Photos by Marc Fong // Written by Nikki DeMartini //
JMSN with Rochelle Jordan, Devon Baldwin //
The Independent – San Francisco
March 2nd, 2015 //
Last March, Christian Berishaj (better known by his stage name JMSN) opened for Crosses at The Independent. And now a year later, he has headlined there!
Dressed in Bermuda cutoffs, an over-sized, striped T-shirt, slip-on kicks and a simple gold cross on a long gold chain, JMSN looked every bit indie, complete with a well-kept beard as he breezed on to the stage. A diverse crowd leisurely mingled following supporting act Rochelle Jordan — the show was sold out by the time the headliner started.
With an exhilarated pep in his step, the Albanian-American singer/songwriter/producer from Detroit kicked things off with “Addicted” from his 2014 self-titled (The Blue) album. Greeting the crowd with a charismatic “how y’all doing?” JMSN came off very friendly and genuine, quick to interact with and introduce his bandmates and coolly connect with his fans.
His R&B singing style, paired with indie back-up bass and drums, gave the spirited set a subtle folk feel with a good-vibe glow. The talented frontman gracefully bopped around the stage all night, delivering a lively show, which pleasantly offset the somberness of the songs.
Compared to the likes of How to Dress Well and Bon Iver, JMSN has undoubtedly mastered a unique technique of blending the soul, indie and R&B genres. Appealing to a wide-ranging fan base, JMSN continues to garner high praises and a growing popularity with a wholehearted ease.

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Unobtrusively they entered. The band wore matching citrus colored paisley choir robes, the 5 piece female back-up singers were adorned in matching white lace dresses and front man Tim DeLaughter rocked a citrus colored paisley man tunic.
While teetering on top of a speaker joyously singing “Younger Yesterday”, DeLaughter fleetingly told an audience member to “put that (camera phone) away.” The Polyphonic Spree frontman didn’t harp on the issue as the group started “Popular by Design” amidst multi-colored swirling disco lights that turned the venue into one big happy kaleidoscope — but even more camera phones popped up as a consequence. In a year where Savages & Yeah Yeah Yeahs have scorned camera phones in favor of ‘being in the moment’, this artist trend seems to be on the rise.
Nikki de Martini //
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