Coachella reveals 2019 set times

Coachella 2019

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 12th-14th & April 19th-21st, 2019 //

It’s officially Coachella week, and we all know what that means: scheduling conflicts galore.

The three-day, two-weekend music and arts festival has revealed the set times for its 20th edition just after 11 a.m. PT (11:04 a.m. to be exact), about 16 hours later than it did in 2018.

Coachellans often have some tough decisions to make as to which artists they should see, and 2019 is no different in that respect. But if you’re headed to the desert this month, take a look at the set times below so you can survive all three days at the Empire Polo Club.

Tell us, though … what’s your biggest conflict this year and which performance are you most excited for?

WEEKEND 1 SET TIMES

Coachella 2019 - Weekend 1 - Friday set times

Coachella 2019 - Weekend 1 - Saturday set times

Coachella 2019 - Weekend 1 - Sunday set times

Coachella 2019 - Weekend 1 - Do LaB Stage set times

WEEKEND 2 SET TIMES

Coachella 2019 - Weekend 2 - Friday set times

Coachella 2019 - Weekend 2 - Saturday set times

Coachella 2019 - Weekend 2 - Sunday set times

Coachella 2019 - Weekend 2 - Do LaB Stage set times

There are a few minor schedule tweaks for Weekend 2, as Big Game takes Friday’s opening slot on the Outdoor Theatre at 3 p.m. for Jimbo Jenkins, who has been moved to the Sahara Tent on Saturday at 12:25 p.m. More Saturday changes include More Fire Mondays replacing Gabe Real on the Coachella Stage at 1:50 p.m., CPTN KIRK taking Fundido’s spot in the Gobi Tent at 12:45 p.m. and Lealani kicking things off in the Mojave Tent rather than Yeti Out at 12 p.m. bright and early (and hot, most likely).

On Sunday, Ugly Primo will now be the first act — instead of Alf Alpha — to take the Coachella Stage at 2:15 p.m. while Subsuelo gets things started in the Mojave Tent at 1:40 p.m., replacing Ericalandia, and Cre-8 has been moved in place of R3LL in the Sahara Tent at 1:50 p.m.

UPDATE (April 18th): Christine and the Queens has canceled her Weekend 2 performance at the Outdoor Theatre, sadly due to her mother’s death. Héloïse Letissier announced the news on Twitter in her native tongue of French (see below).

MAP

A little more than four hours after releasing its Weekend 1 set times, Coachella unveiled this year’s map and it looks fairly similar to what we saw in 2018.

One of most notable differences is the relocation of the Gobi Tent and Sonora Stage, which have traded places with the Indio Central Market and the Antarctica dome, the latter being one of the cooler (no pun intended) experiences that the festival has introduced in the past three years. The Heineken House, meanwhile, has also moved (next to Antarctica) and sits more tucked away from Coachella’s eight other stages than it ever used to be.

Coachella - 2019 map

The Mojave Tent will continue to remain in its same location, with a few new additions to the area, including the Calvin Klein, Pantene and Peet’s Cold Brew tents. Believe it or not, there’s even a designated place where you can pick up your Postmates order. Ah, corporate sponsors … because what would America’s most Instagrammed music festival be without them now?

Happy Coachella!

Goldenvoice unveils 2019 Coachella sideshows

Goldenvoice Presents: April 2019

Valentine’s Day is back, and even if you don’t have someone special to celebrate the occasion with this year, Goldenvoice is still giving you a reason to love live music in 2019.

As the 20th anniversary of Coachella approaches in less than two months, the famed concert promoter has once again revealed its latest list of April sideshows that will take place across the greater Los Angeles landscape, including some in Orange County, Santa Barbara County and the desert. There are even a few new venues — both big and small — that are hosting for the first time: Zebulon in the gentrifying LA neighborhood commonly known as “Frogtown,” La Santa Modern Cantina (or “La Santa” as locals call it) as well as the Yost Theater in Santa Ana, Chain Reaction in Anaheim and The Forum in Inglewood.

California punk rockers The Frights kick off the festivities with their headlining performance at The Glass House in Pomona on Saturday, April 6th before the action really ramps up just a few days later. That’s when the following acts will take the stage either inside or just outside of LA County:

Mac DeMarco, Tame Impala, Clairo, Blood Orange, Dennis Lloyd, Pusha T, Iceage & Shame, Yellow Days, Hop Along & Soccer Mommy (with Las Robertas), Smino, FKJ (with Ross From Friends), Jaden Smith (with SG Lewis), SALES, Mr Eazi, Charlotte Gainsbourg (with Steady Holiday), Playboi Carti, Bob Moses, Ross From Friends (billed, in this case, as the headliner), Ella Mai, The Messthetics, The Garden, BLACKPINK, HYUKOH, Turnover (with Turnstile), PARCELS (with Cola Boyy), KAYTRANADA, CHVRCHES, Mon Laferte, Khruangbin (with The Marías & Steady Holiday), Superorganism and Perfume. See the full list of sideshows in the poster above.

Much like last year’s sideshows, there won’t be a special showcase at the Palm Springs Air Museum the night before Coachella’s first weekend as there was back in 2017. Nonetheless, there are still two TBA gigs scheduled for April 10th and 17th at The Roxy that we’ll have to await further word on.

Since 2012, Goldenvoice has made a point of capitalizing off its signature event by putting on more shows in and around Coachella — though the volume has started to drop more recently, with the number of sideshows this year down to 34 in comparison to 53 in 2018 and 62 in 2017. With 19 less in 2019, we can only surmise that Goldenvoice is still trying to find a “sweet spot” when it comes to the amount it organizes and promotes in support of the world-famous three-day, two-weekend music festival.

That said, Paul Tollett and company have still managed to give Southern California an eclectic roster that offers a little bit of everything, from lo-fi and indie rock to hip-hop and even K-pop. In fact, at first glance, here are the 2019 sideshows that stick out the most to us: Mac DeMarco at The Echo, Tame Impala at the Fox Theater Pomona, Blood Orange at The Roxy, Pusha T at The Novo, Hop Along & Soccer Mommy (with Las Robertas) at the El Rey Theatre, Bob Moses at The Glass House, PARCELS (with Cola Boyy) at The Fonda Theatre, Khruangbin (with The Marías and Steady Holiday) at Pappy & Harriet’s and Superorganism at The Roxy, which will have a show practically every night during the eight-day run.

Tickets for most of the sideshows go on sale here this Friday, February 15th at Noon PT with the rest of them available on Friday, February 22nd at Noon PT or Friday, March 1st at Noon PT.

Goldenvoice

Coachella drops 2019 lineup with Childish Gambino, Tame Impala & Ariana Grande headlining 20th year

Coachella - 2019 lineup

Coachella Valley Music and Arts Festival //
Empire Polo Club – Indio, CA
April 12th-14th & April 19th-21st, 2019 //

Sorry, Kanye West fans.

Hours after TMZ reported that the rapper would not perform at Coachella due to negotiations over his stage setup falling through, the renowned three-day, two-weekend music festival has announced the lineup for its 20th edition.

Headlining Goldenvoice’s signature event in Indio this time around will be Childish Gambino, Tame Impala and Ariana Grande. While the first two acts had been previously rumored to top the 2019 bill with both expected to unveil new albums in the coming months, the inclusion of Grande comes as somewhat of a surprise (our guess is that she was likely tabbed to be West’s replacement). All three will headline Coachella for the first time, marking the second straight year that the festival has gone in that direction, although Tame Impala have performed on the polo fields several times in the past and as recently as 2015 (on the main stage before AC/DC). And for the record, Grande, at 25 years old, will be the youngest artist ever to headline.

The rest of Coachella’s 2019 roster, meanwhile, includes plenty of other household names, such as Janelle Monáe, Solange, Khalid, The 1975, Kid Cudi, Weezer, Bad Bunny, RÜFÜS DU SOL, J Balvin, Dillon Francis, BLACKPINK, Billie Eilish, CHVRCHES, Anderson .Paak & the Free Nationals, YG, Kacey Musgraves, Juice WRLD, Christine and the Queens, Playboi Carti, Ella Mai, Wiz Khalifa and H.E.R. As you can see, the focus continues to be on hip-hop, pop and R&B while straying away mostly from rock. But unlike in 2018, there seems to be more electronic music once again with Zedd, DJ Snake, Gesaffelstein, Diplo, Aphex Twin, Dillon Francis, Kaytranada, Bassnectar, Four Tet, Cirez D (aka Eric Prydz), Chris Lake, Bob Moses, Gryffin, Jon Hopkins, NGHTMRE, Gorgon City, Nina Kraviz and even 90’s progressive-house duo Deep Dish receiving fairly high placement on the fest’s famed poster.

Coachella’s first weekend is scheduled for April 12th-14th, with its second weekend slated for April 19th-21st. All tickets will go on sale for both weekends this Friday, January 4th at 11 a.m. PT here.

Ready to party in the California desert this April? Relive our five favorite moments, whether it was Jamiroquai or Eminem, from last year’s installment.

Coachella 2018

Treasure Island Music Festival 2013 predictions

TIMF-2013

Treasure Island Music Festival‘s 2013 lineup will be unleashed Tuesday (May 28th), so it got us thinking: Who will perform at the festival on the bay October 19th-20th? This scenic festival usually offers about 25 acts over two days and is conflict-free — no sets overlap.

Our predictions are based on simple research; we take a look at artists that fit into Treasure Island Music Festival’s curation history who also happen to be touring in or around October. Be warned — this is pure speculation. The confirmed lineup will be released Tuesday morning after Memorial Day weekend.

UPDATE: The lineup was announced May 28th, and it’s a good one. We got a handful of artist predictions correct, and remember to snatch up those early-bird tickets when they go on sale Friday at 10 a.m.


Atoms for Peace
Atoms-for-Peace
Thom Yorke and his band of merry players are the first and most glaring treat that is likely to headline Saturday’s traditionally dance, hip-hop and electronic-friendly bill. Their particular tour route puts them right in the Bay Area after a pair of instant sellout shows in Southern California. It appears Thom will will bring the group of Flea, Nigel Godrich, Mauro Refosco and Joey Waronker to stay consistent with this project’s past. Rich rhythmic arrangements and lush synths are certain to keep patrons dancing well into a, hopefully, warm Indian Summer night with the cityscape as one of the best backgrounds a fan can ask for. Their 2010 Fox Theater shows were well received and at capacity, so tickets for Treasure Island this year could go quickly. AMOK received high praises a few months back, and now with a deeper bag of songs to pull from, one can only be thrilled at this lauded fall tour finishing in the Bay.

The Cure
The-Cure
It was rather surprising that this name didn’t appear on the Outside Lands lineup, but what better veteran rock act is there to close out Sunday evening? Though Robert Smith won’t be touring a new record, he will likely have a few tricks up his sleeve after a multi-year tour hiatus, except for a handful of European festivals in 2012. The Cure will be active in October, performing at Austin City Limits, and it’s been nearly a decade since they played the City proper, so what better time than October?

Queens of the Stone Age
QOTSA
Giddy up! Josh Homme and his crew of stony musicians are back for more after a hiatus from touring with his most-famous project to date. With their forthcoming release …Like Clockwork arriving in June, it’s sure to be a busy second half of 2013 for QOTSA as the California band books festival after festival, getting these new tracks into the ears of anxious listeners. One other aspect that we have to look forward to is the inclusion of John Theodore (ex-Mars Volta) as QOTSA’s new drummer, sure to propel the pummeling drive of the Hommes’ quintessential stoner hard rock.

Animal Collective
Animal-Collective
The psychedelic, seizure-inducing LSD flashback of a freakout known as Animal Collective would be a fine fit in TIMF’s scope of artists, and they could possibly headline at this point. They have been touring with Dan Deacon and were forced to cancel a block of dates in March due to Avey Tare’s mondo case of strep throat. Many of these shows have been rescheduled for October, and there is a noticeable gap on their tour docket from October 18th-23rd. AC will also be performing at other music festivals like Austin City Limits and Mountain Oasis Electronic Music Summit, making a TI performance even more logical.

Kendrick Lamar
Kendrick-Lamar
California native Kendrick Lamar has only set foot in San Francisco/Oakland once since releasing his instant classic LP Good Kid, Mad City, and TIMF has provided at least one marquee hip-hop name on the lineup the past three years with Public Enemy, Dizzee Rascal & Die Antwoord (zef-hop?). Let’s hope this continues with a victory lap performance from the Dr. Dre protégé, which seems logical. Lamar will continue a hectic tour schedule through the summer, then he’s on board to perform at Austin City Limits the two weekends prior to Treasure Island.

James Blake
james-blake
Much like Atoms, James Blake has some shows scheduled in the southern region of the state, and one can only make the educated leap that Blake will be featured at Treasure Island this year. With a constantly rising stock, Blake continues feverishly touring his latest release Overgrown, and it’s his year to bring his unique post-dubstep take on soulful balladry to a wider audience. His sunset slot time at FYF in LA last fall was superb, and one can only imagine the beauty of Blake’s set on the tiny rock in the San Francisco Bay. His crossover style makes it difficult to decipher which day he will be featured, but then again that’s one of the best aspects of music today — genre lines are being blurred more and more each year, and Treasure Island Music Fest embraces this quality so well.

Death Grips
Death-Grips
From San Francisco house parties to mid-tier festival act in a short amount of time places this highly-buzzed band square in the crossfires of Treasure Island. An extensive summer tour leaves Northern California off the itinerary, and therefore the Bay Area is likely to get some love come fall. Their brutal stage show has been turning heads, along with their shock-tastic media attention, whether it’s pissing off their label or putting out pornographic album art. Plus, they hail from Sacramento, so it would be a proper nod the region.

Disclosure
Disclosure
Treasure Island has always prided themselves on booking forward thinking, up-and-coming acts, so it would make sense to snatch up the UK two-step/house amalgam that is Disclosure. Having not returned to the Bay Area since the young lads’ banner SF premier last fall leads me to believe this would be an ideal spot to showcase the producer/brother pair. Furthermore, it would be their first under-21 show in the region and would be a perfect warm-up to Atoms for Peace on Saturday.

OTHER LIKELY PERFORMERS @timfsf
MIA
Dan Deacon
Dinosaur Jr
Foxygen
John Talabot
Palma Violets
The Shouting Matches
Savages
Paper Diamond
Phosphorescent
Haim
Autre Ne Veut
Iceage
Mikal Cronin
White Arrows
Social Studies

New Music Tuesday: Nick Cave and the Bad Seeds • Atlas Genius • STRFKR • Beach Fossils • Jamie Lidell • Iceage • Mark Kozelek • Matmos

Nick Cave and the Bad Seeds - Push the Sky Away

Every Tuesday, we focus on new music releases by naming our top tracks, album highlights, lowlights and important takeaways for select albums.


Nick Cave and the Bad SeedsPush the Sky Away

2-BamsTop Tracks:
“Higgs Boson Blues”
“We No Who U R”
“Waters Edge”

Album Highlights: Nick Cave sets his dark tone right away with the haunting opener “We No Who U R.” The song, and really the whole album has very little guitar work, but instead focuses on percussion, violin, and Caves’ uncanny lyrics. In “Higgs Boson Blues,” Cave sings about how “Miley Cyrus floats in a swimming pool in Toluca Lake”, and there are plenty of gems like that throughout the album.

Album Lowlight: Nick Cave was definitely not making a rock ‘n’ roll album this time around, and that’s fine, but it barely changes tempo and didn’t captivate me until the second to last song “Higgs Boson Blues.”

Takeaway: One of Caves’ main themes is water, and the song “Mermaids” gives a sense of the whole album in one track. It references many different types of water and captures the overall feel of love and despair between a man and this mermaid. This is a borderline concept album that is very dark and lyric-heavy. This record would play nicely with headphones on in a dark room, but I wouldn’t play this on a sunny Saturday.

~Pete Mauch


Atlas GeniusWhen It Was Now

3-BamsTop Tracks:
“Back Seat”
“Trojans”
“Symptoms”

Album Highlights: It is no surprise that “Trojans” would be the lead single of the album, as Atlas Genius has impeccably crafted a pop gem. A subtly sexy radio friendly hit, the song is infectious and will have you singing and clapping along from first listen. As a bona fide plan B, the track is strong enough to keep Atlas Genius relevant on the one-hit wonder circuit at least for years to come. Although, “Back Seat” will most likely prevent Atlas Genius from the one and done career.

Album Lowlight: An awkward departure from the New Wave sound of the rest of the album, the acoustic guitar-driven track “Through the Glass” gets muffled amongst the excess production as the band tries to blend the song’s elements into cohesion. The lyrical structure is off beat, trying to figure out its place within the composition’s confusion, and the meaning is lost amongst the noise.

Takeaway: “When It Was Now” is most exemplary of what Atlas Genius is capable of creating. The album definitely came off as a debut, full of potential stabs at mainstream airplay. The talent is there, and “When It Was Now” best dictates their strongest songwriting technique, and the direction their sophomore effort will most likely head toward.

~Molly Kish


STRFKRMiracle Mile

3-BamsTop Tracks:
“While I’m Alive”
“I Don’t Want to See”
”Leave It All Behind”

Album Highlights: STRFKR gets funky on its opening track “While I’m Alive”. Still tying in their signature Casio dance beats, they throw it back a couple generations with thumping bass lines, harmonizing falsettos and disco laden guitar riffs. Branching out from their standard indie rock formula, the boys embrace several different approaches to create a successful pop album. “While I’m Alive” opens their most ambitious effort to date with a pulsating hit ready for any dance floor.

Album Lowlight: Except for the lyrical mention of the album’s title, “Fortune’s Fool” serves little to no significance on the album. The track isn’t cohesive with the album’s composition or STRFKR’s overall sound. Furthermore, it is an awkward track that causes a division between the album’s experimental first half and more pop-centric second act.

Takeaway: Effortlessly segueing out of “Golden Light”, “Nite Rite” keeps you lingering for an entertaining seven-minute journey to the close out the album. More of prolonged jam than the typical STRFKR crafted track, the band plays with a mélange of audio effects accompanying a steady bass line, drum beat and tension building breaks. The effect is a wall of sound destined to stun in the capacity of a live show.

~Molly Kish


Beach FossilsClash the Truth

3-BamsTop Tracks:
“Careless”
“Shallow”
“Crashed Out”

Album Highlights: It’s another decent slice of shoegazing pop from Dustin Payseur and company, perfect for a rainy day inside or a sunny drive down the coast. Personnel changes marred the band in the past year, so the fact that Payseur soldiered on shows great dedication to this act, even while it splintered. Songs like “Burn You Down” demonstrate their knack for a precious sound that one can easily get lost in.

The inclusion of singer Kazu Makino on the song “Vertigo” is a pleasant surprise, as the absence of Zachary Cole Smith displays the lack of melody that was a key part of this group in previous years.

Album Lowlight: Honestly, for the amount of time taken since the release of their heralded self-titled release some three years ago, this album falls a little flat. Maybe it was that many other similar bands like Wild Nothing and Real Estate released solid sophomore efforts well before Beach Fossils did. Maybe the departure of Zachary Cole Smith to form DIIV put a crutch in the writing and recording process of Beach Fossils.

Takeaway:Fans of this band will enjoy this listen, but likely still go to previous releases more often than this effort. Sometimes great stretches of time between recording can muddle the writing process, and this may be the case for Clash the Truth.

~Kevin Quandt


IceageYou’re Nothing

4-BamsTop Tracks:
“Ecstacy”
“Morals”
“Wounded Hearts”

Album Highlights: The follow-up to 2011’s New Brigade does not disappoint, full of blistering angst-ridden Danish post-punk in all it’s youthful glory. Songs like “Everything Drifts” showcase a more musical focus with clearer sounding vocals by Elias Rønnenfelt and more in depth guitar chords. The blistering thrash of their debut has made way for a fuller, dare I say more mature sound overall. There is also a sonic richness which is more prevalent on their Matador label debut.

Lyrics have not deviated much from the societal gloom these young-ins have demonstrated on “Ecstasy”: “But bliss is momentary anyhow / Yet worth living for — take me now”.

Album Lowlights: Fans who prefer the more thrashed-out side of this band may grumble at it taking a more commercial, emotive direction, comparatively. Yes, this album comes across as less detached than the previous, but it’s with this growth that the excitement is bred. You’re Nothing is still a rough-edged album, but this new depth will please many as they make their way to comparisons of Black Flag and Fugazi.

Takeaway: How awesome is it that a bunch of Danish teenagers are the face and sound of some of the more progressive punk and hardcore in the past few years? And with their first release on Matador, they’re showing that with a few extra resources, they can bring their game to the next level while not compromising their integrity.

~Kevin Quandt


Jamie LidellJamie Lidell

3-BamsTop Tracks:
“Do Yourself a Faver”
“Blaming Something”
“So Cold”

Album Highlights: Jamie Lidell’s self-titled release is funky and soulful, yet takes a couple listens to grow on you. His first album since 2010, Lidell’s 2013 offering has an interesting flair. Most of this record sounds like a 21st century funk-infused disco that Prince commissioned to write for the Ghostbusters III soundtrack. It combines elements of 80’s R&B funk with contemporary elements of dubstep without getting too “wobbly.”

Fans of Lidell might be displeased with this departure, as electronic pop dominates over his signature soulful sound.

Album Lowlight: Jamie Lidell is at his best when he is channeling his inner Prince. (Aren’t we all?) Unfortunately, that channel breaks signal several times throughout the album, slowing down the upbeat pace of most of the songs. It’s a shame that the first single from the record is “What A Shame,” one of the weakest tracks on the record, in my opinion.

Takeaway: This album definitely has it’s moments, and for the most part, it is a very soulful funktronica album. The highlights outweigh the lowlights, which are sprinkled in just enough to cause this album to fall short of greatness.

~Kevin Raos


Mark KozelekLike Rats

4-BamsTop Tracks:
“Free for All” by Ted Nugent
“Silly Girl” by Descendents
“Carpet Crawlers” by Genesis

Album Highlights: Mark Kozelek continues with the tone that made his 2012 record as Sun Kil Moon Among the Leaves such a success. Kozelek’s hypnotic acoustic guitar repetitions and soft baritone voice combine to strike emotional depth unmatched by most contemporary artists. And with Like Rats, Kozelek takes a diverse collection of tracks from other artists to create a record that completely transforms the songs into Kozelek’s wheelhouse — moaning sentiments of self-reflection and loathing “what could have been” feelings.

Album Lowlight: My personal lowlight is just realizing I missed Kozelek on Sunday evening at Great American Music Hall in San Francisco by one day, but seriously, this guy can do no wrong as far as I’m concerned. His songs grow on you easily if you let them, and even the dark cover of “I Killed Mommy” by Dayglo Abortions works well enough, assuming you like tales of killing your family members.

Takeaway: Mark Kozelek, the prodigious singer songwriter also known as Sun Kil Moon, has embarked on a record featuring covers from other artists. The attempts at covers are wide-ranging and mostly successful; how many singer-songwriters could nail covers by Ted Nugent, Descendents and Genesis in one album? It’s worth a listen or two, but it’s hard to give Kozelek full credit since he is such an accomplished songwriter.

~Mike Frash


MatmosThe Marriage of True Mind

3.5-BamsTop Tracks:
“Tunnel”
“Mental Radio”
“Teen Paranormal Romance”

Album Highlights: Electronic duo Matmos run the gamut of music genres with The Marriage of True Mind, and it somehow does it successfully without any obvious unified theme, other than vocalizing its love of “Triangles.” This record has influences in deep house music, jazz, blues, space glitch and everything in between. “Tunnel” builds tension with a growing chorus of bees and alarm sounds — and it starts as a jungle-influenced world music track but progresses to spoken word over didgeridoo that builds to a cacophony of sound, ultimately breaking to an outro release that finishes with a hacking-bong rip cough. It’s a busy track and record, but triumphs like “Tunnel” make this LP addictive.

Album Lowlight: Attempts at Amon Tobin-like ambient space jams in “Ross Transcript” put forth a good effort but work better as a transition as opposed to a listenable song.

Takeaway: The Marriage of True Mind is a crazy blast of noise mixtures. It is experimental in nature and not beholden to any one sound aesthetic. It feels like one long jam, as if the idea of making individual songs didn’t cross the creator’s minds. It works as a cinematic soundtrack, and it is fun to see Matmos toy with genre-mixing. This LP’s obsession with the triangle, combined with alt-J’s geometric dogmatic worship of the shape, shows that triangles are so hot right now.

Matmos is not afraid to fuck with any sound, and the record contrasts light and dark tones, as well as mellow beats and intense builds.

~Mike Frash