The Bam Team’s 5 Favorite Shows, Albums & Songs of 2018

David Byrne at Bill Graham Civic Auditorium


David Byrne at Bill Graham Civic Auditorium // Showbams’ Photo of the Year, by Tim O’Shea

We have to be honest: 2018 was kind of a weird year for music. Sure, there were some major highlights — many of them listed below, in fact — but we also saw a serious changing of the guard. The decline of mainstream rock and the continued rise of hip-hop, R&B and pop was more noticeable than ever, from this year’s Coachella lineup to the cancellation of FYF Fest, making us wonder what the next twist or turn will be for the industry now that the demand for EDM has started to cool off following its boom circa 2012. That said, we still listened to a lot of new albums and caught plenty of concerts over the last 12 months, and it’s once again time for us to share our annual “Best of” lists, much like we have done over the past several years (see our 2017 picks here).

So, without further ado, Showbams presents The Bam Team’s five favorite shows, albums and songs from 2018.

See our favorite performances from 2018 here.

Listen to The Bam Team’s favorite songs of 2018:


Jamiroquai at Coachella 2018


Jamiroquai at Coachella 2018 // Photo courtesy of Coachella

Josh Herwitt // Los Angeles

Top 5 Shows of 2018
1. Queens of the Stone Age at The Forum – Inglewood, CA – February 17th
Just more than two months after his infamous assault on a photographer at The Forum for KROQ’s Almost Acoustic Christmas, Queens of the Stone Age leader Josh Homme made his return to the LA arena for a proper, sold-out affair with UK rock duo Royal Blood delivering what proved to be a headbanging opening set. From there, it only got better as Homme and the boys dazzled with a headlining performance that even included Villains producer Mark Ronson sitting in for most of the five-song encore and the band’s live debut of its “Goodbye Yellow Brick Road” cover. You can bet Elton John, whom Homme actually collaborated with during the writing and recording of QOTSA’s sixth album …Like Clockwork, would have been proud. I always know when I’ve seen a good rock ‘n’ roll show because my neck will be sore the following day, but after this one, it was sore for the next three days. Ouch.

2. Nine Inch Nails at Hollywood Palladium – Los Angeles, CA – December 12th, 14th-15th
3. Jamiroquai at Coachella, Weekend 1 – Indio, CA – April 13th
4. David Byrne at Santa Barbara Bowl – Santa Barbara, CA – August 24th
5. Foo Fighters/Nirvana reunion at Cal Jam 18 – San Bernadino, CA – October 6th

Top 5 Albums of 2018
1. Jungle – For Ever
Unlike previous years, picking a favorite album in 2018 wasn’t quite as easy for me. I’ll admit that I didn’t hear every one that was released this year, but I listened to a lot of them. So, call me boring and short-sighted if you like, but nothing totally knocked my socks off. After much deliberation, it was Jungle’s sophomore LP For Ever that stood the test of time for me (no pun intended). The English soul collective’s follow-up to its 2014 self-titled debut doesn’t veer off in a completely different direction from what came before, but it still moves the sonic needle forward enough. After two full lengths, Jungle have shown a knack for writing catchy, dance-fueled tunes that transport you to a different time and place — even if it’s only for a three- or four-minute stretch.

2. Khruangbin – Con Todo El Mundo
3. Arctic Monkeys – Tranquility Base Hotel & Casino
4. Kamasi Washington – Heaven and Earth
5. Big Red Machine – Big Red Machine

Top 5 Songs of 2018
1. Nine Inch Nails – “Over and Out”
When I first listened to Bad Witch, I immediately knew this one was my favorite track on the album. But hearing it performed live on the final night of NIN’s “Cold and Black and Infinite” North American tour sealed it for top honors in 2018. Layering a brooding, yet funky bass line on top of a glitchy, experimental beat, Trent Reznor shows that he isn’t just playing it safe and merely saving his creativity for scoring films with bandmate and longtime collaborator Atticus Ross. You can tell Reznor had his late friend David Bowie in mind when he wrote the song too as he conjures up an even deeper baritone from behind the microphone than the one we have come to know over the last 30 years.

2. Childish Gambino – “This Is America”
3. Jungle – “Heavy, California”
4. Wild Nothing – “Partners in Motion”
5. The Raconteurs – “Now That You’re Gone”


Richard Russell - Everything Is Recorded

Molly Kish // San Francisco

Top 5 Shows of 2018
1. David Byrne at Fox Theater Oakland – Oakland, CA – August 16th
In support of his seventh solo album American Utopia, musical virtuoso David Byrne hit the road for one of this year’s most creative and ambitious tours. Over more than 150 dates that spanned the entire globe, the 66-year-old delivered Broadway-caliber performances with a traveling 11-piece band that served as a traveling retrospective of his solo and collaborative work. Meanwhile, the tour also doubled as a platform for him to deliver his “Reasons to Be Cheerful” manifestos on civic engagement, climate/energy, culture, economics, education, health, science/technology and urban transportation. He partnered with HeadCount while encouraging audiences every night to engage in public discourse through social media and their own personal stories on his website. And as a result, Byrne elevated the concert-going experience into more of an interactive, performance-art space that his fans became a living, breathing part of.

2. Young Fathers at The Independent – San Francisco, CA – November 10th
3. Erykah Badu & Thundercat at The Armory – San Francisco, CA – February 14th
4. Beck at The Independent – San Francisco, CA – August 8th
5. LCD Soundsystem with TV on the Radio at Greek Theatre Berkeley – Berkeley, CA – April 27th-28th

Top 5 Albums of 2018
1. Richard Russell – Everything Is Recorded by Richard Russell
A multi-artist project released as the debut album of XL Recordings founder Richard Russell, Everything Is Recorded is collaborative effort representing the ties between past and present sounds currently shaping the framework of hip-hop, funk and soul. Featuring collaborations with Sampha, Kamasi Washington, Syd, Damon Albarn, Peter Gabriel, Ibeyi, Obongjayar and more, the album also plays as the soundtrack to a 30-minute film, which documents the time each spent in the studio during its conception and is interspliced with archival footage of Gil Scott-Heron and Curtis Mayfield. With its underlying themes of loss and isolation, Everything Is Recorded effectively communicates Russell’s emotional journey as he battles a debilitating autoimmune disease in hope of finding salvation through the shared experience of creating a beautifully mastered piece of art.

2. George Fitzgerald – All That Must Be
3. Pusha T – DAYTONA
4. Robyn – Honey
5. Khruangbin – Con Todo El Mundo

Top 5 Songs of 2018
1. Childish Gambino – “This Is America”
If any song embodied the insanity and collective discontent of 2018, it was definitely Childish Gambino’s epic single “This Is America”. The juxtaposition of an a cappella choir leading into Donald Glover’s soft crooning over island beats and drum samples before staunchly diverting to a menacing base line reminiscent of 90’s gangster rap — as well as the hortative delivery of degrading lyrics about the current state of violence and American ideals — is near-perfect. Of course, the provocative music video that accompanied the track’s surprise release during his “Saturday Night Live” debut was incredible. The song, lyrics, video and marketing campaign could not have been a more flawless “slice of life” reflection of modern American society and justifiably has boomeranged into probably the most important moment of Childish Gambino’s career so far.

2. The Presets – “Downtown Shutdown”
3. Jon Hopkins – “Everything Connected”
4. Jungle – “Casio”
5. Parquet Courts – “Wide Awake”


Kevin Quandt // San Francisco

Top 5 Shows of 2018
1. David Byrne at Jazzfest – New Orleans, LA – April 29th
You know what they say: the first time is always the best. With David Byrne’s 2018 “American Utopia Tour” being universally acclaimed as one of the most enigmatic live shows of the year, it’s not surprising to see it top other “Best of” lists. Byrne and his merry band of “unplugged” pranksters created a feast for the eyes and ears, and his daytime set on the Gentilly Stage did not disappoint at all. While his Fox Theater Oakland shows were more intimate and featured some more dynamic lighting features, his performance at Jazzfest back in April was the most memorable for NOLA revelers.

2. Jamiroquai at Bill Graham Civic Auditorium – San Francisco, CA – April 17th
3. Polo & Pan at The Independent – San Francisco, CA – June 20th
4. Nine Inch Nails at Bill Graham Civic Auditorium – San Francisco, CA – December 4th
5. Rolling Blackouts Coastal Fever at Primavera Sound – Barcelona, Spain – June 2nd

Top 5 Albums of 2018
1. Khruangbin – Con Todo El Mundo
What a banner year for this Texas trio! Khruangbin have been on a steady rise the past few years as they turn on the masses to their infectious amalgamation of psychedelic soul, Thai surf rock and subtle funk. Having cemented their reputation as beasts in a live setting, Con Todo El Mundo proved their knack for penning tunes of equal strength with its emotive first single “Friday Morning” serving as a clear standout. “Evan Finds the Third Room” has also become a fan favorite, and the accompanying music video only lends to its growing charm. The sky’s the limit for Laura, Mark and DJ, so grab your ticket to fly.

2. Hookworms – Microshift
3. Amen Dunes – Freedom
4. Shame – Songs of Praise
5. Stephen Malkmus and the Jicks – Sparkle Hard

Top 5 Songs of 2018
1. Jonathan Wilson – “Trafalgar Square”
LA producer-turned-frontman Jonathan Wilson churned out one helluva album opener for his third solo LP Rare Birds, as this six-plus-minute romp has all the right pieces for true liftoff. A proper intro leads into a riff so heavy that it’ll break your mama’s back. Top-notch production is key to this track, as Wilson is a wiz behind the boards. As you cruise down the 405 with this whopper blaring, you’d be hard-pressed not to nod along. Extra points for those of you with a 1970’s convertible, too.

2. Tom Misch – “Water Baby” feat. Loyle Carner
3. Childish Gambino – “This Is America”
4. Jonathan Something – “Happy Day”
5. Men I Trust – “Seven”


Shame - Songs of Praise

Andrew Pohl // San Francisco

Top 5 Shows of 2018
1. The Smashing Pumpkins at Oracle Arena – Oakland, CA – August 27th
The Smashing Pumpkins are the quintessential 90’s arena-rock band, and they fully lived up to that billing at Oracle Arena for their Bay Area stop over the summer. I’ve seen them several times over the years, and although this time it was pegged as a “reunion tour” (minus D’Arcy, sigh), you never know what you’re going to get from them. Billy Corgan led the band through over three hours’ worth of material with some killer stage production to go with it. The show was definitely a marathon, but totally worth being there for. It came to light later that Corgan was also fighting off a bad case of food poisoning, but it didn’t show. It was great to see James Iha and Jimmy Chamberlain back onstage, too — the way it should be.

2. Nine Inch Nails at Bill Graham Civic Auditorium – San Francisco, CA – December 3rd
3. Against Me! & Turbonegro at UC Theatre – Berkeley, CA – May 25th
4. Alkaline Trio at The Warfield – San Francisco, CA – October 6th
5. Back To The Beach Festival – Huntington Beach, CA – April 28th-29th

Top 5 Albums of 2018
1. Shame – Songs of Praise
This album hit me like a ton of bricks in the best way. I had heard a ton of hype around Songs of Praise before giving it a first listen, and usually I am a healthy skeptic, but good Lord, does this record rip. It has a dark flavor and carries with it a lot of angst, and you can’t help but get caught up in the hooks that Shame offer. These five lads from South London simply killed it.

2. IDLES – Joy as an Act of Resistance
3. Kamasi Washington – Heaven and Earth
4. Hot Snakes – Jericho Sirens
5. Snail Mail – Lush

Top 5 Songs of 2018
1. Shame – “Concrete”
Conjuring up the ghost of Joy Division’s Ian Curtis without sounding like a complete poser is challenging for newer post-punk bands it seems — except for Shame’s Charlie Steen. Paired with some brilliant instrumentation, I just couldn’t stop listening to “Concrete” when I first heard it. I must have listened to the track a solid 10 times in a row on the first go. This song has an infectious quality to it and is a straight-up ripper.

2. The Soft White Sixties – “I Still Love You, San Francisco”
3. Hot Snakes – “Six Wave Hold-Down”
4. IDLES – “Colossus”
5. The Sword – “Come and Gone”

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Cal Jam 18: The closest we might ever get to seeing Nirvana perform as Foo Fighters take us ‘way back’

Cal Jam 18 - Foo FightersBy Josh Herwitt //

Cal Jam 18 //
Glen Helen Regional Park & Festival Grounds – San Bernardino, CA
October 6th, 2018 //

When Dave Grohl decided last year to revive the original California Jam (or Cal Jam for short), there was something intriguing about the Foo Fighters turning a once-banner event into their own mini music festival.

After all, this was the same event that Deep Purple and Emerson, Lake & Palmer co-headlined at the now-demolished Ontario Motor Speedway in the spring of 1974, with Black Sabbath, the Eagles, Earth, Wind & Fire and more rounding out the bill.

But as major music festivals on U.S. soil have started to move away from rock ‘n’ roll — take a look at this year’s Coachella lineup if you don’t believe us — there have been fewer and fewer that are embracing the roughly 70-year-old genre.

That hasn’t deterred Grohl, though. In fact, it has only enticed him to bring Cal Jam back for a second straight year following a stellar 2017 edition that included the Foo Fighters, Queens of the Stone Age, Cage the Elephant, Liam Gallagher, The Kills, Royal Blood, Japandroids and so many more, including the UK’s latest Mercury Prize winners, Wolf Alice.

And although Cal Jam’s 2018 cast wasn’t quite as eye-popping as the one that took Glen Helen Regional Park by storm last October, it continued to expand in both size and scope with a new comedy tent on the grounds and a pop-up event in LA six weeks before that saw the Foos play a rare show as The Holy Shits, a secret moniker the band hasn’t used since 2014.

Cal Jam 18 - Greta Van Fleet


Greta Van Fleet

For this year’s installment, Grohl and company assembled another rock-centric roster, turning to legends like Iggy Pop with Post Pop Depression (featuring members of Queens of Stone Age and Arctic Monkeys), Tenacious D and Garbage as well as rising stars such as Greta Van Fleet, Manchester Orchestra and The Front Bottoms. Silversun Pickups were also originally listed on the bill, but were forced to cancel their appearance due to “unforeseen circumstances.” While it was certainly a bummer that the LA alt-rockers couldn’t make it out to San Bernardino, that didn’t stop us from making the 70-mile trek to the country’s largest outdoor music venue on a warm fall Saturday.

By the time we got through security and stepped inside the gates, Manchester Orchestra had just finished their 45-minute set on the main stage, which essentially was the 65,000-person Glen Helen Amphitheater that was constructed back in 1982 for the first US Festival. Next up was Greta Van Fleet, and boy, do these kids know how to rock. Zeppelin clearly runs deep in these four Michiganders’ veins, as they showcased songs off their forthcoming debut album Anthem of the Peaceful Army with frontman Josh Kiszka commanding the stage and offering his best Robert Plant impression. He even dresses the part, sporting some tight, white jeans with a water-colored blouse and necklace of feathers while his brothers Jake and Sam wore vests or shirts that looked like what you would find at a vintage clothing store.

If Greta Van Fleet evoked the spirit of the 70’s during their hour-long gig, Garbage made sure to conjure up plenty of 90’s nostalgia as Shirley Manson arrived onstage with red hair pulled back, a stripe of red face paint over her eyes, a red choker and a black-and-white ombré faux fur coat because it couldn’t have been real given her well-publicized support for PETA dating back more than a decade. Manson would eventually shed that one layer of warmth, revealing a black romper, red sweatbands and red fishnet stockings underneath as she and her cohorts — Duke Erikson (guitar, bass, keyboards), Steve Marker (guitar) and famed Nirvana producer Butch Vig (drums, percussion) — opened with their 2017 single “No Horses” on a surprisingly overcast day. Yet, the most memorable moment of Garbage’s performance came during “Only Happy When It Rains” — not because it’s still the quartet’s most popular song to this day, but because a few sprinkles, coincidentally enough, dropped from the dark, ominous sky. Hey, at least Manson must have been happy, right?

Night fell over the Inland Empire shortly thereafter, with Jack Black and Kyle Gass taking the stage for Tenacious D’s first full LA show since Festival Supreme in 2016. Though the 11-song performance hinged on the comedy rock duo’s previous studio material, the D are preparing to release their fourth album — and first in six years — Post-Apocalypto next month. “Double Team” from their 2001 self-titled debut LP, in the meantime, featured snippets of Van Halen’s “Panama” and Black Sabbath’s “War Pigs” before they encored with their cheeky tune “Fuck Her Gently” as the two actors/musicians have been known to do. Nevertheless, it was nice to see Black and Gass back onstage rocking out and making us chuckle because when you start to look around, there still aren’t too many who do what they do.

The same can be said for James Osterberg Jr., or more famously, Iggy Pop. At the age of 71, the Rock and Roll Hall of Famer hasn’t slowed down, and this was a particularly special occasion with his Post Pop Depression backing band after their 2016 world tour. Truth be told, anytime we get to see Queens of the Stone Age leader Josh Homme play is a treat, and with bandmates Troy Van Leeuwen and Dean Fertita as well as Arctic Monkeys drummer Matt Helders joining him, you couldn’t ask for a better group of musicians to showcase Iggy Pop’s massive catalog as a solo artist. To begin, the foursome jumped right into the title track on Iggy Pop’s Lust for Life, his 1977 commercial success, and from there delivered cuts from his other David Bowie-produced album The Idiot and Post Pop Depression. But the leathery, shirtless punk rocker is also a real hoot, and he showed his general appreciation for those of us who stood there and watched him let loose on the main stage, offering an emphatic “fucking thanks!” after pretty much every song ended. In that case … you’re fucking welcome, Iggy.

Cal Jam 18 - Garbage


Garbage

Iggy Pop was a strong lead-in to the Foo Fighters’ headlining spectacle, which was supposed to start at 9:45 p.m. but actually kicked off 15 minutes prior. That’s because, after dropping a little hint earlier in the week, the Foos had something up their sleeves, but more on that in a jiffy. Grohl couldn’t have been in a much better mood, and in a lot of ways, Cal Jam feels like his own personal playground, from the fest’s outdoor movie theatre to the Foo Fighters Rock ‘N’ Roll Museum that’s filled with tons of memorabilia from the past 25 years. But Grohl also made a point on this night to celebrate the band’s history by playing one hit single after the next in chronological order, starting with “Run” and “The Sky Is a Neighborhood” on 2017’s Concrete and Gold and finishing with “For All the Cows” and “This Is a Call” from their 1995 self-titled debut. It was a little trip down memory lane, Foo Fighters style, even though there was more in store for us. What would follow we may never have the opportunity to see again.

As the Foos left the stage for their encore break, we waited patiently for them to return. The crowd, by now, had been taken for a two-hour ride with Grohl firmly at the wheel, pumping adrenaline into our veins with every minute that passed as the Foo Fighters know how to do so well during their usual two-and-a-half-hour jaunts. The video screens on each side of the stage were black until suddenly some backstage footage appeared showing Grohl with Krist Novoselic and what looked like Joan Jett. All of that would end up coming true in the last 30 minutes of Cal Jam 18, but it was a six-song encore with Grohl on drums, Novoselic on bass, the Foo Fighters’ Pat Smear on guitar and Deer Tick frontman John McAuley on both vocals and guitar as Kurt Cobain’s fill-in who got us hyped. Nirvana fans have waited 25 years for a reunion since Cobain’s sudden passing, and when you put it in perspective, it will probably go down as one of the year’s biggest surprises, even at a time in music when many industry experts say that rock now stands in the shadows of hip-hop and EDM. “Serve the Servants” came first, then “Scentless Apprentice” and “In Bloom” as McCauley, who played just a few hours earlier on the festival’s Sun Stage with Deer Tick, sang with the same kind of strain in his voice to make us think Kurt was actually up there.

But what about Jett? Well, the Queen of Rock ‘n’ Roll followed McCauley’s performance with three songs herself, including “Breed”, “Smells Like Teen Spirit” and finally “All Apologies” with Novoselic strapping on his accordion and Brody Dalle of The Distillers (Homme’s wife) taking over bass duties. This wasn’t the first time, however, that Jett had performed Nirvana material with Grohl, Novoselic and Smear. In 2014, the singer-songwriter joined the three of them onstage for “Smells Like Teen Spirit” during the Rock and Roll Hall of Fame induction ceremony. So while Jett wasn’t exactly making history with this cameo, it was still surreal to see Grohl paying homage to his former band with other All-Star musicians at what has now become the Foos’ annual hometown fest in a matter of two years.

Will Cal Jam be back in 2019? Can it survive Southern California’s ultra-competitive festival scene at a time when proven, well-funded ones like FYF Fest seemingly can’t?

We sure think so and hope so. With the oversaturation of three-day music festivals all over the world, there’s something refreshing and relaxing about watching a bunch of a great bands for a reasonable price over the course of one day. And if we learned anything from Cal Jam 18, it’s that you can never underestimate Dave Grohl or the power of rock ‘n’ roll.

Outside Lands Day 1: Kanye West rants like a petulant child

OSL-2014-POSTPhotos by Marc Fong // Written by Mike Frash //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 8th-10th, 2014 //

Outside Lands Music and Arts Festival has graduated to the upper tier of festivals in its seventh year, selling out within 24 hours and packing in SF’s Golden Gate Park on Friday afternoon much earlier than past iterations. And for the first time, the Lands End main stage featured rap and electronic-oriented music, drawing a youthful crowd usually reserved for Justice or Pretty Lights at the Twin Peaks stage.

But more than imagined and expected, Friday’s headliner Kanye West showed that he behaves like a petulant child, launching into mini temper tantrums throughout the night, amidst an inspiring show the crowd was digging. His performance confirmed everything his detractors spout —- that he’s a narcissist to the point that he truly believes it’s a form of art.

Yes, I understand that this is what Kanye does. It was expected. It’s still a buzz kill, almost a tactical time killer.

“I want you to tell your kids about this night,” he said. This advice came amongst one of the four rants that cut off songs at their best moments, stopping all the natural momentum so Kanye could drop all sound and preach. It’s reminiscent of Andy Kaufman’s “challenge the audience” mentality, getting people to question why they came in the first place.

There were moments of complete crowd elation, but when the encore was over by 9:50 p.m. (10 minutes before last call), you have to ask, did he give it his all? Kanye is the ideal artist of this generation —- innovating to push the lines of contemporary pop while being completely self-absorbed.

Should Kanye give up the rants for the sake of entertainment or will you be telling your kids about it? Leave a comment with your favorite rant line, your top show of the day, a link to your photos or video.

“Imma need y’all to make a bigger circle!”

OSL 2014 Arctic Monkeys

OSL 2014 Bear Hands

OSL 2014 Disclosure

OSL 2014 Disclosure2

OSL 2014 Front Row

OSL 2014 Main Stage

OSL 2014 Smile

OSL 2014 Tegan & Sarah

OSL 2014 Typhoon

Outside Lands 2014 daily lineup highlights

Outside-Lands-2013

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 8th-10th, 2014 //

So, three-day tickets for Outside Lands Music and Arts Festival sold out in record time. Now’s your chance to snag single-day passes for SF’s premier music festival. Get ready: tickets go on sale Thursday, April 17th at 10 a.m.

Still choosing which day might be best for you? Here’s our take on the headliner options, along with choice picks and reasons to get there early this August in Golden Gate Park.

OSL-2014

Friday, August 8th

HEADLINER OPTIONS: Kanye West Vs. Arctic Monkeys (or Disclosure)

Yeezus himself will handle headlining duties on day one, but the real question is whether or not Arctic Monkeys or Disclosure will helm Twin Peaks come nightfall. Both acts are worthy of a headlining slot — time will tell.

CHOICE PICKS:

Run the Jewels: El-P + Killer Mike , “Rap’s most dangerous Duo”, are returning to SF after their game changing shows last year at the Independent. Expect top notch beats over future-forward production. In a perfect world they would open for West.



Phosphorescent: Matthew Houck’s understated, twisted take on indie rock is refreshingly breathtaking, exemplified most strikingly by the majestic “Song for Zula”:

Holy Ghost!: Ready for a disco-dance party fed by instrumentals? Yes you are. One of our favorite acts from the last year will set Golden Gate park ablaze.



DIGGING DEEP: (reasons to get there early)

• Mikal Cronin
• Greensky Bluegrass
• Typhoon
• Bear Hands

THE VERDICT: Eclectic with as many rap options as dance choices.

OutsideLands

Saturday, August 9th

HEADLINER OPTIONS: Tom Petty & The Heartbreakers vs. Macklemore & Ryan Lewis

This one’s going to be a pretty simple choice for most folks — the classic rock singalongs versus the contemporary pop-rap anthems. These headliners starkly contrast from one another.

CHOICE PICKS:

SBTRKT: Known to perform with iconic tribal masks, Aaron Jerome fuses innovative electronic production with drums, synth, keys & live singing, usually with help from touring partner Sampha. SBTRKT’s new EP Transitions delves into icy-instrumental territory.



Atmosphere: Slug and Ant are back this year, and they’ve got a new song entitled “Kanye West”, which doesn’t go after the Day 1 headliner, but it does address hip-hop crowd interactions in a playful, positive way.



Tycho: Scott Hansen is as much a visual artist as he is a musician — his projected imagery melds simple geometry and super slow-mo romanticism and works in hand with his newly cemented band’s ambient, yet driving beats. This one deserves a night time slot, say closing down the Panhandle Stage?



DIGGING DEEP: (reasons to get there early)

• Woods
• Jagwar Ma
• Valerie June
• Trails and Ways

THE VERDICT: Save for a handful of rowdy spots (Macklemore, Duck Sauce, Capital Cities), the offerings are relatively mellow.

OutsideLands2

Sunday, August 10th

HEADLINER OPTIONS: The Killers vs. Tiësto (or The Flaming Lips)

These two options to end the weekend are, once again, clear cut. But here’s hoping Ranger Dave harkens back to the early years and offers a third headliner option in The Flaming Lips. Their drone-psyche spectacle of a freak out deserves darkness and would offer an incredible third option.

CHOICE PICKS:

Cut Copy: Every time these electronic-oriented Australians swing through the Bay Area, we’ll be there. Dan Whitford & Co. will make you dance and reach for the sky.



Lykke Li: The Swedish Songstress is returning to the touring circuit this year, and her first offerings from her forthcoming LP I Never Learn are more sedated than swirling. Li’s ownership of the stage and visceral passion request your attendance.



Flume: Skyrocketing electronic-music amalgamator Harley Streten creates big, bold beats centered by a chill tone. Since releasing his self-titled LP to worldwide acclaim in 2012, he’s brought in a host of top level rhymers to give the music new meaning and fresh life (listen below). We’re excited to see how this influences his live show.



DIGGING DEEP: (reasons to get there early)

• Gold Panda
• Courtney Barnett
• Jonathan Wilson
• Tumbleweed Wanderers

OVERALL VIBE: Sunday has a lot of high-decibel acts. A good day for dance enthusiasts.

Check out our Outside Lands 2014 playlist:

OL 2014 Daily Lineups

Outside Lands 2014: Lineup locks, likely acts & long shots

OSL_Windmill-Scene-by-Tim-HampsonPhotos by Tim Hampson // Written by Mike Frash & Kevin Quandt //

Outside Lands Music and Arts Festival //
Golden Gate Park – San Francisco
August 8th-10th, 2014 //

As we inch towards springtime, leading to summer, and Coachella is within a month’s reach, some Bay Area music freaks (like us) begin to speculate about who is gonna be gracing those stages freckled throughout Golden Gate Park come August. Outside Lands Music and Arts Festival is set to return to SF on August 8th-10th.

The greatest indicators are the group’s touring schedules — Osheaga Music Festival in Montreal and Pickathon in Oregon have announced their schedules the weekend prior to Outside Lands (with Lollapalooza to still be announced). Squamish Valley Music Festival in British Columbia is the same weekend as Outside Lands, but Vancouver is close enough for artists to double dip.

Conversely, we can confirm some big acts that won’t be on the bill due to scheduling conflicts. But if this is even close to what the Outside Lands 2014 lineup looks like, the Bay Area should be in for a delicious, fog-enhanced treat.

UPDATE 4/7: The lineup has been announced!

Girls-on-Fire-Main-Stage-Tim

Lock It In (we think)

Bruce Springsteen and the E Street Band: A new album on the way and a lack of dates out West makes him a solid candidate for top billing this year. Also, keep in mind that OSL has never repeated headliners, as well as the fact that Super Fly (Bonnaroo), who along with Another Planet Presents, handles the bulk of the booking.

Arctic Monkeys: [CONFIRMED] These festival stalwarts announced an extensive tour with a noticeable gap in the western demographic which leads to speculation that they’ll return for a sub-headlining set. Confirmed for August 10th at Osheaga.

Chromeo: [CONFIRMED] A Red Rocks date on August 5th is a good sign that these party starters are en route back to San Francisco for a possible Twin Peaks headlining spot. 

Modest Mouse: Confirmed for Osheaga, and with no California dates on the calendar for the recently announced tour, Modest Mouse is starting to look like a lock.

Cut Copy: [CONFIRMED] Cut Copy and Chromeo are on parallel tracks. Both will have played APE shows in the past year, and their tour buses are aligning toward the Bay in early August.

CHVRCHES: [CONFIRMED] Confirmed for Osheaga, it just makes sense that one of the the biggest breakout acts of 2013 will triumphantly return to the Bay after playing the Independent, Mezzanine & Fox Theater Oakland over the past year.

Flume: [CONFIRMED] It’s due time for this EDM heat-seeker to return to San Francisco, and what better place and time than Outside Lands. Flume’s popularity could land him Twin Peaks headlining duties.

Tycho: [CONFIRMED] Having become the darlings of Another Planet, what better progressive act to grace the bill than Tycho. Sold out shows in the coming weeks lend to a strong demand.

Foster the People: Performing at Squamish Valley Music Festival Friday lends a good possibility that Mark Foster and band will trek down to Golden Gate Park for a Sunday set. A slot at Osheaga Festival the weekend prior says they’ll be hitting many large events as they support their latest release Supermodel.

Iron & Wine and Glen Hansard: These two artists are booked to play Hollywood Bowl on August 10th, leading most savvy music aficionados to make the leap that these acts will be present.

Danny Brown: A lack of Bay Area dates coupled with spots on the ‘OSL crossover’ festival, Squamish, could mean we are in for a ‘Kush Koma’ with oddball, Danny Brown. 

Mad-Rush-Tim

Likely To Appear

Elton John: The announcement of Sir Elton playing Bonnaroo has fueled this rumor nicely, even if questions of availability swirl. The main issue would be surrounding a clause with Caesars where John has a residency. However, this Vegas run ends in April, so it looks possible.

Green Day: These Bay Area legends have surprisingly never played Outside Lands, and it seems possible we’ll see them grace the main stage for a night with Billy Joe and company. 

Coldplay: New music on the way, coupled with scheduled appearances at South by Southwest is a clear sign that Chris Martin and lads are gearing up to re-dominate the world with their anthemic rock. Also, never headlined OSL.

Tiësto: [CONFIRMED] Ranger Dave likes to book some of the biggest names in the EDM world to ‘compete’ with headliners, attracting a slightly younger crowd to congregate at Twin Peaks on most evenings. Tiësto’s production would fit nicely into the bigness of past DJ spotlights.

Frank Ocean: Frankie is mounting his come back after a relatively quiet past few years. His billing on Bonnaroo fuels the speculation that Super Fly booked him, and other acts, for more than just Roo.

The Flaming Lips: [CONFIRMED] Wayne Coyne has had a busy past few months with a recent release and some serious Fall touring. Now, as summer looms, it appears the Lips will be omnipresent at summer festivals. Recent Another Planet shows coupled with Bonnaroo presence make these weirdo legends a likely booking.

Lorde: Has any act ever gone to sub-headliner status this quickly? Based on her popularity and the way she’s altered the pop landscape, Lorde deserves it. She’s confirmed to play Osheaga and her April dates at Fox Theater sold out immediately.

Chance the Rapper: No longer Chicago’s secret, Chancelor Bennett needs to get better acquainted with the Bay Area. There is a gap in his schedule, and the Acid Rapper is confirmed for Osheaga.

HAIM: [CONFIRMED] For being California girls, sisters Este, Danielle and Alana could show a bit more love to the Bay Area (They’ve played in England over 20 times). Their first ever show in the Bay was at Treasure Island Music Festival last year, and their fauxchella Fillmore dates were tough tickets to snag as they sold out in seconds.

Lykke Li: [CONFIRMED] Confirmed for Friday of Squamish, it’s very possible the breathtaking Swedish singer-songwriter could grace Outside Lands on Sunday.

Foxygen: Even though there has been turmoil (broken legs, inner-band conflict), the 21st Century Ambassadors of Peace & Magic should come play “San Francisco” in it’s namesake. The group is confirmed for Pickathon as well.

Mikal Cronin: [CONFIRMED] The singer-songwriter has become quite the popular local musician and would be ideal for a showcase of SF rock. Booked for the Oregon Pickathon means he’ll be active around this time. 

Valerie June: [CONFIRMED] The American singer, songwriter and multi-instrumentalist is playing Pickathon and other West Coast dates prior to Outside Lands. June’s sound will fit nicely into the festival’s curation net.

On-The-Rail-Tim

It Could Happen

Kanye West: [CONFIRMED] As it appears OutKast will not be the infamous first hip-hop headliner, we look to Kanye West as an outside possibility as the debut of rap taking center stage one summer evening. Inclusion on Bonnaroo’s docket makes a reasonably strong start to an argument for Yeezy.

Eminem: Already a rumored headliner for Lollapalooza, Slim Shady has also booked a co-headlining date with Rihanna at the Rose Bowl in Pasadena the Thursday before Outside Lands while also confirmed for Squamish on Sunday the 10th. Starting to trend toward “likely”, should we be adding RiRi as a rumored headliner?

Tool: Already playing two SF shows in March, would it be that much of a surprise to see Tool headlining one night? Certainly they are big enough to handle top billing duties.

Pharrell Williams: A Ranger Dave’s “hat” tweet has led many to speculate the possibility of Williams’ presence on the festival grounds. Limited dates pepper his itinerary, so it’s anyone’s guess.

The Avett Brothers: Having not played the event in over five years and select festival appearances over the summer, one could make the argument that Avett will return. Bonnaroo booking also helps this case.

Kendrick Lamar: K-Dot’s touring schedule is open, but there are no obvious indicators an Outside Lands appearance will happen. But for a festival that’s usually short on hip hop & rap, it would be too fun to see the Outside Lands stage and surrounding area get crazy during “Backseat Freestyle”.

Gogol Bordello: The Gypsy-punk freaks are confirmed to play Osheaga, and they played Outside Lands in 2010. A return seems possible.

Jagwar Ma: [CONFIRMED] Being rather active in the festival realm in 2014, these party-starters can easily jump from Osheaga over to SF. A previous Another Planet-booked show at the Independent demonstrates there is communication present.
 
Polo-Field-3-Tim

Long Shots: Already booked elsewhere (don’t count on it)

OutKast: Andre 3000 and Big Boi might be playing over 40 festivals this year, but Outside Lands won’t be one of them. OutKast is confirmed for Flow Festival in Finland the same weekend as Outside Lands.

Arcade Fire: Win Butler and company are performing at Squamish Valley Music Festival, but they have a date set at Shoreline in July, and they headlined three years ago.

Jack Johnson
Queens of the Stone Age
Robert Plant
Santana
Neutral Milk Hotel
Janelle Monae
DARKSIDE
Mac Demarco

Twin-Peaks-Scene-Tim

Showbams’ top tracks of 2013

Best-tracks-post

Sometimes the more music you listen to, the feeling of missing out on a song or an album can make you feel a little neurotic. You simply can’t give every piece of good music it’s proper due. So when it comes to picking your favorite songs, a safe bet is to pick the songs that not only soundtracked your year but also helped define it.

Showbams presents our Contributor top tracks of 2013. What are your favorite tracks of this dwindling year? Holler with links in the comment section…


James Blake at Treasure Island Music Festival 10/19. Photo by Marc Fong.

James Blake at Treasure Island Music Festival 10/20. Photo by Marc Fong.

Mike Frash // Founder, Editor, Columnist // @MikeFrash

01. James Blake – “Retrograde”
“Retrograde” perfectly represents the state of music in 2013, providing an amalgamation of cutting edge electronic, bass & R&B sensibilities. Also, the track is hauntingly memorable — How many contemporaries can use their pitch-shifting croon-hum as a low melodic layer like this? Lyrically, manipulative seduction is the center piece as Blake propositions his subject, asking to “show me where you fit.” Retrograde means ‘moving backwards’, and the theme is splendidly represented in the song’s payoff through elongated synth that modulates enough to sound like slow degradation.


02. Disclosure – “When A Fire Starts To Burn”
The mantra of the year, “When A Fire Starts To Burn” can ignite a party or help work get done faster. Somehow the motivational speech sample never tires, and it’s one of the only samples on Settle, proving the keen production sense Guy and Howard Lawrence have ingrained in them. The simple four on the floor house beat slightly evolves every 16 bars, allowing the sample to dominate throughout. An instant classic, it’s a track that uses long-used underground themes and brings them to the forefront as Disclosure continues to explode with popularity.


03. Arcade Fire – “Afterlife”
The penultimate song from Reflektor explicitly stares death in the face and dares you to live. More than any other song on the record, “Afterlife” successfully digs into the idea of what happens when we die in Arcade Fire’s serious, intense style. The song offers multiple rhetorical questions that function as a challenge. Our time is finite, and love should be the focus. “It’s just an afterlife with you…”


04. Foals – “Milk & Black Spiders”
So much of Foals’ music is about being on the verge of total loss, although the message is almost always vague. A far cry from yelling at “Cassius” that she’s “second best”, “Milk & Black Spiders” centers on the idea of confidence in finding the right mate and openly admitting it. Found in an album full of potential top tracks, this cut contains the best moment of the album at about 3:30. Is it hyperbole to consider this one of the most euphoric crescendo of all time?


05. my bloody valentine – “in another way”
To be truly understood, my bloody valentine needs to be felt, not only heard. To experience MBV live or in the comfort of your living space like the Maxwell Guy is encouraged (although it may be too late to catch them live). The sound is jarring at first, but upon adapting to the volume level, “in another way” transforms into magnificent hypnotism once the first major chords hit. It’s like a persistent, awesome airplane is taking off in your face, in a very good way…

06. Baths – “No Eyes”
07. Vampire Weekend – “Hannah Hunt”
08. Kanye West feat. Frank Ocean – “New Slaves”
09. The National – “I Need My Girl”
10. Rhye – “Open”
11. Volcano Choir – “Byegone”
12. Phosphorescent – “Song For Zula”
13. Run the Jewels – “Job Well Done (feat. Until the Ribbon Breaks)”
14. Mount Kimbie – “Made To Stray”
15. Kurt Vile – “Wakin on a Pretty Day”
16. Darkside – “Paper Trails”
17. Autre Ne Veut – “Play by Play”
18. Jon Hopkins – “Breath This Air”
19. Haim – “Falling”
20. Bill Callahan – “Small Plane”


Vampire Weekend at Fox Theater Oakland 4/17. Photo by Marc Fong.

Vampire Weekend at Fox Theater Oakland 4/17. Photo by Marc Fong.

Molly Kish // Artist Relations Manager, Columnist // @MollyKish

01. Vampire Weekend – “Unbelievers”
Far from the New England prep rock of their previous two albums, the boys of Vampire Weekend explore new territory both in songwriting and soundscape on their 2013 release Modern Vampires of the City. This breakout pop gem explores the frivolity of faith, dissecting spirituality in the context of a contemporary domestic relationship. Paying homage to blissful rockabilly melodies executed by such greats as Buddy Holly and the Crickets and Jerry Lee Lewis, Vampire Weekend put a current spin on an archetypal pop formula, composing easily one of the best tracks of 2013.


02. Big Black Delta – “Side of the Road”
Jonathan Bates, of Mellowdrone fame, delivers one of the catchiest terrestrial dance jams of 2013 with the lead single off of his debut album, Big Black Delta. A solo project, Bates performs the entire song through layers of modified vocals, electronic improvisation and innovatively tracked percussion. He succeeds in developing an addictive one man dance party that’s just as entertaining to see live as it is to listen to on record and calls for near immediate loops of repetitive play.


03. Disclosure -“F For You”
UK sibling duo Disclosure deliver one of the hardest hitting and simplistically rendered club hits of 2013 with “F For You.” Stripping away frivolous electronic production, they find success in a modest deep house composition featuring a pulsating baseline, repetitive chorus and a stylistically pert, finger-snapping beat. The song’s sassy subject matter and infectious groove are bound to get any dance floor moving and set the song apart as a standout hit on the band’s 2013 debut album.


04. Yeah Yeah Yeahs – “Sacrilege”
Departing from their traditionally art punk mold, the Yeah Yeah Yeah’s burst back on the scene with the first single off of their fourth studio album, Mosquito. Highlighting rooted soul riffs and Karen O’s bluesy wails, the beat driven arrangement pays homage to the band’s time spent writing and recording in New Orleans. The track in a fiery choral cameo by the Broadway Inspirational Voices Choir and serves as the band’s rousing call to arms for their alternative counterparts. The song exemplifies the band’s successful feat in retaining some of the genres fearlessness and artistic credulity as well as their willingness to step outside of the convoluted mainstream box.


05. Holy Ghost! – “Dumb Disco Ideas”
Often compared to fellow DFA records’ flagship artist LCD Soundsystem, Holy Ghost! assumed the label’s inherent responsibility of producing the next wave of synth-pop super hits with their 2013 album Dynamics. The most comparable track, coming in the form of this funk laden jam, draws directly from the genre-defining record label’s indisputable formula for discotheque domination. Rhythmically resonating with old and new fans alike, Holy Ghost! seamlessly transitioned into their new reign of the DFA universe with this stand out party anthem that floored live music venues and festival stages, all summer long.

06. Daft Punk – “Get Lucky”
07. Atoms for Peace – “Default”
08. Arcade Fire – “Here Comes the Nighttime”
09. Toro Y Moi – “Say That”
10. Empire of the Sun – “Alive”
11. Cut Copy – “Free Your Mind”
12. STRFKR – “While I’m Alive”
13. Jagwar Ma – “Man I Need”
14. Phoenix – “S.O.S. in Bel Air”
15. Washed Out – “All I Know”
16. Kanye West – “Black Skinhead”
17. CSS – “Into the Sun”
18. Devendra Banhart – “You’re Fine Petting Duck”
19. Wild Belle – “Another Girl”
20. The Strokes – “One Way Trigger”


Palma Violets at The Independent 4/23. Photo by James Nagel.

Palma Violets at The Independent 4/23. Photo by James Nagel.

Kevin Quandt // Assistant Editor, Columnist // @KJQuandt

01. Daft Punk – “Get Lucky”
When the ‘Song of the Summer’ (sorry “Blurred Lines”) is as thoroughly enjoyable as this interstellar first single off of RAM, you know you won’t get nearly as tired of it as past summertime jams. “Get Lucky” is still is as fresh as the first time it was debuted on a Saturday night at Coachella, eventually ruling airwaves across multiple genres all over the globe. This track has it all; from a space disco groove that rivals any legendary disco jam to the sultry vocals of the multi-talented Pharrell Williams. Was it the single that most fans were expecting? Probably not, but lends even more to the production and writing talent of these two mysterious French robots that most of us know by the name of Daft Punk. Though we haven’t seen how it’ll shake out on stage, if ever, it is sure to be on repeat for the foreseeable future. 


02. Foxygen – “No Destruction”
What a fun slice of American tinged psych-pop these young San Franciscans delivered this year. Sure this band has had a rough year on the road, but these issues never diminished their stellar sophomore release, spotlighted by this rousing tale of youthful urban life and love. Dylan-esque crooning coupled with phrasing that would make Ray Davies blush lends a nod to some of rocks legends in the form of “No Destruction”. Every listen also shines more light on the storyboard that these lyrics build, adding another key component to Foxygen’s success.  


03. Foals – “My Number”
I’m not sure exactly when Foals became masters of catchy song structures, but many are happy to hear this British act upping their game to dazzling new heights. The formula of placing the hook early in the track is part of the key, and this is not to mention the amazing returns to said hook while balancing afro-inspired guitar lines, piercing melodies and unpredictable rhythm shifts. “My Number” signifies the next era for Foals while displaying they are ready to leave the clubs to larger theaters while bearing the banner of Bono-esque grandeur in the face of a changing landscape in popular rock music. 


04. King Krule – “Baby Blue”
Young Archie Marshall has come along way for a 19 year old Brit with a refreshing spin on bedroom-produced darkwave music. Though in all honesty, King Krule can not be defined as he bends genre lines all over his debut LP, 6 Feet Beneath the Moon. Archie’s unique vocal stylings paint a brilliantly simple portrait of love lost over a stripped down production that is akin to the muted style that launched acts like the XX and Toro Y Moi. The baritone delivery pitches and bends on the singer’s whim over gentle guitar flourishes and minimal beat production equally something fully unique. In an age of EDM maximalism, it’s tracks like this that demonstrate the idea of ‘less is more.’ 


05. London Grammar – “Hey Now”
London Grammar may not be an artist that the majority are familiar with, but a head-turning debut LP released in the fall has garnered this trip-hop trio much deserved attention. Hannah Reid’s vocals soar all over this chilled-out track that slowly builds to a mellow peak that could remind you of early Zero 7 (the Sia years). A feature on Disclosure’s album closer and vocal comparisons to Jessie Ware are promising signs for these up-and-comers that understand restraint can be extremely powerful as demonstrated in this powerful single.  

06. Arcade Fire – “Afterlife”
07. Parquet Courts – “Stoned and Starving”
08. Palma Violets – “Best of Friends”
09. Kanye West feat. Frank Ocean – “New Slaves”
10. Jake Bugg – “Lightning Bolt”
11. A$AP Ferg feat. A$AP Rocky – “Shabba”
12. HAIM – “The Wire”
13. Queens of the Stone Age – “My God is the Sun”
14. Vampire Weekend – “Diane Young”
15. The National – “Humiliation”
16. Ducktails – “The Flower Lane”
17. Deerhunter – “Dream Captain”
18. Jon Hopkins – “Open Eye Signal”
19. iceage – “Ecstasy”
20. White Fence – “Pink Gorilla”


Holy Ghost! at Treasure Island Music Festival 10/19.

Holy Ghost! at Treasure Island Music Festival 10/19.

Pete Mauch // Festival Manager & Columnist // @PeteMauch

01. Daft Punk – “Get Lucky”    
The summer anthem is just too good to be denied the number one spot. With Nile Rodgers laying down the funk chords on guitar and Pharrell Williams’s resurgence back on the scene with smooth croons, it gives the song has some serious lasting power.


02. Kurt Vile – “Wakin On a Pretty Day”
Best morning song ever besides Dylan’s “New Morning”? I absolutely love waking up to this song — it’s bright, catchy guitar licks are matched perfectly with Vile’s earnest lyrics about solitude, yet he’s optimistic about this pretty day. 


03. Foals – “My Number”  
This song come firing out of the gates with infectious dance grooves that are nearly impossible to not move your feet to. The hypnotizing multi-guitar work is such a great complement to the vocals on this should-be hit single.


04. Jagwar Ma – “Come Save Me”
If the Beach Boys started to make electrified, psychedelic dance songs then I suspect it would sound a lot like this. These Australian rockers put together one hell of a dream-like track this year.


05. Superhuman Happiness – “Sentimental Pieces”
One of the most fun and creative songs I’ve heard in a long while. The way they combine dance grooves, hand claps, piano work, and some serious vocal harmonizing is quite impressive.

06. Holy Ghost! – “Dumb Disco Ideas”
07. Earl Sweatshirt – “Chum”
08. White Denim – “Pretty Green”
09. Sigur Rós – “Isjaki”
10. Phosphorescent – “Song for Zula”
11. Youth Lagoon – “Mute”
12. Savages – “She Will”
13. Anders Osborne – “Peace”
14. Ty Segall – “Sleeper”
15. Atoms for Peace – “Judge, Jury, and Executioner”
16. Jim James – “Know Til Now”
17. Deerhunter – “Back to the Middle”
18. Johnathon Wilson – “Moses Pain”
19. Bonobo –  “Cirrus”
20. Darkside – “Paper Trails”


Washed Out at First City Festival 8/24. Photo by Marc Fong.

Washed Out at First City Festival 8/24. Photo by Marc Fong.

Kevin Raos // Columnist // @Semirec

01. Vampire Weekend – “Hannah Hunt”
The best song, on perhaps the best album of the year, “Hannah Hunt” is an instant classic. Modern Vampires of the City is littered with tracks that will be considered amongst Vampire Weekend’s best, and “Hannah Hunt” leads the pack. Despite the lack of “quirkiness” that Vampire Weekend is sometimes known for, the track gently builds the listener up to one of the most jubilant climaxes found on any record this year.


02. Youth Lagoon – “Raspberry Cane”
Another song that builds you up and sweeps you off your feet, “Raspberry Cane” is a bright spot on Wondrous Bughouse, a sophomore effort that fell slightly short of expectations. Hauntingly fascinating and beautifully psychedelic, this song takes the listener on a musical journey.  


03. Arcade Fire – “Afterlife”
“Afterlife” is a song that took a few years to see the light of day. When it was released, Win Butler commented on the history of this song, saying it began “with a Haitian percussion loop we recorded way back at the end of the The Suburbs tour and “took a while to get the chorus right.” Enter producer James Murphy and the result is an extremely danceable synth-pop tune that is up there with the year’s pedigree.


04. Rhye – “Open”
Passion oozes from this song. Simple and pure love in it’s most basic form. Lyrics, musicianship and delivery make this track one of the most soothing songs of the year. Turn this on,  embrace those you love, and all will be right in the world if only for a couple minutes.


05. Washed Out – “It All Feels Right”
The title of this song says it best. Washed Out’s sunbathed reverb vibes can instantly transport you to a beach and put a beverage in your hand. Fact. Move aside “Get Lucky”, this was the summer anthem of 2013 on my stereo.

06. Major Lazer – “Get Free”
07. Wild Belle – “Keep You”
08. Holy Ghost! – “Dumb Disco Ideas”
09. Yeah Yeah Yeahs – “Sacrilege”
10. James Blake – “Retrograde”
11. Phosphorescent – “The Quotidian Beasts”
12. Daft Punk – “Instant Crush”
13. Boards of Canada – “Nothing is Real”
14. Mikal Cronin – “Weight”
15. Sigur Rós – “Brennisteinn”
16. Kurt Vile – “Wakin on a Pretty Day”
17. Phoenix – “Trying to Be Cool”
18. Foxygen – “San Francisco”
19. Junip – “Line of Fire”
20. Disclosure – “White Noise (feat. AlunaGeorge)”


Cut Copy at Fox Theater Oakland 11/02. Photo by James Nagel.

Cut Copy at Fox Theater Oakland 11/02. Photo by James Nagel.

Brooks Rocco // Columnist // @brooksrocco

01. Jagwar Ma – “Uncertainty”
In the wholly subjective exercise of selecting a favorite song of a year, one must consider one’s most notable experiences, focusing upon those driven by the most notable soundtracks. 2013’s best dance party, in my little sphere of dominion, was Jagwar Ma’s headlining set at Rickshaw Stop, and it was the song ‘Uncertainty’ that made me most notably lose control of my senses. Even upon sober reflection, the song (defining the tone of the album it appears on) is a sledgehammer of a good time, a song that revels in the Clichés that in an earlier year would have manifested in sardonic irony. It’s finally time to embrace what works, and in doing so, create the future that pushes towards the goal: a musical tribute to our ecstatic humanity, as we remain fueled by uncertainties.


02. Deafheaven – “Dream House”
In some ways, “Dream House” is the end of black metal. It’s been a long time coming though, with American kids raised on the stuff tilting their combo amps backward, screaming their fresh-faced idolatry for the legends that dared to not give a fuck. With the pink Pitchfork kiss of approval, black metal has become another texture in the tech-savvy hipster’s chest, to be yanked out when the time is appropriate (then and only then!). ‘Dream House’ is the black metal song that everyone can agree on. Euronymous is Dead. Long live Black Metal.


03. Cave – “Arrow’s Myth”
Shifting space, coagulating color, sound, motion; breaking barriers, and driving the motorized swirl ever farther, Cave returned in 2013 with some of their most funky and delicately harmonious hues yet. Once again they delivered just the right the stuff we all need—imbalance your chemicals (whatever that means to you), throw on “Arrow’s Myth”, and wrap your head around whatever comes natural. If it feels good, right?


04. Carcass – “A Congealed Clot of Blood”
I got a little worried when I found out Andy Sneap was producing the followup to Carcass’ swan song, Surgical Steel, as said producer is the type of surgeon to sterilize all his instruments thoroughly before performing his delicate incisions. Fortunately, this sublime return to force by the UK legends is necrotising death metal masterpiece; ‘A Congealed Clot of Blood’ worthy amongst their greatest.


05. my bloody valentine – “in another way”
I wasn’t listening to Loveless in the 90’s like it was my religion. In my erumpent musical debut, I was blasting stuff like Emperor, Dissection, Meshuggah; bands louder, noisier, and far, far more unsettling than My Bloody Valentine. But for a lot of people, MBV were the anti-music of their spheres. That said, the night m b v dropped, I got sucked into the tornado along with everyone else.  A cursory pirated listen and I was in. ‘in another way’ was the tune that made me whip out the plastic capital and order the wax. Full disclosure for Mr. Shields: it was that guitar.  How did you…

06. RP Boo – “Invisibu Boogie!”

07. Dispirit – “All Paths End The Same”

08. David Bowie – “Where Are We Now?”

09. Föllakzoid – “9”

10. Foals – “Late Night”

11. Thee Oh Sees – “No Spell”

12. Mikal Cronin – “Shout It Out”

13. The Five Eyes – “HEY HEY NSA (Tinfoil in Every Hat)”

14. The Knife – “Old Dreams Waiting to be Realized”

15. Kanye West – “On Sight”

16. Uncle Acid & The Deadbeats – “Desert Ceremony”

17. Parquet Courts – “Master of My Craft”

18. Cut Copy – “Free Your Mind”

19. Anthroprophh – “Hermit”

20. Telekinesis – “Power Lines”


MS MR at The Independent 6/16. Photo by James Nagel.

MS MR at The Independent 6/16. Photo by James Nagel.

Nikki De Martini // Columnist & Photographer // @SweetSoundBites

01. M.I.A. –  “Y.A.L.A.”
Seducingly rhythmic percussion loops, heavy dropping bass lines and a shining bratty-tude mock US society fads on this effortless dance track from my favorite Sri Lankan West-Londoner. M.I.A.’s signature ballsy Bollywood flavor minus the familiarity of foghorns will make you want to get up and dance before realizing what she’s singing about sets in and when it does, this track gets even better. “Y.A.L.A.” makes me wonder why Interscope Records repeatedly shelved her 4th album for not being “dark” or “controversial” enough.


 
02. RAC Featuring Kelle Okereke and MNDR – “Let Go”
As a fan of MNDR for years and a Bloc Party fan for even longer, this collaborative RAC track won me over since the very first time hearing it — the emotionally charged lyrics paired with it’s uplifting melody just melt into one so well.


 
03. MS MR – “Hurricane”
Easily one of my favorite tracks off of their breakthrough debut album, the first single “Hurricane” showcases the multitude of MS MR’s talents to a tee with rich, relatable lyrics and an underlying electro-pop essence wrapped up and delivered in a neat indie rock fashion.


 
04. Arctic Monkeys – “Do I Wanna Know?”
It’s heavy drums, low bass chords and dirty guitar licks reminiscent of The Black Keys are that draw me to this song. Then the lyrics hit and that was it. Every time I hear this song I turn it up and sing along.


 
05. Schoolboy Q Featuring Kendrick Lamar – “Collard Greens”
The catchy hooks and layered verses are a throw back to old school “dirty” rap yet remain fresh, leaving me hungry for more Kendrick Lamar!  


 
06. Lana Del Rey – “Summertime Sadness” (Cedric Gervais remix)
07. LORDE – “Team”
08. Cage the Elephant – “It’s Just Forever (featuring Alison Mosshart)”
09. Yeah Yeah Yeahs – “Wedding Song”
10. Queens of the Stone Age – “Sat by the Ocean”
11. Jay Z – “Tom Ford”
12. Little Boots – “Strangers”
13. Portugal the Man – “Purple Yellow Red and Blue”
14. VV Brown – “Apple”
15. Sleigh Bells – “Bitter Rivals”
16. Broken Bells – “Holding on for Life”
17. NONONO – “Pumping Blood”
18. CSS – “Hangover”
19. Atlas Genius – “Electric”
20. Smallpools – “Dreaming”


Atoms For Peace at Treasure Island Music Festival 10/19. Photo by Marc Fong.

Atoms For Peace at Treasure Island Music Festival 10/19. Photo by Marc Fong.

Pedro Paredes // Photographer // @pedropar

01. Atoms for Peace – “Before Your Very Eyes”
Every great album needs an opening song worthy of it, and “Before Your Very Eyes” gives just that to the supergroup formed by members of Radiohead (Thom Yorke, Nigel Godrich), Red Hot Chili Peppers (Flea), Beck (Joey Waronker) and Forro in The Dark (Mauro Refosco). With dense, steady percussions, electronic arrangements, a simple guitar section, and the soft sound of Thom Yorke’s voice, this song walks to the beat of life and death, joy and sorrow, and begins the path for one of the best albums of 2013.


02. Vampire Weekend – “Obvious Bicycle”
Vampire Weekend’s first song of their amazing Modern Vampires of the City sets the mood for an album that takes a different route from their previous work, with a warmer, more mature sound. A beautiful song for a beautiful album.   


03. James Blake – “Retrograde”
Melodic Bass Music are the words James Blake chose to describe his work, and “Retrograde” seems to fit that description quite well. It’s a love song for the future, coming from the darkness of the dawn.


03. Nick Cave and the Bad Seeds – “Jubilee Street”
Nick Cave is a natural storyteller that makes use of his musical talent to make any story come alive (his music scores for films like ‘The Assassination of Jesse James’ or ‘The Proposition’ are enough to prove my point)  Jubilee Street starts simple, growing in complexity in the subtlest of ways, beautifully contained under the spell of Nick Cave’s voice.


05. Blood Orange – “It is What it Is”
“It is What it Is” is exactly what it should be — Deliciously elegant, precise, presenting a new version of 80’s pop-reset. This song is the cherry on top of one of the best albums of 2013.

06. Mutual Benefit – “Golden Wake”
07. Arcade Fire – “Here Comes the Night Time”
08. Daft Punk – “Instant Crush”
09. Lorde – “Royals”
10. William Tyler – “Cadillac Dessert”
11. Kurt Vile – “Wakin on a Pretty Day”
12. Phosphorescent – “Ride On/Right On”
13. Deerhunter – “Back to the Middle”
14. Darkside – “Paper Trails”
15. Nine Inch Nails – “Copy of A”
16. Parquet Courts – “Stoned and Starving”
17. Low – “Plastic Cup”
18. Blue Hawaii – “Try To Be”
19. Yeah Yeah Yeahs – “Despair”
20. Foxygen – “No Destruction”