The Avalanches make their long-awaited return to SF after more than a decade

The AvalanchesPhotos by Norm de Veyra // Written by Brett Ruffenach //

The Avalanches with Jel //
Mezzanine – San Francisco
April 18th, 2017 //

Amid a flurry of incredible talent that made its way to the Bay Area in April, perhaps the most exciting to see on the list was The Avalanches, considering it has been over a decade since the Australian outfit has toured in the U.S. Walking into a packed Mezzanine on a Tuesday night, Jel warmed up the crowd with some impressive, live-produced hip-hop beats and some decent banter in between tracks.

Shortly after Jel’s set, The Avalanches took the stage, including the five-piece’s two founding members in guitarist Robbie Charter and Tony Diblasi, who manned a mix of drum machines, sampling kits and turntables. The group chose to take its “plunderphonics” style, consisting of intricately woven together samples, and turn it into a live band that boasts drummer Paris Jeffree, singer Eliza Wolfgramm and emcee Spank Rock.

Kicking off with “Because I’m Me”, the opening track on their 2016 sophomore LP Wildflower, which (ranked as my favorite album of the year), there was a clear issue when combining the mixing of their studio samples with what sounded like a conventional funk/rock band.

The Avalanches

While Wolfgramm and Spank Rock could more than hold their own on the mic, the energy coming from the band felt discordant and awkward, forcing Spank Rock to work more as a hype man than as a rapper. As they made their way through classic tracks “Flight Tonight” and “Radio” along with more recent hits like “Subway”, something just seemed … off.

Taking their studio efforts to the stage as a live band may not have been the right decision for The Avalanches, and that’s simply because of what makes them so appealing: their sampling. Sampling, after all, sounds very strange when you’re performing live.

The intricate textures and layers of The Avalanches’ material is what people find incredible about them. Yet, in an attempt to translate these productions into a live show, they ended up sounding more like “Flight Tonight: A Tribute to The Avalanches” than the actual Avalanches.

Setlist:
The Leaves Were Falling
Because I’m Me
Frankie Sinatra
The Guns of Brixton (The Clash cover)
Flight Tonight
Radio
Subways
Live a Lifetime Love
Bump (Spank Rock cover)
Frontier Psychiatrist
Life’s a Bitch (Nas cover)

Encore:
The Noisy Eater
Electricity
Since I Left You

Sage Francis spits brutally-honest lyrics with spoken-word flare

Sage FrancisPhotos by Marc Fong // Written by Nikki DeMartini //

Sage Francis with Jel //
Mezzanine – San Francisco
January 30th, 2015 //

It was a few minutes before midnight when Sage Francis took the stage following a couple different guest DJ sets Friday night at Mezzanine. Scheduled openers The Metermaids from Brooklyn had to cancel due to a blizzard on the East Coast.

It’s been less than a year since Francis’ last show in SF, and the innovative rapper from Rhode Island gave fans a performance unmatched to any other solo hip-hop artist, bursting with his unique sound, style and grace.

He hit the stage wrapped in a Strange Famous flag (as a tribute to his record label) with nothing more than a microphone and a laptop laden with original instrumental beats to carry him through the set.

Sage Francis

While a majority of Francis’ setlist weighed heavily on tracks from his older albums than more recent releases like last year’s Copper Gone, he wholeheartedly spit his brutally-honest lyrics with a certain attention-grabbing swagger and spoken-word flare. The captivated crowd felt compelled to dance as they cheered him on throughout his lively and humbly-engaging performance.

Francis has a few more shows lined up in March on the East Coast before he returns to California in late May for a night at Corona’s M15 Concert Bar & Grill. Hopefully it’s not another four years before we hear new music from one of SF’s favorite, off-beat rappers so we can jump back on the Sage train soon.