island Music Festival has released the set times for its 2015 edition, and festivalgoers can now start making arrangements for next weekend’s festivities.

Below is this year’s TIMF schedule, including the set times for the first-ever Blah Blah Blah Comedy Tent presented by Funny Or Die.

SATURDAY, October 17th

Music: Bridge Stage
9:25-10:55 p.m.: deadmau5
7:45-8:35 p.m.: FKA twigs
6:10-7:00 p.m.: STS9
4:35-5:25 p.m.: Run the Jewels
3:00-3:50 p.m.: Gorgon City
1:30-2:15 p.m.: Viceroy
Noon-12:45 p.m.: Skylar Spence

Music: Tunnel Stage
8:35-9:20 p.m.: Big Grams
7:00-7:40 p.m.: Hudson Mohawke
5:25-6:05 p.m.: Cashmere Cat
3:50-4:30 p.m.: Shamir
2:15-2:55 p.m.: Baio
12:45-1:25 p.m.: Bob Moses

Blah Blah Blah Comedy Tent presented by Funny Or Die
6:40-7:45 p.m.: Tim Heidecker, Jonah Ray, Jermaine Fowler
5:00-6:15 p.m.: Tim Heidecker, Jon Dore, Barry Rothbart, Max Silvestri
3:25-4:30 p.m.: Jonah Ray, Jon Dore, Max Silvestri, Barry Rothbart
1:55-2:55 p.m.: Hey™: An Afternoon with Kate Berlant and John Early

Silent Disco powered by Jukely
8:45-11:00 p.m.: Corey Sizemore
6:45-8:45 p.m.: Trackstar
4:30-6:45 p.m.: Gordo Cabeza
2:15-4:30 p.m.: Saqi
Noon-2:15 p.m.: Duffrey

SUNDAY, October 18th

Music: Bridge Stage
9:20-10:35 p.m.: The National
7:30-8:30 p.m.: Chvrches
5:50-6:40 p.m.: The War on Drugs
4:15-5:05 p.m.: Father John Misty
2:45-3:30 p.m.: Jose Gonzalez
1:20-2:00 p.m.: Mikal Cronin
Noon-12:40 p.m.: Ought

Music: Tunnel Stage
8:30-9:15 p.m.: Panda Bear
6:40-7:25 p.m.: Deerhunter
5:05-5:45 p.m.: Drive Like Jehu
3:30-4:10 p.m.: Lower Dens
2:00-2:40 p.m.: Ex Hex
12:40-1:20 p.m.: Viet Cong

Blah Blah Blah Comedy Tent presented by Funny Or Die
6:15-7:30 p.m.: Jerrod Carmichael, Chris Gethard, Michelle Wolf, Guy Branum
5:00-5:45 p.m.: Talk Show: The Game Show with Guy Branum & Special Guests
3:30-4:15 p.m.: With Special Guest Lauren Lapkus featuring Kate Berlant & John Early
1:45-3:00 p.m.: Jerrod Carmichael, Chris Gethard, Michelle Wolf, Jermaine Fowler
12:20-1:15 p.m.: Throwing Shade Podcast Live

Silent Disco powered by Jukely
8:00-10:00 p.m.: Janaka Selekta
6:00-8:00 p.m.: DJ Mancub
4:00-6:00 p.m.: Motion Potion
2:00-4:00 p.m.: Kimba
Noon-2:00 p.m.: Rachel Torro

Treasure Island Music Festival releases 2015 daily lineups

2015 Treasure Island Music Festival daily lineups

Treasure Island Music Festival //
Treasure Island – San Francisco
October 17th-18th, 2015 //

With the ninth annual Treasure Island Music Festival a little more than a month away, the two-day festival has released the daily lineups for its 2015 edition.

Above are the artists who are set to perform on Saturday and Sunday at this year’s fest.

Single-day GA and VIP passes will go on sale this Thursday, September 17th at 10 a.m. for $95 and $179.50, respectively. You can buy your single-day tickets here.

The perks of a VIP pass include a preferred viewing area next to the main stage, an exclusive tented lounge with a full bar, special restroom facilities as well as food concessions and additional amenities.

Meanwhile, single-day parking passes are now available for $45, and GA weekend passes can still be purchased for $169.50 along with VIP weekend passes for $315. For those driving to the festival, two-day parking passes cost $80.

Featuring an impressive lineup of music and its first-ever comedy tent in partnership with Funny or Die that will include 15 comedians over two days (the comedy lineup has yet to be announced still), Treasure Island Music Festival is sure to deliver once again in 2015. After all, it’s a big reason why TIMF is one of our eight California music festivals you won’t want to miss before the end of 2015.

So, if you’re already bursting at the seams to get back on the island for two days full of fun next month, make sure to relive the best and worst of 2014’s festival here.

Treasure Island Music Festival unveils 2015 lineup featuring headliners The National, Deadmau5

Treasure Island Music Festival 2015

Treasure Island Music Festival //
Treasure Island – San Francisco
October 17th-18th, 2015 //

After bringing Outkast and Massive Attack to the bay last fall, Treasure Island Music Festival has released the lineup for its 2015 edition — and it’s another doozy.

Taking over the island in mid-October, Brooklyn indie rockers The National and Canadian progressive-house producer Deadmau5 will headline the two-day festival, while Robyn (with La Bagatelle Magique), CHVRCHES, The War on Drugs, Azealia Banks, Father John Misty, STS9, Run the Jewels, Panda Bear, Gorgon City and Jose Gonzalez are just some of the other highlights on this year’s bill.

But don’t sleep on some other artists further down on the poster, including Atlanta five-piece Deerhunter, Norwegian producer/DJ Cashmere Cat, San Diego post-hardcore band Drive Like Jehu, Ty Segall contributor Mikal Cronin and Canadian post-punk outfit Viet Cong, which we had the pleasure of witnessing at Rickshaw Stop back in March.

Tickets go on sale this Thursday, June 11th here starting at 10 a.m. and include two-day GA passes for an early-bird price of $149.50 (before increasing to $169.50) as well as two-day VIP passes for $315.

In the meantime, you can relive the best and worst of 2014’s festival here.

Treasure Island Music Festival

Five reasons why you won’t want to miss CRSSD

CRSSD FestivalBy Josh Herwitt //

CRSSD Festival //
Waterfront Park – San Diego
March 14th-15th, 2015 //

Making its debut this spring at San Diego’s Waterfront Park, CRSSD Festival is the newest music festival to call California home.

Los Angeles promoter Goldenvoice and San Diego promoter FNGRS CRSSD have teamed up to assemble an eclectic lineup of electronic talent, one that’s suited for a more sophisticated, mature audience with headliners like Empire of the Sun, Chromeo, Justin Martin, Jamie Jones and more. Simian Mobile Disco, Classixx, ODESZA, STRFKR, Flight Facilities, Breakbot, DJ Harvey, Robert DeLong, Lee Burridge, Pete Tong and Aeroplane are some of the other names rounding out this year’s impressive two-day bill.

With CRSSD serving as a nice warm-up before Coachella in April, here are five other reasons why you’ll want to be in SD for all the festivities.

5. Tickets are going fast

Both early-bird and advance tickets are sold out, and only weekend GA passes, which started at $85 and are now up to $145, are left for purchase at this point. You won’t want to wait until the last minute to buy your pass and risk seeing the festival sell out.

4. There are more than just DJs

Portland-based quartet STRFKR provide an intriguing blend of synthpop and indie pop, while Robert DeLong and Slow Magic employ the one-man-band philosophy when performing live. Trust us, your weekend down south won’t be filled with only a bunch of button pushers.

3. You will definitely dance

With Empire of the Sun and Chromeo leading the way, there’s little chance that you won’t be dancing your ass off by the end of the night. Not to mention, electronica vets Pete Tong and Simian Mobile Disco certainly know how to throw down, too.

2. The location

Overlooking the San Diego Bay, Waterfront Park offers one of the best backdrops you could find for a music festival. Between the sunshine and sweet tunes, it’s sure to feel like mid-summer in mid-March.

1. The music

While the lineup leans heavy on the electronic, there is enough talent from top to bottom to keep you entertained and not overwhelmed over two days. With its laid-back vibes, CRSSD feels like it could be a perfect fit in sunny San Diego.

Waterfront Park - San Diego

TBD Fest brings the heat amid Sacramento’s extended summer

Crowd-TBD_postPhotos by Sterling Munksgard // Written by Molly Kish //

TBD Fest //
The Bridge District (Riverfront Street) – West Sacramento, CA
October 3rd-5th, 2014 //

During last weekend’s sweltering Sacramento heatwave, the inaugural year of the TBD Festival kicked off in a dust-filled blaze of glory. Bringing heavy hitting headliners, an extremely talented undercard and a friendly bill of vendors, artists and local culinary talent, this “little festival that could” superseded its climate challenges and provided festivalgoers with a three-day dance party for the books.

Moby 1

FRIDAY HIGHLIGHTS

Top Set: Moby
For those used to Moby’s ethereal trance and commercially sampled funk beats, catching one of his “DJ sets” should be something immediately pushed to the front of your live music bucket lists. Taking the main stage of the festival after Dillion Francis and Gramatik is no easy feat, but Moby did so with authority.

Moby 3

With the bravado of an arena-headlining rock star, the diminutive DJ unleashed his electronic fury upon the Sacramento crowd, mounting his illuminated decks and demanding the audience to “get the fuck up” while donning an iconic Black Flag T-shirt.

Offering exhilarating, chaotic punk energy, he whipped the crowd into a dance-filled frenzy, ending the first night of the festival with a dirty electronic throw down and unleashing the fired-up 1 a.m. crowd into the quiet, unsuspecting West Riverfront streets of Sacramento. Final thought: “Moby doesn’t Play”.

Memorable Moments:
• MNDR joining RAC on stage for a live rendition of “Let Go” from their 2014 album Strangers
• Carousel’s sing-along cover of Drake’s “Hold On, We’re Going Home”
• Kauf’s impressive festival opening crowd at the Beautiful Buzz Stage amidst the mid-afternoon heat

Empire of The Sun 4

SATURDAY HIGHLIGHTS

Top Set: Empire of the Sun
True showmen and the epitome of “fucking rock stars”, Empire of the Sun ignited a heat-stricken, second-day crowd, closing out the night in all their grandeur.

Empire of The Sun 6Hardcore fans came dressed to the nines in their own homemade headdresses and were eventually invited on stage to be part of the production. First-time viewers were dumbfounded by the intensity of the group’s fully immersive, theatrical performance with backing band and dance crew.

The spectacle that is an Empire of the Sun stage show is something that can only be rivaled by large-scale arena tours and Broadway productions.

Blowing the minds of a festival crowd is pretty much a just another day at the office for these two, and they left the Saturday night TBD audience stunned in their wake.

Memorable Moments:
• TASK1ne’s early morning fire-spitting, nearly nude hip hop throw down on the Block Stage
• Metz and Explosions in the Sky delivering guitar-shredding, face-melting sets to an otherwise dance-heavy bill
• The inimitable Danny Brown commanding the sold-out crowd during a late afternoon set on the Lowbrau Stage

Yacht 1

SUNDAY HIGHLIGHTS

Top Set: YACHT
Owning the nu-disco slot on this year’s bill, Jona Bechtolt and Claire L. Evans brought their infectious energy and touring band members Jeffrey Brodsky and Rob Kieswetter to the early evening festival main stage.

Yacht 3An all-incorporated amalgamation of dance, punk, performance art, graphic design and party philosophy, YACHT’s conceptual stage show brought a much-needed turbo boost of energy to the festival-weary Sunday evening crowd.

At a crucially pivotal point in the weekend, YACHT mainlined their trademarked set of disco infiltration into the TBD festival audience, prepping them for a final evening filled with back-to-back dance parties spanning throughout the four various stages of the fairgrounds.

Reviving the audience as the night time approached with witty banter surrounding their abstract stage design, relentless energy and charisma, YACHT were the unsung heroes of the final hours of TBD.

Memorable Moments:
• Blondie’s free-for-all, DGAF’s set of brand new material, covers and everything in between — nothing short of the sassy, fierce and fan-blown, mini-skirt flashing Debbie everyone came to see
• Justice breaking all local sound ordinances well into the early evening hours, lighting up the surrounding suburbs with their closing set
• Viceroy’s party-rocking remix set, elevating the Sacramento crowd’s energy tenfold into a stage-wide, sing-along dance party

Flash-Mob-Dancers

OVERALL IMPRESSION

The festival, in the grand scheme of things, turned out be quite a success. Affordable prices, not only concerning tickets but also food and drinks, as well as many free samples and accommodating perks amidst the fairgrounds, made for an enjoyable experience, even amidst sold-out crowds.

The vendors had a great array of local fare, crafts, clothing and services to provide a comprehensive display of Sacramento’s budding independent culture. The art installations, cooking demonstrations, fashion displays and yoga classes were popular attractions to kill time between sets and were something everyone was generally excited to take part in all weekend.

The site and midday attendance were a little underwhelming at first impression, and there were some aspects that failed to deliver or were misleading about the location, including the complete absence of “The Barn” and a grassy park that was promised.

There were also some organizational and functionary issues on the production end of the spectrum:

• Mislabeled program guides, credential confusion and lack of signage for the stages

• Some technical issues cut into key sets, including The War on Drugs’ 45-minute soundcheck/guitar-tuning meltdown

Although with every first year festival there are complications, both anticipated and unexpected, TBD Fest made sure their problem-solving skills were on point and offered quick remedies to any issue that took place within their festival jurisdiction.

Extremely accommodating, well-organized and all in all, a very successfully tight-run ship, TBD Fest will only positively mature and evolve as a festival from this year forward. We definitely look forward to the “to be determined” future.

WIN TICKETS: Viceroy at The Independent 8/2 (SAT)

Viceroy

Enter to win a pair of free tickets to this sold-out show below.

Viceroy with Autograf and Slaptop //
The Independent — San Francisco
August 2nd, 2014 (Saturday) //

Viceroy is definitely a name to get familiar with in dance music right now. Whether it be old-school Ginuwine and Montell Jordan remixes or collaborations with the likes of Penguin Prison, Chela and French Horn Rebellion, everything Viceroy touches turns to summertime gold. So get ready for a sun-drenched night full of summer jams at The Independent, courtesy of one of the most exciting producers to watch in 2014. This show is sold out! -Krystal Beez


Win-2-Tickets

Enter to win if you can attend this sold-out show Saturday, August 2nd at The Independent in SF.

Submit your full name and email address below.
Contest ends Saturday, August 2nd at Noon. Winners will be picked at random & notified by email. Your email will be kept private — we will share your email with no one. 21+ only.

Like Showbams on Facebook or follow Showbams on twitter to be eligible to win.

CONTEST CLOSED.

WIN TICKETS: Winter Wonderland: Viceroy at Mezzanine 12/21

Viceroy_post

Winter Wonderland: Viceroy with Mystery Skulls, FM Attack, Amble
Mezzanine — San Francisco
December 21, 2013

What better way to celebrate a holiday Saturday night than with nu-disco wonderkid Viceroy as he headlines Winter Wonderland at the Mezzanine this weekend. This relatively unknown name has been turning heads and cramming dance floors on the regular across the US and beyond. If French-inspired funky-house is your thing, than this event is surely gonna please. Mystery Skulls, FM Attack and Amble will open the night and get ya all primed up the main event that will leave you damp and tired come ‘last call.’

Buy tickets if you know you want to go.


Win 2 Free Tickets!
Enter to win if you can make it to this show Saturday, December 21st at Mezzanine in San Francisco.

Submit your full name and email address below.
Contest ends Friday, December 20 at Noon. Winners will be picked at random & notified by email. Your email will be kept private – we will share your email with no one. 21+ only.

Like Showbams on Facebook and follow Showbams on twitter to be eligible to win.

CONTEST COMPLETE