Outside Lands 2023: Three full days of ‘giving life,’ saving face & switching up the game to celebrate the festival’s 15th anniversary

Outside Lands 2023 - Lands EndPhotos by Christine Kemp & courtesy of Outside Lands // Written by Molly Kish //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 11th-13th, 2023 //

Taking a beat to fully process the 15th year of Outside Lands, we had a lot to consider in terms of our annual accolades for 2023. Our team has had the pleasure of covering the music festival’s evolution since 2012, and many of us have been on the journey with Bay Area concert promoter Another Planet Entertainment after attending OSL’s inaugural edition in 2008. But while we have learned to anticipate certain logistical nuances and look forward to countless familiarities at Golden Gate Park, this year felt different in several very unexpected and positive ways.

Walking into the festival grounds, the footprint had noticeable modifications from previous years, including brand-new stages and a relocated Wine Lands. McLaren Pass, typically home to Choco Lands, the Bubble Tea Party, Cocktail Magic and various food vendors, now included a paired-down, more communal place to sip wines from the best vineyards in the Bay. Switching spots with Cocktail Magic, the newly located Wine Lands provided a premier viewing location for the Toyota Music Den, which ended up being a backup stage for overflow acts on Saturday and a home base for surprise appearances/pop-up sets throughout the weekend.

Outside Lands 2023 - Lands End - crowd

The largest and most widely agreed upon, favorite new addition to the grounds was the Dolores Stage holding space in the Polo Field entryway. The open-air dance club brought a surge of new talent and life to the main field, highlighting DJs, drag performers and a schedule of explosive LGBTQ+ artists over three days. Providing a welcomed alternative to the SOMA Tent’s long lines and Saturday’s closure for dancefloor maintenance, the Dolores Stage proved to be a true festival MVP. The lineup highlighted an intrinsic part of Bay Area culture that never felt fully recognized on the scale that it should have been. Providing a non-stop homage to SF’s historic ballroom culture, performers hit the stage, runway and ground, keeping the sold-out crowd dancing and happy at one of the festival’s main access points.

Aside from some lineup alterations, structural damage and traffic-flow issues at the entrances and exits, OSL’s 15th anniversary was a massive success. Worried at moments that things could derail, the staff handled the various complications that came their way with super effective and seamless production pivots. Artists were quick to shift sets to alternate stages, pop-up performances kept fans excited and engaged, and the amount of satellite bars, lounges and interactive activations offered more than enough entertainment to keep the capacity crowd stoked. If this year’s success was any indication, we expect the positive changes to become mainstay additions for years to come and look forward to seeing what the future will hold for Northern California’s flagship music festival.

Outside Lands 2023 - ODESZA


ODESZA

OUTSIDE LANDS 2023 AWARDS:

Headliner of the Weekend: ODESZA

Breakthrough Performance: Crumb

Largest Crowd: DJ DIESEL

Best Stage: Dolores Stage

Most Swoonworthy Set: Lana Del Ray

Hardest Hip-Hop Moment: Tobe Nwigwe

Fiercest Performance: Reparations

Tastiest Menu: Shuggies Trash Pie and Natural Wine

Best Vineyard: Deux Punx

Most Magical Cocktail: “Large Marge-arita” // Buttery Tipple

Favorite Lands: Wine Lands

Most Impactful Artist: Balloonski

Satellite Bar Star: #OceanLove Tour by Grey Whale Gin

Favorite Merch: Outside Lands reusable festival cup

Best Marketplace: San Franpsycho

Top Showcase: Hard French – Saturday // Dolores Stage

Most Memorable Experience: Outside Lands x LIVE by Amazon Music

Bay Favorite: Anchor Steam’s final kegs on draft at Beer Lands

Best Night Show: Interpol – Thursday // The Independent

Outside Lands plans to keep the party going after hours in 2023 with Poolside, L’Impératrice, Soccer Mommy, Âme (Live) + Trikk & more

Outside Lands 2023 - night shows

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 11th-13th, 2023 //

Calling all of you night owls in the Bay Area and beyond!

Outside Lands has dropped the lineup for its 2023 night shows, and there’s plenty of action to keep the party going past 10 p.m. once the music stops at Golden Gate Park on Friday-Sunday. This year’s late-night run to celebrate the three-day music festival’s 15th anniversary will boast 12 performances across eight SF venues “because there’s no such thing as too many next-level concerts” as its organizers say.

Some of the highlights beginning the evening before the fest kicks off include Poolside (with Harvey Sutherland), No Vacation (with Sour Widows), L’Impératrice, Diesel (aka Shaquille O’Neal), Soccer Mommy, Âme (Live), Trixie Mattel (DJ set) and Âme (Live) + Trikk.

Tickets for OSL’s 2023 night shows will go on sale to the public this Friday, June 23rd at 10 a.m. PT with priority access for festival ticket holders starting this week (check your inbox for an email).


Here is the schedule for the upcoming night shows with links to purchase tickets:

August 10th (THU): Poolside with Harvey Sutherland at Bimbo’s 365 Club, 8 p.m., $45-50, 21+ // BUY TICKETS

August 10th (THU): No Vacation with Sour Widows at California Academy of Sciences, 7:30 p.m., $21.25, 21+ // BUY TICKETS

August 11th (FRI): L’Impératrice at Bimbo’s 365 Club, 8 p.m., $46, 21+ // BUY TICKETS

August 11th (FRI): Diesel (Shaquille O’Neal) at 1015 Folsom, 10 p.m., $40-50, 21+ // BUY TICKETS

August 11th (FRI): Cobra Man & Donny Benét at The Independent, 10 p.m., $29.50-35, 21+ // BUY TICKETS

August 11th (FRI): Justin Jay at Monarch, 10 p.m., $20-35, 21+ // BUY TICKETS

August 11th (FRI): VNSSA at Public Works, 10 p.m., $40, 21+ // BUY TICKETS

August 11th (FRI): EVAN GIIA with DJ Aaron Axelsen at Rickshaw Stop, 10 p.m., $20-25, All Ages // BUY TICKETS

August 12th (SAT): Soccer Mommy with SASAMI at The Independent, 10 p.m., $36-40, 21+ // BUY TICKETS

August 12th (SAT): Trixie Mattel (DJ set) with DJ Mateo at Bimbo’s 365 Club, 10 p.m., $50-55, 21+ // BUY TICKETS

August 12th (SAT): The Jungle Giants with EREZ at Rickshaw Stop, 10 p.m., $25-30, All Ages // BUY TICKETS

August 13th (SUN): Âme Live + Trikk at The Great Northern, 10 p.m., $15-25, 21+ // BUY TICKETS

Outside Lands 2023

Celebrating its 15th year in 2023, Outside Lands hands the baton over to Kendrick Lamar, Foo Fighters & ODESZA

Outside Lands - 2023 lineup

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 11th-13th, 2023 //

Now that a handful of California’s music festivals — whether it’s BeachLife, BottleRock, Coachella, Just Like Heaven or Lightning in a Bottle — have announced what their plans will be this year, it’s once again time for Outside Lands to join the party.

SF’s signature event turns 15 this August at Golden Gate Park, but after returning to its usual timing in 2022 and granting headlining duties to Green Day, Post Malone and SZA, it’s handing the baton over to a triumvirate of standouts in Kendrick Lamar, Foo Fighters and ODESZA.

K.Dot returns to OSL for the first time since the 17-time Grammy winner ambushed the Twin Peaks stage back in 2015, while Foo Fighters, who suffered the tragic loss of drummer Taylor Hawkins last March and have yet to reveal his replacement behind the kit, will end their own decade-long drought after playing the three-day event in 2012. ODESZA’s last appearance, in the meantime, was the most recent of the three in 2018, yet much has changed for the Seattle electronic duo made up of Harrison Mills and Clayton Knight over that time.

In addition to the aforementioned headliners, this year’s undercard is nothing to sneeze at — starting with Lana Del Rey, The 1975, Megan Thee Stallion, Zedd, Janelle Monáe, Maggie Rogers and Fisher. Other names on the 2023 lineup worth paying attention to include Lil Yachty, Noah Kahan, Cigarettes After Sex, J.I.D, Interpol, Willow, Father John Misty, Tobe Nwigwe, Orville Peck, aespa, beabadoobee, L’Impératrice, Cuco, Nora En Pure, Poolside, Alvvays, NIKI, Alex G, Soccer Mommy, Diesel (Shaquille O’Neal), Monolink, Raveena, Trixie Mattel, Mariah the Scientist and ISOxo.

Last year’s edition of OSL saw the SOMA Tent — which remains the fest’s home for all things dance music — expand after making its debut in 2021, and fans can expect the dancefloor to be packed as Âme b2b Trikk, Blond:ish, Claptone, Coco & Breezy, Daniel Avery, Denis Sulta, Disco Lines and more get ready to hit the decks from Friday to Sunday. Check out the poster above for the rest of the artists slated to perform.

Three-day GA, GA+ (a new ticket tier), VIP and Golden Gate Club passes go on sale here for $499, $674, $1,029 and $4,899 this Wednesday, March 8th at 10 a.m. PT, so take a peek at our previous coverage here before you pick one up!

Outside Lands 2023 - daily lineups

UPDATE (April 18th): Daily lineups for OSL 2023 are out, with Kendrick Lamar headlining Friday, Foo Fighters rocking Saturday and ODESZA closing down the festival Sunday. Peek at the daily schedules above before single-day tickets go on sale here for $199 (GA), $299 (GA+) and $449 (VIP) starting this Wednesday, April 19th at 10 a.m. PT. And if you’re thinking about purchasing a three-day ticket payment plan and putting down just $99 up front, you can still do that for a limited time here!

Outside Lands 2023 - Interpol

UPDATE (May 11th): Interpol has confirmed that they will be performing their 2002 debut LP Turn On the Bright Lights in full from start to finish during the band’s set at OSL this year. Fans of the New York post-punk revivalists should pick up their single-day tickets here!

Outside Lands 2023 - Friday set times

Outside Lands 2023 - Saturday set times

Outside Lands 2023 - Sunday set times

UPDATE (August 1st): With less than a couple of weeks to go, your 2023 set times have arrived. See the schedules above for all of your potential conflicts at OSL’s 15th anniversary so you can formulate a plan before getting to Golden Gate Park. Who will the TBA act on Saturday be?!?! Take your best guess in the comments below.

Chromeo, Tipper, Vulfpeck, The Glitch Mob & more hit the beach at Lake Perris for 2022 edition of Same Same But Different

Same Same But Different Festival - 2022 lineup

Same Same But Different //
Moreno Beach – Lake Perris, CA‎
September 9th-11th, 2022 //

Does it feel like festival season in the Golden State or what?

On the same day Goldenvoice revealed its new Portola Music Festival with Flume and The Chemical Brothers headlining its inaugural edition at San Francisco’s Pier 80, another California music festival also has made its plans known for this September.

Same Same But Different follows in the same sort of vein as Lightning in a Bottle by offering more than just music, with yoga, educational workshops, and wellness activities, as well as arts and crafts, all part of the event’s programming two weeks prior to Portola and one week before Primavera Sound LA.

But like LIB, it’s the music that ultimately attracts fans to SSBD and this year’s roster boasts a variety of electronic- and funk-leaning acts beginning at the top of the bill with electro-funk lords Chromeo rocking the stage Friday, British electronic composer and producer Tipper turning up Saturday, and funk quartet Vulfpeck and LA beat-scene veterans The Glitch Mob co-headlining Sunday.

Along with the aforementioned four headliners, the three-day fest’s undercard delivers other can’t-miss acts such as Washed Out, Poolside, Emancipator, Lettuce, The Brothers Macklovitch (A-Trak & Dave1), Neil Frances, Beats Antique, The Polish Ambassador, Moon Boots, The California Honeydrops, Sacha Robotti, The Floozies, Goldfish, Harry Mack, The Funk Hunters, Manic Focus, Justin Jay, Anomalie and more at Moreno Beach inside the 1,800-acre Lake Perris State Recreation Area. See the poster above, and check back here as additional artists are announced in the coming months.

SSBD tickets can be purchased starting this Thursday, May 19th at 1 p.m. PT during the presale with payment plans available for those who only want to put down $49 right now, but don’t forget to register here for your chance to also win a grand prize of four VIP weekend passes and car-camping or one free GA ticket. Three-day GA passes start at $285 and jump to $345 while VIP are available for $490 before increasing to $580 here. The general on-sale, meanwhile, begins this Friday at 1 p.m. PT so get them while they’re hot!

Outside Lands 2018: A return to form in Year 11

Outside Lands 2018Photos by Norm de Veyra // Written by Kevin Quandt //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 10th-12th, 2018 //

As another summer festival season winds down, we look back at the 2018 edition of Outside Lands with highlights, thoughts, musings and enough images to make you nostalgic for the Bay Area’s banner music festival. With the Superfly, Another Planet Entertainment and Starr Hill event celebrating its 11th edition, this incarnation of the annual Golden Gate Park soirée saw more of a return to form over the past year while also experiencing a notable shift in the sound that could be heard emanating through the eucalyptus and other flora.

While cancellations left a slightly sour taste in the mouths of last year’s attendees, this year only saw limited lineup hiccups. However, the bigger story at hand surrounds the changing tides of popular music. Sure, you’ve heard folks state “rock is dead,” but is a once-amusing quip starting to take greater shape as the youth clamor for a different sound and aesthetic? Though it was pretty evident on the 2018 lineup poster when it dropped in April, this query started to take greater shape once you were on the grounds and bouncing between sets. So, let’s jump straight into this now.

Outside Lands 2018 - Billie Eilish


Billie Eilish

Friday

Day 1 at Outside Lands tends to be a slow trickle of fans entering the park as some are able to play hooky, bounce from the office early or only show up for the headliners. Sure, some folks had to deal with longer-than-expected box office lines and others even had to bear the fest’s new bag policies, but luckily those in attendance were blessed with some clear skies instead of the usual August dread of the Outer Lands.

While Billie Eilish was relishing in her rising appeal on the Lands End stage, covering Drake and running through the majority of her singles, Rex Orange County was trying his hand at something a bit new and terrifying. The UK wunderkind was forced to play his first-ever solo festival set as his band and their gear ran into transit issues on the way to SF from the Pacific Northwest. The young crooner seemed a bit nervous about this predicament but competently knocked out a solid, eight-song performance that included “Sunflower” and closer “Loving Is Easy”.

N.E.R.D., meanwhile, played their first SF show in many years to a raucous crowd, opening with “Anti Matter” as a hyped Pharrell Williams feverishly worked every corner of the huge Lands End stage. The set featured a massive medley of tracks by The Neptunes, a cover of “Seven Nation Army” and a double dose of “Lemon” to send us on our way to the next set.

Simultaneously, Carly Rae Jepsen was apparently throwing down one of Outside Lands’ most enjoyable performances in front of a rather large crowd. While the pop sensation pleased the masses with a rendition of her breakout hit “Call Me Maybe”, she also performed more recent songs like “Emotion”.

ODESZA obviously drew a large crowd for their main stage afternoon showcase, putting the spotlight on the changing tides and tastes of the youth music market. That kind of youthful angst and energy seemed to be danced out to ODESZA, DJ Snake and Big Gigantic compared to the pits of rock bands from the 2000’s, be it Queens of the Stone Age, System of a Down or Deftones.

With the under-25 crowd predominantly stationed at Lands End, you could say there was a more intimate feeling at Twin Peaks for Father John Misty. Touting his expanded band that featured a string section and dialing back his quirky stage banter, Josh Tillman’s latest tour has been pretty much about presenting his music as faithfully as he can. “Nancy From Now On” opened his career-spanning performance as the shadows began to drape the park.

While FJM’s attendance was noticeably a bit small for a rock act, the king of “jizz jazz,” aka Mac DeMarco, was able to attract a rowdy crowd for his closing set on the Sutro stage. When the synth sections of “On the Level” opened DeMarco’s set, a certain air of relaxation swept the crowd as various smokeables were consumed in honor of indie-slacker royalty onstage.

Abel Tesfaye, popularly known as The Weeknd, enjoyed a sort of victory lap as he headlined the festival’s first day with an onslaught of hits such as “Starboy”, “Can’t Feel My Face” and “The Hills”, along with a few select covers of Future, Belly, Drake and Ty Dolla $ign. Though Tesfaye’s current large-scale show is nothing new to the live music circuit, he still threw one helluva party before sending the masses into the wilds of the City.

Outside Lands 2018 - Florence + the Machine


Florence + the Machine

Saturday

It has been a couple of years since Outside Lands was fortunate enough to have a truly clear, sunny Saturday — and not just for a few hours, but the whole damn day. Plus, it was topped off with another insanely gorgeous sunset, but let’s not jump the gun here.

As the day got underway, New York indie artist Amen Dunes performed an extremely tight set, showcasing his wavy take on psychedelic rock/folk. Led by Damon McMahon, the trio played heavy off its most recent release Freedom while also not completely ignoring its back catalog. Moreover, McMahon’s stage presence was infectious and somewhat akin to R.E.M.’s Michael Stipe, as his slender build moved to the emotive nature of his craft.

On the opposite end of the spectrum, Lizzo was bringing down the early-afternoon house as she decimated the Lands End stage. “Fitness” opened her 10-song set as her pair of dancers, as well as Lizzo herself, left everything on the stage for the sizable crowd that was yearning for her energy, and some even yearned for a shot of tequila from her bottle of Patrón as she entered the photo pit for an up-close appearance during closing song “Good as Hell”.

When the Lizzo crowd dispersed, Broken Social Scene fans got prime real estate to catch the Canadian indie-rock demigods perform a blistering set of guitar-heavy tunes like opener “KC Accidental” and closer “Anthems for a Seventeen Year-Old Girl”. Even in such a large setting, the massive band was able to cook up a sense of intimacy and really engage.

While OSL this year leaned more toward R&B, electronic pop and other hip genres, UK jazz purveyors GoGo Penguin delivered a stunning set of avant-garde-leaning jazz. This punchy trio showed their chops over tracks like “One Percent” and set closer “Window” and could easily be compared to The Bad Plus. GoGo were a perfect palate cleanser before heading to more current stylings from either SOB X RBE or CHVRCHES.

Local legend Tycho performed to an enthusiastic crowd while Scott Hansen stated this would be the last incarnation of this phase for the group (we look forward to the next chapter). Back over at Lands End, Bon Iver delivered a prototypically powerful set as the sunlight dwindled, simultaneously providing a seriously stunning sunset.

As the limited amount of darkness fell over the park, one-third of The xx was preparing to hold court as the Sutro crowd swelled, moving their dancing feet to the new-school dance pioneer known as Jamie xx (born James Smith). Even as Jamie xx eased into his intro (The Animals’ “San Francisco Nights”) and more fans pushed in, it was rather evident that the Sutro’s sound system wasn’t able to fully reach the volume many were looking for. But an Above & Beyond nod (“Sun in Your Eyes”) eventually led straight into Smith’s mix of “On Hold” and all was right in the world, if only for about eight minutes.

There was a bit of controversy surrounding Saturday’s main slot as Florence + the Machine officially made the move to full-blown festival headliner. Some festivalgoers had their own doubts after FYF Fest 2018 was canceled with a near-identical top billing, but Florence and her bandmates proved, many times over, that she is more than capable of commanding any stage as her energy is unlike many others. She debuted a brand-new show, which featured “June” in the opening slot and was book-ended by “Big God” and “Shake It Out” for a two-song encore.

Outside Lands 2018 - Janelle Monáe


Janelle Monáe

Sunday

On the final day, the weather was back on track; by that, I mean it was cold, blustery and generally moist. Most were thankful for the two previous days as opposed to three days of “Karl the Fog,” as has been tradition for a good 3-4 years now.

The early afternoon of Sunday bore witness to some very lively performances from up-and-comers like Rainbow Kitten Surprise and Hobo Johnson & the Lovemakers, both of who are primed to make moves in the festival circuit over the next year if they play their cards right.

Continuing with the trend of electro-leaning acts playing to some big crowds, BØRNS fully commanded a youthful contingent with hits such as “10,000 Emerald Pools” and set closer “Electric Love”.

The incomparable Janelle Monáe was a tad late to take the stage, as she was fighting off a stomach bug, but when she did, she captivated the masses with a suite of tracks from her most recent release Dirty Computer and tossed in a fair amount of costume changes over a nearly hour-long set. Monáe proved that she’s easily one of the best in the business at the moment and will only continue to climb upwards.

Over at the Twin Peaks stage, The Internet was trying to hash out some sort of technical difficulties before beginning their abbreviated performance, which seemed to be a little lopsided and uneven as they did their best to deal with the 30 minutes that they had left. Fortunately, “Girl” got the majority who stuck around swaying to Syd’s sultry vocals and generally chilled demeanor.

Portugal. The Man held a fleeting rock slot on the main stage, putting their quirky brand of psych-leaning pop rock on display. Moreover, they tossed in some oddly placed Pink Floyd and Beatles covers before closing with their breakthrough hit “Feel It Still”.

Aussie newcomer Tash Sultana, meanwhile, was putting on a masterclass in instrumentation and looping. Sultana has really had one of the biggest breakout years in independent music, and it was clearly evident as she had a carefree stage presence backed by some truly unique, solo-delivered music ripe with psychedelic and world elements. The 23-year-old is certainly a name to watch over the next year and beyond.

As the last set of OSL artists got ready to play, James Blake brought us to church for this year’s final performance on the Sutro stage, failing to disappoint while the fog grew slightly thicker in Lindley Meadow. Highlights from Blake’s dreamy set were easily his take on Untold’s track “Stop What You’re Doing” and a semi-rare rendition of “Modern Soul”.

Some say Janet Jackson couldn’t pull in big crowds amid the current shifting landscape of large-scale music festivals, and although she didn’t pull in record-breaking numbers on a rugged SF night, it was clearly evident that those fans who stayed to watch her were all-in. Jackson’s career-spanning show touched on more than 35 songs and was accompanied by some fierce choreography and production elements. Sure, she wasn’t singing much of the time, but that didn’t stop a wide range of fans from showering Jackson with affection. Her closing performance was highlighted by “That’s the Way Love Goes” and later on, the MJ collaboration “Scream” that transitioned into “Rhythm Nation”.

As the music festival industry continues to deal with a shifting crowd and demand, Outside Lands regained its stride after a few hiccups in 2017. And while this year’s lineup might not have appealed to the core demographic from its incarnation, the event still offers something for everyone.