Outside Lands 2018: A return to form in Year 11

Outside Lands 2018Photos by Norm de Veyra // Written by Kevin Quandt //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 10th-12th, 2018 //

As another summer festival season winds down, we look back at the 2018 edition of Outside Lands with highlights, thoughts, musings and enough images to make you nostalgic for the Bay Area’s banner music festival. With the Superfly, Another Planet Entertainment and Starr Hill event celebrating its 11th edition, this incarnation of the annual Golden Gate Park soirée saw more of a return to form over the past year while also experiencing a notable shift in the sound that could be heard emanating through the eucalyptus and other flora.

While cancellations left a slightly sour taste in the mouths of last year’s attendees, this year only saw limited lineup hiccups. However, the bigger story at hand surrounds the changing tides of popular music. Sure, you’ve heard folks state “rock is dead,” but is a once-amusing quip starting to take greater shape as the youth clamor for a different sound and aesthetic? Though it was pretty evident on the 2018 lineup poster when it dropped in April, this query started to take greater shape once you were on the grounds and bouncing between sets. So, let’s jump straight into this now.

Outside Lands 2018 - Billie Eilish


Billie Eilish

Friday

Day 1 at Outside Lands tends to be a slow trickle of fans entering the park as some are able to play hooky, bounce from the office early or only show up for the headliners. Sure, some folks had to deal with longer-than-expected box office lines and others even had to bear the fest’s new bag policies, but luckily those in attendance were blessed with some clear skies instead of the usual August dread of the Outer Lands.

While Billie Eilish was relishing in her rising appeal on the Lands End stage, covering Drake and running through the majority of her singles, Rex Orange County was trying his hand at something a bit new and terrifying. The UK wunderkind was forced to play his first-ever solo festival set as his band and their gear ran into transit issues on the way to SF from the Pacific Northwest. The young crooner seemed a bit nervous about this predicament but competently knocked out a solid, eight-song performance that included “Sunflower” and closer “Loving Is Easy”.

N.E.R.D., meanwhile, played their first SF show in many years to a raucous crowd, opening with “Anti Matter” as a hyped Pharrell Williams feverishly worked every corner of the huge Lands End stage. The set featured a massive medley of tracks by The Neptunes, a cover of “Seven Nation Army” and a double dose of “Lemon” to send us on our way to the next set.

Simultaneously, Carly Rae Jepsen was apparently throwing down one of Outside Lands’ most enjoyable performances in front of a rather large crowd. While the pop sensation pleased the masses with a rendition of her breakout hit “Call Me Maybe”, she also performed more recent songs like “Emotion”.

ODESZA obviously drew a large crowd for their main stage afternoon showcase, putting the spotlight on the changing tides and tastes of the youth music market. That kind of youthful angst and energy seemed to be danced out to ODESZA, DJ Snake and Big Gigantic compared to the pits of rock bands from the 2000’s, be it Queens of the Stone Age, System of a Down or Deftones.

With the under-25 crowd predominantly stationed at Lands End, you could say there was a more intimate feeling at Twin Peaks for Father John Misty. Touting his expanded band that featured a string section and dialing back his quirky stage banter, Josh Tillman’s latest tour has been pretty much about presenting his music as faithfully as he can. “Nancy From Now On” opened his career-spanning performance as the shadows began to drape the park.

While FJM’s attendance was noticeably a bit small for a rock act, the king of “jizz jazz,” aka Mac DeMarco, was able to attract a rowdy crowd for his closing set on the Sutro stage. When the synth sections of “On the Level” opened DeMarco’s set, a certain air of relaxation swept the crowd as various smokeables were consumed in honor of indie-slacker royalty onstage.

Abel Tesfaye, popularly known as The Weeknd, enjoyed a sort of victory lap as he headlined the festival’s first day with an onslaught of hits such as “Starboy”, “Can’t Feel My Face” and “The Hills”, along with a few select covers of Future, Belly, Drake and Ty Dolla $ign. Though Tesfaye’s current large-scale show is nothing new to the live music circuit, he still threw one helluva party before sending the masses into the wilds of the City.

Outside Lands 2018 - Florence + the Machine


Florence + the Machine

Saturday

It has been a couple of years since Outside Lands was fortunate enough to have a truly clear, sunny Saturday — and not just for a few hours, but the whole damn day. Plus, it was topped off with another insanely gorgeous sunset, but let’s not jump the gun here.

As the day got underway, New York indie artist Amen Dunes performed an extremely tight set, showcasing his wavy take on psychedelic rock/folk. Led by Damon McMahon, the trio played heavy off its most recent release Freedom while also not completely ignoring its back catalog. Moreover, McMahon’s stage presence was infectious and somewhat akin to R.E.M.’s Michael Stipe, as his slender build moved to the emotive nature of his craft.

On the opposite end of the spectrum, Lizzo was bringing down the early-afternoon house as she decimated the Lands End stage. “Fitness” opened her 10-song set as her pair of dancers, as well as Lizzo herself, left everything on the stage for the sizable crowd that was yearning for her energy, and some even yearned for a shot of tequila from her bottle of Patrón as she entered the photo pit for an up-close appearance during closing song “Good as Hell”.

When the Lizzo crowd dispersed, Broken Social Scene fans got prime real estate to catch the Canadian indie-rock demigods perform a blistering set of guitar-heavy tunes like opener “KC Accidental” and closer “Anthems for a Seventeen Year-Old Girl”. Even in such a large setting, the massive band was able to cook up a sense of intimacy and really engage.

While OSL this year leaned more toward R&B, electronic pop and other hip genres, UK jazz purveyors GoGo Penguin delivered a stunning set of avant-garde-leaning jazz. This punchy trio showed their chops over tracks like “One Percent” and set closer “Window” and could easily be compared to The Bad Plus. GoGo were a perfect palate cleanser before heading to more current stylings from either SOB X RBE or CHVRCHES.

Local legend Tycho performed to an enthusiastic crowd while Scott Hansen stated this would be the last incarnation of this phase for the group (we look forward to the next chapter). Back over at Lands End, Bon Iver delivered a prototypically powerful set as the sunlight dwindled, simultaneously providing a seriously stunning sunset.

As the limited amount of darkness fell over the park, one-third of The xx was preparing to hold court as the Sutro crowd swelled, moving their dancing feet to the new-school dance pioneer known as Jamie xx (born James Smith). Even as Jamie xx eased into his intro (The Animals’ “San Francisco Nights”) and more fans pushed in, it was rather evident that the Sutro’s sound system wasn’t able to fully reach the volume many were looking for. But an Above & Beyond nod (“Sun in Your Eyes”) eventually led straight into Smith’s mix of “On Hold” and all was right in the world, if only for about eight minutes.

There was a bit of controversy surrounding Saturday’s main slot as Florence + the Machine officially made the move to full-blown festival headliner. Some festivalgoers had their own doubts after FYF Fest 2018 was canceled with a near-identical top billing, but Florence and her bandmates proved, many times over, that she is more than capable of commanding any stage as her energy is unlike many others. She debuted a brand-new show, which featured “June” in the opening slot and was book-ended by “Big God” and “Shake It Out” for a two-song encore.

Outside Lands 2018 - Janelle Monáe


Janelle Monáe

Sunday

On the final day, the weather was back on track; by that, I mean it was cold, blustery and generally moist. Most were thankful for the two previous days as opposed to three days of “Karl the Fog,” as has been tradition for a good 3-4 years now.

The early afternoon of Sunday bore witness to some very lively performances from up-and-comers like Rainbow Kitten Surprise and Hobo Johnson & the Lovemakers, both of who are primed to make moves in the festival circuit over the next year if they play their cards right.

Continuing with the trend of electro-leaning acts playing to some big crowds, BØRNS fully commanded a youthful contingent with hits such as “10,000 Emerald Pools” and set closer “Electric Love”.

The incomparable Janelle Monáe was a tad late to take the stage, as she was fighting off a stomach bug, but when she did, she captivated the masses with a suite of tracks from her most recent release Dirty Computer and tossed in a fair amount of costume changes over a nearly hour-long set. Monáe proved that she’s easily one of the best in the business at the moment and will only continue to climb upwards.

Over at the Twin Peaks stage, The Internet was trying to hash out some sort of technical difficulties before beginning their abbreviated performance, which seemed to be a little lopsided and uneven as they did their best to deal with the 30 minutes that they had left. Fortunately, “Girl” got the majority who stuck around swaying to Syd’s sultry vocals and generally chilled demeanor.

Portugal. The Man held a fleeting rock slot on the main stage, putting their quirky brand of psych-leaning pop rock on display. Moreover, they tossed in some oddly placed Pink Floyd and Beatles covers before closing with their breakthrough hit “Feel It Still”.

Aussie newcomer Tash Sultana, meanwhile, was putting on a masterclass in instrumentation and looping. Sultana has really had one of the biggest breakout years in independent music, and it was clearly evident as she had a carefree stage presence backed by some truly unique, solo-delivered music ripe with psychedelic and world elements. The 23-year-old is certainly a name to watch over the next year and beyond.

As the last set of OSL artists got ready to play, James Blake brought us to church for this year’s final performance on the Sutro stage, failing to disappoint while the fog grew slightly thicker in Lindley Meadow. Highlights from Blake’s dreamy set were easily his take on Untold’s track “Stop What You’re Doing” and a semi-rare rendition of “Modern Soul”.

Some say Janet Jackson couldn’t pull in big crowds amid the current shifting landscape of large-scale music festivals, and although she didn’t pull in record-breaking numbers on a rugged SF night, it was clearly evident that those fans who stayed to watch her were all-in. Jackson’s career-spanning show touched on more than 35 songs and was accompanied by some fierce choreography and production elements. Sure, she wasn’t singing much of the time, but that didn’t stop a wide range of fans from showering Jackson with affection. Her closing performance was highlighted by “That’s the Way Love Goes” and later on, the MJ collaboration “Scream” that transitioned into “Rhythm Nation”.

As the music festival industry continues to deal with a shifting crowd and demand, Outside Lands regained its stride after a few hiccups in 2017. And while this year’s lineup might not have appealed to the core demographic from its incarnation, the event still offers something for everyone.

Bay Area music fans ring in 2016 at The Big One

The Big One - The Flaming LipsPhotos by Josh Miller & Erin Milgram // Written by Molly Kish & Kevin Quandt //

The Big One //
Bill Graham Civic Auditorium – San Francisco
December 31st, 2015 //

2016 descended upon SF in epic fashion at Another Planet Entertainment’s New Year’s Eve celebration, aptly titled “The Big One”. With more than 17 musical acts, live art installations and three separate galleries of entertainment at Bill Graham Civic Auditorium, partygoers were showered by a psychedelic flurry of confetti and balloons during The Flaming Lips’ midnight countdown and continued partying into the early-morning hours.

We were on the scene to revel in what easily was the Bay Area’s wildest NYE 2015 party, and here are our favorite highlights from the night.


The Big One - The Flaming Lips

The Flaming Lips

When one considers bombastic artists to ring in a New Year or perform at any major party holiday, The Flaming Lips likely come to mind, as the Oklahoma City psych-rock band has created one of the most over-the-top displays in the music industry. This evening was no exception as frontman Wayne Coyne started the evening atop a structure that could be described as some warped, LED octopus. “The Gold Mountain in our Madness” opened the Lips’ set as the energy in the room quickly lifted from the mellow vibes of Tycho that came before. The mercury continued to rise as the midnight hour approached. A cover of the Miley Cyrus collaboration “Evil Is But a Shadow” was the first track to greet the attendees in 2016, and though some were bummed we didn’t get an appearance from Miley, the celebratory atmosphere was in full swing. -KQ

The Big One - Ratatat

Ratatat

Ratatat kept feet moving with their unique amalgamation of dance rock, which left many to decide between head-banging and crushing dance moves. “Pricks of Brightness” and “Loud Pipes” were early highlights from this Brooklyn duo, who saw a tremendous return to form in 2015 with the release of Magnifique. Props should be given to Another Planet Entertainment and HUSHconcerts for slotting in this live duo over a big-name DJ. Moves like this make us hopeful for The Big One in the coming years. -KQ

The Big One - Tycho

Tycho

The late cancellation from XXYYXX left some attendees in Larkin Hall a tad disappointed, but an extended set from Scott Hansen, popularly known as Tycho, kept revelers in the mood for continued dance-floor high jinks. As this DJ set stretched into its second hour, Hanson shifted to a style more akin to the beat-bass stylings of the original slated artist. This move may have even thrown some for a loop, as they could have easily assumed it was XXYYXX at the helm. -KQ

The Big One

Shigeto

Ghostly International recording artist Shigeto (born Zachary Shigeto Saginaw) held his own in Larkin Hall while being pitted against the downtempo soundscapes of Tycho in the venue’s main room. Serving as the perfect transition between his labelmate Scott Hanson’s ambient performance and The Flaming Lips’ onslaught of maniacal theatrics, Shigeto’s stripped-down live show was a welcomed choice for those attendees looking to ramp it up a notch before the NYE midnight countdown. He performed at ground level to an intimately devoted crowd and layered his jazz-infused electronic beats over mind-blowing live percussion, switching back and forth in real time between manning his mixing board and pounding away feverishly on his full drum kit mere inches away from the audience. -MK

The Big One - Gramatik

Gramatik

After a mind-melting, ball-dropping performance from The Flaming Lips, the audience was reinvigorated by the ax-wielding electronic giants Ratatat, followed by Slovenia-born and Brooklyn-based producer Gramatik. Heavy bass lines and spine-tingling beats filled the main auditorium as Denis Jašarević, in prime position to close the night’s festivities out on a high, took over the main auditorium with his signature glitch-hop bangers. Although much of the crowd had thinned by the time this early-hours set commenced, true ragers were in rare form and ready to “womp” their way into 2016. Dropping a slew of hits, including his single “Native Son” featuring Raekwon, Gramatik kept his audience moving all the way until 3 a.m. Crowd members sprawled throughout the entire auditorium, dancing and laughing until the final bassline thumps knocked the remnants of glitter, confetti and balloons from the rafters. -MK

SF Show of the Week // GO4FREE to The Big One at Bill Graham Civic Auditorium 12/31 (THUR)

The Big OneWritten by Nik Crossman //

The Big One //
Bill Graham Civic Auditorium – San Francisco
December 31st, 2015 //

With 2015 coming to an end, let’s take a moment to reflect on all the incredible music we’ve experienced over the last year. From our Top 25 live music acts to The Bam Team’s five favorite shows, albums and songs of 2015, there was no shortage of great musical memories in 2015.

So, what better way to end this amazing year and ring in the New Year than with 17 incredible artists at Bill Graham Civic Auditorium?

Presented by Another Planet Entertainment and HUSHconcerts, The Big One brings you a mini-festival with main-stage, warm-up performances from homegrown talent like Tycho and Geographer before The Flaming Lips explode into 2016. On two side stages, Ratatat, Gramatik, Gigamesh and many more will support the celebration. Check out the poster above for the full lineup.

The Bam Team is truly honored and excited to offer our readers an opportunity to earn free admission to this brand-new vision of New Year’s Eve spectacle. Tickets are available for $95, or you could win a pair of tickets by submitting your full name and email below.

Contest ends this Thursday at 3 p.m.


Follow Showbams on Twitter for more contest giveaways throughout the week. Be the first to respond to our contest tweets to GO4FREE to these shows:

Con Brio: December 30th (WED) & December 31st (THUR) at The Chapel


Win-2-Tickets

Enter your name (First and Last) along with your email below. If you win a contest, you’ll be notified on the day the contest ends (details above).

Like Showbams on Facebook, follow Showbams on Twitter and follow Showbams on Instagram. Subscribe to our social channels for a better chance to win!

CONTEST CLOSED.

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Outside Lands 2015 highlights: Eight years strong and feeling ‘fantastic’!

Outside Lands 2015Photos by James Nagel, Marc Fong & Benjamin Wallen // Written by Molly Kish, Nik Crossman & Brett Ruffenach //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 7th-9th, 2015 //

We’re finally putting our lives back together after what was easily the biggest and most raging Outside Lands to date in its eight years. This year, local concert production company Another Planet Entertainment outdid itself on all fronts, bringing the best the Bay Area had to offer to Golden Gate Park. They pulled out all the stops and man, did they deliver!

From the amazing lineup of music, comedy, food and beverage to the near perfect weather and best crowd of characters you could ask for, Outside Lands Music and Arts Festival has officially become a bar-setting force to be reckoned with on the festival circuit. Those lucky enough to attend this year will wholeheartedly agree that the festival has become not only a staple within the Bay Area community, but also a premiere destination for crowds from around the world and one of the fastest growing festival experiences currently in production.

Here’s what stood out to us at Showbams in 2015. What was your standout moment?

Outside Lands 2015

TOP SETS:

Artist: Lindsey Stirling
Set date/time: Friday, 3:40-4:30 p.m.
Location: Twin Peaks

Hailing from Gilbert, Ariz., Lindsey Stirling leaped around the Twin Peaks stage on Friday afternoon with violin in hand. Combining classical violin riffs with modern electronic beats, Stirling had the entire crowd dancing alongside while she made use of every inch of the stage. Despite her modesty, Lindsey put the violin down and treated Outside Lands with a rare and beautiful singing performance. Based on the reaction to the violin fairy’s voice, Stirling should be proud to put her strings down from time to time. -NC

Outside Lands 2015 - D'Angelo & The Vanguard

Artist: D’Angelo & The Vanguard
Set date/time: Friday, 7:45-9 p.m.
Location: Sutro

“The Black Messiah” made his triumphant return to the Bay Area on Friday evening for a soul-clapping set with a sea of devoted fans. Outside of Karl Denson’s mighty performance on the Twin Peaks stage later on in the weekend, this was one of the few opportunities for funk fans to get down this year — and D’Angelo pulled out all the stops. Mirroring more of a religious revival than a R&B jam session, the sunset spectacle hit the crowd’s Friday night sweet spot. D’Angelo’s silky smooth vocals ushered in all the post-work/late arrivals, crooning out audience favorites from his latest joint “Ain’t That Easy” and “Sugah Daddy”, which book-ended a sultry set. For anyone who missed his sold-out shows at the Fox Theater Oakland earlier this year, the performance served as the perfect redemption amidst a collective of festival fans who all came prepared. -MK

Outside Lands 2015

Artist: Angus & Julia Stone
Set date/time: Saturday, 4:20-5:10 p.m.
Location: Sutro

Recently reunited after a few years of time apart, the brother-and-sister duo played a mix of old and new hits at the Sutro stage on Saturday afternoon. Their latest album brings a new sound to their discography and marks a milestone of achievement for the Australian siblings. Anyone with a brother and/or sister can appreciate the banter shared between Angus and Julia on stage. Describing Angus laying in the grass of a park staring at the clouds as inspiration for “Other Things”, Julia poked fun at his peculiar “state of mind.” -NC

Outside Lands 2015

Artist: Toro y Moi
Set date/time: Saturday, 5:15-6:05 p.m.
Location: Twin Peaks

Chaz Bundick is almost a great artist. Touring with a new full band as opposed to his typical synth-and-drum-machine combo, the new sound of Toro y Moi is a very nice expansion on their sound. That being said, Toro y Moi seemed to often come up flat when singing throughout the set, leaving more to be desired. I did love the new version of “So Many Details”, though. -BR

Outside Lands 2015 - Tame Impala

Artist: Tame Impala
Set date/time: Saturday, 6:30-7:40 p.m.
Location: Lands End

As the de facto opener for The Black Keys, Tame Impala brought their heavy compositions and trippy visuals to the Lands End stage to the delight of a crowd of young, old, sober and heavily intoxicated folks alike. Tame Impala’s ability to expand on and change up their studio recordings is what makes them the greatest rock band touring right now — breakdowns and glitchy, sonic asides in songs like “Mind Mischief”, “Elephant” and “Apocalypse Dreams” came out of nowhere, creating a wave of awe and amazement in the crowd. They were certainly a highlight of the weekend. -BR

Outside Lands 2015 - Kendrick Lamar

Artist: Kendrick Lamar
Set date/time: Saturday, 8:40-9:55 p.m.
Location: Twin Peaks

As Kendrick Lamar’s incredible performance began to wrap up with his newest single “Alright”, a group of fans in the crowd proceeded to lift someone up in a wheelchair, who, if I recall correctly, was the same guy who had his photo famously taken at Outside Lands in 2013. Kendrick took notice and called him out — his sense of sincere appreciation for a place like the Bay Area was written all over his face. -BR

Outside Lands 2015 - Hot Chip

Artist: Hot Chip
Set date/time: Sunday, 4:20-5:20 p.m.
Stage: Lands End

An anxious crowd remained at the Lands Ends stage after Nate Reuss’ solo set on Sunday afternoon for an all-too-rare performance from percussion powerhouse Hot Chip. In recent years, only ever getting the chance to see the outfit in stripped-down DJ sets or as part of side projects/collaborations, the afternoon crowd full of die-hard, nu-disco fans were not disappointed as the UK dance veterans set the polo fields ablaze. Refraining from any slow builders, Hot Chip performed an hour-long set of career-spanning bangers, keeping the crowd moving with hit after hit, that seamlessly blended into one another. The set procured one of the most viral dance party moments of the festival, with the audience spiraling into a collective bliss as it came to a close. -MK

Outside Lands 2015 - Dan Deacon

Artist: Dan Deacon
Set date/time: Sunday, 5:55-6:35 p.m.
Location: Panhandle

Dan Deacon, everyone’s favorite electronic experimentalist and figurative “adult camp counselor”, was the perfect pick-me-up for a festival-weary crowd between neighboring bass-heavy sets from ODESZA and Caribou. Playing to a crowd partially made up of Deacon enthusiasts and otherwise occupied by enthralled passersby, the one-man spectacle reeled in a sizable audience to the Panhandle stage for a lesson in crowd participation that was rivaled by no other act over the course of the weekend. Excited to see how his live-show magic would translate to a large-scale festival crowd, the audience was equal parts bewildered and attentive as they were beckoned into a storm of peer pressure and oddball antics, maestro-ed by none other than the king of interactive showmanship. The crowd relinquished control of the moment to the man in charge as he orchestrated colorful coordination amongst a sea of noise and frenzied electronica. Needless to say, established fans of Mr. Deacon were pleased while new converts lives were changed on Sunday afternoon. -MK

Outside Lands 2015

Artist: Caribou
Set date/time: Sunday, 6:40-7:40 p.m.
Location: Twin Peaks

Described by fellow musician Dan Deacon as “one of the most brilliant acts touring right now” just before their set, Caribou lived up to the hype. Starting with “Our Love”, the four-piece band led by Dan Snaith perfectly set the stage for the next hour — a series of tightly wound compositions that, as the song progresses, expand in rhythmic complexity before reaching a climax that will get even the most tired Sunday afternoon crowd moving. Heavily augmenting its live performances from its studio recordings, the band’s live rendition of “Jamelia” in particular was a highlight of the set. Caribou is a band not to be missed. -BR

Outside Lands 2015 - Elton John

Artist: Elton John
Set date/time: Sunday, 7:35-9:35 p.m.
Location: Lands End

The star-spangled legend sat at his majestic piano as the sun went down on Sunday and moved the crowd with his brilliant playing. The adoring audience hung on every word and joined in singing his most popular hits. Walking off stage quickly after his last song, the audience demanded more and Elton happily obliged. With rumors of Lion King songs being played at past performances, some doting fans wanted a second encore to the tune of “Circle of Life”. While he didn’t indulge the Lion King fans, his stellar performance was a perfect ending to an amazing weekend at Outside Lands, leaving everyone’s festival tank full of love. -NC

Outside Lands 2015 - Mac Sabbath

OUTSIDE LANDS 2015 AWARDS:

Biggest a.m. crowd: Leon Bridges

Best make-out session: Angus & Julia Stone

Biggest equipment malfunction/distraction: St. Vincent’s blown-out sound system

Best stage dive: Mac Demarco (obviously)

Biggest band crush: Tie between Tame Impala and First Aid Kit

Best shirtless appearance: Billy Idol

King and Queen of GastroMagic: Beignets & Bounce Brunch with Big Freedia & Brenda’s Soul Food; Morimoto Karaoke

Best Unofficial Stage: #NoMoFoMo by StubHub

Food & beverage crowd favorites: Berry Lemonade; Ringmaster Doughnut Cheeseburger

Best Avant-Garde Act: Lindsey Stirling

Sexiest Set of the Weekend: D’Angelo & The Vanguard

Best Fairground Change: The Barbary’s relocation

Rowdiest Crowd: Kendrick Lamar

Best Hometown Act: Green Velvet & Claude VonStroke

Best Vocals: St. Paul and The Broken Bones

Best Commitment to the Bit: Mac Sabbath with Richie Nakano

Most buzz-worthy artist: SZA

Best Crowd Participation: Dan Deacon

Biggest DJ Drop: ODESZA

Crowd Favorite DJ: DJ Mustard

Best Cover: Hot Chip’s transition from Bruce Springsteen’s “Dancing in the Dark” into an outro snippet of LCD Soundsystem’s “All My Friends” to close their set.

Most “Fantastic”: Elton John